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Ides Of March Edit search Phrase match

 
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Exact matches: 2
Exact matches1
CD, LP, Vinyl record album cover art
Ides Of MarchCommon Bond ... LP
Warner, 1971. Near Mint- ... $7.99
A great second set from Ides Of March – proof that the jazz rock combo had a lot more going on than just their famous single! The sextet hailed from the same scene as early Chicago (Chicago, of course!) – and have here a sound that shares plenty of the jazzy flourishes of that better-known group – blasting trumpet lines that soar, dip, and turn alongside the more uptempo tunes, and shade in the mellower ones. But there's also a more personal approach to this set overall, one that comes from the rough vocals of James Michael Peterik and some of the surprisingly heartfelt lyrics to a few of the album's best tunes – not entirely the height of early 70s singer/songwriter material, but also not that far either. Titles include the funky "Superman", plus "LA Goodbye", "Mrs Grayson's Farm", "Friends Of Feeling", "We Are Pillows", "Freedom Sweet", and "Tie Dye Princess", an extended number that runs for over 11 minutes. LP, Vinyl record album

Exact matches2
CD, LP, Vinyl record album cover art
Ides Of MarchMidnight Oil ... LP
RCA, 1973. Near Mint- ... $1.99
A post-Warner set from Jim Peterik and the Ides Of March – with titles that include "Hot Water", "Do What You've A Mind To", "Quicksilver", "Ride The Music", "Lay Back", "Roadie Ode", and "Heavy On The Country". LP, Vinyl record album
(Cover has light wear and a cutout notch.)
 
Possible matches: 2
Possible matches3
CD, LP, Vinyl record album cover art
✨✧ John Cale & Terry RileyChurch of Anthrax ... LP
Columbia, 1970. Near Mint- ... Out Of Stock
One of those landmark meetings of mighty talents that sounds even better on record than it does on paper – as the set somehow finds this really special space that's completely between all the best early 70s modes of both Terry Riley and John Cale! Cale was really coming into his own at the time as a solo act – creating amazing records after leaving the Velvet Underground, but also still tied to the deeper art scene from which he emerged. Riley was on the way to becoming one of the most popular of the more modern composers – thanks to a nod from The Who, and a big audience for his wonderfully trippy records on Columbia. The label allowed the pair to create this really special music here – sounds that borrow from Riley's minimalism, while also having some of the darkness of Cale's own compositions – and coming across with this jagged, almost modal sort of approach that's really great. Cale only sings on one song, and the rest of the set is instrumental – as Riley plays piano, organ, and soprano sax – and Cale joins in on bass, guitar, viola, and harpsichord. The two of them groove together in these totally cool tracks that build and build, with minimal lines repeating over and over in endlessly fascinating groove – in a way that touches on a weirdly funky mode! The cut "Ides Of March" has the potential to be dancefloor groover in the jazz dance scene, and there's lots of other great tracks like "Church of Anthrax", "The Protege", and "The Hall of Mirrors at the Palace of Versailles". LP, Vinyl record album
(Early 00s reissue.)

Possible matches4
CD, LP, Vinyl record album cover art
✨✧ Jim PeterikDon't Fight The Feeling ... LP
Epic, 1976. Near Mint- ... $6.99
Solo work from the former leader of Ides Of March. LP, Vinyl record album
(White label promo. Includes the printed inner sleeve. Cover has light wear, promo stamp, and tracklist sticker. Labels have a sticker.)
 
Partial matches: 11
Partial matches5
CD, LP, Vinyl record album cover art
Gary BurtonGenuine Tong Funeral ... LP
RCA, 1968. Very Good+ ... $16.99
One of the most ambitious projects ever from vibist Gary Burton – an extended piece written by Carla Bley – and billed as "A Dark Opera Without Words"! The work has a feel that's much more fluid than opera, though – and is a great instrumental outing that not only features Gary's vibes at their youthful best, with support from his quartet – but which also includes extra work from Steve Lacy on soprano sax, Gato Barbieri on tenor, and Carla Bley herself on piano. The music is never too far out, but with angular tones and strange time changes that mark the record as being quite different from Gary's other sides for RCA. It also makes the record one of his best, too – as the set has that wonderfully fresh sound that you get from early work by Bley – never too silly, and with a serious approach to composition that also never loses sight of its roots in jazz. Titles include "The New Funeral March", "Silent Spring", "Mother Of The Dead Man", "Death Rolls", and "The New National Anthem". LP, Vinyl record album
(Orange label stereo pressing with deep groove. Cover has light wear and a name in pen.)

Partial matches6
CD, LP, Vinyl record album cover art
Jimmy SmithJimmy Smith's Greatest Hits ... LP
Blue Note, 1960s. Very Good+ 2LP Gatefold ... $9.99
A nice collection of one of the jazz organ's greatest players, pulled from Smith's classic Blue Note sides. Sidemen include Lou Donaldson, Stanley Turrentine, Lee Morgan, Tina Brooks, Kenny Burrell, Thornell Schwartz, Quentin Warren, Art Blakey, and Donald Bailey. 8 tracks in all, including "All Day Long", "The Champ", "The Sermon", "Midnight Special", "When Johnny Comes Marching Home", "Can Heat", "Flamingo" ad "Prayer Meetin'". LP, Vinyl record album
(Liberty stereo pressing. Cover has light ring & edge wear.)

Partial matches7
CD, LP, Vinyl record album cover art
✨✧ Terry RileyCadenza On The Night Plain & Other String Quartets ... LP
Gramavision, 1984. Near Mint- 2LP Gatefold ... Temporarily Out Of Stock
A unique record for Riley, where he collaborates with and writes expressly for the Kronos Quartet, composing several string quartets with his signature minimalist approach incorporating jazz and exotic melodies and large improvised passages. The first album is made up of 3 shorter pieces "Sunrise Of The Planetary Dream Collector", "G Song" and "Mythic Birds Waltz", while "Cadenza On The Night Plain" encompasses both sides of record 2, and goes through quite a few different movements, including "Where Was Wisdom When We Went West?", "March Of The Old Timers Reefer Division", "Tuning To Rolling Thunder", "The Night Cry Of Black Buffalo Woman", "Gathering Of The Spiral Clan" and "Captain Jack Has The Last Word". LP, Vinyl record album
(Cover has light ring impressions and is bent a bit at the corners.)

Partial matches8
CD, LP, Vinyl record album cover art
✨✧ Gary BurtonGenuine Tong Funeral (RCA Master) ... LP
RCA (France), 1968. Near Mint- Gatefold ... Out Of Stock
One of the most ambitious projects ever from vibist Gary Burton – an extended piece written by Carla Bley – and billed as "A Dark Opera Without Words"! The work has a feel that's much more fluid than opera, though – and is a great instrumental outing that not only features Gary's vibes at their youthful best, with support from his quartet – but which also includes extra work from Steve Lacy on soprano sax, Gato Barbieri on tenor, and Carla Bley herself on piano. The music is never too far out, but with angular tones and strange time changes that mark the record as being quite different from Gary's other sides for RCA. It also makes the record one of his best, too – as the set has that wonderfully fresh sound that you get from early work by Bley – never too silly, and with a serious approach to composition that also never loses sight of its roots in jazz. Titles include "The New Funeral March", "Silent Spring", "Mother Of The Dead Man", "Death Rolls", and "The New National Anthem". LP, Vinyl record album
(Late 70s issue. Cover has some wear at the top right corner.)

Partial matches9
CD, LP, Vinyl record album cover art
✨✧ Butterfield Blues BandKeep On Moving ... LP
Elektra, Late 60s. Very Good+ ... Out Of Stock
A fantastic funky record from the Butterfield Blues Band – a set that's much less in the blues style from which the group took their name, and very strongly in the hipper mixed-up blend of styles that were happening on the Cali scene at the end of the 60s! Paul still leads the group on harmonica and vocals – but the latter often have a lot more of a loose, freewheeling soul sort of approach – as he's backed by a very cool group that's heavy on horns mixed with tight guitar and mighty nice basslines – plus piano from Jerry Ragovoy, who produced the whole set! Phillip Wilson provides some great drums – which are a key part of the funky cuts – and titles include "Love March", "No Amount Of Loving", "Love Disease", "So Far So Good", "Buddy's Advice", "Losing Hand", "Where Did My Baby Go", "All In A Day", and "Morning Sunrise". LP, Vinyl record album
(Red label "big E" pressing. Cover has light ring wear, name in pen.)

Partial matches10
CD, LP, Vinyl record album cover art
✨✧ Blue MitchellBlue Mitchell Big 6 ... LP
Riverside, 1958. Near Mint- ... Out Of Stock
Blue in the main style of his early years at Riverside – working in an all-star group (the "Big 6" in the title), with players that include Johnny Griffin, Curtis Fuller, Wynton Kelly, Wilbur Ware, and Philly Joe Jones. Blue's leadership isn't that strong – but fortunately, the others (particularly Griffin, Ware, and Jones) gel together strongly with or without him, making the set crackle with the soulful energy of some of the best Jazzland/Riverside hardbop sides from the time. Tracks include "Sir John", "Blues March", "Big Six", and "Jamph". LP, Vinyl record album
(Early 90s OJC pressing.)

Partial matches11
CD, LP, Vinyl record album cover art
✨✧ Muhal Richard AbramsThings To Come From Those Now Gone ... LP
Delmark, 1972. Very Good- ... Out Of Stock
A tremendous step forward for the young Muhal Richard Abrams – a set that still shows his early roots in the AACM, but which also blossoms with some of his more serious compositional efforts to come! There's a sensitivity here that really stands out – even among Abrams' contemporaries – a striving for a wider range of expression – some as bold as before, some much more deeply personal and intimate. The tracks feature a shifting array of players – working alongside Abrams piano, and building up the sound in a number of different ways. Players include Wallace McMillan on flute and sax, Edwin Daugherty on sax, Richard Brown on sax, Emanuel Cranshaw on vibes, Rufus Reid on bass, and Steve McCall and Wilbur Campbell on drums. Ella Jackson provides vocals on "How Are You?" – and other titles include "Ballad For New Souls", "Things To Come From Those Now Gone", "In Retrospect", "Ballad For Old Souls", "1 & 4 Plus 2 & 7", and "March Of The Transients". LP, Vinyl record album

Partial matches12
CD, LP, Vinyl record album cover art
✨✧ Albert AylerAlbert Ayler In Greenwich Village ... LP
Impulse, 1966. Near Mint- Gatefold ... Out Of Stock
One of the first big moments of Albert Ayler's work in the jazz mainstream – and a record that doesn't dim his greatness at all from the earlier sides recorded for ESP! The album's got a sharply angular sound that more than lives up to its vibrant cover image – a well-honed approach to improvisation, showcased by Ayler in a set of recordings done upon his return from work on the European scene. The material was recorded on two different dates – featuring two different groups: one with Alan Silva, Beaver Harris, and Joel Friedman; the other with Donald Ayler, Henry Grimes, and Michel Sampson. Titles are long, with the searing emotional sound that Ayler was peaking at during this time – and titles include "For John Coltrane", "Change Has Come", and "Truth is Marching On". LP, Vinyl record album

Partial matches13
CD, LP, Vinyl record album cover art
✨✧ Blue MitchellThe Riverside Collection – Blues On My Mind ... LP
Riverside, 1988. Near Mint- ... Out Of Stock
A nice collection of hard bop sides cut by Blue Mitchell in the late 50s for Riverside, taken from the albums "Big Six", "Out Of The Blue", and "Blue Soul". All selections on here are recorded with an all-star personnel – including his Big Six band with Curtis Fuller, Johnny Griffin, Wynton Kelly, Wilbur Ware, and Philly Joe Jones; his quintet with Benny Golson, Paul Chambers, and Art Blakey; and a later sextet with Jimmy Heath, and Sam Jones. Titles include "Brother 'Ball", "There Will Never Be Another You", "Blues On My Mind", "It Could Happen To You", "When The Saints Go Marching In", "Top Shelf", and "Blue Soul". LP, Vinyl record album

Partial matches14
CD, LP, Vinyl record album cover art
✨✧ Albert AylerLive In Saint Paul De Vence France 27th July 1970 (grey colored vinyl) ... LP
BB, 1970. Sealed ... Out Of Stock
Fantastic late work from Ayler! The record is one of the last he ever recorded – and it's a no-nonsense live set, without any of the silly influences of some of his late Impulse sides. Most of the material features Ayler blowing long free solos, with a tightness and directness missing from mid 60s sessions. Cal Cobbs is on piano, Steve Tintweiss is on bass, and Allen Blairman is on drums. Titles include a very soulful version of "Music Is The Healing Force Of The Universe" – plus "Truth Is Marching", "Universal Message", and "Spiritual Reunion". LP, Vinyl record album

Partial matches15
CD, LP, Vinyl record album cover art
✨✧ Herbie Mann & Bobby JasparFlute Souffle ... LP
Prestige, 1957. Near Mint- ... Out Of Stock
A surprisingly great album – one that features Herbie and Bobby trading flutes and tenor, blowing long solos in a set that gives them plenty of room to work! The album only features four long tracks – "Let's March", "Tel Aviv", "Somewhere Else", and "Chasing The Bird" – blown in the open-ended mode that made some of the best Prestiges sides from the time so great. Joe Puma plays guitar, Tommy Flanagan is on piano, and rhythm is by Wendell Marshall and Bobby Donaldson. LP, Vinyl record album
 
 
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