Paul Bley returns to important territory from earlier years – the compositions of Annette Peacock, which often offered up some of his best musical moments during the 70s! The format here is different than the ECM years, though – a bit edgier, in that the piano of Bley and bass of Gary Peacock is mixed with trumpet and flugelhorn lines from Franz Koglmann, who not only really gives the set an expressive depth, but also ties the Bley/
Peacock mode to a later strand of European improvisation. In fact, the record's almost a sonic shift in time – representing the newer era of avant recording by Hat Art
, and instantly displaying its contrast with the earlier ECM aesthetic that brought Bley to many ears. Peacock's original tune structures provide a lot of familiar signposts along the way – even though the paths taken are quite different! Titles include "Both", "Mister Joy", "Touching", "Miracles", "Albert's Love Theme", "Cartoon", "Annette", and "Kid Dynamite".
(Out of print.)