A massive package of funky music – and maybe one that no home should be without – as the set includes all the classic Josie Records and Warner Brothers albums by legendary New Orleans funk group The Meters – plus a fair bit of bonus tracks too! The Josie albums are incredible – a lean, powerful blend of funky drums, bass, guitar, and organ – almost the New Orleans answer to Booker T & The MGs, but with a sound that's far funkier overall – and which continues to bring new ears to the magic of The Meters as the years go by! Their Warner work is a bit fuller – as the group were part of a big wave of Nola talent to get the nod from LA – which means that The Meters were able to add in vocals, experiment with arrangements, use additional instrumentation – yet all without ever losing that core groove that made them so great! This package is the first time all the records have been brought together, and many are presented here in the "expanded edition" versions with bonus tracks – which makes for a whopping 116 titles on 6CDs – bonus tracks, plus the full albums The Meters, Look Ka Py Py, Struttin, Cabbage Alley, Rejuvenation, Fire On The Bayou, Trick Bag, and New Directions – plus some singles too! CD

A masterpiece of hard and heavy funk – from one of the best bands of the early 70s! The Nite Liters were a legendary funky combo that provided the backing for some of New Birth's best albums – but on their own, they were even funkier, and had a sound that was part JBs, part Meters, and all funky! This album may well be the group's best – their last for RCA, and a set that really has them honing their edge incredibly. The drums are amazing, the keyboards great, and the horns have this quality that's both complex, yet right on the money – making for a richness in sound that really sets the group apart from their contemporaries. A few singers from The New Birth provide chorus vocals on a few tracks – but most of the set is instrumental, and the record's one we'd gladly stack next to our Meters albums on Josie or JBs classics on People. Every track's a gem – and titles include "Drumology", "Excuse Me While I Do My Thing", "Serenade for a Jive Turkey", "Happy Hooker", "Craaashing", "Damn", "Pee-Foul", and a sweet cover of "Valdez in the Country" that's been sampled at least once over the years! CD

Not really blues, but not really soul either – a wonderful mix of modes that's come to be known as the popcorn sound of the early 60s! The style's hardly "pop" at all – and instead, these tunes are plenty gritty throughout – more like numbers you'd hear blasting out of a backroom jukebox, or on the decks of some deep soul DJ dedicated to serving up a rough-edged groove! Lots of these numbers might be called post-R&B – as they still have some of the styles of the 50s, mixed with the tighter punch of the newborn soul sound – and the set's a wonderful illustration of this magical moment in music, finally getting some credit after all these years. CD features loads of tracks we'd never heard before – and titles include "Don't Knock It" by Sinner Strong, "You Lied" by Marva Josie, "Mr Lonely" by Freddie North, "When You See Me Hurt" by Carl Lester & The Show Stoppers, "Well I Done Got Over It" by Bobby Mitchell, "I'm Comin Home" by Bobby John, "I Ain't Talkin" by Pat Hunt, "This Little Lester" by James Wayne, "Why Oh Why" by Austin Taylor, "Rockin Bed" by Valerie Carr, and "I'm Hurted" by Mamie Perry. CD

A great entry in this long-running series – one of the most trusted compilations of top-shelf 80s grooves over the years – and one that always does a really great job of balancing mainstream music with some under-discovered gems! Actually, to most ears, these tracks are probably all under-discovered – but even if you're an 80s soul completist, there's still probably some great discoveries here – as you'll hear on a set list of 13 tracks that include "Treasure Mind" by Trace Of Smoke, "Sweet Tender Loving" by Brief Encounter, "Call Me" by Josie James, "It's My Turn" by Chapter 8, "Love Is Trying To Get A Hold On Me" by Tavasco, "Love I Feel Inside" by Waldo, "You're So Jealous" by Jewel, "Hanging Out" by New Birth, "Can You Stay With Me" by Midnight Star, "Share My Love" by Bobby Broom, and "Reach High" by Gladys Knight & The Pips. CD

A trio of 80s albums from piano genius Ramsey Lewis – all brought together in a single package! First up is Les Fleurs – a bit later than Ramsey Lewis' classic electric sides for Columbia Records in the 70s, but still a pretty great little album – and one that mixes mellow grooves on Fender Rhodes with a nice dose of acoustic piano – in a style that's a bit like Rodney Franklin at the time, but considerably warmer and sweeter overall! The core trio backs Ramsey on acoustic bass and drums – but there's plenty of extra bits added in throughout, including a bit of sax from Ronnie Laws, and some overall arrangements and additional keys from Tom Tom 84 – who really helps keep a sophisticated Chicago vibe in place – almost a ghost of Charles Stepney, lurking nicely in the background. Titles include remakes of "Reasons", "Les Fleurs", and "Super Woman" – plus the tracks "Physical", "With A Gentle Touch", and "Essence Of Love". Fantasy is a sweet 80s set that has Ramsey Lewis showing the world that he's still one of the reigning master of the keyboard – as he opens up here with a whole bunch of keys from that decade, at a level that marks a strong new chapter from his electric work of the 70s! Lewis works alongside additional keyboardists Morris Butch Stewart and Lonnie Graves – and at times, even the rhythms are electric too – influenced by both R&B and hip hop at times, similar to Herbie Hancock electric experiments of the time – but with more of that soulful vibe that we love from Ramsey! There's a bit of vocals on the record – courtesy of Stewart, Maurice White, Brenda Mitchell, Josie Aiello, and Alice Sanderson Echols – on titles that include "Les Clefs De Mon Coeur", "It's Gonna Change", "Victim Of A Broken Heart", "Slow Dancin", "Ram Jam", "This Ain't No Fantasy", "Part Of Me", and "The Quest". Keys To The City is a late 80s effort that still has the piano genius very much at the top of his game – tight, but never in the sleepier territory of some of the smooth jazz artists who were coming into the scene! Ramsey's on piano both electric and acoustic – getting more keyboard help from Larry Dunn, who also handles arrangements – with musicians who include Don Myrick on saxes, Roland Bautista on guitar, and Maurice White on percussion – the last of whom is a key influence here, as it's clear that Lewis is holding onto that great balance of jazz and soul that he furthered in his work with White and Earth Wind & Fire in the 70s. Titles include "Keys To The City", "7/11", "Strangers", "My Love Will Lead You Home", "You're Falling In Love", "Shamballa", and "Love & Understanding". CD

The Detroit soul scene at the start of the 60s – music from a time before Motown was dominating the city's reputation, and a whole host of other great labels brought the motor city sound to the masses! The work here is quite a surprise if you're only thinking in terms of Northern Soul and some of the more uptempo Detroit groovers – as the work here burns on so many different levels – often with a style that reflects some of the nascent soul coming out of Chicago on labels like Chess and Vee Jay, the latter of whom is featured here amidst a range of other imprints that include Wand, Atlantic, Scepter, Time, Old Town, and Brent – all of whom released some of these early Detroit soul tracks as singles back in the day. In true Ace/Kent fashion, the set also features a few unreleased gems, plus a wonderful set of notes on the city's soul scene – alongside tracks that include "Nosey Folk" by The Del-Phis, "Answer Me" by Vivian Collins, "Can't We Get Together" by Harry Reid, "Here I Am" by Betty Lavette, "Shakin Fit" by The Pyramids, "That's No Way To Spend My Time" by The Pen Ettes, "Wedding Bells" by Melvin Davis, "You Lied" by Marva Josie, "Think A Little Sugar" by Barbara Lewis, "Just One More Time" by JJ Barnes, "My Letter" by Priscilla Page, "I Know How It Feels" by Laura Johnson, "I'm A Lonely Guy" by Timmy Shaw & The Sternphones, "Come Back To Me" by La Wanda William, "I Cried For My Last Time" by The Sonnettes, and "Tears Running & Falling From My Eyes" by James Lately. CD

Genius early work from Kris Kristofferson – four great albums in a single package, with SACD mastering too! First up is The Silver Tongued Devil & I – a masterful tribute to the genius of Kris Kristofferson, and a record that perfectly illustrates that unique place he held in music at the start of the 70s! The album's Kris' second, and has maybe a more unified vibe than his debut – filled with original material that has that open, honest quality that Kristofferson brought to country music – and which also had a surprisingly strong impact on mainstream rock and singer/songwriter material too! There's both a frankness of feeling and sharpness of wit that make the whole thing wonderful – and the album's overflowing with original gems that include "Jody & The Kid", "Billy Dee", "Loving Her Was Easier", "The Taker", "When I Loved Her", "The Pilgrim Chapter 33" and "Epitaph" – plus a great reading of the Bobby Bare/Billy Joe Shaver tune "Good Christian Soldier". Border Lord is a wonderful album, and one that's full of lesser-known gems from Kris Kristofferson – from a time when he'd started sharing his songs with other singers first, and started to hold back all the good stuff for himself! The album's got help from some country music studio greats, but it's clearly Kristofferson's show, right from the start – overflowing with tunes that get delivery from Kris that nobody else can match – with a special understanding of the choice of words, balance of wit, and depth of feeling that makes him so great on record. Titles include "Burden Of Freedom", "Border Lord", "When She's Wrong", "Kiss The World Goodbye", "Getting By High & Strange", "Somebody Nobody Knows", and "Josie". Jesus Was A Capricorn is one of those records in which Kris Kristofferson takes on the 70s, and comes up with a sound and style that's completely his own – even when working within the mainstream of the time! His label, Monument, could do plenty of hokey stuff – and even arranger Bill Justis wasn't always the hippest of cats – nor producer Fred Foster. Yet working here, they all rise to the occasion under the majesty of the man's music – a soaring batch of original tunes, of that special sort that Kris was always keeping to himself after his early years writing hits for others. Titles include "Why Me", "Give It Time To Be Tender", "It Sure Was Love", "Nobody Wins", "Enough For You", and the title cut "Jesus Was A Capricorn", owed to John Prine! Spooky Lady's Sideshow is a record that has Kris Kristofferson loosening up his mix of styles slightly, almost a nod back to his debut – but all in a way that only seems to bring an even greater range of feeling to his songwriting! Kristofferson maybe looks a bit more casual and laidback on the cover than some previous sets, but he's still got all the sharpness of delivery that makes him so great, and which really matches his magical words – on titles that include "Broken Freedom Song", "Star Spangled Bummer", "Smile At Me Again", "I May Smoke Too Much", "Stairway To The Bottom", and "Rescue Mission". CD

Spiritual sounds from the source – a host of incredible tracks from a time when jazz was really opening up into new dimensions – as players stepped forward in a wave of strong post-Coltrane energy to really push the music into the skies! The music here can be seen as a blueprint for generations to come – styles that are now getting new fame in the hands of Kamasi Washington and some of his contemporaries, but which flowered first in recordings like these – pulled from the early 70s vaults of Prestige, Milestone, and Muse Records – and brought together here in a really wonderful collection! Tracks are all nice and long, and the set showcases an older generation of jazz musicians really flowering at the time – balanced perfectly between a sense of freedom and a spiritual soul – on titles that include "Celestial Blues" by Gary Bartz NTU Troop, "Let Us Go To Higher Heights" by Carlos Garnett, "The Almoravid" by Joe Chambers, "Brown Eyes" by Charles Earland, "Warriors Of Peace" by Azar Lawrence, "Aftermath" by Oliver Nelson, "Josie Black" by Hampton Hawes, "Let It Take Your Mind" by Bayete Umbra Zindiko, "Fire" by Joe Henderson and Alice Coltrane, and "The Free Slave" by Roy Brooks. CD

A great look at one of our favorite sub-genres of 60s soul – tunes that deal with the ins and outs of big city life, most of which were recorded as uptown soul tunes with really great production! It's hard to describe the charm of this work accurately, but the tunes are almost mini-movies, or sound snapshots of urban life at the time – often penned by Brill Building songwriters with a slight fantasy of life in the farther-flung boroughs of the city. Some of the tunes here are well-known, but lots more are obscure – really compelling tracks by singers who bring great life to the songs, and manage to make these little musical moments live on wonderfully over the years! Titles include "Nights In New York City" by Jan Bradley, "Street Talk" by The Tymes, "No Butterflies" by Walter Jackson, "I Love New York" by Marva Josie, "In My Apartment" by Dee Clark, "Big New York" by Chuck Jackson, "On Broadway" by The Cookies, "Concrete Jungle" by Arthur Alexander, "I Don't Want To Hear It Any More" by Jerry Butler, "Second Window Second Floor" by Clyde McPhater, "I Found A Daisy In The City" by Barry Darvell, "Song Of The Street" by Donald Height, "Strange Neighborhood" by The Imaginations, "Up In The Streets Of Harlem" by The Drifters, "City Of Fools" by Colette Kelly, and "That Old Neighborhood" by Eric Williams. CD