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John Coltrane %26 Wilbur Harden Edit search Phrase match

 
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Exact matches: 2
Exact matches1
CD, LP, Vinyl record album cover art
John Coltrane & Wilbur HardenCountdown – The Savoy Sessions ... CD
Savoy/RCA (Germany), 1958. Used ... $9.99
Fantastic work from a lost chapter of Coltrane's career! Sure, you may know his early work with Miles Davis, or his groundbreaking later recordings on Atlantic and Impulse – but in the late 50s, 'Trane recorded some fantastic sides with trumpeter Wilbur Harden for Savoy Records, and the material is unlike anything he ever did for other labels. In a way, the Harden tunes are similar to Yusef Lateef's work for the label – hardbop at the core, but with touches of exoticism and spiritualism that brings out whole new modes of playing from the musicians. Most tracks are long and modal, a perfect platform for Coltrane's new ideas of soloing that were beginning to take shape at the time. Harden's a much different horn player than Miles Davis ever was – with a fiercer approach to rhythm that kind of drives Coltrane along in a more souful groove than ever before. Tracks include "Snuffy", "EFFPH", "Count Down", and "Rhodomagnetics". CD
(Out of print.)

Exact matches2
CD, LP, Vinyl record album cover art
✨✧ John Coltrane-Wilbur HardenCountdown – The Savoy Sessions ... LP
Savoy, 1958. Used 2LP Gatefold ... Out Of Stock
Fantastic work from a lost chapter of Coltrane's career! Sure, you may know his early work with Miles Davis, or his groundbreaking later recordings on Atlantic and Impulse – but in the late 50s, 'Trane recorded some fantastic sides with trumpeter Wilbur Harden for Savoy Records, and the material is unlike anything he ever did for other labels. In a way, the Harden tunes are similar to Yusef Lateef's work for the label – hardbop at the core, but with touches of exoticism and spiritualism that brings out whole new modes of playing from the musicians. Most tracks are long and modal, a perfect platform for Coltrane's new ideas of soloing that were beginning to take shape at the time. Harden's a much different horn player than Miles Davis ever was – with a fiercer approach to rhythm that kind of drives Coltrane along in a more souful groove than ever before. Tracks include "Snuffy", "EFFPH", "Count Down", and "Rhodomagnetics". LP, Vinyl record album
(In a slightly different cover – with ring & edge wear.)
Also available Countdown – The Savoy Sessions ... CD 9.99
 
Possible matches: 5
Possible matches3
CD, LP, Vinyl record album cover art
John ColtraneBahia ... LP
Prestige, Late 50s. Very Good+ ... $8.99
An album issued in the years after John Coltrane left the Prestige Records label – but a set that includes some very compelling sounds from the early years, really showing the tenorist in a strongly spiritual transition! Coltrane plays tenor throughout, and the record also features the Red Garland trio, with Red on piano, Paul Chambers on bass, and either Art Taylor or Jimmy Cobb on drums – but the set also features trumpet from the great Wilbur Harden on half the record – Coltrane's frequent partner over at Savoy Records, who comes into the music here with the sort of searching, open style that works so well with Trane's tenor! The music is partly in the Garland/Coltrane late 50s Prestige mode, but also has some of the deeper spiritual vibe of the Savoy years too – and titles include "I'm A Dreamer Aren't We All", "Something I Dreamed Last Night", "Bahia", and "Goldsboro Express". LP, Vinyl record album
(Green label pressing.)

Possible matches4
CD, LP, Vinyl record album cover art
John ColtraneBeliever ... LP
Prestige, Late 50s/1964. Near Mint- ... $16.99
A great title for this one – given how many believers found the path to John Coltrane in the 60s! The session's a bit earlier, though – a later release of material that Trane recorded during his first solo stretch as a leader at Prestige Records – with long, open lines that are given plenty of strong accompaniment by the Red Garland Trio! The tracks are all quite long – the title track takes up all of side one – and the record features either Donald Byrd or Freddie Hubbard on trumpet, both giving a bit of bite that's different than Coltrane's music with Miles Davis, and which almost echoes his work with Wilbur Harden. Titles include "The Believer", "Nakatini Serenade", and "Do I Love You Because You're Beautiful". LP, Vinyl record album
(OJC pressing.)

Possible matches5
CD, LP, Vinyl record album cover art
John ColtraneJohn Coltrane & The Jazz Giants ... CD
Prestige, Late 50s. Used ... $3.99
Plenty of jazz giants here – some of the biggest heavyweights of John Coltrane's generation, working here either as leaders of the dates, or sidemen on some of Coltrane's earliest recordings for Prestige! The package features material originally issued under the names of Miles Davis, Tadd Dameron, Red Garland, and Thelonious Monk – with other tracks headed by Coltrane himself – a great collection of Prestige sides that runs for over an hour in length. Players include Garland or Monk on piano, Davis on trumpet, Donald Byrd or Wilbur Harden on trumpets, Paul Chambers or Wilbur Ware on bass, and Jimmy Cobb or Art Taylor on drums. Titles include "Airegin", "Mating Call", "Monk's Mood", "Soft Lights & Sweet Music", "Russian Lullaby", "Lover", "Billie's Bounce", "Invitation", "Trinkle Trinkle", and "I Love You". CD

Possible matches6
CD, LP, Vinyl record album cover art
John ColtraneStardust ... LP
Prestige, 1958. Good ... $14.99
A mellow soulful classic by John Coltrane – and one of his best-remembered early albums for Prestige! The session has all the gentle glow that you might guess from the title – a laidback, open-ended approach that has Coltrane blowing long solos over rhythms from the trio of Red Garland piano, Paul Chambers bass, and either Jimmy Cobb and Art Taylor on drums – with just a bit of guest trumpet from either Freddie Hubbard or Wilbur Harden on three of the album's four tracks. The tunes are plenty long, and even with the added soloists, Coltrane still gets in plenty of space – on titles that include "Stardust", "Time After Time", "Love Thy Neighbor", and "Then I'll Be Tired Of You". LP, Vinyl record album
(Yellow & black label NJ pressing with deep groove & Van Gelder stamp. Cover has moderate wear & staining. Vinyl plays with clicks & crackles.)

Possible matches7
CD, LP, Vinyl record album cover art
✨✧ John Coltrane5 Original Albums (Soultrane/Lush Life/Dakar/Bahia/Last Trane) (5CD set) ... CD
Prestige/Universal (Germany), Late 50s/1960s. New Copy 5CD ... Out Of Stock
5 early albums from John Coltrane – packaged together in mini LP-styled jackets! First up is Soultrane, a bold early statement from a young John Coltrane – and an album that really has him expanding his talents as a tenor soloist! Coltrane's working here in open-ended quartet format – with backing from the Red Garland trio that includes Paul Chambers and Art Taylor – on a set of longer tunes that really let the young Trane stretch out on his solos, unobstructed by any other horns in the lineup. There's a nice mix of hardbop ideals, gentle ballads, and personal soul to the set – and titles include Coltrane's classic reading of Tadd Dameron's "Good Bait", plus "I Want To Talk About You", "Russian Lullaby", and "Theme For Ernie". Lush Life is strong work from John Coltrane's early years as a leader – even if the album is sort of a collection of tracks that Trane recorded for Prestige, instead of a discreetly separate session! Side one features Coltrane's tenor in a spare setting with Earl May on bass and Art Taylor on drums – playing mellow tunes like "I Love You" and "Like Someone In Love", as well as the original "Trane's Slow Blues". Side two features a blowing session mode – with Donald Byrd, Red Garland, Paul Chambers, and Louis Hayes – on the cuts "Lush Life" and "I Hear A Rhapsody". Dakar is a very unique little record that features twin baritone sax support from Pepper Adams and Cecil Payne! Both players are wonderfully hip here – more than enough to match Trane's unique musical vision for the group's format – and the sound of the session is much edgier than some of his other Prestige work – which may be why the label chose not to issue it until 1963, even though it was recorded back in '57. There's a nice roughness here – the same inspirational early sound you'll get on Coltrane's early sides for Savoy or Imperial – and other players include Mal Waldron on piano, Doug Watkins on bass, and Art Taylor on drums. Titles include "Cat Walk", "Dakar", "Route 4", "Velvet Scene", and "Witches Pit". Bahia is a set that includes some very compelling sounds from the early years, really showing the tenorist in a strongly spiritual transition! Coltrane plays tenor throughout, and the record also features the Red Garland trio, with Red on piano, Paul Chambers on bass, and either Art Taylor or Jimmy Cobb on drums – but the set also features trumpet from the great Wilbur Harden on half the record – Coltrane's frequent partner over at Savoy Records, who comes into the music here with the sort of searching, open style that works so well with Trane's tenor! The music is partly in the Garland/Coltrane late 50s Prestige mode, but also has some of the deeper spiritual vibe of the Savoy years too – and titles include "I'm A Dreamer Aren't We All", "Something I Dreamed Last Night", "Bahia", and "Goldsboro Express". The final CD is album's titled The Last Trane because it represents the last material that Prestige Records had in its vault from the time that John Coltrane was recording for the label in the late 50s. Titles were recorded on 3 different dates from 1957 and 1958 – mostly with Red Garland on piano, and also featuring some additional horn work by Donald Byrd on 2 tracks. The album's got a great spare track called "Slowtrane" – one that features Coltrane playing with only bass and drums for accompaniment – and which recalls the genius of some of his sessions for Transition or Imperial. Byrd's blowing alongside the tenor on versions of "Lover" and "Come Rain Or Come Shine" – and the set's rounded up by a nice open-ended track called "By The Numbers", which has a warm bluesy solo by Trane! CD
 
 
 



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