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Exact matches: 3
Exact matches1
CD, LP, Vinyl record album cover art
Johnny WilliamsFitzwilly/The Long Goodbye ... CD
United Artists/Varese, 1967/1973. Used ... $14.99
One of our favorite Johnny Williams soundtracks ever – music for a barely-remembered heist film that starred Dick Van Dyke, but a set of tracks that really shows Williams moving into some wonderful new territory! There's a strongly jazzy vibe to the set – and Williams almost works at the level of Johnny Mandel here, especially in the way he sometimes banks strings gently alongside the jazz – creating a mix of sadness and sex that's mighty nice. The album gave the world one minor hit – the sublime "Make Me Rainbows", which is served up here in both vocal and instrumental versions – then wonderfully echoed on some of the other tunes too. The whole thing's wonderful – and titles include "Make Me Rainbows", "The Xerox Crisis", "More Theft", "Fitzwilly's Date", and "Juliet's Discovery". As a bonus, the CD includes 7 tracks from The Long Goodbye. CD
(Limited edition of 2000.)

Exact matches2
CD, LP, Vinyl record album cover art
Johnny Williams/Dory & Andre PrevinValley Of The Dolls ... LP
20th Century/Universal, 1967. New Copy (reissue)... On March 24, 2017
A great soundtrack – as campy as the film it was written for! Some of the tunes are more straight numbers by Johnny Williams – a bit dreamy, but with some nice easy touches – but the best tunes are the swinging vocal numbers, like "Give A Little More", "Come Live with Me" and "I'll Plant My Own Tree". Plus, the album starts out with the great monologue which begins the film – kind of a dreamy narrative about the beginning of the downfall that destroyed the life of Neely Bruce. Tracks include "It's Impossible", "Theme From Valley Of the Dolls", "Jennifer's Recollection", and "Jennifer's French Movie". LP, Vinyl record album

Exact matches3
CD, LP, Vinyl record album cover art
✨✧ Johnny CashJohnny Cash Sings Hank Williams ... LP
Sun/Sundazed, 1960. New Copy (reissue)... Out Of Stock
Johnny Cash masterfully dips into the Hank Williams songbook – and what we get from it is and excellent Sun LP in which one of the greatest forlorn voices in honky tonk/proto rock/country music history pays perfect tribute to the originator! This one not only includes Cash's raw, unfussy earlyish Sun style takes on Hank classics, but some of Johnny's own standards, and it's as high quality of a beginning-to-end listen as just about any in his Sun canon. Includes "I Can't Help It", "You Win Again", "Hey Good Lookin'", "Give My Love To Rose", "Come In Stranger", "Mean Eyed Cat", "Come In Stranger", "I Walk The Line", "I Could Never Be Ashamed Of You" and more. LP, Vinyl record album
 
Close matches: 2
Close matches4
CD, LP, Vinyl record album cover art
Larry Williams & Johnny WatsonTwo For The Price Of One ... CD
Okeh, 1967. Used ... $5.99
A sock-soul set of material from Larry Williams and Johnny Watson – and one that really updates their older groove for the Northern Soul generation! The album's pretty amazing – hardly anything you might expect from any of Williams' earlier work, and drenched in the charms that Johnny Watson discovered in the 60s, and expanded in the 70s – but set to rhythms that are as hard-grooving from a soul perspective as any of the best work on the Okeh label at the time! Arrangements are by Arthur Wright and Melvin Jernigan, who hit a very natural vibe that lets Larry and Johnny trade lines back and forth wonderfully – in a very personal, almost spontaneous way that's very different than better-known male soul duos of the 60s – and the record is a key lost link in Watson's career, one that really lets you hear him tightening things up before his superstar years of the 70s. Titles include the killer classic "Two For The Price Of One" – plus "Too Late", "Aint' Gonna Move", "Keep On Lovin' You", "Takin No Chances", "A Quitter Never Wins", and "I'd Rather Fight Than Switch". CD
(Comes in a slim sleeve.)

Close matches5
CD, LP, Vinyl record album cover art
✨✧ Larry Williams & Johnny WatsonTwo For The Price Of One (with bonus tracks) ... CD
Okeh, 1967. Used ... Out Of Stock
A sock-soul set of material from Larry Williams and Johnny Watson – and one that really updates their older groove for the Northern Soul generation! The album's pretty amazing – hardly anything you might expect from any of Williams' earlier work, and drenched in the charms that Johnny Watson discovered in the 60s, and expanded in the 70s – but set to rhythms that are as hard-grooving from a soul perspective as any of the best work on the Okeh label at the time! Arrangements are by Arthur Wright and Melvin Jernigan, who hit a very natural vibe that lets Larry and Johnny trade lines back and forth wonderfully – in a very personal, almost spontaneous way that's very different than better-known male soul duos of the 60s – and the record is a key lost link in Watson's career, one that really lets you hear him tightening things up before his superstar years of the 70s. Titles include the killer classic "Two For The Price Of One" – plus "Too Late", "Aint' Gonna Move", "Keep On Lovin' You", "Takin No Chances", "A Quitter Never Wins", and "I'd Rather Fight Than Switch". Features great bonus tracks too – including the Johnny/Larry single cuts "Nobody" and "Find Yourself Someone To Love" CD
(Out of print.)
Also available Two For The Price Of One ... CD 5.99
 
Possible matches: 43
Possible matches6
CD, LP, Vinyl record album cover art
Johnny HodgesHodge Podge ... CD
Epic/CBS, Late 30s/Late 50s. Used ... $5.99
An excellent collection of early work recorded under Johnny Hodges' name in the early years – sessions from 1938 and 1939 that were originally issued on 78s, but presented here in a classic Columbia LP! The tracks are a great assortment of small group numbers that focus on Hodges' tremendous tone on alto sax – recorded with Ellingtonian players that include the Duke himself, as well as Cootie Williams on trumpet, Harry Carney on reeds, Lawrence Brown on trombone, and Billy Taylor on piano. The set features 16 tracks in all – and titles include "Empty Ballroom Blues", "Jeep's Blues", "Good Gal Blues", "Skunk Hollow Blues", "Hodge Podge", and "Rent Party Blues". CD
(Out of print Columbia Jazz Masterpieces pressing.)

Possible matches7
CD, LP, Vinyl record album cover art
✨✧ Johnny Guitar WatsonHot Just Like TNT - The Best Of His Early Years ... CD
Ace (UK), Mid 50s. New Copy ... $10.99 18.99
The title's no lie – as the young Johnny Guitar Watson comes on here with the force of dynamite – maybe even more hard and heavy than during his bigger years of the 70s! Johnny's more of an R&B singer here – and a powerhouse, too – not just a hell of vocalist, but an excellent guitarist with a very sinister groove – a sharp burst of sound that's a bit like Pee Wee Crayton, but with a more focused punch that really sets fire to the tunes – even when Watson's just using his instrument to underscore his vocals! The cuts are all very early material by Johnny – issued by the RPM, Modern, and Keen labels – including a few unissued numbers that Watson recorded with Johnny Otis – and the package also includes a few tracks with female singers – either Jeannie Barnes, Devonia Williams, or Cordella De Milo. As always with Ace, the presentation is wonderful – way better sound and notes than any of those public domain packages – and titles that include "Ruben", "Three Hours Past Midnight", "Hot Little Mama", "Lonely Girl", "She Moves Me", "Love Me Baby", "Come On Baby", "Gangster Of Love", "One Room Country Shack", "Someone Cares For Me", "Those Lonely Lonely Nights", "Don't Touch Me", and "Telephone Boogie". CD

Possible matches8
CD, LP, Vinyl record album cover art
Larry WilliamsThat Larry Williams – The Resurrection Of Funk ... CD
Fantasy/Dusty Groove, 1978. New Copy ... $8.99 12.98
A rare funk album from west coast legend Larry Williams – very different than his heavy R&B of the late 50s, or the brief soul comeback he had with Johnny Guitar Watson in the 60s – and instead a heavy groover with a trippy Cali sound! The record's got a sharp groove right from the start – a vibe that's a bit similar to some of the best Johnny Watson funk of the period – a slight jazzy undercurrent in the instrumentation, with wicked guitar and keyboard bits dancing around each other in the rhythms – often mixed with vocals that have a cool sort of electric feel, and topped with some great horn work from Fred Wesley on trombone and Maceo Parker on alto sax! Rudy Copeland plays keyboards on the album alongside Williams, the the set's got a bit of the feel of Rudy's lost Funky Blindman set – and in a way, also echoes the best strutting, sexy modes of Bootsy Collins too. The album's a surprising gem all the way through – a real lost chapter in Larry's career, and the kind of set that might have broken bigger, had he not died mysteriously a few years later. Titles include "Funky Force", "The Resurrection Of Funk", "One Thing Or The Other", "ATS Express", "How Can I Believe", and "Can't Dance To The Music (If It Ain't Got Funky Rhythm)". CD
(On the Dusty Groove label.)

Possible matches9
CD, LP, Vinyl record album cover art
✨✧ Deniece WilliamsBlack Butterfly – The Essential Niecy ... CD
Columbia/Big Break (UK), Late 70s/1980s. New Copy 2CD ... Out Of Stock
A treasure trove of work from Deniece Williams – one of the coolest, classiest soul singers to hit the mainstream at the end of the 70s! Williams has roots that go deep in the Chicago scene – including young work under the name of Deniece Chandler – but this set picks off from the time when she hit Columbia Records as a full-formed adult soul singer – one of the freshest talents of her generation – with an ability to hit some of the spiritual currents of Minnie Riperton, and some of the grooves you might expect from Cheryl Lynn! Both those sides and many more are featured here – in a 35 track set that's overflowing with gems, produced by soul music legends who include Maurice White, Charles Stepney, Thom Bell, Ray Parker Jr, George Duke, Jeff Lorber, and others. Titles include "Baby Baby My Love's All For You", "What Two Can Do", "I Can't Wait", "I'm So Proud", "Black Butterfly", "Silly", "God Is Amazing", "Free", "Healing", "All I Need", "Waiting By The Hotline", "Let's Hear It For The Boy (12" version)", "Do What You Feel (single version)", "When Love Comes Calling", "I've Got The Next Dance (12" version)", "That's What Friends Are For", and "It's Gonna Take A Miracle". Also features duets with Johnny Mathis on "Without Us", "Love Won't Let Me Wait", "Too Much Too Little Too Late", and "You're All I Need To Get By". CD

Possible matches10
CD, LP, Vinyl record album cover art
✨✧ VariousSoldier's Sad Story – Vietnam Through The Eyes Of Black America 1966 to 1973 ... CD
Kent/Ace (UK), Late 60s/Early 70s. New Copy ... Out Of Stock
A really great little set – with a very unique take on soul music! As the title indicates, the package documents the African-American response to the Vietnam War that emerged in soul singles during the late 60s and early 70s. The feel here is quite different than the raw, ragged protest of American rock at the time – and has a more helpless, disenfranchised feel that really gets at the true spirit of what most of America was going through in dealing with the war. The range of material is really great – and includes soul from the south, Chicago, LA, New York, and Philly – with a number of tunes that you may know, but have never identified strongly as anti-war, plus other great ones that you've most likely not heard! Titles include "While I'm Away" by Eddy G Giles, "POW MIA" by The Whispers, "Mail Call Time" by Mel & Tim, "Let's Face Facts" by James Carr, "Going To Viet Nam" by Big Amos, "Lonely Soldier" by Mike Williams, "He'll Be Back" by The Players, "Greetings" by The Monitors, "Christmas In Vietnam" by Johnny & Jon, "There's Someone Waiting Back Home" by The O'Jays, and "I Can't Write Left Handed" by Bill Withers. CD

Possible matches11
CD, LP, Vinyl record album cover art
Tommy Boyce & Bobby HartI Wonder What She's Doing Tonite ... LP
A&M, Late 60s. Very Good ... $14.99
Brilliant 60s pop from the team of Tommy Boyce & Bobby Hart – best known for their key early songwriting work for The Monkees, but a heck of a great duo on their own! Boyce & Hart have a sparkly, sunshiney sound that's very much a part of The Monkees generation – a beautiful post-folk, post-surf blend of styles, and one that's served up with all the warmth and charm that made The Monkees so great – yet also with some cool twists and turns that make a record like this so great – the kind of chance-taking that A&M sometimes allowed its artists to take at the time! Backings are super-groovy – arranged by Artie Butler and Don McGinis – and titles include "I Wonder What She's Doing Tonite", "Teardrop City", "I Wanna Be Free", "The Countess", "Population", and "Two For The Price Of One" – a great cover of a Larry Williams & Johnny Watson soul tune! LP, Vinyl record album
(Brown label stereo pressing. Cover has a center split on the bottom seam, with small stains on the corners.)

Possible matches12
CD, LP, Vinyl record album cover art
Charles BrownDrifting Blues ... LP
Score, Early 50s. Very Good+ ... $11.99
Classic postwar work from the west coast scene – with Moore on vocals and piano, Johnny Moore on guitar, and Eddie Williams on bass. Titles include "Drifting Blues", "Seven Kisses Mambo", "Nite After Nite", "Rising Sun", "My Heart Is Mended", and "Honeysipper". LP, Vinyl record album
(French pressing, from the early 80s. Cover has some light wear.)

Possible matches13
CD, LP, Vinyl record album cover art
✨✧ Tail DraggerStop Lyin' ... CD
Delmark, 1982. Used ... $8.99
The very first recordings of Chicago bluesman Tail Dragger – recorded back in the early 80s, with that great rootsy sound that city's scene still had at the time! You can definitely hear a bit of polish since the early electric days, but overall the sound is nice and raw – and a great change from more commercial blues of the time – thanks especially to the raw, raspy style of singing that Tail Dragger uses – and the sharp instrumentation from Johnny B Moore and Jesse Lee Williams on guitars, and Eddie Jewtown Burks on harmonica. Titles include "So Ezee", "Where Did You Go", "Ain't Gonna Cry No Mo", "Don't You Want A Good Man", "Stop Lyin", and "Tail's Tale". CD

Possible matches14
CD, LP, Vinyl record album cover art
Bobby ForresterBobby Forrester Organist ... LP
Dobre, Early 70s. New Copy (reissue)... $9.99
One of the greatest albums of Hammond jazz ever recorded – and a darn funky one at that! Bobby Forrester may not look like a hipster on the cover, but this set grooves like some of the best early 70s work by Jack McDuff, Jimmy McGriff, and Groove Holmes – hitting hard with some really funky tracks that have made the album a must-have with collectors for years. The sound here a lean, mean revision of the Prestige Hammond jazz groove of the 60s – Bobby grooving on organ with just drums by Johnny Kirkwood and guitar by Elijah Williams Jr – all coming together in a totally solid sound that has plenty of funky riffs, nice drums, and soaring organ lines! Given the lean, compact approach to the groove, we might compare Forrester most with Charles Earland at his best – although the album's got a voice and depth that's certainly all its own. Titles include the classic groover "Uncle Funky", a great cover of "Sanford & Son Theme", and the cuts "Blues For Razz", "Don't Misunderstand", and "Funky Fly". LP, Vinyl record album

Possible matches15
CD, LP, Vinyl record album cover art
Herbie Hancock5 Original Albums (Takin Off/My Point Of View/Inventions & Dimensions/Speak Like A Child/The Prisoner) (5CD set) ... CD
Blue Note (Germany), Mid 60s. New Copy 5CD ... $21.99
The early genius of Herbie Hancock – perfectly summed up here in five classic albums for Blue Note – each presented in a tiny LP-styled sleeve! Takin Off has Herbie Hancock stepping into the limelight with an excellent batch of soul jazz tunes, including the first recording of his classic "Watermelon Man", the one track that probably put all his kids through school! Although that one went on to become a standard within a few short years in 60s jazz, it still sounds great here in the original – a very fresh take on the sound of soul jazz in the 60s – offered up here in a 7 minute version that has more sharp soloing than most other takes on the tune! The group here is great too – with Dexter Gordon on tenor, Freddie Hubbard on trumpet, Butch Warren on bass, and Billy Higgins on drums – and the tracks are all also originals by a young Herbie – including "Watermelon Man", "The Maze", "Driftin", "Three Bags Full", "Alone & I", and "Empty Pockets". My Point Of View is a great mix of soul jazz and modernism! The record include a nice groovy "hit", Herbie's "Blind Man, Blind Man" – an obvious follow-up to "Watermelon Man", but still a standout track with a lot of imagination, and a fierce soul jazz hook that just won't quit! The rest of the record, while still groovy, also shows much more signs of Herbie's far-reaching conception – especially shared with players like Tony Williams, Grachan Moncur, Chuck Israels, and Grant Green – all of whom work with Herbie, Donald Byrd, and Hank Mobley – in a larger than usual group that makes for a really great sound! Titles include "A Tribute To Someone", "King Cobra", and "The Pleasure Is Mine". Inventions & Dimensions is really unique little record from Herbie Hancock – one that's almost completely improvised over Latin percussion! The setup is quite spare – and quite different than Herbie's other Blue Note work – and the group features improvised backgrounds by bassist Paul Chambers and 2 Latin percussionists, Willie Bobo and Osvaldo "Chihuahau" Martinez. Herbie only wrote simple sketches for the songs on the album, and most of the work on the tracks was done live, spontaneously, in the studio – creating a very free groove that never goes too far out, but which is far more adventurous than usual. All tracks are long, and titles include "Succotash", "Triangle", and "Mimosa". Speak Like A Child is an oft-overlooked session that has Herbie mixing a nice dose of lyricism into his usual soul jazz approach from the 60s! The sound's a bit farther-reaching than on some of Herbie's smaller group sessions – and the record features a sextet that includes Ron Carter, Mickey Roker, Jerry Dodgion, Thad Jones, and Peter Phillips – all soaring with the warmth and introspection that was showing up in some of the best Blue Notes from the time. The harder-hitting soul jazz riffs and hooks are nicely replaced by more thoughtful lines that get a bit deeper, soufully – and nearly all tracks on the set are originals by Hancock! The album's filled with great moments – and tracks include "The Sorcerer", "Riot", and "Goodbye To Childhood". Last up is The Prisoner – a nice late Blue Note change from Herbie Hancock – a very different album than his previous sets for the label – in that it features a slightly larger group, and a sound that really points the way towards his directions in the 70s! There's a slightly ambitious feel to some of these cuts – not in a way that's over-arranged, but just a new sort of thinking for Herbie's kind of groove – a mode that's partially informed by the seriousness of 60s jazz soundtracks, but which also has the beginnings of some more righteous modes of expression too. Players are all great – and include Joe Henderson on tenor and flute, Johnny Coles on flugelhorn, Garnett Brown on trombone, Hubert Laws on flute, Jerome Richardson on bass clarinet, Buster Williams on bass, and Tootie Heath on drums. Herbie plays both acoustic and electric piano – using the latter here in one of his first recordings on the instrument – and titles include "Firewater", "I Have A Dream", "The Prisoner", and "He Who Lives In Fear". CD

Possible matches16
CD, LP, Vinyl record album cover art
Emmylou HarrisRoses In The Snow (expanded & remastered) ... CD
Rhino, 1980. Used ... $4.99
One of Emmylou's best, most rewardingly sweet, yet dusty albums. After the Gram Parsons days, the girl could seemingly do no wrong – until the big-haired mid 80s came along anyway – but Roses In The Snow still manages to stand out among the great ones. She was always reverent of her heroes and heroines – nursing a much stronger bluegrass and old timey jones on Roses than you would typically find on a record by a 70s non-outlaw country iconoclast. She covers the Stanleys' "Darkest Hour Is Just Before Dawn", the Louvins' "You're Learning", the Carters' "Gold Watch And Chain", and 2 previously unissued Hank Williams covers – "You're Gonna Change" and "Root Like A Rose". Still, Emmylou was the queen of cosmic American music at this point, and brings the fragile, breathy intensity to the record you could always (and still can) expect from her at her best. Guests include Johnny Cash, Willie Nelson, and Dolly Parton. Other tracks include "You're Learning", and "Jordan". A long, LONG overdue remastered issue of this great record! CD

Possible matches17
CD, LP, Vinyl record album cover art
Charlie MarianoCharlie Mariano ... CD
Bethlehem/Solid (Japan), 1954. New Copy ... $8.99
Insanely wonderful early work from Charlie Mariano – some of the freshest, cleanest alto sax work of its time – blown with a tone and sense of soul that goes way beyond some of Mariano's contemporaries at the time! The album was recorded for Bethlehem Records, and is relatively straight – but Charlie already shows a sense of complexity in his presentation that hints at all the greatness to come – and which bursts out here with some refreshing energy that really makes the whole thing sparkle. Charlie's tone is impeccable – somewhere between Lee Konitz and Charlie Parker, with that back bay Boston blend of soul and modernism, making the city one of the best scenes for alto players in the 50s – and he gets some strong rhythm support from the trio of John Williams on piano, Max Bennett on bass, and Mel Lewis on drums. Titles include "Blues", "Floormat", "I Heard You Cried Last Night", "Johnny One Note", and "King For A Day". CD

Possible matches18
CD, LP, Vinyl record album cover art
✨✧ Joya SherrillJoya Sherrill Sings Duke ... CD
Verve, 1965. Used ... $9.99
One of the best recordings we've heard from Joya Sherrill – a set that has her taking on the music of Duke Ellington, but handling things with a cool sort of 60s feel! The arrangements are nice and lean – handled by Mercer Ellington, and featuring players who include Cootie Williams on trumpet, Ray Nance on cornet, Johnny Hodges on alto, and Paul Gonsalves on tenor – all working with Joya in formations that are much more small combo than the usual Ellington mode. Sherrill's vocals sparkle nicely in the setting – with a sense of poise and class that updates the older themes nicely. Titles include "Day Dreams", "In A Sentimental Mood", "Kissing Bug", "Mood Indigo", "Prelude To A Kiss", "Sophisticated Lady", "Duke's Place", and "A Flower Is A Lovesome Thing". CD
(Out of print.)

Possible matches19
CD, LP, Vinyl record album cover art
Nick Travis QuintetPanic Is On (3 x 7 inch EP) ... 7-inch
RCA, Mid 50s. Near Mint- (pic cover)... $6.99
No panic here – just tightly-crafted jazz, and one of the better RCA small combo sessions of the 50's! Trumpeter Nick Travis leads the group in that well-honed style that RCA was carving at the time – work that was as arranged as much of the recordings coming out of the west coast, but with a bit of a freer edge on the solo work. The group's pretty great overall – with Al Cohn on tenor, Johnny Williams on piano, Teddy Kotick on bass, and Art Mardigan on drums – and titles include "Nick's Knacks", "Jazzbo's Jaunt", "In the Nick Of Time", and "Cohn Pone". 7-inch, Vinyl record

Possible matches20
CD, LP, Vinyl record album cover art
VariousBlues For Dootsie – The Blue & Dootone Sides ... CD
Ace (UK), 1950s. New Copy ... $8.99 18.99
A treasure trove of rare postwar blues from the west coast – material cut for Dootsie Williams, best known as the head of the seminal Dootone label in LA! The set offers both tracks from Dootone and Williams' rarer imprint Blue – the latter of which existed from the late 40s into the early 50s, and featured a fair bit of excellent material done in the more laidback bluesy mode of LA after the war – styles popularized by Charles Brown, Cecil Gant, and others – echoed strongly in many of the performances here. As the set rolls on into the later 50s, some of the tracks pick up a bit more of an R&B sound – but the work is still relatively unified here, thanks to a good focus on the more blues-based work on Dootone. 30 tracks in all, plus some really great notes – all at the usual high Ace level! Titles include "Rent Day" by Stormy Herman, "Richmond Blues" by Betty Hall Jones, "West Coast Baby" by Johnny Taylor & His Mellow 5, "I Got A Country Girl" by Bobby Nunn, "Everybody's Jumpin Tonight" by Dootsie Williams & His Rhythm Kings with Joe Turner, "You'd Better Come Home Baby" by Violet Hall, "The Hole In The Wall" by Cleo Brown, "Are You Ready To Go Steady" by Paul Monday, and "Katy Lee" by Fats Gaines. CD

Possible matches21
CD, LP, Vinyl record album cover art
VariousChicago Downhome Blues Vol 1 ... CD
ABM (UK), Used ... $4.99
Music from Snooky & Moody, Othum Brown, Johnny Young, Johnny Williams, Sunnyland Slim, Floyd Jones, Man Young, Bluesboy Bill, Delta Joe, John Bvrim & more. CD

Possible matches22
CD, LP, Vinyl record album cover art
VariousCountry Funk Vol 2 – 1967 to 1974 ... LP
Light In The Attic, Late 60s/Early 70s. New Copy 2LP Gatefold ... $21.99 26.98
A great criss-crossing of modes at the end of the 60s – music that has roots in country, but which comes off with plenty of funk and soul as well – in styles that were burning strong from LA on eastward, all the way across the south at the time! Some of the grooves here might fall into the "swamp rock" mode of the time – while others showcase hip LA artists mixing rootsy elements with tighter studio production – and a few more have genre-crossing country artists trying on some more soulful modes for good measure. The range of work is really great – and quite surprising, too – and the whole thing's got a great look that really illuminates the music within. Titles include "Northeast Texas Women" by Willis Allan Ramsey, "Nobody" by Larry Williams & Johnny Watson, "Collection Box" by Thomas Jefferson Kaye, "Me & Mr Hohner" by Bobby Darin, "Hunger Child Blues" by Townes Van Zant, "California Women" by Hoyt Axton, "Pay Day Give Away" by Bill Wilson, "Shotgun Willie" by Willie Nelson, "Cajun Moon" by JJ Cale, "Sumpin Funky Going On" by Donnie Fritts, and "Don't Let Me Down" by Dillard & Clark. LP, Vinyl record album
(Housed in a deluxe stoughton tip on jacket.)

Possible matches23
CD, LP, Vinyl record album cover art
✨✧ VariousDJ Andy Smith's Jam Up Twist USA – R&B Rockers, Rockabilly, Northern Soul, & Sleazy Shakers ... CD
Cultures Of Soul, Late 50s/Early 60s. Used ... $6.99
A great US take on the Jam Up Twist sound of DJ Andy Smith – the groove he explored on a previous compilation in the UK – now served up here in a different lineup for the states! The music is a mad mix of R&B, jump blues, rockabilly, and other raw sounds from the tail end of the 50s – very much like the sort of territory that Keb Darge has explored on his excellent sets with Little Edith – and the kind of sounds that go way way beyond well-known hits from the period! Smith digs very deep in the crates, and gets some help with selections from Deano Sounds as well – on this smoking set that includes "Honey Child" by Johnny Williams, "What's My Chances" by Chuck Flamingo, "Thanks Mr Postman" by Bobby King, "Lonesome Shack" by Ernie Washington, "Doing All Right" by Eddie Cash, "Swingin & Surfin" by Les Brown Jr, "Ever Again" by Gene Woodbury, "High School Caesar" by Reggie Perkins, "Monkey's Uncle" by Ray Sharpe, and "Pack Shack & Stack" by Billy Nelson. CD

Possible matches24
CD, LP, Vinyl record album cover art
VariousFatback's Soul Shop ... CD
Kent (UK), Late 60s. New Copy ... $8.99 14.99
If we had a shop like this in our neighborhood – we'd be broke! Fatback are (of course) the legendary 70s funk group whose records we've loved for decades – but what's not as well known is that they also ran a little storefront office known as the House Of Fatback, located in Queens, and home to some really funky music! The office not only served as headquarters for the group, but was also a place where they caught new talent, and kept one ear to the street for other artists to work with. In the years before Fatback themselves broke big, the group ran a label – also called Fatback – and recorded some excellent local talent on the New York scene – a mix of soul and early funk acts, handled with a level of quality that ranks right up there with the best indie soul of the late 60s. This great set features 16 tracks from the Fatback label, along with great notes that really get at their story – and contains a wonderful range of tunes that are all winners all the way through! Titles include "The Cat Walk" and "Little Bit Of Soul" by Gerry & Paul & The Soul Emmisaries, "You're My Everything" and "Who Will It Be" by Mary Davis, "Right Or Wrong" and "I Need You" by The Puzzles, "Why Don't You Let My Love Go" and "Got To Find A Way" by Jimmy Williams, "Put It In" and "Keep On Brother Keep On" by Johnny King & Fatback Band, and "Quiet Waters" by GP & The Soul Emissaries. CD

Possible matches25
CD, LP, Vinyl record album cover art
VariousFor Connoisseurs Only Vol 2 – Kent/Modern Soul Collectables ... CD
Kent (UK), Late 60s/Early 70s. New Copy ... $8.99 18.99
Not just rare soul, but unreleased soul – a massive batch of it from the late 60s and early 70s, all pulled from the catalog of LA indies Modern and Kent Records! Modern/Kent first got their start in the blues end of the spectrum in the postwar years – but by the 60s, they'd built up a strong network of artists and players from around the southern scene from the west to the east – a motherlode of great talent that was recorded at the time, but sometimes exceeded the labels' ability to issue singles! This set corrects that fact, and brings out a nice batch of hard soul, deep soul, and funky soul tracks from the time – a total of 25 titles in all, and including some rare singles that were issued, alongside some even better unissued material. Titles include "Wizard Of Art" by Johnny Copeland, "My Bag" by Leon Peterson, "Love Line" by Billy Watkins, "That Someone Don't Know It" by Jimmy Robins, "Let Me Whisper In Your Ear" by Joe Haywood, "Irresistible You" by Billy Harner, "I Can't Get Enough" by Willie Hutch, "Gray Skies" by Wayne Boykin, "Change In Me" by Brilliant Korners, "Wanting You" by Jimmy Bee, "Enough For Everybody" by Betty Bibbs, "Don't Cha Ever Forget It" by Johnny Williams, "Without Friends" by The Universals, and "I Can't Stand It" by Brenda George. CD
 
Partial matches: 7
Partial matches49
CD, LP, Vinyl record album cover art
Gerry MulliganGerry Mulligan Meets Johnny Hodges ... CD
Verve, 1959. Used ... $3.99
An unlikely pairing – but that's what makes the record so great! Mulligan and Hodges come together in this rare Verve set from the late 50s – an inspired combination of talents that really work some magic together. Hodges' tone is in the lead in our ears, always wonderful, especially in a set of open-ended tracks like this – but Mulligan's sweet and careful blowing works surprisingly well as a foil, giving the set a nice bottom, and a good overall approach. Backing is by a trio that features Claud Williamson, Buddy Clark, and Mel Lewis – and titles include "Bunny", "Back Beat", "What's The Rush", and "18 Carrots For Rabbit". CD

Partial matches50
CD, LP, Vinyl record album cover art
Johnny RichardsSomething Else By Johnny Richards ... CD
Bethlehem/Solid (Japan), 1956. New Copy ... $8.99
Some of the best work ever from one of the most under-acknowledged jazz composers and arrangers of the 50s! Johnny Richards is probably best known for his recordings with Stan Kenton in the early part of the decade – but when he moved out on his own, he developed a tremendous sound that was even richer, even more full of color and tone than Kenton's own – and which was often done without any arch-modern tones, yet still fresh and free of cliche. The album's one of Richards' first as a leader – and features a wonderful lineup filled with top-shelf players – including Charlie Mariano on alto, Richie Kamuca on tenor, Stu Williamson and Pete Candoli on trumpets, and Frank Rosolino and Milt Bernhardt on trombones – all players who really bring a bold sort of energy to Johnny's vibrant arrangements. The sax work alone is tremendous – cutting with a beautiful edge across the larger charts – and titles include "Waltz Anyone", "Turn Aboot", "Band Aide", "Dimples", and "Burrito Borracho". CD

Partial matches51
CD, LP, Vinyl record album cover art
Johnny RichardsSomething Else By Johnny Richards ... LP
Bethlehem, 1956. Very Good- ... $19.99
Some of the best work ever from one of the most under-acknowledged jazz composers and arrangers of the 50s! Johnny Richards is probably best known for his recordings with Stan Kenton in the early part of the decade – but when he moved out on his own, he developed a tremendous sound that was even richer, even more full of color and tone than Kenton's own – and which was often done without any arch-modern tones, yet still fresh and free of cliche. The album's one of Richards' first as a leader – and features a wonderful lineup filled with top-shelf players – including Charlie Mariano on alto, Richie Kamuca on tenor, Stu Williamson and Pete Candoli on trumpets, and Frank Rosolino and Milt Bernhardt on trombones – all players who really bring a bold sort of energy to Johnny's vibrant arrangements. The sax work alone is tremendous – cutting with a beautiful edge across the larger charts – and titles include "Waltz Anyone", "Turn Aboot", "Band Aide", "Dimples", and "Burrito Borracho". LP, Vinyl record album
(Heavy red label pressing with deep groove.)

Partial matches52
CD, LP, Vinyl record album cover art
✨✧ Johnny PateBucktown – Original Soundtrack ... LP
American International, 1975. New Copy (reissue)... Out Of Stock
A funky treasure – finally unleashed! Bucktown was one of the best of the mid 70s indie blacksploitation films – thanks to some great starring work from Fred Williamson and Pam Grier – but for years, the soundtrack's never been available as an individual release. Now, this tasty heavy-vinyl set makes all the film's wonderful grooves finally available – presented in a great style that includes all the shorter moodier bits, the fuller longer funky tracks, and even a bit of sound effects and dialogue! The music was penned and conducted by Johnny Pate – of Shaft In Africa and Brother On The Run fame – and the tunes are a great blend of funky soundtrack styles that include full on big band, sparer snapping instrumentals, and even a few nice tunes with great use of moog! Titles include "Chase", "Stepping", "Bar Fly", "Check In", "Freeze", "Love Theme", "Call It In", "Sneaking It In", and "Spin". LP, Vinyl record album

Partial matches53
CD, LP, Vinyl record album cover art
✨✧ VariousWindy City Blues – The Transition – 1935 to 1953 (with bonus tracks) ... CD
Nighthawk, Late 30s/1940s/Early 50s. New Copy ... $11.99 14.98
Pivotal years of the Chicago blues scene – a time when the city was moving from rural influences to electric modes! That great span of work is presented here beautifully – in a set of tracks that begins in the mid 30s and end in the mid 50s – tracing an evolution that would not only go on to transform the music, but also have a huge impact on other styles for decades to come! The set features a 16 tracks in all – including "Please Don't" by Johnny Shines, "Fishin Blues" by Tony Hollins, "Down Behind The Rise"by Guitar Pete Franklin, "Black Spider Blues" by Robert Lockwood, "Sunnyland" by Sonny Boy Williamson, "Prowlin Nighthawk" by Robert Lee McCoy, "Easy Ridin Mama" by Washboard Sam, and "Sweet To Mama" by State Street Boys. CD features 8 more bonus tracks – mostly from the mid 50s – by Willie Nix, Floyd Jones, John Brim, and others! CD

Partial matches54
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✨✧ VariousWorld's Funkiest Covers ... CD
Cultures Of Soul, 1970s/2011. New Copy ... Out Of Stock
They're not kidding about the title on this one – although they might have added "weirdest" to the name, too! The songs here are all familiar ones, especially if you dig rare grooves from the 60s and 70s – but the versions you'll hear are definitely unusual – often some pretty obscure takes on funk and soul numbers, plus a few bits from other styles too – done up in even funkier versions than before, partly because the production is even rawer, but also because the overall execution is too! Latin vibes mix up with soulful rhythms, deep funk solos, and even some freaky fuzzy psyche-inspired moments – and titles include "Purple Haze" by Johnny Jones & The King Casuals, "Jungle Fever" by Afrosound, "Bang Bang" by Fruko & Sus Tesos, "Pastime Paradise" by Ray Barretto, "Cloud Nine" by Mongo Santamaria, "I Turn My Camera On" by Williamsburg Salsa Orchestra, "Light My Fire" by Ebony Rhythm Band, "Scorpio" by Johnny Frigo, "Rat Race" by Antibalas, and "The Next Message" by The Mighty Mo & Winchester Seven. CD

Partial matches55
CD, LP, Vinyl record album cover art
✨✧ VariousWorld's Funkiest Covers ... LP
Cultures Of Soul, 1970s/2011. New Copy ... Out Of Stock
They're not kidding about the title on this one – although they might have added "weirdest" to the name, too! The songs here are all familiar ones, especially if you dig rare grooves from the 60s and 70s – but the versions you'll hear are definitely unusual – often some pretty obscure takes on funk and soul numbers, plus a few bits from other styles too – done up in even funkier versions than before, partly because the production is even rawer, but also because the overall execution is too! Latin vibes mix up with soulful rhythms, deep funk solos, and even some freaky fuzzy psyche-inspired moments – and titles include "Purple Haze" by Johnny Jones & The King Casuals, "Jungle Fever" by Afrosound, "Bang Bang" by Fruko & Sus Tesos, "Pastime Paradise" by Ray Barretto, "Cloud Nine" by Mongo Santamaria, "I Turn My Camera On" by Williamsburg Salsa Orchestra, "Light My Fire" by Ebony Rhythm Band, and "The Next Message" by The Mighty Mo & Winchester Seven. LP, Vinyl record album
 
 
 



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