All Categories — All

$



Items/page

GM Recordings Edit search Phrase match

 
Sort by
Partial matches: 49
Partial matches1
CD, LP, Vinyl record album cover art
Lee HazlewoodThese Boots Are Made For Walkin' – The Complete MGM Recordings ... CD
Ace (UK), 1960s. New Copy 2 CDs ... $12.99 19.99
Genius, pure genius! (Have we said that about Lee too many times before?) The work of Lee Hazlewood is beyond description – a bit of vocals, a bit of country, a bit of lounge, and a bit of rock – all wrapped up with a sinister edge that has you believing that this was the man who used to refer to his frequent musical partner as "Nasty" Sinatra over the headphones during recording sessions! The set features 35 tracks from Lee's obscure years at MGM records – wonderful vocal tunes that rank with some of his best ever, plus a few weird instrumentals, recorded by Lee Hazlewood's Woodchucks. Insanely wonderful stuff – records that we come back to again and again and again over the years – finally presented in their entirety, with a great set of notes on the music! Tracks include "Hands", "Mannford Oklahoma", "This Town", "Sand", "Child", "Little War", "Fort Worth", "Summer Wine", "I Move Around", "After Six", "Batman", "Summer Nights", "Suzi Jane Is Back In Town", "In Our Time", "When A Fool Loves A Fool", and "So Long Babe". CD

Partial matches2
CD, LP, Vinyl record album cover art
Hugh Masekela24 Karat Hits ... LP
Verve, Late 60s. Near Mint- 2LP Gatefold ... $6.99
A great little set of Hugh's MGM recordings – and one that features a nice mix of pop instrumental tracks, and others that have a more sophisticated African Soul sound. Included in this bunch are "Bajabula Bonke (Healing Song) parts 1 & 2", "U-Dwi", "Masquenada (parts 1 & 2)", "Dzinorabiro (parts 1 & 2)", and "Myxolydia (parts 1 & 2)". Groovy covers include "California Dreamin", "It's Not Unusual", and "Along Comes Mary". LP, Vinyl record album
(Cover has light wear and a cutout hole.)

Partial matches3
CD, LP, Vinyl record album cover art
✨✧ Sam TaylorBad & The Beautiful ... LP
Moodsville/Prestige, 1962. Very Good- ... $9.99
An obscure session by tenorist Sam "The Man" Taylor – and quite possibly his best! This one's a lot more open-ended than some of his more famous MGM recordings, and was cut with a small group that includes Wally Richardson on guitar, Lloyd Mayers on piano, Art Davis on bass, and Ed Shaughnessy on drums. The tracks are spare and spooky – and Taylor's dreamy work on tenor is fantastic in both tone and timing. Titles include "Suzie Wong", "Anna", "Gloria", "Laura", "Song Of The Barefoot Contessa", and "Anastasia". LP, Vinyl record album
(Green label Moodsville pressing with deep groove and Van Gelder stamp, in a cover with red text.)

Partial matches4
CD, LP, Vinyl record album cover art
Phil WoodsPhil Woods & His European Rhythm Machine At The Montreux Jazz Festival (MGM pressing) ... LP
MGM, 1969. Near Mint- ... $6.99
One of the smartest moves Phil Woods ever made was to move to Paris in 1968 and pick up a European rhythm section that featured George Gruntz, Henri Texier, and Daniel Humair. At the time, the idea of a European rhythm section might have been considered suicide by some folks – but for Woods, it was a liberating move that allowed him to expand his sound tremendously. With the help of these three players – all loose modernists who still knew how to swing – Woods was able to craft some incredible tunes, long flowing numbers that featured his amazing tone stretching out in kind of a post-Coltrane sort of mode. This live set is one of the group's best recordings, and features extended versions of tracks that include "Capricci Cavaleschi", "I Remember Bird", "Ad Infinitum", and "Riot". LP, Vinyl record album
(German pressing. Cover has unglued seams.)

Partial matches5
CD, LP, Vinyl record album cover art
✨✧ Doctors Of MadnessPerfect Past – The Complete Doctors Of Madness (Late Night Movies All Night Brainstorms/Figments Of Emancipation/Sons Of Survival/bonus tra ... CD
RPM/Polydor (UK), Mid 70s. New Copy 3CD ... Temporarily Out Of Stock
Fantastic work from Doctors Of Madness – a group who have this amazing sound that not only prefaces punk and later dark 80s modes, but which also seems to link their sound back to some of the early 70s experiments of the David Bowie generation! The group can move loud and fast in ways that seem years ahead of their time – especially given that the first album here came out in March of 1976 – but they also have a slightly-creepy vibe at times – not goth, but pre-goth – like some of the early 80s groups who had a strong inspiration from Bowie and some of the glams. The whole thing is a real revelation – especially if you've only heard some of their music, but not that much at once – and the box set features three full albums, plus lots of bonus tracks – including demos and rare recordings – and a live concert too. Titles include "50s Kids", "Waiting", "Mitiz's Cure", "Mainlines", "B Movie Bedtime", "Brothers", "Suicide City", "Out", "Cool", "Kiss Tomorrow Goodbye", and "Into The Strange". CD

Partial matches6
CD, LP, Vinyl record album cover art
Chet Baker QuintetConservatorio Cherubini – Complete Concert ... CD
Lonehill (Spain), 1955/1956. Used 2CD ... $14.99
The complete 1956 Chet Baker performance at the Conservatorio Cherubini in Italy – augmented by a great set of notes and some excellent bonus work from the same time! The core part of the set features a rare Baker performance from his mid 50s European tour – one that features Chet on trumpet (plus a bit of vocals) – working with a quintet that includes Jean Louis Cheautemps on tenor sax, Francy Boland on piano, Eddie De Haas on bass, and the amazing Charles Saudrais on drums. The tunes are long and driving – often with a harder edge than Baker's American work from the time, in a way that really points the way towards some of the more soul-based recordings of the late 50s. The concert is represented by 8 long tracks that take up all of disc 1 and part of disc 2 – titles that include "Cool Blues", "Chekeetah", "This Is Always", "Ray's Idea", "Night In Tunisia", "You Don't Know What Love Is", "Stella By Starlight", and "Exitus". Other material on the CD includes 2 tracks with the Kurt Edelhagen Orchestra ("Baker 56" and "Bockhanal"), 2 with vocalist Caterina Valente ("I'll Remember April" and "Every Time We Say Goodbye"), 2 from a 1955 Carnegie Hall date ("Night In Tunisia" and "You Don't Know What Love Is"), and 4 from a 1955 Newport Jazz Festival performance (including "Five Brothers", "Tiny's Blues", and "Walkin".) CD

Partial matches7
CD, LP, Vinyl record album cover art
Stan Getz5 Original Albums Vol 2 (Jazz Samba/Jazz Samba Encore/With Laurindo Almeida/Getz Gilberto/Getz Gilberto 2) (5CD set) ... CD
Verve (Germany), Mid 60s. New Copy 5CD ... $19.99
An insane collection of music – five albums that perfectly showcase the bossa nova genius of Stan Getz! First up is Jazz Samba – one of those records that no home should be without – not only a pivotal album in the growth of bossa nova in the 60s – but a set that also really helped set the career of tenorist Stan Getz on fire! The real credit here might almost go to guitarist Charlie Byrd – as Byrd was a big early proponent of bossa nova rhythms, and had already been experimenting with them on his records of the time – yet also gets a key extra "umph" here in the presence of Stan's tenor – a bold, rich, soulful sound that really helps give the music a lot of direction – in ways that still resonate strongly all these many years later! Getz is completely sublime – a master of tone and timing throughout – and perfectly fit to these tunes. Rhythms are mostly from Byrd's trio, augmented with some extra percussion – and titles include the classic "Desafinado", plus "E Luxo So", "Samba Dees Days", "Samba Triste", "O Pato", "Samba De Uma Nota So", and "Baia". Jazz Samba Encore is hardly an "encore" of the first Stan Getz Jazz Samba album – as this set's got a slightly different feel, and lots of great elements that make it really unique! This time around, Brazilian musician Luiz Bonfa is on guitar – already a skilled proponent of the bossa by the time of the record, and arguably one of the few who really got it going back home in Rio. Stan's tenor sounds wonderful – as carefully and soufully blown as on the first set, but also with some new colors and tones too. Bonfa's wife Maria Toledo sings a bit on the record – hinting at Stan's work to come with Astrud Gilberto (this album was cut right before the Getz/Gilberto collaboration) – and the record also features added work on piano and guitar from the great Antonio Carlos Jobim – more than enough proof that the album's got a pure bossa pedigree! Titles include "Menina Flor", "Ebony Samba", "Saudade Vem Correndo", "Sambalero", "Samba De Duas Notas", and "Mania De Maria". With Laurindo Almeida is one of the best of the Stan Getz bossa nova sessions – and a record that features the great Laurindo Almeida on guitar – playing with more virtuosity than either Charlie Byrd or Joao Gilberto did on their collaborations with Getz! The record's got a driving rhythm section, with lots of long tracks, and nice laid-back solos by both Getz and Almeida – who's getting in some of his few jazz licks of the 60s here, working in a groove similar to that of his earlier sides with Bud Shank, but which sounds almost even better in the languid company of Getz. Cuts include "Outra Vez", "Winter Moon", "Maracatu-Too", and "Samba Da Sahra". Getz Gilberto is a landmark record – both in 60s jazz and bossa nova – and a set that not only bridged worlds of music, but set the tone for so many other albums to come! By the time of this 1964 set, Stan Getz had already issued a few bossa nova experiments on Verve – but this pairing with guitarist Joao Gilberto really pushed the format over the top – thanks in part to the vocals of Gilberto's lovely wife Astrud, who'd never sung in the studio before this famous recording! The record created a sound that was copied endlessly, and which catapulted Astrud to unbelievable fame worldwide – even though she was only included in the session at the last minute, because Joao couldn't sing in English – and the mix of Stan's tenor and Joao's guitar is wonderful – and backed throughout by this light, lilting bossa nova rhythms. Titles include the classic recording of "Girl From Ipanema", plus loads of other bossa classics like "Desafinado", "Cocovado", "O Grande Amor", and "Vivo Sonhando". Getz Gilberto 2 is a very different record than the first collaboration between Stan Getz & Joao Gilberto – but that's also one of the things that makes it great! The album's more of a split LP than a shared one – as side one features a live performance from the great mid 60s Stan Getz quartet that featured Gary Burton on vibes – a wonderfully cool combo that was very under-documented on record, and which makes a key appearance here. The combination of Burton's vibes and Stan's tenor is pure genius – a sound that's got all the subtle hues and cool colors of the Getz bossa recordings, but which is quite different overall. Stan's tone is amazing on these tunes – and titles include "Here's That Rainy Day", "Tonight I Shall Sleep With A Smile On My Face", "Grandfather's Waltz", and "Stan's Blues". Side two features Joao Gilberto without Stan – playing in a very groovy trio that's more straight bossa than most of his other US recordings – cool small combo grooving that's totally great! The lineup features Gilberto on guitar and vocals, Keeter Betts on bass, and Helcio Milito on drums – all working in a sweetly grooving mode on titles that include "Samba De Minha Terra", "Meditation", "Bim Bom", "Rosa Moreno", and "O Pato". CD

Partial matches8
CD, LP, Vinyl record album cover art
Johnny LytleVillage Caller ... CD
Riverside/OJC, 1961. Used ... Just Sold Out!
A funky vibes classic – and a landmark set from Detroit vibist Johnny Lytle! The set's one of the purest examples of Johnny's great early groove – a tightly stepping version of soul jazz that played big in the clubs at the time, and which has forever made Lytle one of the favorites of the mod jazz dance circuit! Lytle mixes his own heavy work on vibes with some great work from his regular trio members Milt Harris on organ and William "Peppy" Hinnant on drums – augmented here by some additional bass from Bob Cranshaw and percussion from Willie Rodriguez. The sound is strong and tight – arguably even more classic than that of Lytle's Tuba recordings – and the title cut "Village Caller" is a wonderfully angular groover that still gets heavy play in Chicago to this day! Other tracks include the modal dancer "Kevin Devin", plus the tracks "Pedro Strodder", "Green Dolphin Street", "Solitude", and "Unhappy Happy Soul". CD

Partial matches9
CD, LP, Vinyl record album cover art
Sun RaNight In East Berlin/My Brothers The Wind & Sun No 9 ... CD
Leo (UK), 1986/1988. Used ... $12.99
2 slices of live work by Sun Ra from the late years of his career – 7 tracks from a performance in East Berlin in 1986, plus 1 more from New York in 1988 – both quite unusual! The East Berlin performance has a very full force – one that no doubt comes from the audience's extremely enthusiastic response to the music, but also from the Arkestra's wild improvisations on the first few numbers. Titles include "Mystic Prophecy", "Beyond The Wilderness Of Shadows", "Interstellar Low Ways", and "The Shadow World". The New York performance is a bit more freewheeling and playful – the 20 minute track "My Brothers The Wind & Sun No 9", which features a long synthesizer improvisation by Sun Ra at the beginning, augmented by a bit of vocalization – then increasing output from the larger group. Both performances offer up an extremely visionary side of the group – much more open and experimental than some other 80s live recordings! CD

Partial matches10
CD, LP, Vinyl record album cover art
VariousEthiopiques Volume 16 – Asnaqetch Werqu: Lady With The Kyar ... CD
Buda (France), 1974/1976. New Copy ... $12.99 16.99
Tremendously enigmatic work from Ethiopian singer/musician Asnaqetch Wergu – 70s recordings that feature mostly her thin, reed-like vocals, with instrumental backing by the "krar" – a lute-like instrument of triangular shape, featuring tightly-drawn strings that are plucked in quick fashion by the singer. Like other volumes in this great series, the tunes on this 16th set of Ethiopiques are totally unique – and have an other-worldly sound that needs to be heard to be believed! CD

Partial matches11
CD, LP, Vinyl record album cover art
✨✧ Elvin JonesMain Force ... LP
Vanguard, 1976. Used ... Temporarily Out Of Stock
An excellent and easy to overlook sidebar in Elvin's 70s career. Though he didn't cut many LPs for Vanguard, this is a nice piece of electric jazz, with a small group based around Elvin, Ryo Kawasaki on guitar, Pat LaBarbera on reeds and Dave Williams on bass. They're augmented on an number of cuts by Dave Liebman, Frank Foster, Steve Grossman and keyboardist Al Dailey, and the vibe is nicely groove oriented, but with some excellent moments of outward exploration that is reminiscent of some of Elvin's other wonderful recordings from the same era. 5 songs in all: "Salty Iron", "Sweet Mama", "Mini Modes", "Philomene" and "Song Of Rejoicing After Returning From A Hunt". LP, Vinyl record album

Partial matches12
CD, LP, Vinyl record album cover art
✨✧ JR MonteroseJR Monterose ... CD
Blue Note, 1956. Used ... Temporarily Out Of Stock
The only Blue Note album ever recorded by JR Monterose – one of the more enigmatic figures of the 50s scene! Montrose was a brilliant player, with a tone and a solo conception that were very unique – but he lapsed in relative obscurity, due to the fact that he had a penchant for retreating to far-off locales, like upstate New York or western Iowa, where he would woodshed and get his bag back together after the stresses of big city life. Fortunately, he left behind a few excellent recordings – including this rare one for Blue Note. The record features Monterose in the company of Horace Silver on piano, Ira Sullivan on trumpet, Wilbur Ware on bass, and Philly Joe Jones on drums – and the tracks are a heavy-hitting showcase that's perfect for his great tenor work. Titles include "Marc V", "Ka-Link", "Wee-Jay", and "Bobbie Pin". CD

Partial matches13
CD, LP, Vinyl record album cover art
✨✧ JR MonteroseJR Monterose (RVG remaster edition – with bonus track) ... CD
Blue Note, 1956. Used ... Temporarily Out Of Stock
The only Blue Note album ever recorded by JR Monterose – one of the more enigmatic figures of the 50s scene! Montrose was a brilliant player, with a tone and a solo conception that were very unique – but he lapsed in relative obscurity, due to the fact that he had a penchant for retreating to far-off locales, like upstate New York or western Iowa, where he would woodshed and get his bag back together after the stresses of big city life. Fortunately, he left behind a few excellent recordings – including this rare one for Blue Note. The record features Monterose in the company of Horace Silver on piano, Ira Sullivan on trumpet, Wilbur Ware on bass, and Philly Joe Jones on drums – and the tracks are a heavy-hitting showcase that's perfect for his great tenor work. Titles include "Marc V", "Ka-Link", "Wee-Jay", and "Bobbie Pin". CD also includes a bonus alternate take of "Wee-Jay". CD

Partial matches14
CD, LP, Vinyl record album cover art
✨✧ Ray Bryant TrioGotta Travel On ... LP
Cadet, 1966. Used ... Out Of Stock
A stone groover from the great Ray Bryant – one of his brilliant albums for Cadet from the 60s! Ray's soul jazz trio (with Freddie Waits on drums) is augmented by the 2-horn trumpet section he used on some of his other Cadet recordings from the time – trumpet from Snookie Young and flugelhorn from Clark Terry, both of whom really help the album open up from the usual standard soul jazz trio side! The sound is really unique, and the "bottom" of the brass gives his piano a nice deep sound that you wouldn't necessarily expect from the arrangement – almost a bit of a bounce at the bottom, always helping the groove. The record includes a number of nice originals, like "Little Soul Sister", "All Things Are Possible", "Erewhon", and "Monkey Business" – plus versions of "Gotta Travel On" and "Bag's Groove". LP, Vinyl record album
(Blue label stereo pressing.)

Partial matches15
CD, LP, Vinyl record album cover art
✨✧ Yusef LateefPsychicemotus ... LP
Impulse, 1965. Used Gatefold ... Out Of Stock
A very unusual album for Yusef Lateef – and that's saying quite a lot, given how quirky most of his work can be! The session has Lateef exploring both rootsy and modern modes – working in a unique quartet that features George Arvanitas on piano, Reggie Workman on bass, and legendary New Orleans musician James Black on drums and assorted percussion. Arvanitas has an excellent style with a very dark edge, and his playing is augmented strongly here by Workman's exploratory basslines, and Black's creatively rhythmic way of approaching the percussion. The whole thing's a very moody session, with a subdued sound, and a nice edgey approach to the material that differs nicely from some of Lateef's other recordings – an earthy feel that grabs the listener from the very first track. Yusef plays flute, tenor, and other wind instruments – and tracks include "Psychicetmotus", "Medula Sonata", "Semiocto", and a version of Satie's "First Gymnopedie". LP, Vinyl record album
(Rainbow label pressing – in beautiful shape!)

Partial matches16
CD, LP, Vinyl record album cover art
✨✧ Ike QuebecComplete Blue Note 45 Sessions Of Ike Quebec (Mosaic) ... CD
Blue Note/Mosaic, Late 50s/Early 60s. Used 2CDs ... Out Of Stock
The "flipside" of Ike Quebec's legendary run of albums for Blue Note – a huge set of material recorded only as 45 singles during his same stretch at the label! Although Quebec's work as a soulful tenorist has been well documented and reissued over the years on albums like Blue & Sentimental and Heavy Soul, Ike also cut a fair number of singles aimed at the jukebox and radio crowds of the time – tunes that were more in the gutsy tenor and organ mode recorded by labels like Prestige or Chess, and which never made it onto any of the full-length sets for Blue Note! This great little package brings together all of Ike's 26 tracks recorded for 45s in the late 50s and early 60s – material that features organ on most numbers, played by either Ike Quebec, Sir Charles Thompson, or the enigmatic Edwin Swanston. Quebec's tone and phrasing is similar to his Blue Note LP work of the period, but there's also a more relaxed, and more punctuated feel to these recordings – one that's not as rough or raw as other jukebox tenor stars of the time, but which still steps out past the usual Blue Note poise, especially on the original numbers. Some tracks were briefly issued on the 80s collection With A Song In My Heart, and in a Mosaic box – but this is the first proper Blue Note album of the material. Titles include "Buzzard Lope", "Zonky", "Blue Monday", "Later For The Rock", "Dear John", "Blue Friday", "Ill Wind", "Mardis Gras", "Everything Happens To Me", "Me N Mabe", "All The Way", "Intermezzo", "All Of Me", and "Imagination". CD
(Out of print. Please Note – This copy only includes the CDs, their cases and artwork – unfortunatley the box and book are missing.)

Partial matches17
CD, LP, Vinyl record album cover art
✨✧ JunieJunie – The Westbound Years ... CD
Westbound (UK), Mid 70s. New Copy ... Out Of Stock
A much needed look at one of the most enigmatic figures in 70s funk – an offbeat character who was always up to something different and unique! Walter "Junie" Morrison had the great honor of being a member of both of Westbound's biggest collectives (although not necessarily at the same time) – the hard funky Ohio Players, and the cosmic brotherhood of Funkadelic/Parliament! During the mid-70s, though, Junie embarked upon a solo career, and cut a few wild LPs for the label which mixed funk, soul, and even some strange rock-oriented leanings. The resulting recordings were some of the more messed-up that Westbound ever issued, with moments that are delightfully funky, and others that are downright silly. This sweet 20 track compilation brings together most of the best moments of Junie's Westbound Years, and includes cuts like "Johnny Carson Samba", "Walt's Third Trip", "Tight Rope", "Cookies Will Get You", "Super J", "Super Groupie", and the great "Granny's Funky Rolls Royce", featuring the Funky Granny from "Funky Worm"! CD

Partial matches18
CD, LP, Vinyl record album cover art
BrokebackField Recordings From The Cook County Water Table ... CD
Thrill Jockey, 1999. Used ... $8.99
Extremely spare material from Doug McCombs, the bassist for Tortoise, 11th Dream Day, and other fantastic Chicago ensembles. The record features some superb jazz-inflected musings on bass, augmented by occasional additional instrumentation performed by Josh Abrams and Noel Kupersmith on double basses, John McIntire and John Herndon on percussion, and Rob Mazurek on cornet. Titles include "Seiche 2", "A Blueprint", "Another Routine Day Breaks", "Field Code", and "The Wilson Ave Bridge At The Chicago River 1953". CD
(Out of print.)

Partial matches19
CD, LP, Vinyl record album cover art
Jan & DeanFilet Of Soul Redux – The Rejected Master Recordings ... CD
Liberty/Omnivore, 1965. New Copy ... $15.99 16.99
One of the strangest records ever made – and a set that, in late 1965, may well put Jan & Dean ahead of The Beatles or Beach Boys for very experimental production! The set features the duo's original, rejected version of the album Filet Of Soul – not the one that was issued on album back in the 60s, but the set that the group recorded in a bizarre melange of music, sound effects, and even a bit of stoned-out jokes – all standing next to their familiar records like The Monkees' Head stood next to their TV show! The pair were always pretty goofy in their live sets, and that definitely comes through here – as the core part of the music was live, then augmented in the studio – but they're also even more over the top in their presentation here, and either sound completely light-headed from long hours in the studio, or from some other substance instead. There's a few of the familiar songs that were heard on the final album – but they're layered here in so many different odd elements and sounds, the result is like some baroque collage of 60s pop and studio extremes. Titles include "Prelude/Honolulu Lulu", "Boys Down At The Plant/Cathy's Clown/Pigeon Joke", "Beatle Part Of Our Portion/Rhythm Section Introduction/Michelle/Whistling Dixie", "We Want Jan & Dean/Norwegian Wood", "You've Got To Hide Your Love Away", and "Hang On Sloopy/Jan & Dean They'll Be Back". CD

Partial matches20
CD, LP, Vinyl record album cover art
Louvin BrothersFirst Steps – The Early Recordings ... CD
Rural Routes, Early 50s. New Copy ... $11.99 15.98
Sublime sounds from the legendary Louvin Brothers – heard here on a collection of tracks recorded before their more famous years at Capitol Records – for labels that include Decca, Apollo, and MGM! Yet even at this early point, the brothers are fantastic – graced with a harmony sound that was both rooted in the hills, and which would become a huge influence on rock and folk generations to come – often just backed by simple guitar and mandolin backings, which usually don't offer the pyrotechnics of contemporaries like Bill Monroe – lest they get in the way of the vocals – yet still have a way of ringing out with a fantastic sort of depth. Titles include "Weapon Of Prayer", "Alabama", "Seven Year Blues", "The Get Acquainted Waltz", "You'll Be Rewarded Over There", "Robe Of White", "The Sons & Daughters Of God", "Childish Love", and "The Great Atomic Power". CD
 
 
 



⇑ Top