18 tracks in all! CD

16 tracks. CD

Joe Tex is definitely not without funk on this sweet little set – a smoking TK Records session that carries strongly from the vibe of his "I Gotcha" years! Longtime producer Buddy Killen is still on deck to keep everything tight and right – a mix of Joe's southern soul roots with some sharper elements of the 70s – served up here at a level that may well be one of the most perfect blends of all the great Joe Tex styles – even though the record itself has kind of a hokey title and cover (which seems to have a bunch of white folks, obviously "without funk", ready to throw stones at Tex!) Joe wrote all the lyrics himself, and the few mellow moments have a wonderfully heartbreaking quality. Titles include "Loose Caboose", "Finger Popped Myself Into The Poor House", "How Do You Spell Relief", and "Who Gave Birth To The Funk". CD

A killer collection of cuts from a time when the new wave of Jamaican dancehall was really taking off – and a time when the music was shifting from a reworking of older styles and rhythms to a completely new style of expression overall! The package is overflowing with key creations from the Mighty Two team of Joe Gibbs and Errol Thompson – 22 of which appear here on CD for the first time ever, and much of which were issued as rare singles that hardly saw much global circulation back in the day – which makes the whole thing a really crucial grass roots look at the way dancehall was changing on the Kingston scene at the end of the 70s! Many of the singers are working in that mode that would really begin to explode in the 80s, as dancehall reached a larger audience in the US and UK – but the approach here is much more down to earth, and has nice ties to the grittier productions of the dub generation too. The set features 46 tracks in all – with work from Ranking Joe, Errol Scorcher, Cornel Campbell, Kojak & Liza, Welton Irie, Lui Lepke, Barrington Levy, Prince Mohammed, Junior Murvin, Danny Mangaroo, Sammy Dread, Echo Minott, Joe Tex & U Black , Eek A Mouse, and many others! CD

A really great overview of the early years of deep soul singer Joe Simon – a massive 3CD set that brings together more of his work for the Sound Stage 7 label than we've seen in any other package! Joe doesn't always get his due, but back in the late 60s stretch when he recorded these tracks, he was a crucial figure in American soul – maybe a bit like Joe Tex, in that he came from deeper southern roots, but was able to bring a new sophistication to the music too – effortlessly handling funk, deep soul, sophisticated tracks, and even a bit of country soul too – all of which you'll hear in this well-done set! The 3CD collection features 61 titles that Simon recorded for the Sound State 7 label in Tennessee, including a number of singles-only cuts – titles that include "The Girl's Alright With Me", "Moon Walk (parts 1 & 2)", "I Got A Whole Lot Of Lovin", "Silver Spoons & Coffee Cups", "San Francisco Is A Lonely Town", "In The Ghetto", "Time & Space", "Wounded Man", "Come On & Get It", "In The Same Old Way", "Can't Find No Happiness", "Twinkle", "Dreamin", "Standing In The Safety Zone", "Looking Back", "In Reach Of Your Arms", "I'm Too Far Gone To Turn Around", "The Chokin Kind", "San Francisco Is A Lonely Town", "Rainbow Road", and lots lots more. CD

Classic country soul from Millie Jackson – plus a brand new song as well – all served up in a set that shows yet another side of this legendary singer! Millie's known both for her weepy sad songs of the early years, and her bitchy blues of later ones – but during the 70s, she also cut a fair bit of country-tinged tunes as well – done in a similar space as other southern soul singers like Joe Tex, Solomon Burke, or Joe Simon! The styles vary nicely, though – not just the straight blend of country roots and soulful inflections you'd hear in the 60s – as some of the tracks are from later years, and bring in some modern soul to the mix – nicely expanding the sound. A few titles are duets with Isaac Hayes – and titles include "Angel In Your Arms", "Rose Colored Glasses", "Sweet Music Man", "Cheatin Is", "You Needed Me", "Pick Me Up On Your Way Down", and "Standing In Your Line" – plus the brand new track "Black Bitch Crazy". CD

Two killers from drummer Buddy Miles – back to back in a single set! First up is Buddy Miles Live – a really searing set of live performances from 1971, often done in a way that has the band stretching out and jamming heavily! The core group seems a bit bigger than usual – with a lineup that includes guitar and organ alongside some heavier tenor, alto, trumpet, and trombone. The horns come on strong, but are offset by lots of searing guitar from Charlie Karp – and Buddy, as usual, is a real monster on the drum kit. There's plenty of instrumental moments here that cook with funky soul intensity – and titles include "Wrap It Up", "Joe Tex", "Take It Off Him & Put It On Me", "Down By The River", "Place Over There", "The Segment", and "Them Changes". Message To The People is a really fantastic album from drummer Buddy Miles – an artist that many folks know for his key rock work in the Band Of Gypsys group of Jimi Hendrix, but a musician with an equally great ear for soul and funk as well! Miles began in Electric Flag, and certainly has ties to the world of psych – and here, he mixes funkier currents with lots of strong trippy guitar from Marlo Henderson – a player we don't know that well, but who adds some great lines that are a lot like some of the Phil Upchurch contributions over at Chess/Cadet at the same time. Miles sings on most numbers, with that nicely honest vocal approach we love so much – but there's a few instrumental moments too, and the set's got some great use of horns throughout, which brings in some southern funky currents too. Titles include "Joe Tex", "Place Over There", "The Segment", "Don't Keep Me Wondering", "Sudden Stop", and "That's The Way Life Is". CD

Music from Huey Smith, Frankie Ford, Joe Tex and Jimmy Clanton – 14 tracks in all. CD

Music from Tyrone Davis, Mel & Tim, Barbara Lynn, Lee Dorsey, Little Willie John, the Delfonics, the Intruders, Peaches & Herb, Jackie Wilson, the Isley Brothers, Joe Henderson, Joe Tex, Brenda & The Tabulations, OC Smith, and more. CD

The third entry in the Ace Records Story – raucous and rumbing New Orleans R&B, proto rock and all around rambunctious groovers from legendary singers and groups – the original 70s LP compilation expanded greatly by the reverent revelers at Ace UK! It features late 50s and early 60s firestarters by Sonny Boy Williamson, The Blue Dots, Huey Piano Smith, Joe Tex, The Emeralds, Mac Rebennack (before he became the doctor), Frankie Lee Williams and many more. The original 16 tracks are augmented by 8 bonus numbers that fit perfectly. Titles include "Boppin With Sonny" by Sonny Boy Williamson, "Saturday Night Fish Fry" by The Blue Dots, "Don't Take Your Love From Me" by Bobby Marchan, "Cut It Out" by Joe Tex, "Marked Deck" by Mercy Baby, "Snake Eyes" by Alvin Red Tyler, "You Don't Know" by Harry Lee, "Darling Honey Angel Child" by Earl King, "What Will Lucy Do" by Frankie Lee Sims and many more. CD

Here it is, the mother of them all! The set's got 8CDs worth of killer soul, funk, and Rhythm & Blues – all culled from the rich history of the Atlantic records label, and lovingly put together with great notes and everything! Although this sort of set usually tends to be a bit simplistic, this box actually features a beautiful mix of tracks, lots of which are hard to get in any format. It's a lot to go through, but it's worth the trip! We can't even begin to list the tracks here, there's 203(!) of them in all, but some of the artists include the Bar Kays, the Beginning of the End, Archie Bell & The Drells, Ruth Brown, Solomon Burke, the Capitols, Clarence Carter, the Chords, the Cookies, Don Covay, King Curtis, Tyrone Davis, the Drifters, Roberta Flack, King Floyd, Aretha Franklin, Major Harris, Donny Hathaway, the Ikettes, Willis Jackson, Nat Kendricks & The Swans, Barabra Lewis,the Mar-keys, Les McCann & Eddie Harris, Stick McGhee, Otis & Carla, the Persuaders, Percy Sledge, The Spinners, Willie Tee, Joe Tex, Chuck Willis, Betty Wright and loads more! CD

A host of southern soul tracks – all presented here in versions that have never been issued before – as they're all the original takes of the tunes that were first tone for Ace Records of Mississippi! You'll recognize a few of these tunes, which sound different in the earlier takes – and there's also plenty of other more obscure numbers you won't know at all – served up in modes that bridge the New Orleans soul and deeper Mississippi music that Ace did so well at the end of the 50s. CD features 24 tracks in all – and titles include "I Was Wrong" by Roland Cook, "Can't Let You Go" by Albert Scott, "Heaven Came Down" by Calvin Spears, "Mr Blues" by Joe & Ann, "I Know" by Bobby Marchan, "Blessed Are These Tears" by Joe Tex, "Gee Baby" by Joe & Ann, "Yes I Got You" by Chuck Carbo, "Honey Honey" by The Supremes, "Teenage Rock" by Little Booker, and "My Love Is Strong" by Earl King. CD

Incredible music from the key cultural year of 1966 – all hand-selected by the mighty Jon Savage! From punk to soul to plenty of places in between, when Savage has something to say we're always more than willing to listen – and this time around he really opens up our ears with a double-length collection of 48 tracks all recorded during a single year, each of which represents a key cultural shift at the time! The package isn't hits from the charts, or underground psych – and instead brings together smoking instrumentals, rare soul, proto-punk, trippy folk, and lots more – some familiar tracks, a few classics, and lots more obscure gems – all nestled together at a level that may well rewrite your understanding of the 60s. Forget the summer of love, because 1966 is the year when lots more happened – as Savage outlines in his massive track selection and great notes for the package. Titles include "Love At Psychedelic Velocity" by The Human Expression, "The Spy" by The Guys From Uncle, "Night Time" by The Strangeloves, "Nothing Comes Easy" by Sandie Shaw, "Greetings" by The Monitors, "I'll Be Your Mirror" by The Velvet Underground, "One Of These Days" by The Rooster, "You Better Believe It Baby" by Joe Tex, "7 & 7 Is" by Love, "Do You Come Here Often" by The Tornados, "Love's Gone Bad" by Chris Clark, "In The Past" by We The People, "One Hour Cleaners" by The Blue Things, "Foolish Woman" by Oxford Circle, "Hang On To A Dream" by Tim Hardin, "Batman" by Link Wray, "You Keep Me Hangin On" by The Supremes, "I'm A Boy" by The Who, "Come On Back" by Paul & Ritchie, and lots lots more! CD

An overlooked gem from Wilson Pickett – recorded in the post-Atlantic years, and with some great funky moments mixed in with those undeniably soulful vocals from the Wicked Pickett! Arrangements are by Brad Shapiro, who works the same magic here with Wilson that he did with a handful of other southern soul artists – updating their groove a bit more for the 70s, while also still respecting the best rootsy elements of the vocals. The style's a lot like some of Joe Tex's best funky moments from the same time – save that Wilson's vocals are even rawer and grittier – and titles include "I'm Gonna Do It All Over", "That Woman", "Best Part Of A Man", "Let Me Know", "Sweetwater Jail", and "It's Gonna Be Good". CD

Incredible music from the key cultural year of 1966 – all hand-selected by the mighty Jon Savage! From punk to soul to plenty of places in between, when Savage has something to say we're always more than willing to listen – and this time around he really opens up our ears with a double-length collection of 48 tracks all recorded during a single year, each of which represents a key cultural shift at the time! The package isn't hits from the charts, or underground psych – and instead brings together smoking instrumentals, rare soul, proto-punk, trippy folk, and lots more – some familiar tracks, a few classics, and lots more obscure gems – all nestled together at a level that may well rewrite your understanding of the 60s. Forget the summer of love, because 1966 is the year when lots more happened – as Savage outlines in his massive track selection and great notes for the package. Titles include "Love At Psychedelic Velocity" by The Human Expression, "The Spy" by The Guys From Uncle, "Night Time" by The Strangeloves, "Nothing Comes Easy" by Sandie Shaw, "Greetings" by The Monitors, "I'll Be Your Mirror" by The Velvet Underground, "One Of These Days" by The Rooster, "You Better Believe It Baby" by Joe Tex, "7 & 7 Is" by Love, "Do You Come Here Often" by The Tornados, "Love's Gone Bad" by Chris Clark, "In The Past" by We The People, "One Hour Cleaners" by The Blue Things, "Foolish Woman" by Oxford Circle, "Hang On To A Dream" by Tim Hardin, "Batman" by Link Wray, "You Keep Me Hangin On" by The Supremes, "I'm A Boy" by The Who, "Come On Back" by Paul & Ritchie, and lots lots more! CD

A pretty amazing batch of soul, R&B, and funk from the Nashville scene – from an astonishing range of years, too! Of course the memorabilia industry that is "Music City USA" is dominated by country music and pop, and this long, long, LONG overdue collection of singles from 1945-1970 demonstrates how much more was going on in East Tennessee beyond Chet Atkins and the Opry! The tunes range from jump blues & soul of the late 40s and 50s, and on through the harmony soul of the 60s and the pre-funk late 60s. 38 tracks on two CDs: "Nashville Jumps" by Cecil Gant, "Just Walkin' In The Rain" by The Prisonaires, "Baby Let's Play House" by Arthur Gunter, "Christene" by Little Hank Crawford, "You Can Make It If You Try" by Gene Allison, "Somebody, Somewhere" by Larry Birdsong, "Monkey Doin' Woman" by Shy Guy Douglas, "What'd I Say" by Etta James, "Snap Your Fingers" by Joe Henderson, "I Want To" by Joe Tex, "The Chokin'" Kind" by Joe Simon, "Rediscover Me" by Johnny Adams and tons more! CD

22 songs from Aretha Franklin, the Bar Kays, Joe Tex, Wilson Pickett, King Curtis, Otis Redding, Archie Bell & the Drells, Clarence Carter, Tyrone Davis, Roberta Flack, Brook Benton, and more. CD

Previously unreleased live material by Rahsaan Roland Kirk – recorded during his headiest years at Atlantic records! Kirk in the studio is already plenty darn great – with an extremely inventive approach to rhythm, song structure, and soloing – but in a live setting, he opens up even more, and often lets his most playful spirit come in and really transform the tunes! The style here is similar to Roland's Bright Moments live date for Atlantic, but with less talking and more music overall – a sometimes straighter jazz approach that features tenor, flute, manzello, stritch, and clarinet from Kirk – plus piano by Ron Burton, bass by Henry Pete Pearson, drums by Richie Goldberg, and added percussion by Joe Texidor. Recording quality is quite strong, despite the "unreleased" nature of the tapes – and there's a very strong Coltrane vibe running through some of the tracks. Titles include a 17 minute reading of "Blue Trane", plus "Seasons/Serenade To A Cuckoo", "Pedal Up", "Lush Life", "Afro Blue", "Make It With You", "Rahsaan's Spirit", and "Like Sonny". CD

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Features Ron Burton on piano, Vernon Martin on bass, Harold White on drums, and Joe Habad Texidor on percussion. CD

Features Ron Burton on piano, Vernon Martin on bass, Harold White on drums, and Joe Habad Texidor on percussion. CD

The storm here is a gentle one – as it reverberates from the double acoustic basswork of Joelle Leandre and Vinicius Cajadao – sounding really wonderful here without any other instrumentation at all! Each track is a titled "dance" – but there's less of a sense of rhythm, than a way of the players moving together – each a very well-trained master of the more complicated sonic textures of their instruments, at a level that really elevates Cajado to a territory that we normally just expect from such a unique musician as Leandre! The sounds are free, but never without thoughtfulness and some sort of narrative capability – and the set features six improvisations overall, each a numbered "dance". CD

Seminal solo work from the great Joe McPhee – and a crucial album in linking the American and European undergrounds of the 70s! Joe's working alone here – on soprano sax and tenor – and getting some amazing sounds out of both horns – the kind of post-musical, highly-textural elements that are right at home in the European concert setting of the recording. The album was a legendary start to Hat Art – and to the international fame of McPhee – and side one features an extended tenor performance on the original composition "Beanstalk", and side two features tenor again on "Variations On A Blue Line", then soprano on "Motian Studies", as well as "Round Midnight" – played by Joe with just the right sort of soul to round out the record! CD

Blues recorded in St Louis, but with a sound that's much more rural overall – maybe no surprise, given the countless travel by Big Joe Williams on the highways of the south! The setting is lean enough to be recorded out in the field – Big Joe on these wonderfully expressive vocals and his unique nine string guitar – with support from Ransom Knowling on bass, but at a level that really just helps the tunes get this subtle groove – really letting be the shining star up front! In keeping with the title of the record, many of the tunes have themes of travel in the south – titles that include "Overhaul Your Machine", "45 Blues", "Arkansas Woman", "Four Corners Of The World", "Down In The Bottom", and "Blues Left Texas". CD

Two masters of sound and texture coming together wonderfully – in a set of live duets that feature McPhee on pocket trumpet and soprano sax, and Evan Parker on tenor! We haven't heard the players duet since their mid 00s release on Okka Disk – and this set shows an even more sympathetic meeting of minds – long tracks that slowly build and find a sonic space that's just perfect – rolling out with the kind of organic energy that Joe brought to his classic work of the late 70s, and which Parker has really reached in his own music of the past decade or two. The set features three long tracks, very improvised – with the titles "What", "If", and "They Both Could Fly". CD

Breathily-blown brilliance from tenor saxophonist Rodrigo Amado – working here in a very well-matched frontline that features the mighty Joe McPhee on pocket trumpet and soprano sax – both instruments he uses with a deftness that takes us back to is early albums on Hat Hut! Both musicians have this great sense of texture – an almost-earthy vibe at times, which is certainly echoed by the deep-toned bass work of Kent Kessler – a player we don't hear from as much as we used to, but who makes a really strong appearance here, especially when balancing out some of the freer moments on drums from Chris Corsano. Both McPhee and Amado sometimes have very close-up, almost mouthy elements to their music at points – and titles include "Wild Flowers", "The Hiddend Desert", "Legacies", and "A History Of Nothing". CD features the bonus track "Theory Of Mind II". CD

The title really gets things right here – as Joe McPhee is in some of his most sonic territory – really working sometimes at a level that's way beyond music, yet still managing to bring a strong sense of soul to the set too! The album begins with "Episode One", dedicated to Don Cherry – and really featuring some incredible pocket trumpet work from McPhee – blown at a level that's very subtle in shape and texture, but which gains power as the track moves on. "Episode Two" is dedicated to Ornette Coleman, and features much more dynamic alto sax – handled at a level that's more tenor-like than Coleman ever would have done – with a free-flowing vibe that's really wonderful! CD

Bassist Joelle Leandre maybe sounds a bit darker here than usual – but maybe that's no surprise, given the moody territory that percussionist Paul Lovens can sometimes open up – in a way that really makes the pair a delight to hear throughout! The album features two long improvisations – Leandre on bass and just a bit of voice – Lovens on drums, cymbals, and gongs – often working at a level that has a burning intensity which then drops to a much more spacious, thoughtful style – leaving Joelle to fill in the space with those wonderful textures we love on her bass, especially when she bows the instrument! Tracks include "Off Course" and the shorter "Where Else". CD

Joe Lovano on reeds, Bill Frisell on guitar, Tim Hagans on trumpet, Gary Valente on trombone, Henri Texier on bass, Paul Motian on drums, and soprano Judi Silverman on vocals. CD

The first-ever album of studio duets between Joe McPhee and Mats Gustafsson – quite a surprise, given how often their paths have crossed over the years! The set was recorded in 2007, but only issued many years later – and it's a key document of the power that both improvisers have at this point in their career – each receiving strong global attention and facing new discovery by audiences nobody would have expected to be there for free jazz in the new millennium – but also able to completely put aside their egos and work together with the kind of sensitive interplay that only comes when you've got two masters in a rare moment like this. Sonically, the whole thing is very textural – maybe initially informed by that style that Gustafsson has of exploring all the outer reaches of a saxophone, from the tip of the reed right down to the surface of the pads – as he blows baritone, slide sax, and alto fluteophone – and McPhee works on pocket trumpet, alto, and alto clarinet. Titles include "Suicide Chicken Wings Over Nickelsdorf", "Bat Cave Feast", "Just Blue", "Just Green", "Race Matters", and "Blame Game". CD

Four of the more obscure RCA albums from the great Bobby Bare – all brought together here in a single set! First up is the very unusual English Countryside album – a special set that has the vocals of Bobby Bare paired with a group from the UK – Liverpool's Hillsiders, who sing with a style that's a bit folk, and a bit rock – but which takes on a very distinct country vibe amidst the RCA production of Chet Atkins! Both Bare and The Hillsiders sing solo on the record – but most of the set has them paired together, and the presence of all those voices on the tracks create a nice sense of spontaneity – maybe a hint at the more relaxed recording approach that Bobby would use on his big albums of the mid 70s! Titles include "Sweet Dreams", "Six Days On The Road", "Find Out What's Happening", "Love's Gonna Live Here", "Goin Home", "Blue Is My Lonely Room", and "I Washed My Face In The Mountain Dew". Margie's At The Lincoln Park Inn is a seminal album in the career of Bobby Bare – and the record that really has him turning from a young smiling country singer to the kind of more adult, mature talent that would really send him over the top! The album's promise of "controversial country songs" is certainly apt – as in addition to the great Tom T Hall title cut, the album also features Bare taking on great material from Kris Kristoffersen, Mel Tillis, and even the team of Spooner Oldham and Dan Penn – all set to arrangements that are nicely more sophisticated than those used on the more pop productions of some of Bobby's earlier albums. Titles include "Margie's At The Lincoln Park Inn,", "The Law Is For The Protection Of The People", "Watching The Trains Go By", "Skip A Rope", "Rainy Day In Richmond", "Cincinnati Jail", "Wild As The Wind", and "Drink Up & Go Home". I Hate Goodbyes is the record that marked the return of Bobby Bare to RCA Records in the early 70s – and one that also marks the start of a very different phase in Bare's career! This time around, Bobby's handling the production himself – working with the kind of thoughtful, mature material that would really let him open up – songs from Billy Joe Shaver, Mickey Newbury, the team of Bill Rice and Jerry Foster, and even an early tune from Shel Silverstein – who would soon become one of the biggest contributors to Bobby's records. The vibe is very different than his RCA material of the mid 60s, and in a great way – on titles that include "I Hate Goodbyes", "Restless Wind", "Ride Me Down Easy", "Send Tomorrow To The Moon", "You Know Who", "An Offer She Couldn't Refuse", "What's Your Mama's Name Child", and "Poison Red Berries". Last up is Cowboys & Daddys – an overlooked gem in the mid 70s RCA years of the great Bobby Bare – and a set that really shows the dedication that Bare had during these years to finding the most sophisticated material of the new country generation! The list of songwriters alone is great – as the set features tracks from Terry Allen, Shel Silverstein, David Hickey, and Tom T Hall – plus an early contribution from Bob McDill, with whom Bare would soon record a lot more material on albums to come. There's a mature, laidback vibe to the whole set – different than some of the more playful Bobby Bare albums of the time – and titles include "Chester", "The Cowboy & The Poet", "Amarillo Highway", "Speckled Pony", "Calgary Snow", "Last Dance At The Old Texas Moon", "Pretty Painted Ladies", and "The Stranger". CD

One of the most formative periods of Miles Davis' career, with lots of new ideas taking shape – including Fender Rhodes from Herbie Hancock, guitar from George Benson and Joe Beck, and plenty of great tenor from Wayne Shorter, bass from Ron Carter, and drums from Tony Williams! Includes material that appeared on the albums Miles Smiles, ESP, Sorcerer, Nefertiti, Water Babies, Miles In The Sky, and Filles De Kilimanjaro – as well as unreleased tracks, alternates, and material that showed up on Directions and Circle In The Round. CD

One of the better albums on the Alligator Records label from Chicago – a set by Fenton Robinson that's not far different from his earlier work on the 77/Sound Stage Seven label – which means that there's more of a southern soul vibe to the record at times than some of the more crowd-pleasing groups that Alligator was recording up north! Fenton has the tightness of a deep soul singer, but also relaxes nicely into his music – often letting his guitar speak as much as his lyrics – with help on second guitar from Mighty Joe Young! Easily one of the greatest albums from both Fenton and Alligator – with titles that include "I've Changed", "Country Girl", "Gotta Wake Up", "Texas Flood", "Checking On My Woman", and "Somebody Loan Me A Dime". CD

A smokin' hard bop side from a sort of amalgamation of players who played in and out of the Jazz Messengers around this time, but Philly Joe's sittin' in the drummers seat, so though the rhythms cook hard, that not quite as bombastic as Bu's. We've always loved Benny Golson, and though his playing was at it's most sublime in the Jazztet, he got to stretch out just a bit more and played with just a touch more fire in other contexts, like this session. Barry Harris is on piano, with Jymie Merritt and Philly Joe rounding out the rhythm section and Curtis Fuller joins Golson in the front line for a spry quintet setting. Six tracks: "Strut time", "Jubilation", "Symptoms", "Are You Real?", "Cry A Blue Tear" and "This Night". CD

Wow! An incredible collection of seminal recordings from one of the most important figures in modern music! All of Miles' recordings from the Prestige label in one place, bound up in a well annotated box, and given a complete discography and lots of excellent photos. It's almost too much astounding jazz in one place! The list of sidemen and great LPs is almost too long to go over, but in addition to Miles' remarkable Cookin'/Relaxin'/Walkin'/Workin' sessions, there's all of the material issued as Bags' Groove, with the Modern Jazz Giants and loads more, and some of the stellar accompanists includes John Coltrane, Sonny Rollins, Charlie Parker, Lee Konitz, Red Garland, Thelonious Monk, Horace Silver, Milt Jackson, Paul Chambers, Art Blakey, Philly Joe Jones, and Max Roach, just to name a few. There's far too many tracks to list here, but there's takes of "Blue Room", "Conception", "Compulsion", "Miles Ahead", "Blue Haze", "Airegin", "Bag's Groove", "The Man I Love", "Green Haze", "Dr Jackle", "The Theme", "Trane's Blues", "'Round About Midnight", "Half Nelson", "My Funny Valentine" and loads more! CD

A beautiful record that not only shows how great the basswork of Ingebrigt Haker Flaten can be – but also what a great collaborator he is in an improvised setting! We've loved other albums from Flaten, but somehow this one really feels like a cut above – bass lines that have these incredibly powerful moments, with just the force of a few low notes – mixed with instrumentation from a well-chosen quartet lineup of Joe Morris on guitar, Joe McPhee on tenor, and Nate Wooley on trumpet! The horns seem to take off to the skies at some points, really let loose – but other times really seem to feel the sonic setting provided by Ingebrigt, as they slowly move to add in their own textures. Morris is nicely restrained at some moments – and titles include "Pent", "Times", "Port", "Giants", "Knicks", "Rangers", and "As If". CD

Includes 23 songs from Jimmy Yancey, Little Brother Montgomery, Jack Dupree, Professor Longhair, Vann "Piano Man" Walls, Joe Turner, Jay McShann, Meade Lux Lewis, Ray Charles, Floyd Dixon, Texas Johnny Brown, Doctor John, and Willie Mabon. CD