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Partial matches: 7
Partial matches1
CD, LP, Vinyl record album cover art
Art BlakeyNight In Tunisia (Blue Note) ... LP
Blue Note, 1961. Very Good- ... $78.99
One of a number of Art Blakey albums titled after "Night In Tunisia" – and most likely the best! The tune is a perfect fit for the Blakey Jazz Messengers format – long, rhythmic, really stretching out, yet allowing plenty of space for the horn players to solo. Players include Bobby Timmons on piano, Lee Morgan on trumpet, and Wayne Shorter on tenor – a killer lineup that's in really classic form here – driven on nicely by Blakey's drums and bass work by Jymie Merritt. Titles include "Night In Tunisia", with Blakey thundering through impeccably – plus the tracks "Yama", "Kozo's Waltz", and a version of Timmons' great "So Tired". LP, Vinyl record album
(63rd street deep groove pressing, with RVG stamp and ear! Cover has a split top seam, and a water stain on a back bottom corner.)

Partial matches2
CD, LP, Vinyl record album cover art
Jeanne Lee & Ran BlakeNewest Sound Around ... CD
RCA (France), 1961. Used ... $22.99
An eerie album of modern jazz vocals – featuring the haunting voice of Jeanne Lee with the dark piano of Ran Blake. Most tracks feature only the two of them in duet – but a few feature Lee solo, and a few others have George Duvivier backing the pair up on bass. We like this stuff a lot better than much of Lee's later work – as it's still very much in a traditional jazz vocal realm, just pushed off-kilter a few notches or two, and painted with more abstract colors than usual. Lee's voice is nicely restrained, and has a dark Abbey Lincoln quality to it at the best moments. Titles include "Church On Russel Street", "Laura", "Love Isn't Everything", "Lover Man", "Season In The Sun", and "When Sunny Gets Blue". Plus, this CD reissue features 4 bonus cuts – including "Straight Ahead", "Vanguard", and "Left Alone". CD
(Out of print. Digipack has some wear.)

Partial matches3
CD, LP, Vinyl record album cover art
✨✧ Art BlakeyMoanin' ... LP
Blue Note, 1958. Used ... Temporarily Out Of Stock
One of Art Blakey's first true moments of genius! This transitional version of the Jazz Messengers included two parts – Lee Morgan and Bobby Timmons – of the holy Morgan/Shorter/Timmons trilogy, and it's also got the added bonus of Benny Golson on tenor, who was at the height of his power at this point. The record really shines in ways that few Blakey albums shone since his days with Horace Silver – in that it's a forum for fresh new writing, most importantly Golson's landmark compositions "Blues March" and "Along Came Betty", and Timmons' instant classic "Moanin". The whole album's wonderful, though, and Golson's edgey modernism adds a strong dimension to the group's usual soulful romping groove! (And in fact, as a tribute to the group's success, the album was initially named Art Blakey & The Jazz Messengers, but quickly retitled Moanin in this version, after the big hit single!) LP, Vinyl record album
(Mono 63rd Street pressing, with deep groove, RVG stamp, and ear. Cover has small splits on the spine and bottom seam, with a small piece of clear tape on the corner.)

Partial matches4
CD, LP, Vinyl record album cover art
✨✧ VariousR&B On Lakewood Boulevard – Rare & Unreleased Rhythm & Blues From Southern California ... CD
Downey/Ace (UK), Early 60s. New Copy ... Temporarily Out Of Stock
An overlooked source of soul from the west coast scene – rough-edged material recorded by the small Downey family of labels – a company that's mostly known for its bigger hits in rock and roll at the time! Downey had a great flurry of instrumental rock hits in the early 60s – but at the same time, the company was also cutting a bit of the late R&B and early soul material that never got the right sort of exposure on the LA scene – tracks that would have ended up on Chess, Motown, or Atlantic if the artists had been working back east – but which instead had to find an outlet in the busy recording schedule of Downey. A number of these tracks circulated as singles back in the day, but far more were lost to the shifting sands of time – and either appear here for the first time, or saw brief release in later years since their recording – certainly never in a format this well-done. The package features a whopping 26 tracks in all – plus detailed notes on the legendary Downey studios and store, and the unique story of the music as well. Titles include "Midnight Bells Are Ringing", by T-Bone Walker Jr, "She Wobbles When She Walks" and "Jaywalkin'" by Paul Clifton, "Leave My Woman Alone" by Ace Holder, "Too Young" by Boyce Cunningham, "TV Guide" by Jessie Hill, "Stop Fooling Around" by Little Johnny Taylor, "I Hope That It's Me" by Little Caesar & The Ark Angels, "Down The Street" and "TV Guide" by Jessie Hill, "Laura" and "Fare Thee Well" by The Debonaires, and "Night Scene" by Chuck Higgins. CD

Partial matches5
CD, LP, Vinyl record album cover art
✨✧ Art BlakeyNight At Birdland Vol 1 (original cover) ... LP
Blue Note, Late 50s. Used ... Out Of Stock
A wonderfully hard-storming set – and a record that not only firmly put the Jazz Messengers on the map, but also set a whole new standard for live jazz recording! The group here is the early version of the Messengers – almost co-led by drummer Art Blakey with pianist Horace Silver – and featuring Clifford Brown on trumpet, just a few months before his early death – plus Lou Donaldson on alto and Curley Russell on bass. The presence of alto instead of tenor makes the sound slightly different than later incarnations of the group – and the overall approach is one that virtually defines the shift from straight bop to hardbop in the 50s – a mode that both Blakey and Silver were key in creating. Tracks include "Split Kick", "Quicksilver", "Mayreh", and "A Night In Tunisia". LP, Vinyl record album
(63rd street pressing with deep groove & RVG etch – in the blue/green tinted cover. Cover has moderate wear, splitting and stains. Label has wear. Vinyl plays with numerous clicks & crackles.)

Partial matches6
CD, LP, Vinyl record album cover art
Clifford BrownMemorial Album (Blue Note) ... LP
Blue Note, 1953. Very Good ... $149.99
Clifford Brown only recorded a handful of sides for Blue Note – but all of the best ones are included in this excellent album – a full length set that culls together Brown's material from the 10" years, issued as a memorial to his early death in 1956! Side one features Brown with the modernist Gigi Gryce on flute and alto sax – plus Charlie Rouse on tenor, John Lewis on piano, Percy Heath on bass, and Art Blakey on drums – a lineup that has a strong sense of soul, balanced with a dose of modernism – on titles that include the classic "Hymn to the Orient" – worth the price of the album alone – plus "Easy Living", "Cherokee", "Wail Bait", and "Minor Mood". Side two features an equally sharp group – with Lou Donaldson on some excellent alto, and the great Elmo Hope on piano – on titles that include "Brownie Speaks", "De Dah", "Cookin", "You Go To My Head", and "Carving The Rock". LP, Vinyl record album
(Mono 63rd Street pressing, with deep groove, RVG & 9M etch, and ear. Vinyl has a mark that clicks on "Wail Bait". Cover has some edge wear, with a small name in pen and a vintage price sticker on back.)

Partial matches7
CD, LP, Vinyl record album cover art
✨✧ Paul BleyEarly Trios (Introducing Paul Bley/Paul Bley) ... CD
Fresh Sound (Spain), 1953/1954. Used ... Temporarily Out Of Stock
The earliest work on record from pianist Paul Bley – the Canadian modernist who'd become much better known for his more experimental work in later years, but who's heard here on two straighter trio sessions! The first 7 tracks on the CD are from a rare 10" album that Bley cut with Art Blakey on drums and Charles Mingus on bass – a set that was done upon Mingus' discovery of Bley's talents, and which was issued on his own Debut label briefly in the 50s. Titles on that session include "Opus 1", "Walkin", "Split Kick", "Spontaneous Combustion", "Santa Claus Is Coming To Town", and "Like Someone In Love". The remaining 12 tracks on the set are from a Mercury album cut the following year – one that features either Percy Heath or Peter Ind on bass, plus Al Levitt on drums – and which captures Bley in a fluid and evocative style that we really like. The tunes are mostly familiar numbers, but they're played by Bley with a warm introspection that already shows growth since the first session. Titles include "Drum One", "Time On My Hands", "Autumn Breeze", "My One & Only", "52nd Street Theme", and "This Can't Be Love". CD
 
 
 



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