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Exact matches: 1
Exact matches1
CD, LP, Vinyl record album cover art
✨✧ VariousCTI/Kudu Guide For Selecting Recording Material For A&R Producers, Jazz Players, Jazz & Jazz Rock Groups ... LP
CTI, 1976. Very Good ... $9.99
With selections from Stanley Turrentine, Joe Farrell, George Benson, Hank Crawford, Ron Carter, Bob James, and Jayson Lindh. LP, Vinyl record album
 
Close matches: 31
Close matches2
CD, LP, Vinyl record album cover art
Ron CarterAnything Goes ... LP
Kudu, 1975. Very Good+ ... $5.99
Ron Carter gets sweet and funky on this 70s classic for Kudu Records – a set that's a fair bit different than some of Carter's acoustic trio sides of the decade, or some of his more high-concept work in recent years! The approach here is free and flowing – larger arrangements penned by Carter and David Matthews – all in that sweet Kudu blend of soul and jazz, acoustic and electric elements. Ron himself plays acoustic bass and piccolo bass – alongside some great keyboards from Don Grolnick and Richard Tee. A few cuts have backing singers, but others are more instrumental – and titles include a great cover of "Barretta Theme (Keep Your Eye On The Sparrow)", plus "Anything Goes", "Big Fro", "Quarto Azul", and "De Samba". LP, Vinyl record album
(Cover has cut corner.)

Close matches3
CD, LP, Vinyl record album cover art
✨✧ Hank CrawfordHank Crawford's Back ... LP
Kudu, 1977. Sealed ... $4.99
Hank Crawford turns his back on the cover of this sweet little set from Kudu – but the groove itself is very upfront, strongly in the best mix of funky jazz and club the label had going down into the late 70s! Arrangements are by David Matthews, who keeps things lean and mean, even when the instrumentation is fairly large – and Hank's nicely burning alto is firmly in the lead, blown with a sound that echoes back to older soul jazz modes of the 60s, but which has some smoother touches overall for the 70s. The album's got plenty of keyboards from Richard Tee, plus trombone solos from Fred Wesley, flute from Jeremy Steig, and guitar from Eric Gale – plus backing vocals on some of the cuts. Titles include "Funky Pigeon", "Midnight Over Memphis", "You'll Never Find Another Love Like Mine", "Canadian Sunset", and "I Can't Stop Loving You". LP, Vinyl record album
(Shrinkwrap has a hole in front. Cover has a cutout notch.)

Close matches4
CD, LP, Vinyl record album cover art
Grant GreenMain Attraction ... CD
Kudu/CTI, 1976. Used ... $6.99
Quite an unusual album from Grant Green – a record that's quite different than his earlier records for Blue Note, but still pretty darn great overall! Grant's working here in a large group – Kudu style – with arrangements by David Matthews, but a sound that's still pretty lean overall! There's a fair bit of great players in the lineup – including Jon Faddis on trumpet, Hubert Laws on flute, and Joe Farrell on tenor – and the horns soar out nicely to set the scene over some tightly stepping backings – all served up with plenty of room for Grant to solo spaciously on guitar! The title track – "The Main Attraction" – is nearly 20 minutes long – and the other two tracks, "Creature" and "Future Feature", both approach the 10 minute mark themselves! CD
(Out of print.)
Also available Main Attraction ... CD 13.99

Close matches5
CD, LP, Vinyl record album cover art
Grant GreenMain Attraction ... CD
Kudu/King (Japan), 1976. New Copy ... $13.99
Quite an unusual album from Grant Green – a record that's quite different than his earlier records for Blue Note, but still pretty darn great overall! Grant's working here in a large group – Kudu style – with arrangements by David Matthews, but a sound that's still pretty lean overall! There's a fair bit of great players in the lineup – including Jon Faddis on trumpet, Hubert Laws on flute, and Joe Farrell on tenor – and the horns soar out nicely to set the scene over some tightly stepping backings – all served up with plenty of room for Grant to solo spaciously on guitar! The title track – "The Main Attraction" – is nearly 20 minutes long – and the other two tracks, "Creature" and "Future Feature", both approach the 10 minute mark themselves! CD
(Blu-Spec CD pressing!)
Also available Main Attraction ... CD 6.99

Close matches6
CD, LP, Vinyl record album cover art
Johnny HammondHigher Ground ... CD
Kudu/King (Japan), 1973. New Copy ... $13.99
Massive work from Johnny Hammond – stretching out here in some totally jamming grooves that really transform his style for the 70s! The sound here is a lot hipper and tighter than some of Hammond's more rough-edged soul jazz of the 60s – a groove that's a great precursor to his more famous meetings with Larry Mizell a few years later – and equally great! Johnny's got plenty of space here – and is really taking his time with the grooves, thanks to some open ended arrangements by Bob James, who also plays electric piano on the record! The record is a seminal piece of work in the transformation of the chunky 60s organ sound to a sweeter 70s keyboard groove – and was proof that Johnny, more than most of his 60s soul jazz contemporaries, was ready to embrace the new sounds of the decade with open arms. Includes the great sample cut "Big Sur Suite" – plus "Higher Ground", "Summertime/The Ghetto", and "Catch My Soul". CD
(Blu-Spec CD pressing!)

Close matches7
CD, LP, Vinyl record album cover art
Idris MuhammadHouse Of The Rising Sun ... CD
Kudu/King (Japan), 1975. New Copy ... $13.99
A surprising jazz funk stunner from drummer Idris Muhammad – part of his great second chapter of work for CTI in the 70s! Idris is working here in a style that's very different than his heavy-footed funky work on Prestige and Blue Note – and while it's easy to criticize him for not keeping the same old breakbeat funk style, it's also important to give him a lot of credit for pushing his vision way past the simple stock style of the earlier days! The record's a very nice set of complicated jazzy grooves – some a bit clubby, but many very nice, and with the kind of sophisticated funk arrangements that were on the best Kudu records. No surprise that Dave Matthews is putting together most of the cuts, save for one excellent groove that's arranged by Tom Harrell. Players include Fred Wesley, Ronnie Cuber, Eric Gale, and Wilbur Bascomb – and titles include "Baia", "Sudan", "Hey Pocky A Way", "Theme For New York City", which is based on the same Chopin haunting tune as Serge Gainsbourg's "Jane B"! CD
(Blu-Spec CD pressing!)
Also available House Of The Rising Sun ... LP 19.99

Close matches8
CD, LP, Vinyl record album cover art
Idris MuhammadHouse Of The Rising Sun ... LP
Kudu, 1975. Very Good+ ... $19.99
A surprising jazz funk stunner from drummer Idris Muhammad – part of his great second chapter of work for CTI in the 70s! Idris is working here in a style that's very different than his heavy-footed funky work on Prestige and Blue Note – and while it's easy to criticize him for not keeping the same old breakbeat funk style, it's also important to give him a lot of credit for pushing his vision way past the simple stock style of the earlier days! The record's a very nice set of complicated jazzy grooves – some a bit clubby, but many very nice, and with the kind of sophisticated funk arrangements that were on the best Kudu records. No surprise that Dave Matthews is putting together most of the cuts, save for one excellent groove that's arranged by Tom Harrell. Players include Fred Wesley, Ronnie Cuber, Eric Gale, and Wilbur Bascomb – and titles include "Baia", "Sudan", "Hey Pocky A Way", "Theme For New York City", which is based on the same Chopin haunting tune as Serge Gainsbourg's "Jane B"! LP, Vinyl record album
Also available House Of The Rising Sun ... CD 13.99

Close matches9
CD, LP, Vinyl record album cover art
Idris MuhammadPower Of Soul ... CD
Kudu/CTI, 1974. New Copy ... $5.99 6.99
An incredible record from funky drummer Idris Muhammad! Idris is probably known for his funky break work on Blue Note and Prestige records sessions of the late 60s and early 70s – but by the time of this 1974 album, he was really expanding his style, hitting a laidback groove that went way beyond the simple drum break, into a world of complicated fills and riffs that forever changed the face of funk. The best example of this is the album's standout groove – the massive cut "Loran's Dance", which has a mellow jazzy vibe that you'll recognize from its popular use as a sample cut over the years (by the Beastie Boys, DJ Shadow, and others.) All cuts are long and mellow, and other titles include "Power Of Soul", "Saddest Thing" and "Piece of Mind". CD

Close matches10
CD, LP, Vinyl record album cover art
Idris MuhammadTurn This Mutha Out ... CD
Kudu/Soul Brother (UK), 1977. New Copy ... $14.99
A great late 70s chapter in the career of funky drummer Idris Muhammad – moving into very different territory here than his early soul jazz with Lou Donaldson, and even his earliest solo material too! David Matthews arranged the tracks, and he's given them a slick but soulful sound, with lots of spacey fusion elements, and a nice funky soul vibe that's a bit similar to some of Larry Mizell's work – stretched out in this great mix of grooves and deeper jazzier elements – even at a level that's hipper than Matthews' usual material from the time. Idris is at the core on percussion – and the lineup also includes Jeremy Steig on flute, Eric Gale on guitar, Randy Brecker on trumpet, and Wilbur Bascomb on bass – and titles include the seminal "Could Heaven Ever Be Like This", plus "Cambay Bolongo", "Tasty Cakes", "Crab Apple", "Moon Hymn", and "Say What". CD

Close matches11
CD, LP, Vinyl record album cover art
✨✧ Esther PhillipsBlack-Eyed Blues ... LP
Kudu, 1973. Very Good- ... $3.99
One of Esther's strong winners for Kudu – a record that takes her soulful style of earlier years, and wraps it around some sly 70s funky arrangements! Ex-James Brown hornman Pee Wee Ellis arranged the album, and gave Esther a nice little dose of funk that really helped her groove – getting out of the sad bag of her Atlantic recordings, and sounding hipper than anyone would have expected! The record features the great slow funk groover "Black Eyed Blues" – and other tracks include "I've Only Known A Stranger", "You Could Have Had Me, Baby", and "Too Many Roads". LP, Vinyl record album
(Cover has light wear.)

Close matches12
CD, LP, Vinyl record album cover art
Esther PhillipsBlack-Eyed Blues/Capricorn Princess ... CD
Kudu/Soul Brother (UK), 1973/1976. New Copy ... $11.99
A pair of 70s gems from Esther Phillips – back to back on a single CD! Black Eyed-Blues is one of Esther's strong winners for Kudu – a record that takes her soulful style of earlier years, and wraps it around some sly 70s funky arrangements! Ex-James Brown hornman Pee Wee Ellis arranged the album, and gave Esther a nice little dose of funk that really helped her groove – getting out of the sad bag of her Atlantic recordings, and sounding hipper than anyone would have expected! The record features the great slow funk groover "Black Eyed Blues" – and other tracks include "I've Only Known A Stranger", "You Could Have Had Me, Baby", and "Too Many Roads". CD also features the bonus track "Tangle In Your Lifeline", previously unissued! Capricorn Princess is a pretty amazing, and too long overlooked set from Esther Phillips – her final album for Kudu – and a beautiful mix of soaring soul sounds from one the most unique, emotionally-inflected soul vocalists of her era! Esther's in prime Kudu mode here – working with jazzy arrangements by David Matthews and Pee Wee Ellis, adding her unique, grit-inflected soul chanteuse vocals to a smoother mix of instrumentation that creates a perfect counterpoint that took her way past her earlier work! There's also a couple of really sweet disco skewed numbers that work incredibly well – with spacier bits of synth and a dancefloor soul bed of percussion and rhythms – and in general, the arrangements are pretty great from track-to-track! Players include Randy Brecker and Mike Brecker on trumpet and tenor sax, Bray Miles on synthesizer, Bobby Lyle on clavinet, Eric Gale on guitar, Joe Farrell on tenor sax and alto flute, percussionist Ralph MacDonald and other excellent name musicians and others bring a grand sweep and sweeter intimacy when the mood requires. Titles include "Magic's In The Air", "A Beautiful Friendship", "Boy, I Really Tied One On", "Higher & Higher", and "All The Way Down". CD

Close matches13
CD, LP, Vinyl record album cover art
Esther PhillipsFor All We Know ... CD
Kudu/King (Japan), 1975. New Copy ... $13.99
Smooth and sophisticated grooving from Esther Phillips – a record that really has her shaking off the rag-tag and rootsy modes of earlier years, and gliding sweetly into the mainstream! Phillips' vocals are still as soulful and compelling as ever, but the backings are quite full – penned by Joe Beck, who also plays a fair bit of guitar on the record too – and done with a sound that's in the same mode as David Matthews' backings for other Kudu sides of the time. There's a definite soul-heavy focus going on here – with some clubby touches too – and titles include "Caravan", "Fever", "Pure Natural Love", "Unforgettable", "For All We Know", "Fools Rush In", and "Going Out Of My Head". CD
(Blu-Spec CD pressing!)

Close matches14
CD, LP, Vinyl record album cover art
✨✧ Esther PhillipsFrom A Whisper To A Scream ... LP
Kudu, 1971. Good+ ... Just Sold Out!
One of our favorite-ever albums from Esther Phillips – an album that really helped her transform her sound for the 70s! The approach here is a lot more jazzy than before – served up with a good dose of funk, thanks to arrangements from Pee Wee Ellis – fresh from his work with James Brown, but even more electrically-oriented here! The groove is great – and the album's one of the best Kudu sides from the early 70s – a perfect blend of soul, jazz, and funk – all wrapped up with a new level of sophistication that benefits all parties involved. Other players include Richard Tee on keyboards, Eric Gale on guitar, Bernard Purdie on drums, Airto on percussion, and Hank Crawford on alto sax. Titles include an incredible cover of Gil Scott Heron's "Home Is Where The Hatred Is", plus "From A Whisper To A Scream", "Till My Back Ain't Got No Bone", "Your Love Is So Doggone Good", Scarred Knees", and "Baby, I'm For Real". LP, Vinyl record album
(Cover has some wear.)

Close matches15
CD, LP, Vinyl record album cover art
Esther PhillipsWhat A Diff'rence A Day Makes ... CD
Kudu/King (Japan), 1975. New Copy ... $13.99
One of Esther Phillips' biggest comeback albums from the 70s – a classic set that takes her deeply soulful vocal approach, and sets it to some sweet jazz funk backings – served up by guitarist Joe Beck, who almost gets equal credit on the album cover! The rest of the lineup is equally great – with alto from David Sanborn, more horns from The Brecker Brothers, and even a bit of work from Steve Khan – all fusion superstars in their own right, but who never eclipse Esther's lead. Titles include a good version of Grover Washington's "Mr Magic" – with the same funky undercurrent as the original – plus the tracks "One Night Affair", "I Can Stand A Little Rain", "Hurtin House", "Turn Around Look At Me", and a semi-hit version of "What A Diff'rence A Day Makes". CD
(Blu Spec CD.)

Close matches16
CD, LP, Vinyl record album cover art
Lonnie SmithMama Wailer ... LP
Kudu, 1971. Very Good ... $24.99
One of Lonnie Smith's rarest albums – and one of the most obscure records on the landmark Kudu label! The set is one of Smith's most far-reaching from the 70s – a bit in the mode of his earlier records for Blue Note, but with a slightly sweeter quality that shows the shift to Kudu – where Lonnie's Hammond had lost none of its grooving power! Tracks are all quite long – and build from the jamming approach that Lonnie first developed at Blue Note – a club-trained groove that has the mighty organ leading off each track, but still leaving plenty of other space for other players too – including Dave Hubbard on tenor, Danny More on trumpet, Ron Carter on bass, Jimmy Ponder on guitar, and Billy Cobham on drums – as well as Grover Washington on flute, who also helped a bit with arrangements on the record. The centerpiece of the album is a 17 minute long version of Sly Stone's "Stand" – and other tracks include "I Feel The Earth Move", "Hola Muneca", and "Mama Wailer". LP, Vinyl record album
(Original pressing. Cover has ring & edge wear, with a split bottom seam.)

Close matches17
CD, LP, Vinyl record album cover art
Grover Washington JrMister Magic ... LP
Kudu, 1974. Very Good+ ... $8.99
Pure dark magic from Grover Washington – a record that was a megahit back in the 70s, but which still sounds amazing many decades later! There's a sound here that's completely sublime – and the album is to Grover's career what the first 2 CTI sets by Bob James were to his – a stretched-out, masterpiece of sublime jazzy energy – served up with a really spacious sound overall! Grover's sharp-edged sax is at the lead of the set – but the album's also awash in electric piano work from Bob James – and backings that are as lean, clean, and soulful as the best on CTI from the time. Titles include the killer "Black Frost" – a track that we never tire of – plus the hit "Mister Magic", and the cuts "Earth Tones" and "Passion Flower". LP, Vinyl record album

Close matches18
CD, LP, Vinyl record album cover art
✨✧ Hank CrawfordDon't You Worry Bout A Thing ... LP
Kudu, 1974. Used ... Temporarily Out Of Stock
Sweet soulful jazz from reedman Hank Crawford – one of his killer Kudu sessions from the 70s – all of which really helped Hank redefine his sound! The setting here is large and full – put together beautifully by Bob James, with that sense of space for the soloist that makes his CTI/Kudu arrangements so crucial – and light years ahead of what other arrangers were doing at the time. The tracks are longish, but never overdone – and the record has all the soulful alto sounds of Crawford's 60s work at Atlantic, but with a definite 70s bent overall. James plays Fender Rhodes, Arp, and clavinet – and other players include Joe Farrell on tenor and flute, Idris Muhammad and Bernard Purdie on drums, and Richard Tee on additional keyboards. Titles include "Jana", "Sho Is Funky", "Don't You Worry Bout A Thing", "Groove Junction", and "All In Love Is Fair". LP, Vinyl record album

Close matches19
CD, LP, Vinyl record album cover art
✨✧ Hank CrawfordHelp Me Make It Through The Night ... LP
Kudu, 1971. Used ... Temporarily Out Of Stock
One of Hank Crawford's first big records of the 70s – a really great set that helps him shake off some of his stock modes of the 60s and find a very different groove! A big part of the album is arranger Don Sebesky, who gives Hank a backdrop that's sophisticated and smooth, yet still pretty soulful in all the right places – a style that's almost a bit like mainstream soundtrack work of the time, but a bit more jazz focused overall. Hank's solos are right out front on most tracks – blown with that nicely pinched tone that made him a standout back in the day – and other players include Richard Tee on both organ and piano, as well as Idris Muhammad and Bernard Purdie on drums. Titles include "Uncle Funky", "Imagine", "The Sun Died", "Brian's Song", and "Ham", which was arranged by Pee Wee Ellis. LP, Vinyl record album
(Cover has a bumped corner and a center split on the bottom seam.)

Close matches20
CD, LP, Vinyl record album cover art
✨✧ Hank CrawfordI Hear A Symphony ... LP
Kudu, 1975. Used ... Temporarily Out Of Stock
Not really a symphony, but a great album that features the soulful alto sax of Hank Crawford blowing over some rich larger backings from David Matthews – all with a sweetly funky Kudu sound! The style's a bit more polished than some of the other Kudu sessions of the time – almost a bit disco or clubby at times – as Matthews brings in a fair bit of strings and horns to the backings, and also has some female backing singers sweetening up the sound. But as usual with Kudu, the record's no cheap cash-in sort of set – and Matthews ensures that it's got a tightly-crafted groove that's almost like mainstream 70s soundtrack funk at its best moments. Keyboards are by Richard Tee and Leon Pendarvis – and titles include "Sugar Free", "I Hear A Symphony", "The Stripper", "Hang It On The Ceiling", and "Love Won't Let Me Wait". LP, Vinyl record album

Close matches21
CD, LP, Vinyl record album cover art
✨✧ Idris MuhammadHouse Of The Rising Sun ... CD
Kudu/King (Japan), 1975. Used ... Temporarily Out Of Stock
A surprising jazz funk stunner from drummer Idris Muhammad – part of his great second chapter of work for CTI in the 70s! Idris is working here in a style that's very different than his heavy-footed funky work on Prestige and Blue Note – and while it's easy to criticize him for not keeping the same old breakbeat funk style, it's also important to give him a lot of credit for pushing his vision way past the simple stock style of the earlier days! The record's a very nice set of complicated jazzy grooves – some a bit clubby, but many very nice, and with the kind of sophisticated funk arrangements that were on the best Kudu records. No surprise that Dave Matthews is putting together most of the cuts, save for one excellent groove that's arranged by Tom Harrell. Players include Fred Wesley, Ronnie Cuber, Eric Gale, and Wilbur Bascomb – and titles include "Baia", "Sudan", "Hey Pocky A Way", "Theme For New York City", which is based on the same Chopin haunting tune as Serge Gainsbourg's "Jane B"! CD
(Blu-Spec CD pressing!)
Also available
House Of The Rising Sun ... LP 19.99
House Of The Rising Sun ... CD 13.99
 
Possible matches: 39
Possible matches33
CD, LP, Vinyl record album cover art
✨✧ George BensonGood King Bad ... LP
CTI, 1975. Near Mint- Gatefold ... Just Sold Out!
Sweet 70s funk from George Benson – an album that's a bit smoother than some of his earlier work, but still free from the commercial polish of his later hits! Maestro David Matthews is at the helm for this session – and most numbers have a full backing from players who include some of the best of the CTI/Kudu generation – including Ronnie Foster and Bobby Lyle on keyboards, Joe Farrell on flute, Fred Wesley on trombone, Eric Gale on rhythm guitar, Dave Friedman on vibes, and Steve Gadd on drums – who manages to kick in a nicely funky undercurrent, even on some of the mellower numbers. George's guitar is filled with warmly chromatic hues – gliding away nicely on titles that include the slow funky "Em", plus "Siberian Workout", "Shell Of A Man", "Hold On I'm Coming", "One Rock Don't Make No Boulder", and "Theme From Good King Bad". LP, Vinyl record album

Possible matches34
CD, LP, Vinyl record album cover art
Mark ColbySerpentine Fire/One Good Turn ... CD
Tappan Zee/Expansion (UK), 1978/1979. New Copy ... $14.99
A pair of sweet funky fusion gems from Mark Colby – back to back on a single CD! Serpentine Fire is an overlooked gem from Bob James' Tappan Zee empire of the 70s – that label that provided the perfect platform for artists to grow a bit more after the CTI years! Reedman Mark Colby is a newcomer to this scene, but hits a groove that's instantly in the best CTI/Kudu mode – with funky jazz backings that often have that laidback, spacious style that's more soulful than jamming fusion – served up by players who include Bob James on Fender Rhodes and piano, Eric Gale and Steve Khan on guitars, Steve Gadd on drums, and Hiram Bullock on some electric guitar. Colby himself plays tenor and soprano sax – and titles include a nice remake of Earth Wind & Fire's "Serpentine Fire" – plus "King Tut", "Renegade", "On & On", and "Daydreamer". On One Good Turn, reedman Mark Colby really comes into his own – crafting sweet lines on tenor and soprano sax, in modes that extend previous 70s fusion work from artists like Stanley Turrentine or Grover Washington Jr! Like both of those giants, Colby gets great backing here in a spacious electric style that allows plenty of room for the solos in the lead – with artists who include Bob James and Barry Miles on Fender Rhodes, Eric Gale and Steve Khan on guitars, and Mike Mainieri on vibes. Titles include "Capativa", "Village Zoo", "Peace Of Mind", "Skat Talk", and "Macbeth". CD

Possible matches35
CD, LP, Vinyl record album cover art
Eddie FisherThird Cup ... LP
Cadet, 1969. New Copy (reissue)... $9.99
An amazing album by the great guitarist Eddie Fisher – and completely unlike his later funk records! Eddie plays stripped down jazz with a small combo that includes organ by Robert Selby, bass by Paul Jackson, and some rhythm guitar by Phil Westmoreland – and the twin-guitar approach creates this super-dope style that's light years ahead of its time, with a sophistication that points the way to later mid 70s work on labels like CTI and Kudu! Eddie's guitar work is an incredible exercise in spareness and soulfulness – best heard on the fantastic "Third Cup", a long drawn-out jazz stepper that's got to be heard to be believed. The cut's been a favorite on the Chicago jazz stepper's scene for years – and it alone is worth the price of the album. However, the record features some other wonderful stuff – like a sublime version of "Shadow Of Your Smile" that runs for a bubbling 12 minutes – plus the originals "Shut Up", "Scorched Earth", and "Two By Two". LP, Vinyl record album

Possible matches36
CD, LP, Vinyl record album cover art
Gloria GaynorGlorious (with bonus track) ... CD
Polydor/Big Break (UK), 1977. New Copy ... $9.99
A great meeting of 70s disco talents here – as both Gregg Diamond and Joe Beck both work with Gloria Gaynor on this sweet little set – with an approach that makes for some of her nicest music of the time! Diamond's tunes have a definite Bionic Boogie feel – sharp-edged, but never too commercial, and with a nicely thoughtful approach to the rhythms overall – especially when they step along in a sweet midtempo groove! Beck's style is a bit more full, and almost in a Kudu Records mode – that style used a bit by Esther Phillips when she was picking up speed more in the 70s – a diva mode that's equally great for Gloria's magnificent vocals. Titles include "Why Should I Pay", "As Time Goes By", "Most Of All", "We Can Start All Over Again", "So Much Love", "This Side Of The Pain", and "Sweet Sweet Melody". CD features a bonus track – "Most Of All (single version)". CD

Possible matches37
CD, LP, Vinyl record album cover art
John HandyHard Work/Carnival ... CD
Impulse, 1976/1977. Used ... $6.99
Two classics from saxophonist John Handy – records that really made him a household name in the 70s! Hard Work is the biggest moment ever for saxophonist John Handy – an album that crossed over big, thanks to a tremendously funky title cut! Handy first rose to fame back in the 60s – playing modernist jazz with Charlies Mingus, and opening up on his own in a stretch of great albums that evolved from hardbop, to modal jazz, to some even freer world jazz experiments in the 70s. Here, though, he's back in very soulful territory – working in a combo that has keyboards and guitar, and plenty of grooves that are somewhere in a space between early 70s CTI/Kudu and similar dates on Cadet or Prestige Records! The style's a great balance of modes – and although electric, the album's never too smooth – thanks to relatively small instrumentation on most numbers, and an approach that still lets most of the energy come from the interaction of the core group members. Players include Hotep Cecil Barnard on keyboards, Mike Hoffman on guitar, Chuck Rainey on bass, and James Gadson on drums – and Handy plays both alto and tenor, and even sings a bit on a few cuts. Titles include the JBs-styled "Hard Work", plus "Afro Wiggle", "Didn't I Tell You", "Love For Brother Jack", "You Don't Know", and "Young Enough To Dream". Carnival is a well-blown set from alto saxophonist John Handy – recorded with larger arrangements at a time when Impulse Records was trying to match the sounds of CTI, but done in a way that still holds onto all the sharp soul of Handy's earlier years! The format's nice and full – with lots of keyboards from Sonny Burke, George Spencer, and even Lee Ritenour – but Handy's crisp alto lines cut through the record wonderfully, bringing in these soulful tones that remind us a lot of Gary Bartz in a similar setting – always filled with spirit, and searching out with a nice sense of personality. Titles include the groover "Watch Your Money Go" – plus "All The Things You Are", "Carnival", "Alvina", and "Love's Rejoicing". CD

Possible matches38
CD, LP, Vinyl record album cover art
Eddie HendersonEddie Henderson – Anthology ... CD
Soul Brother/Passion (UK), Mid 70s. New Copy ... $14.99
The first compilation to really do justice to jazz funk legend Eddie Henderson – and a great one, too! Henderson's spacey trumpet style graced some of the best Blue Note and Capitol jazz sides to come out during the 70s – and his open-ended snakey way of playing was very different than many of his 70s contemporaries on the instrument. Plus, Eddie never minded a little bit of smooth production, and was certainly one of the more soulful players of his generation – forging a unique style that was in the same camp as Donald Byrd's sweet fusion work for Blue Note in the mid 70s, but with a spacey style that's really great. Nearly every cut on the CD features production work by Skip Drinkwater – who was to Eddie what Larry Mizell was to Donald Byrd – and most of this work has been long unavailable for years! Titles include "Kudu", "Explodition", "Involuntary Bliss", "Inside You", "Galaxy", "Butterfly", "Say You Will", "Amoroso", "Open Eyes", "Prance On", and "Hopscotch". Excellent work throughout – performed in the company of some of the 70s best funky fusion players! CD

Possible matches39
CD, LP, Vinyl record album cover art
Richard Groove HolmesI'm In The Mood For Love ... LP
Flying Dutchman, 1976. Very Good ... $3.99
Despite the title of this one – which makes the record sound like a mellow sleepy effort – the style of the record is in that faster disco jazz mode that Groove was using towards the end of his years at Flying Dutchman. The record's got some expansive arrangements that include keyboards next to Grooves's organ – mostly handled by Horace Ott – and although the sound isn't pure Groove, it's not bad in a pop jazz funk way. The record does have one straighter number – the slick mellow "Non Kulu Leku", which has a very mellow CTI/Kudu feel. Other tracks include "Morning Children", "I'm In The Mood For Love", "I've Got A Love For You", and "This Is The Me Me". Most cuts have vocals by Breathless. LP, Vinyl record album
(Cover has light wear.)

Possible matches40
CD, LP, Vinyl record album cover art
Freddie HubbardWindjammer ... CD
Columbia/Wounded Bird, 1976. Used ... $9.99
A great post-CTI session from Freddie Hubbard – one that has him blowing over sweet arrangements from Bob James, who manages to keep things full, yet soulful throughout! There's a lot of instrumentation backing Freddie up for the date – full horns, strings, and even a bit of chorus vocals – but as with some of James' best efforts like this, things never get too cluttered, nor too slick – and the album rocks with the kind of soulful vibes you'd hear on some of the Kudu Records dates of the time. Even familiar covers – of tunes like "Feelings" or "Dream Weaver" – are nicely transformed by James' touch, taking on a new soulful sound in this setting – thanks to Bob's own work on keyboards, which are supported a bit by additional keys from George Cables. Hubbard sparkles no matter what the setting – and titles include "Rock Me Arms", "Touch Me Baby", "Windjammer", and "Neo Terra". CD

Possible matches41
CD, LP, Vinyl record album cover art
Boogaloo Joe JonesWhat It Is ... LP
Prestige, Early 70s. New Copy (reissue)... $9.99
Killer funkiness from Boogaloo Joe Jones! Grover Washington Jr makes an incredible appearance here – sounding much harder and heavier than on some of his Kudu recordings – more of a gritty soul jazz player, working beautifully alongside the sharp guitar of Boogaloo Joe Jones, and the sweet organ of Sonny Phillips! The groove is lean, clean, and a bit laidback – not as frenetic as some of Jones' other jams, but in a great way that shows a new sense of space and timing in his groove! Other players include Bernard Purdie on drums and Jimmy Lewis on Fender bass – and titles include "Inside Job", "Fadin", "What It Is", and a nice cover of "Ain't No Sunshine". Amazing guitar work throughout – and a very tight batch of funky jazz! LP, Vinyl record album

Possible matches42
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Earl KlughEarl Klugh (with bonus tracks) ... CD
Blue Note, 1976. Used ... Just Sold Out!
The sweet debut from guitarist Earl Klugh – a player whose sound went onto dominate late 70s fusion in a big big way! Klugh's clearly stepping here into a space allowed by George Benson at the time – a blend of jazz and R&B that's warmer and mellower than work previously done on Blue Note in the decade (or on CTI and Kudu for that matter) – one that's less focused on rhythm than it is on tone, and the kind of setting that allows Earl to shine wonderfully. There's a lot less of the cheesiness here that would hurt Klugh's later albums, and the overall presentation is nicely retrained – arranged by Dave Grusin at a time when he still knew how to bring a good deal of soul into a session, avoiding cliche and letting the soloist step forth unmarred. Other players include Lee Ritenour, Harvey Mason, and Grusin himself – and Klugh plays both electric and acoustic guitar, on tunes that include "Angelina", "Slippin In The Back Door", "Vonetta", "Waltz For Debby", and "Wind & The Sea". CD also adds in 3 bonus tracks recorded live in 1977 – from Blue Note Meets The LA Philharmonic, and featuring Klugh on the tracks "Cabo Frio", "The Shadow Of Your Smile", and "Angelina". CD
(Out of print, BMG music club pressing.)

Possible matches43
CD, LP, Vinyl record album cover art
David MatthewsDelta Lady ... LP
GNP, 1980. Very Good+ ... $1.99
Fender Rhodes and tight arrangements from the great David Matthews – a solo set that works in the same sort of vibe as his bigger backings for 70s artists on the CTI/Kudu label! The group's largeish, but still has a nice open vibe – as Matthews works a lot of care into his charts to give some of the stars plenty of room to shine – especially guitarist Earl Klugh, who works on the record in a group that also include Burt Collins and Joe Sheppley on trumpets, and George Young, David Tofani, and Ronnie Cuber on saxes and flute! Titles include "Funky Turkey", "Spanish Heat", "Gosman's Gazebo", and "Westlake Drive". LP, Vinyl record album

Possible matches44
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✨✧ David MatthewsGrand Connection ... CD
Electric Bird/King (Japan), 1983. New Copy ... $12.99
A grand connection from David Matthews – one of the keyboardist's fusion sets for the Japanese Electric Bird label, who gave Matthews a great showcase for his electric grooves in the 80s! The sound here is kind of an extension of the funky electric big band sides that Matthews scored for Kudu and CTI in the late 70s – smoother than his funky work from the early days, in the Japanese fusion style of the time, but with a bit more big band leanings – given a slightly larger lineup. Players include Grover Washington Jr on tenor and soprano sax, George Young on alto and flute, Gerry Niewood on tenor and flute, Joe Shepley on trumpet, Mark Egan on bass, and Earl Klugh on guitar – and titles include "Sugar", "Sails Of Your Soul", "Begin The Beguine", and "Soft & Funky". CD

Possible matches45
CD, LP, Vinyl record album cover art
Jimmy McGriffRed Beans ... LP
Groove Merchant, 1976. Very Good+ Gatefold ... $7.99
Jimmy McGriff picks up a few more keyboards than straight Hammond organ – but that's ok with us, given the great results of the set! The album's got McGriff working on electric piano and clavinet alongside the organ – plus supporting arrangements from Brad Baker, in that fuller, Kudu-styled approach to jazz funk that Groove Merchant used strongly in the mid 70s – a slightly smoother sound than before, but still plenty darn great, and definitely filled with more than enough jazz to keep things real! Pat Rebillot plays some additional keyboards on the album – in that funky style he used well at the time – and there's almost a spacey Fantasy Records quality to some of the best numbers here! Titles include the incredible tripped out break cut "Space Cadet", plus "Love Is My Life", "Sweet Love", "Big Booty Bounce", "Red Beans", and "Cakes Alive". LP, Vinyl record album
(Cover has some ring & edge wear.)

Possible matches46
CD, LP, Vinyl record album cover art
Idris MuhammadBoogie To The Top – The Very Best Of Idris Muhammad ... CD
CTI/Cherry Red (UK), Mid 70s. New Copy ... $13.99
All of the best CTI/Kudu Records grooves from funky drummer Idris Muhammad – all gathered together in one sweet collection! Muhammad's a player who's been great right from the start – from his initial funky drumming with Lou Donaldson, right up to recent jazz work that has him still as one of the strongest percussionists of his generation! Yet the mid 70s was an especially strong time in Muhammad's career – as he really found himself as a leader, and opened his style both towards spiritual ends, and some tighter, more groove-based work as well – a redefinition of his older funk drumming towards more 70s soul and club modes. The best cuts from those years are all presented here – in an overstuffed collection of groovers that includes "Loran's Dance", "Power Of Soul", "Baia", "House Of The Rising Sun", "Theme For New York", "Crap Apple", "Could Heaven Ever Be Like This", "Turn This Mutha Out", "Stick It In Your Face", and "Boogie To The Top". CD also features bonus 7" mixes of three of the album tracks too! CD

Possible matches47
CD, LP, Vinyl record album cover art
Esther PhillipsConfessin' The Blues ... LP
Atlantic, 1976. Near Mint- ... $6.99
A 70s album, issued at a time when Esther Phillips was really riding high with her records on the Kudo label – but a set that brings together unissued sides recorded for Atlantic in the 60s! The style is a great mix of rootsy soul and hipper jazz – arranged by Onzy Matthews on side one, with a care and quality that almost rivals Capitol jazz vocal sessions of the time – and performed live at Freddie Jett's Piper Club on side two – in the same mode as her classic Burnin album from the time locale! Philips is wonderful in both settings – with that distinct approach that's unlike any other singer we know – quite versatile, and at a critical point between her R&B work of the 50s, and her smoother Kudu jazz of the 70s. Titles include include "Cherry Red", "In The Evenin", "I Wonder", "Romance In The Dark", "I Love Paris", and "I'm Gettin' Long Alright". LP, Vinyl record album

Possible matches48
CD, LP, Vinyl record album cover art
Seldon PowellMessin With Seldon Powell ... CD
Encounter/Essential, 1973. New Copy ... $8.99 14.99
One of the only albums that sax genius Seldon Powell ever cut as a leader – and a tight smooth set of 70s funk tracks with a stone cold CTI or Kudu Records sound! The set was produced by Bernard Purdie –and features Purdie on drums, plus keyboards by Paul Griffin, trumpet by Jimmy Owens, guitar by Cornell Dupree, and some occasional vocals by Maretha Stewart, Barbara Massey and others. Powell's tone is very right-on – sounding a lot like Eddie Harris' from the same time. The track selection scans a bevy of some of the most forward looking soul and jazz numbers of the period, including Gamble/Huff's "Back Stabbers" and "One Night Affair", "Afro Jazz", Leon Ware's "I Want To Be Where You Are", Galt MacDermot's "Weeping", Powell's own Messin'" and "Afro Jazz", and more! CD

Possible matches49
CD, LP, Vinyl record album cover art
Jimmy SmithJimmy Smith '75 ... LP
Mojo, 1975. New Copy Gatefold (reissue)... $9.99
One of the few Jimmy Smith albums issued on his own label – the tiny Mojo Records imprint, which he was running in the mid 70s when taking a break from the majors! The album's got a raw power that returns Jimmy to the glory days of his best 60s recordings – really taking advantage of the setting to cook up some great tracks! Side one features Jimmy with a trio in a live setting – a great little group that has Ray Crawford on guitar, working with Jimmy to cook up some great tracks that sound like some of his hard-hitting Blue Note trio sides. The other side's got more of a 70s funk sound – with Crawford again on guitar, plus Buck Clarke on percussion – and Jimmy himself on electric piano as well as organ. Those tracks have a nicely burning sound that's like some of Johnny Hammond's best Kudu work – and which puts Jimmy in a sweet electric funky style that he didn't always match on other 70s LPs! Loads of nice stuff – and titles include a great version of "Feel Like Makin Love", plus "Testifyin", "Jazz Scattin", "Lookin Ain't Getting", and "More To Life". LP, Vinyl record album

Possible matches50
CD, LP, Vinyl record album cover art
Lonnie SmithAfro-desia ... CD
Groove Merchant/LRC, Late 70s. Used ... $6.99
A confusing one from the Lester Corporation – but a great CD nonetheless! The title and cover make you think that the album's the same as Lonnie Smith's Afro-Desia album – but it actually contains little material from that set, and features more grooves from the even rarer When The Night Is Right session! Players listed include George Benson on guitar, Joe Lovano on tenor sax, and Greg Hopkins on trumpet – part of the Afro-Desia group, but also banked here on some tracks by larger arrangements from Brad Baker. The vibe is still quite hip – hard and searing on some tracks, and laidback and more Kudu jazz funky on others – and the album's an excellent one throughout, even if it is kind of a mystery in relation to Smith's discography! CD features 7 tracks in all – including "Apex", "Flavors", "Afrodesia", "Good Morning", "It's Changed", "When The Night Is Right", and "All In My Mind". CD

Possible matches51
CD, LP, Vinyl record album cover art
Joe ThomasFeelin's From Within ... LP
Groove Merchant, 1976. Very Good+ Gatefold ... $14.99
The Ebony Godfather is grooving here with a set of fuller backings – sweet clubby funk, arranged and conducted by Brad Baker (of B Baker Chocolate Company fame) – all as a showcase for Joe's sweet work on flute and tenor sax! There's a fair bit of keyboards on the tunes – played by Pat Rebillot and Barry Miles – and Steve Gadd's playing the drums on the date, which helps the rhythms keep a bit of an edge, even amidst the larger backing. Some cuts have backing chorus vocals, in a style used on other Thomas albums – and although definitely touched by a bit of disco fever, the album's still got a jazzy element too – like some of the crossover club sessions on the Kudu label from the 70s! Titles include "Funky Fever", "Feelins From Within", "Polarizer", "Coco", "Galaxy Dreamin", and "Venus". LP, Vinyl record album
(White label promo. Cover has a DJ sticker.)

Possible matches52
CD, LP, Vinyl record album cover art
Joe ThomasHere I Come ... LP
LC, 1977. Good Gatefold ... $4.99
One of Joe's sweeter and smoother sessions of the 70s – a record that takes the core horn sound of his Ebony Godfather years, and fuses it with some larger backings directed by Brad Baker (of B Baker Chocolate Company fame!) The sound actually works well for Joe – and has him playing in a style that's a lot like the Kudu work of Grover Washington – stretching solos out over electric rhythms that have a smooth but funky style. Titles include "Green Dragon", "Same Old Song", "Place In Space", "Gotcha", and "Here I Come". LP, Vinyl record album
(Cover has moderate wear.)
 
Partial matches: 1
Partial matches72
CD, LP, Vinyl record album cover art
Harold VickAfter The Dance ... CD
TK/Ultra Vybe (Japan), 1977. New Copy ... About January 25, 2017
A sweet soulful groover from the great Harold Vick – quite a different record than some of his other 70s sessions, but a nice one too! The sound here is very mellow – and very much in the "After The Dance" mode that the album references from the Marvin Gaye tune – laidback, slinky, sexy, and a sweet blend of jazz instrumentation and some larger backdrops put together by William Eaton – almost with a vibe that would be more at home on Kuduo or CTI! Vick solos wonderfully – stepping out with a line that's spare, but right on the money – similar to some Stanley Turrentine solo work on projects like this – amidst other instrumentation from Richard Tee on keyboards, Eric Gale on guitar, and Ralph MacDonald on percussion. Titles include a great version of Marvin Gaye's "After The Dance", plus "You Are Everything", "Blue In The Face", "Ghetto Fantasy", "In My Life" and "Things Ain't Right". CD
 
 
 



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