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Harold McKinney Edit search Phrase match

 
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VariousBlack Fire New Spirits – Deep & Radical Jazz In The USA 1957 to 1982 ... LP
Soul Jazz (UK), Late 50s/1960s/1970s/Early 80s. New Copy 3LP ... $34.99 36.99
Deeply spiritual jazz from the American underground of the 20th century – music that sits in a perfect space between straight jazz and more avant garde material – always reaching out in this really soaring, searching sort of way – but never too outside or free! Rhythms are at the core of most of these numbers – often modal elements, with especially strong basslines – or earthy percussion with strong Afrocentric inspirations, recast here in the huge wave of jazz experimentation of the 60s and 70s! Most tracks are from those key decades, but he set also features some overlooked gems from the 80s too – and a good deal of these tracks are from albums we hardly ever see anymore these days. As usual, Soul Jazz has done a stunning job with the notes and package – dovetailing with their book of the same name – and tracks include "Second Line March" by David Lee, "Flashback Of Time" by Creative Arts Ensemble, "Chang Chang Chang" by Yusef Lateef, "Utopia & Visions" by Don Cherry, "It's A Trip" by Last Poets, "Universal Spiritual Revolt" by Tyrone Washington, "In The Moog" by Harold McKinney, "Spaces & Things" by Doug Hammond, "Tzaddi Vau (part 1)" by Pheeran Ak Laff, and "Dealin" by Richard Davis. LP, Vinyl record album
(Limited edition includes download!)

Possible matches2
CD, LP, Vinyl record album cover art
✨✧ TribeHometown Detroit Sessions 1990 to 2014 ... LP
Strut (UK), 1990/1995/2014. New Copy 2LP Gatefold ... Out Of Stock
A return to greatness for the legendary Tribe Records scene in Detroit – an underground movement that gave us some spiritual jazz classics in the 70s – then kept on making wonderful music at an even more underground level as the years went on! This set is a collection of work from three rare recordings issued during that time – all on CD only, and representing a maybe even more obscure side of this legacy than the Tribe albums of the 70s! First up is trombonist Phil Ranelin – heading up a group that includes Wendell Harrison on tenor and Marcus Belgrave on trumpet – two key Tribe partners from the early years – really stretching out on the titles "He The One We All Knew" and "Freddie's Groove", both recorded in 1990. Next is material from a 1995 performance led by pianist Harold McKinney – a set that's got an incredible depth of imagination and soul, almost as much as Harold McKinney's work of years back! The group is a wonderfully hip one – with former Tribe artists Wendell Harrison on tenor and clarinet and Marcus Belgrave on trumpet – plus additional players who include Kiane Zawadi on trombone, Reggie Workman on bass, Francisco Mora on percussion, and Jimmy Owens on trumpet. There's a bit of vocals, but never that much – and most tracks are long and open – freely exploratory, but never too far out or avant-styled – just soulful and spiritual, in the true Tribe Records tradition! Titles include "Wide & Blue", "The Slave Ship Enterprise", "Juba", "Libra Ahora", and "Conjure Man". Last is a set of tracks recorded in 2014 by keyboardist Pamela Wise – a record that really carries forward the Tribe Records spirit from the 70s! The overall approach is a bit more contemporary, but the set's still got all the best feel of a classic indie album from the underground – played and penned by Wise in close collaboration with reedman Wendell Harrison, a frequent partner of Pamela's on a variety of projects, and one of the driving forces of Tribe back in the day! Wise plays both acoustic and electric keyboards, and sometimes sings just slightly – although most of the album is instrumental – and in addition to Harrison's work on tenor and bass clarinet, the album features trumpet, guitar, and lots of percussion. Titles include "Ode To Black Mothers", "Hometown", and "Marcus Garvey". LP, Vinyl record album
 
 
 



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