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Exact matches: 2
Exact matches1
CD, LP, Vinyl record album cover art
✨✧ Maurice BrownHip To Bop ... CD
Brown, 2004. Used ... Temporarily Out Of Stock
... CD

Exact matches2
CD, LP, Vinyl record album cover art
✨✧ AkikoHip Pop Bop ... CD
Verve (Japan), 2002. New Copy ... Out Of Stock
The second album by Japanese singer Akiko – and light years ahead of her first! This set brings Akiko's jazzy vocals into contact with work by a number of different arrangers and producers – including Keiji Matsumoto, Yoshito Tanaka, and Swing Out Sister! The range of tracks is really great, and features a number of older English language standards and pop tunes, redone in a variety of formats. Some tracks feature beats and keyboards, others have straight jazz backings, and still others have a widely expansive soulful set of arrangements. Includes a great cover of the Brazilian club classic "Skindo Le Le", a great remake of "Waters Of March", and the tracks "Paradise City", "Lover Man", "Manual", "Blues No 8", "Do You Know", "Midnight Sun", and "Smile". CD
(SHM-CD pressing!)
 
Possible matches: 26
Possible matches3
CD, LP, Vinyl record album cover art
VariousClassic Savoy Be-Bop Sessions 1945 to 1949 (10CD set) ... CD
Savoy/Mosaic, Late 40s. New Copy 10CD ... Just Sold Out!
The roots of modern jazz never sounded this great before – and this is the first time ever that all the early bop recordings by Savoy have been properly brought together in one place! Savoy was one of the most important labels to record the early bop pioneers – and had a dedication to the music that begin in 1945, and moved well into the 50s – as the label captured some of the brightest young stars who'd go onto shape a generation! Almost all of this material was originally issued just as 78rpm singles – then later scattered and repackaged in a confusing way – although many tracks here also never made it into the LP or CD generation, either. The folks at Mosaic have worked incredible magic to correct that error – and have pulled together a stunning 10CD package that finally presents this amazing legacy of music in its proper form – complete with notes and session details that were never given in later years, too. There's way too much here to list in this space – but the set features dates recorded under the name of Dexter Gordon, Fats Navarro, Stan Getz, JJ Johnson, Sonny Stitt & Kenny Dorham's Bebop Boys, Allen Eager, Kai Winding, Ray Brown, Eddie Davis, Serge Chaloff, Kenny Hagood, Leo Parker, Tadd Dameron, Teddy Reig, Brew Moore, Milt Jackson, Kenny Clarke, and Gil Fuller – all with groups that are filled with equally hip and important musicians too. We love Mosaic all the time – but with a collection of 78rpm material, they really knock it out of the park – and do us, and the jazz history books, a mighty big favor! CD
(Limited to 5000 copies.)

Possible matches4
CD, LP, Vinyl record album cover art
✨✧ VariousMonster Bop ... CD
Buffalo Bop (Germany), Late 50s/Early 60s. New Copy ... Out Of Stock
True treasures from the glory days of the novelty horror tune – a time when folks were cutting some really groovy music with the same audio appeal as a schlocky visuals of a monster movie! Many numbers here are heavy on hip production tricks, odd instrumentation, and sound effects – usually layered strongly in the course of a straight-ahead rocker – so that the tunes are as catchy as they are playful! There's loads and loads of numbers in here we've never heard before – music that goes way past "Monster Mash" territory – and the set features a whopping 30 tracks in all, with titles that include "Don't Meet Mr Frankenstein" by Carlos Casal, "I Was A Teenage Monster" by The Keystones, "Nightmare" by Scottie Stuart, "Graveyard" by Larry Bowman, "The Skeleton Fight" by Mack Allen Smith, "The Monster Hop" by Jimmy Dee, "Story That's True" by Carl Bonafede, "The Gorilla" by Bert Convy, "Leopard Man" by Joe Wallace, and "The Monster" by Bobby Please. CD

Possible matches5
CD, LP, Vinyl record album cover art
Walter Bishop Jr.Soul Village ... CD
Muse/Soul Brother (UK), 1977. New Copy ... $14.99
One of a rare few electric albums from the great Walter Bishop Jr – a pianist who started during the bop years, but really grew into new modes in the 70s! The set's an album on Muse, but one with the same hip grooves as Walter Bishop's pair of excellent albums for the Black Jazz label – and like those gems, this set features Bishop working on Fender Rhodes – hitting a groove we never would have expected in the old days, and really going for a style that's at the hippest end of the soul jazz spectrum of the 70s! Tunes are a mix of funky fusion and modal, spiritual styles – and other players include Randy Brecker on trumpet, Gerry Niewood on tenor and flute, and George Young on soprano and alto sax – and the horns are all arranged tightly by Mitch Farber, in a way that adds an extra edge to the record, but still leaves plenty of space for Bishop's solo flights on the keys. Titles include great versions of "Soul Village", "Coral Keys", and "Soul Turnaround" – plus the cuts "Philadelphia Bright", "Sweet Rosa", and "Valerie". CD

Possible matches6
CD, LP, Vinyl record album cover art
Kenny ClarkeTelefunken Blues (plus Kenny Clarke & Ernie Wilkins Septet) ... CD
Savoy/Jazz Track (Spain), 1955. Used ... $9.99
One of the greatest American albums to be issued under Kenny Clarke's name – a smoking set of boppish tracks that groove in a very early 50s Blue Note sort of way! And in fact, the tracks are a bit longer than the usual Blue Note bop sides, which makes them open up with some even longer solos – and creates plenty of space for the septet lineups to do their thing. The album features 2 different groups – one with Milt Jackson on vibes, Frank Morgan on alto, Walter Benton on tenor, and Gerald Wiggins on piano; the other with Jackson on piano (!), Henry Coker on trombone, Frank Wess on tenor, and Charlie Fowlkes on baritone. Titles include "Inhibitions", "Klook's Nook", "Telefunken Blues", "Skoot", "Sonor", and "Blue's Mood". CD also features a full bonus album – The Kenny Clarke & Ernie Wilkins Septet, a hip batch of tunes that features some sweetly soulful arrangements from Wilkins! Ernie's on both alto and tenor, and really helps shape the sound of the set with his imaginative charts – well-penned arrangements that kind of offer bridge between Count Basie's work of a few years past, and some of the leaner, groovier styles that would emerge in the 60s work of Quincy Jones or Oliver Nelson. Other players include Eddie Bert on trombone, George Barrow on tenor, Cecil Payne on baritone sax, Hank Jones on piano, and Wendell Marshall on bass – plus Kenny Clarke on drums, of course – and titles include "Cute Tomato", "Pru's Bloose", "I Dig You The Most", "Summer Evening", and "Oz The Wizard". CD

Possible matches7
CD, LP, Vinyl record album cover art
✨✧ Dizzy GillespieWorld Statesman ... LP
Verve, 1956. Very Good- ... $13.99
A real gem from the height of Dizzy's big band years at Verve – a stunning little set that features a hip larger group that includes Joe Gordon, Melba Liston, Rod Leavitt, Phil Woods, Ernie Wilkins, and Billy Mitchell. The groove here is well-orchestrated, well-placed soul – with less of the playful bop touches of earlier sides, and more of a hiply modern style that shows Dizzy stretching out in larger shades of color and tone. And while the "World Statesmen" cover and image might make you wary of some gimmick on the set, the album's key Gillespie through and through – a deft turn away from the styles of the bop years, into a world of sound that would support his career strongly for years to come! Titles include "Tour De Force", "Doodlin", "Night In Tunisia", "The Champ", "My Reverie", and "Dizzy's Blues". LP, Vinyl record album
(Black label Norgran pressing with trumpeter logo and deep groove. Cover has half split seams, a stain on one corner, and a bit of pen on back.)

Possible matches8
CD, LP, Vinyl record album cover art
Roy HaynesCymbalism ... LP
Prestige, 1963. New Copy (reissue)... $9.99
A cracker of an album – as fresh today as it was when it was first released in 1963! Roy Haynes is probably best known to the world for his bop work, but in the early 60s, he was a budding modernist with a real sense for lyrical improvisation. As part of a generation that was working on newly musical ways of using the drums – players that included Andrew Cyrille and Chico Hamilton – Haynes had a way of making the kit talk that's quite different than his roots in 50s jazz. Here, he's playing with a very hip quartet that includes Frank Strozier on alto and flute, Ronnie Matthews on piano, and Larry Ridley on bass – crafting tunes that swing at a lovely level, yet also have far-reaching and exploratory passages. The whole album's a delight – and titles include "Modette", "Go N Git It", "La Palomeinding", and "Hag". LP, Vinyl record album

Possible matches9
CD, LP, Vinyl record album cover art
Jimmy HeathNice People (with bonus tracks) ... CD
Riverside/OJC, 1959. Used ... $4.99
A nice little collection of some classic hard bop from Jimmy Heath, with a few of the sides of some the stuff he recorded with larger ensembles thrown in for good measure, pulled together in the 80s, once the OJC family of labels came under the Fantasy umbrella. Heath's Riverside recordings of the late 50s and early 60s is some of our favorite material on the label, recording with a soulful, hip edge and fiery hard bop energy. This collection pulls numbers from The Thumper, Really Big!, The Quota, Triple Threat, Swamp Seed and On The Trail, and feature a host of top notch players, including Nat Adderley, Curtis Fuller, Wynton Kelly, Paul Chambers, Pat Patrick, Cannonball Adderley, Julius Watkins, Freddie Hubbard, Cedar Walton, and brothers Percy and Albert Heath. Tracks include "Nice People", "Who Needs It?", "The Picture Of Heath", "Down Shift", "Lowland Lullaby", "Dew & Mud", "Wall To Wall" and "All The Things You Are". CD includes two bonus tracks "Goodbye" & "Swamp Seed". CD
(Out of print.)

Possible matches10
CD, LP, Vinyl record album cover art
✨✧ Charles McPhersonMcPherson's Mood ... CD
Prestige, 1970. Used ... $6.99
A really beautiful batch of tracks from Charles McPherson – with a late 60s approach to soul jazz that reminds us of some of the work by Sonny Criss on Prestige, or of some of Cedar Walton's sessions from the same time. McPherson's moved way past his earlier bop roots here – stretching things with a hip group that includes Buster Williams, Roy Brooks, and Barry Harris – crafting tunes that point the way at soul jazz in the 70s, with a more complicated and sophisticated approach to rhythm, but still a firm commitment to swing! Titles include "Explorations", "Mish Mash Bash", "Opalescence", and "My Cherie Amour". CD
(Out of print.)

Possible matches11
CD, LP, Vinyl record album cover art
Mark MurphyJazz Singer – Anthology – The Muse Years 1972 to 1991 ... LP
Muse/Soul Brother (UK), 1970s/1980s. New Copy 2LP ... $19.99
A killer collection of work from one of the hippest jazz singers of all time – captured here at a point when he was really opening up into some fresh, unique territory of his own! Mark Murphy first began recording in the mid 50s for Decca, and had a run of other records in the 60s for Capitol, Fontana, and other labels – but by the time he hit Muse Records in the 70s, he was really open to new ideas – and able to do far more than just the simple singing of a tune! Instead, he'd worked his voice into a mode that was more like an instrument overall – able to run free with brilliant solo passages, and inflect the lyrics in ways that even the great singers of years before might never have dreamed of! And at Muse, he got excellent support and instrumental backing – always hip combos, and the freedom to create the sort of special albums that still make his records for the label a real high point in the development of jazz vocals. These are sides that went onto inform generations of singers – from Kurt Elling, to Gregory Porter, and so many others – and this well-chosen selection of songs is completely sublime. Titles include "On The Red Clay", "Stolen Moments", "Effendi", "Naima", "Maiden Voyage", "Lookin For Another Pure Love", "Waters Of March", "Come & Get Me", "Be-Bop Lives", "Dingwalls", "Cantaloupe Island", "Sly", "Empty Faces", and "Two Kites". LP, Vinyl record album

Possible matches12
CD, LP, Vinyl record album cover art
Various808 – The Music ... CD
Big Beat, 1980s/2016. New Copy ... $16.99 18.98
A fantastic tribute to the 808 drum machine – tracks all pulled together in support of the documentary on the magical beatmaker – but a set that stands more than strongly on its own! The mix of music is great – a heavy dose of 80s hip hop and club tracks, mixed with some more contemporary cuts from recent years – tracks that mark the return of the 808 to beatmaking strength – as a younger generation of creators embrace its sound all over again! Titles include "Set It Off" by Strafe, "Play At Your Own Risk" by Planet Patrol, "Yo Bum Rush The Show" by Public Enemy, "Planet Rock" by Afrika Bambaataa & The Soulsonic Force, "Paul Revere" by The Beastie Boys, "It's Yours" by T La Rock & Jazzy Jay, "Flow Coma" by 808 State, "Let The Music Play" by Shannon, "Hip Hop Be Bop" by Man Parrish, "Kickdrum" by Felix Da Housecat, "What You Gon Do" by Lil Jon & The East Side Boyz, "Vibrate" by Fluxx Pavillion, "Nothing But Trouble" by Lil Wayne & Charlie Puth, and "Gosh" by Jamie XX. CD
Also available 808 – The Music (180 gram pressing) ... LP 25.99

Possible matches13
CD, LP, Vinyl record album cover art
Various808 – The Music (180 gram pressing) ... LP
Big Beat, 1980s/2016. New Copy 2LP Gatefold ... $25.99
A fantastic tribute to the 808 drum machine – tracks all pulled together in support of the documentary on the magical beatmaker – but a set that stands more than strongly on its own! The mix of music is great – a heavy dose of 80s hip hop and club tracks, mixed with some more contemporary cuts from recent years – tracks that mark the return of the 808 to beatmaking strength – as a younger generation of creators embrace its sound all over again! Titles include "Set It Off" by Strafe, "Play At Your Own Risk" by Planet Patrol, "Yo Bum Rush The Show" by Public Enemy, "Planet Rock" by Afrika Bambaataa & The Soulsonic Force, "Paul Revere" by The Beastie Boys, "It's Yours" by T La Rock & Jazzy Jay, "Flow Coma" by 808 State, "Let The Music Play" by Shannon, "Hip Hop Be Bop" by Man Parrish, "Kickdrum" by Felix Da Housecat, "What You Gon Do" by Lil Jon & The East Side Boyz, "Vibrate" by Fluxx Pavillion, "Nothing But Trouble" by Lil Wayne & Charlie Puth, and "Gosh" by Jamie XX. LP, Vinyl record album
Also available 808 – The Music ... CD 16.99

Possible matches14
CD, LP, Vinyl record album cover art
VariousModern Vocal Groups Vol 3 ... CD
Ace (UK), 1950s. Used ... $8.99
A huge discovery in vocal group material from the 50s – served up in this excellent series of tracks from the vaults of LA's Modern Records label! Most folks associate the early vocal group sounds with the east coast or Chicago scenes of the postwar years – but there was also plenty of harmonizing and doo wop on the west coast, too – although sometimes not as well-exposed as the bigger hits back east! This series really corrects that mistake – and serves up a stunning wealth of work from the early Cali scene – tracks recorded by the Modern Records label, a company with a rich legacy in jump blues, R&B, and other hip postwar styles – all of which they brought to play on their recordings in a vocal group mode. The Modern approach often has some wonderful arrangements that further empower the vocals – a harder swing that gives the singers the same push as some of the label's solo acts – and as usual for Ace Records, this collection moves way past the hits, to include some unreleased tracks, and rare singles from the Modern, RPM, Crown, and Flair labels. Volume 3 features 25 tracks that include "I Cry" by The Cadets, "My Heart's Crying For You" by The Chimes, "Oo Wah" by Buddy Milton & The Twilighters, "My Darling My Sweet" by The Flairs, "Cheatin On Me" by Curtis Irvin & The Sparks, "God Gave Me You" by Richard Berry, "Do The Bop" by Arthur Lee Maye & The Crowns, "Ipsy Opsie Ooh" by Shirley Gunter & The Flairs, "Yours Alone" by Bobby Relf & The Laurels, "Please Remember My Heart" by The Five Bells, "Hold Me Squeeze Me" by Etta James & The Peaches, and "Song Of The Wanderer" by The Ebonaires. CD
Also available Modern Vocal Groups Vol 3 ... CD 8.99

Possible matches15
CD, LP, Vinyl record album cover art
VariousModern Vocal Groups Vol 3 ... CD
Modern/Ace (UK), Mid 50s. New Copy ... $8.99 18.99
A huge discovery in vocal group material from the 50s – served up in this excellent series of tracks from the vaults of LA's Modern Records label! Most folks associate the early vocal group sounds with the east coast or Chicago scenes of the postwar years – but there was also plenty of harmonizing and doo wop on the west coast, too – although sometimes not as well-exposed as the bigger hits back east! This series really corrects that mistake – and serves up a stunning wealth of work from the early Cali scene – tracks recorded by the Modern Records label, a company with a rich legacy in jump blues, R&B, and other hip postwar styles – all of which they brought to play on their recordings in a vocal group mode. The Modern approach often has some wonderful arrangements that further empower the vocals – a harder swing that gives the singers the same push as some of the label's solo acts – and as usual for Ace Records, this collection moves way past the hits, to include some unreleased tracks, and rare singles from the Modern, RPM, Crown, and Flair labels. Volume 3 features 25 tracks that include "I Cry" by The Cadets, "My Heart's Crying For You" by The Chimes, "Oo Wah" by Buddy Milton & The Twilighters, "My Darling My Sweet" by The Flairs, "Cheatin On Me" by Curtis Irvin & The Sparks, "God Gave Me You" by Richard Berry, "Do The Bop" by Arthur Lee Maye & The Crowns, "Ipsy Opsie Ooh" by Shirley Gunter & The Flairs, "Yours Alone" by Bobby Relf & The Laurels, "Please Remember My Heart" by The Five Bells, "Hold Me Squeeze Me" by Etta James & The Peaches, and "Song Of The Wanderer" by The Ebonaires. CD
Also available Modern Vocal Groups Vol 3 ... CD 8.99

Possible matches16
CD, LP, Vinyl record album cover art
VariousTwelve Inch Eighties – Rhythm Is Gonna Get You (3CD set) ... CD
Crimson (UK), 1980s. New Copy 3CD ... $12.99
Pop, soul, and a whole lot more – all presented here in a set of 12" single mixes that really rocked the dancefloor back in the eighties! Apart from the underground scenes of hip hop and house, the decade also had a great moment where lots of styles criss-crossed in the clubs – and found a way to resonate together, thanks to the mixing power of the 12" single – a format that was arguably at its height during the 80s! This set hearkens back to those glory days – and presents a set of 30 tracks that include "Wishing (ext)" by Flock Of Seagulls, "State Of Shock (dance mix)" by The Jacksons, "Rhythm Is Gonna Get You (special 12" dance mix)" by Miami Sound Machine, "Stop To Love (12" mix)" by Luther Vandross, "Hitmix (official bootleg megamix)" by Alexander O'Neal, "Freeway Of Love (rock mix)" by Aretha Franklin, "Cuddly Toy (ext mix)" by Roachford, "Out Of Touch (club mix)" by Hall & Oates, "Hazy Shade Of Winter (purple haze clean mix)" by The Bangles, "She Bop (special dance mix)" by Cyndi Lauper, "See Those Eyes (dance mix)" by Altered Images, "Life In Tokyo (12" ext)" by Japan, "We Are Detectives" by Thompson Twins, "Fight For Ourselves (ext rmx)" by Spandau Ballet, "Hey Manhattan (JFK rmx)" by Prefab Sprout, "Go Wild In The Country (12" mix)" by Bow Wow Wow, "Eye Of The Tiger (special ext European version)" by Survivor, and "Medicine Show (ext rmx)" by Spandau Ballet. CD

Possible matches17
CD, LP, Vinyl record album cover art
✨✧ Gil Fuller with Dizzy GillespieGil Fuller & The Monterey Jazz Festival Orchestra featuring Dizzy Gillespie ... LP
Pacific Jazz, 1965. Used ... Temporarily Out Of Stock
One of Dizzy Gillespie's hippest big band sessions ever – and one of the few dates as a leader from arranger Gil Fuller! Fuller will always be best-remembered as the man who composed some of Dizzy Gillespie's best known tunes from the bop era – like "Manteca", "One Bass Hit", and "Things To Come" – but on this album from 1965, he's reunited with Dizzy for a large group set of tracks that feature Diz as the main soloist – at a level that really shows the growth of both men at the time! Fuller's charts are large and full, but with a sense of space that's really amazing – almost like some of the soundtrack work Dizzy had done for The Cool World – with a mix of soulful and modern moments that's really wonderful. The group's kind of a mix of hip LA players – with Phil Moore Jr on piano, Dennis Budimir on guitar, and Jimmy Bond on bass – plus a larger set of horn players backing Dizzy up. Titles include a number of great originals – such as "Be's That Way", "Big Sur", "Things Are Here", "Man From Monterey", and "Angel City". LP, Vinyl record album
(Black label pressing.)

Possible matches18
CD, LP, Vinyl record album cover art
✨✧ Frank MorganReflections ... CD
Contemporary, 1988. Used ... Temporarily Out Of Stock
Excellent later work from Frank Morgan – the legendary LA altoist who first burned brightly in the bop generation, then came back to make really rich recordings like this! The set's got Frank in some really great company – a hip sextet that features Joe Henderson on tenor, Bobby Hutcherson on vibes, Mulgrew Miller on piano, Ron Carter on bass, and Al Foster on drums – a sweet modern jazz lineup that ensures that the record's filled with sharp changes and deep colors – arguably a lot more so than some of Morgan's later revival sessions – with a vibe that's much more like some of Hutcherson or Henderson's best from the 80s. Titles include "Old Bowl New Grits", "Starting Over", "Reflections", "OK", and "Black Narcissus". CD

Possible matches19
CD, LP, Vinyl record album cover art
✨✧ Mark MurphyJazz Singer – Anthology – The Muse Years 1972 to 1991 ... CD
Muse/Soul Brother (UK), 1970s/1980s. New Copy ... Temporarily Out Of Stock
A killer collection of work from one of the hippest jazz singers of all time – captured here at a point when he was really opening up into some fresh, unique territory of his own! Mark Murphy first began recording in the mid 50s for Decca, and had a run of other records in the 60s for Capitol, Fontana, and other labels – but by the time he hit Muse Records in the 70s, he was really open to new ideas – and able to do far more than just the simple singing of a tune! Instead, he'd worked his voice into a mode that was more like an instrument overall – able to run free with brilliant solo passages, and inflect the lyrics in ways that even the great singers of years before might never have dreamed of! And at Muse, he got excellent support and instrumental backing – always hip combos, and the freedom to create the sort of special albums that still make his records for the label a real high point in the development of jazz vocals. These are sides that went onto inform generations of singers – from Kurt Elling, to Gregory Porter, and so many others – and this well-chosen selection of songs is completely sublime. Titles include "On The Red Clay", "Stolen Moments", "Effendi", "Naima", "Maiden Voyage", "Lookin For Another Pure Love", "Waters Of March", "Come & Get Me", "Be-Bop Lives", "Dingwalls", "Cantaloupe Island", "Sly", "Empty Faces", and "Two Kites". CD
Also available Jazz Singer – Anthology – The Muse Years 1972 to 1991 ... LP 19.99

Possible matches20
CD, LP, Vinyl record album cover art
✨✧ Bud PowellAmazing Bud Powell Volume 2 ... LP
Blue Note, 1953. Used ... Temporarily Out Of Stock
Bud's second LP for Blue Note – a firey batch of trio tracks that feature George Duvivier on bass and Art Taylor on drums – some of Powell's best work from the time, and a nearly all-classic set of bop piano tracks! The album's nothing fancy on the outset, but Powell and the trio really make magic happen on the best of moments – lighting fire underneath old standards, while also unveiling some hip new originals that are really worth the price of the set. Titles include "I've Got You Under My Skin", "Sure Thing", "Reets & I", "Glass Enclosure", and "Collard Greens & Black Eyed Peas", "Audrey", and "Autumn In New York". LP, Vinyl record album
(80s DMM pressing.)

Possible matches21
CD, LP, Vinyl record album cover art
✨✧ Phil WoodsRound Trip ... LP
Verve, 1969. Used ... Temporarily Out Of Stock
Hip and groovy work from Phil – very different than both his earlier bop-heavy sides, and his freer European recordings – recorded with some great backings by Johnny Pate, the excellent Chicago soul arranger who also did some great soundtrack work! Pate's come up with some tight short tracks that have a nice groovy late 60s Verve feel – over which Woods solos angularly on alto, working amidst woodwinds by Jerome Richardson and Jerry Dodgion, piano by Herbie Hancock, trumpet by Thad Jones, and some light strings that trickle in and out from time to time. Titles include "How Can I Be Sure", "Guess What", "Come Out With Me", "Round Trip", "Love Song For A Dead Che", and "Flowers". LP, Vinyl record album
(White label promo. Cover has light wear & a DJ sticker.)

Possible matches22
CD, LP, Vinyl record album cover art
✨✧ Pete BrownPeter The Great ... CD
Bethlehem/Solid (Japan), 1954. New Copy ... Out Of Stock
One of the few albums ever as a leader from alto saxophonist Pete Brown – a less-remembered talent of his times, but a key link between the generations of bop and swing! The set was only issued as a 10" LP, but packs the full punch of most longer albums – sublime alto from Brown with a crisp tone firmly in place – sitting somewhere between older bop players and some of the emerging Tristano-ites from the east coast – a vibe that's almost like Charlie Mariano or Dick Johnson in their best younger years, but with a bit more soul too. The group's a hip sextet – with trumpet from Joe Wilder, guitar from Wally Richardson, and piano by Wadde Legge – and the album includes a great version of "The World Is Waiting For The Sunrise", plus the nice originals "Delta Blues" and "Used Blues". CD
 
Partial matches: 66
Partial matches29
CD, LP, Vinyl record album cover art
✨✧ Matthew ShippNu Bop ... CD
Thirsty Ear, 2002. Used ... Out Of Stock
... CD

Partial matches30
CD, LP, Vinyl record album cover art
✨✧ Freddie HubbardFastball – Live At The Left Bank ... CD
Label M, 1967. Used ... Temporarily Out Of Stock
Great live material – recorded during the late 60s as part of the Left Bank Jazz Society series in Baltimore, but never issued until now! The work captures Freddie Hubbard in that great Atlantic Records mode – crafting a mixture of hip hardbop and nascent 70s soul soloing, working here with a quintet that features all wonderful players, including Benny Maupin on tenor, Kenny Barron on piano, Herbie Lewis on bass, and Freddie Waits on drums. The set's one of the best in this series on Label M – and it's essential work if you dig Hubbard at this key moment! Titles include "Pensativa", "Echoes Of Blue", "Crisis", and "Bob's Place". CD

Partial matches31
CD, LP, Vinyl record album cover art
Jutta HippJutta Hipp Quintet – New Faces New Sounds From Germany (10 inch LP) ... LP
Blue Note, 1954. Near Mint- ... $29.99
An amazing early bop session from Germany! During the 50s, pianist Jutta Hipp cut a number of straighter sides for Blue Note that were recorded in the US – but this first album has her working with German contemporaries like Joki Freund on tenor sax and Emil Mangelsdorff on alto, carving out a dark little batch of tracks with a sharper edge than you'd expect! Although Hipp's the leader, it's the amazing horn interplay that really makes the record shine – as Mangelsdorff and Freund work in unison on many of the intros to the songs, cutting back and forth like a double-edged sword, then breaking out into wonderfully compact solos. About 3 tracks feature Hipp in a trio, but the remaining 5 feature this quintet – and it's just great! Titles include "Cleopatra", "Mon Petit", "What's New", and "Variations". 2015 Blue Note Authorized Dealer pressing – in celebration of Blue Note's 75th Anniversary – and the indie retailers that support them! LP, Vinyl record album
(Japanese 10" pressing - with obi!)

Partial matches32
CD, LP, Vinyl record album cover art
VariousBeat Generation – L'Anthologie Musicale – Hep Cats, Hipsters, & Beatniks 1936 to 1962 ... CD
Fremeaux & Associates (France), Late 30s/1940s/1950s/Early 60s. New Copy 3 CDs ... $18.99 29.99
A really cool set that looks at the rise of late 50s beatnik culture from a variety of different styles – not just the jazz and poetry that marked that scene's biggest contribution to music – but also the wealth of modes that inspired those years too! The 3CD package features a stunning 57 titles in all – and begins in the late 30s with hard-edged small combo work and jive-heavy vocal tracks – then runs past WWII to include some bebop, R&B, and very cool vocal numbers – before moving into Greenwich Village classic sounds in a mix of spoken word, jazz poetry, and even a bit of folk! The booklet is filled with notes and history in both English and French – and titles include "The Beat Generation" by Bob McFadden, "High School Drag" by Phillipa Fallon, "The Nazz" by Lord Buckley, "American Haikus" by Jack Kerouac & Al Cohn, "Route 66" by Bobby Troup, "Gator Tail (part 2)" by Cootie Williams, "Rock & Roll" by Wild Bill Moore, "Killin Jive" by Cats & The Fiddle, "You'se A Viper" by Stuff Smith, "Scrapple From The Apple" by Les Double Six, "Kookie's Mad Pad" by Ed Byrnes, "So What" by Eddie Jefferson, "Howl" by Allen Ginsberg, "I Sing Of Olaf" by Roger Steffans, "Say Man" by Bo Diddley, "Shulie A Bop" by Sarah Vaughan, and "The Rocket Ship Show" by Jocko Henderson. CD

Partial matches33
CD, LP, Vinyl record album cover art
✨✧ Parliament5 Classic Albums (Mothership Connection/Clones Of Dr Funkenstein/Funketelechy Vs The Placebo Syndrome/Motor Booty Affair/Gloryhallastoopid) ... CD
Casablanca/Universal (UK), Late 70s. New Copy 5 CDs ... Temporarily Out Of Stock
A funk fan's dream come true – five classic albums from Parliament, all presented in tiny LP-styled covers! First up is Mothership Connection – still some of the tightest, sharpest funk you'll ever hear – all these many decades later. The instrumentation is razor-sharp – played by giants like Fred Wesley, Maceo Parker, Bootsy Collins, and Bernie Worrell – and the lyrics still have all the edginess and naughtiness of the earlier years – tied together wonderfully to make a very unified album, and one that's full of classics too! Titles include "Mothership Connection (Star Child)", "Night Of The Thumpasorus Peoples", "P-Funk (Wants To Get Funked Up)", "Handcuffs", "Give Up The Funk (Tear The Roof Off The Sucker)", and "Unfunky Ufo". Clones Of Dr Funkenstein has that tightened-up P-Funk sound that was working so perfectly at the time – still with all the fuzzy haired elements of earlier years, but presented with a bit more focus – and a powerhouse swing that really drives the tracks home with a funky groove on the bottom! There's a flowing sort of energy here that almost makes you think that the whole thing just emerged naturally from the brain of George Clinton – but all ensemble players have a strong hand in the action, and really get some great moments in on the set. Cuts include "Gamin' On Ya", "Do That Stuff", "Children Of Production", and "I've Been Watching You (Move Your Sexy Body)". Funkentelechy is a masterful dose of slick mothership jamming – perfectly woven together with that tightly compressed style that really served Clinton's production work well. The tracks are long, but never too loopy – and thanks to help from the Bernie Worrell, Jerome Brailey, Gary Shider, and the Horny Horns, the album stays very tight instrumentally all the way through! Loads of Parliament classics, including "Bop Gun", "Funkentelechy", "Sir Nose D'Voidoffunk", and the massive "Flash Light", which we've heard a million times, but which never ceases to amaze us! On Motorbooty Affair, The Mothership goes under water – as George Clinton and crew groove away nicely on this water-themed set of tracks designed to raise Atlantis from the deep! The overall sound is perhaps not as totally perfect as some of the earlier albums, but the P-Funk machine is still in full effect – cranking away nice and hard on tracks like "Liquid Sunshine", "Motor Booty Affair", "Deep", "Rumpofsteelskin", and "(Your'e A Fish And I'm A) Water Sign". Plus, the album more than makes up for a lack of standout tracks with a nicely-united theme – almost a "concept album" of the funky type! Gloryhallastoopid is a set that's very tight and funky, and which really picks up the groove first laid down on "Flashlight"! There's a tightly snapping approach here that rivals the best late 70s work by Funkadelic – the later P-Funk mode that's even more focused on rhythms than before, and which gets away from the sloppy stuff to really hit home with the groove! Tunes are steeped in horny horns, wah wah guitar, and lots of electric keyboards – and titles include "The Big Bang Theory", which is virtually a blueprint for the LA G-funk sound of the 80s – plus the tracks "The Freeze", "May We Bang You?", "Party People", and "(GloryHallaStoopid) Pin The Tail On The Funky". CD

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✨✧ VariousBossanova – Cool Bossa Nova & Hip Samba Sounds From Rio De Janeiro ... CD
We Want Sounds (France), Late 50s/Early 60s. New Copy 2CD ... Temporarily Out Of Stock
Not some overplayed bossa pop numbers, but instead the very real deal – the kind of cuts that set the Rio scene on fire when they were first released at the start of the 60s – and which still sound wonderful all these many years later, especially when brought together in a collection this huge! Many of these numbers weren't issued in the US at the time – or anywhere else outside of Brazil – and the package is overflowing with rare gems that show off the perfect blend of jazzy instrumentation, light but lively rhythms, and blue-tinged vocals that made the bossa generation so great! Titles include "Ciume" by Alaide Costa, "Tema Sem Palavras" by Johnny Alf, "Sambop" by Leny Andrade, "Tem Que Balancar" by Celso Murilo, "Muito A Vontade" by Joao Donato, "Boato" by Walter Wanderley, "Mesmo De Mentira" by Elis Regina, "Onde Anda O Meu Amor" by Orlandivo, "A Rosa" by Ed Lincoln, "Pernas" by Sergio Ricardo, "Nem Eu" by Lucio Alves, "Meditacao" by Maysa, "Samba De Uma Nota So" by Sylvia Telles, "Chega De Saudade" by Elizete Cardoso, and "Samba Em Preludio" by Agostinho Dos Santos & Rosana Toledo. 2CD set features 40 tracks in all! CD

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✨✧ VariousBossanova – Cool Bossa Nova & Hip Samba Sounds From Rio De Janeiro ... LP
We Want Sounds (France), Late 50s/Early 60s. New Copy ... Out Of Stock
Not some overplayed bossa pop numbers, but instead the very real deal – the kind of cuts that set the Rio scene on fire when they were first released at the start of the 60s – and which still sound wonderful all these many years later, especially when brought together in a collection this huge! Many of these numbers weren't issued in the US at the time – or anywhere else outside of Brazil – and the package is overflowing with rare gems that show off the perfect blend of jazzy instrumentation, light but lively rhythms, and blue-tinged vocals that made the bossa generation so great! Titles include "Ciume" by Alaide Costa, "Tema Sem Palavras" by Johnny Alf, "Sambop" by Leny Andrade, "Tem Que Balancar" by Celso Murilo, "Muito A Vontade" by Joao Donato, "Boato" by Walter Wanderley, "Mesmo De Mentira" by Elis Regina, "Onde Anda O Meu Amor" by Orlandivo, "A Rosa" by Ed Lincoln, "Pernas" by Sergio Ricardo, "Nem Eu" by Lucio Alves, "Meditacao" by Maysa, "Samba De Uma Nota So" by Sylvia Telles, "Chega De Saudade" by Elizete Cardoso, and "Samba Em Preludio" by Agostinho Dos Santos & Rosana Toledo. LP, Vinyl record album

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✨✧ Roy HaynesRoy Haynes Hip Ensemble ... CD
Mainstream/Boplicity (UK), 1971. New Copy ... Out Of Stock
Drummer Roy Haynes works here with an ensemble that's definitely as hip as the title promises – a really righteous group that makes the album one of Roy's most spiritual records ever! Haynes was always a drummer who was really a cut above, even back at the start – but here, he really steps out strongly with a new musical vision for the 70s – working with a lineup that includes George Adams on tenor and flute and Marvin Hannibal Peterson on trumpet – but players who give the music a really bold feel, right from the start! The rest of the lineup is wonderful, too – as Carl Schroeder plays Fender Rhodes with this flowing vibe that's plenty soulful – alongside bass from Terud Nakamura and Mervin Bronson, conga from Lawrence Kilian, bongo from Elwood Johnson, and more drums from Haynes himself. Titles include a sublime reading of Stanley Cowell's "Equipoise" – plus "Tangiers", "You Name It", and "Satan's Mysterious Feeling". CD

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Art Ensemble Of ChicagoNaked ... LP
DIW (Japan), 1986. Near Mint- ... $39.99
The start of a beautiful relationship between the Art Ensemble Of Chicago and the DIW label – a Japanese imprint who brought the group back to full prominence in the years after they stopped recording for ECM! DIW also let the group really do their own thing, too – almost moving back to some of their best 70s modes in a recording like this – nicely mixing up many different strands of musical influences, all in a very open space that leaves plenty of room for more sensitive moments. The only change might be the increasing presence of some of Lester Bowie's brassier modes – which bring a straighter groove at a few points – but the offbeat reed work of Joseph Jarman and Roscoe Mitchell more than offset those moments. Titles include "Charm #10", "Dancer", "We Bop", "Galactic Landscape", "RMR", and "Way Way Down Yonder". LP, Vinyl record album
(Includes insert and wrap-around.)

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Art Blakey/Georges Arvanitas/JATPJazz In Paris – Jazz Et Cinema Vol 2 – Des Femmes Disparaissent/Les Tricheurs/La Bride Sur Le Cou ... CD
Universal (Japan), 1958/1961. New Copy ... About March 22, 2017
Three great French jazz soundtracks on one CD! The bulk of the set is taken up with Art Blakey's wornderful score to the film Des Femmes Disparaissent – which features work by Jazz Messengers Lee Morgan, Bobby Timmons, and Benny Golson, recorded in Paris in 1958, with a hip swinging hardbop sound. These tracks make up 17 titles on the CD – with songs that include "Mambo Dans La Voiture", "Merlin", "Tom", "Nasol", and "Blues Pour Vava", plus a few solo drum tracks that are really great! 4 more tracks are from the rare ep-only soundtrack to Les Tricheurs – played by a Jazz At The Philharmonic group that includes Stan Getz, Oscar Peterson, Coleman Hawkins, and Roy Eldridge. Tracks on those numbers include "Les Tricheurs", "Phil's Tune", and "Mic's Jump". The last 2 tracks on the CD – "La Bride Sur Le Cou" and "Brigitte Strip Blues" – are by a quintet led by pianist Georges Arvanitas, and featuring trumpet by Bernard Vitet and tenor by Francois Jenneau. Very hip stuff all around – and a real treat for fans of jazz and film alike! CD

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Teddy CharlesSalute To Hamp ... CD
Bethlehem/Avenue, 1958. Used ... $1.99
A salute to Lionel Hampton, but one that goes way past the usual – thanks to a very hip group led by vibist Teddy Charles! Teddy made lots of great records in the 50s, and this is definitely one of them – a batch of tunes associated with Hamp, but played here by a modernist hardbop lineup that includes Art Farmer on trumpet, Zoot Sims on tenor, and Bob Brookmeyer on trombone – all players who really help add their voices to the music in wonderful ways, with some especially rich tonal colors that sound great next to Teddy's vibes. The rhythm section is mighty sweet too – with Addison Farmer on bass and Ed Thigpen on drums – keeping the grooves past another Hamp rehash – and titles include "Midnight Sun", "He's Gone Again", "Stardust", "Blue Hamp", "Moonglow", and "Air Mail Special". CD
(Punch through barcode & promotional stamp inside booklet.)

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Tadd DameronClassics Of Modern Jazz Vol 3 – The Tadd Dameron Band ... LP
Jazzland, Late 40s/1962. Very Good+ ... $18.99
Very sharp LP issue of some of the legendary late 40's bop recordings that were cut in New York under the leadership of Tadd Dameron! The groups are all pretty darn smoking, and the record features some classic work by Fats Navarro, Allan Eager, and Kenny Clarke. Tracks are longer than the usual 3-minute bop side, and titles include "Wahoo", "Good Bait", "Tiny's Blues", and "Symphonette". LP, Vinyl record album
(Orange label Jazzland pressing, with deep groove. Spine has split, but rest of cover is nice.)

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✨✧ Richard DavisEpistrophy & Now's the Time ... LP
Muse, 1972. Very Good ... $16.99
One of Richard Davis' hippest records of the 70s – a live session recorded with two very strong hornmen in front – Clifford Jordan on tenor and Hannibal Peterson on trumpet, both blowing beautifully in very spacious, and open-ended styles! The album only features two long tracks – each running a side apiece – and although they're familiar jazz standards, Davis really opens them up with his performance – letting the group take them in a space that's somewhere between open loft jazz modes, and more familiar bop improvisation – but definitely at the left fringes of that style! The rest of the group features Joe Bonner on piano and Freddie Waits on drums – and the album's almost more typical of Clifford Jordan's albums from the time, than it is Davis' more tightly-arranged sessions for Muse. Tracks include versions of "Epistrophy" and "Now's The Time" that both run for over 20 minutes! LP, Vinyl record album
(White label promo. Cover has light wear.)

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✨✧ Dizzy Gillespie & The Double Six Of ParisDizzy Gillespie & The Double Six Of Paris ... CD
Philips, 1963. Used ... $7.99
A rare 60s meeting of groovy talents from both sides of the Atlantic – and a record that matches the trumpet of Dizzy Gillespie with the hiply swinging vocals of The Double Six Of Paris! The group were a wonderfully groovy precursor to the Swingle Singers – and sung in a scatting approach to jazz vocals that was very much in the tradition of Lambert, Hendricks, & Ross – but also drew inspiration from the earlier work of Eddie Jefferson, King Pleasure, and others. Their sound is great – much more 60s groovy than some other vocal groups – and pairing them with Dizzy gives this record an added punch that some of their other sessions are missing! Backing is small combo throughout – with either Bud Powell or Kenny Barron on piano, Kenny Clarke on drums, and James Moody on tenor – and with the presence of Diz, most of the material here is of bop orientation – taken at a fast and lively clip! Lalo Schifrin arranged the whole session too – and titles include "One Bass Hit", "Blue N Boogie", "Emanon", "Groovin High", "Ow", "The Champ", "Tin Tin Deo", "Hot House", and "Con Alma". CD
(Out of print pressing.)

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Bennie Green & Gene AmmonsSwingin'est (with bonus tracks) ... CD
Vee Jay, 1959. Used ... $7.99
A hard set of soul jazz grooves – recorded under the leadership of the great trombonist Benny Green, and one of his few albums not for Blue Note or Prestige! The sound is very much in the Prestige hardbop mode of the late 50s – and Green heads up a group that includes Gene Ammons and Frank Foster on tenor, Nat Adderley on cornet, Frank Wess on flute and tenor, and Tommy Flanagan on piano– a similar lineup, with a similar sound, to some of the albums recorded under Ammons' name as "blowing sessions". The cuts are long, with laid back laid out solos – and titles include "Jim Dog", "Going South", and "Little Ditty". CD features bonus alternate takes of 4 tracks! CD
(Out of print earlier CD pressing.)

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✨✧ Johnny GriffinWay Out! ... LP
Riverside, 1958. Very Good- ... $11.99
One of the sharpest 50s sessions from Johnny Griffin – a hip quartet date for Riverside, done at the time when he was working heavily with Thelonious Monk! The album's definitely got an angular groove that shows Monk's influence, but it's also shows Griffin's Chicago's roots as well – with an approach to hardbop that's plenty tight, but never too much so to lose its sense of soul – that careful balance that players like Griffin, Clifford Jordan, or Von Freeman were bringing to tenor improvisation at the time. The rest of the group's perfectly suited to this mode – and features Kenny Drew on piano, Wilbur Ware on bass, and Philly Joe Jones on drums. Titles include "Little John", "Where's Your Overcoat Baby", "Hot Sausage", "Teri's Tune", and "Sunny Monday". LP, Vinyl record album
(Japanese pressing – with insert.)

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Dave GrusinKaleidoscope ... CD
Columbia (UK), 1964. New Copy ... $5.99
A very hip early album from the young Dave Grusin – quite different than both his later soundtrack and fusion fame, and a really tight record with a sharp hardbop vibe! The group here is excellent – with strong tenor from Frank Foster, and cornet from Thad Jones – and super-sharp rhythms from the mighty Bob Cranshaw on bass, and drums from Larry Rosen – who work with Grusin in a mode that's quite different than you'd expect. Dave shows a strong early talent for arranging, and he gives the soloists a lot of room – but his piano is also great in itself, and has a nice warm lyrical style that's hardly hinted at in his later work. A surprisingly strong album, and with lots of nice cuts, including "Inez", "Stella By Starlight", "Kaleidoscope", and "Gozwell". CD

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Jimmy HeathThumper ... LP
Riverside, 1959. Very Good- ... $24.99
A definite thumper from the young Jimmy Heath – proof that he was always one of the hippest cats in his scene, even at the start! The record's ostensibly a blowing session with a handful of like-minded hardboppers from the late 50s – but as usual for Heath, the overall sound is something deeper in the end – way more than just some simple solo moments over straight rhythms, and instead a record that really takes off with a well-arranged sense of energy! Even at this early date, Jimmy's showing a great talent for putting a group together – and he works the sextet with an feeling that hints strongly at soul jazz modes to emerge in the 60s – especially the deeper-toned styles of some of the groups in which Heath would work as a sideman later on in the decade. Players here include Nat Adderley on cornet, Curtis Fuller on trombone, Wynton Kelly on piano, Paul Chambers on bass, and Albert Tootie Heath on drums – but 2 of the album's tracks feature Jimmy alone with the rhythm section. Titles include "For Minors Only", "Who Needs It?", "Don't You Know I Care", "Two Tees", "The Thumper", "Newkeep", "For All We Know", "I Can Make You Love Me", and "Nice People". LP, Vinyl record album
(Original small blue label Bill Grauer pressing with deep groove. Cover has wide masking tape on all seams.)

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Jazz StudioJazz Studio Vol 5 & 6 – Complete Sessions ... CD
Lonehill (Spain), 1955/1957. Used ... $9.99
The last 2 sessions in Decca's Jazz Studio series – both of them pretty darn unique! Jazz Studio 5 was put together under the leadership of arranger Ralph Burns – one of our favorite jazz arrangers ever! As proven by some of his impeccable work crafting larger backings for artists on the Verve and Clef labels, Burns had an approach that was quite different than most of his contemporaries. He worked in a mode that seemed pretty standard at the outset – with an approach to backdrops that worked in broad colors of sound and tone – but he also had a talent for putting in strange modern twists, little surprises, and other embellishments that never detracted from the soloist, and instead seemed to keep them on their toes, forcing them to really come up with some great stuff during their time at the recording. You'll hear plenty of that kind of action going on here – in one of Burns' rarest sets ever, recorded with a group that includes Billy Byers, Joe Newman, Dave Schildkraut, Herbie Mann, and Milt Hinton. Mann's particularly great, and plays a number of horns with ease – and titles include "Cool Cat On A Hot Tin Roof", "What Am I Here For", "I'll Be Around", "Jazz Club USA", and "South Gonzales Street Parade. Jazz Studio 6 is an equally enigmatic set of modern jazz – recorded by the Amram-Barrow Quartet – an obscure group led by tenor saxophonist George Barrow and horn player David Amram, the latter of whom would go onto great fame in the 60s and 70s for his groundbreaking arrangements, soundtrack work, and world/jazz experiments! At this point, Amram's a young modernist with some very fresh ideas – and contributes some wonderful original tunes to the session with a moody east coast style that almost has traces of the Mingus camp – particularly the work of Jimmy Knepper and Pepper Adams. George Barrow's tone on the tenor is really tremendous – sharp and soulful, reminding us a bit of the freshness that Hank Mobley brought to some of his early sessions in the 50s, but with less of a hardbop fire. The rhythm in the group is by Arthur Phipps on bass and Al Harewood on drums (Amram plays a bit of piano as well) – and titles include "City Talk", "Someday Morning Will Come", "Somewhere Along The Way", "Phipps Quipps", "Lobo Nocho", and "I Love You". CD

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JJ JohnsonReally Livin ... CD
Columbia (Japan), 1959. New Copy ... $13.99
One of the hippest, hardest albums that trombonist JJ Johnson ever cut for Columbia – a session we'd rank right up there with his amazing JJ Inc record, and like that one a really cooking hardbop record that maybe even rivals the best on Blue Note and Prestige at the time! As with that gem, the strength here is really the group – not just tremendous trombone from JJ, but great work from Nat Adderley on trumpet, Bobby Jaspar on tenor and flute, Cedar Walton on piano, Spanky DeBrest on bass, and Albert Heath on drums – all working with a soaring, soulful energy that's a lot more hardbop heavy than you might expect from JJ Johnson on some of his other projects for the label. Titles include "Me Too", "Decision", "Stardust", "Sidewinder", "Speak Low", and "Red Cross". CD
 
 
 



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