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CD, LP, Vinyl record album cover art
Oscar Peterson with Clark TerryOscar Peterson Trio + One ... CD
Mercury/Nippon (Japan), 1964. Used ... Just Sold Out!
Oscar Peterson's trio is augmented here by a famous guest – trumpeter Clark Terry, whose horn adds a nice bit of punctuation to the set, and makes the record a strong standout in the 60s catalogs of both players! The addition of Terry to the record is a great one – as Clark's rising fame at the time merges nicely with the popularity of the Peterson group – and since both players share a talent for mixing earthy moments with tighter playing, the whole thing comes off pretty darn nicely! Peterson's piano is supported by rhythm work from Ray Brown on bass and Ed Thigpen on drums – and Terry not only plays trumpet and flugelhorn, but also vocalizes a slight bit too – sometimes at the same point he's playing his horn! Titles include "Mumbles", "Mack The Knife", "Jim", "Blues For Smedley", "Brotherhood Of Man", and "Incoherent Blues". CD
 
Partial matches: 63
Partial matches2
CD, LP, Vinyl record album cover art
James Luther DickinsonDixie Fried ... LP
Atlantic/Future Days, 1972. New Copy 2LP Gatefold (reissue)... $28.99 31.99
Jim really gets it right on this one – a soul-steeped, country-fried gem that's one of the greatest things to come out of the southern rock scene of the early 70s! Dickinson might be best remembered these days for his work as a vital session player and producer, but Dixie Fried is an incredible record! He covers a lot of stylistic territory here, from blistering barn burners like "Wine", to psych country backed righteous recitation on "John Brown", to bluesy swagger that slays even the Stones on "Dixie Fried" – the record is a should-be classic from beginning-to-end! All hail James Luther Dickinson. Other tracks include "Wild Bill Jones", "The Lady From Baltimore", "Clap Your Hands", "Relax Your Mind", "Louise", "Mama Tried", "Sanctified" and more. LP, Vinyl record album

Partial matches3
CD, LP, Vinyl record album cover art
✨✧ Red GarlandQuota ... LP
MPS, 1971. Very Good+ ... $4.99
A surprisingly wonderful 70s session from pianist Red Garland – thanks to the presence of saxophonist Jimmy Heath on the set! Although Red's most commonly heard in a trio setting, the presence of Heath here really makes the session stand out – as Jimmy's playing with all the best sense of warmth and soulfulness he brought to his own wonderful work of the early 70s – helping Red's rare session for MPS sparkle nicely with his added touches! Heath plays both tenor and soprano sax on the record, and other players include Peck Morrison on bass and Lenny McBrowne on drums. Titles include a great version of Jimmy's "The Quota" – plus "Love For Sale", "On A Clear Day", "The Squirrel", "For Carl", and "Days Of Wine & Roses". LP, Vinyl record album

Partial matches4
CD, LP, Vinyl record album cover art
Jimmy GreeneFlowers – Beautiful Life Vol 2 ... CD
Mack Avenue, 2017. New Copy ... $16.99 18.98
A huge step forward in music for saxophonist Jimmy Greene – an artist who's still reeling from the loss of his daughter, who was murdered at Sandy Hook Elementary in 2012 – but who's turning his grief and sorrow into some of the richest music he's ever recorded! The feel here is even deeper than the first volume dedicated to Green's daughter – original songs that burst out with so much life and energy, we're held rapt right from the very first note – almost never mired in the sort of melancholy you might expect from such an experience, and instead ready to set a new fire to light the way ahead! Greene plays tenor, soprano, alto, and baritone – and other musicians include Kevin Hayes on Rhodes and piano, Mike Moreno on guitar, Renee Rosnes on piano, Ben Williams and John Patitucci on bass, and Jeff Tain Watts and Otis Brown III on drums. Titles include "Fun Circuits", "Second Breakfast", "Flowers", "Stanky Leg", "Big Guy", "Amantes", and "Thirty Two". CD

Partial matches5
CD, LP, Vinyl record album cover art
Eddie HarrisCome On Down/Reason Why I'm Talkin S**t ... CD
Atlantic/Collectables, 1970/1976. Used 2 CDs ... $13.99
2 Atlantic gems from Eddie Harris – back to back in a 2CD set! Come On Down is a really great little set that has Eddie's Chicago tenor linking up with the growing Miami soul scene of the early 70s – as Eddie "comes on down" to the Sunshine State, and records for Atlantic at the legendary Criteria Studios! Eddie's still got the electric Varitone groove of his late 60s sides for the label – but he's also stepping out here in a dirtier, funkier bottom sort of sound – aided by a combo that includes southern soulsters Billy Carter on organ, Donald Duck Dunn on bass, and Dave Crawford on piano – plus Jimmy O'Rourke and Cornelle Dupree playing guitars side by side, in a jamming way that really makes the album groove! There's still some nice spacier moments that remind us of Eddie's Chicago recordings, sitting nicely next to the funkier cuts that make the album stand out. Titles include "Fooltish", "Why Don't You Quit", "Don't You Know Your Future's In Space", and "Live Right Now". Reason Why I'm Talkin is a very interesting album from Eddie Harris – one that's more of a comedy album than a jazz record – honest! Most of the record features Eddie performing his own comedy material – pretty blue stuff with lots of bad-rapping and profanity – possibly trying to cash in on the Rudy Ray Moore tip. A few cuts feature some backing by a combo that includes Paul Humphrey on drums and Odell Brown on organ – helping Eddie to set the scene and change the mood. Titles include "People Getting Ready To Go See Eddie Harris", "Are There Any Questions", "The Next Band", "Brother Soul", "Eddie Atlantic", and "Singing & Straining". CD
(Out of print.)

Partial matches6
CD, LP, Vinyl record album cover art
Jimmy SmithBucket ... LP
Blue Note, 1963. Very Good ... $11.99
Jimmy Smith serves up a bucket of soul here – on an album that's one of his last for Blue Note, and still very much in the strong trio mode that launched his work for the label! The group's that super-sharp early 60s combo of Jimmy's – with Quentin Warren on guitar and Donald Bailey on drums – both players who have a groove that's maybe a bit under-stated at times, but which really lets Smith dominate the record – on both the keys of the Hammond, and the great work he brings to the bass pedals too. The tracks are short, but very groovy – with a tighter sound than on some of Smith's early Blue Note trio albums, and the same kind of in-the-pocket sound that made his Crazy Baby album a big hit. Includes a very groovy remake of "John Brown's Body", the original groovers "Bucket" and "Sassy Mae", and a nice modal tune called "3 for 4". LP, Vinyl record album
(New York stereo pressing with Van Gelder stamp. Cover has light wear.)
Also available Bucket (180 gram pressing) ... LP 18.99

Partial matches7
CD, LP, Vinyl record album cover art
Jimmy SmithBucket (180 gram pressing) ... LP
Blue Note (Spain), 1963. New Copy (reissue)... $18.99
Jimmy Smith serves up a bucket of soul here – on an album that's one of his last for Blue Note, and still very much in the strong trio mode that launched his work for the label! The group's that super-sharp early 60s combo of Jimmy's – with Quentin Warren on guitar and Donald Bailey on drums – both players who have a groove that's maybe a bit under-stated at times, but which really lets Smith dominate the record – on both the keys of the Hammond, and the great work he brings to the bass pedals too. The tracks are short, but very groovy – with a tighter sound than on some of Smith's early Blue Note trio albums, and the same kind of in-the-pocket sound that made his Crazy Baby album a big hit. Includes a very groovy remake of "John Brown's Body", the original groovers "Bucket" and "Sassy Mae", and a nice modal tune called "3 for 4". LP, Vinyl record album
(Limited edition!)
Also available Bucket ... LP 11.99

Partial matches8
CD, LP, Vinyl record album cover art
✨✧ Marion BrownVista (Japanese paper sleeve edition) ... CD
Impulse/MCA (Japan), 1975. Used ... Temporarily Out Of Stock
A strangely wonderful album from Marion Brown – quite different from his other work on Impulse, with a mellow electric edge that gives it a warm and laidback feel! The approach here is much more soulful than before – with finely crafted tunes that weave Brown's work on alto with electric piano by Anthony Davis and Stanley Cowell, percussion by Ed Blackwell and Jimmy Hopps, and bass by Reggie Workman. If you're expecting the angrier Brown from earlier years, you'll be disappointed – but if you're ready to hear a Brown that's gently crafting mellow lines in a soulful setting, then you're in for a treat. Tracks include Cowell's "Maimoun", Stevie Wonder's "Visions", Brown's "Vista", "Moment of Truth", "Bismillah Rrahimani Rrahim", and "Djinji". CD
(Out of print.)

Partial matches9
CD, LP, Vinyl record album cover art
✨✧ Marion BrownThree For Shepp/Vista ... CD
Impulse (Germany), 1967/1975. New Copy ... Out Of Stock
Two wonderful albums from Marion Brown – back to back in a single set! Three For Shepp is an unbelievable recording! As Archie Shepp made his first album for Impulse a tribute to Coltrane, Marion Brown made his a tribute to Shepp – a wonderful lineage of avant talent in the 60s, stated boldly here, given Brown's amazing talent on the record! The album's filled with hard, soulful playing that goes out, but never too far – like Shepp in his best sixties moments – and Brown's working with a great lineup of players that includes Grachan Moncur on trombone, Beaver Harris on drums, and Stanley Cowell on piano! The tunes include three Marion Brown originals on side one, plus three tracks by Shepp on side two. "Spooks" alone will leave you loving this album for years to come – and other tracks include "West India", "Delicado", "New Blue", and "Fortunato". A brilliant blend of 60s "new thing" playing and 70s underground jazz! Vista is a strangely wonderful album from Marion Brown – quite different from his other work on Impulse, with a mellow electric edge that gives it a warm and laidback feel! The approach here is much more soulful than before – with finely crafted tunes that weave Brown's work on alto with electric piano by Anthony Davis and Stanley Cowell, percussion by Ed Blackwell and Jimmy Hopps, and bass by Reggie Workman. If you're expecting the angrier Brown from earlier years, you'll be disappointed – but if you're ready to hear a Brown that's gently crafting mellow lines in a soulful setting, then you're in for a treat. Tracks include Cowell's "Maimoun", Stevie Wonder's "Visions", Brown's "Vista", "Moment of Truth", "Bismillah Rrahimani Rrahim", and "Djinji". CD

Partial matches10
CD, LP, Vinyl record album cover art
✨✧ Barney KesselSome Like It Hot ... LP
Contemporary, 1959. Very Good+ ... $11.99
A pretty nice jazz tribute to the Billy Wilder film of the same name – and one that reprises a number of tunes from the film, especially popular songs of the 20s – but brings them back in a way that's still got plenty of hip 50s jazz touches! The record's nicely without the hoke that came with a lot of the music in the movie – thanks to a lineup that includes Art Pepper (on tenor, alto, and clarinet!), Joe Gordon, Jimmy Rowles, and Jack Marshall – playing a bit of rhythm guitar in addition to Barney Kessel's main solo one! And if there ever was a record to illustrate the old jazz adage "it ain't the song, it's the singer", this record may be it – because Barney and crew really work some magic with old chestnuts like "I Wanna Be Loved By You", "Sugar Blues", "Sweet Georgia Brown", "Runnin Wild", "By The Beautiful Sea", and "I'm Through With Love". CD features 2 bonus tracks! LP, Vinyl record album
(OJC pressing.)

Partial matches11
CD, LP, Vinyl record album cover art
Buddy MontgomerySo Why Not? (with bonus track) ... CD
Landmark, 1989. Used ... $3.99
Buddy Montgomery's always one of those players who brings a little something extra to a record – and even on a late 80s set like this, he manages to make the session sound much better than you'd guess from the cover! Buddy plays vibes, piano, and keyboards – and although there's a few electric points that show the date of the recording, they're also very quickly offset with a richness of feeling that balances things out beautifully – so much so that we almost find ourselves liking the more electric moments better for Montgomery's approach. Other players include David Fathead Newman on tenor, Warren Gale on trumpet, Jim Nichols on guitar, and either Ron Carter or Jeff Chambers on bass, and Ralph Penland on drums. Some tracks have Latin percussion – which is an added treat – and titles include "So Why Not", "Waterfall", "Budini", "Out Of This World", "My Sentiments Exactly", and "Summer Nights". CD features the bonus track "My Little Brown Book". CD
(Out of print.)

Partial matches12
CD, LP, Vinyl record album cover art
Sonny RollinsPure Gold Jazz (aka What's New?) ... LP
RCA, 1962. Near Mint- ... $7.99
A 70s budget reissue of What'[s New?, a very unique album from Sonny Rollins – one that features him blowing tenor over some Latin-based rhythms that have a tight uptempo feel. The core group on the album features Jim Hall on guitar, Bob Cranshaw on bass, and Ben Riley on drums – but they're augmented by larger arrangements that mix together bossa nova and calypso rhythms, which forge a surprisingly great background for Rollins' gutsy tenor. Although it's easy to dismiss the record as a throwaway cash-in affair on the Latin boom of the early 60s – Rollins actually handles himself wonderfully, and the longer-than-usual tracks on the album show a whole new side of his talents that were later reprised on Latin sessions during the 70s. Titles include "Bluesongo", "Jungoso", "The Night Has A Thousand Eyes", and "Brownskin Girl". LP, Vinyl record album

Partial matches13
CD, LP, Vinyl record album cover art
VariousBack To Black – 1900 to 1999 – 100 Years Of Black Music (10CD boxset) ... CD
Universal/Music With Attitude, 1900s/1910s/1920s/1930s/1940s/1950s/1960s/1970s/1980s/1990s. Used 10 CDs ... $24.99
Massive collection of music from Blind Willie Johnson, Cab Calloway, Fats Waller, Louis Jordan, Fats Domino, Charles Brown, Howlin' Wolf, Elmore James, Jackie Wilson, Ray Charles, Nina Simone, Chuck Berry, Jimmy Ruffin, Otis Redding, Mary Wells, Aretha Franklin, James Brown, Isaac Hayes, Marvin Gaye, Ken Boothe, Donna Summer, Chic, Barry White, Rick James, Maze, Michael Jackson, Ice Cube, Wu Tang Clan, LL Cool J, Gang Starr & much more. CD
(Out of print.)

Partial matches14
CD, LP, Vinyl record album cover art
VariousCole Slaw Music Club – A Rhythm & Blues Revue ... CD
Cree (Germany), Late 50s. New Copy ... $14.99 24.99
Hard-grooving R&B from a host of hip talents from the 50s – music that's a bit blues, a bit jazz, and which goes past the obvious tunes you'd usually find on a collection like this! The cuts were chosen by the folks at the Cole Slaw Club in Germany – a specialist spot to step to old school grooves like these – and the sounds are a very cool mix of jukebox jive, groovy instrumentals, and some deeper-voiced tunes that really give the collection a lot of depth! The collection's not afraid to step between different genres in search of a swinging groove – in the best Bear Family/Cree Records style – and titles include "I Changed My Mind Jack" by Jo Ann Campbell, "Spider In The Web" by The Dooley Sisters, "Big John" by Richard Berry, "The Sneak" by Jimmy Oliver's Orchestra, "Salome Twist" by The Carroll Brothers, "Talk About Me" by Screamin Jay Hawkins, "Sugar Diabetes" by Eddie Banks, "Stolen Love" by Miss Lavell, "Sweet Little Love Like You" by Al Brown & The Tune Toppers, "Dance Of The Goony Bird" by Pat Miller, "Summertime" by Sylvia Mora, and "My Old Man" by Buddy & Ella Johnson. CD

Partial matches15
CD, LP, Vinyl record album cover art
✨✧ Duke EllingtonThis One's For Blanton (2LP 180gram pressing – 45rpm) ... LP
Pablo/Analogue Productions, 1972. Used 2LP ... Temporarily Out Of Stock
A great tribute to the late bassist Jimmy Blanton – served up by his old boss Duke Ellington, working here on piano alongside the bass of Ray Brown! This spare piano/bass session is a rarity in Duke's catalog – and it's a real later gem that captures the warmth and imagination of the Ellington piano sound in a near-solo setting. Brown's tones are round and nicely soulful – always a treat, even if not entirely in Blanton's spirit – and titles include "Pitter Panther Patter", "Do Nothin Till You Hear From Me", "Sophisticated Lady", "See See Rider", and "Fragmented Suite For Piano & Bass" – a great extended piece that takes up all of side two! LP, Vinyl record album
(Limited edition #0158.)

Partial matches16
CD, LP, Vinyl record album cover art
✨✧ Earl HinesOnce Upon A Time ... LP
Impulse, 1966. Used Gatefold ... Temporarily Out Of Stock
One of our favorite records by Earl Hines – a hip little comeback set, recorded in the mid 60s with an Ellingtonish lineup that includes Clark Terry, Cat Anderson, Ray Nance, Lawrence Brown, Jimmy Hamilton, and Johnny Hodges. Hines' piano is certainly a strong force in the record, but even more delightful is the solid feel of the players overall – working with that complete coherence found in the best 60s sides by Duke, but touched here with some of Hines' sprightly approach to the melody. Titles include "Once Upon A Time", "Black & Tan Fantasy", "You Can Depend On Me", "Hash Brown", and "Fantastic That's You". LP, Vinyl record album
(Mono orange & black label pressing, with Van Gelder stamp and LW etch.)

Partial matches17
CD, LP, Vinyl record album cover art
✨✧ Pharoah SandersVillage Of The Pharoahs/Wisdom Through Music ... CD
Impulse, 1973. Used ... Temporarily Out Of Stock
Great Pharoah Sanders albums from '73 – 2 in a single set! Village is an overlooked gem – one that has him breaking the pattern a bit, but in a really great way! The session mixes up more shorter songs than before – still all quite spiritual, but also a bit more focused – in a way that packs an incredible punch, even at more contemplative moments. Players include Sanders regulars – like Norman Connors on drums and Cecil McBee on bass – but also some key newcomers, like Art Webb on flute, Joe Bonner on piano, and Jimmy Hopps on drums – making one of his excellent Impulse appearances for the record. But perhaps even more striking are the vocals on the set – done often by Sedatrius Brown, who sings partially in a Leon Thomas spiritual mode – but also hits notes that are a bit earthier, and which are picked up in added vocalizations by members of the group. Sanders himself plays soprano and tenor sax – and titles include the expanded "Village Of The Pharoahs" suite, plus "Went Like It Came", "Memories Of Lee Morgan", "Myth", and "Mansion Worlds". Wisdom Through Music features soaring spirits and joyous jazz-based expression – another overlooked treasure from Sanders – and proof that his work on Impulse Records just kept on getting better and better! The style here is a bit tighter than some of the previous Impulse albums – no side-long tracks here – but the overall feel is also almost a bit more organic too – with lots of rootsy percussion and earthy sounds in the mix, all emanating from instruments in ways that are quite unique! The core group features Pharoah on tenor, soprano sax, and flute – alongside James Brance on flute, Joe Bonner on piano, Cecil McBee on bass, and Norman Connors on drums – plus percussion from the trio of Badal Roy, James Mtume, and Lawrence Killian. Percussion bits and vocalizations drift in and out of most tracks – giving them a rich sense of color and tone, even when the grooves are a bit more direct! Titles include a shorter take on "Love is Everywhere", plus "The Golden Lamp", "Selflessness", "Wisdom Through Music", and "High Life". CD

Partial matches18
CD, LP, Vinyl record album cover art
✨✧ VariousBlack Gold – Samples, Breaks, & Rare Groove From The Chess Records Archives ... CD
Chess/Universal (UK), 1960s/Early 70s. New Copy 2 CDs ... Temporarily Out Of Stock
Incredible sounds from the Chess Records catalog – not the blues that you might know the label for, but a huge range of funk, soul, and jazz tracks from the headiest years of the 60s and 70s – a time when the Chicago scene was really turning out some incredible musical hybrids! As you'd guess from the title, all the cuts here have had a new life in recent years – thanks to samples by hip hop artists or other producers – but the original grooves are even better than the tracks that used them, and come together here to make one of the most mindblowing collections of Chess material we've ever heard! The package is nicely heavy on sounds from the Cadet/Concept years of the label – with more than a few contributions from producers Charles Stepney and Richard Evans – and the package features 42 wonderful tracks – including "Fonky Thang Diamon Ring" by The Dells, "Windmills Of Your Mind" by Dorothy Ashby, "I Am The Black Gold Of The Sun" by Rotary Connection, "Jelly Jam" by Jack McDuff, "The Getaway" by Alvin Cash, "In My Body's House" by Gene Chandler, "Cross Country" by Archie Whitewater, "Memory Band" by Rotary Connection, "While My Guitar Gently Weeps" by Jimmy Ponder, "Inside Out" by American Gypsy, "Go Go Power" by Sugar Pie DeSanto, "Shake It Up" by The Vibrations, "Up Above The Rock" by Ray Bryant, "Bad Moon Rising" by Bo Diddley, "Shoo Be Doo Be Doo Be Do Da Day" by Eddie Fisher, "Humpin Bumpin & Thumpin" by Andre Williams, "Who Got The Number" by Pigmeat Markham, "Walk On By" by Jo Ann Garrett, "Chocolate Candy" by Soulful Strings, "Got To Get Your Own (7" version)" by Reuben Wilson, "Hanky's Panky (7" version)" by Shirley Scott, "Liberation Conversation" by Marlena Shaw, "Look Of Love" by Monk Higgins, and "Think About It" by Odell Brown & The Organizers. CD

Partial matches19
CD, LP, Vinyl record album cover art
✨✧ Miles DavisIn Person Saturday Night At The Blackhawk – Vol 2 ... LP
Columbia, 1961. Used ... Out Of Stock
Legendary early live work from Miles Davis – one of the first examples on record of the way that Davis could really stretch out in a concert setting! The music's a bit more straight ahead than later live dates, but still pretty open and exploratory – and in addition to Davis' sparkling work on trumpet, the album also features some killer tenor lines from Hank Mobley – working here as a key part of Miles' group, and blowing with a hell of a lot of soul. Rhythm is by the rock-solid trio of Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – and titles include "Neo", "So What", "Fran Dance", and "Well You Needn't". LP, Vinyl record album
(Brown label "Columbia Limited Edition" pressing. NOTE: Bottom half of cover has staining & peeling.)

Partial matches20
CD, LP, Vinyl record album cover art
BrownsBonnie, Jim Ed, Maxine ... CD
British Archive Of Country Music (UK), 1950s. Used ... $6.99
... CD
(Out of print.)

Partial matches21
CD, LP, Vinyl record album cover art
Pete Brown & PibloktoThings May Come & Go – But The Art School Dance Goes On Forever ... CD
Harvest/Warner (Japan), 1970. New Copy ... $9.99
Pure genius from the mind of Pete Brown – and a seminal slice of sound from the Harvest Records empire – a record that's every bit as messed up as you'd guess from the title – and we mean that in the best way possible! The album flies its freak flag high, but never in a messed up or sloppy way at all – as Brown wickedly weaves together all these jazzy currents with his own brash, bold lyricism – making the best of the amazing guitar skills of Jim Mullen, and keyboard work of Dave Thompson – who are definitely a cut above the usual jazz rockers of the period, and are able to match the drama of Pete's vocals, but also help him from never sounding too self-absorbed. They definitely don't make 'em like this anymore – as you'll hear on titles that include "High Flying Electric Bird", "Someone Like You", "Walk For Charity Run For Money", "Golden Country Kingdom", and "Firesong". CD
(SHM-CD pressing!)
 
 
 



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