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Exact matches: 4
Exact matches1
CD, LP, Vinyl record album cover art
Joe NewmanAll I Wanna Do Is Swing – The Joe Newman Story ... LP
RCA, 1955. Very Good ... $24.99
During the mid 50s, RCA virtually had a lock on this sort of classic swing-based jazz session – and this nice groover by Joe Newman is a perfect example of the label's legacy in that field. The session features an octet with Joe, Al Cohn, Ernie Wilkins, Nat Pierce, and Freddie Greene – and it sports arrangements by Wilkins, Cohn, and Manny Albam. Titles are short, with lots of ensemble playing and solos by Joe. With "Soon", "Topsy", "Jack's Wax", "Leonice", and "It's A Thing Of The Past". LP, Vinyl record album
(Original mono pressing with deep groove. Cover has some seam splitting.)

Exact matches2
CD, LP, Vinyl record album cover art
Joe NewmanCounting Five In Sweden ... LP
World Pacific, 1958. Very Good+ ... $19.99
LP, Vinyl record album
(Black label pressing with deep groove.)

Exact matches3
CD, LP, Vinyl record album cover art
Joe NewmanJoe Newman & His Band (10 inch LP) ... LP
Vanguard, Mid 50s. Very Good- ... $43.99
One of the hippest Vanguard jazz sessions of the 50s – with Joe Newman on trumpet, plus Frank Wess on tenor and flute, Matthew Gee on trombone, and Frank Foster on tenor! Long tracks – and titles include "The Sleeper", "Blue For Slim", "Close Quarters", and "Jose Beguines". LP, Vinyl record album
(Cover has light wear and a mostly split top seam.)

Exact matches4
CD, LP, Vinyl record album cover art
Joe Newman/Zoot SimsLocking Horns ... CD
Roulette/Warner (Japan), Late 50s. New Copy ... $14.99
We're not sure we've ever heard trumpeter Joe Newman and tenorist Zoot Sims work together on a record – and certainly never as striking a setting as this – a record that really gives both musicians a chance to open up and blow! Despite the title, the players are less "locking horns" here than really working together in the lead – hitting the kind of tight head arrangements that you might hear on some of Sims material with RCA, but getting a grittier groove from both the Roulette Records style of recording, and the efforts of a cool rhythm trio that features Adrian (Johnny?) Acea on piano, Oscar Pettiford on bass, and Osie Johnson drums. Newman's horn has an especially gutbuckety quality, and Sims follows suit with some deeply soulful work on his solos – on titles that include "Corky", "Mambo For Joe", "Midnite Fantasy", "Tater Pie", "Oh Joe", and "Oh Shaye". CD
(SHM-CD pressing!)
 
Possible matches: 20
Possible matches5
CD, LP, Vinyl record album cover art
Count Basie with Joe WilliamsBreakfast Dance & Barbecue ... LP
Roulette, 1959. Very Good+ ... $4.99
Breakfast Dance & Barbecue? Our stomachs are growling already! The album's a great little live set from Basie – recorded at the Americana Hotel in Miami at 2 in the morning – and is one of the totally great, totally smoking live sessions that Basie recorded for Roulette – maybe some of his best work ever! The group's an all-star lineup – with Frank Foster and Frank Wess on tenor, Joe Newman and Thad Jones on trumpets, Freddie Green on guitar, and Sonny Payne on drums – plus Joe Williams vocalizing on a few of the tunes on the set. The tracks are a bit longer than usual – which is quite nice – and titles include "Let's Have A Taste", "Moten Swing", "Who Me", and "Counter Block". LP, Vinyl record album
(Color bar pressing with deep groove.)

Possible matches6
CD, LP, Vinyl record album cover art
Ralph BurnsJazz Studio 5 ... LP
Decca, Mid 50s. Good+ ... $14.99
Fantastic work from one of our favorite jazz arrangers ever! As proven by some of his impeccable work crafting larger backings for artists on the Verve and Clef labels, Ralph Burns had an approach that was quite different than most of his contemporaries. He worked in a mode that seemed pretty standard at the outset – with an approach to backdrops that worked in broad colors of sound and tone – but he also had a talent for putting in strange modern twists, little surprises, and other embellishments that never detracted from the soloist, and instead seemed to keep them on their toes, forcing them to really come up with some great stuff during their time at the recording. You'll hear plenty of that kind of action going on here – in one of Burns' rarest sets ever, recorded with a group that includes Billy Byers, Joe Newman, Dave Schildkraut, Herbie Mann, and Milt Hinton. Mann's particularly great, and plays a number of horns with ease – and titles include "Cool Cat On A Hot Tin Roof", "What Am I Here For", "I'll Be Around", "Jazz Club USA", and "South Gonzales Street Parade. LP, Vinyl record album
(On heavy Decca vinyl. Cover has some wear. Vinyl plays with some clicks and crackles.)

Possible matches7
CD, LP, Vinyl record album cover art
Ray CharlesGreat Ray Charles ... LP
Atlantic, Late 50s. Very Good ... $6.99
As Ray was making the switch to ABC for his vocal-oriented material, Atlantic managed to capture his jazz-oriented talents on a few great sessions like this one – which features Charles' piano in the foreground, set in a nice small group setting with other players from his band, like David Newman, Joe Bridgewater, and Emmott Dennis. The overall sound is mellow and soulful, and titles include "Black Coffee", "The Ray", "Doodlin", and "Sweet Sixteen Bars". LP, Vinyl record album
(Red & purple label pressing. Cover has yellowed masking tape along the opening.)

Possible matches8
CD, LP, Vinyl record album cover art
Lurlean HunterNight Life ... LP
Vik, 1956. Very Good- ... $14.99
An RCA classic from Lurlean Hunter – a singer who's sadly overlooked these days, but who was a real up-and-comer from the Chicago scene in the 50s! Lurlean's got a style that's surprisingly smooth at times – much richer and more jazz-based than the sometimes-bluesy cover images she was given – a quality that sounds especially great here amidst fuller backings from Manny Albam, an arranger who really helps Hunter cross over strongly for the set. The record's beautifully done – poised, but still filled with soul and feeling – and players on the date include Joe Newman on trumpet, Al Cohn on tenor, and Barry Galbraith on guitar. Titles include some lesser-known numbers like "Moondrift" and "Night Life" – plus "Gentleman Friend", "What A Difference A Day Makes", "Have You Met Miss Jones", "Sunday", and "This Time The Dream's On Me". LP, Vinyl record album
(Cover has a split top seam and a name in marker on the back.)

Possible matches9
CD, LP, Vinyl record album cover art
Eddie JeffersonLetter From Home ... LP
Riverside, 1962. Very Good+ ... $11.99
The beginning of a whole new chapter of greatness for singer Eddie Jefferson – a record that took his older style of putting words to jazz solos, and updated it nicely for a new generation in the 60s! Eddie's got a rootsy look on the cover, but the sound here is snappingly hip and sophisticated throughout – a cool soul jazz take on vocalese that's right up there with the best solo work by Jon Hendricks, and sung in a similarly raspy style. The group shifts a bit from track to track – between small combo and larger ensemble arranged by Ernie Wilkins – and players include Clark Terry and Joe Newman on trumpets, Johnny Griffin on tenor, James Moody on alto and flute, Junior Mance and Joe Zawinul on piano, and Barry Galbraith on guitar. Titles include some great original lyrics by Jefferson on the tunes "Soft & Furry", "Keep Walkin", "Things Are Getting Better", and "Back In Town" – and equally great vocals on versions of "Letter From Home", "Billie's Bounce", and "Night In Tunisia". LP, Vinyl record album
(Blue label Bill Grauer pressing with microphone logo. Back cover has a DJ stamp & a name in pen.)

Possible matches10
CD, LP, Vinyl record album cover art
Eddie JeffersonThings Are Getting Better ... LP
Muse, 1974. Very Good+ ... $5.99
One of the weirdest, wildest albums ever from Eddie Jefferson – a real standout classic that shows him retooling his sound for the 70s! After years of writing lyrics to James Moody and Charlie Parker tunes, Eddie lays out some crazy lyrics for modern jazz standards like "Freedom Jazz Dance" and "Bitches Brew", as well as "Night In Tunisia", which he'd never done before – and also offers up a great take on Cannonball's "Things Are Getting Better", not to mention Sly Stone's "Thank You Fallentinme Be Mice Elf Again"! There's a few more standard bop number in the mix too – like "Billie's Bounce" and "I Just Got Back In Town – and support is from a great group that includes Billy Mitchell on tenor, Joe Newman on trumpet, Sam Jones on bass, and Mickey Tucker on keyboards. LP, Vinyl record album

Possible matches11
CD, LP, Vinyl record album cover art
Etta JonesEtta Jones Sings (Roulette) ... CD
Roulette/Warner (Japan), 1965. New Copy ... $14.99
An overlooked gem from jazz singer Etta Jones – an effort cut around the same time as her better-known records for Prestige, but one that's maybe done with an even hipper sound overall! Etta's nicely laidback, and hits that soulful, singing mood that makes her so great right from the start – a bit offbeat, but in the best way possible – as Jones brings older bluesy inflections into play with more contemporary ideas – all set to wonderful instrumentation from a cool group that features Junior Mance on piano, Kenny Burrell on guitar, Joe Newman on trumpet, Frank Wess on tenor, and Mike Manieri on vibes. The song choices are great – and the balance between steppers and mellow cuts is perfect – on titles that include "Swinging Shepherd Blues", "All Right OK You Win", "Moon Man", "Did I Remember", "Lonely Crowd", and "I Was Telling Him About You". CD
(SHM-CD pressing!)

Possible matches12
CD, LP, Vinyl record album cover art
Larry WillisNew Kind Of Soul ... LP
LLP, Late 60s. New Copy (reissue)... $9.99
A really killer set from pianist Larry Willis – way different than any of his later albums as a leader, and from his early work with Jackie McLean in the 60s! Larry's playing here with a sound that's as righteous as his image on the cover, but which is also pretty funky at points too – a small combo mode that's partly in a soul instrumental mode, partly with some of the soaring, more expressive qualities you'd find later on records for labels like Strata East or Black Jazz. The whole combo's wonderful – and includes the mighty Al Foster on drums and Vic Sproles on bass – two super-hip rhythm cats – alongside a tight flugelhorn frontline from the trio of Jimmy Owens, Marvin Stamm, and Joe Newman – and lots of sharp riffing guitar from Al Gava. The funky cuts are wonderful – and include a break version of Otis Redding's "Hard To Handle", and sweet covers of Andre Williams' "Funky Judge" and James Brown's "Lickin' Stick" – but original cuts are nice too, and include "Someday soon" and "Consola Coa". LP, Vinyl record album

Possible matches13
CD, LP, Vinyl record album cover art
✨✧ VariousComplete Beehive Recordings (12CD set) ... CD
Beehive/Mosaic, Late 70s/Early 80s. New Copy 12CD ... $168.99 169.00
The long-awaited CD debut of work from the excellent and short-lived Beehive Records – a Chicago company started in the late 70s, to continue the best 60s spirit of Blue Note and Prestige – with a top-shelf roster that included artists like Curtis Fuller, Clifford Jordan, Dizzy Reece, and Johnny Hartman! At a time when most other labels had forgotten about straight, solid, acoustic jazz – Chicago collector Jim Neumann decided to start getting back to basics, and give some of his hardbop heroes a place to record – starting the Beehive label with his wife and just a shoestring budget, and pursing artists who weren't being recorded properly at the time! The result is an excellent run of records – all of which were only issued on vinyl in the late 70s and early 80s, and appear here on CD for the first time ever – in a wonderful package that adds in notes on every session, and traces the short, but wonderful run of Beehive. Like many small labels, Beehive's fame and success was hampered by reasons of distribution and cashflow – but that never kept their music from sounding as best as it possibly could – with plenty of room for the soloists to open up and do their thing, and no attempt at all to modernize or commercialize the recordings. The sessions sparkle like lost gems from overlooked sessions at Rudy Van Gelder's – and offer up a great picture of artists who were almost lost to the record racks at the times – and the 12CD set features the full albums: Baritone Madness by Nick Brigola (with Ted Curson and Pepper Adams); Burn Brigade by Nick Brigola (with Ronnie Cuber, Walter Davis Jr, and Cecil Payne); Neo Nistico by Sal Nistico (with Ted Curson, Ronnie Mathews, and Nick Brigola); Fire & Filigree by Curtis Fuller (with Sal Nistico and Walter Bishop Jr); Manhattan Project by Dizzy Reece (with Clifford Jordan and Charles Davis); Hyde Park After Dark by Clifford Jordan and Von Freeman; Dr Chicago by Clifford Jordan (with Jaki Byard and Red Rodney); Once In Every Life by Johnny Hartman; Starfingers by Sal Salvador (with Eddie Bert and Nick Brignola); Juicy Lucy by Sal Salvador (with Billy Taylor); Roots Branches & Dances by Ronnie Mathews (with Frank Foster); Legacy by Ronnie Mathews (with Bill Hardman and Ricky Ford); New York Jazz Quartet In Chicago by Roland Hanna (with Frank Wess); In High Profile by Dick Katz (with Jimmy Knepper and Frank Wess); Truckin & Trackin by Junior Mance (with David Newman); and Keep On Pushin by Arnett Cobb (with Joe Newman, Al Grey, & Junior Mance). CD
(Numered, limited edition of 5000!)

Possible matches14
CD, LP, Vinyl record album cover art
✨✧ Beverly KenneyBeverly Kenny Sings With Jimmy Jones & The Basie-ites ... CD
Roost/Warner (Japan), 1957. New Copy ... About October 29, 2016
Bev Kenny sounds surprisingly great in this Basie-styled setting – one that has Jimmy Jones handling the keys instead of the Count – with added support from players who include Joe Newman on trumpet, Frank Wess on tenor and flute, and Freddie Green on guitar! Like most of Kenny's sessions of the 50s, there's a quality here that really goes beyond standard vocal jazz – a real feel for the material, and a relaxed command of the small combo setting that must have made Beverly a hell of an act to catch in the clubs. Her natural sweetness is a nice contrast to the deeper tones of the Basie players – and titles include "I Never Has Seen Snow", "The More I See You", "The Charm Of You", "My Kind Of Love", "Who Cares What People Say", and "Can't Get Out Of This Mood". CD

Possible matches15
CD, LP, Vinyl record album cover art
✨✧ Ray BryantDancing The Big Twist ... LP
Columbia, Early 60s. Used ... Temporarily Out Of Stock
After Ray Bryant scored Columbia a big hit with "The Madison Time", they let him loose on another dance craze – the twist! The set has none of the hoke of a Chubby Checker record, though – and instead, it's one of Ray's best soul jazz sides of the 60s, an excellent sextet session that's done with a gutbuckety groove, and which really sparkles thanks to some tight horn work by Joe Newman, Buddy Tate, and Matthew Gee. Ray's heavy left hand grooves really jump the whole set up nicely – and titles include "Big Susie", "Twist On", "Twist City", "Twistin On A Cat's Paw", and "Do That Twist". LP, Vinyl record album
(6 eye stereo pressing. Cover has some wear and taped seams.)

Possible matches16
CD, LP, Vinyl record album cover art
✨✧ Milt JacksonPlenty, Plenty Soul ... LP
Atlantic, 1957. Used ... Temporarily Out Of Stock
Plenty plenty soul here – as Milt Jackson's moving away from the Modern Jazz Quartet, and working with a great group of players that really expand his sound! The session's a bit like some of Milt's soul jazz work for Riverside and other labels – in that it's got rhythms, timings, and solos that all are much more gutbuckety than you'd expect from the other side of his career – a real nod towards the nascent soul jazz sound in the late 50s, served up with lots of undercurrents from R&B and gospel in the mix. Side one features players that include Ronnie Peters on alto sax, Frank Foster on tenor, and Sahib Shihab on baritone – plus Horace Silver on piano – and Silver makes a return appearance on side two, alongside a group that includes Lucky Thompson on tenor and Joe Newman on trumpet. Titles include "Plenty, Plenty Soul", "Boogity Boogity", "Heartstrings", "Sermonette", "The Spirit Feel", "Ignunt Oil", and "Blues At Twilight". LP, Vinyl record album
(Red & green Rockerfeller pressing.)

Possible matches17
CD, LP, Vinyl record album cover art
✨✧ Gary McFarland & Clark TerryTijuana Jazz ... LP
Impulse, Mid 60s. Used Gatefold ... Temporarily Out Of Stock
A very groooooovy set! This one has Gary working with his "& Co" ensemble – including here the 2 guitars of Barry Galbraith and Toots Thielemans, the fender bass of Bob Brookmeyer, and the trumpet work of Clark Terry and Joe Newman. The groove is jazzy Mexican – kind of a way hipper take on the Tijuana sound than Herb Albert could ever hope for – and with Gary on organ, vibes, and marimba, the core groove is really great all the way through. Very hip stuff – and with tracks that include "Fantastic, That's You", "South Of The Border", "Tijuana", "Mary Jane", "Granny's Samba", "Soul Bird", and "Ira Schwartz's Golden Dream". LP, Vinyl record album
(Orange & black label mono pressing with Van Gelder stamp. Cover has a small cutout hole.)

Possible matches18
CD, LP, Vinyl record album cover art
✨✧ Count BasieApril In Paris ... LP
Verve, 1955. Used ... Out Of Stock
One of Basie's biggest albums – but still a work of pure genius! "April In Paris" is one of the darkest jazz standards ever written, and it never sounded better than in this original version, which features that great ending in which Basie and the band stop, then start, then stop – leaving you completely unresolved at the finish. The group's a strong one – with Frank Foster, Frank Wess, Freddie Green, Sonny Payne, Marshall Royal, Henry Coker, Joe Newman, and Thad Jones – and tracks include "Shiny Stockings", "Midgets", "Mambo Inn", "Sweety Cakes", and "Corner Pocket". LP, Vinyl record album
(Verve Inc pressing, with trumpeter logo and deep groove. Cover has some minor splitting.)

Possible matches19
CD, LP, Vinyl record album cover art
✨✧ Brook BentonHome Style/Story Teller (with bonus tracks) ... CD
Atlantic/Soulmusic.com (UK), 1970/1971. New Copy ... Out Of Stock
A pair of later gems from Brook Benton – back to back on a single CD – and with a bonus track too! First up is Home Style – wonderful work from Brook Benton – and the kind of record that always gets overlooked in discussions of southern soul, but which is proof that Benton's always been a key force in the genre! Brook virtually invented the style with his earlier country soul recordings – and by the time of this 1970 set, he's in perfect form vocally – and working under some wonderfully sophisticated arrangements by Arif Mardin. The result is the kind of cross-genre record that Brook could do effortlessly – and which should have made him huge, but instead kind of got him left behind by all the other folks who were copping his style. Yet with the strength of a record like this, we'll take that overlooked fame as still OK – because the set's a gem just waiting to be discovered by later generations like us! Rhythm's by the Dixie Flyers – augmented by jazz players that include King Curtis, Pepper Adams, and Joe Newman. Titles include "Aspen Colorado", "For Lee Ann", "Whoever Finds This, I Love You", "Don't It Make You Wanta Go Home", and "Let Me Fix It". Next Is Story Teller – Ccol Cotillion work from Brook Benton – southern soul mixed with smoother, sophisticated moments – and a perfect realization of the sound that Benton was going for in the 60s! There's a bit less country here than before – although Brook also still has one foot in his roots, too – and the overall approach has mellower soul touches that are great – keyboards, guitar, and electric bass that roll along gently next to Benton's wonderful vocals. The album was recorded at Criteria Studios, and up north in New York – and titles include "Movin Day", "Sidewalks Of Chicago", "She Even Woke Me Up To Say Goodbye", "Poor Make Believer", and "Shoes". CD also features the bonus track "A Black Child Can't Smile". CD

Possible matches20
CD, LP, Vinyl record album cover art
✨✧ MachitoKenya ... CD
Roulette/Warner (Japan), 1957. New Copy ... Out Of Stock
A real corker from Machito – a set that's got a lot more bite and earthy fire than some of his other albums of the 50s – as you might be able to guess from the cover and the title! The record definitely lives up to the Afro-Cuban promise on the front – thanks to very hip arrangements from Mario BAuza and AK Salim – who balance core rhythmic elements with some great modern jazz solo contributions – from key players who include Johnny Griffin on tenor, Cannonball Adderley on alto, Joe Newman on trumpet, and Eddie Bert on trombone – all coming together under Machito's leadership with a sound that's much bolder than most of his work in a straighter Latin mode! The album's a key meeting of styles – as powerful today as it was when first recorded – and tracks include the great "Congo Mulence", a very tight groover – plus "Turuato", "Frenzy", "Cannonology", "Minor Rama", and "Wild Jungle". CD
(SHM-CD pressing!)

Possible matches21
CD, LP, Vinyl record album cover art
✨✧ Count BasieBasie In London ... CD
Verve, 1956. Used ... Out Of Stock
Basie was getting all over the place during the 50s – and this set's a great little concert recorded in London! The album's classic Basie for Verve – with Joe Williams on vocals on 3 tracks, and a tight group that includes Thad Jones, Joe Newman, Benny Powell, Matthew Gee, and Frank Foster. Titles include "Flute Juice", "Nails", "Blues Backstage", "Corner Pocket", "Roll Em Pete", and "Well All Right Okay You Win". CD
(Out of print.)

Possible matches22
CD, LP, Vinyl record album cover art
✨✧ Modern Jazz QuartetPlastic Dreams ... CD
Atlantic/Collectables, 1971. Used ... Out Of Stock
One of the groovier albums the Modern Jazz Quartet ever recorded – as you might expect, given the cover and title! In addition to the group's usual cool sound from Milt Jackson's vibes, the set also features John Lewis playing a bit of harpsichord in addition to his usual piano – and the group's also augmented on a few tracks with some great horns from Snookie Young and Joe Newman on trumpets, Garnett Brown on trombone, Jim Buffington on French horn, and Don Butterfield on tuba – a change that really gives the record a nicely different flavor from other MJQ albums. John Lewis composed all of the tracks – and titles include "Walkin Stomp", "Dancing", "Plastic Dreams", "Variations On A Christmas Theme", "Travlin", "Piazza Novona", and "England's Carol". CD

Possible matches23
CD, LP, Vinyl record album cover art
✨✧ Charlie Parker, Sarah Vaughan, Count Basie, etcBirdland All Stars At Carnegie Hall ... CD
Roulette/Warner (Japan), 1954. New Copy ... Out Of Stock
A smoking set of all-star performances – recorded at Carnegie Hall in 1954, and with a sense of tremendous talent that may well blow away some of the Jazz At The Philharmonic sets of the time! The material here is heavy on Count Basie performances – excellent material from that period when he was really hitting full power again on Verve – with strong solos from Frank Foster and Frank Wess on reeds, plus work from Joe Newman on trumpet! Lester Young's tenor also joins Basie's group at one point – and Sarah Vaughan sings with the group too – but the set also features some more Verve-like performances – from Charlie Parker on alto, and Billie Holiday on vocals, who gets almost one side of the record to herself. There's a huge amount of material on the double-length set – and titles include "My Funny Valentine", "Cool Blues", and "The Song Is You" by Charlie Parker; "Them There Eyes", "My Man", and "Lover Man" by Billie Holiday; "Saturday", "Time", "That Old Devil Moon", and "Don't Blame Me" by Sarah Vaughan; and "Lullaby Of Birdland", "Sure Thing", "Perdido", "Blues Backstage", and "You For Me" by Count Basie. CD

Possible matches24
CD, LP, Vinyl record album cover art
✨✧ Paul QuinichetteKid From Denver (Biograph pressing) ... LP
Dawn/Biograph, 1956. Used ... Out Of Stock
Brilliant work from the "Vice Pres" – tenorist Paul Quinichette, stepping out here in one the best of of his all-too-few sessions as a leader! Paul's tone is amazing throughout – very much on a par with that of Ben Webster or Coleman Hawkins, and proof that his admission to the jazz "executive branch" in the 50s was well deserved. The tunes are shortish, but very swinging – and Quinichette's tenor work dominates in a group that also includes Nat Pierce, Henry Coker, Thad Jones, Freddie Green, and Joe Newman. There's a Basie-esque swing overall – but the final result is miles from Basie, and has a very different vibe overall. Titles include "Big Deal", "Happy Feeling", "Pardon The Blues Please", "Start Here", and "The Kid From Denver". LP, Vinyl record album
 
Partial matches: 1
Partial matches25
CD, LP, Vinyl record album cover art
David NewmanCaptain Buckles ... LP
Cotillion/Atlantic, 1971. Near Mint- ... $7.99
An excellent batch of straight ahead funk from David Fathead Newman! The record's a return to basics after a few more overly-produced sessions – and it features a stripped down quintet with Bernard Purdie on durms, Erick Gale on guitars, Blue Mitchell on trumpet, and Steve Novosel on bass. The overall feel is a bit in the Kudu funky mode – with plenty of electricity in the instrumentation – but Newman's gutsy solos over the top keep the whole thing clean and simple, more in the style of some of the Mainstream small group sessions from the time. Titles include "Blue Caper", "Captain Buckles", "Negus", "The Clincher", and "Joel's Domain". LP, Vinyl record album
(Cover has a cutout notch.)
 
 
 



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