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Seminal session that was virtually one of the only west coast attempts to replicate the famous "cubop" mix of bebop and Latin that had been evolving over the years in the New York scene. Machito percussionists like Jose Mangual and Ubaldo Nieto join a west coast group that includes alto player Frank Morgan, trumpeter Conte Candoli, pianist Carl Perkins, and other LA boppers. The back of the record proclaims that with the death of Charlie Parker, someone must step in as the new bop genius – and Morgan does a capable job on tracks like "Wippet", "Chooch", "The Champ", and "Bernie's Tune" – and on the record's non-Latin numbers, included here to expand the release to a 12" format. LP, Vinyl record album

A great record – or half-great, as the case may be! One part of this album features Billy with his standard trio of Earl May and Percy Brice, playing mellow piano trio versions of tracks that include "Tune For Tex", "Goodbye", "Biddy's Beat", and "Eddie's Theme". Those cuts are fine, but the real strength of the album lies on the last 4 cuts – all killer Latin jazz numbers cut with a rhythm section that includes Machito, Jose Mangual, Charlie Smith, and Uba Nieto. The added conga, bongos, and timbales really make the tracks groove – and you'll find yourself coming back to "I Love To Mambo", "Mambo Azul", "Early Morning Mambo", and "Candido" more than you will the rest of the record. CD