One of Grover
Washington's first albums as a leader – cut hot on the heels of some great work as a sideman, including some key funky dates with Charles Earland on Prestige! The sound here is a bit looser than some of Groover's smoother sides to come – a nice blend of his earthy jazz funk roots with the warmer sounds of the CTI/
Kudu world – arranged and produced beautifully by keyboardist Bob James, who also plays both electric piano and harpsichord on the album! The cuts are a bit shorter than later on, but still totally tremendous – a sly, subtle approach to jazz funk that really took the keyboard/
tenor mode into bold new territory for the 70s – a real genre-starting record that still sounds sublime all these many years later. Grover
plays tenor and alto – no soprano sax yet – and other players include Richard Tee on organ, Billy Cobham or Bernard Purdie on drums, and Eric Gale or Cornell Dupree on guitar. Titles include "All The King's Horses", "Body & Soul", "Lean On Me", "Lover Man", "Love Song 1700", and "No Tears In The End".
(Cover has light wear on the top seam, but is nice overall.)