The JimiHendrix Experience at their most classic! Tripped out bluesy cosmic rock ferocity and great songs, too – firing on all cylinders here on the middle record of their ultra epic three LP series of unimpeachable greatness. Titles include "EXP", "Up From The Skies", "Spanish Castle Magic", "Castles Made Of Sand", "She's So Fine", "One Rainy Wish", "Bold As Love" and more. CD
Jimi's legendary live recordings for BBC radio and television – live studio sessions from 1967 to 1969 – remastered from BBC tapes and sounding incredible! Most of the tracks feature the trio of Hendrix, Noel Redding and Mitch Mitchell at their fiery best, on classics like "Foxey Lady", "Fire", "Love Or Confusion", "Purple Haze", "Hey Joe" and more, plus some great, loosier, bluesier performances, such as"Drivin South", "Hear My Train A Coming" and more. The few guest musician appearances are incredibly notable – Alexis Korner plays some slide guitar on "(I'm Your) Hoochie Choochie Man" – and Stevie Wonder plays drums (!!!) on "Jammin" and "I Was Made To Love Her". Also includes the never before released bonus track "Burning Of The Midnight Lamp", a cover of "Day Tripper" and more. 37 tracks on 2 CDs. CD
(Out of print.)
Blues ... CD Sony/MCA, Late 60s. Used ...
Out Of Stock
The brilliant bluesy side of Hendrix – great stuff recorded from '66-'70 – including his most blues based originals and incredible covers! Bluesy it is, but it's also Jimi – with the soaring, loose and massively influential lead guitar grooves and many of which went unreleased until the 90s – and remains among the most essential of posthumous Hendrix releases. Includes "Hear My Train A Comin'" (acoustic and electric versions), "Born Under A Bad Sign", "Catfish Blues", "Red House", "Voodoo Chile Blues", "Mannish Boy", "Once I Had A Woman", "Jam 292" and "Electric Church Red House". CD
The Art Esemble of Chicago pay tribute to a surprising range of influences – from Duke Ellington to Otis Redding to Fela Kuti and JimiHendrix – but all in a set that's still filled with plenty of their trademark creative improvisation, too! In a way, the record's a great illustration of the changes that had come to the AACM over the course of two decades – still bold enough to break down new territory in jazz, but also feeling confident enough to claim a key role in, and link to, a larger history of African-American expression – one that's handled quite deftly here by the group! Lee Bowie joins the group a bit on synth, a relatively small addition to the core sounds from Lester Bowie on trumpet, Joseph Jarman and Roscoe Mitchell on reeds, Malachi Favors on bass, and Don Moye on percussion. Titles include a firey reading of Fela's "Zombie", which is great, plus covers of "No Woman No Cry", "Purple Haze", "These Arms Of Mine", and "Creole Love Call" – and the group's own "Ancient To The Future" suite. CD