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Larry YoungLarry Young's Fuel ... CD
Arista/Get On Down, 1975. New Copy ... $9.99 14.98
Quite possibly the greatest Larry Young album of the post-Blue Note years – and a massive bit of funk that totally redefines his sound! Larry's working here with his hip group Fuel – an ensemble that features Laura Logan on lead vocals, giving the tunes a real focus through her lyrics – and letting them pack a bit more punch too, since her voice sounds a lot like Betty Davis at the time! Larry's keyboards are forceful, but never too over the top – and he's notched things down a bit to focus on the overall groove of the set – still keeping things adventurous on the keys, but also working in a mode that's much more heavily jazz funk! The album's one of THE essential electric jazz sets of the 70s – and features the classic break cut "Turn Out the Lights" – plus other great tracks that include "Floating", "Fuel for the Fire", "I Ching", "H+J=B (Hustle + Jam = Bread)" and "New York Electric Street Music". CD
Also available Larry Young's Fuel ... LP 9.99
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✨✧ Horace AndyGet Wise ... CD
Pressure Sounds (UK), 1975. New Copy ... $14.99 15.98
Prime 70s work from Horace Andy – recorded in this laidback, soul-drenched style that almost recalls the Kingston sound of a few years before! The setting is very earthy and up-close – a perfect placement for Andy's really unique vocals, which almost approximate some of the more interesting male soul vocalists of the east coast scene of the time – particularly those at the higher end of the spectrum. Horace lilts up and down beautifully – over grooves recorded at Channel One, Black Ark, Dynamic Sound, and Randys – on titles that include "Roots Of All Evil", "Sexy Jean", "Let Your Teardrops Fall", "Get Wise", "Today Youth", "Feel Good", "Eighty Percent Badness", and "I Don't Want To Be Outside". CD
Also available Get Wise ... LP 16.99

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Archie WhitewaterArchie Whitewater ... CD
Cadet/RPM (UK), 1970. New Copy ... $8.99
A damn legendary record from the last years of Chess Records – and for good reason, too! Archie Whitewater were a group that was years ahead of its time – a rock combo, but one with real genre-crossing sensibilities that made them perfect for the experimental styles at the Cadet/Concept side of Chess – the same slice of the musical universe that gave us Rotary Connection and important productions from Charles Stepney! The sound here has some surprisingly soulful elements at times – especially the instrumentation, which features some great break moments that get nice and funky, and strands of soulful jazz and blues that really make the music way different than most other groups we can think of – or maybe a bit like a rare elite who shared such visionary territory with Archie Whitewater, such as Shades Of Joy on their first Fontana record. The keyboards and sax lines are as great as the drums – and the vocals have a melancholy undercurrent that's a really refreshing change from some of the overly-postured modes you'd get from other groups in 1970. Titles include the sublime sample cut "Cross Country" – but there's loads of other nice ones with the same stripped-down "Dusty Fingers" sort of groove – and other titles include "Life Is A River", "Home Again", "Lament For The Walking Dead", "Seacoast", "Country To the City", "Friends & Neighbors", and "Mist Of The Early Morning". CD

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Steve Arrington's Hall Of FameSteve Arrington's Hall Of Fame I ... CD
Atlantic (Japan), 1983. New Copy ... $13.99
A great solo classic from Steve Arrington – who continued to make excellent music long after leaving Slave, thanks to records like this! The Hall Of Fame sound is almost a refinement of the earlier Slave groove – a bit more focused and stripped down for the 80s, with a definite emphasis on the basslines – and an approach to funk that's equally well-suited to pick up some ears from early hip hop listeners too! The whole thing comes off perfectly – tight, but never too commercial – and lean, but never with a fake "street" sort of sound to get in the way. Titles include "Nobody Can Beat You", "You Meet My Approval", "Speak With Your Body", "Weak At The Knees", "Beddie Biey", and "Way Out". CD

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Atlantic StarrStraight To The Point ... CD
A&M/Universal (Japan), 1980. New Copy ... $13.99
Atlantic Starr definitely get straight to the point on this set – bursting out strongly with an upbeat groove from the very first note – all produced to perfection by maestro Bobby Eli, in the same manner as some of his other great late 70s work for other artists! The group's a big one, but they've got a lean focus here – a groove that has plenty of space for both male and female vocals, as well as a lot of instrumentation – yet never gets bogged down at all. Rhythms have a bit of boogie, and some older ensemble funk modes – and the vocals of Sharon Bryant are especially nice, cutting with a slight feminine edge against the more masculine leanings of the combo. Titles include "Kissin Power", "Straight To The Point", "Bullseye", "What'Cha Feel Inside", "Losin You", "Fallin In Love With You", and "Let The Spirit Move Ya". CD

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BrickBest Of Brick ... CD
Epic, Mid 70s. New Copy ... $5.99 6.99
Classic work from Brick – a group who went onto become surprisingly successful during the 70s with a hot Atlanta blend of funky soul and uptempo club grooves. The group has a feel that would be taken up heavily a few years later by LA funk combos – particularly those on the Solar label – and their style of slicking up funky licks into a tightly compressed sound was obviously a bit hit with the kids of their generation, and hip hop sample heads in years to come. This 12 track greatest hits set includes the classic g-funk number "Dusic", plus "Music Magic", "Dazz", "Good High", "Free Happy", "We Don't Wanna Sit Down, We Wanna Get Down", and "Living From The Mind". CD

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James BrownBest Of Live At The Apollo – 50th Anniversary Edition (with unreleased tracks) ... CD
King/Universal, 1960s/Early 70s. New Copy ... $10.99 11.98
Not just a "best of" from James Brown's legendary recordings at the Apollo Theater – but a set that also unearths two rare tracks from the never-issued album Get Down At The Apollo With The JBs! The core of the set presents the best moments from Live At The Apollo Volumes 1, 2, and 3 – all records that not only helped set the tone for 60s soul to come, but which further went onto elevate the place of live recordings in pop music in general – and really illustrate the way an artist could be even more exciting live than in the studio! James is completely on fire here – working with sharp energy and amazing dexterity – as are his backing bands – completely mesmerizing throughout, and showing us that funky soul at its best hardly relies on any tricks in the studio or production techniques. The set features the previously unreleased live versions of "Hot Pants Road" and "There It Is" – plus "I'll Go Crazy", "Sex Machine", "Get Up Get Into It Get Involved", "Soul Power", "Cold Sweat", "There Was A Time", "Try Me", and "Please Please Please". CD

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James BrownIn The Jungle Groove – Expanded & Remastered ... CD
Polydor, Early 70s/1986. New Copy ... $4.99 9.98
Massive – and one of the best James Brown compilations ever, filled with rare and unreleased material! This completely essential set features tracks pulled from James' best years ever – the mighty early 70s, when he was working with the JBs, and laying down tracks that would forever change the face of funk! The tunes on the album are right up there with the best work on classic albums like The Payback, Doin It To Death, Hot Pants, and any of the other killer Polydor funk albums by James – and most of them were pulled from sessions for those records, and brought together in this format for the first time in the late 80s. The centerpiece of the set is a 9 minute version of "Funky Drummer", and other highlights include new versions of "Give It Up Or Turn It Loose (remix)", "Soul Power (mono re-edit)", and "Talkin' Loud & Sayin' Nothin (remix)". The set's also got bonus beats of "Funky Drummer", a long single take of "Hot Pants (She Got To Use What She Got To Get What She Wants)" (8:42 minutes long!), and the nice rare track "I Got To Move" – previously unreleased, and nice and long! Plus, this new version features the previously unissued extended mix of "Blind Man Can See It". CD

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Gene ChandlerGet Down (with bonus track) ... CD
Chi Sound/Big Break (UK), 1978. New Copy ... $9.99
The legendary Gene Chandler gets down, and gets down good – in this classic late 70s set of clubby numbers and upbeat groovers! The set's one of the best moments on the Chi-Soul series from producer Carl Davis – and features a nicely evolved version of earlier Chicago soul modes from Tom Tom 84 and Sonny Sanders – both of whom push an older Brunswick style into some smoother, more sophisticated modern soul territory! Chandler's vocals are wonderful, as always – and have a catchy snapping feel on the groovers, mixed with surprisingly deep soul on the few mellower moments. Titles include a remake of "Please Sunrise", plus "I'm The Travelin Kind", "Get Down", "Tomorrow I May Not Feel The Same", "Greatest Love Ever Known", and "What Now". CD features a bonus single mix of "Get Down". CD

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Stanley Clarke & George DukeClarke/Duke Project ... CD
Columbia, 1981. New Copy ... $5.99 6.99
A mighty collaboration between Stanley Clarke & George Duke – working here in a pairing that refueled both of their careers for the 80s! In previous years, both Clarke and Duke had a penchant for really stretching out in complex, experimental modes – but here, they're playing in a relatively stripped-down and focused way – hitting some of the more soul-inspired sides of fusion at the time, although still without the slick or commercial feel of the rising GRP generation. Guitars figure heavily on a number of tracks, and vocals do too – sometimes in ways that are slightly too sweet and almost cloying. Tracks include "Wild Dog", "Louie Louie", "Sweet Baby", "I Just Want To Love You", "Winners", "Let's Get Started", and "Touch & Go". CD

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Sugar Pie De SantoGo Go Power – The Complete Chess Singles 1961 to 1966 ... CD
Chess/Kent (UK), Mid 60s. New Copy ... $14.99
A much-needed look at the mighty Sugar Pie DeSanto – a singer who really rocked Chess Records back in the 60s! DeSanto came to the label already boasting one hell of a groove – a rock-solid sense of rhythm that made all of her tunes groovers right from the get-go – and a raw vocal power that easily rivaled, if not beat, that of Etta James – her labelmate at Chess, and partner on a few duet tracks here! The collection's a non-stop soul party throughout – as upbeat as Northern Soul, but with plenty of deep soul elements as well – and it's the first time many of these cuts have been brought together on CD, and certainly never before as wonderful as this. Kent serves up some great notes and vintage photos with the package – the latter of which show Sugar Pie in action on stage, clearly one of the sexiest singers to work the circuit back in the 60s! Titles include "In The Basement (parts 1 & 2)", "Soulful Dress", "Witch For A Night", "Ask Me", "Good Timin", "Mr & Mrs", "Mama Didn't Raise No Fools", "Crazy Lovin", "There's Gonna Be Trouble", "Jump In My Chest", "Somewhere Down The Line", "Use What You Got", "Never Love A Stranger", "I Love You So Much", "Go Go Power", and "I Don't Wanna Fuss". CD

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DellsThey Said It Couldn't Be Done – But We Did It (with bonus tracks) ... CD
Mercury/ (UK), 1977. New Copy ... $8.99
Brilliant 70s work by The Dells – and an album that has the group reinventing themselves wonderfully, by moving over to Philly and recording with Norman Harris! As he did with so many other artists at the time, Harris took the group firmly into the clubs with a soaring Sigma sort of groove – one that supports the group with backings from players that include key Philly talents like Bobby Eli, Ron Kersey, Larry Washington, and Earl Young – but which also keeps plenty of space for the sublime harmonies that always made The Dells so great! Titles include "Teaser", "Our Love", "Could It Be", "Rich Man Poor Man", "Waiting For You", "Get On Down", and "Betcha Never Been Loved". CD features bonus tracks – US single edits of "Our Love", "Betcha Never Been Loved Like This Before", and "Could It Be". CD

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DJ KawasakiTimeless – Mixed By DJ Kawasaki ... CD
Extra Freedom (Japan), 2015. New Copy ... $23.99
It's been a few years since we last heard from DJ Kawasaki – but that hasn't dimmed his talents at all, and instead he seems to have gotten even deeper and more soulful over the years! Unlike so many other talents with "DJ" in their name, Kawasaki's a very well-rounded artist with a talent that reminds us of some of the most compelling, collaborative soul talents from years back – a modern day house maestro who's bringing forward the older ethos of 70s giants like Roy Ayers or Wayne Henderson! Like both of those artists, Kawasaki has a wonderful balance between groove and deeper soul elements in his music – beats and basslines that work well on modern dancefloors, but a thoughtful presentation of both the vocals and instrumental passages that's very timeless. All cuts here are either originals by DJ Kawasaki, or remixes – and singers include Latanza Waters, Tasita D'Mour, Sharlene Hector, Jennifer Wallace, and Emi Tawata – on tracks that include "Alone In The Dark", "It's Your World (Root Soul rmx)", "Reach Out", "Love Crash Down", "Come & Get Me (DJK & Makoto rmx)", "Give Me The Night (DJK & Makoto rmx)", and "Feel The Music". CD

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✨✧ Lee DorseyYes We Can (with bonus tracks) ... CD
Polydor/Fever Dream, 1970. New Copy ... $12.99
Massive work by Lee Dorsey – recorded years after his classics in the 60s, and even funkier overall! Lee's really cooking on all burners here – working with the production team of Allen Toussaint and Marshall Sehorn, and getting some incredible backing from The Meters – who are at the height of their powers during this period! In a way, the set's one of the ultimate New Orleans sessions of the 70s – a culmination of all the best elements that were percolating together in the 60s indie underground, simmered together perfectly in a tighter 70s Polygram funk mode! Includes the massive original version of "Yes We Can Can" – way better than any of the subsequent cover versions – plus great takes on"Who's Gonna Help Brother Get Further", "Sneakin' Sally Through The Alley", "Gator Tail", "Tears Tears & More Tears", "When The Bill's Paid", and "Occapella". This CD edition includes 7 bonus tracks, too – including "If I Were A Carpenter", "A Place Where We Can All Be Free", "On Your Way Down", and "Freedom For The Stallion". CD

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Ronnie DysonLady In Red – The Columbia Sides Plus (Why Can't I Touch You – plus bonus tracks) ... CD
Columbia/ (UK), Early 70s. New Copy ... $13.99
The debut album from Ronnie Dyson – presented here with a huge amount of bonus tracks too! The core of the set is the long-titled album – If You Let Me Make Love To You Why Can't I Touch You – a wonderful first album from Ronnie Dyson – a set that's mostly soul, but also has some nicely trippy touches too – which provides a great springboard for Dyson's famous role in the musical Hair! Ronnie's got a voice that's gospelly deep at times – able to soar out with these bold lines that really state his presence, even when the overall backings might be laidback and slightly mellow. The set was recorded at the start of the 70s, and has this great balance between 60s uptown soul styles and some of the groovier, more sophisticated modes that were coming in at the time – a mode that makes Dyson sound nice and adult overall, even though his image on the cover is somewhat youthful. Most arrangements are by Jimmy Wisner, who blends together soaring strings, backing vocals, and some sweet standout instrumental moments – on titles that include "Why Can't I Touch You?", "Fever", "She's Gone", "I Just Can't Help Believin", "Band Of Gold", "Emmie", and "I Don't Wanna Cry". CD features lots of singles from the same time – about 12 more bonus tracks – including "God Bless The Children", "Aquarius", "Are We Ready For Love", "Abelene", "Sleeping So\un", "When You Get Right Down To It", "Jesus Is Just Alright (ext)", "Just Don't Want To Be Lonely", "One Man Band", "Lady In Read", and "Girl Don't Come". CD

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Charles EarlandCharles Earland Anthology ... CD
Soul Brother (UK), 1970s. New Copy 2CD ... $16.99
Magnificent! Charles Earland may well be our favorite-ever jazz organist – and after you hear this set, he'll probably be yours too! Charles really didn't emerge as a name until the beginning of the 70s – and although that decade did some nasty stuff to some of the 60s best organ players, Earland managed to really get a heck of a lot out of the decade, twisting and turning his style with all the changes in arrangements and instrumentation, yet always keeping it real, laying down killer solos and funky grooves that rank with some of the best organ work of his generation! This 2CD set is the first to really pay tribute to Earland's genius – and it's a massive batch of tracks the spans his early years at Prestige Records, and moves into his work for labels like Mercury, Columbia, and Muse. Disc 1 features "funky organ grooves" – 10 tracks from Prestige and Muse with a straight heavy soul jazz funk groove, cut with monster players like Melvin Sparks, Idris Muhammad, Gary Chandler, and Virgil Jones. Tracks on the set include "Murilley", "Spinky", "Betty's Dilemma", "Sing A Simple Song", "Morgan", "My Favorite Things", and "Sing A Simple Song" – and the grooves are hard and funky all the way through! Disc 2 features "jazz funk and beyond" – beginning with Earland's spacier jam cuts on the Leaving This Planet session for Prestige, then moving into his jams on Arp and Electric Piano for Mercury, and some of his later R&B funk cuts for Columbia. Most of this work's never been on CD before – and the wealth of Earland's talent here will take you way past his early Black Talk years. Titles include "Phire", "Coming To You Live", "Red Clay", "Intergalactic Love Song", "Cosmic Fever", "Betty Boop", "Let The Music Play", and "Over & Over". CD

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El-P & Killer Mike (Run The Jewels)Run The Jewels ... CD
Fool's Gold, 2013. New Copy ... $11.99 12.98
El-P and Killer Mike finally deliver a killer duo record! We knew that this one would be a win, considering how great the El-P produced RAP Music album by Killer Mike turned out to be, how versatile the El-P futuristic production vibe is and how timelessly inventive each rapper is on their own. They didn't team-up to coast on their reputations, though, as Run The Jewels is nearly as great as anything either one has done in the preceding couple of years. Includes "Run The Jewels", "Banana Clipper" feat Big Boi, "DDFH, "Sea Legs", "No Come Down", "Get It", "Twin Hype Back" feat Prince Paul as his Handsome Boy alter-ego Chest Rockwell, "A Christmas F**king Miracle" and more. CD

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EsqueritaEsquerita! ... CD
Capitol (Japan), 1959. New Copy ... $19.99
Standout early work from the mighty Esquerita – an artist you might initially write off as a Little Richard copycat, but one who also delivers a whole lot more in the end! The groove here is rough R&B, inflected with a touch of early soul – and the piano lines are worth the price of admission, played at a level that goes back to early New Orleans roots, but with more 50s bluesy currents – often alongside some tenor and guitar that rival the best instrumentation you'd find on indie singles at the time from King and Atlantic – quite a surprise for the normally-pop Capitol Records. And the vocals are something else, too – certainly with a soaring, screaming range – but also just wonderful when they're more down to earth, and in the groove. Titles include "Hey, Miss Lucy", "Why Did It Take You So Long", "She Left Me Cryin'", "Get Back Baby", "I Need You", "Maybe Baby", and "I'm Battie Over Hattie". CD

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✨✧ Yvonne FairBitch Is Black ... CD
Tamla/Reel Music, 1975. New Copy ... $13.99 15.98
Heavy heavy funk from the mighty Yvonne Fair – a 70s bad soul sister that we'd rank right up there with Betty Davis! Yvonne got her start working with James Brown in a sweeter mode, but by the time of this mid 70s debut, she'd hit a really hard-wailing sort of style – one that had the righteous vocal lead of singers like Davis, Maxayn, or a rare few others – and which gets support here from some really full, rich production from Norman Whitfield! Whitfield brings in bits of strings alongside the heavier bass, drums, and keyboards – and makes for a unique mix that almost goes a bit southern soul, while still staying in the hipper styles of 70s Motown – letting Yvonne get a bit personal on a few tear-jerking numbers, and come wailing back with full force on the funkier ones. Titles include the classics "Funky Music Sho Nuff Turns Me On" and "It Should Have Been Me" – plus "Let Your Hair Down", "Love Ain't No Toy", "Tell Me Something Good", "It's Bad For Me To See You", "Stay A Little Longer", and "Walk Out The Door If You Wanna". CD

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Joe FarrellOriginal Album Classics (Joe Farrell Quartet/Outback/Penny Arcade/Upon This Rock/Canned Funk) (5CD set) ... CD
CTI/Sony, Early 70s. New Copy 5CD ... $29.99
A CTI powerhouse – five full albums from reedman Joe Farrell, each packaged in a tiny LP-styled sleeve! First up is Joe Farrell Quartet – a stellar session that's easily one of the early high points for the legendary CTI label! Farrell bursts forth as one heck of a soulful cat – working on these great modal grooves that slide out wonderfully and really have a sense of flow – a style that's different than Joe's later material, but equally powerful! Part of the strength of the record comes from the lineup – a key quintet of like-mined up-and-comers that includes Chick Corea on keyboards, John McLaughlin on guitar, Dave Holland on bass, and Jack DeJohnette on drums – players who definitely know the farther reaches of jazz, yet hang just on the inside here with Joe – providing some amazing accompaniment for his lines on soprano, tenor, and flute. Titles include "Molten Glass", "Song Of The Wind", "Motion", "Follow Your Heart", and "Circle In The Square". Next is Outback – a drawn-out quintet side, with Chick Corea on electric piano, Buster Williams on bass, Elvin Jones on drums, and Airto on percussion. Farrell was playing with Jones at the time, and the album's got some of their strong choppy reed/percussion interplay – but with a sharpness and focus that you don't always hear on Elvin's records! Tracks are all long – and titles include "Outback", "Sound Down", and "Bleeding Orchid". Penny Arcade has grooves so sharp you could cut your trousers on them! Farrell's angular reed style is in perfect form here – grooving with a small group that includes Herbie Hancock on piano, Joe Beck on guitar, Steve Gadd on drums, and Don Alias on percussion – a combo that's got a harder, tighter feel than most CTI groups – a key reason why Joe's records of this time are so legendary! The album features a fantastic version of Stevie Wonder's "Too High" – one that breaks all over the beginning with these riffs by Farrell, then grooves into a CTI electric funk mode for about 13 minutes. All tracks are long – and other tracks include "Hurricane Jane", "Geo Blue", "Penny Arcade", and "Cloud Cream". Upon This Rock is wonderful – and there's a lean, edgey groove to the set that's totally great – a lot more bite than usual for CTI, thanks to these wonderfully angular lines from Joe on tenor, soprano sax, and flute – backed up with some wicked guitar work from Joe Beck, who really matches Farrell's energy – in a core quartet with Herb Bushler on bass and Jim Madison on drums. One cut features a guest group – with Herbie Hancock on piano, Steve Gadd on drums, and Don Alias on percussion – and the album includes the massively break-heavy title cut "Upon This Rock", plus "Seven Seas", "I Won't Be Back", and "Weathervane". Last up is Canned Funk – a record that's as fresh and freaky as the classic image on the cover! The riffing rhythms get going right from the start – some amazing lines from a rhythm combo that includes Joe Beck on guitar, Herb Bushler on bass, Jim Madison on drums, and the mighty Ray Mantilla on percussion – adding in these extra changes and fills that really get the tunes moving wonderfully – providing a perfect platform for Joe Farrell's wonderful work on tenor, soprano, baritone, and flute! The sax lines are as angular as the rhythms – tight, choppy, and completely funky – no wonder the record's a CTI classic that folks have dug for years! Tracks are all nice and long – and titles include "Canned Funk", "Animal", and "Spoken Silence". CD

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Gilberto GilGilberto's Samba Ao Vivo ... CD
Sony (Brazil), 2014. New Copy 2 CDs ... $16.99
A really lovely live performance from Gilberto Gil – and one that follows in the same stripped-down mode as his excellent Gilberto's Samba album! The format here is wonderful – a real return to greatness for Gil, as he plays acoustic guitar and sings, with just a bit of extra backing – at a level that's partially like his spare acoustic work at the start of the 70s, and partly like some of the best Joao Gilberto albums in a similar mode! Given that Gilberto came onto the scene as the bossa years were fading, he only had a bit of this style in his music at the start – but he brings decades of experience and warmth to the performance here – at a level that's far different than any sort of bossa rehash project, and which instead really lets us get to the heart of Gil's music for the first time in years. Moreno Veloso helped with the project, and it's got some nice modern undercurrents similar to his music – and titles include "Gilbertos", "Doralice", "Rio Eu Te Amo", "Rosa Morena", "Eu Sambo Mesmo", "Chiclete Com Banana", "Aquele Abraco", "Meio De Campo", and "Ladeira De Preguica". CD features a bonus track not on the DVD – "E Luxo So". CD

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