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Exact matches: 8
Exact matches1
CD, LP, Vinyl record album cover art
✨✧ Billy Byers & Joe Newman/Eddie BertEast Coast Sounds (Hall Of Fame Jazz Greats) ... LP
Hall Of Fame Jazz Greats, Mid 50s. Near Mint- ... $1.99
LP, Vinyl record album

Exact matches2
CD, LP, Vinyl record album cover art
Joe NewmanJive At Five ... LP
Prestige/Swingville, Early 60s. Very Good- ... $7.99
Joe blows it strong and mellow – in this spare swinging group that includes Frank Wess on tenor, Tommy Flanagan on piano, Eddie Jones on bass, and Oliver Jackson on drums. Tracks are warm and unpressured, more in a Verve mode than a Prestige one – and titles include "Wednesday's Blues", "Jive At Five", "Taps Miller", and "Cuein The Blues". LP, Vinyl record album
(OJC pressing.)

Exact matches3
CD, LP, Vinyl record album cover art
Joe NewmanJoe Newman Quintet At Count Basie's ... CD
Mercury/Verve, 1961. Used ... $6.99
A nice little set by Joe – recorded live, and much more freewheeling than some of his other albums from the time! The set's unusual for Joe, in that it's got more of a down and dirty approach – not exactly soul jazz, but with a much more gutbuckety groove than we might have thought! Newman's playing here with a great group that includes sax work by Oliver Nelson – working on tenor, and always a treat in a set like this – plus piano by Lloyd Mayers, drums by Ed Shaughnessy, and bass by Art Davis. Includes the long original tune "Wednesday's Blues", plus "Caravan", "Love Is Here To Stay", "Someone To Love", and "The Midgets". CD

Exact matches4
CD, LP, Vinyl record album cover art
Joe NewmanJoe Newman Quintet At Count Basie's ... LP
Mercury, 1961. Very Good ... $6.99
A nice little set by Joe – recorded live, and much more freewheeling than some of his other albums from the time! The set's unusual for Joe, in that it's got more of a down and dirty approach – not exactly soul jazz, but with a much more gutbuckety groove than we might have thought! Newman's playing here with a great group that includes sax work by Oliver Nelson – working on tenor, and always a treat in a set like this – plus piano by Lloyd Mayers, drums by Ed Shaughnessy, and bass by Art Davis. Includes the long original tune "Wednesday's Blues", plus "Caravan", "Love Is Here To Stay", "Someone To Love", and "The Midgets". LP, Vinyl record album
(Black label pressing with deep groove.)

Exact matches5
CD, LP, Vinyl record album cover art
Frank Wess, Kenny Burrell, Joe Newman & OthersJazz For Playboys ... CD
Savoy, 1957. Used ... $11.99
One of those classic 50s sessions in which a bunch of Count Basie players split off from the bigger group and do some great small combo work on their own! The album is leader-less in its billing – but only because all the players are so well tuned to each other, and have such a simpatico relationship that there's no need for egos to drive the record. Tracks are longish and more open than any Basie setting – and players include Frank Wess on flute and tenor, Kenny Burrell on solo guitar, Freddie Green on rhythm guitar, and Joe Newman on trumpet. Wess' solos are often out in the lead, but Burrell and Newman also get in some nice licks – and titles include "Pin Up", "Playboy", "Miss Blues", and "Blues For A Playmate". CD
(Out of print.)
Also available Jazz For Playboys ... LP 11.99

Exact matches6
CD, LP, Vinyl record album cover art
Frank Wess, Kenny Burrell, Joe Newman & OthersJazz For Playboys ... LP
Savoy, Mid 50s. Good+ ... $11.99
One of those classic 50s sessions in which a bunch of Count Basie players split off from the bigger group and do some great small combo work on their own! The album is leader-less in its billing – but only because all the players are so well tuned to each other, and have such a simpatico relationship that there's no need for egos to drive the record. Tracks are longish and more open than any Basie setting – and players include Frank Wess on flute and tenor, Kenny Burrell on solo guitar, Freddie Green on rhythm guitar, and Joe Newman on trumpet. Wess' solos are often out in the lead, but Burrell and Newman also get in some nice licks – and titles include "Pin Up", "Playboy", "Miss Blues", and "Blues For A Playmate". LP, Vinyl record album
(Red label pressing with deep groove. Cover has some wear.)
Also available Jazz For Playboys ... CD 11.99

Exact matches7
CD, LP, Vinyl record album cover art
✨✧ Eddie Lockjaw Davis with Count Basie & Joe NewmanCount Basie Presents The Eddie Lockjaw Davis Trio Plus Joe Newman ... CD
Roulette/Warner (Japan), 1957. New Copy ... Just Sold Out!
Great small combo work from Eddie Lockjaw Davis – very much in the mode of his early Cookbook albums for Prestige, but with the added bonus of Count Basie on piano and Joe Newman on trumpet! Davis' raw tenor sound gets plenty of time in the spotlight, but Newman gets in a few strong solos too – and although Shirley Scott is backing up the group with the strongest sound on Hammond, Basie also tickles the ivories a bit in the background – and ensures that there's a bit of a Basie swing to the whole record! Titles include "Farouk", "Lock Up", "Telegraph", "Marie", "Swingin Till The Girls Come Home", "Street Of Dreams", and "A Misty One". CD

Exact matches8
CD, LP, Vinyl record album cover art
✨✧ Joe Newman with Frank FosterGood N Groovy ... LP
Prestige/Swingville, 1961. Used ... Temporarily Out Of Stock
Tight swing-based material from trumpeter Joe Newman, featuring Frank Foster as a very welcome bandmate in the frontline! The rest of the group includes Tommy Flanagan on piano, plus Eddie Jones on bass and Bill English on drums. The tracks have a nice open-ended quality, with good room for grooving and solos, and lots of nice tenor from Foster. Titles include "To Rigmor", "AM Romp", "Mo Lasses", and "Loop D Loop". LP, Vinyl record album
(Red label Swingville pressing, with deep groove. Cover has some pen on back and a small split on the bottom seam.)
 
Possible matches: 34
Possible matches9
CD, LP, Vinyl record album cover art
Count BasieApril In Paris ... LP
Verve, 1955. Very Good- ... $8.99
One of Basie's biggest albums – but still a work of pure genius! "April In Paris" is one of the darkest jazz standards ever written, and it never sounded better than in this original version, which features that great ending in which Basie and the band stop, then start, then stop – leaving you completely unresolved at the finish. The group's a strong one – with Frank Foster, Frank Wess, Freddie Green, Sonny Payne, Marshall Royal, Henry Coker, Joe Newman, and Thad Jones – and tracks include "Shiny Stockings", "Midgets", "Mambo Inn", "Sweety Cakes", and "Corner Pocket". LP, Vinyl record album
(Verve Inc pressing, with trumpeter logo and deep groove. Cover has some wear.)

Possible matches10
CD, LP, Vinyl record album cover art
Count BasieApril In Paris (with bonus tracks) ... CD
Verve, 1955. Used ... $2.99
One of Basie's biggest albums – but still a work of pure genius! "April In Paris" is one of the darkest jazz standards ever written, and it never sounded better than in this original version, which features that great ending in which Basie and the band stop, then start, then stop – leaving you completely unresolved at the finish. The group's a strong one – with Frank Foster, Frank Wess, Freddie Green, Sonny Payne, Marshall Royal, Henry Coker, Joe Newman, and Thad Jones – and tracks include "Shiny Stockings", "Midgets", "Mambo Inn", "Sweety Cakes", and "Corner Pocket". Features 6 bonus tracks too! CD
(Verve Master Edition.)

Possible matches11
CD, LP, Vinyl record album cover art
Count BasieBasie In London ... LP
Verve, 1956. Very Good- ... $3.99
Basie was getting all over the place during the 50s – and this set's a great little concert recorded in London! The album's classic Basie for Verve – with Joe Williams on vocals on 3 tracks, and a tight group that includes Thad Jones, Joe Newman, Benny Powell, Matthew Gee, and Frank Foster. Titles include "Flute Juice", "Nails", "Blues Backstage", "Corner Pocket", "Roll Em Pete", and "Well All Right Okay You Win". LP, Vinyl record album
(Verve Inc pressing, with trumpeter logo and deep groove.)

Possible matches12
CD, LP, Vinyl record album cover art
Count BasieCount Basie At Newport ... LP
Verve, 1957. Good+ ... $4.99
The 50s Basie band, loud and proud – recorded beautifully by Verve on the stage of the Newport Jazz Festival in 1957 – a great year, both for the group and the fest! The lineup here features Count Basie firmly at the helm on piano – with players who include Lester Young, Illinois Jacquet, and Frank Foster on tenor – plus Thad Jones and Joe Newman on trumpets – all tightly grooving on arrangements by Ernie Wilkins, AK Salim, and others – filled with plenty of Basie jumps, leaps, and vamps! Jimmy Rushing sings vocals on the track "Sent For You Yesterday & Here You Come Today" – and other tracks include "Lester Leaps In", "Swingin At Newport", "Polka Dots & Moonbeams", and "Evenin". LP, Vinyl record album
(Verve Inc pressing, with trumpeter logo and deep groove. Cover has some wear & mostly split seams.)

Possible matches13
CD, LP, Vinyl record album cover art
Count Basie with Joe WilliamsBreakfast Dance & Barbecue (with bonus tracks) ... CD
Roulette, 1959. Used ... $8.99
Breakfast Dance & Barbecue? Our stomachs are growling already! The album's a great little live set from Basie – recorded at the Americana Hotel in Miami at 2 in the morning – and is one of the totally great, totally smoking live sessions that Basie recorded for Roulette – maybe some of his best work ever! The group's an all-star lineup – with Frank Foster and Frank Wess on tenor, Joe Newman and Thad Jones on trumpets, Freddie Green on guitar, and Sonny Payne on drums – plus Joe Williams vocalizing on a few of the tunes on the set. The tracks are a bit longer than usual – which is quite nice – and titles include "Let's Have A Taste", "Moten Swing", "Who Me", and "Counter Block". Includes 10 bonus tracks, not on the LP. CD

Possible matches14
CD, LP, Vinyl record album cover art
Ray Bryant TrioRay Bryant Trio/Dancing The Big Twist ... CD
Columbia/Collectables, 1956/1962. Used ... $6.99
2 of Ray's early albums for Columbia – back to back on one CD! Ray Bryant Trio is Ray's first full LP, recorded shortly after his initial session with Betty Carter, which was also issued by Epic. The album's got Ray grooving in a hard early soul jazz mode – working in a trio with either Kenny Clarke or Osie Johnson on drums, and Wyatt Reuther on bass. Candido joins in on congas on 2 of the album's best tracks – a hard grooving take on "Night In Tunisia", plus Ray's classic "Cubano Chant", a dancing Latin groover that went onto become an oft-recorded Latin Jazz standard. Other titles include "Pawn Ticket", "Philadelphia Bound", and "Off Shore". Dancing The Big Twist was recorded as a follow-up to Ray's Madison Time album – one that has Columbia Records letting him loose on another dance craze – the twist! The set has none of the hoke of a Chubby Checker record, though – and instead, it's one of Ray's best soul jazz sides of the 60s, an excellent sextet session that's done with a gutbuckety groove, and which really sparkles thanks to some tight horn work by Joe Newman, Buddy Tate, and Matthew Gee. Ray's heavy left hand grooves really jump the whole set up nicely – and titles include "Big Susie", "Twist On", "Twist City", "Twistin On A Cat's Paw", and "Do That Twist". CD
(Out of print.)

Possible matches15
CD, LP, Vinyl record album cover art
Ray CharlesGreat Ray Charles ... LP
Atlantic, Late 50s. Very Good- ... $7.99
As Ray was making the switch to ABC for his vocal-oriented material, Atlantic managed to capture his jazz-oriented talents on a few great sessions like this one – which features Charles' piano in the foreground, set in a nice small group setting with other players from his band, like David Newman, Joe Bridgewater, and Emmott Dennis. The overall sound is mellow and soulful, and titles include "Black Coffee", "The Ray", "Doodlin", and "Sweet Sixteen Bars". LP, Vinyl record album
(Black label pressing.)

Possible matches16
CD, LP, Vinyl record album cover art
Al CohnMr Music ... LP
RCA, 1954. Very Good+ ... $14.99
A tight little record – with a strong focus on Al Cohn's solo work! Al's the lead soloist in a number of largish groups that are often tightly arranged, but which let the leader break out nicely – cutting with an edge on his tenor that's sometimes even sharper than usual. Cohn handled most of the arrangements – but a few are by Johnny Carisi, Ralph Burns, or Manny Albam –a nd players include Joe Newman on trumpet, Billy Byaers and Frank Rehak on trombone, Gene Quill on alto, and Jimmy Raney on guitar. Proceedings are tight, but never too uptight – and titles include "Cabin In The Sky", "Lullaby Of Birdland", "This Reminds Me Of You", "Move", "Cohn My Way", "La Ronde", and "Never Never Land". LP, Vinyl record album
(Black label mono pressing with deep groove. Cover has a peeled spot near the opening & a few stains on the back.)

Possible matches17
CD, LP, Vinyl record album cover art
Al Cohn & His OrchestraThat Old Feeling ... CD
RCA (Spain), 1956. Used ... $16.99
A tight little no-nonsense set from Al Cohn – the kind of record that he seemed to cut perfectly at the time, in a mold that he was helping trademark as the RCA 50s approach to jazz! The tunes are all quite short, and mostly familiar numbers – but they're arranged with a west coast-ish sort of flair, and played with more of a New York sense of swing – letting Al get in plenty of nice licks next to bandmates that include Joe Newman, Freddie Green, Nat Pierce, and Thad Jones. There's almost a Basie undercurrent to the set at times – as you'd guess from the players – and tracks include "That Old Feeling", "Sweet & Lovely", "Soft As Spring","I'll Be Around", "Honey Blonde", "Willow Weep For Me", and "In A Mellow Tone". CD
(Out of print.)

Possible matches18
CD, LP, Vinyl record album cover art
Milt JacksonPlenty, Plenty Soul ... CD
Atlantic, 1957. Used ... $6.99
Plenty plenty soul here – as Milt Jackson's moving away from the Modern Jazz Quartet, and working with a great group of players that really expand his sound! The session's a bit like some of Milt's soul jazz work for Riverside and other labels – in that it's got rhythms, timings, and solos that all are much more gutbuckety than you'd expect from the other side of his career – a real nod towards the nascent soul jazz sound in the late 50s, served up with lots of undercurrents from R&B and gospel in the mix. Side one features players that include Ronnie Peters on alto sax, Frank Foster on tenor, and Sahib Shihab on baritone – plus Horace Silver on piano – and Silver makes a return appearance on side two, alongside a group that includes Lucky Thompson on tenor and Joe Newman on trumpet. Titles include "Plenty, Plenty Soul", "Boogity Boogity", "Heartstrings", "Sermonette", "The Spirit Feel", "Ignunt Oil", and "Blues At Twilight". CD

Possible matches19
CD, LP, Vinyl record album cover art
Milt JacksonPlenty, Plenty Soul (with bonus tracks) ... CD
Atlantic/Poll Winners Records (Spain), 1957. Used ... $6.99
Plenty plenty soul here – as Milt Jackson's moving away from the Modern Jazz Quartet, and working with a great group of players that really expand his sound! The session's a bit like some of Milt's soul jazz work for Riverside and other labels – in that it's got rhythms, timings, and solos that all are much more gutbuckety than you'd expect from the other side of his career – a real nod towards the nascent soul jazz sound in the late 50s, served up with lots of undercurrents from R&B and gospel in the mix. Side one features players that include Ronnie Peters on alto sax, Frank Foster on tenor, and Sahib Shihab on baritone – plus Horace Silver on piano – and Silver makes a return appearance on side two, alongside a group that includes Lucky Thompson on tenor and Joe Newman on trumpet. Titles include "Plenty, Plenty Soul", "Boogity Boogity", "Heartstrings", "Sermonette", "The Spirit Feel", "Ignunt Oil", and "Blues At Twilight". Bonus tracks include 6 titles from two out of the three sessions from Ballads & Blues – including "Gerry's Blues", "Hello", "Bright Blues", and "The Song Has Ended". CD

Possible matches20
CD, LP, Vinyl record album cover art
Illinois JacquetKing Jacquet ... LP
RCA (France), Late 40s. Near Mint- Gatefold ... $3.99
A French-only collection – featuring 78rpm late 40s small group work by Illinois Jacquet – recorded after his initial fame with Lionel Hampton, but before he'd settled into more of a swinging 50s jazz groove! The materail was all recorded in New York, between the years 1947 and 1950 – and players include Russell Jacquet on trumpet (and occasional vocals), JJ Johnson, Joe Newman, Henry Coker, Ray Perry, and Sir Charles Thompson. The set features 16 tracks in all, and titles include "Jet Propulsion", "King Jacquet", "Embryo", "Riffin At 24 Street", "Slow Down Baby", "Hot Rod", and "You Gotta Change". LP, Vinyl record album

Possible matches21
CD, LP, Vinyl record album cover art
Mundell LoweSatan In High Heels ... LP
Charlie Parker, Mid 60s. Very Good Gatefold ... $9.99
Groovy jazz soundtrack to this obscure film that has kind of a Russ Meyer Supervixens bent to it, and which deals with the dark side of sexuality. Mundell Lowe's score is mostly jazzy, with lots of orchestrations by players like Al Cohn, Phil Woods, Clark Terry, and Joe Newman – and lots of solo guitar parts by Mundell himself. Titles include "Coffee Coffee", "Lake In the Woods", "Pattern Of Evil", "Blues For A Stripper", and "East Side Drive In". LP, Vinyl record album
(Mono pressing. Cover has a small split on the top seam and an Urgent stamp on back.)

Possible matches22
CD, LP, Vinyl record album cover art
Jack McDuffChange Is Gonna Come/Double Barrelled Soul ... CD
Atlantic/Collectables, 1966/1968. Used ... $7.99
2 of Brother Jack's best albums for Atlantic on one CD! Both records have a groovy 60's soul jazz organ sound, and the kind of amazing arrangements that make Jack's albums way better than most of his contemporaries. Change Is Gonna Come has lots of short soulful instrumentals, Joe Dukes or Pretty Purdie on drums, and titles like "Down In The Valley", "Same Old, Same Old", "No Tears", "Minha Saudade", and "Hotcha". Double Barrelled Soul has David Fathead Newman as a special guest, and features some nice early guitar playing by Melvin Sparks. That one includes a great version of "Sunny", plus the cuts "Esperanto", "Duffin' Round", and "More Head". Nice stuff, and over 70 minutes of funky organ grooves! CD

Possible matches23
CD, LP, Vinyl record album cover art
Gary McFarlandHow To Succeed In Business Without Really Trying – The Jazz Version ... LP
Verve, 1961. Very Good ... $3.99
Very swingin' instrumental version of the score to this goofy musical, arranged and conducted by Gary McFarland, with a batch of players like Clark Terry, Oliver Nelson, Phil Woods, and Joe Newman – so you know the whole thing's tight and groovy. Includes nice renditions of "Grand Old Ivy", "Happy To Keep His Dinner Warm", and "Paris Original". LP, Vinyl record album

Possible matches24
CD, LP, Vinyl record album cover art
Gary McFarland & Clark TerryTijuana Jazz ... LP
Impulse, Mid 60s. Near Mint- Gatefold ... $29.99
A very groooooovy set! This one has Gary working with his "& Co" ensemble – including here the 2 guitars of Barry Galbraith and Toots Thielemans, the fender bass of Bob Brookmeyer, and the trumpet work of Clark Terry and Joe Newman. The groove is jazzy Mexican – kind of a way hipper take on the Tijuana sound than Herb Albert could ever hope for – and with Gary on organ, vibes, and marimba, the core groove is really great all the way through. Very hip stuff – and with tracks that include "Fantastic, That's You", "South Of The Border", "Tijuana", "Mary Jane", "Granny's Samba", "Soul Bird", and "Ira Schwartz's Golden Dream". LP, Vinyl record album
(Orange & black label stereo pressing with Van Gelder stamp.)

Possible matches25
CD, LP, Vinyl record album cover art
Marian MontgomeryMarian Montgomery Swings For Winners & Losers ... LP
Capitol, 1963. Very Good+ ... $0.99
We love Marian Montgomery – and she's a heck of a great singer with a really unusual sound! In an early 60s work of sultry vixens, Marian's got a harder-swinging groove that's almost in a Ray Charles mode – clearly inspired by 50s R&B, but done with enough of a jazz flourish to expand out the sound nicely. Plus, she's got a really rhythmic approach to her work, no matter what the tune – which makes for an uncanny ability to turn even a sleeper into a surprising swinger. Here, it also helps that Dick Hyman's handling the arrangements – playing organ and piano himself on the record, and working with a small combo that includes Kenny Burrell, Joe Newman, Milt Hinton, and Willie Rodriguez. The whole thing's plenty great – and titles include "Breezin Along With The Breeze", "When Sunny Gets Blue", "My Buddy", "The Exciting Mister Fitch", "Deed I Do", and "All By Myself". LP, Vinyl record album
(Dimensions In Jazz pressing. Cover has a Dimensions In Jazz sticker.)

Possible matches26
CD, LP, Vinyl record album cover art
Paul QuinichetteVice Pres ... CD
Verve, 1951/1952/1954. Used ... $26.99
Some of the greatest work as a leader ever cut by tenorist Paul Quinichette – longtime Basie alum, and a key player who was the "Vice Pres" next to Lester Young's "Pres". The CD combines a huge batch of tracks from the early 50s – including titles from the album The Vice Pres, the 10" LP Sequel, and 6 previously unissued alternate takes. Quinichette's playing in smallish groups with a number of Basie bandmates – including Freddie Green, Buck Clayton, Joe Newman, and Basie himself – but there's also some great twists to the recordings, like organ by Bill Doggett and Marlowe Morris, and some crack arrangements by Ernie Wilkins. Tracks are short, and Quinichette's right on the money with nearly all his solos. Titles include "No Parking", "Crossfire", "Sandstone", "Prevue", "Bot Bot", "Samie", 'Shad Roe", and "Crew Cut". CD
(Out of print Verve Elite Edition.)

Possible matches27
CD, LP, Vinyl record album cover art
Jimmy SmithGot My Mojo Workin'/Hoochie Cooche Man ... CD
Verve, 1965. Used ... $8.99
Although he was the consummate high-class hipster at the start of his career, for some reason Jimmy Smith seemed to hit a forced sort of rootsy style about halfway through his years at Verve. The style worked well for him, even if it sometimes languished in bluesy tones that seemed a bit forced – and on this album, his basic trio of Grady Tate and Kenny Burrell are augmented by arrangements by Oliver Nelson. Nelson keeps things from getting too hokey, and Jimmy's organ lines are free and sharp on the best cuts. Titles include "Mustard Greens", "Hobson's Hop", "Got My Mojo Workin", and "High Heel Sneakers". Jimmy pays tribute to an earlier generation of R&B – in a hard-wailing set of soul jazz, done with backings from the legendary Oliver Nelson! A few tracks feature vocals by Jimmy, in a rough bluesy style, and others have some harmonica by Buddy Lucas – in a raspy, hard-wailing mode that still fits in nicely with the jazzier style of the album. Jimmy's organ is right up front on most numbers – recorded with that full, dynamic sound that makes so many of his Verve albums a treasure – and the best numbers have a more contemporary 60s groove alongside the older bluesy roots. Grady Tate plays drums – surprisingly funky at times – and other players include Melba Liston and Tom McIntosh on trombones, Billy Butler on guitar, Bob Cranshaw on Fender bass, and Joe Newman on trumpet. Titles include "Hi Heel Sneakers", "TNT", "Boom Boom", "Ain't That Just Like A Woman", and "One Mint Julep". CD
(Small cutout hole through case.)
Also available Got My Mojo Workin' ... LP 4.99

Possible matches28
CD, LP, Vinyl record album cover art
✨✧ Jimmy SmithHoochie Coochie Man ... LP
Verve, 1966. Near Mint- Gatefold ... $4.99
Jimmy pays tribute to an earlier generation of R&B – in a hard-wailing set of soul jazz, done with backings from the legendary Oliver Nelson! A few tracks feature vocals by Jimmy, in a rough bluesy style, and others have some harmonica by Buddy Lucas – in a raspy, hard-wailing mode that still fits in nicely with the jazzier style of the album. Jimmy's organ is right up front on most numbers – recorded with that full, dynamic sound that makes so many of his Verve albums a treasure – and the best numbers have a more contemporary 60s groove alongside the older bluesy roots. Grady Tate plays drums – surprisingly funky at times – and other players include Melba Liston and Tom McIntosh on trombones, Billy Butler on guitar, Bob Cranshaw on Fender bass, and Joe Newman on trumpet. Titles include "Hi Heel Sneakers", "TNT", "Boom Boom", "Ain't That Just Like A Woman", and "One Mint Julep". LP, Vinyl record album
 
 
 



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