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Hip BopEdit search

 

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Exact matches: 2
Exact matches1
CD, LP, Vinyl record album cover art
Maurice BrownHip To Bop ... CD
Brown, 2004. Used ... $1.99
CD

Exact matches2
CD, LP, Vinyl record album cover art
✨✧ Man ParrishHip Hop, Be Bop (Don't Stop) (parts 1 & 2) ... 7-inch
Importe/12, 1982. Used ... Temporarily Out Of Stock
A classic electro groove – and one of the tracks that's a contender for the origin of the word "hip hop"! A very nice groove, and the kind of cut that we slept on a bit at the end of the 80s, but which sounds totally great today! 7-inch, Vinyl record
 
Close matches: 1
Close matches3
CD, LP, Vinyl record album cover art
Essence All StarsJackie's Blues Bag – A Tribute To Jackie McLean ... CD
Hip Bop, 1996. Used ... $0.99
CD
(Out of print.)
 
Possible matches: 28
Possible matches4
CD, LP, Vinyl record album cover art
Walter Bishop Jr.Soul Village ... CD
Muse/Soul Brother (UK), 1977. New Copy ... $16.99
One of a rare few electric albums from the great Walter Bishop Jr – a pianist who started during the bop years, but really grew into new modes in the 70s! The set's an album on Muse, but one with the same hip grooves as Walter Bishop's pair of excellent albums for the Black Jazz label – and like those gems, this set features Bishop working on Fender Rhodes – hitting a groove we never would have expected in the old days, and really going for a style that's at the hippest end of the soul jazz spectrum of the 70s! Tunes are a mix of funky fusion and modal, spiritual styles – and other players include Randy Brecker on trumpet, Gerry Niewood on tenor and flute, and George Young on soprano and alto sax – and the horns are all arranged tightly by Mitch Farber, in a way that adds an extra edge to the record, but still leaves plenty of space for Bishop's solo flights on the keys. Titles include great versions of "Soul Village", "Coral Keys", and "Soul Turnaround" – plus the cuts "Philadelphia Bright", "Sweet Rosa", and "Valerie". CD

Possible matches5
CD, LP, Vinyl record album cover art
Gil Fuller with Dizzy GillespieGil Fuller & The Monterey Jazz Festival Orchestra featuring Dizzy Gillespie ... CD
Pacific Jazz/Blue Note, 1965. Used ... $8.99
One of Dizzy Gillespie's hippest big band sessions ever – and one of the few dates as a leader from arranger Gil Fuller! Fuller will always be best-remembered as the man who composed some of Dizzy Gillespie's best known tunes from the bop era – like "Manteca", "One Bass Hit", and "Things To Come" – but on this album from 1965, he's reunited with Dizzy for a large group set of tracks that feature Diz as the main soloist – at a level that really shows the growth of both men at the time! Fuller's charts are large and full, but with a sense of space that's really amazing – almost like some of the soundtrack work Dizzy had done for The Cool World – with a mix of soulful and modern moments that's really wonderful. The group's kind of a mix of hip LA players – with Phil Moore Jr on piano, Dennis Budimir on guitar, and Jimmy Bond on bass – plus a larger set of horn players backing Dizzy up. Titles include a number of great originals – such as "Be's That Way", "Big Sur", "Things Are Here", "Man From Monterey", and "Angel City". CD
(Limited Connoisser Series, small cutout hole through case.)

Possible matches6
CD, LP, Vinyl record album cover art
✨✧ Gil Fuller with Dizzy GillespieGil Fuller & The Monterey Jazz Festival Orchestra featuring Dizzy Gillespie ... LP
Pacific Jazz, 1965. Near Mint- ... $3.99
One of Dizzy Gillespie's hippest big band sessions ever – and one of the few dates as a leader from arranger Gil Fuller! Fuller will always be best-remembered as the man who composed some of Dizzy Gillespie's best known tunes from the bop era – like "Manteca", "One Bass Hit", and "Things To Come" – but on this album from 1965, he's reunited with Dizzy for a large group set of tracks that feature Diz as the main soloist – at a level that really shows the growth of both men at the time! Fuller's charts are large and full, but with a sense of space that's really amazing – almost like some of the soundtrack work Dizzy had done for The Cool World – with a mix of soulful and modern moments that's really wonderful. The group's kind of a mix of hip LA players – with Phil Moore Jr on piano, Dennis Budimir on guitar, and Jimmy Bond on bass – plus a larger set of horn players backing Dizzy up. Titles include a number of great originals – such as "Be's That Way", "Big Sur", "Things Are Here", "Man From Monterey", and "Angel City". LP, Vinyl record album
(Blue label pressing.)

Possible matches7
CD, LP, Vinyl record album cover art
Roy HaynesCymbalism ... LP
Prestige, 1963. New Copy (reissue)... $9.99
A cracker of an album – as fresh today as it was when it was first released in 1963! Roy Haynes is probably best known to the world for his bop work, but in the early 60s, he was a budding modernist with a real sense for lyrical improvisation. As part of a generation that was working on newly musical ways of using the drums – players that included Andrew Cyrille and Chico Hamilton – Haynes had a way of making the kit talk that's quite different than his roots in 50s jazz. Here, he's playing with a very hip quartet that includes Frank Strozier on alto and flute, Ronnie Matthews on piano, and Larry Ridley on bass – crafting tunes that swing at a lovely level, yet also have far-reaching and exploratory passages. The whole album's a delight – and titles include "Modette", "Go N Git It", "La Palomeinding", and "Hag". LP, Vinyl record album

Possible matches8
CD, LP, Vinyl record album cover art
Jimmy HeathNice People ... LP
Riverside, 1959. Near Mint- ... $7.99
A nice little collection of some classic hard bop from Jimmy Heath, with a few of the sides of some the stuff he recorded with larger ensembles thrown in for good measure, pulled together in the 80s, once the OJC family of labels came under the Fantasy umbrella. Heath's Riverside recordings of the late 50s and early 60s is some of our favorite material on the label, recording with a soulful, hip edge and fiery hard bop energy. This collection pulls numbers from The Thumper, Really Big!, The Quota, Triple Threat, Swamp Seed and On The Trail, and feature a host of top notch players, including Nat Adderley, Curtis Fuller, Wynton Kelly, Paul Chambers, Pat Patrick, Cannonball Adderley, Julius Watkins, Freddie Hubbard, Cedar Walton, and brothers Percy and Albert Heath. 8 tracks in all, including "Nice People", "Who Needs It?", "The Picture Of Heath", "Down Shift", "Lowland Lullaby", "Dew & Mud", "Wall To Wall" and "All The Things You Are". LP, Vinyl record album
(Cover has a few light creases.)

Possible matches9
CD, LP, Vinyl record album cover art
Jackie & RoyJackie & Roy (Savoy) ... LP
Savoy, 1948. Near Mint- ... $6.99
Some of the earliest work ever recorded by Jackie & Roy – cut when the fab vocal duo was still in the company of Charlie Ventura, forging a bop harmony sound that was as groundbreaking as the early vocalese work of Jon Hendricks, Dave Lambert, or Annie Ross! The pair had a hip swinging style that was always great – with a strong talent for riffing vocally on a bebop tune, then shifting over for a serious interpretation of a moody ballad, and rolling back again into a hard uptempo number. This set has them in the company of some tight members from Ventura's group – including Charlie himself on tenor, Norman Faye on trumpet, and Benny Green on trombone. Titles include "Lonely Woman", "Pina Colada", "FYI", "Euphoria", and "Deed I Do". LP, Vinyl record album
(Maroon label pressing in a black and white cover – nice and clean overall!)

Possible matches10
CD, LP, Vinyl record album cover art
Milt JacksonOpus De Jazz ... LP
Savoy, 1955. Near Mint- ... $19.99
One of the best-known 50s jazz sessions from the Savoy label – a laidback classic that's a great illustration of the label's shift in modes after the early bop years! The setting here is relatively informal – with Milt Jackson as the ersatz leader, working almost in blowing session mode with hip players who include Frank Wess on flute and tenor, Hank Jones on piano, Eddie Jones on bass and Kenny Clarke on drums – all players who relax into a groove wonderfully, and really open up on the album's four long tracks. Titles include the classic reading of "Opus De Funk", plus "Opus Pocus", "You Leave Me Breathless", and "Opus & Interlude". LP, Vinyl record album
(Red label pressing with deep groove.)

Possible matches11
CD, LP, Vinyl record album cover art
Milt JacksonOpus De Jazz (first cover) ... LP
Savoy, 1955. Good+ ... $24.99
One of the best-known 50s jazz sessions from the Savoy label – a laidback classic that's a great illustration of the label's shift in modes after the early bop years! The setting here is relatively informal – with Milt Jackson as the ersatz leader, working almost in blowing session mode with hip players who include Frank Wess on flute and tenor, Hank Jones on piano, Eddie Jones on bass and Kenny Clarke on drums – all players who relax into a groove wonderfully, and really open up on the album's four long tracks. Titles include the classic reading of "Opus De Funk", plus "Opus Pocus", "You Leave Me Breathless", and "Opus & Interlude". LP, Vinyl record album
(Original red label pressing with deep groove – and first cover without Milt's name on the front.)

Possible matches12
CD, LP, Vinyl record album cover art
Eddie JeffersonJazz Singer ... CD
Evidence, 1959/1961. Used ... $6.99
Rare work from Eddie Jefferson – cut between his early years on Prestige, and his revival on Riverside – work done for the Festival Records label, but best known in this hip 70s package put together by Inner City! The work here is a great precursor to Eddie's 60s comeback – and shows him really moving forward strongly, even on a tiny label – reworking his older vocal style with a hipper modern groove, and really reaching some new territory in the process. The tunes are awash in those charming tones and phrasings that always set Jefferson apart from the rest – and there's a few R&B undercurrents here, mixed in with the more familiar bop influences. Players are all great too – and include Johnny Coles or Howard McGee on trumpet, James Moody on tenor, Matthew Gee on trombone, Musa Kaleem on tenor and baritone, and Johnny Acea on piano. Babs Gonzalez and Honey Gordon get in a few licks on versions of "So What" and "Sister Sadie" – helping Eddie out with their hip vocal talents – and other tracks include "Memphis", "Baby Girl", "NJR", "I've Got The Blues", "The Preacher", "Night Train", "Sherry", "Body & Soul", and "Workshop". 18 tracks in all! CD
(Barcode has a cutout hole.)

Possible matches13
CD, LP, Vinyl record album cover art
Charles McPhersonMcPherson's Mood ... CD
Prestige, 1970. Used ... $11.99
A really beautiful batch of tracks from Charles McPherson – with a late 60s approach to soul jazz that reminds us of some of the work by Sonny Criss on Prestige, or of some of Cedar Walton's sessions from the same time. McPherson's moved way past his earlier bop roots here – stretching things with a hip group that includes Buster Williams, Roy Brooks, and Barry Harris – crafting tunes that point the way at soul jazz in the 70s, with a more complicated and sophisticated approach to rhythm, but still a firm commitment to swing! Titles include "Explorations", "Mish Mash Bash", "Opalescence", and "My Cherie Amour". CD
(Out of print.)

Possible matches14
CD, LP, Vinyl record album cover art
William Onyeabar & OthersWhat? – William Onyeabor Remixed (2 X 12") ... LP
Luaka Bop, 2014. Near Mint- 2LP Gatefold (pic cover)... $24.99
The mad music of William Onyeabor has gained many admirers over the years – a diverse array of artists from a diverse array of scenes – some of whom have come together in this mighty hip tribute to the master! The tunes here are either remixes, reworks, or complete covers of Onyeabor's incredible electric grooves from the late 70s and early 80s – and the project's so special, Luaka Bop even called in the help of Moog to put it together – no surprise, given how moogy some of William's music could be! The remixes are all very faithful, as are the reworks – and even the covers aren't the sort of cloyingly selfish sort you usually get on tribute albums – but instead feel like some great later iteration of Onyeabor's genius. Titles include Hot Chip's cover of "Atomic Bomb", Joakim & Akwetey's cover of "Good Name", David Terranova's remix of "Body & Soul", The Vaccines' remix of "Do You Want A Man", JD Twitch's (Optimo) cover of "Why Go To War?", Javelin's remix of "Heaven & Hell", Scientist's remix of "Body & Soul", and the track "Ye Ye", which is Daphni's rework of "When The Going Is Smooth & Good". LP, Vinyl record album
Also available What? – William Onyeabor Remixed ... CD 7.99

Possible matches15
CD, LP, Vinyl record album cover art
William Onyeabor & OthersAtomic Bomb – Remixes (2015 Record Store Day Release) ... 12-inch
Luaka Bop, 2015. New Copy (pic cover)... $15.99
A very cool William Onyeabor remix EP on Luaka Bop! It includes two versions of the Oyeabor classic "Atomic Bomb" – one remixed by Japan's Oorutaichi, plus a cover of "Atomic Bomb" by Hot Chip that's remixed by John Talbot. Also includes a remix of Show Dem Camp & Funbi's Nigerian hip hop take on Onyeabor's "Smooth & Good" remixed by Ikon, plus Love Fingers and Secret Circuit teaming up as Secret Fingers to take on "Let's Fall In Love". 12-inch, Vinyl record

Possible matches16
CD, LP, Vinyl record album cover art
William Onyeabor & OthersWhat? – William Onyeabor Remixed ... CD
Luaka Bop, 2014. New Copy ... $7.99 13.98
The mad music of William Onyeabor has gained many admirers over the years – a diverse array of artists from a diverse array of scenes – some of whom have come together in this mighty hip tribute to the master! The tunes here are either remixes, reworks, or complete covers of Onyeabor's incredible electric grooves from the late 70s and early 80s – and the project's so special, Luaka Bop even called in the help of Moog to put it together – no surprise, given how moogy some of William's music could be! The remixes are all very faithful, as are the reworks – and even the covers aren't the sort of cloyingly selfish sort you usually get on tribute albums – but instead feel like some great later iteration of Onyeabor's genius. Titles include Hot Chip's cover of "Atomic Bomb", Joakim & Akwetey's cover of "Good Name", David Terranova's remix of "Body & Soul", The Vaccines' remix of "Do You Want A Man", JD Twitch's (Optimo) cover of "Why Go To War?", Javelin's remix of "Heaven & Hell", Scientist's remix of "Body & Soul", and the track "Ye Ye", which is Daphni's rework of "When The Going Is Smooth & Good". CD
Also available What? – William Onyeabor Remixed (2 X 12") ... LP 24.99

Possible matches17
CD, LP, Vinyl record album cover art
Oscar PettifordOscar Pettiford Modern Quintet (remastered edition) ... CD
Bethlehem, 1955. New Copy ... $11.99 12.99
One of the rare key albums cut by bassist Oscar Pettiford as a leader – an excellent 10" session for the Bethlehem label from the 50s! Although best known as a bassist, Pettiford was also a heck of a great player on the cello – which he uses here alongside bass! Pettiford's approach to the cello often had him plucking the instrument like a double bass – but given the lighter, more lilting sound of the instrument, the style was often a bit more lyrical and lively – very good for a lead solo instrument, which is the case on most of these tunes! The set's cut with a hip group that includes Charlie Rouse on tenor, Duke Jordan on piano, and Julius Watkins on French horn – all coming together beautifully in a blend of modes, directed by Pettiford to new jazz frontiers. The tracks swing nicely with a strong modernist bop influence – and titles include "Cable Car", "Tricotism", "Oscar Rides Again", and "Golden Touch". CD
(New CD version – with great remastering!)

Possible matches18
CD, LP, Vinyl record album cover art
Oscar Pettiford & Vinnie BurkeBass By Pettiford/Burke ... LP
Bethlehem, 1955. Very Good- ... $29.99
A split album that combines work from 2 different early 10" LPs on Bethlehem – both led by some of the best bassists to record for the label at the time! The first 6 tracks are classic work by Oscar Pettiford – some of his best as a leader, and cut with a hip group that includes Charlie Rouse on tenor, Duke Jordan on piano, and Julius Watkins on French horn. The tracks swing nicely with a strong modernist bop influence – and titles include "Cable Car", "Tricotism", "Oscar Rides Again", and "Golden Touch". The other 8 tracks are a bit mellower, but still quite modern – and with a really fresh approach. Recorded by Vinnie Burke's quartet, they feature a very unusual lineup of bass, clarinet, accordion, and guitar – the latter of which is played by the enigmatic Joe Cinderella, of Gil Melle group fame, and who gives the record a similar feeling to Melle's strange work for Blue Note. Titles include "For All We Know", "Time Out", "On The Alamo", and "Softly As In A Morning Sunrise". LP, Vinyl record album
(Original red label pressing with deep groove, with DJ Sample Copy ink stamps on the labels. Cover has masking tape on the top seam and Sample Copy stamps on back.)
Also available Bass By Pettiford/Burke (Japanese paper sleeve edition) ... CD 11.99

Possible matches19
CD, LP, Vinyl record album cover art
Oscar Pettiford & Vinnie BurkeBass By Pettiford/Burke (Japanese paper sleeve edition) ... CD
Bethlehem/JVC (Japan), 1955. Used ... $11.99
A split album that combines work from 2 different early 10" LPs on Bethlehem – both led by some of the best bassists to record for the label at the time! The first 6 tracks are classic work by Oscar Pettiford – some of his best as a leader, and cut with a hip group that includes Charlie Rouse on tenor, Duke Jordan on piano, and Julius Watkins on French horn. The tracks swing nicely with a strong modernist bop influence – and titles include "Cable Car", "Tricotism", "Oscar Rides Again", and "Golden Touch". The other 8 tracks are a bit mellower, but still quite modern – and with a really fresh approach. Recorded by Vinnie Burke's quartet, they feature a very unusual lineup of bass, clarinet, accordion, and guitar – the latter of which is played by the enigmatic Joe Cinderella, of Gil Melle group fame, and who gives the record a similar feeling to Melle's strange work for Blue Note. Titles include "For All We Know", "Time Out", "On The Alamo", and "Softly As In A Morning Sunrise". CD
(Out of print.)
Also available Bass By Pettiford/Burke ... LP 29.99

Possible matches20
CD, LP, Vinyl record album cover art
Si*SeSi*Se ... CD
Luaka Bop, 2001. Used ... $3.99
A compelling blend of Latin influences and modern electronic grooves – served up by this hip New York combo! The lovely voice of Carol C graces most of the tracks, singing in a light and airy style that floats dreamily over the snapping percussion and gliding keys of most of the tunes. The work's a great genre-blending polyglot of styles that's as culturally rich as New York itself – and titles include "Aire", "Steppin Out", "Slip Away", "The Rain", "My Sol", "Bizcocho Amargo", and "Lullaby". CD
(Out of print.)

Possible matches21
CD, LP, Vinyl record album cover art
Gerald WilsonEverywhere ... LP
Pacific Jazz, Mid 60s. Very Good Gatefold ... $4.99
Very hip stuff from Gerald Wilson – about as tight and hard as you can get for 60s big band work! The players on the set aren't listed clearly, but we can be sure that they're some of Gerald's usual contemporaries – the best of the mid 60s LA soul jazz and avant bop scene, all working together to craft some incredibly groovy tunes with a high degree of soul. The album has lots of nice instrumental touches, from electric harpsichord to vibes to guitar, all woven through the mostly original tunes that make up the set. Tracks include "M Capetillo", "Del Olivar", "Little Bit Of Soul", "Do I Love You", and "Mini Waltz". LP, Vinyl record album
(Cover has a split top seam.)

Possible matches22
CD, LP, Vinyl record album cover art
Phil WoodsRound Trip ... CD
Verve, 1969. Used ... $6.99
Hip and groovy work from Phil – very different than both his earlier bop-heavy sides, and his freer European recordings – recorded with some great backings by Johnny Pate, the excellent Chicago soul arranger who also did some great soundtrack work! Pate's come up with some tight short tracks that have a nice groovy late 60s Verve feel – over which Woods solos angularly on alto, working amidst woodwinds by Jerome Richardson and Jerry Dodgion, piano by Herbie Hancock, trumpet by Thad Jones, and some light strings that trickle in and out from time to time. Titles include "How Can I Be Sure", "Guess What", "Come Out With Me", "Round Trip", "Love Song For A Dead Che", and "Flowers". CD
(Out of print.)

Possible matches23
CD, LP, Vinyl record album cover art
Jazz Liberatorz w/Stacy Epps, TableekU Do (main, inst)/Music In My Mind (part 2)/Indonesia (main, inst)/Sandaga ... 12-inch
Kif (France), 2008. New Copy (pic cover)... On November 1, 2014 (delayed)
A mix of jazzy hip hop funk beats & keys, laidback hip hop, and cosmic soul! "U Do" is some soul jazz keys floating over the bass and beat, and some easygoing rhymes from Stacy Epps. "Indonesia" features Tableek from Maspyke – and as the kind of lightly tripped out funky production that feels fresh from Detroit to Cali, and it's pretty much a straight up ode to fresh hip hop. "Sandaga" is a shorter instrumental with a kicked up tempo and looped keys. "Music In My Mind (Part 2)" blends boom bop and 70s soul cinema style with jazzy texture – a wide ranging groove! 12-inch, Vinyl record
 
Partial matches: 59
Partial matches32
CD, LP, Vinyl record album cover art
Gene AmmonsBlue Gene ... LP
Prestige, Late 50s. Very Good- ... $29.99
Way more than just an album with Gene Ammons as a leader – and instead, a set that truly earns the "all stars" listed on the cover – thanks to a great array of supporting players, and a very loose, open-ended jam session style that lets everyone get in plenty of solo space! Ammons' tenor is tremendous, but he's also a great collaborator here, too – working with Idrees Suliman on trumpet, Pepper Adams on baritone, Mal Waldron on piano, Art Taylor on drums, Doug Watkins on bass, and Ray Barretto on conga – in a mode that's maybe slightly tighter than some of the blowing sessions Prestige was doing at the time, but which still has that key longform creative energy that made the hardbop generation so great. Titles include "Blue Gene", "Scamperin", "Blue Greens n Beans", and "Hip Tip" – and all tracks are long, with plenty of focus on solos! LP, Vinyl record album
(Yellow & black label NJ pressing, with deep groove and RVG stamp. Cover has splitting on the top seam and some pen on back.)

Partial matches33
CD, LP, Vinyl record album cover art
David Amram & George BarrowJazz Studio No 6 – Amram-Barrow Quartet/The Eastern Scene ... LP
Decca, 1957. Very Good- ... $19.99
An enigmatic set of modern jazz – recorded by the Amram-Barrow Quartet – an obscure group led by tenor saxophonist George Barrow and horn player David Amram, the latter of whom would go onto great fame in the 60s and 70s for his groundbreaking arrangements, soundtrack work, and world/jazz experiments! At this point, Amram's a young modernist with some very fresh ideas – and contributes some wonderful original tunes to the session with a moody east coast style that almost has traces of the Mingus camp – particularly the work of Jimmy Knepper and Pepper Adams. George Barrow's tone on the tenor is really tremendous – sharp and soulful, reminding us a bit of the freshness that Hank Mobley brought to some of his early sessions in the 50s, but with less of a hardbop fire. The rhythm in the group is by Arthur Phipps on bass and Al Harewood on drums (Amram plays a bit of piano as well) – and titles include "City Talk", "Someday Morning Will Come", "Somewhere Along The Way", "Phipps Quipps", "Lobo Nocho", and "I Love You". LP, Vinyl record album
(Vinyl has light surface marks, but the heavy Decca vinyl still plays well. Cover is nice!)

Partial matches34
CD, LP, Vinyl record album cover art
✨✧ Bent Axen/Bent Jaedig Jazz GroupsLet's Keep The Message (Japanese paper sleeve edition) ... CD
Debut/Jazzhus Disk (Japan), 1960. New Copy ... $13.99
A killer set of Danish modern jazz – recorded at the start of the 60s with a really searing lineup! The set's go-led by pianist Bent Axen and tenorist Bent Jaedig – two guys with a very hip approach to their music, an a keen ear for the sharper sides of jazz at the time – a blend of hardbop rhythms with more complicated tones, served up by a lineup that also includes Allan Botschinsky on trumpet and Frank Jensen on second tenor – both horn players who add a lot to the date. The lineup shifts a bit as the set moves on – Jenson's only on three tracks, leaving Jaedig with more room on the rest – but there's still a really unified feel to the record, almost as if the co-leaders are choosing the lineup carefully with each fresh track, in order to paint slightly different pictures in sound. If you dig the work of the Jazz Quintet 60 – a contemporary Danish group that features two of the players here – you'll definitely dig this set too. Titles include "Let's Keep The Message", "To Iskol's Hof", "Star Eyes", "Elansky", "Siyle", and "Lady Bird". CD

Partial matches35
CD, LP, Vinyl record album cover art
Basso Valdambrini QuintetBasso Valdambrini Quintet (1959) ... LP
Jolly/BTF (Italy), 1959. New Copy (reissue)... $28.99
A sharp-edged session of tremendous trumpet and tenor interplay – served up by the legendary quintet of Gianni Basso and Oscar Valdambrini! The album's got a sound that's as hip as it looks – a great approach to 50s modern jazz, done in a style that's equally influenced by west coast cool and east coast hardbop! Valdambrini's trumpet is beautifully measured throughout – with echoes of both Kenny Dorham and Chet Baker – offset by some deeper grooving on tenor from Basso, who plays with a strength and command that few American players of the time could match. Titles include "Come Out Wherever You Are", "Lo Struzzo Oscar", "Lotar", "Gone With The Wind", "Parlami D'Amore Mariu", and "Fan Tan". LP, Vinyl record album

Partial matches36
CD, LP, Vinyl record album cover art
✨✧ Clifford Brown & Max RoachMore Live At The Bee Hive – Chicago, June 30, 1955 ... CD
RLR (Spain), 1955/1956. Used 2 CDs ... $9.99
Additional live material from the classic Chicago performance of the Clifford Brown/Max Roach Quintet at the Bee Hive in 1955 – issued here for the first time ever! As on the better-known Bee Hive material, the group here features Harold Land on tenor, Richie Powell on piano, and George Morrow on bass – working under the co-leadership of drummer Max Roach and trumpeter Clifford Brown – on very long tracks that really get at the essence of hardbop in a live setting during the 50s. Bee Hive titles are presented with reasonably good fidelity, considering the recording circumstances – and tracks include "After You've Gone", "Blues", "Jordu", "The Song Is You", "What Am I Here For", and "Ballad Medley". Added to these are 5 more bonus tracks recorded in 1956, in New York – with Sonny Rollins in place of Land on tenor. These titles include "I'll Remember April", "What's New", "52nd Street Theme", and "Lover Man". CD

Partial matches37
CD, LP, Vinyl record album cover art
✨✧ Dave BrubeckJazz Impressions Of Japan ... LP
Columbia, 1964. Near Mint- ... $9.99
An overlooked gem in the Dave Brubeck Columbia catalog – and a very hip set of "Eastern" tinged tracks! The album's theme is obvious from the title – as Dave pens a set of tracks reflecting his experiences on recent visits to Japan – but the sound and the style moves way past the simple approach that might have been used, into territory that has the exotic feel of early 60s work by Yusef Lateef, Horace Silver, and some of the other hardbop-exotics around at the time. Of course, a big factor in the success of the record is the crisp and willowy alto of Paul Desmond – working here to create snakey lines that really support the mood of the tracks. Titles include "Osaka Blues", "Koto Song", "Zen is When", "Tokyo Traffic", and "Toki's Theme". LP, Vinyl record album
(70s pressing.)

Partial matches38
CD, LP, Vinyl record album cover art
✨✧ Donald Byrd with Pepper Adams & Gigi GryceYoung Byrd (10 To 4 At The 5 Spot/Gigi Gryce & The Jazz Lab) ... LP
Milestone, Late 50s. Very Good 2LP Gatefold ... $5.99
Milestone reissue that brings together 2 late 50's sessions by Donald Byrd! 10 To 4 At The 5 Spot was one of Byrd's partnerships with Pepper Adams – and is tremendous work from saxophonist Pepper – quite possibly one of his most hard-blowing sets on record! The album's a live date, recorded at the legendary Five Spot – and the group here is a swinging one with plenty of soul jazz touches – a combo that includes a young Bobby Timmons on piano, plus Donald Byrd on trumpet, Doug Watkins on bass, and Elvin Jones on drums – all playing together at the height of their youthful powers! But even amidst all those heavyweights, Pepper Adams is clearly the star of the set – playing with a tone that's unbelievable – almost more tenor-like than a baritone sax, and filled with feeling throughout, even on the mellower moments. Donald Byrd sits out on one track, leaving Adams to dominate the ballad "You're My Thrill" – but he returns to the fold in tight formation on versions of "Hastings Street Bounce", "Yourna", "Tis", and "The Long Two/Four". Gigi Gryce & The Jazz Lab Quintet features a group led by Gigi Gryce running down nice hard bop numbers. There's no dry academic performances here, not that you'd guess that from the line-up, but the title kind of leads you in that direction. Donald Byrd and Gryce are playing nice and hard up front, with Wade Legge on piano, Wendell Marshall on bass and Art Taylor on drums cooking nicely in the rhythm section. The tracks include Legge's "Geraldine" and Gryce's "Minority" plus "Love For Sale", "Zing Went The Strings Of My Heart", "Straight Ahead", and "Wake Up!". LP, Vinyl record album
(Cover has a cut corner & some light wear.)

Partial matches39
CD, LP, Vinyl record album cover art
Paul Chambers & John ColtraneHigh Step ... LP
Blue Note, Mid 50s/1975. Very Good+ 2LP Gatefold ... $16.99
Killer set of hardbop tracks recorded during the mid 50s for the Jazz West, Transition, and Blue Note labels – and seminal early work by Coltrane, playing under the leadership of his frequent bass partner Paul Chambers. One album was issued under the name of the Paul Chambers Quartet, another was issued as Whims Of Chambers, and the last batch of tracks was unissued until the time of this release. The whole thing's pretty darn great, and Trane plays with a nice rootsy relaxed style that you don't get from his Prestige recordings, made slightly after these. Titles include "Trane's Strain", "Omicron", "Nita", "Eastbound", and "Nixon, Dixon, & Yates Blues", a fantastic improvisation between Trane, Chambers, Pepper Adams, and Curtis Fuller! LP, Vinyl record album
(Cover has light wear and some pen on back.)

Partial matches40
CD, LP, Vinyl record album cover art
Richard DavisEpistrophy & Now's the Time ... LP
Muse, 1972. Very Good+ ... $19.99
One of Richard Davis' hippest records of the 70s – a live session recorded with two very strong hornmen in front – Clifford Jordan on tenor and Hannibal Peterson on trumpet, both blowing beautifully in very spacious, and open-ended styles! The album only features two long tracks – each running a side apiece – and although they're familiar jazz standards, Davis really opens them up with his performance – letting the group take them in a space that's somewhere between open loft jazz modes, and more familiar bop improvisation – but definitely at the left fringes of that style! The rest of the group features Joe Bonner on piano and Freddie Waits on drums – and the album's almost more typical of Clifford Jordan's albums from the time, than it is Davis' more tightly-arranged sessions for Muse. Tracks include versions of "Epistrophy" and "Now's The Time" that both run for over 20 minutes! LP, Vinyl record album
(Cover has light wear.)

Partial matches41
CD, LP, Vinyl record album cover art
✨✧ Richard DavisNow's The Time (plus bonus track) ... CD
Muse, 1972. New Copy ... $4.99
One of Richard Davis' hippest records of the 70s – a live session recorded with two very strong hornmen in front – Clifford Jordan on tenor and Hannibal Peterson on trumpet, both blowing beautifully in very spacious, and open-ended styles! The album only features two long tracks – each running a side apiece – and although they're familiar jazz standards, Davis really opens them up with his performance – letting the group take them in a space that's somewhere between open loft jazz modes, and more familiar bop improvisation – but definitely at the left fringes of that style! The rest of the group features Joe Bonner on piano and Freddie Waits on drums – and the album's almost more typical of Clifford Jordan's albums from the time, than it is Davis' more tightly-arranged sessions for Muse. Tracks include versions of "Epistrophy" and "Now's The Time" that both run for over 20 minutes! CD features a bonus take of Jordan's "Highest Mountain". CD

Partial matches42
CD, LP, Vinyl record album cover art
Duke EllingtonDrum Is A Woman ... CD
Jazz Track, 1956. Used ... $6.99
A hokey cover and title, but a hip little record from Duke Ellington – kind of a story of percussion and jazz, all wrapped together with some great vocals and narration! The format is kind of far-reaching, but never too stuffy – and in a way, the album offers a great opportunity to hear some of the Ellington players stepping out in a slightly different vibe than the usual Columbia date from the decade. Duke does a bit of narration himself – and singers include Margaret Tynes, Joya Sherrill, and Ozzie Bailey – who beautifully illustrate the shifting passages of the longer suite. Solos are by Johnny Hodges on alto, Clark Terry on trumpet, and Paul Gonsalves on tenor – and titles include "Congo Square", "Madam Zajj", "Drum is A Woman", "You Better Know It", "Rhythm Pum Te Dum", and "Rhumbop". CD
(Out of print.)
Also available Drum Is A Woman ... LP 8.99

Partial matches43
CD, LP, Vinyl record album cover art
✨✧ Duke EllingtonDrum Is A Woman ... LP
Columbia, 1956. Very Good ... $8.99
A hokey cover and title, but a hip little record from Duke Ellington – kind of a story of percussion and jazz, all wrapped together with some great vocals and narration! The format is kind of far-reaching, but never too stuffy – and in a way, the album offers a great opportunity to hear some of the Ellington players stepping out in a slightly different vibe than the usual Columbia date from the decade. Duke does a bit of narration himself – and singers include Margaret Tynes, Joya Sherrill, and Ozzie Bailey – who beautifully illustrate the shifting passages of the longer suite. Solos are by Johnny Hodges on alto, Clark Terry on trumpet, and Paul Gonsalves on tenor – and titles include "Congo Square", "Madam Zajj", "Drum is A Woman", "You Better Know It", "Rhythm Pum Te Dum", and "Rhumbop". LP, Vinyl record album
(6 eye pressing, with deep groove. Cover has light wear but is nice overall.)
Also available Drum Is A Woman ... CD 6.99

Partial matches44
CD, LP, Vinyl record album cover art
Dizzy GillespieHave Trumpet Will Excite ... LP
Verve, 1959. Very Good+ ... $6.99
Diz breaks past his bop playing, takes a bit of a turn towards swing-based material, and also hits this nice rolling groove that gives a bit of a peek at the way he'd sound in the 60's, when he had Lalo Schifrin on piano, and more of a Latin sound. He's backed here by Junior Mance on piano, Les Spann on flute and guitar, Sam Jones on bass, and Lex Humphries on drums. Given the soul jazz leanings of the group, the set's a lot hipper than you'd expect from Verve at the time, and is certainly worthy of the use of the word "excite" in the title. The tracks are all standards, but the group grooves openly, and makes a heck of a lot out of the material. Titles include "My Man", "St. Louis Blues", and "Woody'n You". LP, Vinyl record album
(Verve Inc pressing with deep groove. Cover has a split top seam & a partially split bottom seam.)

Partial matches45
CD, LP, Vinyl record album cover art
Dizzy Gillespie & The Double Six Of ParisDizzy Gillespie & The Double Six Of Paris ... CD
Philips/Universal (Japan), 1963. New Copy ... $13.99
A rare 60s meeting of groovy talents from both sides of the Atlantic – and a record that matches the trumpet of Dizzy Gillespie with the hiply swinging vocals of The Double Six Of Paris! The group were a wonderfully groovy precursor to the Swingle Singers – and sung in a scatting approach to jazz vocals that was very much in the tradition of Lambert, Hendricks, & Ross – but also drew inspiration from the earlier work of Eddie Jefferson, King Pleasure, and others. Their sound is great – much more 60s groovy than some other vocal groups – and pairing them with Dizzy gives this record an added punch that some of their other sessions are missing! Backing is small combo throughout – with either Bud Powell or Kenny Barron on piano, Kenny Clarke on drums, and James Moody on tenor – and with the presence of Diz, most of the material here is of bop orientation – taken at a fast and lively clip! Lalo Schifrin arranged the whole session too – and titles include "One Bass Hit", "Blue N Boogie", "Emanon", "Groovin High", "Ow", "The Champ", "Tin Tin Deo", "Hot House", and "Con Alma". CD

Partial matches46
CD, LP, Vinyl record album cover art
Babs GonzalesSunday Afternoon At Small's Paradise With Babs Gonzales ... LP
Dauntless, 1963. Very Good ... $39.99
A mad mad afternoon with the great Babs Gonzales – one of the hippest jazz singers ever! The set is one of Babs' best on records, and it features a mix of jazz vocals and hipster monologues that shows perfectly the mixture of talent and hustling that Babs used to make a name for himself in the New York scene. He's backed by a nice little combo that includes friends and songwriting partners like Horace Parlan, Clark Terry, and Johnny Griffin – and the set includes loads of great numbers like "Dem Jive New York People", "Keep An Ugly Woman", "Be Bop Santa Claus", and "Le Moody Mood Pour Amour". The whole thing's hung together with some great patter, and recorded in a way that shows the warm spirit of all the more famous folks who kept Babs going along during his glory years! LP, Vinyl record album
(Original pressing! Cover has some aging and wear on the back.)

Partial matches47
CD, LP, Vinyl record album cover art
Bennie GreenHornful Of Soul ... CD
Bethlehem/Solid (Japan), 1960. New Copy ... $9.99
A killer of an album from one of the best hardbop trombonists of the 50s! This side's always been wickedly hard to find, and it comes from that later period when the Bethlehem label was cutting records that had a lot more of a soulful groove than earlier years. Bennie's playing with a hip group of underground players that includes Jimmy Forrest on tenor, Lem Davis on alto, and Skip Hall on organ – and although the tracks are short, they've got a fire that gets the job done in double-time, and which makes you think you're hearing some session on Prestige. Titles include "Catwalk", "Dee Dee", "Dibblin & Dabblin", and "Groove One". CD
Also available Hornful Of Soul (Japanese pressing) ... CD 19.99

Partial matches48
CD, LP, Vinyl record album cover art
Bennie GreenHornful Of Soul (Japanese pressing) ... CD
Bethlehem (Japan), 1960. Used ... $19.99
A killer of an album from one of the best hardbop trombonists of the 50s! This side's always been wickedly hard to find, and it comes from that later period when the Bethlehem label was cutting records that had a lot more of a soulful groove than earlier years. Bennie's playing with a hip group of underground players that includes Jimmy Forrest on tenor, Lem Davis on alto, and Skip Hall on organ – and although the tracks are short, they've got a fire that gets the job done in double-time, and which makes you think you're hearing some session on Prestige. Titles include "Catwalk", "Dee Dee", "Dibblin & Dabblin", and "Groove One". CD
(Out of print. Includes obi.)
Also available Hornful Of Soul ... CD 9.99

Partial matches49
CD, LP, Vinyl record album cover art
Bennie GreenSwingin'est ... LP
Vee Jay, Early 60s. Very Good- ... $9.99
A hard set of soul jazz grooves – recorded under the leadership of the great trombonist Benny Green, and one of his few albums not for Blue Note or Prestige! The sound is very much in the Prestige hardbop mode of the late 50s – and Green heads up a group that includes Gene Ammons and Frank Foster on tenor, Nat Adderley on cornet, Frank Wess on flute and tenor, and Tommy Flanagan on piano– a similar lineup, with a similar sound, to some of the albums recorded under Ammons' name as "blowing sessions". The cuts are long, with laid back laid out solos – and titles include "Jim Dog", "Going South", and "Little Ditty". LP, Vinyl record album
(Maroon label pressing with deep groove. Cover has split seams and some pen on back.)

Partial matches50
CD, LP, Vinyl record album cover art
Bunky GreenTestifyin' Time ... LP
Argo, 1965. Near Mint- ... $29.99
A really great little record – and one that goes way past the hokey soul jazz reference you might guess from the title! Bunky Green's definitely "testifyin" on the set – but he's really moving past 60s soul jazz cliches, and never falling into some of the too-gospelly notes of some of his contemporaries. Instead, he finds a great space between hardbop, modern jazz, and more soulful moments – all delivered with a hip freshness that's right up there with some of his best contemporaries on the Argo/Cadet label at the time. Thank Chicago for that quality – and the combo on the record, which includes Marshall Thompson on drums, Cleveland Eaton on bass, James Meyer on tenor, and Walter Strickland on trumpet. Titles include "Tamra", "Orbit Six", "My Ship", and "Tweedlee Dee". LP, Vinyl record album
(Blue label Argo pressing. Cover appears to have been signed on the back.)

Partial matches51
CD, LP, Vinyl record album cover art
Johnny GriffinBig Soul (Big Soul Band & White Gardenia) ... LP
Riverside/Milestone, 1960. Near Mint- 2LP Gatefold ... $9.99
One of those ubiquitous Milestone 70s two-fers combining two nice sides from the little giant. The first set is Big Soul Band, a sweet little album from Johnny – quite different than most of his other sessions at the time, as this one features a big band, as the title says – filled with some strong Chicago and soul jazz players, and featuring killer arrangements by the great Norman Simmons! Simmons' was just bubbling up at the time – and he had a sock soul jazz sound that was part of his time on the Chicago scene, and which, unfortunately, rarely achieved as strong of recorded expression as it did on this album. Griffin's a heck of a great player, even at this age, and the strength of his horn sits nicely in the front of a great ensemble that also includes Pat Patrick, Matthew Gee, Julian Priester, Frank Strozier, Bobby Timmons, Harold Mabern, Vic Sproles, and Charlie Persip. Titles include a number of Simmons originals – like "Meditation", "Panic Room Blues", and "Holla" – plus a great reading of Timmons' "So Tired"! The second LP is Johnny's tribute to Billie Holiday – with Johnny's tenor fronting some larger backing on strings and brass – but hipper than most efforts of this type, thanks to some great arrangements by Melba Liston and Norman Simmons! The record's a nice change from some of Johnny's more full-on bop sessions from the same time – and it's nice to hear that his tenor works equally well on mellow tracks and ballads like "God Bless The Child", "Gloomy Sunday", "Travelin' Light", "Left Alone", and "Detour Ahead". LP, Vinyl record album
(Cover has light wear.)
 
 
 



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