"This here is the victory lap," raps Hov midway through The Black Album, his supposed career-capper (for this stage, anyway), and if nothing here immediately dazzles us to the core the way the best of his past singles have done, overall this is probably the most consistent front-to-back listen of all his albums. One of the nicest things about the Black Album is the brevity. As tight as the best of his recent output has been over the last couple of years – from singles, to album tracks, to guest spots – Jay-Z's simply been TOO productive, which has diluted the overall power of his presence. That issue is addressed right off the bat here – with a very manageable 14 tracks, no guest rhymers, and a consistent overall sound and mood thanks in part to strong production by Kanye West, 9th Wonder, Neptunes, Timbaland, Eminem (who's baroque synth productions are getting dangerously close to going stale, but it fits Jay-Z's dramatic finale theme very well), Rick Rubin and DJ Quik. It's a wildly disparate cast behind the boards, but this thing flows incredibly well thanks to Jay-Z's predetermined mission to make a great album, not just a hot record. We may still have to lean towards Blueprint as his late masterpiece, but this is way up there. "December 4th", "What More Can I Say?", "Encore", "Change Clothes", "Dirt Off Your Shoulder", "Threat", "Moment Of Clarity", "99 Problems", "Justify My Thug", "Lucifer", "Allure", "My First Song", and a couple of brief interludes. LP, Vinyl record album

"This here is the victory lap," raps Hov midway through The Black Album, probably the most consistent front-to-back listen of all his albums. One of the nicest things about the Black Album is the brevity – with a very manageable 14 tracks, no guest rhymers, and a consistent overall sound and mood thanks in part to strong production by Kanye West, 9th Wonder, Neptunes, Timbaland, Eminem, Rick Rubin and DJ Quik. It's a wildly disparate cast behind the boards, but this thing flows incredibly well thanks to Jay-Z's predetermined mission to make a great album, not just a hot record. We may still have to lean towards Blueprint as his late masterpiece, but this is way up there. "December 4th", "What More Can I Say?", "Encore", "Change Clothes", "Dirt Off Your Shoulder", "Threat", "Moment Of Clarity", "99 Problems", "Justify My Thug", "Lucifer", "Allure", "My First Song", and a couple of brief interludes. LP, Vinyl record album

"This here is the victory lap," raps Hov midway through The Black Album, probably the most consistent front-to-back listen of all his albums. One of the nicest things about the Black Album is the brevity – with a very manageable 14 tracks, no guest rhymers, and a consistent overall sound and mood thanks in part to strong production by Kanye West, 9th Wonder, Neptunes, Timbaland, Eminem, Rick Rubin and DJ Quik. It's a wildly disparate cast behind the boards, but this thing flows incredibly well thanks to Jay-Z's predetermined mission to make a great album, not just a hot record. We may still have to lean towards Blueprint as his late masterpiece, but this is way up there. "December 4th", "What More Can I Say?", "Encore", "Change Clothes", "Dirt Off Your Shoulder", "Threat", "Moment Of Clarity", "99 Problems", "Justify My Thug", "Lucifer", "Allure", "My First Song", and a couple of brief interludes. LP, Vinyl record album

... CD

... 12-inch, Vinyl record

... CD

Titles include "Livin Above Your Head", "I'll Remember You", "The Grass Will Sing", "Baby Come Home", "Stop The Cock", "The Sun Ain't Gonna Shine Anymore", and "Too Many Times Diana". LP, Vinyl record album

... LP, Vinyl record album

A heck of a comeback for Jay-Z – and a record that definitely stands as the blueprint promised in the title – not just for Jay-Z's career in years to come, but also for that of Kanye West and Just Blaze – who both contribute key work here on the production tip! The set's a long one, but it's also very focused – not padded out with lots of skits, party tracks, or guest appearances (only one feature on the whole thing – with Eminem) – and instead really bringing back a level of lyrical skill that Jay-Z had been lagging a bit on previous albums. Certainly a great start to a decade of renewed importance – with titles that include "Takeover", "The Ruler's Back", "Izzo (HOVA)", "Girls Girls Girls", "U Don't Know", "Heart Of The City (Ain't No Love)", "Renegade", "Blueprint", "Hola Hovito", and "Song Cry". LP, Vinyl record album

With Bill Black's Combo. 7-inch, Vinyl record

An important early 90s moment for Run DMC – as the set has one of the first big major hip hop acts of the 80s, retuning themselves slightly for the new decade – in part by opening the door to added guests and producers for the record! The core energy that makes the trio so great is still very firmly in place – including inventive work on the turntables from Jam Master Jay – who produces here too, alongside Pete Rock, Jermain Dupri, EPMD, and Q-Tip too. Titles include the great title track, "Down With The King" – plus "Come On Everybody", "Can I Get It Yo", "Hit Em Hard", "Big Willie", "In The House", "Wreck Shop", "Can I Get A Witness", "Get Open", "What's Next", and "3 In The Head". LP, Vinyl record album

A great set of tracks that features Wayne's early work as a leader – all recorded for the Vee Jay label, either under his name, or with the Young Lions group. The material is fantastic, and is proof that even as a youngster, Wayne was one of jazz's best writers and players. Titles include "Seeds Of Sin", "Powder Keg", "Black Diamond", "Dead End", "Wayning Moments", "Down In The Depths", and "Moon Of Manakoora". Great stuff that we never see on vinyl anymore! LP, Vinyl record album

Screamin Jay Hawkins is best-remembered for his crazy R&B tune "I Put A Spell On You" – a wild track from the postwar years – and it turns out that the man himself has had a life that's equally wild over the years, served up here by author Steve Bergsman, pulled from hundreds of interviews with Hawkins, bandmates, and family members too! Screamin Jay would often spin plenty of tales about himself – which can make telling the truth a difficult task – and rather that completely focus on that challenge, the book instead enjoys the play between fact and fiction, life and legend, and really revels in the larger-than-life quality of Hawkins! Book is 252 pages, softcover, with some color images, and a lot more black and white images. Book

A great run of music from Jimmy Lyons – some of his most important albums as a leader! First up is Wee Sneezawee – the kind of work that makes you love the Black Saint label for giving players like Jimmy Lyons a chance to still express themselves this way! Lyons is in wonderful form throughout – blowing with all the sharp tones that you'd know from his work with Cecil Taylor, but also bringing in a bit more structure too – kind of shaping a coherent sound out of an infinite array of possible actions – any of which seem possible at any moment, given the dynamic energy of the group! Other players include William Parker on bass, Paul Murphy on drums, Karen Borca on bassoon, and Raphe Malik on trumpet – and tracks include "Wee Sneezawee", "Gossip", "Shackinback", "Remembrance", and "Driads". On Give It Up, Jimmy Lyons is wonderful, but equally great is trumpeter Enrico Rava – whose bold tones on the record easily match those of Lyons in terms of energy and inventiveness! The format is relatively free – although some tunes have a bit of an inside swing, at least more so than Lyons' work with Cecil Taylor – and other players include Karen Borca on bassoon, Jay Oliver on bass, and Paul Murphy on drums. Titles include the long workouts "Methods", "Never", and "Give It Up" – plus the shorter tune "Ballada". Burnt Offering features great duets between Jimmy Lyons on alto and Andrew Cyrille on percussion – and titles include "Popp A", "Exotique", and "Burnt Offering". Nuba is a compelling collaboration between percussionist Andrew Cyrille, vocalist Jeanne Lee, and alto saxophonist Jimmy Lyons – one of the freer sessions on the Black Saint label, and one of the most striking as well! Cyrille handles a wide range of percussion – and also a few whistles too – and he really sets the tone with his open, expressive approach to his instruments – almost more melodic at points than rhythmic, with echoes of African roots that come through more strongly than on some of his other albums. Most numbers are pretty spare, and titles include "Nuba 1", "Cornbread Picnic (Maize)", "The One Before Zero", "JJ & A", "In These Last Days", "Sorry", and "Nuba 2". Something In Return is another set of duets between Lyns and Andrew Cyrille! While working in Cecil Taylor's group, Cyrille and Lyons developed a wonderful interplay and dynamic, which can be felt in full effect on this wonderful duo recording, where they approach mostly original material, but also take on Strayhorn's "Take The A Train". Also includes the title track "Lorry", "JL", "Nuba" and "Fragments I". CD

Classic collection of Jimmy's hard rockin' R&B for Vee Jay, with a dozen great stompers from Reed: "Baby What You Want Me To Do", "Hush Hush", "Found Love", "Honest I Do", "You Got Me Dizzy", "Take Out Some Insurance", "You Don't Have To Go", "Big Boss Man", "Boogie In The Dark", "Going To New York", "Ain't That Lovin' Baby" and "The Sun Is Shining". LP, Vinyl record album

... LP, Vinyl record album

Includes music by Mahalia Jackson, The Trumpeteers, Roberta Martin Singers, Famous Blue Jay Singers of Birmingham, Angelic Gospel Singers, Golden Gate Jubilee Quartet, Georgia Peach & Her Gospel Singers, the Soul Stirrers, Swan Silvertones, Shirley Caesar, and more – 18 tracks in all! CD

Excellent live material from one of the greatest gospel groups on Vee Jay Records – a legendary lineup that includes the voices of Albertina Walker, Shirley Ceasar, and Cassietta George! LP, Vinyl record album

... 7-inch, Vinyl record

... 7-inch, Vinyl record

The legendary John Lee Hooker, heard here in one of his more obscure recordings from the late 50s – at least in contrast to his famous sides for Vee Jay Records! This set's an unusual date – recorded in Detroit, despite the claim of the title – and featuring Hooker on acoustic guitar and vocals, without any other instrumentation at all – pitched much more towards the growing folk blues scene than some of his more familiar Chicago recordings. Tracks are short, but pack plenty of punch – and titles include "Black Snake", "I Rowed A Little Boat", "Bundle Up & Go", "Behind The Plow", "Water Boy", "Tupelo Blues", and "Pea Vine Special". CD

Leave it to career iconoclast Nas to declare Hip Hop Is Dead on his Def Jam debut – a defiantly straight up hip hop record that's one of the leanest full lengths he's delivered since his abbreviated debut masterpiece! Hip Hop Is Dead, not surprisingly, is actually a very lively LP – and it's tried-and-true hip hop – another in Nas's strong series of subsequent LPs of the 00s. Nas once released a perfect piece of work – something very few artists in any idiom ever do – setting up a nearly impossible standard to live up to, but, Hip Hop Is Dead is well worth your time. Production by Salaam Remi (natch), LES, Kanye West, Scott Storch (who delivers a Kanye-like sound on one cut) and others. Titles include "Money Over Bullsh*t", "You Can't Kill Me", "Carry On Tradition", "Hip Hop Is Dead" feat Will I Am, "Black Republican?" feat Jay Z, "Not Going Back" feat Kelis, "Still Dreamin" feat Kanye West & Chrisette Michelle, "Hold Down The Block", "Blunt Ashes", "Play On Playa", "Where Are They Now?", "Let There Be Light" feat Tre Williams, "Hustlers" feat The Game & Marsha Ambrosious and more. CD

A really no-holds-barred look at contemporary hip hop – one that focuses on the way the music continually deals with topics of death, and in a way that's very different than more mainstream concepts that would be found in white America. The author uses Afropessimism and black moralism to focus his concepts – but also brings them down to earth through an examination of the music of Jay Z, Kendrick Lamar, and other artists – showing the way that in contemporary hip hop, the line between death and life often becomes blurred. The book is highly theoretical, but in a way that really opens up the music – and is definitely not your typical book on hip hop! Softcover edition is 229 pages. Book

A great collaboration between Perez Prado and trumpeter Shorty Rogers – one in which Rogers' solos sparkle brilliantly over the top of Perez's tight Latin rhythms – all in a style that's as moody as it is evocative and rhythmic! Side one features the extended "Voodoo Suite" – a side-long track that builds nicely on rootsy Latin rhythms that are much freer than Prado's pop work of the 50s – and which features a growing jazz horizon at the edges, filled with players who include Bud Shank on alto and flute, Bob Cooper on tenor, Shelly Manne on drums, and Pete Candoli on trumpet – in a larger section underneath Shorty Rogers' solos. Side two features shorter tracks recorded a year later – a bit more in the standard Prado mode, but still with a really dynamic feel, and contributions from jazz players like Candoli and Rolf Erikson on trumpets, Willie Maiden on tenor, and Jay Hill on trombone. Titles include "Music Makers", "In The Mood", "St. James Infirmary", and "Jumpin At The Woodside". LP, Vinyl record album

Slick Rick's first solo album – one of the vital early front-to-back hip hop albums of the late 80s Def Jam prime era – and up there with the best ever! MC Ricky D introduced the world to a whole new rap style on Doug E Fresh's "The Show" and by the time this album dropped the world was more than ready for a full set of his unique flow. There's no other voice like Slick Rick's, with a skewed sense of humor even at it's most profane, which makes it all the more disarming when he gets serious for a minute. He proves himself the master of the storytelling rap of the period, and the Hank Shocklee, Eric Sadler and Jam Master Jay production is top tier, too. Includes "Treat Her Like A Prostitute", "Children's Story", "The Ruler's Back", "Mona Lisa", "Hey Young World", "Teenage Love" and more. Remastered 30th Anniversary edition – classic original tracklist on 2LPs! LP, Vinyl record album

A classic series of field recordings – done for Nonesuch by Stephen Jay, and recorded in Niger, Mali, and Upper Volta regions. Titles include "Kountougi Solo", "Djerma Dundun Drummers", "Tuareg Medicinal Chant", "Kouco Solo", "Songhay Kombi & Ettebel", and "Hausa Street Music". LP, Vinyl record album

A massive batch of righteous soul – plus sound bites and calls to action by some of the most pivotal voices of the era! This collection aims to be the soundtrack of an era that called for a revolution, and if the movement didn't wholly ingratiate into American culture, the passion and the music certainly did! The set features well known numbers mixed with some relatively lesser known numbers, together with some of the most fiery dialogue from icons of the Black Power movement. Tracks include "You're The Man" (parts I & II) by Marvin Gaye, "Let's Clean Up The Ghetto" by Philadelphia International All Stars, "Right On" by Sons Of Slum, "Tell It Like It Is" by SOUL, "Give The People What They Want" by the O'Jays, "Blackenized" by Hank Ballard, "The Revolution Will Not Be Televised by Gil Scott-Heron, "My People. . .Hold On" by Eddie Kendricks, "I Am Somebody" (Part 2) by Johnnie Taylor, "We Got More Soul" by Dyke & The Blazers and tons more, plus sound bites by Huey Newton, Kathleen Cleaver, Stokely Carmichael, H Rap Brown and Malcolm X. 38 tracks on two CDs! CD

A beautiful look at imagined communities in many forms – tracing a legacy through black intellectual life of the 19th century to creative production of the 20th and beyond – with a special focus on the creations of Sojourner Truth, Sun Ra, Octavia Butler, Alice Coltrane, Rebecca Cox Jackson, and Samuel R Delaney – mixing fiction, music, and other work to examine the role of utopia in black intellectual history. Jayna Brown's approach is part history and part literary criticism – but also fully absorbs its influences with an understanding that goes far past gloss and style, to really get at the importance of imagination within a larger political and social context. 212 pages, softcover, with some black and white images. Book

Early work from The O'Jays – done before their huge rise to fame in the early 70s on Philadelphia International, but issued in a super-pimp cover that has a image of all these hot chicks with guns, standing in a very blacksploitation pose! Clearly, this was an issue that was put on the markets to cash in on the group's early 70s fame – but the record contains mostly material from the late 60s early 70s indie years, most issued as singles, with production by Bobby Massey and HB Barnum – and a rawer sound that really highlights their great vocal interplay. The work's actually pretty great, despite the cheap trick of the cover – and the album includes lots of nice numbers like "Little Brother", "Now He's Home", "Gotta Get My Broom Out", "Never Gonna Say Goodbye", and "Peace". LP, Vinyl record album

Righteous poetry and jazz from Eugene Redmond – aka Illu Gan Gan – a very spiritual figure from the early 70s Bay Area scene! The album was recorded live in the studio, in a style that has Redmond introducing his work, then moving into dramatic recitations backed up by small combo jazz instrumentation that includes guitar, percussion, and soprano sax. The feel is open and free, almost an African-American take on the beat poetry style of late 50s San Francisco – but with themes that are more righteous, and a bad-talking style that puts the record in the same sphere as contemporaneous work by Camille Yarbrough, Jayne Cortez, Wanda Robinson, and even Iceberg Slim. Titles include "Hummin Hookin & Cookin", "Sun Ritual", "Epigrams For My Father", "River Of Bones & Flesh & Blood", "The Edge Of Myself", and "All Athighed In Black". LP, Vinyl record album

A legendary sound library set from the 70s Italian scene – exactly the kind of record that got so many folks digging for sound library funk so many years ago! The record's a masterpiece of funky rhythms, jazzy instrumentation, and warmer touches – served up with plenty of Fender Rhodes in the mix, plus sweet flute lines, wah wah guitar, and just the right use of strings to give the whole thing almost a blacksploitation vibe at times! The set was billed to the team of Jay Richford and Gary Stevan – but it's actually the product of better-known sound library maestros Sandro Brugnolini and Stefano Torossi, who work here at a level that's at the top of their powers. There's almost a cop/crime vibe to the record at times – and although some instruments solo at points, the real groove lies in the tight vamping of the orchestra – which hits all the right notes to really send the whole thing soaring – often with a nice use of tone and color too! Titles include "Flying High", "Fearing Much", "Going Home", "Running Fast", "Walking In The Dark", and "Feeling Tense". LP, Vinyl record album

An early hummer from one of the hardest male/female soul acts next to Ike & Tina Turner, but listed here under Inez's name. Inez & Charlie scored super big with their hit "Mockingbird" – the tune that kicks off this LP for a subsidiary of the Sue label – but they also had a style that could get them through a wide variety of material, grooving long past their hits, with great vocals up front, and plenty of hot guitar licks to keep the grooves rough! A dozen great numbers hee, including the title track and "Sitting Here", "Jaybirds", "The Ball Game", "Tom & Jim", "I See You My Love", "The Angels Got Together", "Broken Hearted Fool", "The Angels Got Together", "Searching For My CC", "Love Me Today" and "Talk With Me". LP, Vinyl record album

A great assortment of some of the great jazz recorded during the short-lived run of Vee Jay Records – titles that include "Exodus" by Eddie Harris, "Awful Mean" by Paul Chambers, "Wrinkles" by Wynton Kelly, "Bye Bye Blackbird" by Bill Henderson, "Hazing" by Louis Hayes, "I'm A Fool To Want You" by Lee Morgan, "Jim Dog" by Bennie Green, and "Sleepy" by The MJT + 3. LP, Vinyl record album

This is the Slums' biggest outing so far without the full participation of Jay Dee – but never fear, Jay shows up here on a few tracks, and you also get beats by Hi Tek and others. The tracks are mostly on the short side, moving the flow along at a consistent clip – and the beats are the nice kind of tight, minimal synth bumps. There's also some sweet, soulful touches not unlike the ones we love so much on the best Blackalicious tracks. Pure hip hop that sounds comfortably new, but without any concessions to current trends! Tracks include "Tainted" and "Star" with Dwele, "Insane", "Slumber", "Let's", "S.O.U.L.", "Love U Hate", "Unisex", "La La", "All-Ta-Ment", "Get Live", "What Is This", "Hoes", "Disco", "Fall In Love", and more. 23 in all, including skits and interludes. LP, Vinyl record album

... 12-inch, Vinyl record

A pair of 70s gems from Harold Melvin & The Blue Notes! Black & Blue is classic Philly soul from Harold Melvin & The Blue Notes – a killer batch of studio tracks, despite the live image of the group on the cover! The album's got a slightly more expansive feel than some of the other Teddy Pendergrass-era albums by The Blue Notes – almost a mini-symphony of soul, and one that takes arrangements from Bobby Martin, Norman Harris, and Vince Montana – and wraps the vocals up in a soaring, righteous sort of feel! The rougher, more personal Teddy Pendergrass style of I Miss You is folded a bit more into the harmonies of the rest of the group here – and the result is a powerful wave of soul that pushes The Blue Notes right to the top of the pack. The album features classics like "The Love I Lost" and "Is There A Place For Me" – plus other nice material like "Concentrate On Me", "It All Depends On You", and "I'm Weak For You". On Wake Up Everybody, Teddy Pendergrass and crew get a bit more political than on earlier releases, and adopt the righteous bubbling soul groove that had put the O'Jays over the top a few years earlier – with incredible results! The title cut – "Wake Up Everybody" – would prove to be a great example of the political Philly International hit formula applied to socially conscious themes, but the record probably scored even bigger with the club crossover hit "Don't Leave Me This Way". Other tracks include "Keep On Lovin You", "Tell The World How I Feel About Cha Baby", "I'm Searching For A Love", and "You Know How To Make Me Feel So Good" – the latter two of which also feature female vocals by Sharon Paige. Bobby Martin, Norman Harris, and Ronnie Baker did the arrangements – and this was Teddy's last LP with the group. CD

Hmmm...we've never heard of the film, but this "soundtrack" is actually a nice Ronco compilation with a lot of groovy 70's soul cuts by both American and UK artists. Titles include "Girls" by The Moments & Whatnauts, "Dance With Me" by The Real Thing, "Living On the Dole" by The Cimarons, "Lonely I" by Lee Vanderbilt, "Darlin Darlin Baby" by The O'Jays, "Don't Leave Me This Way" by Harold Melvin & The Blue Notes, and "When Will I See You Again" by the Three Degrees. LP, Vinyl record album

Rudresh Mahanthappa on alto saxophone, Vijay Iyer on piano, Francois Moutin on acoustic bass, and Elliot Humberto Kavee on drums. CD

Tracks by Billy Paul, the Isley Brothers, Jacksons, Sly & the Family Stone, MFSB, Harold Melvin & the Blue Notes, and the O Jays. CD

A really great little set – with a very unique take on soul music! As the title indicates, the package documents the African-American response to the Vietnam War that emerged in soul singles during the late 60s and early 70s. The feel here is quite different than the raw, ragged protest of American rock at the time – and has a more helpless, disenfranchised feel that really gets at the true spirit of what most of America was going through in dealing with the war. The range of material is really great – and includes soul from the south, Chicago, LA, New York, and Philly – with a number of tunes that you may know, but have never identified strongly as anti-war, plus other great ones that you've most likely not heard! Titles include "While I'm Away" by Eddy G Giles, "POW MIA" by The Whispers, "Mail Call Time" by Mel & Tim, "Let's Face Facts" by James Carr, "Going To Viet Nam" by Big Amos, "Lonely Soldier" by Mike Williams, "He'll Be Back" by The Players, "Greetings" by The Monitors, "Christmas In Vietnam" by Johnny & Jon, "There's Someone Waiting Back Home" by The O'Jays, and "I Can't Write Left Handed" by Bill Withers. CD

The oft-covered Bob Dylan songbook never sounds so soulful – classic interpretations of Dylan's canon from a great, far reaching roster of black artists – from the the ever-stirring Staple Singers, southern soul heroes Howard Tate and OV Wright, charismatic country soul from Brook Benton, great gender role perspective flipped versions by Nina Simone and Patti LaBelle, a funky tamborine take by Con Funk Shun and much more! It's another excellent entry in the Songwriter Series from Ace Records, extra excellent in that it takes an obvious hero of 60s Songwriter – and actually pulls together songs that'll take you by surprise for their depth – whether you treasure Dylan, deep 60s & 70s solo & group R&B, funk, folk soul...or all of the above! Includes "Blowin In The Wind" by OV Wright, "Girl From The North Country" by Howard Tate, "The Man In Me" by The Persuations, "Lay lady Lay" by The Isley Brothers, "Emotionally Yours" by The O'Jays, "All Along The Watchtower" by Bobby Womack, "Maggie's Farm" by Soloman Burke, "Mr. Tamborine Man" by Con Funk Shun and more. 20 tracks in all. CD

Music from Riton, Morgan Geist, Black Strobe, Meitz, J Rawls, Jazzanova, Ursula Rucker. Ame, Ayro, Soha, John Tejada, Atjazz & Jaydee. CD

Don't like getting your fingers dusty? No problem, the folks at Strictly Breaks work hard so you don't have to! The next installment in their now famous "as sampled by . . ." series, this compilation of 31 tracks and 3 drum breaks covers a gang of material used by Nas (well, his producers actually). Loads of classic soul, jazz and funk, and each track is notated as to which song it was used in. Includes Gong "Babooji", Chris Barber "Petit Fleur", Vicki Anderson "Land Of Milk & Honey", Ahmad Jamal "I Love Music", Joe Chambers "Mind Rain", Heath Brothers "Smilin Billy Suite Pt 2", Eddie Floyd "Check Me Out", 24 Carat Black "Mommas Coming", Japanese Hair "Dead End", Love Unlimited "I'll Move You No Mountain", Blue Jays "What Do You Want", Bob James "The Sponge" and The Soul Children "Move Over". LP, Vinyl record album

A beautiful set of modern club tracks – put together with a real emphasis on soulful grooves! Most of the tracks on the set have a strong deep house vibe going on – with warm instrumentation, soulful vocals, and solid songwriting with a real focus on the feel of the overall track, not just a few effects. This is no surprise, though, as the set's put together by Lofty & Dr Bob Jones, who did such great work with the East West Connection – and the pair of them dipped into a wide range of labels from around the globe, just to come up with the perfect sound. Titles include "I Know A Place (Shades Of Black mix)" by Jaymz Nylon feat Mooney, "Latin Soul (not so Latin Sonic Soul mix)" by Turnstyle Orchestra, "Ain't No Running Away (Ricanstruction voc mix)" by Willie Washington presents Paula Ralph, "Across The Universe (full story version)" by Chari Chari, "Never Lost Faith (original mix)" by UC Heights feat Anthony Flanagan, "Universal (part 2)" by Solar House, "Still Loving You (Jii Hoo mix)" by Midnight City Soul Affair, and "Lost Tribes Of Ibadan (orixas rmx)" by Sfere. 10 tracks in all! CD

A stunning debut album from Melonyx – the duo of Georgia Copeland and Nadia Latoya, a pair we're sure are going to really be adding a lot to the world of underground soul in years to come! There's a criss-crossing of modes here that takes the sounds past that of some of their contemporary – maybe a deeper London current of cultural influences, so that soul, hip hop, and reggae elements resonate equally at many points on the record – with a crisp, cosmic quality at times that also reflects some of the more adventurous 21st Century underground soul of the US. Yet the pair are very much their own thing – and not just in the way their vocals intertwine – as you'll hear on titles that include "Melanin Queens", "Black Elixir", "Ujjayi", "Keep Stepping", "Made To Suffer", "Light Em Up", "God Is", "Soul Glow", and "Butterfly". CD

Music by Bill Black's Combo, Ace Cannon, Murry Kellum, Willie Mitchell, Gene Simmons, Charlie Rich, Jerry Jaye, Ann Peebles, Al Green, George Jackson, Otis Clay, Quiet Elegance, Syl Johnson, Phillip Mitchell, Jean Plum, and OV Wright – 24 tracks total. CD