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Joe Newman Edit search

 
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Exact matches: 3
Exact matches1
CD, LP, Vinyl record album cover art
Joe NewmanCounting Five In Sweden ... LP
World Pacific, 1958. Very Good+ ... $19.99
LP, Vinyl record album
(Black label pressing with deep groove.)

Exact matches2
CD, LP, Vinyl record album cover art
Joe NewmanJoe Newman & His Band (10 inch LP) ... LP
Vanguard, Mid 50s. Very Good- ... $49.99
One of the hippest Vanguard jazz sessions of the 50s – with Joe Newman on trumpet, plus Frank Wess on tenor and flute, Matthew Gee on trombone, and Frank Foster on tenor! Long tracks – and titles include "The Sleeper", "Blue For Slim", "Close Quarters", and "Jose Beguines". LP, Vinyl record album
(Cover has light wear and a mostly split top seam.)

Exact matches3
CD, LP, Vinyl record album cover art
Joe Newman/Zoot SimsLocking Horns ... CD
Roulette/Warner (Japan), Late 50s. New Copy ... Just Sold Out!
We're not sure we've ever heard trumpeter Joe Newman and tenorist Zoot Sims work together on a record – and certainly never as striking a setting as this – a record that really gives both musicians a chance to open up and blow! Despite the title, the players are less "locking horns" here than really working together in the lead – hitting the kind of tight head arrangements that you might hear on some of Sims material with RCA, but getting a grittier groove from both the Roulette Records style of recording, and the efforts of a cool rhythm trio that features Adrian (Johnny?) Acea on piano, Oscar Pettiford on bass, and Osie Johnson drums. Newman's horn has an especially gutbuckety quality, and Sims follows suit with some deeply soulful work on his solos – on titles that include "Corky", "Mambo For Joe", "Midnite Fantasy", "Tater Pie", "Oh Joe", and "Oh Shaye". CD
(SHM-CD pressing!)
 
Possible matches: 24
Possible matches4
CD, LP, Vinyl record album cover art
✨✧ Count BasieApril In Paris ... LP
Verve, 1955. Very Good- ... $5.99
One of Basie's biggest albums – but still a work of pure genius! "April In Paris" is one of the darkest jazz standards ever written, and it never sounded better than in this original version, which features that great ending in which Basie and the band stop, then start, then stop – leaving you completely unresolved at the finish. The group's a strong one – with Frank Foster, Frank Wess, Freddie Green, Sonny Payne, Marshall Royal, Henry Coker, Joe Newman, and Thad Jones – and tracks include "Shiny Stockings", "Midgets", "Mambo Inn", "Sweety Cakes", and "Corner Pocket". LP, Vinyl record album
(Verve Inc pressing, with trumpeter logo and deep groove. Cover has some minor splitting.)

Possible matches5
CD, LP, Vinyl record album cover art
Count BasieBasie In London ... CD
Verve, 1956. Used ... $4.99
Basie was getting all over the place during the 50s – and this set's a great little concert recorded in London! The album's classic Basie for Verve – with Joe Williams on vocals on 3 tracks, and a tight group that includes Thad Jones, Joe Newman, Benny Powell, Matthew Gee, and Frank Foster. Titles include "Flute Juice", "Nails", "Blues Backstage", "Corner Pocket", "Roll Em Pete", and "Well All Right Okay You Win". CD
(Out of print.)

Possible matches6
CD, LP, Vinyl record album cover art
Count Basie with Joe WilliamsBreakfast Dance & Barbecue ... LP
Roulette, 1959. Very Good+ ... $6.99
Breakfast Dance & Barbecue? Our stomachs are growling already! The album's a great little live set from Basie – recorded at the Americana Hotel in Miami at 2 in the morning – and is one of the totally great, totally smoking live sessions that Basie recorded for Roulette – maybe some of his best work ever! The group's an all-star lineup – with Frank Foster and Frank Wess on tenor, Joe Newman and Thad Jones on trumpets, Freddie Green on guitar, and Sonny Payne on drums – plus Joe Williams vocalizing on a few of the tunes on the set. The tracks are a bit longer than usual – which is quite nice – and titles include "Let's Have A Taste", "Moten Swing", "Who Me", and "Counter Block". LP, Vinyl record album
(Color bar pressing with deep groove.)

Possible matches7
CD, LP, Vinyl record album cover art
Brook BentonHome Style/Story Teller (with bonus tracks) ... CD
Atlantic/Soulmusic.com (UK), 1970/1971. New Copy ... $14.99
A pair of later gems from Brook Benton – back to back on a single CD – and with a bonus track too! First up is Home Style – wonderful work from Brook Benton – and the kind of record that always gets overlooked in discussions of southern soul, but which is proof that Benton's always been a key force in the genre! Brook virtually invented the style with his earlier country soul recordings – and by the time of this 1970 set, he's in perfect form vocally – and working under some wonderfully sophisticated arrangements by Arif Mardin. The result is the kind of cross-genre record that Brook could do effortlessly – and which should have made him huge, but instead kind of got him left behind by all the other folks who were copping his style. Yet with the strength of a record like this, we'll take that overlooked fame as still OK – because the set's a gem just waiting to be discovered by later generations like us! Rhythm's by the Dixie Flyers – augmented by jazz players that include King Curtis, Pepper Adams, and Joe Newman. Titles include "Aspen Colorado", "For Lee Ann", "Whoever Finds This, I Love You", "Don't It Make You Wanta Go Home", and "Let Me Fix It". Next Is Story Teller – Ccol Cotillion work from Brook Benton – southern soul mixed with smoother, sophisticated moments – and a perfect realization of the sound that Benton was going for in the 60s! There's a bit less country here than before – although Brook also still has one foot in his roots, too – and the overall approach has mellower soul touches that are great – keyboards, guitar, and electric bass that roll along gently next to Benton's wonderful vocals. The album was recorded at Criteria Studios, and up north in New York – and titles include "Movin Day", "Sidewalks Of Chicago", "She Even Woke Me Up To Say Goodbye", "Poor Make Believer", and "Shoes". CD also features the bonus track "A Black Child Can't Smile". CD

Possible matches8
CD, LP, Vinyl record album cover art
Ray BryantDancing The Big Twist ... LP
Columbia, Early 60s. Very Good+ ... $5.99
After Ray Bryant scored Columbia a big hit with "The Madison Time", they let him loose on another dance craze – the twist! The set has none of the hoke of a Chubby Checker record, though – and instead, it's one of Ray's best soul jazz sides of the 60s, an excellent sextet session that's done with a gutbuckety groove, and which really sparkles thanks to some tight horn work by Joe Newman, Buddy Tate, and Matthew Gee. Ray's heavy left hand grooves really jump the whole set up nicely – and titles include "Big Susie", "Twist On", "Twist City", "Twistin On A Cat's Paw", and "Do That Twist". LP, Vinyl record album
(6 eye stereo pressing. Cover has some wear and taped seams.)

Possible matches9
CD, LP, Vinyl record album cover art
Ray CharlesGreat Ray Charles ... LP
Atlantic, Late 50s. Very Good ... $6.99
As Ray was making the switch to ABC for his vocal-oriented material, Atlantic managed to capture his jazz-oriented talents on a few great sessions like this one – which features Charles' piano in the foreground, set in a nice small group setting with other players from his band, like David Newman, Joe Bridgewater, and Emmott Dennis. The overall sound is mellow and soulful, and titles include "Black Coffee", "The Ray", "Doodlin", and "Sweet Sixteen Bars". LP, Vinyl record album
(Red & purple label pressing. Cover has yellowed masking tape along the opening.)

Possible matches10
CD, LP, Vinyl record album cover art
✨✧ Milt JacksonPlenty, Plenty Soul ... LP
Atlantic, 1957. Very Good ... $4.99
Plenty plenty soul here – as Milt Jackson's moving away from the Modern Jazz Quartet, and working with a great group of players that really expand his sound! The session's a bit like some of Milt's soul jazz work for Riverside and other labels – in that it's got rhythms, timings, and solos that all are much more gutbuckety than you'd expect from the other side of his career – a real nod towards the nascent soul jazz sound in the late 50s, served up with lots of undercurrents from R&B and gospel in the mix. Side one features players that include Ronnie Peters on alto sax, Frank Foster on tenor, and Sahib Shihab on baritone – plus Horace Silver on piano – and Silver makes a return appearance on side two, alongside a group that includes Lucky Thompson on tenor and Joe Newman on trumpet. Titles include "Plenty, Plenty Soul", "Boogity Boogity", "Heartstrings", "Sermonette", "The Spirit Feel", "Ignunt Oil", and "Blues At Twilight". LP, Vinyl record album
(Red & green Rockerfeller pressing.)

Possible matches11
CD, LP, Vinyl record album cover art
Eddie JeffersonLetter From Home ... LP
Riverside, 1962. Very Good+ ... $13.99
The beginning of a whole new chapter of greatness for singer Eddie Jefferson – a record that took his older style of putting words to jazz solos, and updated it nicely for a new generation in the 60s! Eddie's got a rootsy look on the cover, but the sound here is snappingly hip and sophisticated throughout – a cool soul jazz take on vocalese that's right up there with the best solo work by Jon Hendricks, and sung in a similarly raspy style. The group shifts a bit from track to track – between small combo and larger ensemble arranged by Ernie Wilkins – and players include Clark Terry and Joe Newman on trumpets, Johnny Griffin on tenor, James Moody on alto and flute, Junior Mance and Joe Zawinul on piano, and Barry Galbraith on guitar. Titles include some great original lyrics by Jefferson on the tunes "Soft & Furry", "Keep Walkin", "Things Are Getting Better", and "Back In Town" – and equally great vocals on versions of "Letter From Home", "Billie's Bounce", and "Night In Tunisia". LP, Vinyl record album
(Blue label Bill Grauer pressing with microphone logo. Back cover has a DJ stamp & a name in pen.)

Possible matches12
CD, LP, Vinyl record album cover art
✨✧ Eddie JeffersonThings Are Getting Better ... LP
Muse, 1974. Very Good+ ... $5.99
One of the weirdest, wildest albums ever from Eddie Jefferson – a real standout classic that shows him retooling his sound for the 70s! After years of writing lyrics to James Moody and Charlie Parker tunes, Eddie lays out some crazy lyrics for modern jazz standards like "Freedom Jazz Dance" and "Bitches Brew", as well as "Night In Tunisia", which he'd never done before – and also offers up a great take on Cannonball's "Things Are Getting Better", not to mention Sly Stone's "Thank You Fallentinme Be Mice Elf Again"! There's a few more standard bop number in the mix too – like "Billie's Bounce" and "I Just Got Back In Town – and support is from a great group that includes Billy Mitchell on tenor, Joe Newman on trumpet, Sam Jones on bass, and Mickey Tucker on keyboards. LP, Vinyl record album

Possible matches13
CD, LP, Vinyl record album cover art
MachitoKenya ... CD
Roulette/Warner (Japan), 1957. New Copy ... $14.99
A real corker from Machito – a set that's got a lot more bite and earthy fire than some of his other albums of the 50s – as you might be able to guess from the cover and the title! The record definitely lives up to the Afro-Cuban promise on the front – thanks to very hip arrangements from Mario BAuza and AK Salim – who balance core rhythmic elements with some great modern jazz solo contributions – from key players who include Johnny Griffin on tenor, Cannonball Adderley on alto, Joe Newman on trumpet, and Eddie Bert on trombone – all coming together under Machito's leadership with a sound that's much bolder than most of his work in a straighter Latin mode! The album's a key meeting of styles – as powerful today as it was when first recorded – and tracks include the great "Congo Mulence", a very tight groover – plus "Turuato", "Frenzy", "Cannonology", "Minor Rama", and "Wild Jungle". CD
(SHM-CD pressing!)

Possible matches14
CD, LP, Vinyl record album cover art
Gary McFarland & Clark TerryTijuana Jazz ... LP
Impulse, Mid 60s. Good+ Gatefold ... $19.99
A very groooooovy set! This one has Gary working with his "& Co" ensemble – including here the 2 guitars of Barry Galbraith and Toots Thielemans, the fender bass of Bob Brookmeyer, and the trumpet work of Clark Terry and Joe Newman. The groove is jazzy Mexican – kind of a way hipper take on the Tijuana sound than Herb Albert could ever hope for – and with Gary on organ, vibes, and marimba, the core groove is really great all the way through. Very hip stuff – and with tracks that include "Fantastic, That's You", "South Of The Border", "Tijuana", "Mary Jane", "Granny's Samba", "Soul Bird", and "Ira Schwartz's Golden Dream". LP, Vinyl record album
(Orange & black label mono pressing with Van Gelder stamp. Cover has a small cutout hole.)

Possible matches15
CD, LP, Vinyl record album cover art
Modern Jazz QuartetPlastic Dreams ... CD
Atlantic/Collectables, 1971. Used ... $3.99
One of the groovier albums the Modern Jazz Quartet ever recorded – as you might expect, given the cover and title! In addition to the group's usual cool sound from Milt Jackson's vibes, the set also features John Lewis playing a bit of harpsichord in addition to his usual piano – and the group's also augmented on a few tracks with some great horns from Snookie Young and Joe Newman on trumpets, Garnett Brown on trombone, Jim Buffington on French horn, and Don Butterfield on tuba – a change that really gives the record a nicely different flavor from other MJQ albums. John Lewis composed all of the tracks – and titles include "Walkin Stomp", "Dancing", "Plastic Dreams", "Variations On A Christmas Theme", "Travlin", "Piazza Novona", and "England's Carol". CD

Possible matches16
CD, LP, Vinyl record album cover art
Paul QuinichetteKid From Denver (Biograph pressing) ... LP
Dawn/Biograph, 1956. Very Good+ ... $1.99
Brilliant work from the "Vice Pres" – tenorist Paul Quinichette, stepping out here in one the best of of his all-too-few sessions as a leader! Paul's tone is amazing throughout – very much on a par with that of Ben Webster or Coleman Hawkins, and proof that his admission to the jazz "executive branch" in the 50s was well deserved. The tunes are shortish, but very swinging – and Quinichette's tenor work dominates in a group that also includes Nat Pierce, Henry Coker, Thad Jones, Freddie Green, and Joe Newman. There's a Basie-esque swing overall – but the final result is miles from Basie, and has a very different vibe overall. Titles include "Big Deal", "Happy Feeling", "Pardon The Blues Please", "Start Here", and "The Kid From Denver". LP, Vinyl record album

Possible matches17
CD, LP, Vinyl record album cover art
Larry WillisNew Kind Of Soul ... LP
LLP, Late 60s. New Copy (reissue)... $9.99
A really killer set from pianist Larry Willis – way different than any of his later albums as a leader, and from his early work with Jackie McLean in the 60s! Larry's playing here with a sound that's as righteous as his image on the cover, but which is also pretty funky at points too – a small combo mode that's partly in a soul instrumental mode, partly with some of the soaring, more expressive qualities you'd find later on records for labels like Strata East or Black Jazz. The whole combo's wonderful – and includes the mighty Al Foster on drums and Vic Sproles on bass – two super-hip rhythm cats – alongside a tight flugelhorn frontline from the trio of Jimmy Owens, Marvin Stamm, and Joe Newman – and lots of sharp riffing guitar from Al Gava. The funky cuts are wonderful – and include a break version of Otis Redding's "Hard To Handle", and sweet covers of Andre Williams' "Funky Judge" and James Brown's "Lickin' Stick" – but original cuts are nice too, and include "Someday soon" and "Consola Coa". LP, Vinyl record album

Possible matches18
CD, LP, Vinyl record album cover art
Beverly KenneyBeverly Kenny Sings With Jimmy Jones & The Basie-ites ... CD
Roost/Warner (Japan), 1957. New Copy ... About October 29, 2016
Bev Kenny sounds surprisingly great in this Basie-styled setting – one that has Jimmy Jones handling the keys instead of the Count – with added support from players who include Joe Newman on trumpet, Frank Wess on tenor and flute, and Freddie Green on guitar! Like most of Kenny's sessions of the 50s, there's a quality here that really goes beyond standard vocal jazz – a real feel for the material, and a relaxed command of the small combo setting that must have made Beverly a hell of an act to catch in the clubs. Her natural sweetness is a nice contrast to the deeper tones of the Basie players – and titles include "I Never Has Seen Snow", "The More I See You", "The Charm Of You", "My Kind Of Love", "Who Cares What People Say", and "Can't Get Out Of This Mood". CD

Possible matches19
CD, LP, Vinyl record album cover art
✨✧ Etta JonesEtta Jones Sings (Roulette) ... CD
Roulette/Warner (Japan), 1965. New Copy ... Temporarily Out Of Stock
An overlooked gem from jazz singer Etta Jones – an effort cut around the same time as her better-known records for Prestige, but one that's maybe done with an even hipper sound overall! Etta's nicely laidback, and hits that soulful, singing mood that makes her so great right from the start – a bit offbeat, but in the best way possible – as Jones brings older bluesy inflections into play with more contemporary ideas – all set to wonderful instrumentation from a cool group that features Junior Mance on piano, Kenny Burrell on guitar, Joe Newman on trumpet, Frank Wess on tenor, and Mike Manieri on vibes. The song choices are great – and the balance between steppers and mellow cuts is perfect – on titles that include "Swinging Shepherd Blues", "All Right OK You Win", "Moon Man", "Did I Remember", "Lonely Crowd", and "I Was Telling Him About You". CD
(SHM-CD pressing!)

Possible matches20
CD, LP, Vinyl record album cover art
✨✧ Gary McFarland/Bob BrookmeyerHow To Succeed In Business Without Really Trying/Gloomy Sunday & Other Bright Moments ... CD
Verve, 1961. Used ... Temporarily Out Of Stock
How To Succeed In Business Without Really Trying, a very swingin' instrumental version of the score to this goofy musical, arranged and conducted by Gary McFarland, with a batch of players like Clark Terry, Oliver Nelson, Phil Woods, and Joe Newman – so you know the whole thing's tight and groovy. Includes nice renditions of "Grand Old Ivy", "Happy To Keep His Dinner Warm", and "Paris Original". Gloomy Sunday & Other Bright Moments is an overlooked treat recorded at a time when Verve was briefly exploring the jazz orchestra format in the early 60s – through recordings by Stan Getz, Jimmy Guiffre, and here, Bob Brookmeyer. The record features a set of tracks written and/or arranged by Brookmeyer, with help from contemporaries like Eddie Sauter, Ralph Burns, and Gary McFarland – all of whom were doing similar work for Verve at the time. Players are strong all around – and include Hank Jones, Eddie Costa, Gene Quill, Phil Woods, Nick Travis, Al Cohn, and Phil Bodner – and titles include "Some Of My Best Friends", "Gloomy Sunday", "Where Oh Where", "Days Gone By Oh My", and "Ho Hum". CD
(Note: CD is missing back artwork in case – and is priced accordingly.)

Possible matches21
CD, LP, Vinyl record album cover art
✨✧ Count BasieBasie (aka E=MC2) ... LP
Roulette, 1957. Used ... Out Of Stock
One of THE seminal Basie albums of all time – and a masterful pairing between the Count and arranger Neal Hefti! Hefti has an amazing ear for the Basie groove, and he works here to re-fit the overall sound of the group with a tighter, more fluid approach – one that ensured that they'd be alive and booming well into the 60s. The Hefti touch is one that's slightly lighter than the Basie of before – one that assumes the bump at the bottom, but never overdoes it – and instead almost uses the sound of no sound at all to carry the rhythm – while the horns at the top of the group are vamping around in these majestic charts that break out into fantastically searing solos. Basie's on piano, natch – and other players include Thad Jones, Joe Newman, Henry Coker, Al Grey, Frank Wess, Frank Foster, and Eddie Lockjaw Davis. Titles are all brilliant Hefti originals – and include "After Supper", "Flight Of The Foo Birds", "Teddy The Toad", "Splanky", "Fantail", and "Lil Darlin". LP, Vinyl record album
(Multi-color bar label pressing with deep groove. Cover has wear and aging. Vinyl plays with clicks & crackles.)

Possible matches22
CD, LP, Vinyl record album cover art
✨✧ Nat King ColeWelcome To The Club ... LP
Capitol, 1959. Used ... Out Of Stock
One of our favorite albums by Nat King Cole – done with a bit more depth and feeling than some of his other Capitol sets of the time – and some great jazzy backings, too! Arrangements are by Dave Cavanaugh, but there's almost a Basie-like quality to the group at times – never too hard-swinging, but definitely that slow-burning quality the Count could hit so well with a singer, especially on the horns! The group is awash with Basie-ites – and saxes are by Marshall Royal, Frank Foster, Billy Mitchell, and Frank Wess; trumpets include Joe Newman and Thad Jones; trombones feature Al Grey, Henry Coker, and Benny Powell; and rhythm features guitar from Freddie Greene, piano from Gerald Wiggins, and drums from Sonny Payne – definitely a swinging lineup. Titles include the great "Welcome To The Club" – plus "Anytime Anyday Anywhere", "The Late Late Show", "Wee Baby Blues", "Avalon", "She's Funny That Way", and "The Blues Don't Care". LP, Vinyl record album
(Rainbow label pressing. Cover has light wear.)

Possible matches23
CD, LP, Vinyl record album cover art
✨✧ Milt JacksonPlenty, Plenty Soul ... CD
Atlantic, 1957. Used ... Out Of Stock
Plenty plenty soul here – as Milt Jackson's moving away from the Modern Jazz Quartet, and working with a great group of players that really expand his sound! The session's a bit like some of Milt's soul jazz work for Riverside and other labels – in that it's got rhythms, timings, and solos that all are much more gutbuckety than you'd expect from the other side of his career – a real nod towards the nascent soul jazz sound in the late 50s, served up with lots of undercurrents from R&B and gospel in the mix. Side one features players that include Ronnie Peters on alto sax, Frank Foster on tenor, and Sahib Shihab on baritone – plus Horace Silver on piano – and Silver makes a return appearance on side two, alongside a group that includes Lucky Thompson on tenor and Joe Newman on trumpet. Titles include "Plenty, Plenty Soul", "Boogity Boogity", "Heartstrings", "Sermonette", "The Spirit Feel", "Ignunt Oil", and "Blues At Twilight". CD
(Out of print.)
Also available Plenty, Plenty Soul ... LP 4.99
 
 
 



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