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Kudu Edit search

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Close matches: 3
Close matches1
CD, LP, Vinyl record album cover art
✨✧ Idris MuhammadPower Of Soul ... CD
Kudu/CTI, 1974. New Copy ... $4.99 6.99
An incredible record from funky drummer Idris Muhammad! Idris is probably known for his funky break work on Blue Note and Prestige records sessions of the late 60s and early 70s – but by the time of this 1974 album, he was really expanding his style, hitting a laidback groove that went way beyond the simple drum break, into a world of complicated fills and riffs that forever changed the face of funk. The best example of this is the album's standout groove – the massive cut "Loran's Dance", which has a mellow jazzy vibe that you'll recognize from its popular use as a sample cut over the years (by the Beastie Boys, DJ Shadow, and others.) All cuts are long and mellow, and other titles include "Power Of Soul", "Saddest Thing" and "Piece of Mind". CD

Close matches2
CD, LP, Vinyl record album cover art
Esther PhillipsAlone Again, Naturally ... CD
Kudu/Reel Music, 1972. Used ... $11.99
One of the deepest soul sets from Esther Phillips' 70s years on Kudu Records – a set with some nicely gritty grooves and a surprisingly earthy feel at times – especially when compared to some of her other albums of the time! Backings are by James Brown's old reedman, Pee Wee Ellis – and although there's some of the usual Kudu electric funk in the mix, there's also some deeper soul elements too – a vibe that's often a bit laidback and open, almost more Atlantic Records at points – which is a mighty good fit for Esther's wonderful voice! As usual for Kudu, the players are an all-star lineup – one that includes Richard Tee on keyboards, George Benson on guitar, Maceo Parker on tenor, and Bernard Purdie and Billy Cobham on drums – and Don Sebesky's also on deck a bit, to sweeten a few tracks up with light strings. The album's got a great version of Bill Withers' "Use Me" that features a tasty break in the intro – and other titles include a great version of "Alone Again (Naturally)", plus the cuts "Let's Move & Groove", "Cherry Red", "Let Me In Your Life", and "You & Me Together". CD
(Out of print.)

Close matches3
CD, LP, Vinyl record album cover art
✨✧ Idris MuhammadTurn This Mutha Out ... CD
Kudu/Soul Brother (UK), 1977. New Copy ... Out Of Stock
A great late 70s chapter in the career of funky drummer Idris Muhammad – moving into very different territory here than his early soul jazz with Lou Donaldson, and even his earliest solo material too! David Matthews arranged the tracks, and he's given them a slick but soulful sound, with lots of spacey fusion elements, and a nice funky soul vibe that's a bit similar to some of Larry Mizell's work – stretched out in this great mix of grooves and deeper jazzier elements – even at a level that's hipper than Matthews' usual material from the time. Idris is at the core on percussion – and the lineup also includes Jeremy Steig on flute, Eric Gale on guitar, Randy Brecker on trumpet, and Wilbur Bascomb on bass – and titles include the seminal "Could Heaven Ever Be Like This", plus "Cambay Bolongo", "Tasty Cakes", "Crab Apple", "Moon Hymn", and "Say What". CD
Possible matches: 23
Possible matches4
CD, LP, Vinyl record album cover art
Charles EarlandLiving Black (Japanese pressing – with bonus tracks) ... CD
Prestige/Universal (Japan), 1970. Used ... $19.99
A stone cold live date from Charles Earland – recorded in Newark, at just the sort of club where he got his start! The tracks are quite long and openly grooving – even more so than Charles' killer studio sets from the time – and there's a bit of a harder edge here too, thanks partly to the live setting – and to the amazing young tenor work of Grover Washington Jr, who really sounds incredible here – much harder than in his later Kudu years! Other members of the group include trumpeter Gary Chandler – playing with a sound that's right up there with his landmark date on Eastbound Records – plus Maynard Parker on guitar, Jesse Kilpatrick on drums, and Buddy Caldwell on congas. As usual, Charles doesn't need a bassist to help him find a nice chunky bottom on the tunes – and he really sails out majestically throughout, with those famous long-running solo lines of his on the Hammond! Titles include "Killer Joe", "Milestones", and "Key Club Cookout". Features 2 bonus tracks too – "More Today Than Yesterday" and "Message From A Black Man". CD
(Out of print 2009 pressing – includes obi!)

Possible matches5
CD, LP, Vinyl record album cover art
Victor FeldmanRio Nights (aka In My Pocket) ... CD
Hindsight, 1978. Used ... $4.99
An excellent bit of 70s funk from Victor Feldman – smooth, electric, and very different from much of his other work. The set was recorded with direct to disc mastering – and has a feel that's a lot like CTI or Kudu work from the mid 70s, no surprise as the set features work by funky fusion stalwarts like Hubert Laws, Harvey Mason, and Chuck Domanico. Feldman plays acoustic piano and some sweet Fender Rhodes – and titles include "Rio", "Skippin", "I Am Happy", "In My Pocket", and "Welcome To The Party". CD
(Out of print.)

Possible matches6
CD, LP, Vinyl record album cover art
Eddie HendersonHeritage ... CD
Blue Note, 1976. Used ... $16.99
Essential work from Eddie Henderson – one of the trumpeter's hippest albums of the 70s, and a key link between his early righteous days and his later smoother sound! The set's a near-perfect blend of all elements involved – tight funky rhythms, spacey soulful instrumentation, and wicked production work from the mighty Skip Drinkwater in the studio – a record that's as essential to his legacy as Gears is to that of Larry Mizell! Henderson's trumpet work is totally great – often muted, and always snakey inside the rhythms – and other players here include Julian Priester on trombone, Hadley Caliman on flute and soprano sax, Patrice Rushen on keyboards, Paul Jackson on bass, and Headhunter Mike Clark on drums. Titles include the excellent groover "Inside You", plus "Kudu", "Acuphuncture", "Time & Space", "Dr Mganga", and "Dark Shadow". CD
(Out of print.)

Possible matches7
CD, LP, Vinyl record album cover art
Richard Groove HolmesI'm In The Mood For Love ... CD
Flying Dutchman/Ultra Vybe (Japan), 1976. Used ... $13.99
Quite a different album than you might expect from the title and cover – which seem to imply a set of late nite ballads! Instead, the album's got fuller arrangements and a more upbeat groove – that larger ensemble mode that some organists were using in the mid 70s – as on the later Prestige jazz/funk years, or even some of the work on the Groove Merchant label! Groove Holmes here still gets plenty of space to solo, even though the arrangements feature some additional keyboards from time to time – and Horace Ott handles the backings with a nicely soulful vibe. There's also some vocal chorus presence on the record – handled by The Breathless group, who work in a way that just echoes the instrumentation – and titles include "Morning Children", "I'm In The Mood For Love", "I've Got A Love For You", and "This Is The Me Me" – plus the laidback "Non Kulu Leku", which has a very mellow CTI/Kudu feel. CD
(Includes obi.)

Possible matches8
CD, LP, Vinyl record album cover art
Freddie HubbardWindjammer ... CD
Columbia/Wounded Bird, 1976. Used ... $8.99
A great post-CTI session from Freddie Hubbard – one that has him blowing over sweet arrangements from Bob James, who manages to keep things full, yet soulful throughout! There's a lot of instrumentation backing Freddie up for the date – full horns, strings, and even a bit of chorus vocals – but as with some of James' best efforts like this, things never get too cluttered, nor too slick – and the album rocks with the kind of soulful vibes you'd hear on some of the Kudu Records dates of the time. Even familiar covers – of tunes like "Feelings" or "Dream Weaver" – are nicely transformed by James' touch, taking on a new soulful sound in this setting – thanks to Bob's own work on keyboards, which are supported a bit by additional keys from George Cables. Hubbard sparkles no matter what the setting – and titles include "Rock Me Arms", "Touch Me Baby", "Windjammer", and "Neo Terra". CD
(Out of print.)

Possible matches9
CD, LP, Vinyl record album cover art
Little Esther (Esther Phillips)Memory Lane – The Best Songs Little Esther Ever Recorded ... CD
King, Mid 50s. New Copy ... $7.99 9.99
Fantastic early work from Esther Phillips – recording here as a young girl, under the name of Little Esther – but with a voice that's every bit as great as on her 60s recordings for Atlantic, or her 70s hits on the CTI/Kudu label! The music is a mixture of R&B and blues – the latter infused with some larger charts that already show the kind of class that would set Esther apart from so many of her contemporaries – and make the vocalist a key bridge between generations during the years that soul music would search for more sophisticated sounds. The vibe is very much in the best styles that Lavern Baker was recording for Atlantic – with a similar richness in modes – and titles include "Sweet Lips", "The Storm", "I Paid My Dues", "Heart To Heart", "Cherry Wine", "Aged & Mellow", "The Deacon Moves In", "Tell Him That I Need Him", "I'll Be There", "Street Lights", "Mainliner", and "Ring A Ding Doo". CD

Possible matches10
CD, LP, Vinyl record album cover art
✨✧ Blue MitchellAfrican Violet/Summer Soft ... CD
Impulse, 1977/1978. Used 2 CDs ... Just Sold Out!
Overlooked greatness from trumpeter Blue Mitchell – two 70s albums back to back! African Violet is sweet electric funk from Blue – recorded in a warm, largely arranged style that's reminiscent of the best Freddie Hubbard fusion work from the 70s – but which has an even tighter sound overall! The groove is great – kind of a Kudu Records vibe, and Blue's actually quite good in this format – stepping off with a bit more confidence than on his electric sides from Mainstream, and getting the benefit of some great tenor sax work from Harold Land on a few numbers! Mitchell's always one of those players who actually seems to stretch out more in a set where he's not the leader of a small combo – and his solos here are surprisingly strong, and filled with soul – as are those of Land and tenorist Herman Riley. Titles include "Sand Castles", "Ojos De Rojo", "Mississippi Jump", "As", "Square Business", and "Forget". Summer Soft is a later set from Blue Mitchell – but a great one too, and done in a fully-arranged soul fusion style that seems to bring out the best in his playing! The album's got a smoother sound than some of Blue's work for Blue Note or Mainstream – but the groove comes out surprisingly well, without any cliches or cheesiness – and Blue himself turns in some wonderful solo work for the record, blowing in an open-ended mode that's similar to Donald Byrd's style of the time. Other players include Bobby Lyle on keyboards, Cedar Walton on piano, Eddie Harris and Harold Land on tenor, and Paulinho Da Costa on percussion – and arrangements for the set were handled by Phil Wright and Cedar Walton, the latter of whom brings in some of the tight funky feel of his own late 70s fusion sets for Columbia. Titles include "A Day At The Mint", "Summer Soft", "Try Not To Forget", "Love Has Made Me A Dreamer", "Evergreen", and "Funkthesizer". CD
(Out of print, punch through barcode.)

Possible matches11
CD, LP, Vinyl record album cover art
David NewmanLonely Avenue/Newmanism ... CD
Collectables, 1972/1974. Used 2 CDs ... Just Sold Out!
Two of David Newman's best moments from the 70s – mostly because he was working with Roy Ayers, and picking up a hipper style than usual, which turned his sometimes sleepy horn into an instrument that was more ready to match the talents of emerging hip jazz funk artists on labels like Kudu and CTI. Roy's vibes can be heard on most of the tracks – and the records also have some nice keyboard work from either Pat Rebillot or Charles "Bags" Costello. Includes a great version of Roy's funky "Fuzz" , plus his tracks "Fire Weaver", "Foxy Brown" and "Sweet Tears". Other titles include "Symponette", "3/4/ Of The Time", "Brandy", "Song For The New Man", "Baby Rae", and "Let Me Know". CD
(Out of print.)

Possible matches12
CD, LP, Vinyl record album cover art
Melvin SparksI'm Funky Now ... CD
Westbound (UK), 1976. New Copy ... $12.99 18.98
A never-issued album by funky guitar legend Melvin Sparks – recorded right after his final record for the Westbound label, and appearing here for the first time ever! Sparks first rose to fame via funky work with Lonnie Smith and Lou Donaldson in the late 60s, the cut some killer albums of his own and with organist Leon Spencer in the 60s – before disappearing a bit until a great revival in more recent years! This set represents Sparks right before he dropped off the map – a session that's done with a sweet jazz funk vibe that shows the way that labels like Westbound were picking up some of the style of the successful CTI/Kudu imprint – mixing some larger charts with the leader's solo strengths – allowing maybe some more soulful influences in the rhythms, while still going for a jazz funk approach overall. The set's much more instrumental than Sparks' last record for Westbound, which had more vocals – and although a few tracks have an upbeat clubby style, most of the music is more in a midtempo mode. Titles include "Love Tones", "I'm Funky Now", "I'm Gonna Funk You Up", "You're Gonna Make It", "The Truth Hurts", "Make It Good", and "Disco Booty". CD

Possible matches13
CD, LP, Vinyl record album cover art
Jr Walker & The All StarsWalk In The Night – The Motown 70s Studio Albums (A Gasssss/Rainbow Funk/Moody Jr/Peace & Understanding/Jr Walker & The All Stars/Hot Shot) (3CD set) ... CD
Motown/ (UK), Early 70s. New Copy 3 CDs ... $24.99
6 Motown albums from Jr Walker & The All Stars – all long overdue for reissue! First up is A Gasssss – a gas of a record from Jr Walker & The All Stars – a set that has the magical Johnny Bristol producing – giving the group this really warm, soaring sound that's totally great! Walker still serves up plenty of strong tenor solos, but there's also some vocal currents in the mix – strong leads at times, but also some nice backups too – all of which really helps to keep things soaring! Titles a nice mix of Motown covers and original material – and titles include "I Was Made To Love Her", "Do You See My Love", "And When I Die", "Honey Come Back", "Holly Holy", "Riding High On Love", "At A Saturday Matinee", and "Groove & Move". Next up is Rainbow Funk – a record that definitely has Jr Walker & The All Stars picking up a bit of funk – but in a groove that still mixes things with that warmly soulful glow the group had right from the start! The basslines are definitely up a bit from before – although not rumbling in Norman Whitfield territory – and the sax solos get a bit more space to stretch out and bite on the longer numbers, but often with a bit of backing vocals to warm things up around the edges! Jr is great all the way through – Motown's very strong answer to King Curtis – and titles include "Right On Brothers & Sisters", "Way Back Home", "Feeling Alright", "Psychedelic Shack", "Pieces Of A Man", and "Teach Them To Pray". Moody Jr is a sweet early 70s groover from Jr Walker & The All Stars – a set that reunites the group with producer Johnny Bristol, who always has a great way of helping them set fire to their sound! Walker and company may have shot from the gate with a mix of R&B tenor and Motown soul – but the sound here is much more in the latter, more matured mode of the label – with strong deep soul lyrics on a number of cuts, which are balanced out nicely by Bristol's fuller production. There's plenty of sax solos too, of course – and titles include "Way Back Home", "Bristol's Way", "Don't Blame The Children", "Me & My Family", "Still Water Medley", and "Groove Thang". Peace & Understanding is a record that has Jr Walker and the group stepping out with some of the righteous touches promised in the title – partly in the choice of songs on the set, which are all nicely tucked into that strong mix of deep soul vocals and saxophone lines that had become the Jr Walker groove! The set features work from a number of different arrangers – all the hipper side of Motown in the early 70s, as the list includes, Willie Hutch, Gene Page, and James Carmichael – and tunes include two great originals, one by Hutch, one by Leon Ware. Tracks include "It's Alright Do What You Gotta Do", "Soul Clappin'", "Gimme that Beat (parts 1 & 2)", "It's Too Late", and "Peace & Understanding Is Hard To Find". The self-titled Jr Walker & The All Stars album is maybe the rarest in the bunch – an obscure UK-only record from 1974, and one that has the group's usual approach warmed up by some more ambitious arrangements – a bit like the direction some of the vocal acts of the 70s were taking at the time! The production on most of the set is by Clarence Paul – and there's mostly a focus on the saxophone, not any vocals at all – which makes the set feel a bit like some of the Willis Jackson or Lou Donaldson work for Atlantic around the same time – or maybe even a bit like Hank Crawford on Kudu. Titles include "Boogie Down", "All In Love Is Fair", "You Are The Sunshine Of My Life", "Break Down & Sing", and "Dancin Like They Do On Soul Train". Hot Shot is a mid-70s stormer from Jr Walker & The All Stars – a set that glides along on a fuller set of backdrops than before, with Holland-Dozier-Holland production from Brian Holland returning to Motown – but in a hip 70s style that has strings and funk dancing along in a great way beneath the strong sax solos in the lead! There's a bit of vocals on the record, but the real strength lies in the instrumentation – especially some of the weirder, fuzzier guitar lines and keyboards. Titles include "Why Can't We Be Lovers", "Hot Shot", "Probe Your Mind", "I Need You Right Now", and "You Ain't No Ordinary Woman". CD

Possible matches14
CD, LP, Vinyl record album cover art
Grover Washington JrSkylarkin' (Japanese paper sleeve edition) ... CD
Motown (Japan), 1980. Used ... $11.99
Sweet Motown grooving from Grover Washington – a set that has him working with slightly larger backings than his Kudu years, but in a way that still lets his soulful horn stand strongly out front! As always, Washington is a killer talent on the soprano sax – able to inflect the instrument with these soulful twists and turns that he virtually invented at the time, and which so many others have tried to copy over the years. Yet the set also has Grover on a bit of tenor and baritone sax, too – plus some flute – all over arrangements mostly handled by the man himself, with a bit of help from William Eaton. Titles include "Snake Eyes", "Bright Moments", "Easy Loving You", "Love", and "I Can't Help It". CD
(Out of print, includes obi.)

Possible matches15
CD, LP, Vinyl record album cover art
✨✧ Charlie BrownWhy Is Everybody Always Pickin On Me? ... CD
Contact/Ultra Vybe (Japan), 1972. Used ... Temporarily Out Of Stock
A pretty unusual album – and one by an obscure player who's not to be confused with Charles Brown, the blues singer – or Chuck Brown, the leader of the Soul Searchers! This Charlie Brown is a tenor player – listed as obscure even in the notes to the session – which is a laidback set of soul jazz numbers which feature Chuck's tenor over backings by Horace Ott. The overall style is similar to some of Hank Crawford's work from the time, particularly his albums on Kudu – with a polished feel to the backings, offset by some gutsier work by the main soloist – and the group is pretty great, and features Neal Creque on piano, Richard Tee on organ, Pretty Purdie on drums, and Billy Butler on guitar. Titles include "Back On The Track", "I Wanna Be Where You Are", "Love The One You're With", and "(Funky) Sunny", probably the nicest track on the album. CD
(Includes obi.)

Possible matches16
CD, LP, Vinyl record album cover art
✨✧ Earl KlughEarl Klugh/Living Inside Your Love/Magic In Your Eyes ... CD
Blue Note/BGO (UK), 1976/1978. New Copy 2CD ... Temporarily Out Of Stock
A trio of Earl Klugh albums from the mid-to-late 70s – Earl Klugh, Living Inside Your Love and Magic In Your Eyes – in a 2CD set! Earl Klugh is the guitarists debut – a player whose sound went onto dominate late 70s fusion in a big big way! Klugh's clearly stepping here into a space allowed by George Benson at the time – a blend of jazz and R&B that's warmer and mellower than work previously done on Blue Note in the decade (or on CTI and Kudu for that matter) – one that's less focused on rhythm than it is on tone, and the kind of setting that allows Earl to shine wonderfully. There's a lot less of the cheesiness here that would hurt Klugh's later albums, and the overall presentation is nicely retrained – arranged by Dave Grusin at a time when he still knew how to bring a good deal of soul into a session, avoiding cliche and letting the soloist step forth unmarred. Other players include Lee Ritenour, Harvey Mason, and Grusin himself – and Klugh plays both electric and acoustic guitar, on tunes that include "Angelina", "Slippin In The Back Door", "Vonetta", "Waltz For Debby", and "Wind & The Sea". Living Inside Your Love is his second album for Blue Note – and like the first, a nicely stripped-down album that we like a lot better than his later work! Klugh's sound and tone are still very pure here – set up in some nice small group arrangements by Dave Grusin, and recorded in a way that brings out all the sweetness in Earl's approach, without falling into the cheesy qualities that it inspired in so many other, weaker players. If anything, Klugh's style is stronger and more confident than on his first outing – on titles that include "Kiko", "The April Fools", "Captain Caribe", "Felicia", and "Living Inside Your Love". Magic In Your Eyes is another sweet early effort from Klugh, with the title track plus "Alicia", "Julie", "Rose Hips", "Cry A Little While", "Cast Your Fate To The Wind" and more. CD

Possible matches17
CD, LP, Vinyl record album cover art
✨✧ Wayne ShorterOdyssey Of Iska ... CD
Blue Note (Japan), 1970. Used ... Temporarily Out Of Stock
A very unusual album for Wayne Shorter – recorded right around that 1970 point when Duke Pearson was exploring formats for Blue Note artists that included larger, often electric arrangements, pointing the way towards some of the later 70s soul jazz work on labels like Kudu or CTI! This set, produced by Pearson, features Shorter as the main soloist on tenor and soprano sax – in a very hip group that includes Dave Friedman on vibes, Gene Bertoncini on guitar, Ron Carter and Cecil McBee on bass, and both Billy Hart and Alphonse Mouzon on drums. Tracks are long and complicated, with searching soulful arrangements that are part post-Miles fusion, part early 70s indie soul jazz – but balanced nicely without any sense of overindulgence at all. Shorter's soprano work is very nice, and much more angular than his playing on tenor – and titles include "Wind", "Joy", "Storm", and "Calm". CD
(Out of print, includes obi.)

Possible matches18
CD, LP, Vinyl record album cover art
✨✧ Sonny StittMr Bojangles (Japanese paper sleeve edition) ... CD
Cadet/Universal (Japan), 1973. Used ... Temporarily Out Of Stock
Sweet 70s work from Sonny Stitt – quite different than his bop years, but with a smooth funky finish that puts it in the same territory as CTI or Kudu Records in the 70s! Sonny's getting full backing here – arrangements by Don Sebesky, who crafts some elegant and slinky sounds for the album's gently grooving tracks – and although the set's not a hard-edged funk effort, it's got the same mix of soul and jazz that you'd find in some of Stanley Turrentine's work of the time. Sonny Plays both alto and tenor, and Roland Hanna handles the electric piano. Highlights include the bouncy "Blue Monsoon", a nice mellow version of "The World Is A Ghetto", and the tracks "Got To Be There", "Fifty Per Cent", and "Ben". CD
(Out of print, 2002 pressing with 24-bit mastering – includes obi!)

Possible matches19
CD, LP, Vinyl record album cover art
✨✧ Joe ThomasFeelin's From Within ... CD
Groove Merchant/Unidisc (Canada), 1976. Used ... Temporarily Out Of Stock
The Ebony Godfather is grooving here with a set of fuller backings – sweet clubby funk, arranged and conducted by Brad Baker (of B Baker Chocolate Company fame) – all as a showcase for Joe's sweet work on flute and tenor sax! There's a fair bit of keyboards on the tunes – played by Pat Rebillot and Barry Miles – and Steve Gadd's playing the drums on the date, which helps the rhythms keep a bit of an edge, even amidst the larger backing. Some cuts have backing chorus vocals, in a style used on other Thomas albums – and although definitely touched by a bit of disco fever, the album's still got a jazzy element too – like some of the crossover club sessions on the Kudu label from the 70s! Titles include "Funky Fever", "Feelins From Within", "Polarizer", "Coco", "Galaxy Dreamin", and "Venus". CD

Possible matches20
CD, LP, Vinyl record album cover art
✨✧ Maxine WeldonChilly Wind ... CD
Mainstream/P-Vine (Japan), 1971. Used ... Temporarily Out Of Stock
Fully righteous work from singer Maxine Weldon – working here with bigger backings from Ernie Wilkins that mix in a bit of blues, soul, and funk! The style's never too polished, and almost has a similar feel to some of Esther Phillips' work on the Kudu label during the early 70s – soulful vocals at the lead, backed by some hip jazz and electric instrumentation from players who include Blue Mitchell and Bobby Bryant on trumpet, Hadley Caliman and Ernie Watts on tenor and flute, George Bohannon on trombone, and Freddy Robinson on guitar. Titles include "Don't Make Promises", "Hey, That's No Way To Say Goodbye", "Country Son", "I'll Remember Today", "Fire & Rain", "I Who Have Nothing", and "Ain't Got Nobody". CD
(Out of print P-Vine pressing, includes obi.)

Possible matches21
CD, LP, Vinyl record album cover art
✨✧ Disco Space Funk BandJourney Through The Night ... CD
Baby Grand/Everland (Austria), 1978. New Copy ... Out Of Stock
A sweet little record that's way better than you might ever guess from the title – almost more of a jazz funk effort overall, with excellent work on guitar, trumpet, saxes, and keyboards! There's vocals on the album, but maybe more in a backup sort of way – and although the cuts could work on a dancefloor, they've often got the mix of jazz and groove that you'd find in some of the funkier Kudu Records material of the time – which might have been an inspiration for these guys! The album was recorded on the Atlanta scene of the late 70s, with lead guitar from Gary Ruffin – and titles include "Get Up & Get Down", "Summer Love", "Randy's Nap", "Simple Song", and "Journey Through The Night". CD

Possible matches22
CD, LP, Vinyl record album cover art
✨✧ Jimmy McGriffRed Beans ... CD
Groove Merchant/Ultra Vybe (Japan), 1976. New Copy ... Out Of Stock
Jimmy McGriff picks up a few more keyboards than straight Hammond organ – but that's ok with us, given the great results of the set! The album's got McGriff working on electric piano and clavinet alongside the organ – plus supporting arrangements from Brad Baker, in that fuller, Kudu-styled approach to jazz funk that Groove Merchant used strongly in the mid 70s – a slightly smoother sound than before, but still plenty darn great, and definitely filled with more than enough jazz to keep things real! Pat Rebillot plays some additional keyboards on the album – in that funky style he used well at the time – and there's almost a spacey Fantasy Records quality to some of the best numbers here! Titles include the incredible tripped out break cut "Space Cadet", plus "Love Is My Life", "Sweet Love", "Big Booty Bounce", "Red Beans", and "Cakes Alive". CD
(Part of the Groove Merchant Mo' Groovy Collection!)

Possible matches23
CD, LP, Vinyl record album cover art
✨✧ Nina SimoneBaltimore ... CD
CTI, 1978. New Copy ... Out Of Stock
A real standout 70s set from Nina Simone – a one-off date for CTI Records, done with a sound that's different than her earlier work for RCA, Philips, and Colpix! The groove here is often as soul-based as it is vocal jazz – thanks to arrangements from David Matthews, who brings a similar sound here to his other work with Esther Phillips in the decade – another older singer who'd hit some very hip territory at the time. The groove here is very much like Phillips' best for Kudu – smooth and soulful, but in ways that still retain all the rasp and character of the lead vocals. Titles include a sublime reading of Randy Newman's excellent "Baltimore", plus "The Family", "My Father", "Music For Lovers", "Rich Girl", and "Balm In Gilead". CD

Possible matches24
CD, LP, Vinyl record album cover art
✨✧ Lonnie SmithGotcha ... CD
LRC/Ultra Vybe (Japan), 1978. New Copy ... Out Of Stock
Smooth later work from Lonnie Smith – but still pretty darn great, with a feel that's in the late 70s Kudu/CTI mode! Arrangements are bigger than ever before – with large backings arranged by Lonnie, and some vocals that have a really wonderful, warm, Stevie Wonder-esque quality to them. The best tracks groove along at a nice midtempo pace, with strong work on keyboards by Lonnie, and a warm, dreamy, soulful quality that's quite different from his Blue Note work, but equally pleasing in another sort of way. Titles include "What's Done Is Done", "I Need Your Love", "Sweet Honey Wine", "My Latin Sky", and "Journey To Within". CD
(Part of the Groove Merchant Mo' Groovy Collection!)
Also available Gotcha ... LP 7.99

Possible matches25
CD, LP, Vinyl record album cover art
✨✧ Joe ThomasHere I Come ... CD
LC/Ultra Vybe (Japan), 1977. New Copy ... Out Of Stock
Soulful sounds from the great Joe Thomas – a reedman who was first known as the Ebony Godfather on some more rough-edged funk at the start of the 70s – but who's equally great here in a larger, warmer setting overall! The record follows the spirit of some of the others in the second chapter of the Groove Merchant label – that time when Sonny Lester changed things over to LRC/LC, and often worked in ways that maybe echoed more of the major label soul fusion styles, but always with a much hipper vibe. The backings here are directed by Brad Baker – who you'll know from the B Baker Chocolate Company work – a great fit for the tight solos from Thomas, who maybe comes across a bit like Grover Washington on Kudu/CTI. Titles include "Green Dragon", "Same Old Song", "Place In Space", "Gotcha", and "Here I Come". CD
(Part of the Groove Merchant Mo' Groovy Collection!)

Possible matches26
CD, LP, Vinyl record album cover art
✨✧ John TropeaShort Trip To Space ... CD
Marlin/Solid (Japan), 1977. New Copy ... Out Of Stock
A funky fusion classic from John Tropea – the great guitarist who cut a wealth of studio work for other players, and a rare few albums under his own name! This set's got a tight, yet soulful finish – very much in the spirit of the best work on CTI or Kudu during the mid 70s – with Tropea's guitar out front in the arrangements on most tracks, backed by keyboards, horns, and some nice use of synth, which creates some especially great spacey touches. Players include Mike Mainieri, Don Grolnick, Will Lee, and Steve Gadd – and titles include "The Funk You See Is The Funk You Do", "Can't Hide Love", "You Can't Have It All", "Southside", "Short Trip To Space", "Love's Final Moment", and "Twist Of The Wrist". CD
(Part of the "TK Records – The Miami Sound, Original Soul, Funk & Disco Collection" series!)

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