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Jim Ed Brown

 

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Partial matches: 65
Partial matches1
CD, LP, Vinyl record album cover art
Clifford BrownBrownie Speaks – The Blue Note Albums (3CD set) ... CD CD format
Blue Note, Early 50s. New Copy 3CD ... $24.99 54.98
Seminal work from one of the greatest trumpeters of the 20th Century – and a musician who helped his instrument find a whole new voice in jazz during his short time on this planet! The set brings together all of Clifford Brown's classic work for Blue Note, but in their original format – the selection of 10" albums that came out in the early 50s, and opened up countless ears to his style on the trumpet – a mode that could be incredibly hard biting at times, but also soulful and sweet as well – balanced beautifully amidst the different settings offered here. Each set of tracks recaptures the original 10" track selection, with alternates or rare tracks added only at the end – and the package features all the material from the 10" albums Jay Jay Johnson With Clifford Brown, New Faces New Sounds, New Star On The Horizon, and all volumes of A Night At Birdland With Art Blakey Quintet. Musicians include Gigi Gryce on alto and flute, Jimmy Heath on tenor, JJ Johnson on trombone, Lou Donaldson on alto, Charlie Rouse on tenor, Horace Silver or Elmo Hope on piano, and Art Blakey, Philly Joe Jones, and Kenny Clarke on drums. 42 tracks, in a hardcover book-style package with lots of images and notes! CD

Partial matches2
CD, LP, Vinyl record album cover art
Ray Brown & Milt JacksonRay Brown/Milt Jackson ... LP LP format
Verve, Mid 60s. Very Good+ ... $6.99
A really hip record from the team of bassist Ray Brown and vibist Milt Jackson – a swinging large group record that has them fronting arrangements from Oliver Nelson and Jimmy Heath! Nelson and Heath are both mighty hip cats at this point in their career – and bring a soulful swing to the record that really takes off – a groove that's lively, but tuned with lots of cool colors and tones too – shifting effortlessly while things move forward – but always with the right soulful appeal for older fans of both leaders. Milt's especially great in this setting – even more on fire than some of his other collaborations with Brown – and titles include "Dew & Mud", "Lined With A Groove", "Lazy Theme", "In A Crowd", and "Now Hear My Meaning". LP, Vinyl record album
(Cover has an X imprint on one corner.)

Partial matches3
CD, LP, Vinyl record album cover art
Brownout Presents – Brown SabbathBrownout Presents – Brown Sabbath ... CD CD format
Ubiquity, 2014. New Copy ... $12.99 16.98
A funky riff on some of the mightiest slabs in the Black Sabbath oeuvre – done up masterfully by Adrian Quesada and the Brownout collective! Where the Sabbath originals are all lumbering menace and sludgy rhythms, Brownout brings in Latin funk percussion, tripped out keyboard textures and some really great horn arrangements. They move raw slabs like "Iron Man" into surprising, instrumental percussion realms we'd never imagine them, and it's pretty amazing! "The Wizard" and "NIB" feature vocals by Alex Marrero, "Hand Of Doom" features Alex Maas", and "Planet Caravan" has vocals by David Jimenez – and other tracks include "Iron Man", "Black Sabbath" and "Into The Void". CD

Partial matches4
CD, LP, Vinyl record album cover art
Duke EllingtonDuke Ellington Meets Coleman Hawkins/Duke Ellington & John Coltrane ... CD CD format
Impulse, 1962. Used ... $6.99
2 great albums from '62 by Duke Ellington in a single package! Duke Ellington Meets Coleman Hawkins is, you guessed it, the meeting of two classic talents late in their careers – in a setting that's ideal to bring out all the complexity of their well-honed genius! The approach of the album is mostly an Ellington one – as the group features some of Duke's stalwarts, like Ray Nance, Johnny Hodges, Harry Carney, Lawrence Brown, and Aaron Bell – but Coleman Hawkins gets plenty of space as the main soloist on each number, alongside Duke, who also solos strongly on piano! As with most later records by the players, the writing is great – with a lot more dark moments than you'd expect – and titles include "The Rictic", "You Dirty Dog", "Limbo Jazz", "Wanderlust", and "Self Portrait Of The Bean". Duke Ellington And John Coletrane is the seminal meeting of the old and new generations of jazz in the 60s – put together in perfect Impulse fashion! At some level, this is actually an early 60s John Coltrane Quartet album – with Duke Ellington sitting in for McCoy Tyner on piano, as that's the lineup on about half of the album – tracks that feature Coltrane on tenor, Elvin Jones on drums, and Jimmy Garrison on bass, all working with Ellington on the keys. On other titles, though, the album features Coltrane playing with a Duke-ish trio that has Aaron Bell on bass and Sam Woodyard on drums – slightly less modern, but with a nice sense of depth throughout! Overall, the the record does a great job of balancing between the best talents of both players – and titles include "Big Nick", "The Feeling Of Jazz", "Take The Coltrane", and "My Little Brown Book". CD

Partial matches5
CD, LP, Vinyl record album cover art
Stan Getz QuintetBirdland Sessions 1952 ... CD CD format
Fresh Sound (Spain), 1952. Used ... $9.99
The mighty Stan Getz – recorded in one of his greatest settings of the early 50s! The CD brings together 3 different live performances from the year 1952 – all of them featuring Stan in the company of guitarist Jimmy Raney, a key partner in crime during the time – working in quintet formation with other players that include Horace Silver or Duke Jordan on piano, Charles Mingus or Gene Ramey on bass, and Connie Kay or Phil Brown on drums. The recording quality is pretty good for the time and the liveness of the set, and there's a number of tracks that push past the 5 minute mark, with a more open sound than the Getz/Raney studio recordings. Titles include "Potter's Luck", "Parker 51", "Long Island Sound", "Yesterdays", "Spotlite", "The Song Is You", and "Move". CD

Partial matches6
CD, LP, Vinyl record album cover art
Jon HendricksEvolution Of The Blues Song ... LP LP format
Columbia, Early 60s. Near Mint- ... $14.99
An early concept album from the great Jon Hendricks – one that tells the story of blues through jazz – all put together as a flowing story in music! Jon speaks and sings the whole tale – but also gets some help on vocals from Big Miller, Hanna Dean, and Jimmy Witherspoon – as well as great musical backing from the core Ike Isaac Trio, with solos by Pony Poindexter and Ben Webster! The music is mostly rooted in blues, but with a hipper jazz sensibility – almost in the way that Oscar Brown Jr and others were going back to the roots, but updating them for the 60s. Titles include "WPA Blues", "Sometimes I Feel Like A Motherless Child", "New Orleans", "I Had My Share", "Jumpin With Symphony Sid", and "Please Send Me Someone To Love". LP, Vinyl record album
(6 eye pressing with deep groove. Cover has half split seams.)

Partial matches7
CD, LP, Vinyl record album cover art
John Lee Hooker, Albert King, & OthersKing Strings – King/Federal/DeLuxe Guitar Grooves 1949 to 1962 (180 gram pressing) ... LP LP format
King/Sundazed, 1950s/Early 60s. New Copy ... $19.99 21.98
Guitar-heavy genius from one of the most important labels of the postwar years – the legendary King Records, home to James Brown and a heck of a lot of other great musicians too! This package focuses on the contributions that King made towards revolutionizing the sound of the electric guitar in the 50s – and chooses an ultra-hip batch of tracks that range from blues to R&B, and really come across with a hell of a lot of fire all these many years later! A few cuts have vocals, the rest are all instrumentals – and the tracks either feature a key guitarist as a leader, or groups that have a crucial electric player in the lineup. Titles include "San Ho Zay" by Freddie King, "Let's Rock" by Johnny Otis with Johnny Guitar Watson, "Dyna Flow" by Albert King, "Steam Roller" by Mickey Baker, "Louisiana Hop" by Pete Guitar Lewis, "After Hours" by Jimmy Nolen, "Stomp Boogie" by Texas Slim, "Space Guitar" by Young John Watson, "Floyd's Guitar Blues" by Bill Doggett, "Gainesville" by Roy Gaines, and "The Big Push" by Cal Green. LP, Vinyl record album
(Great heavy vinyl – with bonus insert too!)

Partial matches8
CD, LP, Vinyl record album cover art
Milt JacksonVibrations ... LP LP format
Atlantic, 1964. Very Good+ ... $6.99
While we have never really gone nuts for much of the MJQ's recorded work, Milt Jackson's recordings as a leader outside the group had a more soulful approach than the colder MJQ albums. This set for Atlantic features players like Jimmy Heath and Tommy Flanagan alongside Milt, and has nice buoyant feel throughout, as they run through some nice bop versions of standards and blues. Includes the title track, plus "Sweet Georgia Brown", "Algo Bueno", "Mallets Towards None" and 4 more. LP, Vinyl record album
(Red & purple label pressing. Cover has corner wear.)

Partial matches9
CD, LP, Vinyl record album cover art
JBs InternationalJam II Disco Fever ... CD CD format
Polydor (Japan), 1978. New Copy ... $13.99
A different groove than usual from The JBs – but still pretty darn nice, and way better than just about all the other funky combos on the market! It's the late 70s, and James Brown's head is a bit addled – he thinks he's the guy who invented disco, and he starts turning his extended funky sound towards the clubs. By this point, Fred and Maceo had left him, so he's working here with a new version of the JBs, one that still includes Jimmy Nolan on guitar and Sinclair Pickney on sax – and although the new band's not the same as the old, they're a surprisingly good funk band nonetheless, and the album's still more of a funk album than you'd guess from the title. In fact, if the record didn't have JBs in the title, most folks would probably thing it was some great lost band! Lots of uptempo funk tracks, similar to those on James' albums from the time – and Martha & The Lazers sing vocals on a few tracks. Titles include "JBs Disco", "Night Train Disco", "A Little Bit Of Disco", and "Soul Of The Disco". CD

Partial matches10
CD, LP, Vinyl record album cover art
Quincy JonesQuincy Jones Plays Hip Hits ... LP LP format
Mercury, 1963. Very Good+ ... $6.99
One of Quincy Jones' best for Mercury Records in the 60s – a very groovy record that was done with a feel that's somewhere in between his Big Band Bossa album and his best 60s soundtrack work! The format is simple – Quincy picks a sweet batch of jazz semi-hits from the early 60s, plays them with a nice mix of soul jazz arrangements, and works with a great ensemble filled with wonderful players – including Roland Kirk, Budd Johnson, Seldon Powell, James Moody, and Jerome Richardson on reeds; Lalo Schifrin and Patti Brown on piano, Jim Hall on guitar, Clark Terry on trumpet, and Melba Liston on trombone – plus lots of great percussion at the bottom, helping bring some Latin energy to the grooves at points. Tunes are familiar, but all given a great Quincy Jones twist – and titles include "Gravy Waltz", "Jive Samba", "Walk On The Wild Side", "Bossa Nova USA", and "Watermelon Man". LP, Vinyl record album
(Black label mono pressing with deep groove.)

Partial matches11
CD, LP, Vinyl record album cover art
Henry ManciniBig Latin Band Of Henry Mancini/Latin Sound Of Henry Mancini ... CD CD format
RCA/Vocalion (UK), 1965/1968. New Copy ... $16.99
2 great albums of Latiny tunes from Henry Mancini! The Big Latin Band Of Henry Mancini features a very hip lineup of west coast jazzmen – including Bud Shank and Tom Scott on reeds, Buddy Childers and Pete Candoli on trumpets, Ray Brown on acoustic bass, Max Bennett on fender bass, Larry Bunker on percussion, and Shelly Manne on drums. The rhythms have a great mix of Latin influences and Mancini magic, the kind of grooves you'd hear on his 60s soundtracks at the time, and the vibe is nice and relaxed. It's a bit more upbeat than bossa, but not as all-out as other RCA Latin sessions – thanks to Mancini's nice sense of warmth and space in the arrangements. Titles include some pretty darn cool takes on "Mission Impossible", "Fistful Of Dollars", "Magnificent Seven", "Touch Of Evil", and "Springtime For Hitler", from the film The Producers. Other titles include "Patricia", "Zacatecas", and "Las Cruces". The Latin Sound record is a gem from a few years earlier – with some great arrangements by Mancini! The album's less a straight Latin date than it is a new approach to the grooves Henry was laying down on his 60s soundtracks – a mix of bossa and cha cha-inspired themes that sparkle wonderfully with warm jazzy touches from a host of LA players who include Dick Nash on trombone, Harry Klee on flute, Ted Nash on alto and tenor, Jimmy Rowles on piano, Laurindo Almeida on guitar, and Gene Garf on organ – all working beautifully under Mancini's direction, with a sound that's both tight and relaxed at the same time! Lots of tracks have some nice groovy organ, which gives the arrangements a cool lively sound – and titles include "Preciosa", "Baia", "Carnavalito", "Quiet Nights Of Quiet Stars", "Tico Tico", and the nice "Senor Peter Gunn", a Latin remake of Mancini's big hit! CD

Partial matches12
CD, LP, Vinyl record album cover art
Anthony OrtegaNew Dance (plus Permutations) ... CD CD format
Revelation/Hatology (Switzerland), 1966/1967. Used ... $11.99
One of the clearest moments of brilliance ever from saxophonist Anthony Ortega – an album that should stand as one of THE avant jazz albums of the 60s, but which is sadly often overlooked! Although Ortega first rose to fame quickly in the 50s, his talents were often used in larger backing ensembles and studio work in the 60s – and this rare date for Revelation Records is one of the few times he got to express himself freely in the studio – bursting out with a free sense of expression and energy that lies somewhere in the space between Jimmy Giuffre, Marion Brown, and Anthony Braxton! The setting is free, but Ortega often shows a Giuffre-like sense of rhythm and timing, even at the sparest moments – and the rasp in his tone recalls the gentle soulfulness of Brown at his most expressive – touched by some of the greater complexities of Braxton's early approach to the sound of the alto. Accompaniment is by Bobby West on bass and Bill Goodwin on drums on some numbers – and simply by Chuck Domanico on bass on others. CD features both the New Dance and Permutations LPs for Revelation – with titles that include "New Dance 1 & 2", "Tis Autumn", "My Buddy", "G The Key", "I Love You", "Conversation Piece", "Sentimentalize", and "Shadow Of Your Smile" – played like you've never heard before! CD
(Out of print early pressing.)

Partial matches13
CD, LP, Vinyl record album cover art
Anthony OrtegaNew Dance! ... LP LP format
Revelation, 1967. Very Good ... $19.99
One of the clearest moments of brilliance ever from saxophonist Anthony Ortega – an album that should stand as one of THE avant jazz sessions of the 60s, but which is sadly often overlooked! Although Ortega first rose to fame quickly in the 50s, his talents were often used in larger backing ensembles and studio work in the 60s – and this rare date for Revelation Records is one of the few times he got to express himself freely in the studio – bursting out with a free sense of expression and energy that lies somewhere in the space between Jimmy Giuffre, Marion Brown, and Anthony Braxton! The setting is free, but Ortega often shows a Giuffre-like sense of rhythm and timing, even at the sparest moments – and the rasp in his tone recalls the gentle soulfulness of Brown at his most expressive – touched by some of the greater complexities of Braxton's early approach to the sound of the alto. Accompaniment is by Bobby West on bass and Bill Goodwin on drums on some numbers – and simply by Chuck Domanico on bass on others. LP, Vinyl record album
(Original white label pressing. Cover has small seam splits, some wear, with a name in pen and small stain on back.)

Partial matches14
CD, LP, Vinyl record album cover art
Rob Base & DJ E-Z RockIt Takes Two ... LP LP format
Profile, 1988. Very Good ... $7.99
This might not be the most important or vital album in the history of hip hop – but it's got some indistibutable, unstoppable party jams all the same! "It Takes Two" will always be guaranteed to rock any party – and if Rob Base on the mic isn't anything to write home about, at the time Profile dropped this album, even the Jimmy Castor, ESG and James Brown samples weren't totally played out – and still sound great today. Given the sort of tracks that pollute the radio airwaves under the guise of hip hop these days, this is a respectable, if commercial rap album. 10 tracks in all, also includes the hit "Joy & Pain", plus "Make It Hot", "Check This Out" and "Get On The Dance Floor". LP, Vinyl record album
(White label promo.)

Partial matches15
CD, LP, Vinyl record album cover art
Jimmy RowlesKinda Groovy ... LP LP format
Capitol, Early 60s. Very Good ... $13.99
Kinda Groovy, indeed – one of Jimmy Rowles' most interesting records, as it also features the pianist singing a bit, too – in that raspy voice of his we find totally charming! Other players include Howard Roberts on guitar, Max Bennett on bass, and Shelly Manne on drums – and titles include "Your Mind Is On Vacation", "I Can't Resist You", "Me & You", "A Porter's Love Song To A Chambermaid", and "Miss Brown To You". LP, Vinyl record album
(Side 1 has a mark that clicks a bit on track five. Cover has some staining, light wear, and a bit of sticker residue.)

Partial matches16
CD, LP, Vinyl record album cover art
Pee Wee RussellAsk Me Now! ... LP LP format
Impulse, 1965. Near Mint- Gatefold ... $11.99
A record that will blow your mind – way different than you might expect from the cover! Sure, Pee Wee was a bit of a traditionalist on his instrument – the clarinet – but he's working here in a starkly modern way that almost recalls some of the best 50s work of Jimmy Guiffre, or some of the earlier sides by Steve Lacy. There's still a swing-based approach to the tunes, but they're handled in a spare style that features equal interplay between Russell, trombonist Marshall Brown, bassist Russell George, and drummer Ronnie Bedford – a great player who really makes the album sparkle! The tracks include a couple of Thelonious Monk titles – "Ask Me Now!" and "Hackensack" as well as a couple of Marshall Brown originals – "Licorice Stick" and "Calypso Walk". Other titles are Ornette Coleman's "Turnaround", Coltrane's "Some Other Blues" and Ellington's "Prelude To A Kiss". LP, Vinyl record album
(Rainbow label pressing. Cover has a drill hole.)

Partial matches17
CD, LP, Vinyl record album cover art
New Bob Ray Sanders/Calvin LittlejohnCalvin Littlejohn – Portrait Of A Community In Black & White (hardcover) ... Book Book
TCU Press, 2009. New Copy ... $6.99 29.95
A treasure trove of vintage photos from Calvin Littlejohn – an important African-American photographer in the Fort Worth area in the years before Civil Rights – and one with a great eye for capturing a special moment of unique scene! The images here are all black and white, but paint a very colorful picture of Texas during the Jim Crow years – a separate society of music venues, schools, churches, homes, and businesses – brought to life in photos from the late 40s through the early 70s. Almost all of the images feature residents of the area, but the settings are very conscious of the local spaces as well – and some of the subjects include Ruth Brown, Jackie Robinson, Paul Robeson, Ella Fitzgerald, Oscar Peterson, and Illinois Jacquet. 202 pages, hardcover, and oversized – with lots of black and white images. Book

Partial matches18
CD, LP, Vinyl record album cover art
Shirley ScottRoll 'Em – Shirley Scott Plays The Big Bands ... CD CD format
Impulse/GRP, Mid 60s. Used ... $14.99
Despite a title that might make you think otherwise, this is actually a pretty darn groovy session, one that features Shirley wailing away on the organ, with big Oliver Nelson arrangements behind her – in a style that's similar to Nelson's work on Verve with Jimmy Smith. The set list features tracks that were made big by the bands in the old days, but Shirley and Oliver turn them into sparkling little 60s groovers, thanks to some good arrangements, and to some nice players in the group. Titles include "Tippin In", "Roll 'Em", "For Dancers Only", "Little Brown Jug", "Sophisticated Swing", and "Things Ain't What They Used To Be". CD
(Out of print. Barcode has some marker. CD has a name written in marker.)

Partial matches19
CD, LP, Vinyl record album cover art
Jimmy SmithAt Club Baby Grand Vol 1 (Japanese pressing) ... CD CD format
Blue Note (Japan), 1956. Used ... $9.99
Jimmy Smith heard in the kind of setting that spawned him – playing live at Delaware's Club Baby Grand – just the sort of smoky little jazz room that initially fostered his talents! The liveness of the set brings a really nice edge to the album – a sound that's grittier than some of Jimmy Smith's studio work of the early Blue Note years – and which features him really stretching out on the Hammond, taking close to 10 minutes to run through each tune – and that's saying a lot, given that there's hardly any other soloists! The rest of the group features Thornel Schwartz on guitar and Donald Bailey on drums – and tracks on this first volume include "Sweet Georgia Brown", "Where Or When", "Rosetta", and "The Preacher". CD
(Includes obi.)

Partial matches20
CD, LP, Vinyl record album cover art
Jimmy SmithBucket ... LP LP format
Blue Note, 1963. Good+ ... $9.99
One of the last Jimmy Smith albums for Blue Note, and a tasty trio session that features Quentin Warren on guitar and Donald Baily on drums. The tracks are short, but very groovy – with a tighter sound than on some of Smith's other Blue Note trio albums, and the same kind of in-the-pocket sound that made his Crazy Baby album a big hit. Includes a very groovy remake of "John Brown's Body", the original groovers "Bucket" and "Sassy Mae", and a nice modal tune called "3 For 4". LP, Vinyl record album
(New York mono pressing, with Van Gelder stamp. Cover has some stains and a large center split on the top seam.)
 
 
 



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