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Close matches: 19
Close matches1
CD, LP, Vinyl record album cover art
Vienna Art OrchestraFrom No Time To Rag Time ... LP
Hat Art (Switzerland), 1982. Near Mint- 2LP Box Set ... $11.99
LP, Vinyl record album
(Includes the postcards and insert. Cover is in great shape!)

Close matches2
CD, LP, Vinyl record album cover art
Vienna Art OrchestraSuite For The Green Eighties ... LP
Hat Art (Switzerland), 1982. Very Good+ 2LP ... $11.99
Arty noodlings by this Austrian group. Players include Harry Sokal on soprano sax, Christian Radovan on trombone, Herbert Joos on flugelhorn, Wofgang Puschnig on piccolo, Ingo Morgana on tenor, and Uli Scherer on piano and melodica – and Lauren Newton does a bit of vocalizing on a few tracks. The "Suite For Green Eighties" is divided into 5 parts, and takes up all of record two. Record one contains "Haluk", "Pladoyer For Sir Major Moll", "Blue For Two", and "Nanan N'z Gang". LP, Vinyl record album
(In the original box package with a postcard inside.)

Close matches3
CD, LP, Vinyl record album cover art
Albert Ayler with Don CherryEuropean Radio Studio Recordings 1964 ... CD
Hat Art (Switzerland), 1964. Used ... $11.99
A set that brings together six tracks from Albert Ayler's Hilversum Radio sessions from 1964 – plus an additional three tracks recorded in Denmark a few months earlier! The first six titles are a famous performance by a famous group set loose on a European tour in 1964 – Ayler on tenor, Don Cherry on cornet, Gary Peacock on bass, and Sunny Murry on drums – recorded in The Netherlands for a small audience in a Dutch radio studio! The setting is a wonderful one – a mix of the live freedoms that would really let Ayler stretch out – especially when playing overseas – but recorded with the clarity of some of his studio albums for ESP – that sharp-edged sound that really highlights the groundbreaking style of his playing! The rest of the group here is equally great, and Murray is completely freed up from rhythm at points, to fly beautifully with the rest – on titles that include "Angels", "CAC", "Infant Happiness", "Ghosts", and "No Name". The same group performs on the final three tracks – recorded in Copenhagen for Danish Radio, with an equally great level of clarity – on "Saints", "Spirits", and "Vibrations". The interplay between Ayler and Cherry is especially great – echoing the latter's material with Ornette Coleman, but with a different sort of edge! CD

Close matches4
CD, LP, Vinyl record album cover art
Anthony BraxtonQuartet (Santa Cruz) 1993 – 2nd Set ... CD
Hat Art (Switzerland), 1993. New Copy ... $15.99 16.95
Anthony Braxton was really on fire in 1993 – a great time for the reedman both as a player and performer – as testified by a key run of recordings during the year! This quartet session is one of the best of those – and features Braxton's reeds running with these beautiful flights on piano from Marilyn Crispell – whose playing is as unstructured as Anthony's, but also seems to bring a richness to the music that we really love – a quality matched here by Mark Dresser on bass and Gerry Hemmingway on piano and marimba. The album features Braxton at his small combo freest – and titles include "Comp 172", "Comp 161", "Comp 69m", "Comp 23c", and "Comp 124 + (108c + 147)". CD

Close matches5
CD, LP, Vinyl record album cover art
Ellery Eskelin/Gary Versace/Gerry HemingwayWillisau Live ... CD
Hat Art (Switzerland), 2016. Used ... $11.99
Tenorist Ellery Eskelin's in a very compelling setting here – a trio that has the great Gerry Hemmingway on drums, and organist Gary Versace on the Hammond B3 – an instrument we're not sure we've ever heard on any other records from Ellery! Yet the set's hardly a conventional version of tenor and organ jazz – as the Hammond's often used in ways that are a sonically creative as Eskelin's approach to tenor, with waves of sound that are often far beyond music, but which also can hit some tuneful moments as well – all over the course of songs that are familiar, but which are completely transformed by the process! The group does hit a slightly soulful vibe on a reading of "I Don't Stand A Ghost Of A Chance Without You", but really takes off on versions of "We See", "East Of The Sun", "Blue & Sentimental", and "My Melancholy Baby" – as well as their own "On Or About". CD

Close matches6
CD, LP, Vinyl record album cover art
HabariganiTwo ... CD
Hat Art (Switzerland), 1990. Used ... $3.99
CD
(Out of print.)

Close matches7
CD, LP, Vinyl record album cover art
Udo KasemetsPythagoras Tree ... CD
Hat Art (Switzerland), 1996. Used ... $1.99
CD
(Out of print.)

Close matches8
CD, LP, Vinyl record album cover art
Horace TapscottDark Tree Vol 1 ... CD
Hat Art, 1990. Used ... $18.99
Pure genius from Horace Tapscott – a record that really lights a new fire under his talents – and takes us back to some of the most expressive, most righteous jazz from the LA scene of the 70s! The quartet here features key LA player John Carter on clarinet – an instrument that he'd embraced heavily during the decade in which this set was recorded, but managed to use with a sense of boldness and fire brought to earlier work on saxes – a sound that's quite different than just about any other player on the instrument! Carter's a perfect match for Tapscott's long-woven lines on piano – heard to great effect on the album's reworking of his classic "Dark Tree" – but cast out perfectly on all the other tunes too – thanks in part to tremendous rhythm work from Cecil McBee on bass and Andrew Cyrille on drums! The set's brilliant all the way through – one of the greatest things Hat Art ever recorded – and a record to rival any of the great indie underground sets of the 70s. 4 numbers in all, including "The Dark Tree", "Sketches Of Drunken Mary", "Lino's Pad" and "One For Lately". CD
(Out of print.)

Close matches9
CD, LP, Vinyl record album cover art
✨✧ Georg Graewe/Ernst Reijseger/Gerry HemingwaySonic Fiction ... CD
Hat Art (Switzerland), 1989. Used ... Temporarily Out Of Stock
The title's "sonic fiction", not "science fiction" – but the sound here draws a great deal from that confusion of terms – as the blend of elements in the set often has a stark, almost academic nature – a sound that's as cerebral as it is experimental – and quite different from a more organic set of free improvisations! The trio here features Georg Graewe on piano, Ernst Reijseger on cello, and Gerry Hemmingway on drums – and the work was all recorded live at a museum in Germany at the end of the 80s – a setting that may have had something of an influence on the sound. Titles include "Alien Corn" in three parts – plus "Aspects Of Somnambulism/Demure Scuttle", "Fangled Talk", "Masting", and "Fibulation". CD
(Out of print.)

Close matches10
CD, LP, Vinyl record album cover art
✨✧ Roman Haubenstock RamatiConcerto A Tre ... CD
Hat Art (Switzerland), 1999. Used Gatefold ... Out Of Stock
CD

Close matches11
CD, LP, Vinyl record album cover art
✨✧ Roman Haubenstock RamatiMobile For Shakespeare ... CD
Hat Art (Switzerland), 1999. Used Gatefold ... Out Of Stock
CD

Close matches12
CD, LP, Vinyl record album cover art
✨✧ Joe McPheeAs Serious As Your Life ... CD
Hat Art (Switzerland), 1996. Used ... Out Of Stock
Excellent solo work from the great Joe McPhee – heard here at a time when he was really reigniting the creative fire in his music! The album is all solo McPhee – and Joe plays various reeds, pocket cornet, piano, and even a bit of electronics – shifting modes and moods with the differing tracks on the set, with results that are both extremely personal, and almost poetic! The feel here is like some of McPhee's best early albums for the Hat Art label – especially the first few – but there's an even greater range of expression, and a definite maturity to the way he approaches each performance. Most titles are originals – and include "The Death Of Miles Davis", "As Serious As Your Life", "Party Lights", "Tok", and "A Wish In One Hand" – and the CD also features a version of Coltrane's "After The Rain", done in a really beautiful way. CD
(Out of print.)

Close matches13
CD, LP, Vinyl record album cover art
✨✧ Sun RaSunrise In Different Dimensions ... LP
Hat Art (Switzerland), 1980. New Copy 2 LPs (reissue)... Out Of Stock
The "Sunrise" in the title here is especially well-placed – because this live performance by Sun Ra has a beautifully glowing quality – one that unfolds musically as the set rolls on, moving through a day's course of music in different moods and dimensions! Ra initiates the proceedings with some gentler inside piano, but as the set gets moving, the other group members leap into the fray – pushing a tremendous energy into some of Ra's original compositions – then stepping back for a more peaceful, contemplative exploration of older themes in jazz – played in that "across the 20th century" mode that took hold of The Arkestra strongly during this decade. Group members here include Marshall Allen, John Gilmore, Noel Scott, Michael Ray, and Danny Thomas – and the concert is very well recorded, with numbers that include "Cocktails For Two", "Lightnin", "Light From A Hidden Sun", "Pin Points Of Spiral Prisms", "Silhouettes Of The Shadow World", "Queer Notions", "Big John's Special", and "A Helio-Hello & Goodbye Too". LP, Vinyl record album
(Beautiful pressng – in the box-style used by the original Hat Art album, with postcards too!)

Close matches14
CD, LP, Vinyl record album cover art
✨✧ Anthony BraxtonQuartet (Santa Cruz) 1993 – 1st Set ... CD
Hat Art (Switzerland), 1993. New Copy ... Out Of Stock
Anthony Braxton was really on fire in 1993 – a great time for the reedman both as a player and performer – as testified by a key run of recordings during the year! This quartet session is one of the best of those – and features Braxton's reeds running with these beautiful flights on piano from Marilyn Crispell – whose playing is as unstructured as Anthony's, but also seems to bring a richness to the music that we really love – a quality matched here by Mark Dresser on bass and Gerry Hemmingway on piano and marimba. The album features Braxton at his small combo freest – and titles include "Comp 52", "Comp 173", "Comp 69o", "Comp 40o", and "Comp 159 + (30+108a)". CD

Close matches15
CD, LP, Vinyl record album cover art
✨✧ Christy DoranIn The Corner Of The Eye ... CD
Hat Art (Switzerland), 2016. New Copy ... Out Of Stock
Christy Doran's way more than a conventional guitarist on this set of recordings from the start of the 90s – playing in these fastly fluid ways, and often using a bit of delay as well – but to create even more sonic intensity for his work on the strings! Unlike some of his generation – who might use delay to lay back and just spin out long notes in space, Doran works here to almost enforce his attack even more – especially on the acoustic guitar passages, which have a very individual vibe, even when solo. Other musicians join in from time to time – Ray Anderson on trombone on "The Warm Up", Marty Erlich on clarinet and tenor on "Celtic Ballad" and "Beyond Words", Urs Leimgruber on soprano sax on "Spirale", and Hank Roberts on cello on "Seven Shadows" and "Lou Yuri". Other titles are solo – and include "She Moved Through The Fair" and "Solomutation". CD

Close matches16
CD, LP, Vinyl record album cover art
✨✧ Ellery Eskelin/Gary Versace/Gerry HemingwayWillisau Live ... CD
Hat Art (Switzerland), 2016. New Copy ... Out Of Stock
Tenorist Ellery Eskelin's in a very compelling setting here – a trio that has the great Gerry Hemmingway on drums, and organist Gary Versace on the Hammond B3 – an instrument we're not sure we've ever heard on any other records from Ellery! Yet the set's hardly a conventional version of tenor and organ jazz – as the Hammond's often used in ways that are a sonically creative as Eskelin's approach to tenor, with waves of sound that are often far beyond music, but which also can hit some tuneful moments as well – all over the course of songs that are familiar, but which are completely transformed by the process! The group does hit a slightly soulful vibe on a reading of "I Don't Stand A Ghost Of A Chance Without You", but really takes off on versions of "We See", "East Of The Sun", "Blue & Sentimental", and "My Melancholy Baby" – as well as their own "On Or About". CD
Also available Willisau Live ... CD 11.99

Close matches17
CD, LP, Vinyl record album cover art
✨✧ Counterpoise (Carisi, Sauter, Wolff & Wolpe)Counterpoise – Accanto & XASAX ... CD
Hat Art (Switzerland), 2000. Used Gatefold ... Out Of Stock
CD

Close matches18
CD, LP, Vinyl record album cover art
✨✧ Morton FeldmanViolin & String Quartet ... CD
Hat Art (Switzerland), 1997. Used 2CD ... Out Of Stock
Performed by Peter Rundel with the Pellegrini Quartet. CD
(Out of print. Cover has some sticker residue.)

Close matches19
CD, LP, Vinyl record album cover art
✨✧ George Gruntz Concert Jazz Band 87Happening Now ... CD
Hat Art (Switzerland), 1987. Used ... Out Of Stock
CD
(Out of print.)
 
Possible matches: 7
Possible matches20
CD, LP, Vinyl record album cover art
Joe McPheeVisitation ... CD
Sackville/Boxholder, 1985. New Copy ... $11.99 15.99
An overlooked moment from the mighty Joe McPhee – a set recorded after his initial run of brilliance on the Hat Art label, with backing from a Canadian combo led by pianist Bill Smith! Smith works on soprano, alto, and sopranino saxophone – and McPhee plays soprano too, as well as tenor, flugelhorn, and pocket trumpet – the last an instrument which he can use with a nice sort of punch when he wants. Smith's lineup is nicely unusual – with the violin of David Prentice alongside bass and drums – used at times with these inflections that are different than usual for that instrument in jazz, carving these colors that McPhee and Smith then elaborate on with their horns. Titles include a version of Albert Ayler's "Ghosts", plus the originals "Exuma", "Home At Last", and "Eleuthera". CD

Possible matches21
CD, LP, Vinyl record album cover art
✨✧ Joe McPhee & Raymond BoniLive From The Magic City ... CD
Trost (Austria), 1985. New Copy ... $16.99
A lost duet between Joe McPhee and Raymond Boni – done at a time when both musicians were making some incredible contributions to the early Hat Art Records catalog! The sound here is maybe sharper and starker than either of their studio sets from the time – improvised freely in two different sets, with Joe on soprano sax, electronics, and a bit of voice – and Boni on electric guitar and electronics, the latter of which sometimes seem to be processing his sounds on guitar. On the back cover photo, McPhee also appears to be electrifying his soprano – and together, the pair definitely hit some more abstract sonic passages as they improvise. The original concert was inspired by a quote by Eric Dolphy – "When you hear music, after it's over, it's gone, in the air, you can never capture it again" – but fortunately, we have this album to help with that! CD

Possible matches22
CD, LP, Vinyl record album cover art
Horace TapscottDark Tree Vol 2 ... CD
Hat Hut (Switzerland), 1990. Used ... $11.99
Pure genius from Horace Tapscott – a record that really lights a new fire under his talents – and takes us back to some of the most expressive, most righteous jazz from the LA scene of the 70s! The quartet here features key LA player John Carter on clarinet – an instrument that he'd embraced heavily during the decade in which this set was recorded, but managed to use with a sense of boldness and fire brought to earlier work on saxes – a sound that's quite different than just about any other player on the instrument! Carter's a perfect match for Tapscott's long-woven lines on piano – heard to great effect on the album's reworking of his classic "Dark Tree" – but cast out perfectly on all the other tunes too – thanks in part to tremendous rhythm work from Cecil McBee on bass and Andrew Cyrille on drums! The set's brilliant all the way through – one of the greatest things Hat Art ever recorded – and a record to rival any of the great indie underground sets of the 70s. CD
(Out of print.)

Possible matches23
CD, LP, Vinyl record album cover art
John ZornCobra ... CD
Hat Hut (Switzerland), 1985. Used 2 CDs ... $19.99
One of John Zorn's best-known "game" pieces – served up here in both a studio and live performance! Zorn doesn't play anything on the recordings, but acts as the "prompter" – a conductor of sorts, encouraging improvisations from a variety of players that include Jim Staley on trombone, Bill Frisell on electric guitar, Elliott Sharp on doubleneck guitar, Arto Lindsay on guitar, Wayne Horvitz on piano, Anthony Coleman on organ and harpsichord, Christian Marclay on turntables, Zeena Parkins on harp, and Bobby Previte on percussion. The lineup is amazing – really a "who's who" of the New York art music scene in the mid 80s – and there's a nice use of turntables and tapes on both performances – making for sonic interplay that goes way beyond the usual Zorn recording! CD
(Out of print. Numbered, limited edition pressing from the early 90s..)

Possible matches24
CD, LP, Vinyl record album cover art
✨✧ Joe McPheeVariations On A Blue Line – Round Midnight ... CD
Hat Hut/Corbett vs. Dempsey, 1977. Used Gatefold ... Temporarily Out Of Stock
Seminal solo work from the great Joe McPhee – and a crucial album in linking the American and European undergrounds of the 70s! Joe's working alone here – on soprano sax and tenor – and getting some amazing sounds out of both horns – the kind of post-musical, highly-textural elements that are right at home in the European concert setting of the recording. The album was a legendary start to Hat Art – and to the international fame of McPhee – and side one features an extended tenor performance on the original composition "Beanstalk", and side two features tenor again on "Variations On A Blue Line", then soprano on "Motian Studies", as well as "Round Midnight" – played by Joe with just the right sort of soul to round out the record! CD

Possible matches25
CD, LP, Vinyl record album cover art
✨✧ Jimmy Giuffre/Paul Bley/Steve SwallowBremen/Stuttgart (with bonus tracks) ... CD
Hat Hut/Emanem (UK), 1961. New Copy 2CD ... Out Of Stock
A beautiful live counterpart to Jimmy Giuffre's crucial Verve recordings Fusion and Thesis – performed here with a similar trio that includes Paul Bley on piano and Steve Swallow on bass – really expanding upon ideas of jazz expression that Giuffre first put forth in his late 50s trio! Giuffre's at the height of his power, and playing with these two young modernists, his trio manages to build these incredible sound shapes out of fragile clarinet, piano, and bass lines – simple elements, but used here in ways that are really revolutionary – and very strongly a precursor to work to come from Bley and Swallow. The music is even more far-reaching than Jimmy's late 50s trio sides for Atlantic and Verve – and this live performance is wonderfully recorded, and really opens up a big chapter of this less-recorded side of his career. This huge package features material that was originally issued on two different Hat Art CDs, plus unreleased tracks from the Bremen session, and even two rare Verve titles that were not issued by ECM on their release of Fusion and Thesis. 26 tracks in all – including "Flight", "Venture", "Whirrrr", "Jesus Maria", "That's True That's True", "Cry Want", "Suite For Germany", "Sonic", "Trudgin", and "Compassion For PB". CD

Possible matches26
CD, LP, Vinyl record album cover art
✨✧ Joe McPhee & Andre JaumeNuclear Family ... CD
Hat Hut/Corbett vs. Dempsey, 1979. New Copy Gatefold ... Out Of Stock
Insanely beautiful work from the great Joe McPhee – an album that was recorded and intended to be issued during his groundbreaking stretch with Hat Art Records – but which never saw the light of day at the time! Why that happened, we're not entirely sure – because the album is tremendous right from the very first note – as McPhee blows alto, tenor, and pocket cornet alongside the work of Andre Jaume on alto, tenor, and bass clarinet – in a set of horn-only performances that are breathtaking from start to finish! Jaume's a great player too – and his work of the time, especially on Hat Art, is a masterpiece of subtlety and soul – and he balances McPhee perfectly here, often with some deeper currents that create a beautifully organic energy between the two. Jaume's got this way of handling his reed that's amazing – and, of course, Joe's phrasing is as incredible as always. Titles include great reworks of modern jazz classics – including "Pithecanthropus Erectus", "Self Portrait In Three Colors", "Evidence", "Chelsea Bridge", and "Lonely Woman" – plus the originals "Nuclear" and "Rue St Jaume". CD
(Beautiful package – with a heavy Japanese-style paper sleeve!)
 
Partial matches: 498
Partial matches27
CD, LP, Vinyl record album cover art
Art BlakeyReflections In Blue ... CD
Timeless/Ultra Vybe (Japan), 1978. New Copy ... $13.99
Key proof that Art Blakey was still going strong in the late 70s – continuing his 60s legacy of working with the best young players he could find, in a setting that was bristling with sweet soul jazz energy! This version of The Jazz Messengers includes some tremendous players – including a young Bobby Watson on alto, the great David Schnitter on tenor, James Williams on piano, and Valery Ponomarev on trumpet – all grooving with Art in a style that steps nicely from the soulful Prestige Records years, when Blakey was leading the group with Woody Shaw and Carter Jefferson. Tracks are nearly all originals – loping and grooving with a soulful finish that's really wonderful, showing off equal parts of writing from nearly all corners of the group. The album's awash in soulful joy and love, and titles include "Reflections In Blue", "ETA", "Mishima", "Say Dr J", and "Stretching". CD

Partial matches28
CD, LP, Vinyl record album cover art
Arthur BlytheLenox Avenue Breakdown/In The Tradition/Illusions/Blythe Spirit ... CD
Columbia/BGO (UK), Late 70s/Early 80s. New Copy 2CD ... $16.99
Four great albums from reedman Arthur Blythe – all together in one collection! First up is Lenox Avenue Breakdown – a stunning Columbia Records debut from Blythe! At the time of the date, Blythe had already spent years working in the jazz undergrounds on both coasts – developing a searing sound on alto sax that's perfect for the focused structure of this album – almost a tone poem of sorts, offering up a portrait of the Harlem scene that was a key part of Arthur's life at the time. The sounds are sharp, but also have a sense of energy that really holds them together – guiding the players through long readings of well-penned tunes by Blythe that are filled with loads of energy and life! Players include James Newton on flute, James Blood Ulmer on guitar, Bob Stewart on tuba, Cecil McBee on bass, Jack DeJohnette on drums, and Guillermo Franco on percussion – and titles include "Odessa", "Slidin Through", "Down San Diego Way", and "Lenox Avenue Breakdown". In The Tradition is a gem – as the set represents the modern musician taking on a host of older jazz currents, while carving things out with his own special sort of soul! Half the tunes are familiar favorites, the other half originals – and Blythe moves far past his avant roots, to showcase his deep understanding of so many different shades of jazz – blowing alto beautifully throughout, in a very hip quartet that features Stanley Cowell on piano, Fred Hopkins on bass, and Steve McCall on drums! Titles include great takes on "Naima", "Jitterbug Waltz", "Caravan", and "In A Sentimental Mood" – plus the originals "Break Tune" and "Hip Dipper". Illusions is maybe the boldest of Arthur Blythe's albums for Columbia Records – as the set bristles with newly creative energy right from the start, and provides a great showcase for some of the criss-crossings of styles and rhythms that were taking place on the New York scene at the time! The lineup alone announces something special – a cool combination of James Blood Ulmer on guitar, John Hicks on piano, Fred Hopkins on bass, Abdul Wadud on cello, Bob Stewart on tuba, and Steve McCall on drums – working together in some slight variations at times, often with these angular edges that are perfectly sharpened by Arthur's amazing work on alto sax. The music's never too free, but quite outside for a major label at the time – balanced out so that it's never overindulgent at all. Titles include "Bush Baby", "Miss Nancy", "My Son Ra", and "Carespin With Mamie". Blythe Spirit is a set that showcases the never-ending growth and imagination of reedman Arthur Blythe during this fruitful period of his career – and his ability to effortlessly blend together different elements in his music – especially sides of the New York loft jazz scene, and the Chicago-based AACM! The tunes are beautiful – mostly originals, and showing a richer spirituality than even a year before – while still working in that compellingly rhythmic mode that Arthur was hitting during these years – in a lineup that features Blythe on alto, Abdul Wadud on cello, Kelvyn Bell on guitar, Steve McCall and Bobby Battle on drums, John Hicks on piano, Amina Claudine Myers on organ, and Fred Hopkins on bass. The mix of electric and acoustic elements is fantastic – very fresh, even all these many years later – and titles include "Misty", "Spirits In The Field", "Just A Closer Walk With Thee", "Reverence", and "Contemplation". CD

Partial matches29
CD, LP, Vinyl record album cover art
✨✧ VariousLight On The Waterside – The Finest Voice & Piano ... CD
Core Port (Japan), 2000s/Early 2010s. New Copy ... Out Of Stock
A record that definitely delivers what is promised in the title – a sweet collection of tracks that mix strong lead vocals and piano in the performance – in modes that start out in a jazz-based approach, but also moves to Brazilian styles and even some more contemporary sounds as well! The collection is well put-together, and the selection of tracks goes way past the obvious – to include some real gems from a global range of singers from the past decade or so – titles that include "Nas Asas Do Maganga" by Ze Manoel, "Simple" by Laila Biali, "Down Here On The Ground" by Laila Biali, "How Do You Keep The Music Playing" by Karin Krog, "Home Again" by Christine Tobin & Liam Noble, "Noel" by Pierre Barou and Martial Pardo, "When Time Stands Still" by Triosence, "Mio" by Florencia Ruiz & Carlos Villavencio, "Memorias De Pueblo" by Mio Matsuda & Carlos Aguirre, and "Palhaco" by Yumi Nanatsutani. CD

Partial matches30
CD, LP, Vinyl record album cover art
Aphex TwinCheetah EP ... CD
Warp, 2016. New Copy ... $12.99 13.99
Richard D James has lost none of his touch over the years – still as stark and ear-grabbing as he was when we heard the first Aphex Twin release – at a level that really lives up to all the faith we've had in his music over the years! This EP is bubbling over with blips, beats, and bassy bottoms that are more than enough to rumble our speakers right off the racks – a few variations on the title "Cheetah" tune, and a few more on "Cirklon" – all in a mode that's partly old school electro, partly that future sound and vision that we love from James. CD

Partial matches31
CD, LP, Vinyl record album cover art
Ginny ArnellMeet Ginny Arnell (plus bonus tracks) ... CD
MGM/Poker (UK), 1964. New Copy ... $5.99 13.99
Dreamy 60s pop from Ginny Arnell – a sweet-voiced singer working in a very echoey space! There's a nicely weepy quality to Ginny's music – not in a way that's overly emotive, but which comes from the odd mix of guitar lines, bubbling bass, and heavy echo used to record the music – all with qualities that start feeling sad long before Arnell even sings a word of the lyrics – and which is almost a female equivalent to the best blue modes of Bobby Vinton's work of the same time! Arrangements are by a variety of talents – including Bill McElhieny, Al Gorgoni, and Ray Stevens – but there's a nicely unified feel to the set, thanks to the strong production on the album from Jim Vienneau – clearly an under-acknowledged genius of 60s pop. Titles include "Dumbhead", "I Wish I Knew What Dress To Wear", "I'm So Afraid Of Loving You", "He's My Little Devil", "This Is Mine", "You Pulled A Fast One", "I Don't Want You This Way", and "This Is Mine". CD features 6 bonus tracks too – including "I'm Getting Mad", "Bill Why", "I'm Crying Too", "Trouble's Back In Town", and "Just Like A Boy". CD

Partial matches32
CD, LP, Vinyl record album cover art
Brian AugerBack To The Beginning Again – A Brian Auger Anthology Vol 2 ... LP
Freestyle (UK), Late 60s/Early 70s. New Copy 2LP ... $21.99
A totally wonderful collection – even better than the first volume, and filled with rare and unusual work from this legendary British keyboardist! The set features loads of gems from Brian's early years – some mod piano rompers and heavy Hammond groovers – showing a very strong tie to the soul jazz sound of the early 60s, which then transforms into some excellent 70s groovers as the set moves in – work that's every bit as tremendous as the tunes that start out the set. Even if you've got some of Auger's albums in your collection, there's way more to discover here – and the set has a brilliant focus on the deepest, most soulful side of his music! Titles include "In & Out", "Love For Sale", "Maiden Voyage", "Inner City Blues", "Brain Damage", "Happiness Is Just Around The Bend", "Funky Mama", "Moanin", "Straight Ahead", "Work Song", "Poinciana", and "Light On The Path". Even features notes on the music by Auger himself! LP, Vinyl record album

Partial matches33
CD, LP, Vinyl record album cover art
AzotoDisco Fizz ... LP
Rams Horn (Netherlands), 1980. Very Good+ ... $24.99
An intriguing bit of Italian disco – one that has some of the sweet porno touches of the genre's earliest years, but which also picks up some of the more interesting progressive elements that started to surface in the early 80s! There's some really nice percussion and guitars on the set, and a few bits have these nice dark keyboard parts that sit somewhere between Kraftwerk and electro. Includes the extended hit "San Salvador", the moody "Exalt Exalt", and the tracks "Fire Fly", "Soft Emotion", and "Anytime Or Place". LP, Vinyl record album
(Canadian pressing on Modulation.)

Partial matches34
CD, LP, Vinyl record album cover art
Bacao Rhythm & Steel BandLove Like This/Dog Was A Doughnut ... 7-inch
Big Crown, 2016. New Copy ... $7.99
Two great cuts from one of the funkiest steel bands of all time! Bacao Rhythm & Steel served up a great version of "Love Like This" – one that starts with this bumping bassline that's totally wicked, and snapped with a breaking drum – setting up a groove that's almost old school funk before the steel pans come in to the mix! The flipside's got an even heavier break – as the group remake Cat Stevens' famous sample cut "Was Dog A Doughnut" – but as a very funky instrumental! 7-inch, Vinyl record

Partial matches35
CD, LP, Vinyl record album cover art
Willie BoboBobo's Beat ... CD
Roulette/Warner (Japan), 1962. New Copy ... About January 25, 2017
An obscure album by Willie Bobo – and a great one too! The session predates Willie's more famous work on Verve, and it catches the percussionist as he's coming off of some very successful years in the Cal Tjader band – a place where he really picked up a flair for jazzy and lyrical grooves. There's a fair bit of bossa nova influence on the set, but it's handled in a really unique way – as Willie's group blends together organ and piano, plus some sax and flute from a young Joe Farrell – making for a sound that's partly in the New York Latin mode, and partly in the more open and breezy styles of Willie's west coast roots. A great little album, with a really wonderful feel – and titles include "O Barquinho", "Let Your Hair Down Blues", "Capers", "Bossa Nova In Blue", and "Naked City Theme". CD features 2 bonus tracks – "Trinidad" and "Timbale Groove". CD

Partial matches36
CD, LP, Vinyl record album cover art
✨✧ Oscar Brown Jr.Sin & Soul (And Then Some) ... CD
Columbia/Legacy, 1960. Used ... $2.99
Trend-setting vocal work from Oscar Brown Jr – one of the hippest singers of his generation, and a vocalist who really took things to the next level in the 60s! Brown's got a sound that's partially influenced by the vocalese of Eddie Jefferson, Jon Hendricks, and other singers of the 50s – but his groove here is also a bit more fluid and lyrical too – thanks to some great lyrics penned by Oscar, some of which went on to become classics over the years. Like his predecessors, many of the tunes chosen by Brown got their start as jazz instrumentals, but sparkle anew here with fresh lyrics that really liven them up a lot – tales of sin and soul and a lot more, often delivered with a good sense of wit. Titles include great vocal versions of "Dat Dere", "Work Song", and "Afro-Blue", plus some of his great original compositions, like "Brown Baby", "But I Was Cool", and "Rags and Old Iron". The arrangements are great, with a nice jazzy sound – and the group includes the excellent Floyd Morris on piano! CD features 5 bonus tracks that include "Straighten Up & Fly Right", "Forbidden Fruit", "World Of Grey", "Mr Kicks", and "Hazel's Hips". CD
Also available
Sin & Soul (And Then Some) ... CD 5.99
Sin & Soul (And Then Some) ... CD 3.99

Partial matches37
CD, LP, Vinyl record album cover art
✨✧ Oscar Brown Jr.Sin & Soul (And Then Some) ... CD
Columbia/Legacy, 1960. Used ... $3.99
Trend-setting vocal work from Oscar Brown Jr – one of the hippest singers of his generation, and a vocalist who really took things to the next level in the 60s! Brown's got a sound that's partially influenced by the vocalese of Eddie Jefferson, Jon Hendricks, and other singers of the 50s – but his groove here is also a bit more fluid and lyrical too – thanks to some great lyrics penned by Oscar, some of which went on to become classics over the years. Like his predecessors, many of the tunes chosen by Brown got their start as jazz instrumentals, but sparkle anew here with fresh lyrics that really liven them up a lot – tales of sin and soul and a lot more, often delivered with a good sense of wit. Titles include great vocal versions of "Dat Dere", "Work Song", and "Afro-Blue", plus some of his great original compositions, like "Brown Baby", "But I Was Cool", and "Rags and Old Iron". The arrangements are great, with a nice jazzy sound – and the group includes the excellent Floyd Morris on piano! CD features 5 bonus tracks that include "Straighten Up & Fly Right", "Forbidden Fruit", "World Of Grey", "Mr Kicks", and "Hazel's Hips". CD
Also available
Sin & Soul (And Then Some) ... CD 5.99
Sin & Soul (And Then Some) ... CD 2.99

Partial matches38
CD, LP, Vinyl record album cover art
Oscar Brown Jr.Sin & Soul (And Then Some) ... CD
Columbia/Legacy, 1960. New Copy ... $5.99 6.99
Trend-setting vocal work from Oscar Brown Jr – one of the hippest singers of his generation, and a vocalist who really took things to the next level in the 60s! Brown's got a sound that's partially influenced by the vocalese of Eddie Jefferson, Jon Hendricks, and other singers of the 50s – but his groove here is also a bit more fluid and lyrical too – thanks to some great lyrics penned by Oscar, some of which went on to become classics over the years. Like his predecessors, many of the tunes chosen by Brown got their start as jazz instrumentals, but sparkle anew here with fresh lyrics that really liven them up a lot – tales of sin and soul and a lot more, often delivered with a good sense of wit. Titles include great vocal versions of "Dat Dere", "Work Song", and "Afro-Blue", plus some of his great original compositions, like "Brown Baby", "But I Was Cool", and "Rags and Old Iron". The arrangements are great, with a nice jazzy sound – and the group includes the excellent Floyd Morris on piano! CD features 5 bonus tracks that include "Straighten Up & Fly Right", "Forbidden Fruit", "World Of Grey", "Mr Kicks", and "Hazel's Hips". CD
Also available
Sin & Soul (And Then Some) ... CD 3.99
Sin & Soul (And Then Some) ... CD 2.99

Partial matches39
CD, LP, Vinyl record album cover art
Otis Brown & The DelightsI've Got Another/Southside Chicago ... 7-inch
Numero, Mid 60s. New Copy (reissue)... $5.99
A really moody cut from Chicago's Otis Brown – a groove that starts out slow, with a bit of conga in the mix – at a tempo that's somewhere in the speed of "Elephant Walk"! Otis Brown sings lead vocals, and gets some mellow backup from the rest of the Delights – and the whole crew pick the pace up a bit more on "Southside Chicago", a wonderful 60s soul stepper whose subject matter is very near and dear to our hearts! 7-inch, Vinyl record

Partial matches40
CD, LP, Vinyl record album cover art
AJ & The JiggawattsIt Is What It Is/Party Music ... 7-inch
Colemine, 2016. New Copy ... $4.99
One of the rawest, raunchiest grooves we've heard from AJ & Co to date – a tune that's got a heavy slow-funk drum part that launches the whole thing along – and some slinky stepping, hard-sung lyrics that almost give the song a pimp walk sort of vibe! "Party Music" is a bit more upbeat, but no less funky – super-tight horns leaping over snapping drums and fast-stepping bass – and lead lyrics that have a nice sort of distortion in the way they were recorded! 7-inch, Vinyl record
(Now on black vinyl.)

Partial matches41
CD, LP, Vinyl record album cover art
Erykah BaduNew Amerykah Part Two (Return Of The Ankh) ... CD
Motown, 2010. New Copy ... $3.99 11.98
The second chapter of Erykah Badu's New Amerykah – recorded for the most part, quite incredibly, during the same period and with the same collaborators as the mind-altering, murky and righteous hip hop funk experimentalism that was Part One – some months that must be among the most dizzyingly creative in Badu's career! We're reluctant to call Return Of The The Ankh a lighter listen than its predecessor, but, it's a less dense and outwardly experimental batch in the sonic realm – the emotionalism and the head nodding warmth is at the forefront, yet she's as uncompromising and real as ever. The sound is still innovative, unique and her own on all fronts, but the songs chosen for Part Two are ones you want to approach and embrace from the opening seconds – there's not as much of a tripped out overall vibe and you don't need to acclimate from a distance – these songs pull you right in! Includes collaborations with James Poyser, Shafiq Husayn, Ta'Raach, Karriem Riggins, Madlib and Georgia Anne Muldrow. Includes "20 Feet Tall", "Window Seat", "Agitation", "Turn Me Away (Get Munny)", "Gone Baby, Don't Be Long", "Love", "Out My Mind, Just In Time" and more. CD
Also available New Amerykah Part Two (Return Of The Ankh) ... LP 22.99

Partial matches42
CD, LP, Vinyl record album cover art
Erykah BaduNew Amerykah Part Two (Return Of The Ankh) ... LP
Motown, 2010. New Copy 2LP Gatefold ... $22.99 24.98
The second chapter of Erykah Badu's New Amerykah – recorded for the most part, quite incredibly, during the same period and with the same collaborators as the mind-altering, murky and righteous hip hop funk experimentalism that was Part One – some months that must be among the most dizzyingly creative in Badu's career! We're reluctant to call Return Of The The Ankh a lighter listen than its predecessor, but, it's a less dense and outwardly experimental batch in the sonic realm – the emotionalism and the head nodding warmth is at the forefront, yet she's as uncompromising and real as ever. The sound is still innovative, unique and her own on all fronts, but the songs chosen for Part Two are ones you want to approach and embrace from the opening seconds – there's not as much of a tripped out overall vibe and you don't need to acclimate from a distance – these songs pull you right in! Includes collaborations with James Poyser, Shafiq Husayn, Ta'Raach, Karriem Riggins, Madlib and Georgia Anne Muldrow. Includes "20 Feet Tall", "Window Seat", "Agitation", "Turn Me Away (Get Munny)", "Gone Baby, Don't Be Long", "Love", "Out My Mind, Just In Time" and more. LP, Vinyl record album
Also available New Amerykah Part Two (Return Of The Ankh) ... CD 3.99

Partial matches43
CD, LP, Vinyl record album cover art
Art Blakey & The Jazz MessengersBuhaina ... LP
Prestige (UK), 1973. New Copy (reissue)... $13.99 19.99
An amazing album that has Art Blakey completely reinventing himself for the 70s! Blakey shifts from straight hardbop to kind of a modal soul jazz groove, touched with some of the electric playing of the younger jazz generation, but not enough to qualify as fusion or funk. Instead, he's working with some great younger players – like Carter Jefferson, Woody Shaw, and Michael Howell – hitting a groove that reminds us of some of the best underground soul jazz on labels like Muse or Strata East. Includes the amazing long groovers "Mission Eternal" and "Chant For Bu", a famous Tribe Called Quest sample – plus new electric piano versions of "Moanin" and "Along Came Betty", both of which feature vocals by Jon Hendricks. LP, Vinyl record album

Partial matches44
CD, LP, Vinyl record album cover art
Braen's MachineQuarta Pagina (plus bonus CD) ... LP
Liuto/Schema (Italy), 1971. New Copy ... $21.99
Stunning sound library material from Braen's Machine – one of the coolest, grooviest, and most obscure acts that were part of this underground Italian scene in the 70s! Quarta Pagina follows into even more trippier territory than the group's famous Underground album – a wild blend of psychedelic elements with hip soundtrack styles – the kinds of aspects that Piero Umiliani and Alessandro Alessandroni brought to the group, but with an even weirder feel. Track are all nice and compact – no overindulgent jams, but there's still a wonderful range of sounds in the short tunes – and most numbers are vocals, filled with guitars, keyboards, and loads of odd elements – but there also seems to be an Edda Dell'Orso-like singer in a few spots too. Titles include "Frode", "Addescamento", "Rimorso", "Il Covo", "La Vittima", and "Nel Penitenziario". LP, Vinyl record album

Partial matches45
CD, LP, Vinyl record album cover art
Gene AmmonsFunky – Hi Fi Jam Session ... LP
Prestige, 1957. Fair ... $9.99
One of Ammons' classic blowing sessions for Prestige, with an all-star lineup that includes Art Farmer, Jackie McLean, Mal Waldron, and Kenny Burrell. The group plays together on 4 long tracks, and in a tight hardbop vein, with long soulful solos from every player. Titles include "Pint Size", "King Size", and "Funky". LP, Vinyl record album
(NOTE: FAIR CONDITION. Yellow & black label NYC pressing with deep groove & RVG etch. Cover has moderate wear & some splitting. Vinyl plays with some clicks and crackles.)

Partial matches46
CD, LP, Vinyl record album cover art
✨✧ AntibalasDirty Money/AWOL ... 7-inch
Daptone, 2012. New Copy ... $5.99
Two stormers from Antibalas! "Dirty Money" is one of their boldest cuts in years – a tune that leaps right out of the grooves, right from the start – thanks to plenty of searing Afro Funk rhythms, and even moreso to a wicked Hammond part that burns beautifully for the first minute or so – working out sounds that are incredibly fresh and powerful! "AWOL" has more horns in the lead, and a great funky bassline at the core – a bad-stepping little number that's equal parts Afro and Funk! 7-inch, Vinyl record
 
 
 



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