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Exact matches: 2
Exact matches1
CD, LP, Vinyl record album cover art
Maurice BrownHip To Bop ... CD
Brown, 2004. Used ... $5.99
CD

Exact matches2
CD, LP, Vinyl record album cover art
✨✧ Man ParrishHip Hop, Be Bop (Don't Stop) (5:36, 4:00, 3:11) ... 12-inch
Rams Horn, 1982. Good ... $5.99
A classic electro groove – and one of the tracks that's a contender for the origin of the word "hip hop"! A very nice groove with an early Arthur Baker feel, and the kind of cut that we slept on during the 80s, but which sounds totally great today! 3 different edits. 12-inch, Vinyl record
(In a Rams Horn sleeve, with moderate wear, staining, a sticker remnant and some small tears.)
 
Close matches: 2
Close matches3
CD, LP, Vinyl record album cover art
Essence All StarsJackie's Blues Bag – A Tribute To Jackie McLean ... CD
Hip Bop, 1996. Used ... $2.99
CD
(Out of print.)

Close matches4
CD, LP, Vinyl record album cover art
✨✧ Michael Patches StewartPenetration ... CD
Hip Bop, 1998. Used ... Out Of Stock
CD
(Out of print.)
 
Possible matches: 25
Possible matches5
CD, LP, Vinyl record album cover art
CokersWe're Gonna Bop – The Complete Coker Family Recordings On Abbott & Decca 1954 to 1957 ... CD
Bear Family (Germany), Mid 50s. New Copy ... $19.99 29.99
The complete early recordings of The Coker Family – a multi-voiced family act from the Bakersfield scene of the 50s – working here in a very hip blend of country modes and early rockabilly styles! The tracks here offer different Coker family members in the lead – singers Al or Alvadeen, or guitarist Sandy, who's got a heck of a deft touch on his instrument – which makes his instrumental numbers here some real standouts in the set! And given the different leads, there's a really rich feel to the collection too – 32 tracks that make you feel almost like you've got one of those great Bear Family compilations in your hands, with lots of variety that really keeps things interesting. As usual with the label, the overall package is wonderful – over 70 pages of notes, images, and other details that really illuminate the group's short history! CD

Possible matches6
CD, LP, Vinyl record album cover art
DJ Krush & Toshinori KondoKi-Oku ... CD
Apollo (UK), 1998. Used ... $8.99
While most collaborations between hip hop producers and jazz players have been mediocre at best, neither really being able to get invloved enough in each other's music, this collaboration between Kondo and Krush is almost entirely successful. Kondo's played in just about every style from all out free jazz to hard bop, and Krush's spare and slightly abstract approach to both the turntables and with his beats creates just the right backdrop. We got open on "Ha Doh", "Sun Is Shining", "Fu Yu" and "Ki gen". 13 tracks in all. CD
(Out of print.)

Possible matches7
CD, LP, Vinyl record album cover art
Bill EvansEmergence ... CD
Five Four (UK), Mid 50s. Used ... $6.99
A nice little collection of hip mid 50s early work by pianist Bill Evans – featuring several of his earliest cuts as leader, plus stellar support work with guitarist Dick Garcia, arranger George Russell, vocalist Lucy Reed and clarinetist Tony Scott! The varied nature of the compiled tracks provides a pretty nice and stylistically deep sampler – including some straighter bop styled numbers, a really adventurous and hypnotic handful of tunes behind leader Dick Garcia, a moody approach underneath vocalist Lucy Reed, and his nimble early pedigree as a leader. Titles include "Kimona My House", Like Someone In Love" and "Ev'ry Night About This Time" with Dick Garcia, "Ye Hypocrite, Ye Beelzebub", "Ballad Of Hicks Blewitt", "Ezz-thetic" and more with the George Russell Smalltet, "Baltimore" with Lucy Reed, "Aeolian Drinking Song", "Deep Purple", "Round About Midnight" with the Tony Scott Quartet, "Five" and "Displacement" with Bill Evans as the leader – plus an unaccompanied run of his seminal "Waltz For Debbie". CD

Possible matches8
CD, LP, Vinyl record album cover art
Gil Fuller with Dizzy GillespieGil Fuller & The Monterey Jazz Festival Orchestra featuring Dizzy Gillespie ... CD
Pacific Jazz/Blue Note, 1965. Used ... $5.99
One of Dizzy Gillespie's hippest big band sessions ever – and one of the few dates as a leader from arranger Gil Fuller! Fuller will always be best-remembered as the man who composed some of Dizzy Gillespie's best known tunes from the bop era – like "Manteca", "One Bass Hit", and "Things To Come" – but on this album from 1965, he's reunited with Dizzy for a large group set of tracks that feature Diz as the main soloist – at a level that really shows the growth of both men at the time! Fuller's charts are large and full, but with a sense of space that's really amazing – almost like some of the soundtrack work Dizzy had done for The Cool World – with a mix of soulful and modern moments that's really wonderful. The group's kind of a mix of hip LA players – with Phil Moore Jr on piano, Dennis Budimir on guitar, and Jimmy Bond on bass – plus a larger set of horn players backing Dizzy up. Titles include a number of great originals – such as "Be's That Way", "Big Sur", "Things Are Here", "Man From Monterey", and "Angel City". CD
(Out of print.)

Possible matches9
CD, LP, Vinyl record album cover art
Roy HaynesCymbalism ... LP
Prestige, 1963. New Copy (reissue)... $9.99
A cracker of an album – as fresh today as it was when it was first released in 1963! Roy Haynes is probably best known to the world for his bop work, but in the early 60s, he was a budding modernist with a real sense for lyrical improvisation. As part of a generation that was working on newly musical ways of using the drums – players that included Andrew Cyrille and Chico Hamilton – Haynes had a way of making the kit talk that's quite different than his roots in 50s jazz. Here, he's playing with a very hip quartet that includes Frank Strozier on alto and flute, Ronnie Matthews on piano, and Larry Ridley on bass – crafting tunes that swing at a lovely level, yet also have far-reaching and exploratory passages. The whole album's a delight – and titles include "Modette", "Go N Git It", "La Palomeinding", and "Hag". LP, Vinyl record album

Possible matches10
CD, LP, Vinyl record album cover art
Milt JacksonOpus De Jazz ... CD
Savoy/Sony (Japan), 1955. Used ... $11.99
One of the best-known 50s jazz sessions from the Savoy label – a laidback classic that's a great illustration of the label's shift in modes after the early bop years! The setting here is relatively informal – with Milt Jackson as the ersatz leader, working almost in blowing session mode with hip players who include Frank Wess on flute and tenor, Hank Jones on piano, Eddie Jones on bass and Kenny Clarke on drums – all players who relax into a groove wonderfully, and really open up on the album's four long tracks. Titles include the classic reading of "Opus De Funk", plus "Opus Pocus", "You Leave Me Breathless", and "Opus & Interlude". CD

Possible matches11
CD, LP, Vinyl record album cover art
✨✧ Milt JacksonOpus De Jazz (first cover) ... LP
Savoy, 1955. Good+ ... $24.99
One of the best-known 50s jazz sessions from the Savoy label – a laidback classic that's a great illustration of the label's shift in modes after the early bop years! The setting here is relatively informal – with Milt Jackson as the ersatz leader, working almost in blowing session mode with hip players who include Frank Wess on flute and tenor, Hank Jones on piano, Eddie Jones on bass and Kenny Clarke on drums – all players who relax into a groove wonderfully, and really open up on the album's four long tracks. Titles include the classic reading of "Opus De Funk", plus "Opus Pocus", "You Leave Me Breathless", and "Opus & Interlude". LP, Vinyl record album
(Original red label pressing with deep groove – and first cover without Milt's name on the front. Cover has some wear, aging and a few light stains.)

Possible matches12
CD, LP, Vinyl record album cover art
Eddie JeffersonJazz Singer ... CD
Evidence, 1959/1961. Used ... $8.99
Rare work from Eddie Jefferson – cut between his early years on Prestige, and his revival on Riverside – work done for the Festival Records label, but best known in this hip 70s package put together by Inner City! The work here is a great precursor to Eddie's 60s comeback – and shows him really moving forward strongly, even on a tiny label – reworking his older vocal style with a hipper modern groove, and really reaching some new territory in the process. The tunes are awash in those charming tones and phrasings that always set Jefferson apart from the rest – and there's a few R&B undercurrents here, mixed in with the more familiar bop influences. Players are all great too – and include Johnny Coles or Howard McGee on trumpet, James Moody on tenor, Matthew Gee on trombone, Musa Kaleem on tenor and baritone, and Johnny Acea on piano. Babs Gonzalez and Honey Gordon get in a few licks on versions of "So What" and "Sister Sadie" – helping Eddie out with their hip vocal talents – and other tracks include "Memphis", "Baby Girl", "NJR", "I've Got The Blues", "The Preacher", "Night Train", "Sherry", "Body & Soul", and "Workshop". 18 tracks in all! CD
(Barcode has a cutout hole.)

Possible matches13
CD, LP, Vinyl record album cover art
Hank MobleyDippin' ... CD
Blue Note, 1965. Used ... $5.99
One of Hank's most solid sessions from the mid 60's – recorded with a hard-biting lineup that has Lee Morgan, Harold Mabern, and Larry Ridley – coming together under Mobley's expansive style of the time! The record's a key turning point in his career – as Hank moves from a straight hard bop sound closer to the modally-inflected soul jazz styles he was turning out at the end of his career – emerging as an extremely talented writer with hip original tunes like "Ballin", "The Vamp", "The Dip", and "The Break Through". One of his best! CD
(Out of print. Pre-RVG version.)

Possible matches14
CD, LP, Vinyl record album cover art
✨✧ William Onyeabor & OthersAtomic Bomb – Remixes (2015 Record Store Day Release) ... 12-inch
Luaka Bop, 2015. New Copy (pic cover)... $15.99
A very cool William Onyeabor remix EP on Luaka Bop! It includes two versions of the Oyeabor classic "Atomic Bomb" – one remixed by Japan's Oorutaichi, plus a cover of "Atomic Bomb" by Hot Chip that's remixed by John Talbot. Also includes a remix of Show Dem Camp & Funbi's Nigerian hip hop take on Onyeabor's "Smooth & Good" remixed by Ikon, plus Love Fingers and Secret Circuit teaming up as Secret Fingers to take on "Let's Fall In Love". 12-inch, Vinyl record

Possible matches15
CD, LP, Vinyl record album cover art
William Onyeabor & OthersWhat? – William Onyeabor Remixed ... CD
Luaka Bop, 2014. New Copy ... $12.99 13.98
The mad music of William Onyeabor has gained many admirers over the years – a diverse array of artists from a diverse array of scenes – some of whom have come together in this mighty hip tribute to the master! The tunes here are either remixes, reworks, or complete covers of Onyeabor's incredible electric grooves from the late 70s and early 80s – and the project's so special, Luaka Bop even called in the help of Moog to put it together – no surprise, given how moogy some of William's music could be! The remixes are all very faithful, as are the reworks – and even the covers aren't the sort of cloyingly selfish sort you usually get on tribute albums – but instead feel like some great later iteration of Onyeabor's genius. Titles include Hot Chip's cover of "Atomic Bomb", Joakim & Akwetey's cover of "Good Name", David Terranova's remix of "Body & Soul", The Vaccines' remix of "Do You Want A Man", JD Twitch's (Optimo) cover of "Why Go To War?", Javelin's remix of "Heaven & Hell", Scientist's remix of "Body & Soul", and the track "Ye Ye", which is Daphni's rework of "When The Going Is Smooth & Good". CD

Possible matches16
CD, LP, Vinyl record album cover art
Bud PowellAmazing Bud Powell Volume 2 ... CD
Blue Note, 1953. Used ... $4.99
Bud's second LP for Blue Note – a firey batch of trio tracks that feature George Duvivier on bass and Art Taylor on drums – some of Powell's best work from the time, and a nearly all-classic set of bop piano tracks! The album's nothing fancy on the outset, but Powell and the trio really make magic happen on the best of moments – lighting fire underneath old standards, while also unveiling some hip new originals that are really worth the price of the set. Titles include "I've Got You Under My Skin", "Sure Thing", "Reets & I", "Glass Enclosure", and "Collard Greens & Black Eyed Peas", "Audrey", and "Autumn In New York". CD
(Out of print analog recording.)

Possible matches17
CD, LP, Vinyl record album cover art
Kai Winding/JJ JohnsonModern Jazz Trombones (10 inch LP) ... LP
Prestige, Early 50s. Very Good+ ... $33.99
Kai Winding and JJ Johnson together on one record – but each working alone on a side apiece! Side one features Winding at the helm of a hip group that includes Brew Moore on tenor, Gerry Mulligan on baritone, and George Wallington on piano – all working with a nicely modern style on titles that include "Night On Bop Mountain", "Sid's Bounce", "Water Works", and "Broadway". Side two features JJ Johnson working with an equally great group – Sonny Rollins on tenor, Kenny Dorham on trumpet, and John Lewis on piano – the latter of whom makes a surprisingly strong contribution amidst the horns. Titles include "Opus V", "Hilo", "Fox Hunt", and "Elysses". LP, Vinyl record album
(Cover has a bit of seam splitting, and some clear tape along the seam – but overall this is a nice copy.)

Possible matches18
CD, LP, Vinyl record album cover art
Jazz Liberatorz w/Stacy Epps, TableekU Do (main, inst)/Music In My Mind (part 2)/Indonesia (main, inst)/Sandaga ... 12-inch
Kif (France), 2008. New Copy (pic cover)... Around November 1, 2014 (delayed)
A mix of jazzy hip hop funk beats & keys, laidback hip hop, and cosmic soul! "U Do" is some soul jazz keys floating over the bass and beat, and some easygoing rhymes from Stacy Epps. "Indonesia" features Tableek from Maspyke – and as the kind of lightly tripped out funky production that feels fresh from Detroit to Cali, and it's pretty much a straight up ode to fresh hip hop. "Sandaga" is a shorter instrumental with a kicked up tempo and looped keys. "Music In My Mind (Part 2)" blends boom bop and 70s soul cinema style with jazzy texture – a wide ranging groove! 12-inch, Vinyl record

Possible matches19
CD, LP, Vinyl record album cover art
✨✧ Oscar Pettiford & Vinnie BurkeBass By Pettiford/Burke (Japanese paper sleeve edition) ... CD
Bethlehem/JVC (Japan), 1955. Used ... Temporarily Out Of Stock
A split album that combines work from 2 different early 10" LPs on Bethlehem – both led by some of the best bassists to record for the label at the time! The first 6 tracks are classic work by Oscar Pettiford – some of his best as a leader, and cut with a hip group that includes Charlie Rouse on tenor, Duke Jordan on piano, and Julius Watkins on French horn. The tracks swing nicely with a strong modernist bop influence – and titles include "Cable Car", "Tricotism", "Oscar Rides Again", and "Golden Touch". The other 8 tracks are a bit mellower, but still quite modern – and with a really fresh approach. Recorded by Vinnie Burke's quartet, they feature a very unusual lineup of bass, clarinet, accordion, and guitar – the latter of which is played by the enigmatic Joe Cinderella, of Gil Melle group fame, and who gives the record a similar feeling to Melle's strange work for Blue Note. Titles include "For All We Know", "Time Out", "On The Alamo", and "Softly As In A Morning Sunrise". CD
(Out of print.)

Possible matches20
CD, LP, Vinyl record album cover art
✨✧ Bud PowellAmazing Bud Powell Volume 2 ... LP
Blue Note, 1953. Used ... Temporarily Out Of Stock
Bud's second LP for Blue Note – a firey batch of trio tracks that feature George Duvivier on bass and Art Taylor on drums – some of Powell's best work from the time, and a nearly all-classic set of bop piano tracks! The album's nothing fancy on the outset, but Powell and the trio really make magic happen on the best of moments – lighting fire underneath old standards, while also unveiling some hip new originals that are really worth the price of the set. Titles include "I've Got You Under My Skin", "Sure Thing", "Reets & I", "Glass Enclosure", and "Collard Greens & Black Eyed Peas", "Audrey", and "Autumn In New York". LP, Vinyl record album
(Japanese pressing – with obi!)
Also available Amazing Bud Powell Volume 2 ... CD 4.99

Possible matches21
CD, LP, Vinyl record album cover art
✨✧ VariousMagnum Opus 2 ... CD
Universal (UK), 1970s/Early 80s. Used 2 CDs ... Temporarily Out Of Stock
A cheesy looking package and name, but a nice selection of dancefloor tunes from the 70s and early 80s! More than a few of these are familiar ones – but also oddly hard to find on reissue, especially in the extended versions included on this package. The orientation is towards tunes that have a smoother groove – a bit of disco, a bit of club, and a bit of modern soul, with slight touches of funk from time to time. Titles include "Let's Have Some Fun (12" mix)" by The Bar-Kays, "Wanted Dead or Alive (extended)" by Voices Of East Harlem, "Let's Get Serious" by Jermain Jackson, "IOU (12" version)" by Freeze, "You Can't Hide Your Love From Me (Larry Levan rmx)" by David Joseph, "Seventh Heaven (Larry Levan mix)" by Gwen Guthrie, "Hip Hop Be Bop Don't Stop" by Man Parris, "Trapped (12" mix)" by Colonel Abrams, "Magic Touch (12" original)" by Loose Ends, "Last Dance (12" extended)" by Donna Summer, "Spread Love" by Al Hudson & The Soul Partners, "Spacer (12" extended)" by Sheila B & Devotion, "Behind The Groove (12" mix)" by Teena Marie, and "Get It Up For Love (12" version)" by Tata Vega. CD has 20 tracks on 2 CDs! CD

Possible matches22
CD, LP, Vinyl record album cover art
✨✧ Gil Fuller with Dizzy GillespieGil Fuller & The Monterey Jazz Festival Orchestra featuring Dizzy Gillespie ... LP
Pacific Jazz, 1965. Used ... Out Of Stock
One of Dizzy Gillespie's hippest big band sessions ever – and one of the few dates as a leader from arranger Gil Fuller! Fuller will always be best-remembered as the man who composed some of Dizzy Gillespie's best known tunes from the bop era – like "Manteca", "One Bass Hit", and "Things To Come" – but on this album from 1965, he's reunited with Dizzy for a large group set of tracks that feature Diz as the main soloist – at a level that really shows the growth of both men at the time! Fuller's charts are large and full, but with a sense of space that's really amazing – almost like some of the soundtrack work Dizzy had done for The Cool World – with a mix of soulful and modern moments that's really wonderful. The group's kind of a mix of hip LA players – with Phil Moore Jr on piano, Dennis Budimir on guitar, and Jimmy Bond on bass – plus a larger set of horn players backing Dizzy up. Titles include a number of great originals – such as "Be's That Way", "Big Sur", "Things Are Here", "Man From Monterey", and "Angel City". LP, Vinyl record album
(Blue label pressing.)

Possible matches23
CD, LP, Vinyl record album cover art
✨✧ Clifford JordanMosaic – (Starting Time/A Story Tale) ... CD
Milestone, 1961. Used ... Out Of Stock
"Starting Time" is a great early 60s session by Jordan – who at the time of the recording, was one of a number of firey young tenor players from Chicago – all of them hard-blowing, with a nice soulful bottom that opened up a bop sound to more moods and emotions – but Jordan stood apart from most of them with an approach that was decidedly more complex and forward-thinking. As you'll hear on the album's tracks, he wasn't content enough to just blow off a riff – but had to twist things up a bit, working a tune for more shades and colors than it might yield with another player, pushing on the proceedings with an edge that's very strong. The great Wilbur Ware's on bass, and a young Cedar Walton's playing piano, and with warmth like that, Jordan and trumpeter Kenny Dorham sound great next to each other. Loads of original hard bop lines by Jordan, including "Extempore" and "Quittin' Time", plus "Mosaic" and "One Flight Down" by Cedar Walton. Even better is A Story Tale – a brilliant collaboration between Clifford Jordan and Sonny Red! Red's tone is excellent – a sharper one next to Jordan's more supple blowing – and the pair are a perfect team to lead off tunes like "Prints", "Hip Pockets", "A Story Tale", and "Defiance". CD
(Out of print.)

Possible matches24
CD, LP, Vinyl record album cover art
✨✧ Walter Bishop Jr.Soul Village ... CD
Muse/Soul Brother (UK), 1977. New Copy ... Out Of Stock
One of a rare few electric albums from the great Walter Bishop Jr – a pianist who started during the bop years, but really grew into new modes in the 70s! The set's an album on Muse, but one with the same hip grooves as Walter Bishop's pair of excellent albums for the Black Jazz label – and like those gems, this set features Bishop working on Fender Rhodes – hitting a groove we never would have expected in the old days, and really going for a style that's at the hippest end of the soul jazz spectrum of the 70s! Tunes are a mix of funky fusion and modal, spiritual styles – and other players include Randy Brecker on trumpet, Gerry Niewood on tenor and flute, and George Young on soprano and alto sax – and the horns are all arranged tightly by Mitch Farber, in a way that adds an extra edge to the record, but still leaves plenty of space for Bishop's solo flights on the keys. Titles include great versions of "Soul Village", "Coral Keys", and "Soul Turnaround" – plus the cuts "Philadelphia Bright", "Sweet Rosa", and "Valerie". CD
 
Partial matches: 59
Partial matches30
CD, LP, Vinyl record album cover art
David Amram & George BarrowJazz Studio No 6 – Amram-Barrow Quartet/The Eastern Scene ... LP
Decca, 1957. Very Good- ... $28.99
An enigmatic set of modern jazz – recorded by the Amram-Barrow Quartet – an obscure group led by tenor saxophonist George Barrow and horn player David Amram, the latter of whom would go onto great fame in the 60s and 70s for his groundbreaking arrangements, soundtrack work, and world/jazz experiments! At this point, Amram's a young modernist with some very fresh ideas – and contributes some wonderful original tunes to the session with a moody east coast style that almost has traces of the Mingus camp – particularly the work of Jimmy Knepper and Pepper Adams. George Barrow's tone on the tenor is really tremendous – sharp and soulful, reminding us a bit of the freshness that Hank Mobley brought to some of his early sessions in the 50s, but with less of a hardbop fire. The rhythm in the group is by Arthur Phipps on bass and Al Harewood on drums (Amram plays a bit of piano as well) – and titles include "City Talk", "Someday Morning Will Come", "Somewhere Along The Way", "Phipps Quipps", "Lobo Nocho", and "I Love You". LP, Vinyl record album
(Vinyl has light surface marks, but the heavy Decca vinyl still plays well. Cover is nice!)

Partial matches31
CD, LP, Vinyl record album cover art
Basso Valdambrini QuintetBasso Valdambrini Quintet (1959) ... LP
Jolly/BTF (Italy), 1959. New Copy (reissue)... $28.99
A sharp-edged session of tremendous trumpet and tenor interplay – served up by the legendary quintet of Gianni Basso and Oscar Valdambrini! The album's got a sound that's as hip as it looks – a great approach to 50s modern jazz, done in a style that's equally influenced by west coast cool and east coast hardbop! Valdambrini's trumpet is beautifully measured throughout – with echoes of both Kenny Dorham and Chet Baker – offset by some deeper grooving on tenor from Basso, who plays with a strength and command that few American players of the time could match. Titles include "Come Out Wherever You Are", "Lo Struzzo Oscar", "Lotar", "Gone With The Wind", "Parlami D'Amore Mariu", and "Fan Tan". LP, Vinyl record album

Partial matches32
CD, LP, Vinyl record album cover art
Art BlakeyParis Jazz Concert – Olympia 13 May 1961 Part 1 ... CD
Malaco, 1961. Used ... $8.99
Excellent lost live work by Art Blakey – playing here with one of the best-ever versions of the Jazz Messengers! The frontline is held down by Wayne Shorter, Bobby Timmons, and Lee Morgan – the firey trio who put Blakey's group on the map as one of the best-ever hardbop ensembles of the 50s and 60s! The quintet is playing here before a very live audience, at the Olympia in Paris, during a time when the Jazz Messengers were having a very fruitful relationship with the city. This first volume features some excellent long tracks – including 12 minute versions of Timmons' "So Tired", Morgan's "Yama", and Shorter's "The Summit" – plus a version of "Close Your Eyes", which the group always did well! Includes 3 other tracks – all very nice! CD

Partial matches33
CD, LP, Vinyl record album cover art
Hadley CalimanHadley Caliman ... CD
Mainstream/Boplicity (UK), 1971. New Copy ... $11.99
One of the coolest, hippest albums ever from reedman Hadley Caliman – cut at a time when Caliman was playing on a lot of other west coast sessions – both jazz and soul – and a record that definitely pushes his new ideas to the forefront! Hadley is always great, no matter what the setting – but this record really offers him the chance to stretch out and express himself – both on tenor and flute, in a way that's more Strata East or Black Jazz spiritual than some of the other albums on the Mainstream label at the time. The group's nicely laidback – with Larry Vuckovich on piano, John White Jr on guitar, Clarence Becton on drums, and Bill Douglass on bass – but Caliman is the clear star of the set, and shines brightly throughout. Tracks include "Cigar Eddie", "Longing", "Comencio", and "Kicking On The Inside". CD

Partial matches34
CD, LP, Vinyl record album cover art
Buddy DeFrancoChip Off The Old Bop ... CD
Concord, 1992. Used ... $7.99
CD
(Out of print.)

Partial matches35
CD, LP, Vinyl record album cover art
Duke EllingtonDrum Is A Woman ... CD
Jazz Track, 1956. Used ... $12.99
A hokey cover and title, but a hip little record from Duke Ellington – kind of a story of percussion and jazz, all wrapped together with some great vocals and narration! The format is kind of far-reaching, but never too stuffy – and in a way, the album offers a great opportunity to hear some of the Ellington players stepping out in a slightly different vibe than the usual Columbia date from the decade. Duke does a bit of narration himself – and singers include Margaret Tynes, Joya Sherrill, and Ozzie Bailey – who beautifully illustrate the shifting passages of the longer suite. Solos are by Johnny Hodges on alto, Clark Terry on trumpet, and Paul Gonsalves on tenor – and titles include "Congo Square", "Madam Zajj", "Drum is A Woman", "You Better Know It", "Rhythm Pum Te Dum", and "Rhumbop". CD
(Out of print.)

Partial matches36
CD, LP, Vinyl record album cover art
Steve FidykHeads Up! ... CD
Posi tone, 2014. New Copy ... $11.99 15.99
Drummer Steve Fidyk is a hell of a sharp talent on the kit – and he's working here with a mighty tight group that features Terell Stafford on trumpet and Tim Warfield on tenor! Fidyk's got a way of propelling things forcefully one minute, then stepping back and providing this carefully compelling rhythm the next – a quality that really makes him a well-balanced player, but also one with an inherently rhythmic focus even in the mellower moments. All players really seem to catch the fire of his leadership – including guitarist Shawn Purcell, who rings out with some beautiful tones at times, in a group that also features Regan Brough on bass. Titles include the originals "Untimely", "Might This Be Bop", "TTJ", and "The Bender" – plus versions of "Make Someone Happy" and "Love For Sale". CD

Partial matches37
CD, LP, Vinyl record album cover art
Tommy FlanaganTommy Flanagan Trio & Sextet (aka Bash) ... LP
Jazztime/Onyx, 1961. Very Good+ ... $3.99
A different version of the album Bash – recorded for the Jazztime label in 1961, with leadership by Dave Bailey – a set that's filled with fire, soul, and imagination – recorded as part of the drummer's amazing (and amazingly short) early 60s run as a leader! The date smokes with the same sort of energy as Dave's great "Gutter" albums for Epic – a groove that's part Blue Note, part Prestige, and carried off with so much precision, we wonder why Bailey never recorded more as a leader. Players are all wonderful – Kenny Dorham's on trumpet, Curtis Fuller's on trombone, Frank Haynes is on tenor, and Tommy Flanagan's on piano. Ben Tucker provides excellent basswork, and proves that him and Bailey were one of the best hardbop rhythm teams ever! Cuts include "Grand Street", "Osmosis", "Soul Support", and "An Oscar For Oscar". 7 tracks in all – including some that haven't been on other versions of this session. Other titles include "Just Friends", "Like Someone In Love", and "BMT Express". LP, Vinyl record album
(Cover has some wear, and clear tape along some seams.)

Partial matches38
CD, LP, Vinyl record album cover art
Bennie GreenHornful Of Soul ... CD
Bethlehem/Solid (Japan), 1960. New Copy ... $13.99
A killer of an album from one of the best hardbop trombonists of the 50s! This side's always been wickedly hard to find, and it comes from that later period when the Bethlehem label was cutting records that had a lot more of a soulful groove than earlier years. Bennie's playing with a hip group of underground players that includes Jimmy Forrest on tenor, Lem Davis on alto, and Skip Hall on organ – and although the tracks are short, they've got a fire that gets the job done in double-time, and which makes you think you're hearing some session on Prestige. Titles include "Catwalk", "Dee Dee", "Dibblin & Dabblin", and "Groove One". CD

Partial matches39
CD, LP, Vinyl record album cover art
John Handy2nd John Handy Album ... LP
Columbia, 1966. Very Good+ ... $9.99
Handy's really going for the college crowd here – breaking away from the modernist hardbop of his post-Mingus years, going for a melange of styles put together with a host of hipper San Francisco players that includes Jerry Hahn on guitar and Michael White on violin. There's traces of some of Chico Hamilton's grooves from the same time, but the overall sound is a lot freer. Titles include "Theme X", "Dance For Carlo B", "Scheme #1", and "Dancy Dancy". LP, Vinyl record album
(Original 360 Sound mono pressing. Cover has a sticker on the front and some names in pen on the back. Label has a sticker and a name in pen.)

Partial matches40
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Roy HaynesRoy Haynes Hip Ensemble ... CD
Mainstream/Boplicity (UK), 1971. New Copy ... $11.99
Drummer Roy Haynes works here with an ensemble that's definitely as hip as the title promises – a really righteous group that makes the album one of Roy's most spiritual records ever! Haynes was always a drummer who was really a cut above, even back at the start – but here, he really steps out strongly with a new musical vision for the 70s – working with a lineup that includes George Adams on tenor and flute and Marvin Hannibal Peterson on trumpet – but players who give the music a really bold feel, right from the start! The rest of the lineup is wonderful, too – as Carl Schroeder plays Fender Rhodes with this flowing vibe that's plenty soulful – alongside bass from Terud Nakamura and Mervin Bronson, conga from Lawrence Kilian, bongo from Elwood Johnson, and more drums from Haynes himself. Titles include a sublime reading of Stanley Cowell's "Equipoise" – plus "Tangiers", "You Name It", and "Satan's Mysterious Feeling". CD
Also available Roy Haynes Hip Ensemble ... LP 18.99

Partial matches41
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✨✧ Jutta HippJutta Hipp Quintet – New Faces New Sounds From Germany (10 inch LP) ... LP
Blue Note, 1954. New Copy (reissue)... $16.99 19.98
An amazing early bop session from Germany! During the 50s, pianist Jutta Hipp cut a number of straighter sides for Blue Note that were recorded in the US – but this first album has her working with German contemporaries like Joki Freund on tenor sax and Emil Mangelsdorff on alto, carving out a dark little batch of tracks with a sharper edge than you'd expect! Although Hipp's the leader, it's the amazing horn interplay that really makes the record shine – as Mangelsdorff and Freund work in unison on many of the intros to the songs, cutting back and forth like a double-edged sword, then breaking out into wonderfully compact solos. About 3 tracks feature Hipp in a trio, but the remaining 5 feature this quintet – and it's just great! Titles include "Cleopatra", "Mon Petit", "What's New", and "Variations". 2015 Blue Note Authorized Dealer pressing – in celebration of Blue Note's 75th Anniversary – and the indie retailers that support them! LP, Vinyl record album

Partial matches42
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Elmo HopeElmo Hope Plays His Original Compositions ... CD
Fresh Sound (Spain), 1961. Used ... $9.99
A great collection that brings together 2 of the last albums ever issued by piano genius Elmo Hope – both of which are overflowing with original tunes in Hope's best modernist mode! The style here is a bit more far-reaching than some of his other work from earlier years – not necessarily in a way that's outside, but which is more all-encompassing of piano tradition – a bit in territory explored by Jaki Byard at the time, but with more of that Elmo's fire and bop inspiration. Most of the rhythm support is from Paul Chambers on bass and Philly Joe Jones on drums – and titles include "Dee Dah", "Abdula", "Freffie", "Stars Over Marakesh", "Hot Sauce", "Moe Is On", "Crazy", "Maybe So", "Moe's Bluff", and "Chips". CD
(Out of print.)

Partial matches43
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✨✧ Elmo HopeElmo Hope Quintet Volume 2 (10 inch LP) ... LP
Blue Note, 1954. New Copy (reissue)... $16.99 19.98
An excellent early album by pianist Elmo Hope – one that has him grooving in a very modernist approach to bop, working perfectly with a tight little quintet that offers an expanded vision of the sorts of sounds he'd previously cut in a trio setting! The group features some especially great tenor from Frank Foster – nice and raw here in the early days, just like on his own Blue Note 10" – and the obscure Freeman Lee is on trumpet, a player we're not sure we've ever heard elsewhere! Percy Heath and Art Blakey keep the whole thing going on rhythm – while Hope plays madly on piano, adding in rich tones and colors to a set that might have otherwise been a straighter bop outing. Titles include "Chips", "Crazy", "Abdullah", and "Low Tide". (2015 Blue Note Authorized Dealer pressing – in celebration of Blue Note's 75th Anniversary – and the indie retailers that support them!) LP, Vinyl record album

Partial matches44
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Philly Joe Jones with Johnny GriffinDameronia – Look Stop & Listen ... LP
Uptown, 1983. Near Mint- ... $11.99
A killer second album from Philly Joe Jones' Dameronia project – a group dedicated to playing the music of Tadd Dameron, but with a soaring swing that's very much Jones' own groove! The tunes are all classics by Tadd, presented with the kind of forward-thinking charts that Dameron first got noticed for during the bop years – played here by an excellent group of creative modernists, including Johnny Griffin on tenor, Frank Wess on alto and flute, Charles Davis on tenor and flute, Benny Powell on trombone, Walter Davis on piano, Cecil Payne on baritone, and the excellent Virgil Jones on trumpet. All players are seasoned veterans by the time of this date, but come together with all the crisp freshness of their early years on the scene – a great testament to Jones' sharp leadership of the ensemble, as you'll hear on tunes that include "Our Delight", "Focus", "Choose Now", "If You Could See Me Now", "Loop Stop & Listen", and "Theme Of No Repeat". LP, Vinyl record album
(Cover has some marker on back.)

Partial matches45
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Harold LandChoma (Burn) ... CD
Mainstream/Boplicity (UK), 1970. New Copy ... $11.99
One of the hippest albums ever from the team of Harold Land and Bobby Hutcherson – and a set that's even more open than some of their other records on Blue Note or Chess! This set's a bit more electric than some of the other records from the pair – with these drawn-out Fender Rhodes lines from Bill Henderson – who comps and vamps with modal energy that really draws out some searing, searching solos from Land's tenor! Bobby's vibes are maybe a bit more restrained, but offer a key element in the overall soundshape of the record – and the rest of the lineup includes Reggie Johnson on bass, Ndugu and Woody Theus on drums, and Harold Land Jr on additional piano. All tracks are long – and titles include "Black Caucus", "Our Home", "Up & Down", and "Choma". CD

Partial matches46
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✨✧ Tim MaiaWorld Psychedelic Classics 4 – Nobody Can Live Forever – The Existential Soul Of Tim Maia ... LP
Luaka Bop, 1970s. New Copy 2LP ... $22.99 23.98
Insanely great sounds from the legendary Tim Maia – easily the most soulful singer in 70s Brazil, and an artist with a heck of a strong ear for funk, too! The music here is an incredible hybrid of American soul and Brazilian elements – especially since some lyrics are in English – and the grooves are often mixed together in a sound that's nice and fuzzy around the edges, with some slight psychedelic elements that makes the cuts a perfect fit for this Luaka Bop series! Yet Tim Maia's hardly a guy who can easily fit into any easy slot or series – because as you'll hear on this set, he's got a vibe that's all his own – a really wonderful approach that's different even from some of his hippest contemporaries in Brazil – and which has gone onto have influence on countless other generations of singers and musicians – including his nephew Ed Motta. The package is great – a real visual tribute to the sounds within – and titles include "Que Beleza", "Ela Partiu", "Do Leme Ao Pontal", "Brother Father Mother Sister", "Quer Queira Quer Nao Queira", "Let's Have A Ball Tonight", "I Don't Care", "The Dance Is Over", "Rational Culture", "You Don't Know What I Know", and "Nobody Can Live Forever". LP, Vinyl record album

Partial matches47
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Jackie McLeanNew Soil ... LP
Blue Note, 1959. Near Mint- ... $36.99
If you ever needed a record to re-remind you of the genius of Jackie McLean, this Blue Note classic may well be it! At first glance, the session appears to be the usual sort of date – a quintet outing, with help from Donald Byrd on trumpet, Walter Davis on piano, Paul Chambers on bass, and Pete LaRoca on drums – yet as with all of McLean's best moments on records, the album explodes with freshly creative energy from the start – getting way past any easy expectation in the way it sets up the groove and delivers the sound! Jackie's tone is amazing – very modern at times, yet with all the soul of hardbop – and although the rhythms are relatively straight, there's always a slight setting-free at points – that pre-new thing groove that McLean further explored on records like Capuchin Swing or Fickle Sonance. The sound is amazing throughout – and titles are all originals by McLean and Davis – great gems that include "Davis Cup", "Sweet Cakes", "Hip Strut", "Minor Apprehension", and "Greasy". LP, Vinyl record album
(Japanese pressing, on King, with obi! Cover has some light aging, but is nice overall.)

Partial matches48
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Red Mitchell-Harold Land QuintetHear Ye!!!! Hear Ye!!!! ... LP
Atlantic, 1961. Very Good+ ... $34.99
Killer work from a very unique little group – the short-lived union of bassist Red Mitchell and saxophonist Harold Land – heard here in one of the hippest dates from the LA scene of the early 60s! Mitchell's a well-known name from more straight ahead sides of the 50s, but working here with Land he really hits a great groove – that harder sort of soulbop sound that was coming out of LA for a few brief years in the 60s – played with a sense of tightness and fire that matched the best work of the time in New York! The whole group here is great – and the amazing Carmell Jones is in the group on trumpet, alongside Frank Strazzeri on piano and Leon Pettis on drums. The solos are great, and the writing is too – with some lively lyrical original compositions that include "Comara", "Pari Passu", "Catacomb", and "Triplin Awhile". A great bridge between Land's earlier sessions under his own name, and his later partnership with Bobby Hutcherson! LP, Vinyl record album
(UK pressing on London/Atlantic. Cover has some discoloration from age, some peeling of the gloss, and a bit of pen on back.)

Partial matches49
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Modern Jazz QuartetDjango ... LP
Prestige, Mid 50s. Very Good ... $29.99
A stone classic from the Modern Jazz Quartet – recorded back when the group still featured Kenny Clarke in its membership, but already with some of the more serious, somber tones that would mark the combo's more famous years! Tracks here are from a variety of sessions in 1953, 1954, and 1955 – and trace an evolution of the MJQ style from initial more composed renditions of bop and modern jazz, to some of the more ambitious colors and tones of the Lewis-penned songbook. Titles include longish readings of "Django" and "La Ronde Suite", plus "Milano", "But Not For Me", "The Queen's Fancy", and "Delaunay's Dilemma". LP, Vinyl record album
(Yellow & black label NJ pressing with RVG etch.)
 
 
 



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