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Exact matches: 3
Exact matches1
CD, LP, Vinyl record album cover art
Johnny CashJohnny Cash Sings Hank Williams ... LP
Sun/Sundazed, 1960. New Copy (reissue)... $23.99 24.99
Johnny Cash masterfully dips into the Hank Williams songbook – and what we get from it is and excellent Sun LP in which one of the greatest forlorn voices in honky tonk/proto rock/country music history pays perfect tribute to the originator! This one not only includes Cash's raw, unfussy earlyish Sun style takes on Hank classics, but some of Johnny's own standards, and it's as high quality of a beginning-to-end listen as just about any in his Sun canon. Includes "I Can't Help It", "You Win Again", "Hey Good Lookin'", "Give My Love To Rose", "Come In Stranger", "Mean Eyed Cat", "Come In Stranger", "I Walk The Line", "I Could Never Be Ashamed Of You" and more. LP, Vinyl record album

Exact matches2
CD, LP, Vinyl record album cover art
Johnny Hodges, Cootie Williams, Barney BigardDuke's Men – Original 1936 to 1939 Recordings ... LP
Epic, Late 30s. Very Good+ Gatefold ... $4.99
An excellent album that features late 30s recordings by some of Duke Ellington's most famous sidemen! The groups on most of these are fairly similar – mostly small group sessions from the larger Ellington outfit – pulled out in ways that give a strong focus on the solo talents of the session leader – and as with other packages in this series, the fidelity is much better than the original singles, and accompanied with full notes on the music! Titles include "Rexatious" and "Lazy Man's Shuffle" by Rex Stewart; "Echoes Of Harlem", "Swing Pan Alley", and "I Can't Believe You're In Love With Me" by Cootie Williams; "The Rabbit's Jump", "Pyramid", and "Jitterbug's Lullaby" by Johnny Hodges; and "Caravan" and "Stompy Jones" by Barney Bigard. LP, Vinyl record album
(Encore Series pressing.)

Exact matches3
CD, LP, Vinyl record album cover art
✨✧ Johnny CashJohnny Cash Sings Hank Williams ... LP
Sun, Late 50s. Used ... Out Of Stock
Johnny Cash masterfully dips into the Hank Williams songbook – and what we get from it is and excellent Sun LP in which one of the greatest forlorn voices in honky tonk/proto rock/country music history pays perfect tribute to the originator! This one not only includes Cash's raw, unfussy earlyish Sun style takes on Hank classics, but some of Johnny's own standards, and it's as high quality of a beginning-to-end listen as just about any in his Sun canon. Includes "I Can't Help It", "You Win Again", "Hey Good Lookin'", "Give My Love To Rose", "Come In Stranger", "Mean Eyed Cat", "Come In Stranger", "I Walk The Line", "I Could Never Be Ashamed Of You" and more. LP, Vinyl record album
Also available Johnny Cash Sings Hank Williams ... LP 23.99
 
Possible matches: 43
Possible matches4
CD, LP, Vinyl record album cover art
Richard BerryYama Yama! – The Modern Recordings 1954 to 1956 ... CD
Ace (UK), Mid 50s. New Copy ... $11.99
Raunchy R&B from the great (and vastly underrated) Richard Berry! Berry was a key singer in the west coast scene of the 50s – with a style, sound, and raw sense of power that makes him as important a pre-soul figure as Johnny Guitar Watson and Larry Williams! The set's got 28 cuts in all – all from Richard's hard raw soul years in LA – and work is a great example of the strong solo acts that were part of the second-generation R&B underground after the first wave of hard rockers in the early 50s. The CD's packed with great notes on Berry's career at the time, and features work recorded for the Flair and RPM labels – with The Dreamers, Etta James, The Cadets, and Rickey & Jennell. Titles include "Daddy Daddy", "The Big Break", "Wait For Me", "Rockin Man", "Look Out Miss James", "Hey Henry", "Yama Yama Pretty Mama", and "Get Out Of The Car", one of the fiercest date-rape songs we've ever heard! CD

Possible matches5
CD, LP, Vinyl record album cover art
Duke EllingtonBlack Power ... CD
Squatty Roo, 1969. New Copy ... $12.99 14.98
A rare live performance from Duke Ellington – recorded in 1969 at the Salle Pleyel in Paris, when Duke was taking a European tour to celebrate his 70th birthday! The cover art is maybe a bit misleading – given that the album isn't really the sort of righteous political statement that image might imply – but Ellington and the group definitely have a brooding sort of power, especially on a few of the more original, contemporaneous tunes on the set. Players include Cat Anderson and Cootie Williams on trumpets, Lawrence Brown on trombone, Paul Gonsalves on tenor, and Johnny Hodges on alto – and the recording quality is definitely a bit "live", although most performances come through pretty clearly. Titles include "El Gato", "Black Butterfly", "La Plus Belle Africaine", "Tenorsaxophone Calisthenics", "Black Power", and "Black & Tan Fantasy". CD

Possible matches6
CD, LP, Vinyl record album cover art
Duke EllingtonFar East Suite ... LP
RCA, 1967. Very Good ... $8.99
One of Ellington's greatest albums of the 60s – and a record tinged with Eastern themes and darkly angular modern arrangements. The group here features Ellington stalwarts Johnny Hodges, Paul Gonsalves, Harry Carney, Cootie Williams, Mercer Ellington, and Rufus Jones – and the players work together tightly to craft the suite of tracks based on Ellington's impressions of recent travels through the Mid and Far East during the 60s. Titles include "Tourist Point Of View", "Isfahan", "Depk", "Mount Harissa", "Amad", "Agra", and "Blue Pepper". LP, Vinyl record album
(Black label stereo pressing with deep groove. Cover has surface wear, seam splitting, and writing in marker on back.)

Possible matches7
CD, LP, Vinyl record album cover art
Duke EllingtonFar East Suite (80s pressing) ... LP
RCA/Bluebird, 1967. Sealed ... $4.99
One of Ellington's greatest albums of the 60s – and a record tinged with Eastern themes and darkly angular modern arrangements. The group here features Ellington stalwarts Johnny Hodges, Paul Gonsalves, Harry Carney, Cootie Williams, Mercer Ellington, and Rufus Jones – and the players work together tightly to craft the suite of tracks based on Ellington's impressions of recent travels through the Mid and Far East during the 60s. Titles include "Tourist Point Of View", "Isfahan", "Depk", "Mount Harissa", "Amad", "Agra", and "Blue Pepper". LP, Vinyl record album
(Cover has a cutout notch.)

Possible matches8
CD, LP, Vinyl record album cover art
Duke EllingtonIn A Mellotone ... CD
RCA, 1940. Used ... $4.99
A 50s LP that showcases Duke's early 40s sides for the Bluebird/Victor label – including early versions of formative compositions, featuring players like Rex Stewart, Johnny Hodges, Barney Bigard, and Ray Nance. Titles include "Take The A Train", "Portrait Of Bert Williams", "Rumpus In Richmond", "Rocks In My Bed", "Sepia Panorama", "Flaming Sword", "Perdido", and "Blue Serge". CD
(Out of print.)
Also available In A Mellotone ... LP 4.99

Possible matches9
CD, LP, Vinyl record album cover art
✨✧ Duke EllingtonIn A Mellotone ... LP
RCA, Early 40s/1956. Very Good ... $4.99
A 50s LP that showcases Duke's early 40s sides for the Bluebird/Victor label – including early versions of formative compositions, featuring players like Rex Stewart, Johnny Hodges, Barney Bigard, and Ray Nance. Titles include "Take The A Train", "Portrait Of Bert Williams", "Rumpus In Richmond", "Rocks In My Bed", "Sepia Panorama", "Flaming Sword", "Perdido", and "Blue Serge". LP, Vinyl record album
(Black label mono pressing with deep groove.)
Also available In A Mellotone ... CD 4.99

Possible matches10
CD, LP, Vinyl record album cover art
✨✧ Duke EllingtonRotterdam 1969 ... CD
Storyville (Denmark), 1969. New Copy ... $14.99 15.99
A wonderful late-live concert from Duke Ellington – the kind of set that shows just how many shifts and surprises he could still bring to the stage at the time! Ellington himself seemed to reach out in more of a modern mode during the 60s with his own playing and writing – and while a tour date like this might not showcase that move fully, the overall presentation certainly shows some of the new ideas the Duke was investigating, even amidst some older favorites. The song titles themselves hardly paint the full picture of the material – because, as always with Ellington, there's so many things going on – so many tones and textures, as well as breakout solo moments too. Players include Wild Bill Davis on Hammond – making for a few surprising organ jazz moments – plus Cat Anderson, Cootie Williams, and Benny Bailey on trumpets, Johnny Hodges on alto, Russell Procope on alto and clarinet, Lawrence Brown on trombone, Harold Ashby and Paul Gonsalves on tenor, Harry Carney on baritone and bass clarinet, and rhythm from the team of Victor Gaskin on bass and Rufus Jones on drums. Tony Watkins sings just a bit – and titles include "Kinda Dukish/Rockin In Rhythm", "RTM", "Satin Doll", "Don't Get Around Much Anymore", "Black Butterfly", "La Plus Belle Africaine", "Come Off The Veldt", and "Up Jump". CD

Possible matches11
CD, LP, Vinyl record album cover art
Herbie HancockHerbie Hancock – The Warner Brothers Years 1969 to 1972 (Fat Albert Rotunda/Crossings/Mwandishi/bonus tracks) (3CD set) ... CD
Warner, Late 60s/Early 70s. Used 3 CDs ... $13.99
A trio of great albums from Herbie Hancock – funky, spiritual, and plenty soulful – and presented here with bonus tracks too! First up is Fat Albert Rotunda – the first album to feature Herbie really breaking away from his straight jazz work – moving into a groove that's nice and funky, using electric piano along with acoustic, to forge the sound that he'd develop famously over the 70s. The album's got a harder, heavier sound than some of his straight electric ones – and it features a larger group with soloists that include Johnny Coles on trumpet and Joe Henderson on tenor – plus some sweet basslines from Buster Williams! Includes the cuts "Fat Mama" and "Wiggle Waggle", both sample favorites, plus "Tell Me A Bedtime Story" and "Lil Brother". CD also features bonus mono mixes of "Wiggle Waggle" and "Fat Mama". Next is Mwandishi – an excellent session that was one of Herbie Hancock's first free-flowing fusion records of the 70s! Herbie's playing Fender Rhodes with a sound that's at once cosmically beautiful, soulfully fragile, and spacily grooving – and he gets some excellent accompaniment from an all-hip group of players that includes Benny Maupin on bass clarinet and flute, Buster Williams on bass, Eddie Henderson on trumpet, and Julian Priester on trombone – plus percussion from Jose Areas and Ndugu Chancler. The roots of later classics like Sextet and Flood all start with this session – and the album contains 3 long tracks – "You'll Know When You Get There", "Ostinato", and "Wandering Sprit Song". CD features bonus promo edits of "Ostinato" and "You'll Know When You Get There". Crossings is a record that really steps up Herbie's range of keyboards, mixing in both acoustic and electric pianos, mellotron, and even a bit of spacey moog from the legendary Patrick Gleeson! The whole thing is wonderful – very open and flowing, and even more organic than Hancock's later work on Columbia – especially given the length of the tracks on the set. In addition to Gleeson, other players include Benny Maupin on reeds, Julian Priester on trombone, Buster Williams on bass, and Billy Hart on drums – and titles include the 3 long tracks "Quasar", "Sleeping Giant", and "Water Torture" – all good ones! CD features bonus single mixes of "Crossings" and "Water Torture". CD
(Still sealed!)

Possible matches12
CD, LP, Vinyl record album cover art
Herbie HancockPrisoner ... LP
Blue Note, 1969. Very Good+ ... $16.99
A nice late Blue Note change from Herbie Hancock – a very different album than his previous sets for the label – in that it features a slightly larger group, and a sound that really points the way towards his directions in the 70s! There's a slightly ambitious feel to some of these cuts – not in a way that's over-arranged, but just a new sort of thinking for Herbie's kind of groove – a mode that's partially informed by the seriousness of 60s jazz soundtracks, but which also has the beginnings of some more righteous modes of expression too. Players are all great – and include Joe Henderson on tenor and flute, Johnny Coles on flugelhorn, Garnett Brown on trombone, Hubert Laws on flute, Jerome Richardson on bass clarinet, Buster Williams on bass, and Tootie Heath on drums. Herbie plays both acoustic and electric piano – using the latter here in one of his first recordings on the instrument – and titles include "Firewater", "I Have A Dream", "The Prisoner", and "He Who Lives In Fear". LP, Vinyl record album
(Liberty pressing with Van Gelder stamp. Cover has ring & edge wear, a half split spine, a bit of stuck-on paper, and a small stain on back.)
Also available Prisoner (RVG remaster edition) ... CD 5.99

Possible matches13
CD, LP, Vinyl record album cover art
Herbie HancockPrisoner (RVG remaster edition) ... CD
Blue Note, 1969. Used ... $5.99
A nice late Blue Note change from Herbie Hancock – a very different album than his previous sets for the label – in that it features a slightly larger group, and a sound that really points the way towards his directions in the 70s! There's a slightly ambitious feel to some of these cuts – not in a way that's over-arranged, but just a new sort of thinking for Herbie's kind of groove – a mode that's partially informed by the seriousness of 60s jazz soundtracks, but which also has the beginnings of some more righteous modes of expression too. Players are all great – and include Joe Henderson on tenor and flute, Johnny Coles on flugelhorn, Garnett Brown on trombone, Hubert Laws on flute, Jerome Richardson on bass clarinet, Buster Williams on bass, and Tootie Heath on drums. Herbie plays both acoustic and electric piano – using the latter here in one of his first recordings on the instrument – and titles include "Firewater", "I Have A Dream", "The Prisoner", and "He Who Lives In Fear". CD includes bonus alternate takes of "The Prisoner" & "Firewater". CD
Also available Prisoner ... LP 16.99

Possible matches14
CD, LP, Vinyl record album cover art
Johnny OtisJohnny Otis Show ... CD
Capitol (Japan), 1958. New Copy ... $14.99
One of the coolest earliest albums from the great Johnny Otis – a late 50s set that was issued on Capitol's grittier Dig subsidiary – and which features the full range of the Otis revue, captured surprisingly well! Yes, work for other labels at the time often featured Johnny with some of his other associates – but the overall presentation of this one, done as a "show" formation (although most likely studio, not really live) has Johnny shifting between a range of other talents too – including Three Tons Of Joy, Jeannie Sterling & The Moonbeams, and Mel Williams – plus Johnny himself, and work from his great group that can effortlessly blend jazz elements with R&B! Titles include "Loop De Loop", "Can't You Hear Me Callin", "In The Dark", "Lonely River", "Stay With Me", and "Hum Ding A Ling". CD

Possible matches15
CD, LP, Vinyl record album cover art
✨✧ Harold OusleyHarold Ousley – Tenor Sax ... CD
Bethlehem/Solid (Japan), 1961. New Copy ... $13.99
A legendary album from this tenor genius from Chicago – a hell of a player who emerged in the same generation as Clifford Jordan, John Gilmore, Eddie Harris, and Johnny Griffin – yet never fully got his due! The album's easily one of the most sharp-edged for the Bethlehem label – and has the power of a rare Blue Note or Prestige date from the same time – thanks partly to Harold's sharp bite in the tone of his tenor, and partly to an ultra-hip lineup that includes Charles Davis on baritone sax, Julian Priester on trombone, Phillip Wright on piano, Thomas Williams on bass, and Walter Perkins on drums. The set really showcases that mix of modern and soulful that was the best side of the Chicago scene at the start of the 60s – a vibe you'd find from a group like the MJT+3 or the Gene Shaw Quintet on Argo – even more of a surprise here on the mostly-cool Bethlehem label. Ousley penned some great originals for the record – and titles include "Porter's Groove", "Struttin To Truckin", "Paris Sunday", "Decvachan", and "Dell A Von". CD

Possible matches16
CD, LP, Vinyl record album cover art
Dave PellI Remember John Kirby ... LP
Capitol, Late 50s. Near Mint- ... $6.99
An interesting album for Pell – one in which he turns his tightly-arranged west coast style to a mode that approximates the sound of the famous John Kirby group at the end of the 30s! Pell's working with new arrangements of older tunes associated with Kirby – done by Harry Betts, Johnny Williams, and Med Flory – in a group that includes Ray Linn on trumpet, holding the Charlie Shavers part, and Benny Carter on alto, handling some of the Russell Procope passages. Titles include "Rose Room", "Double Walk", "Tootsie Roll", "It Feels Good", "Undecided", "Blue Skies", and "Opus 5". LP, Vinyl record album

Possible matches17
CD, LP, Vinyl record album cover art
Dave PellOld South Wails ... LP
Capitol, Late 50s. Very Good+ ... $3.99
A pretty strange concept for an album – a bunch of LA jazz players get together and do versions of songs usually associated with the south! This penchant for swinging tunes from unusual sources was one of Pell's strongest 50s tricks, though, and he makes it come off pretty well with a group that includes Tommy Tedesco on guitar, Jack Sheldon on trumpet, Marty Paich on piano, and Med Flory on baritone sax. Arrangements are by Flory, Paich, Bob Florence, Bill Holman, and Johnny Williams – and titles include "Shi Me Sha Wabble", "Sugar Foot Strut", "Jazz Me Blues", "Blues", "Paper Doll", and "Ballin The Jack". LP, Vinyl record album
(Original pressing.)

Possible matches18
CD, LP, Vinyl record album cover art
Zoot SimsZoot (Argo) ... LP
Argo, 1956. Sealed ... $9.99
An obscure session for Zoot Sims – but a nice one! The group's a quartet – with Johnny Williams on piano, Gus Johnson on drums, and Knobby Totah on bass – and Zoot's blowing in an unfettered setting that reminds us a bit of Sonny Stitt in similar settings at the same time! Tracks are shortish, but there's still plenty of room for Zoot to work in a style that's up there with his best bop recordings of the 50s – and at some level, the record's got the same sharp edge as Sims' best early sides for Prestige – but perhaps goes them one better with an added sense of tightness and maturity. The titles are pretty fresh too – and include "55th & State", "920 Special", "Gus' Blues", and "Bohemia After Dark". LP, Vinyl record album
(180 gram pressing on Jazz Wax Records. Shrinkwrap has a hole in front and anti-theft sensor on back.)

Possible matches19
CD, LP, Vinyl record album cover art
Johnny Hammond SmithMr Wonderful ... LP
Riverside, Early 60s. Very Good+ ... $14.99
A record that definitely lives up to its title – reminding us not only that Johnny Hammond Smith is one hell of an organist, but also a great leader with a really unique feel for a groove! The set's noteworthy not just for Johnny's own work on Hammond, but also for the presence of a young Houston Person – blowing tenor here in a way that's breathtaking right from the start – a bold, soulful tone that's a perfect fit for the group – which also includes trumpet from Johnny Williams and guitar from Eddie McFadden. The set includes a lot of tasty originals by Johnny – like "Cyra", "Lambert's Lounge", "Departure", and "Opus 2" – and already shows the way that Hammond was complicating his groove from that of other players of the time! LP, Vinyl record album
(Blue label pressing, with silver text and microphone logo. Cover has light wear and a cutout hole in one corner.)

Possible matches20
CD, LP, Vinyl record album cover art
John WilliamsLong Goodbye (with bonus tracks) ... CD
Quartet (Spain), 1973. New Copy ... $22.99
A mad little soundtrack – for a mad little film! The Long Goodbye is one of the best-remembered Robert Altman films of the 70s – a wonderful contemporary remake of a Raymond Chandler/Phillip Marlowe classic – and in addition to some nice jazzy moments scored by John Williams, the score also features a stunning re-presentation of the main theme – a haunting number with vocals by Johnny Mercer! In the movie, Elliot Gould hears the song in many different versions – in a nightclub, on the radio, and in other settings that continue as the movie goes on – even a mariachi band at one point! The soundtrack CD features all these great versions – ten in all – with solo piano by Williams, a trio take by Dave Grusin, and vocals by Irene Kral, Clydie King, and Jack Sheldon too! The CD features all these takes on "The Long Goodbye" – plus more tracks that include "Marlowe In Mexico", "Night Talk", "Main Title Montage", and "The Border – plus even some studio rehearsal on the track, including banter from Clydie King! CD
(Limited edition of 500!)

Possible matches21
CD, LP, Vinyl record album cover art
Larry WilliamsOne Thing Or The Other (part 1) (mono, stereo) ... 7-inch
Fantasy, 1977. Very Good+ ... $4.99
Nice bit of west coast funk, and one of the few 70's recordings by the man who cut some famous R&B sides for Specialty in the 50s. The track's got a bit of a Johnny Guitar Watson feel, with a nice soulful groove, backed with more spacious Fantasy arrangements. 7-inch, Vinyl record
(Promo.)

Possible matches22
CD, LP, Vinyl record album cover art
VariousAcoustic Blues – The Roots Of It All – The Definitive Collection Vol 3 – 1960s/1970s ... CD
Bear Family (Germany), 1960s/1970s. New Copy 2CD ... $26.99 49.98
A stunning selection of acoustic blues – a series of well-done, deep-detailed CDs put together by the folks at Bear Family – who always give way more than 100% when it comes to this sort of project! The package comes with 2CDs and a super-heavy booklet that's filled with notes on the music, and song-by-song details – and this volume covers huge years of revival for the acoustic blues style – seminal recordings from the 60s and 70s, as a host of younger labels worked hard to rediscover lost blues giants from previous decades, and give exposure to some lesser-known talents too! 2CD package features 48 titles in all – with work by Mance Lipscomb, Scrapper Blackwell, Smokey Babe, Herman E Johnson, Johnny Young, Buddy Moss, Maxwell Street Jimmy Davis, Robert Pete Williams, Rev Gary Davis, Henry Townsend, Louisian Red, Jack Owens, Johnny Shines, Juke Boy Bonner, Babe Stovall, Furry Lewis, Joe Callicott, John Jackson, JB Lenoir, and many others. CD

Possible matches23
CD, LP, Vinyl record album cover art
VariousBlues For Dootsie – The Blue & Dootone Sides ... CD
Ace (UK), 1950s. New Copy ... $11.99 18.99
A treasure trove of rare postwar blues from the west coast – material cut for Dootsie Williams, best known as the head of the seminal Dootone label in LA! The set offers both tracks from Dootone and Williams' rarer imprint Blue – the latter of which existed from the late 40s into the early 50s, and featured a fair bit of excellent material done in the more laidback bluesy mode of LA after the war – styles popularized by Charles Brown, Cecil Gant, and others – echoed strongly in many of the performances here. As the set rolls on into the later 50s, some of the tracks pick up a bit more of an R&B sound – but the work is still relatively unified here, thanks to a good focus on the more blues-based work on Dootone. 30 tracks in all, plus some really great notes – all at the usual high Ace level! Titles include "Rent Day" by Stormy Herman, "Richmond Blues" by Betty Hall Jones, "West Coast Baby" by Johnny Taylor & His Mellow 5, "I Got A Country Girl" by Bobby Nunn, "Everybody's Jumpin Tonight" by Dootsie Williams & His Rhythm Kings with Joe Turner, "You'd Better Come Home Baby" by Violet Hall, "The Hole In The Wall" by Cleo Brown, "Are You Ready To Go Steady" by Paul Monday, and "Katy Lee" by Fats Gaines. CD
 
Partial matches: 2
Partial matches47
CD, LP, Vinyl record album cover art
✨✧ VariousWorld's Funkiest Covers ... LP
Cultures Of Soul, 1970s/2011. New Copy ... Temporarily Out Of Stock
They're not kidding about the title on this one – although they might have added "weirdest" to the name, too! The songs here are all familiar ones, especially if you dig rare grooves from the 60s and 70s – but the versions you'll hear are definitely unusual – often some pretty obscure takes on funk and soul numbers, plus a few bits from other styles too – done up in even funkier versions than before, partly because the production is even rawer, but also because the overall execution is too! Latin vibes mix up with soulful rhythms, deep funk solos, and even some freaky fuzzy psyche-inspired moments – and titles include "Purple Haze" by Johnny Jones & The King Casuals, "Jungle Fever" by Afrosound, "Bang Bang" by Fruko & Sus Tesos, "Pastime Paradise" by Ray Barretto, "Cloud Nine" by Mongo Santamaria, "I Turn My Camera On" by Williamsburg Salsa Orchestra, "Light My Fire" by Ebony Rhythm Band, and "The Next Message" by The Mighty Mo & Winchester Seven. LP, Vinyl record album

Partial matches48
CD, LP, Vinyl record album cover art
✨✧ VariousWorld's Funkiest Covers ... CD
Cultures Of Soul, 1970s/2011. New Copy ... Out Of Stock
They're not kidding about the title on this one – although they might have added "weirdest" to the name, too! The songs here are all familiar ones, especially if you dig rare grooves from the 60s and 70s – but the versions you'll hear are definitely unusual – often some pretty obscure takes on funk and soul numbers, plus a few bits from other styles too – done up in even funkier versions than before, partly because the production is even rawer, but also because the overall execution is too! Latin vibes mix up with soulful rhythms, deep funk solos, and even some freaky fuzzy psyche-inspired moments – and titles include "Purple Haze" by Johnny Jones & The King Casuals, "Jungle Fever" by Afrosound, "Bang Bang" by Fruko & Sus Tesos, "Pastime Paradise" by Ray Barretto, "Cloud Nine" by Mongo Santamaria, "I Turn My Camera On" by Williamsburg Salsa Orchestra, "Light My Fire" by Ebony Rhythm Band, "Scorpio" by Johnny Frigo, "Rat Race" by Antibalas, and "The Next Message" by The Mighty Mo & Winchester Seven. CD
 
 
 



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