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Freddy Robinson Edit search Phrase match

 
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Exact matches: 2
Exact matches1
CD, LP, Vinyl record album cover art
✨✧ Freddy RobinsonComing Atlantis (aka Black Fox) ... LP
World Pacific, Late 60s. Good+ Gatefold ... $5.99
A sweet album of funky guitar tracks, with Freddy Robinson out front over a bunch of tight LA Monk Higgins arrangements. Kind of a sleeper that hasn't really gotten as many props in the groove scene as it ought to, with a great sunny west coast 60s soul jazz vibe running throughout. Joe Sample provides warm keys, Paul Humphrey is snapping nicely on the drums, and the group kicks on tracks like "Before Six", "Black Fox", and "Monkin Around". LP, Vinyl record album
(Cover has some wear.)

Exact matches2
CD, LP, Vinyl record album cover art
✨✧ Freddy RobinsonBlack Fox/Oogum Boogum Song ... 7-inch
World Pacific, Late 60s. Used ... Temporarily Out Of Stock
A killer! "Black Fox" is one of those super-dope little guitar jammies – with great string backing by Monk Higgins that never gets in the way, and instead points the way ahead to some of the fuller arrangements used on records like these in the 70s. Freddy's guitar is great all the way through – and the cut's got a great hook! 7-inch, Vinyl record
(Label has a peeled spot.)
 
Possible matches: 10
Possible matches3
CD, LP, Vinyl record album cover art
Night Blooming JazzmenNight Blooming Jazzmen ... CD
Mainstream/Solid (Japan), 1971. New Copy ... $13.99
One of the funkiest records ever cut under the direction of Leonard Feather – a sweetly grooving little set that's filled with tight changes and lots of soulful riffing! Feather wrote and arranged the date, but the real strength here is the players – Mainstream Records hipsters who include Blue Mitchell on trumpet, Charles Kynard on organ, Paul Humphrey on drums, Freddy Robinson on guitar, and Ernie Watts on sax and flute – plus a bit of vocal work from Kitty Doswell, although the album's predominantly a vocal one. There's almost a soundtrack jazz feel to some of the best cuts here – tunes that are funky, but not in an over-the-top sort of way – with subtleties and sophistication that really keep the album fresh. The set kicks off with "Nam M'Yoho Ren'ge Yo", which has a good groove, and a nice tight break at the beginning – and other tracks include "The Night Blooming Jazmen", "Donte's Inferno", and "Funkville USA". CD

Possible matches4
CD, LP, Vinyl record album cover art
✨✧ John MayallJazz Blues Fusion ... LP
Polydor, 1972. Used ... Temporarily Out Of Stock
A live record of a couple of shows from 1971 in Boston and New York. The lineup includes Blue Mitchell on trumpet, Clifford Solomon playing saxes, Ron Selico on percussion, Larry Taylor playing bass guitar, Freddy Robinson on guitar and Mayall plays harmonica, guitar and piano. The first side contains the Boston set and includes "Country Road", "Mess Around", "Good Time Boogie", and "Change Your Ways." Side two contains three longish tracks of "Dry Throat", "Exercise in C Major", and "Got to be this Way". LP, Vinyl record album

Possible matches5
CD, LP, Vinyl record album cover art
✨✧ Blue MitchellBantu Village ... CD
Blue Note/Soul Brother (UK), 1969. New Copy ... Temporarily Out Of Stock
One of the funkiest albums ever on Blue Note – a set that mixes the trumpet talents of Blue Mitchell with some killer backings from Monk Higgins – all in a groove that more gritty edges than the best funky soundtracks of the time! Higgins keeps the backings full, but always quite lean – fusing all elements together into a sharp, tight rhythm that steps along with some of the slight African touches you might guess from the title – a groove that's not really that authentic, but which resonates with some of the best inspirations that Hugh Masekela was bringing to American music at the time. And while the album might be an attempt to cash in on Masekela's groove, the feel here is really quite different overall – as tracks are nicely stretched out, with plenty of room for jazzy solo work – and a groove that's much harder overall, thanks to Higgins! Other players include Freddy Robinson on guitar, Wilton Felder on bass, Paul Humphrey on drums, and Plas Johnson on tenor – and titles include "HNIC", "Flat Backing", "Na Ta Ka", "Bantu Village", and "Blue Dashiki". CD

Possible matches6
CD, LP, Vinyl record album cover art
✨✧ Three SoundsSoul Symphony ... CD
Blue Note, 1969. Used ... Temporarily Out Of Stock
The mighty Monk Higgins works some amazing magic here with the Three Sounds – taking them way past their standard trio modes of the 60s, into some really funky territory overall! The set's a definite symphony of soul – not just because the first side features a super-extended, suite-like tune – but also because all of the tracks feature fuller backings from Higgins, which really push the piano groove of the group! Drums are mighty heavy at points – thanks to trio member Carl Burnett – and the great Henry Franklin is in the group on bass, already crafting those wicked lines that would show up even more strongly on his albums for Black Jazz. In addition to flute from Buddy Collette, guitar from Freddy Robinson, and Gene Harris' super-heavy piano, there's also a bit of strings, and some slight backing vocals in the symphony from a trio that features Alex Brown, Mamie Galore, and Clydie King. The "Soul Symphony" cut runs for 26 minutes on side one – and other tracks include "Popsicle Pimp", "Repeat After Me", "Black Sugar", and "Upper Four Hundred". CD
(Out of print.)

Possible matches7
CD, LP, Vinyl record album cover art
✨✧ VariousChicago Radio Soul ... CD
Chess/Kent (UK), Mid 60s. New Copy ... Temporarily Out Of Stock
A really great look at a special side of the Chess Records soul catalog of the 60s – tracks that were very big on Chicago airwaves in the label's home town, yet which hardly got much play at all in the rest of the country! The collection's put together by Robert Pruter – the man who (literally) wrote the book on Chicago soul – and it's a wonderful portrait of soul in the Windy City of the 60s, with strands of music that nicely differ from the overplayed hits in later years. The collection also stands as a super-strong tribute to the never-ending genius of Chess Records – a label that never seems to let us down whenever we uncover a soul single we've never heard before! Titles include "Shy Guy" by The Radiants, "No Faith No Love" by Mitty Collier, "I Can't Help Myself" by The Gems, "Love Is A 5 Letter Word" by James Phelps, "A Thousand Miles Away" by Jo Ann Garrett, "Selfish One" by Jackie Ross, "Strange Feeling" by Billy Stewart, "The Creeper" by Freddy Robinson, "Peak Of Love" by Bobby McClure, "Lonely Girl" by Andrea Davis, "This Heart Of Mine" by Tony Clarke, "Bossa Nova Bird" by The Dells, and "Only Time Will Tell" by Etta James. CD

Possible matches8
CD, LP, Vinyl record album cover art
✨✧ Jazz CrusadersOld Socks New Shoes – New Socks Old Shoes ... LP
Chisa, 1970. Used Gatefold ... Out Of Stock
Wickedly funky work from the Jazz Crusaders – a pivotal set that has them electrifying their groove a bit more from the 60s, yet still not hitting the smother sound of later years! The core soul jazz mode of the group's start is still nicely in place – hard-hitting grooves from Wayne Henderson on trombone, Wilton Felder on bass, Stix Hooper on drums, and Joe Sample on keyboards – really opening up in an electric mode that's warm, but never mellow – really giving the album a strongly righteous undercurrent. Added to the mix are guitars from Arthur Adams and Freddy Robinson – both of whom really open up the groove and underscore the funkier elements – and again, in ways that have a lot more edge than on later Crusaders dates. The whole thing's great, filled with hard groovy cuts – and titles include a great version of "Golden Slumbers", plus "Jazz", "Jackson", "Rainy Night In Georgia", "Time Has No Ending", "Hard Times", and "Funny Shuffle". LP, Vinyl record album
(Cover has a split on the top seam.)

Possible matches9
CD, LP, Vinyl record album cover art
✨✧ Blue MitchellBlue's Blues ... LP
Mainstream, 1972. Used Gatefold ... Out Of Stock
Sweet soulful work from trumpeter Blue Mitchell – a set that has him working with a slightly large group of players, but in a style that's always very much in the groove! There's a nice electric undercurrent to the record throughout – sometimes in the instrumentation from other players, sometimes in the overall way the grooves are put together – which gives the record a quality that's almost like a funky soundtrack at the best moments! The lineup is a bit weird, too – with Joe Sample on keyboards, Freddy Robinson on guitar, Herman Riley on tenor and flute, and even John Mayall on harmonica – playing with a vamping funky edge on a few tunes! The title track – "Blues Blues" – is a great little jazzy break number, and other tracks include "Granite & Concrete", "Casa Blues", and "I Didn't Ask To Be". LP, Vinyl record album
(Cover has light wear.)

Possible matches10
CD, LP, Vinyl record album cover art
✨✧ Maxine WeldonChilly Wind ... CD
Mainstream/Solid (Japan), 1971. New Copy ... Out Of Stock
Fully righteous work from singer Maxine Weldon – working here with bigger backings from Ernie Wilkins that mix in a bit of blues, soul, and funk! The style's never too polished, and almost has a similar feel to some of Esther Phillips' work on the Kudu label during the early 70s – soulful vocals at the lead, backed by some hip jazz and electric instrumentation from players who include Blue Mitchell and Bobby Bryant on trumpet, Hadley Caliman and Ernie Watts on tenor and flute, George Bohannon on trombone, and Freddy Robinson on guitar. Titles include "Don't Make Promises", "Hey, That's No Way To Say Goodbye", "Country Son", "I'll Remember Today", "Fire & Rain", "I Who Have Nothing", and "Ain't Got Nobody". CD

Possible matches11
CD, LP, Vinyl record album cover art
✨✧ Blue MitchellBlue's Blues ... CD
Mainstream/Solid (Japan), Early 70s. New Copy ... Out Of Stock
Sweet soulful work from trumpeter Blue Mitchell – a set that has him working with a slightly large group of players, but in a style that's always very much in the groove! There's a nice electric undercurrent to the record throughout – sometimes in the instrumentation from other players, sometimes in the overall way the grooves are put together – which gives the record a quality that's almost like a funky soundtrack at the best moments! The lineup is a bit weird, too – with Joe Sample on keyboards, Freddy Robinson on guitar, Herman Riley on tenor and flute, and even John Mayall on harmonica – playing with a vamping funky edge on a few tunes! The title track – "Blues Blues" – is a great little jazzy break number, and other tracks include "Granite & Concrete", "Casa Blues", and "I Didn't Ask To Be". CD

Possible matches12
CD, LP, Vinyl record album cover art
✨✧ John MayallTen Years Are Gone ... LP
Polydor, 1973. Used 2LP Gatefold ... Out Of Stock
Very groovy work from John Mayall – a double-length set from the early 70s, featuring some great help from American soul jazz musicians! The group here is small, and the lineup features Red Holloway on saxes, Blue Mitchell on trumpet, Freddy Robinson on guitar, and Sugarcane Harris on violin – all in a mode that has plenty of Mayall's familiar blues, but which also takes on some jazzier inflections too! The vibe's a bit like some of Sugarcane's albums of the time – rootsy in the rhythms, but tighter on instrumentation, with an occasional dose of funk – thanks to heavy drums from Keef Hartley, the only UK player who seems to be working on the date besides Mayall. Titles include "California Campground", "Drifting", "Driving Till The Break Of Day", "Don't Hang Me Up", "I Still Care", "Burning Sun", "Sitting Here Thinking", and "Dark Of The Night". LP, Vinyl record album
(White label promo. Cover has some wear, pen, and a promo sticker.)
 
 
 



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