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CD, LP, Vinyl record album cover art
Oscar Peterson with Clark TerryOscar Peterson Trio + One ... CD
Mercury, 1964. Used ... $3.99
Oscar Peterson's trio is augmented here by a famous guest – trumpeter Clark Terry, whose horn adds a nice bit of punctuation to the set, and makes the record a strong standout in the 60s catalogs of both players! The addition of Terry to the record is a great one – as Clark's rising fame at the time merges nicely with the popularity of the Peterson group – and since both players share a talent for mixing earthy moments with tighter playing, the whole thing comes off pretty darn nicely! Peterson's piano is supported by rhythm work from Ray Brown on bass and Ed Thigpen on drums – and Terry not only plays trumpet and flugelhorn, but also vocalizes a slight bit too – sometimes at the same point he's playing his horn! Titles include "Mumbles", "Mack The Knife", "Jim", "Blues For Smedley", "Brotherhood Of Man", and "Incoherent Blues". CD
(Out of print.)
Also available Oscar Peterson Trio + One ... LP 3.99

Possible matches2
CD, LP, Vinyl record album cover art
✨✧ Oscar Peterson with Clark TerryOscar Peterson Trio + One ... LP
Mercury, 1964. Very Good- ... $3.99
Oscar Peterson's trio is augmented here by a famous guest – trumpeter Clark Terry, whose horn adds a nice bit of punctuation to the set, and makes the record a strong standout in the 60s catalogs of both players! The addition of Terry to the record is a great one – as Clark's rising fame at the time merges nicely with the popularity of the Peterson group – and since both players share a talent for mixing earthy moments with tighter playing, the whole thing comes off pretty darn nicely! Peterson's piano is supported by rhythm work from Ray Brown on bass and Ed Thigpen on drums – and Terry not only plays trumpet and flugelhorn, but also vocalizes a slight bit too – sometimes at the same point he's playing his horn! Titles include "Mumbles", "Mack The Knife", "Jim", "Blues For Smedley", "Brotherhood Of Man", and "Incoherent Blues". LP, Vinyl record album
(Red label pressing.)
Also available Oscar Peterson Trio + One ... CD 3.99
 
Partial matches: 76
Partial matches3
CD, LP, Vinyl record album cover art
✨✧ Roy AyersVirgo Red ... LP
Polydor, 1973. New Copy (reissue)... $9.99
A great little album from Roy Ayers – a very funky record that's almost all instrumental all the way through! The sound is a bit in the vein of Roy's Live At Montreux set – but funkier overall, thanks to some very heavy rhythms on the bottom – and an approach to the tunes that's short, tight, and very much on the money! In addition to Roy's great vibes, the set also features Harry Whitaker on electric piano, Jimmy Owens and Cecil Bridgewater on trumpets, Garnett Brown on trombone, and Dennis Davis on drums and percussion – all very hip players who really help Roy find the mix of jazz and funk he was going for at the time. Dee Dee Bridgewater sings a bit of vocals on the record, joining Roy on the sublime spiritual track "Love From The Sun" – but most other tracks on the album have a more instrumental approach. The record includes a great remake of Leroy Hutson's track "Giving Love", sung more famously by Voices of East Harlem, and it's also got a nice funky cover of the hit "Brother Louie" – plus the tracks "The Morning After", "Des Nude Soul", "Virgo Red", "Love From The Sun", and "I Am Your Mind". LP, Vinyl record album

Partial matches4
CD, LP, Vinyl record album cover art
Ray BrownRay Brown With The All-Star Big Band/Ray Brown & Milt Jackson ... CD
Verve (Germany), 1962/1965. New Copy ... $8.99 18.98
Two great ones as a leader from bassist Ray Brown – back to back on a single CD! All Star Big Band is a standout session from Brown – one of a few 60s big band sessions recorded for Verve, featuring some searing solo work from Cannonball Adderley! Brown's name as a leader is possibly more as a compadre than the main driving force of the record – as the arrangements here are by Ernie Wilkins, often in the tightly soulful bag he was laying down at the time – and Adderley's presence as the main soloist certainly gives a Cannonball flair to the record. But there's definitely plenty of Brown's warmth guiding the whole session – and other players include Nat Adderley, Clark Terry, Melba Liston, Budd Johnson, and Yusef Lateef. Some tracks have Brown's bass right out front in the arrangements, dipping nicely and adding into the groove – and titles include "Tricotism", "Cannon Built", "Thumbstring", "Two For The Blues", and "Work Song". Ray Brown & Milt Jackson is a really hip record from the team of bassist Ray Brown and vibist Milt Jackson – a swinging large group record that has them fronting arrangements from Oliver Nelson and Jimmy Heath! Nelson and Heath are both mighty hip cats at this point in their career – and bring a soulful swing to the record that really takes off – a groove that's lively, but tuned with lots of cool colors and tones too – shifting effortlessly while things move forward – but always with the right soulful appeal for older fans of both leaders. Milt's especially great in this setting – even more on fire than some of his other collaborations with Brown – and titles include "Dew & Mud", "Lined With A Groove", "Lazy Theme", "In A Crowd", and "Now Hear My Meaning". CD
Also available Ray Brown With The All-Star Big Band ... LP 5.99

Partial matches5
CD, LP, Vinyl record album cover art
✨✧ John ColtraneAscension (Version 1) (180 gram pressing) ... LP
Impulse, 1965. New Copy Gatefold (reissue)... $22.99 24.98
This is the rare first take of Ascension, and it differs greatly from the second take, which is the more widely available one! The set is one of the freest, most exploratory albums ever recorded by Coltrane – and a unique session done with an expanded group of some of the most important avant jazz players of his generation! The format here is similar to Ornette Coleman's Free Jazz album – in that the music is freely improvised, and spans the entire LP as a non-stop performance – one that has Coltrane in the lead, but which also features alto from Marion Brown and John Tchicai, tenor from Archie Shepp and Pharaoh Sanders, trumpet from Freddie Hubbard and Dewey Johnson – and core rhythms from McCoy Tyner on piano, drums from Elvin Jones, and double basses from Art Davis and Jimmy Garrison. The record set the format for larger improvisatory groups in years to come – but is still one of the best examples of the form! LP, Vinyl record album

Partial matches6
CD, LP, Vinyl record album cover art
Lou DonaldsonSay It Loud! ... CD
Water/Blue Note, 1969. Used ... $9.99
One of the greatest Blue Note funky jazz sets of the late 60s – an all-out soul fest headed up by funky Lou Donaldson, and featuring some incredible work on drums from Idris Muhammad – who was still calling himself Leo Morris at this point! Muhammad's work on the drums is fantastic – not just in the snap-funk mode of some of his oft-sampled Blue Note classics, but also hitting these nicely changed-up rhythms that dance along with a free sense of joy, love, and life – one that seems to open Lou up even more than before! Other players on the set are great too – and include a young Charles Earland on organ, Blue Mitchell on trumpet, and Jimmy Ponder on guitar – cooking up some incredible licks that fill in the spaces between the grooves with a wash of soulful colors! Titles include a great version of the James Brown Classic "Say It Loud", plus the originals "Snake Bone" and "Brother Soul" – and surprisingly great takes on "Summertime" and "Caravan"! CD
(Out of print.)

Partial matches7
CD, LP, Vinyl record album cover art
✨✧ Duke EllingtonPiano In The Background ... LP
Columbia, 1961. Near Mint- ... $16.99
Don't let the title put you off, because this certainly isn't a session of background music – and the name simply refers to the fact that the arrangements on the set really showcase the strong horn work of the Ellington orchestra! Duke's still on piano for the session, but the real strength of the album's carried by classic Ellington players that include Ray Nance, Willie Cook, Johnny Hodges, Jimmy Hamilton, Harry Carney, and Lawrence Brown. Arrangements are by Bill Mathieu and Gerald Wilson – and although many of the tunes are older Ellington numbers, they've got a tight groove (and excellent recording quality) – which updates the material nicely. Titles include "Midriff", "Main Stem", "Happy Go Lucky Local", "What Am I Here For", "Kinda Dukish", and "Perdido". LP, Vinyl record album
(200 gram pressing, from Analogue Productions!)

Partial matches8
CD, LP, Vinyl record album cover art
Duke EllingtonThis One's For Blanton ... LP
Pablo, 1972. Near Mint- ... $19.99
A great tribute to the late bassist Jimmy Blanton – served up by his old boss Duke Ellington, working here on piano alongside the bass of Ray Brown! This spare piano/bass session is a rarity in Duke's catalog – and it's a real later gem that captures the warmth and imagination of the Ellington piano sound in a near-solo setting. Brown's tones are round and nicely soulful – always a treat, even if not entirely in Blanton's spirit – and titles include "Pitter Panther Patter", "Do Nothin Till You Hear From Me", "Sophisticated Lady", "See See Rider", and "Fragmented Suite For Piano & Bass" – a great extended piece that takes up all of side two! LP, Vinyl record album
(Includes the booklet.)

Partial matches9
CD, LP, Vinyl record album cover art
Frank FosterManhattan Fever (Blue Note) (with previously unreleased album) ... CD
Blue Note, 1968/1969. Used ... $9.99
Lean, righteous blowing from the legendary Frank Foster – one of a handful of extremely hip sessions he cut in the 60s under his own name! The album's the only record Foster ever did for Blue Note – and we dare say it's even better than his previous 60s work on Prestige and Impulse – with a quality that's even darker, even deeper, even more advanced from his earlier years with Basie. There's a rolling, joyous groove to many numbers – that late 60s take on soul jazz that made for so many great tracks on albums by Hank Mobley or Lee Morgan near the end of the decade. Foster keeps things tight, but he's also got an expansive vision too – an edge in the horns that points the way towards some of the chances he'd take in the 70s, but which is still wrapped around a leanly leaping soul jazz groove! Foster wrote 5 of the 6 tracks on the album, and he's working here with a sextet that includes Garnett Brown on trombone, Marvin Stamm on trumpet, and Richard Wyands on piano, who brings in some offbeat notes and colors throughout. Rhythm is by the excellent team of Bob Cranshaw on bass and Mickey Roker on drums – and titles include "Seventh Avenue Bill", "Stammpede", "Little Miss No Nose", "Manhattan Fever", and "Loneliness". Added to the core album is a full bonus album – recorded by Foster nearly a year after the first, and even more far-reaching! There's a quality to the date that mixes together Frank's previous soulful vamping with some more introspective, more lyrical moments – almost modern at times, but not entirely so – and played by a septet that includes Ed Pazant on alto and flute, Burt Collins on trumpet, George Cables on piano, and Jimmy Cleveland on trombone. Foster himself plays a bit of alto clarinet alongside his usual tenor – and titles include "Fly By Night", "Slug's Bag", "What's New From The Monster Mill", and "Hip Shakin". CD
(BMG music club pressing.)
Also available Manhattan Fever (Blue Note) ... LP 9.99

Partial matches10
CD, LP, Vinyl record album cover art
Jimmy GiuffreComplete 1947 to1953 Small Group Sessions – Vol 2 1953 ... CD
Blue Moon (Spain), 1953. Used ... $6.99
A much-needed collection of the early work of Jimmy Guiffre – one of the best sax talents of the west coast 50s scene, and an ever-committed modernist whose work here displays a keen early ear for the fresh and the new! The tunes appear to have been released on a variety of different labels – from RCA to Decca and a number of smaller imprints – and in most cases, Jimmy's blowing with a group led by a slightly more famous LA arranger or leader. The set features work in groups led by Shelly Manne, Shorty Rogers and Boots Brown – and titles include "Bunny", "Mallets", "Fugue", "Breakfast Ball", "Hip Boots", "Morpho", "Diablo's Dance", "The Pesky Serpent", "Powder Puff", and "Afrodesia". 20 tracks in all! CD

Partial matches11
CD, LP, Vinyl record album cover art
Jimmy HelmsGonna Make You An Offer – The Complete Cube Recordings 1972 to1975 ... CD
Cube/Cherry Red (UK), Mid 70s. New Copy ... $9.99
Really great work from Jimmy Helms – a soul singer who was born on this side of Atlantic, but never hit big until he moved to London in the 70s! And as you'll hear from these tracks, our loss was England's gain – as Jimmy's a hell of a singer, and one who's able to move past the indie soul styles of his roots, and crossover big with the kind of work that should have made him huge in this country too! The music often has a mix of 70s soul modes with some of the tighter UK production of the time – including a nice sense of compression in the instrumentation that seems to be a perfect fit for the deep vocal styles of Helms – very confident here with a mature, superstar sort of performance. CD features 21 tracks from Jimmy's years at the Cube label – including two unreleased titles – and tracks include "So Long Love", "Come On Down", "Fly Away", "When Can Brown Begin", "Could It Be Love", "There'll Be Another Night", "I'll Take Good Care Of You", "Like Sister & Brother", "Pretty Faces", and "Never Dreamed You'd Leave In Summer". CD

Partial matches12
CD, LP, Vinyl record album cover art
Jimi Hendrix ExperienceElectric Ladyland ... LP
Reprise, 1968. Very Good 2LP Gatefold ... $24.99
A true classic by Jimi with the original Experience lineup – the third of three straight up masterpiece LPs to comeout in just over a year's time by the group! You could call the leftfield astral effects in the mix experimental if you had to – innovations in the studio with echo, that hallucinatory backwards sound effect and other stranger bits – but the passionate, naturally expressive playing and singing by Jimi makes it all fell just right, and the Noel Redding and Mitch Mitchell still don't get enough credit for being at the heart of such greatness. A massive 2LP effort that include s"Voodoo Chile", "Crosstown Traffic", "Electric Ladyland", "Little Miss Strange", "Moon Turn The Tides", "Still Raining Still Dreaming" and "All Along The Watchtower". LP, Vinyl record album
(Brown label, red "R" pressing. Label has a spot of pen. Cover has light ringwear.)

Partial matches13
CD, LP, Vinyl record album cover art
Earl HinesOnce Upon A Time ... LP
Impulse, 1966. Very Good Gatefold ... $2.99
One of our favorite records by Earl Hines – a hip little comeback set, recorded in the mid 60s with an Ellingtonish lineup that includes Clark Terry, Cat Anderson, Ray Nance, Lawrence Brown, Jimmy Hamilton, and Johnny Hodges. Hines' piano is certainly a strong force in the record, but even more delightful is the solid feel of the players overall – working with that complete coherence found in the best 60s sides by Duke, but touched here with some of Hines' sprightly approach to the melody. Titles include "Once Upon A Time", "Black & Tan Fantasy", "You Can Depend On Me", "Hash Brown", and "Fantastic That's You". LP, Vinyl record album
(Orange & black label mono pressing. Cover has a cutout hole, sticker residue and writing on front, and a sticker and tape remnants on the spine. Labels have marker.)

Partial matches14
CD, LP, Vinyl record album cover art
Johnny Hodges & Wild Bill DavisBlue Pyramid ... LP
Verve, Mid 60s. Very Good ... $1.99
A sweet little Verve set from the team of Wild Bill Davis and Johnny Hodges – 2 older players who both seemed to find new life in their music when working together! On Davis' part, the organist hits a more open, more modern approach to his instrument – one that clearly puts him at the level of some of his younger contemporaries on the soul jazz scene of the 60s. On Hodges' part, the pairing makes for a sometimes more relaxed style – and one that really helps him break out of the shadows of Ellington with a range of new settings and sounds! Other players here include Lawrence Brown, Jimmy Hamilton, Billy Butler, and Jimmy Jones –- all in varying arrangements, some small combo, some larger groups directed by Jones. Titles include "Pyramid", "Blues For Madeline", "When I'm Feelin Kinda Blue", "Rabbit Out Of The Hat", "Hash Brown", "At Dawn", and "Stormy Weather". LP, Vinyl record album
(MGM pressing with deep groove. Cover is great.)

Partial matches15
CD, LP, Vinyl record album cover art
Illinois JacquetSwing's The Thing (2LP 180gram pressing – 45rpm) ... LP
Verve/Analogue Productions, Early 50s. Sealed 2LP ... $33.99
One of the greatest small group sessions of the 50s by tenorist Illinois Jacquet – and a record that really lets you hear his development as a musician at the time! Jacquet was always a standout on his instrument – especially in some of the larger group recordings that won him acclaim in the 40s. Yet the player heard here is much more mature, and even more confident – yet in ways that actually have him doing less – really finding his sense of timing and tone, and moving out magically in a hip Verve combo with Roy Eldridge on trumpet, Jimmy Jones on piano, Herb Ellis on guitar, Ray Brown on bass, and Jo Jones on drums. Titles include "Las Vegas Blues", "Have You Met Miss Jones", "Lullaby Of The Leaves", and "Achtung". LP, Vinyl record album
(Limited, numbered pressing!)

Partial matches16
CD, LP, Vinyl record album cover art
Quincy JonesQuincy Jones Plays Hip Hits ... LP
Mercury, 1963. Very Good ... $2.99
One of Quincy Jones' best for Mercury Records in the 60s – a very groovy record that was done with a feel that's somewhere in between his Big Band Bossa album and his best 60s soundtrack work! The format is simple – Quincy picks a sweet batch of jazz semi-hits from the early 60s, plays them with a nice mix of soul jazz arrangements, and works with a great ensemble filled with wonderful players – including Roland Kirk, Budd Johnson, Seldon Powell, James Moody, and Jerome Richardson on reeds; Lalo Schifrin and Patti Brown on piano, Jim Hall on guitar, Clark Terry on trumpet, and Melba Liston on trombone – plus lots of great percussion at the bottom, helping bring some Latin energy to the grooves at points. Tunes are familiar, but all given a great Quincy Jones twist – and titles include "Gravy Waltz", "Jive Samba", "Walk On The Wild Side", "Bossa Nova USA", and "Watermelon Man". LP, Vinyl record album
(Black label mono pressing with deep groove.)
Also available Quincy Jones Plays Hip Hits/Golden Boy ... CD 8.99

Partial matches17
CD, LP, Vinyl record album cover art
✨✧ Quincy JonesQuincy Jones Plays Hip Hits/Golden Boy ... CD
Mercury, 1963/1964. New Copy ... $8.99 18.98
Classic Quincy Jones from the 60s – a pair of records that really show why his jazz skills were unlike anyone else! Quincy Jones Plays Hip Hits is a very groovy record that was done with a feel that's somewhere in between his Big Band Bossa album and his best 60s soundtrack work! The format is simple – Quincy picks a sweet batch of jazz semi-hits from the early 60s, plays them with a nice mix of soul jazz arrangements, and works with a great ensemble filled with wonderful players – including Roland Kirk, Budd Johnson, Seldon Powell, James Moody, and Jerome Richardson on reeds; Lalo Schifrin and Patti Brown on piano, Jim Hall on guitar, Clark Terry on trumpet, and Melba Liston on trombone – plus lots of great percussion at the bottom, helping bring some Latin energy to the grooves at points. Tunes are familiar, but all given a great Quincy Jones twist – and titles include "Gravy Waltz", "Jive Samba", "Walk On The Wild Side", "Bossa Nova USA", and "Watermelon Man". Golden Boy is a sweet bridge between Quincy's big band recordings and his groovier soundtrack work of the mid 60s – as the record combines straight jazzy grooving with some of the cooler elements of Quincy's soundtrack scores, like stepping strings, wordless voices, and a breathy mellow groove that floats across the disc in a wonderful way! Aiding Quincy in the album are a host of top-line jazz players – including Eddie Lockjaw Davis, Jerome Richardson, and Phil Woods on saxes – plus Freddie Hubbard on trumpet, Al Grey on trombone, and Jim Hall on guitar! Although titled after the show Golden Boy, only a few cuts here are from that musical – and the rest include Quincy Jones originals and some cool covers, given the Q twist. Titles include "Seaweed", "The Witching Hour", "Hard Day's Night", "The Sidewinder", and "Theme From Golden Boy", done in 2 versions, both great! CD
Also available Quincy Jones Plays Hip Hits ... LP 2.99

Partial matches18
CD, LP, Vinyl record album cover art
Barney KesselSome Like It Hot ... CD
Contemporary/OJC, 1959. Used ... $2.99
A pretty nice jazz tribute to the Billy Wilder film of the same name – and one that reprises a number of tunes from the film, especially popular songs of the 20s – but brings them back in a way that's still got plenty of hip 50s jazz touches! The record's nicely without the hoke that came with a lot of the music in the movie – thanks to a lineup that includes Art Pepper (on tenor, alto, and clarinet!), Joe Gordon, Jimmy Rowles, and Jack Marshall – playing a bit of rhythm guitar in addition to Barney Kessel's main solo one! And if there ever was a record to illustrate the old jazz adage "it ain't the song, it's the singer", this record may be it – because Barney and crew really work some magic with old chestnuts like "I Wanna Be Loved By You", "Sugar Blues", "Sweet Georgia Brown", "Runnin Wild", "By The Beautiful Sea", and "I'm Through With Love". CD features 2 bonus tracks! CD

Partial matches19
CD, LP, Vinyl record album cover art
Dave Lambert/John HendricksSing Along & Swing Along With Dave Lambert/Evolution Of The Blues Song ... CD
United Artists/El (UK), 1960. New Copy ... $8.99
Quite possibly the only full album ever recorded as a solo act by Dave Lambert, the vocalist that we know and love from the team of Lambert, Hendricks, & Ross – but who's also a heck of a great singer on his own! As you may know from the group, Dave's got a slightly quirky vocal approach that warbles with the honesty of a good horn solo – a style that we might rank next to Bob Dorough's in its appeal, except for the fact that Dave, like his fellow members in the trio, has a much greater jazz-based quality – and on some of the tunes here, he improvises wonderfully and inflects the tunes in really unique ways. Players on the album aren't credited, but it sounds like it's probably Gildo Mahones on piano backing Dave up – and titles include 2 great wordless numbers titled "Blues" and "Short Blues Around The Broadway Bridge" – plus the tunes "Over The Weekend", "Autumn Nocturne", "All Alone", "Yesterdays", and "We Could Make Such Beautiful Music". Evolution Of The Blues, an early concept album from the great Jon Hendricks – one that tells the story of blues through jazz – all put together as a flowing story in music! Jon speaks and sings the whole tale – but also gets some help on vocals from Big Miller, Hanna Dean, and Jimmy Witherspoon – as well as great musical backing from the core Ike Isaac Trio, with solos by Pony Poindexter and Ben Webster! The music is mostly rooted in blues, but with a hipper jazz sensibility – almost in the way that Oscar Brown Jr and others were going back to the roots, but updating them for the 60s. Titles include "WPA Blues", "Sometimes I Feel Like A Motherless Child", "New Orleans", "If I Had My Share", "Jumpin With Symphony Sid", and "Please Send Me Someone To Love". CD
Also available Sing Along & Swing Along With Dave Lambert ... LP 6.99

Partial matches20
CD, LP, Vinyl record album cover art
Les ParisiennesL'Integrale 1964 to 1969 (3CD) ... CD
Philips/Fremeaux & Associates (France), Late 60s. New Copy 3 CDs ... $16.99 29.99
The complete work of Les Parisiennes – a lovely female French pop group from the 60s – supervised by pianist Claude Bolling! The 3CD package brings together all the quartet's music for Philips Records in the mid 60s – a surprisingly big batch of recordings, given that most of them were done in the space of four short years – and presented here with an equally big range of styles to match! Some of the tunes are done in that older-styled, jazz boogie mode that Bolling used in his own instrumental work – but others are sweeter, lighter, and show echoes of the other pop modes going down in Paris during the 60s. The group's an under-discovered gem from these key French pop years – and the 71 track package features titles that include "Je Te Desteste", "Ce Soir A St Tropez", "Les Parisiennes", "File Le Temps", "Il Flotte", "Paris Je T'Aime D'Amor", "Theme De Borsalino", "Bonnie & Clyde", "Boom Band A Bang", "Jimmy Brown", "Les Zozos", "Le Tunnel Sous La Manche", "Les Frites", "La Salade", "Hans", "Mickey Tintin Et Spirou", and "Dans La Poche Du Kangourou". CD

Partial matches21
CD, LP, Vinyl record album cover art
Helen MerrillHelen Merrill/Dream Of You ... CD
EmArcy/Rev-Ola (UK), 1954/1956. New Copy ... $3.99
Sublime early work from Helen Merrill – material that really helped set a whole new standard for vocal jazz in the 50s! First up is Merrill's first album for Emarcy – and a beautiful session of icy vocals arranged by Quincy Jones, and featuring work by Oscar Pettiford, Jimmy Jones, and Clifford Brown. The set's got a relaxed jazzy style that you don't hear on some of Merrill's more full-blown albums – and the coldness and sadness of Helen's tone is really right up front in the arrangements – with a starkness that's extremely moving, and a power that she often never matched on record again! Titles include "Don't Explain", "What's New", "Yesterdays", and "You'd Be So Nice To Come Home To". Next up is the album Dream Of You – one of Helen's best from the 50s, thanks to some great arrangements from Gil Evans! Evans' young and modern talents are a perfect fit for Helen's sadly icy vocals on the set – taking her to new places never reached on some other sessions that were trying for a warmer, sweeter sound. The tunes are all well chosen, too – and the record features a great reading of "Where Flamingos Fly", plus "I'm A Fool To Want You", "I've Never Seen", "He Was Too Good To Me", "By Myself", and "Troubled Waters". CD

Partial matches22
CD, LP, Vinyl record album cover art
New MastersoundsLive At La Cova ... CD
3 On The B, 2006. New Copy ... $11.99
Searing live work from The New Mastersounds – a group who sound even earthier and funkier in a concert setting! The album's got a nicely rough edge that's a real departure from some of the combo's earlier studio sides – a quality that still sparkles with the undeniable tightness of the group's instrumentation, but which also brings them more in line with some of the recording styles of their deep funk contemporaries on other labels. Guitarist Eddie Roberts is in especially great form here – leading the group with a tightness that easily makes him one of the best players on his scene today – but there's also plenty of great Hammond that really cooks up the tunes too, served up in a mode that's somewhere between mid-60s Jimmy McGriff and later Booker T work on stax – often backed by some tight Meters-esque rhythms to support the funky solos! Titles include "La Cova", "The Minx", "Spooky", "Fire Eater", "Jan Jan", "One Note Brown", "Land Of Nod", "3 On The B", and "Duffin Round". CD
 
 
 



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