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James Blood Ulmer Edit search Phrase match

 
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Exact matches: 8
Exact matches1
CD, LP, Vinyl record album cover art
James Blood UlmerBlue Blood ... CD
Innerhythmic, 2001. Used ... $9.99
... CD
(Out of print, penmark through barcode.)

Exact matches2
CD, LP, Vinyl record album cover art
James Blood UlmerFreelancing ... CD
Sony/Wounded Bird, 1981. New Copy ... $10.99 11.99
A major label set, but one that stays very true to the new ideals that James Blood Ulmer was trying to bring to jazz guitar at the time – a really revolutionary style that moves beyond simple genre conventions, and embraces a whole world of new ideas that would inspire others in the decade to come! Ulmer plays with a real frenzy at points – deep currents that reflect the bluesy touches of his early work in jazz organ combos, but given a skittish energy that reflects his association with the downtown crowd – and which was very fitting for his record with Rough Trade! The core group here features James, bassist Amin Ali, and drummer G Calvin Weston – and some tracks feature work from David Murray on tenor, Oliver Lake on alto, and Olu Dara on trumpet. Titles include "Timeless", "Pleasure Control", "Night Lover", "Happy Time", "Rush Hour", "Stand Up To Yourself", and "High Time". CD

Exact matches3
CD, LP, Vinyl record album cover art
James Blood UlmerMemphis Blood – The Sun Sessions ... CD
Label M, 2001. Used ... $5.99
... CD
(Out of print.)

Exact matches4
CD, LP, Vinyl record album cover art
James Blood UlmerOdyssey ... LP
Columbia, 1983. Very Good+ ... $7.99
One of our favorite Ulmer records, probably because there's a nice groove running underneath most of the numbers, in a sort of post-Prime Time 80s out-funk sort of way. It never drops into a flat out back beat, but there's always some sense of time, while Ulmer's guitar and Charles Burnham's violin venture to and fro. The group is just a trio, and there's not too much of Blood's vocalizing going on on the eight pieces, which include "Little Red House", "Are you Glad To Be In America", "Election" and "Odyssey". LP, Vinyl record album
(Cover has a name in marker & a promo stamp.)

Exact matches5
CD, LP, Vinyl record album cover art
✨✧ James Blood UlmerAre You Glad To Be In America? ... CD
DIW (Japan), 1980. Used ... Temporarily Out Of Stock
A classic bit of Black Rock from James Blood Ulmer – and a record that was issued by Rough Trade in the UK, giving it a surprising influence on the post-punk scene of the time! In a way, Ulmer's groove here has a lot of punky-funk in the mix – thanks to some heavy electric bass from Amin Ali, and tight drumming from Ronald Shannon Jackson. The horns sneak in and out of the rhythms next to Ulmer's sometimes heavy guitar work – and players include David Murray, Oliver Lake, and Olu Dara – all grooving in a frenetic sound that's a key link between the New York downtown and UK post-punk scenes! Titles include "See Through", "TV Blues", "Time Out", "Jazz Is The Teacher (Funk Is the Preacher)", "Interview", "Pressure", and "Layout". CD
(Out of print.)

Exact matches6
CD, LP, Vinyl record album cover art
✨✧ James Blood UlmerBlack & Blues ... CD
DIW (Japan), 1991. Used ... Out Of Stock
... CD
(Out of print.)

Exact matches7
CD, LP, Vinyl record album cover art
✨✧ James Blood UlmerForbidden Blues ... CD
DIW (Japan), 1998. Used ... Out Of Stock
... CD
(Out of print.)

Exact matches8
CD, LP, Vinyl record album cover art
✨✧ James Blood UlmerLive At The Bayerischer Hof ... CD
In & Out (Germany), 1994. Used ... Out Of Stock
... CD
 
Possible matches: 6
Possible matches9
CD, LP, Vinyl record album cover art
Arthur BlytheLenox Avenue Breakdown/In The Tradition/Illusions/Blythe Spirit ... CD
Columbia/BGO (UK), Late 70s/Early 80s. New Copy 2 CDs ... $14.99
Four great albums from reedman Arthur Blythe – all together in one collection! First up is Lenox Avenue Breakdown – a stunning Columbia Records debut from Blythe! At the time of the date, Blythe had already spent years working in the jazz undergrounds on both coasts – developing a searing sound on alto sax that's perfect for the focused structure of this album – almost a tone poem of sorts, offering up a portrait of the Harlem scene that was a key part of Arthur's life at the time. The sounds are sharp, but also have a sense of energy that really holds them together – guiding the players through long readings of well-penned tunes by Blythe that are filled with loads of energy and life! Players include James Newton on flute, James Blood Ulmer on guitar, Bob Stewart on tuba, Cecil McBee on bass, Jack DeJohnette on drums, and Guillermo Franco on percussion – and titles include "Odessa", "Slidin Through", "Down San Diego Way", and "Lenox Avenue Breakdown". In The Tradition is a gem – as the set represents the modern musician taking on a host of older jazz currents, while carving things out with his own special sort of soul! Half the tunes are familiar favorites, the other half originals – and Blythe moves far past his avant roots, to showcase his deep understanding of so many different shades of jazz – blowing alto beautifully throughout, in a very hip quartet that features Stanley Cowell on piano, Fred Hopkins on bass, and Steve McCall on drums! Titles include great takes on "Naima", "Jitterbug Waltz", "Caravan", and "In A Sentimental Mood" – plus the originals "Break Tune" and "Hip Dipper". Illusions is maybe the boldest of Arthur Blythe's albums for Columbia Records – as the set bristles with newly creative energy right from the start, and provides a great showcase for some of the criss-crossings of styles and rhythms that were taking place on the New York scene at the time! The lineup alone announces something special – a cool combination of James Blood Ulmer on guitar, John Hicks on piano, Fred Hopkins on bass, Abdul Wadud on cello, Bob Stewart on tuba, and Steve McCall on drums – working together in some slight variations at times, often with these angular edges that are perfectly sharpened by Arthur's amazing work on alto sax. The music's never too free, but quite outside for a major label at the time – balanced out so that it's never overindulgent at all. Titles include "Bush Baby", "Miss Nancy", "My Son Ra", and "Carespin With Mamie". Blythe Spirit is a set that showcases the never-ending growth and imagination of reedman Arthur Blythe during this fruitful period of his career – and his ability to effortlessly blend together different elements in his music – especially sides of the New York loft jazz scene, and the Chicago-based AACM! The tunes are beautiful – mostly originals, and showing a richer spirituality than even a year before – while still working in that compellingly rhythmic mode that Arthur was hitting during these years – in a lineup that features Blythe on alto, Abdul Wadud on cello, Kelvyn Bell on guitar, Steve McCall and Bobby Battle on drums, John Hicks on piano, Amina Claudine Myers on organ, and Fred Hopkins on bass. The mix of electric and acoustic elements is fantastic – very fresh, even all these many years later – and titles include "Misty", "Spirits In The Field", "Just A Closer Walk With Thee", "Reverence", and "Contemplation". CD

Possible matches10
CD, LP, Vinyl record album cover art
Larry YoungLawrence Of Newark ... LP
Perception, 1973. New Copy (reissue)... $9.99
Incredible stuff from the jazz underground of Newark! This is one of the rarest albums ever recorded by jazz organist Larry Young – cut for the tiny Perception label during the early 70s, and featuring some of the cream of the New Jersey jazz underground. The album's got playing that bridges a number of Young's different styles – from his straighter soul jazz work at Blue Note, to his harder jamming with Santana and John McLaughlin, to his more fusion oriented albums for Arista. James Blood Ulmer's on guitar, but there's also a large ensemble of excellent players, and lots of other percussion and cool instrumentation that really gives the album an "out there" sound! Titles include "Sunshine Fly Away", "Saudia", "Hello Your Quietness", and "Khalid Of Space". LP, Vinyl record album

Possible matches11
CD, LP, Vinyl record album cover art
✨✧ Ornette ColemanSoapsuds Soapsuds ... LP
Artists House, 1979. Used Gatefold ... Temporarily Out Of Stock
One of Ornette's great albums for the obscure Artists House label, and different from the one that he recorded with James Blood Ulmer, which was more of a straight-on Harmelodic work. This one's got him playing a set of tender sensitive duets with bassist and longtime accompanyist Charlie Haden. The set's far from mellow, though, and the two of them work through a great set of material that includes "Sex Spy", "Soap Suds", and the theme to "Mary Hartman, Mary Hartman"! LP, Vinyl record album
(Includes the booklet. Cover and booklet are stained on the bottom 4 inches.)

Possible matches12
CD, LP, Vinyl record album cover art
✨✧ Larry YoungLawrence Of Newark ... CD
Perception/Sequel (UK), 1973. Used ... Temporarily Out Of Stock
Incredible stuff from the jazz underground of Newark! This is one of the rarest albums ever recorded by jazz organist Larry Young – cut for the tiny Perception label during the early 70s, and featuring some of the cream of the New Jersey jazz underground. The album's got playing that bridges a number of Young's different styles – from his straighter soul jazz work at Blue Note, to his harder jamming with Santana and John McLaughlin, to his more fusion oriented albums for Arista. James Blood Ulmer's on guitar, but there's also a large ensemble of excellent players, and lots of other percussion and cool instrumentation that really gives the album an "out there" sound! Titles include "Sunshine Fly Away", "Saudia", "Hello Your Quietness", and "Khalid Of Space". CD
(Out of print.)
Also available Lawrence Of Newark ... LP 9.99

Possible matches13
CD, LP, Vinyl record album cover art
✨✧ John PattonMemphis To New York Spirit ... CD
Blue Note, 1970. Used ... Out Of Stock
A great lost album by John Patton – recorded in 1970, but not ever issued until 1995! The record was most likely held back because it's one of the funky organist's most far-reaching – a stunning batch of modal tracks that moves way past the usual organ sound, and much more into Larry Young-ish territory. A young James Blood Ulmer is on guitar, and the great (and underrecorded) Marvin Cabell plays flute, soprano, and tenor sax. Really great stuff – and most likely material that will disappear again for another 25 years! Titles include "The Mandingo", "Bloodyun", "Memphis", "Steno", and a cover of Wayne Shorter's "Footprints". CD
(Out of print.)

Possible matches14
CD, LP, Vinyl record album cover art
✨✧ David MurrayComplete Remastered Recordings On Black Saint/Soul Note Vol 3 (Interboogieology/Live At Sweet Basil 1 & 2/Children/Southern Bells/The Healer ... CD
Black Saint (Italy), 1980s. New Copy 6CD ... Out Of Stock
Music from a hugely productive period in the life of saxophonist David Murray – so much so that this is the third volume of his wonderful recordings for the Black Saint/Soul Note label – and there's no dip at all in the quality of the music! Murray was awash in new ideas at this time – and the label gave him freedom to try out so many different formats for his music – which allowed David to really deliver on the promise he first brought to jazz during the New York loft jazz years of the 70s. Albums include The Healers – a beautiful set of duets with pianist Randy Weston; Live At Sweet Basil Vols 1 & 2 – which features Murray's ultra-hip large ensemble, with Steve Coleman, Craig Harris, Olu Darla, Baikida Carroll, Butch Morris, and Fred Hopkins; Children – an unusual date with James Blood Ulmer on guitar and Don Pullen on piano; Interboogieology – which features Butch Morris on cornet and Johnny Dyani on bass; and the Southern Bell album by the Clarinet Summit – which features Murray, Alvin Batiste, John Carter, and Jimmy Hamilton. Each album comes packaged in a tiny LP-styled sleeve, too! CD
 
 
 



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