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All Categories — LPs



Harold McKinney Edit search Phrase match

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Exact matches: 1
Exact matches1
CD, LP, Vinyl record album cover art
✨✧ Harold McKinneyVoices & Rhythms Of The Creative Profile (180 gram pressing) ... LP
Tribe/Pure Pleasure (UK), 1974. New Copy (reissue)... Out Of Stock
One of the most righteous albums ever issued by the always-righteous Tribe Records label of Detroit – a really collective effort, one that features ensemble vocals and spiritual jazz – all pulled together by pianist Harold McKinney! The album showcases a group named Voices Of The Creative Profile – formed by McKinney to accompany his Creative Profile instrumental group – and the overall style is a great blend of spiritual soul jazz that gives equal time to the voices and instruments in the set. Gwen McKinney heads up the vocal ensemble, and other players on the set include Wendell Harrison on flute, Marcus Belgrave on trumpet, Billy Turner on percussion, and Ed Pickins on bass. Also features some cool moog from Darryl Dybka – and titles that include "In The Moog", "Freedom Jazz Dance", "Dolphin Dance", "Heavenese", "Ode To Africa", "Out Of The Blues", and "Cornerstone". LP, Vinyl record album
(Limited edition 180 gram pressing!)
Also available Voices & Rhythms Of The Creative Profile (with bonus tracks) ... CD 21.99
Possible matches: 4
Possible matches2
CD, LP, Vinyl record album cover art
Grassella Oliphant QuartetteGrass Roots ... LP
Atlantic, 1965. Very Good ... $24.99
One of the few albums ever cut by drummer Grassella Oliphant – a soulful smoker that really shows the hip approach to jazz on Atlantic Records in the 60s! The album's got a tight groove that comes from superb efforts from a great quartet – Oliphant's drums in the lead, plus tenor from Harold Ousley, vibes from Bobby Hutcherson, and bass from Ray McKinney! Both Hutcherson and Ousley shine on the album – bringing in a sense of soul and spirit that go beyond even Grasella's other album for Atlantic – and the tunes are a mixture of Ousley originals that are totally great, plus some fresh versions of older favorites. The group's approach is very youthful and filled with warm imagination – and titles include "Haitian Lady", "Mrs. O", "The Descendant", "Step Lightly", "Grandfather's Waltz", and "One For The Masses". LP, Vinyl record album
(Mono white label promo. Cover has a promo ink stamp on back.)

Possible matches3
CD, LP, Vinyl record album cover art
VariousBlack Fire New Spirits – Deep & Radical Jazz In The USA 1957 to 1982 ... LP
Soul Jazz (UK), Late 50s/1960s/1970s/Early 80s. New Copy 3LP ... $34.99 36.99
Deeply spiritual jazz from the American underground of the 20th century – music that sits in a perfect space between straight jazz and more avant garde material – always reaching out in this really soaring, searching sort of way – but never too outside or free! Rhythms are at the core of most of these numbers – often modal elements, with especially strong basslines – or earthy percussion with strong Afrocentric inspirations, recast here in the huge wave of jazz experimentation of the 60s and 70s! Most tracks are from those key decades, but he set also features some overlooked gems from the 80s too – and a good deal of these tracks are from albums we hardly ever see anymore these days. As usual, Soul Jazz has done a stunning job with the notes and package – dovetailing with their book of the same name – and tracks include "Second Line March" by David Lee, "Flashback Of Time" by Creative Arts Ensemble, "Chang Chang Chang" by Yusef Lateef, "Utopia & Visions" by Don Cherry, "It's A Trip" by Last Poets, "Universal Spiritual Revolt" by Tyrone Washington, "In The Moog" by Harold McKinney, "Spaces & Things" by Doug Hammond, "Tzaddi Vau (part 1)" by Pheeran Ak Laff, and "Dealin" by Richard Davis. LP, Vinyl record album
(Limited edition includes download!)

Possible matches4
CD, LP, Vinyl record album cover art
✨✧ VariousGilles Peterson Digs America – Brownswood USA ... LP
Luv N' Haight/Ubiquity, Late 60s/1970s. Very Good+ 3LP ... Temporarily Out Of Stock
A side of the US soul and jazz scene not often heard – served up in the hands of UK DJ Gilles Peterson, a man blessed with keen ears for detecting an unusual groove! The package is a trip through American rarities Peterson has collected over his many years in music – a variety of small label titles from the hinterlands of the US indie scene of the 60s and 70s – many of them genre-busting numbers that shift effortlessly between jazz, soul, funk, Latin, and headier musical influences. As with any set from Gilles P, there's a method to the magic here that really makes us marvel – a talent not only for picking unusual tunes, but also for putting them together in a way that makes each number resonate with the next – coming alive as if they'd never been lost, and creating a level of excitement that's hardly matched by other collections! Titles include "Tribute To Wes" by Moses Dillard, "Didn't I" by Darondo, "He Does It Better" by Marva Josie, "Ya Ya Cha Cha" by Lonnie Hewitt, "Search For The Inner Self" by Jon Lucien, "A Perfect Day" by Bobby Cole, "Ode To Africa" by Harold McKinney, "Get Off The Ground" by Baaska & Scavelli, "Lover's Theme" by Bob Cunningham, "Just As We" by Caroline Peyton, "The Prayer" by World Experience Orchestra, "The Kingdom Within You" by Ira Sullivan, "Circles" by Ensemble Al Salaam, and "Just Me N You" by JR Bailey. LP, Vinyl record album
(Cover has some very light wear, but is nice overall.)

Possible matches5
CD, LP, Vinyl record album cover art
✨✧ TribeHometown Detroit Sessions 1990 to 2014 ... LP
Strut (UK), 1990/1995/2014. New Copy 2LP Gatefold ... Out Of Stock
A return to greatness for the legendary Tribe Records scene in Detroit – an underground movement that gave us some spiritual jazz classics in the 70s – then kept on making wonderful music at an even more underground level as the years went on! This set is a collection of work from three rare recordings issued during that time – all on CD only, and representing a maybe even more obscure side of this legacy than the Tribe albums of the 70s! First up is trombonist Phil Ranelin – heading up a group that includes Wendell Harrison on tenor and Marcus Belgrave on trumpet – two key Tribe partners from the early years – really stretching out on the titles "He The One We All Knew" and "Freddie's Groove", both recorded in 1990. Next is material from a 1995 performance led by pianist Harold McKinney – a set that's got an incredible depth of imagination and soul, almost as much as Harold McKinney's work of years back! The group is a wonderfully hip one – with former Tribe artists Wendell Harrison on tenor and clarinet and Marcus Belgrave on trumpet – plus additional players who include Kiane Zawadi on trombone, Reggie Workman on bass, Francisco Mora on percussion, and Jimmy Owens on trumpet. There's a bit of vocals, but never that much – and most tracks are long and open – freely exploratory, but never too far out or avant-styled – just soulful and spiritual, in the true Tribe Records tradition! Titles include "Wide & Blue", "The Slave Ship Enterprise", "Juba", "Libra Ahora", and "Conjure Man". Last is a set of tracks recorded in 2014 by keyboardist Pamela Wise – a record that really carries forward the Tribe Records spirit from the 70s! The overall approach is a bit more contemporary, but the set's still got all the best feel of a classic indie album from the underground – played and penned by Wise in close collaboration with reedman Wendell Harrison, a frequent partner of Pamela's on a variety of projects, and one of the driving forces of Tribe back in the day! Wise plays both acoustic and electric keyboards, and sometimes sings just slightly – although most of the album is instrumental – and in addition to Harrison's work on tenor and bass clarinet, the album features trumpet, guitar, and lots of percussion. Titles include "Ode To Black Mothers", "Hometown", and "Marcus Garvey". LP, Vinyl record album

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