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Exact matches: 1
Exact matches1
CD, LP, Vinyl record album cover art
Freddy RobinsonComing Atlantis (aka Black Fox) ... LP
World Pacific, Late 60s. Good+ Gatefold ... Just Sold Out!
A sweet album of funky guitar tracks, with Freddy Robinson out front over a bunch of tight LA Monk Higgins arrangements. Kind of a sleeper that hasn't really gotten as many props in the groove scene as it ought to, with a great sunny west coast 60s soul jazz vibe running throughout. Joe Sample provides warm keys, Paul Humphrey is snapping nicely on the drums, and the group kicks on tracks like "Before Six", "Black Fox", and "Monkin Around". LP, Vinyl record album
(Cover has some wear. Vinyl plays with clicks & crackles.)
 
Possible matches: 12
Possible matches2
CD, LP, Vinyl record album cover art
Richard Groove Holmes & Ernie WattsCome Together ... LP
World Pacific, Late 60s. Very Good+ ... Just Sold Out!
Two of LA's best soul jazz talents team up in this set of funky tracks with a good LA studio groove to them. Freddy Robinson's on guitar, Wilton Felder's on bass, and King Errison's on congas – and all tracks are played by a small little combo. The best titles are originals by Watts – "Beer Can Alley" and "Boo" – and other tracks include "Wedding Bell Blues" and "Evil Ways". LP, Vinyl record album
(Cover has a cut corner & light wear.)

Possible matches3
CD, LP, Vinyl record album cover art
Blue MitchellBantu Village ... CD
Blue Note/Soul Brother (UK), 1969. New Copy ... $14.99
One of the funkiest albums ever on Blue Note – a set that mixes the trumpet talents of Blue Mitchell with some killer backings from Monk Higgins – all in a groove that more gritty edges than the best funky soundtracks of the time! Higgins keeps the backings full, but always quite lean – fusing all elements together into a sharp, tight rhythm that steps along with some of the slight African touches you might guess from the title – a groove that's not really that authentic, but which resonates with some of the best inspirations that Hugh Masekela was bringing to American music at the time. And while the album might be an attempt to cash in on Masekela's groove, the feel here is really quite different overall – as tracks are nicely stretched out, with plenty of room for jazzy solo work – and a groove that's much harder overall, thanks to Higgins! Other players include Freddy Robinson on guitar, Wilton Felder on bass, Paul Humphrey on drums, and Plas Johnson on tenor – and titles include "HNIC", "Flat Backing", "Na Ta Ka", "Bantu Village", and "Blue Dashiki". CD

Possible matches4
CD, LP, Vinyl record album cover art
Blue MitchellBlue's Blues ... CD
Mainstream/Solid (Japan), 1972. New Copy ... About March 22, 2017
Sweet soulful work from trumpeter Blue Mitchell – a set that has him working with a slightly large group of players, but in a style that's always very much in the groove! There's a nice electric undercurrent to the record throughout – sometimes in the instrumentation from other players, sometimes in the overall way the grooves are put together – which gives the record a quality that's almost like a funky soundtrack at the best moments! The lineup is a bit weird, too – with Joe Sample on keyboards, Freddy Robinson on guitar, Herman Riley on tenor and flute, and even John Mayall on harmonica – playing with a vamping funky edge on a few tunes! The title track – "Blues Blues" – is a great little jazzy break number, and other tracks include "Granite & Concrete", "Casa Blues", and "I Didn't Ask To Be". CD

Possible matches5
CD, LP, Vinyl record album cover art
Night Blooming JazzmenNight Blooming Jazzmen ... CD
Mainstream/Solid (Japan), 1971. New Copy ... About March 22, 2017
One of the funkiest records ever cut under the direction of Leonard Feather – a sweetly grooving little set that's filled with tight changes and lots of soulful riffing! Feather wrote and arranged the date, but the real strength here is the players – Mainstream Records hipsters who include Blue Mitchell on trumpet, Charles Kynard on organ, Paul Humphrey on drums, Freddy Robinson on guitar, and Ernie Watts on sax and flute – plus a bit of vocal work from Kitty Doswell, although the album's predominantly a vocal one. There's almost a soundtrack jazz feel to some of the best cuts here – tunes that are funky, but not in an over-the-top sort of way – with subtleties and sophistication that really keep the album fresh. The set kicks off with "Nam M'Yoho Ren'ge Yo", which has a good groove, and a nice tight break at the beginning – and other tracks include "The Night Blooming Jazmen", "Donte's Inferno", and "Funkville USA". CD

Possible matches6
CD, LP, Vinyl record album cover art
✨✧ Stanley TurrentineStanley Turrentine (aka Flipped Out) ... LP
Up Front, Late 60s. Very Good ... Just Sold Out!
A slightly different version of the album Flipped – A lost bit of Stanley Turrentine funky work – recorded between his years at Blue Note and his time at CTI, and nearly lost to the pages of history! Despite the obscurity, though, the album's a great one – done with these short stomping sort of arrangements that remind us a lot of the work on Blue Mitchell's Bantu Village album, or the style used on some of the Dizzy Gillespie funk sides for Perception! (And honestly, we think there's a lot of Monk Higgins' influence on the set, even though he doesn't seem to be credited.) The group's ultra-hip – with Freddy Robinson on guitar, Wilton Felder on bass, Paul Humphrey on drums, Victor Feldman on vibes, and King Errison on congas – and tracks are short, soulful, and very much to the point! The groove is really surprising – but tremendous – and is as essential to fans of funk as it is to those of Stanley's other work. Tracks include "Flipped", "I'm The One", "Toe Hold", "I Only Get This Feeling", "Flipped Out (Parts 1 & 2)", "Love's Finally Found Me (Parts 1 & 2)", and "Let It Be". LP, Vinyl record album

Possible matches7
CD, LP, Vinyl record album cover art
Maxine WeldonChilly Wind ... CD
Mainstream/Solid (Japan), 1970. New Copy ... About March 22, 2017
Fully righteous work from singer Maxine Weldon – working here with bigger backings from Ernie Wilkins that mix in a bit of blues, soul, and funk! The style's never too polished, and almost has a similar feel to some of Esther Phillips' work on the Kudu label during the early 70s – soulful vocals at the lead, backed by some hip jazz and electric instrumentation from players who include Blue Mitchell and Bobby Bryant on trumpet, Hadley Caliman and Ernie Watts on tenor and flute, George Bohannon on trombone, and Freddy Robinson on guitar. Titles include "Don't Make Promises", "Hey, That's No Way To Say Goodbye", "Country Son", "I'll Remember Today", "Fire & Rain", "I Who Have Nothing", and "Ain't Got Nobody". CD

Possible matches8
CD, LP, Vinyl record album cover art
VariousChicago Radio Soul ... CD
Chess/Kent (UK), Mid 60s. New Copy ... $10.99 18.99
A really great look at a special side of the Chess Records soul catalog of the 60s – tracks that were very big on Chicago airwaves in the label's home town, yet which hardly got much play at all in the rest of the country! The collection's put together by Robert Pruter – the man who (literally) wrote the book on Chicago soul – and it's a wonderful portrait of soul in the Windy City of the 60s, with strands of music that nicely differ from the overplayed hits in later years. The collection also stands as a super-strong tribute to the never-ending genius of Chess Records – a label that never seems to let us down whenever we uncover a soul single we've never heard before! Titles include "Shy Guy" by The Radiants, "No Faith No Love" by Mitty Collier, "I Can't Help Myself" by The Gems, "Love Is A 5 Letter Word" by James Phelps, "A Thousand Miles Away" by Jo Ann Garrett, "Selfish One" by Jackie Ross, "Strange Feeling" by Billy Stewart, "The Creeper" by Freddy Robinson, "Peak Of Love" by Bobby McClure, "Lonely Girl" by Andrea Davis, "This Heart Of Mine" by Tony Clarke, "Bossa Nova Bird" by The Dells, and "Only Time Will Tell" by Etta James. CD

Possible matches9
CD, LP, Vinyl record album cover art
✨✧ Jazz CrusadersOld Socks New Shoes – New Socks Old Shoes ... LP
Chisa, 1970. Used Gatefold ... Temporarily Out Of Stock
Wickedly funky work from the Jazz Crusaders – a pivotal set that has them electrifying their groove a bit more from the 60s, yet still not hitting the smother sound of later years! The core soul jazz mode of the group's start is still nicely in place – hard-hitting grooves from Wayne Henderson on trombone, Wilton Felder on bass, Stix Hooper on drums, and Joe Sample on keyboards – really opening up in an electric mode that's warm, but never mellow – really giving the album a strongly righteous undercurrent. Added to the mix are guitars from Arthur Adams and Freddy Robinson – both of whom really open up the groove and underscore the funkier elements – and again, in ways that have a lot more edge than on later Crusaders dates. The whole thing's great, filled with hard groovy cuts – and titles include a great version of "Golden Slumbers", plus "Jazz", "Jackson", "Rainy Night In Georgia", "Time Has No Ending", "Hard Times", and "Funny Shuffle". LP, Vinyl record album

Possible matches10
CD, LP, Vinyl record album cover art
✨✧ John MayallTen Years Are Gone ... LP
Polydor, 1973. Used 2LP Gatefold ... Temporarily Out Of Stock
Very groovy work from John Mayall – a double-length set from the early 70s, featuring some great help from American soul jazz musicians! The group here is small, and the lineup features Red Holloway on saxes, Blue Mitchell on trumpet, Freddy Robinson on guitar, and Sugarcane Harris on violin – all in a mode that has plenty of Mayall's familiar blues, but which also takes on some jazzier inflections too! The vibe's a bit like some of Sugarcane's albums of the time – rootsy in the rhythms, but tighter on instrumentation, with an occasional dose of funk – thanks to heavy drums from Keef Hartley, the only UK player who seems to be working on the date besides Mayall. Titles include "California Campground", "Drifting", "Driving Till The Break Of Day", "Don't Hang Me Up", "I Still Care", "Burning Sun", "Sitting Here Thinking", and "Dark Of The Night". LP, Vinyl record album

Possible matches11
CD, LP, Vinyl record album cover art
✨✧ Blue MitchellBlue's Blues ... LP
Mainstream, 1972. Very Good Gatefold ... Just Sold Out!
Sweet soulful work from trumpeter Blue Mitchell – a set that has him working with a slightly large group of players, but in a style that's always very much in the groove! There's a nice electric undercurrent to the record throughout – sometimes in the instrumentation from other players, sometimes in the overall way the grooves are put together – which gives the record a quality that's almost like a funky soundtrack at the best moments! The lineup is a bit weird, too – with Joe Sample on keyboards, Freddy Robinson on guitar, Herman Riley on tenor and flute, and even John Mayall on harmonica – playing with a vamping funky edge on a few tunes! The title track – "Blues Blues" – is a great little jazzy break number, and other tracks include "Granite & Concrete", "Casa Blues", and "I Didn't Ask To Be". LP, Vinyl record album

Possible matches12
CD, LP, Vinyl record album cover art
✨✧ Three SoundsSoul Symphony ... LP
Blue Note, 1969. Used ... Temporarily Out Of Stock
The mighty Monk Higgins works some amazing magic here with the Three Sounds – taking them way past their standard trio modes of the 60s, into some really funky territory overall! The set's a definite symphony of soul – not just because the first side features a super-extended, suite-like tune – but also because all of the tracks feature fuller backings from Higgins, which really push the piano groove of the group! Drums are mighty heavy at points – thanks to trio member Carl Burnett – and the great Henry Franklin is in the group on bass, already crafting those wicked lines that would show up even more strongly on his albums for Black Jazz. In addition to flute from Buddy Collette, guitar from Freddy Robinson, and Gene Harris' super-heavy piano, there's also a bit of strings, and some slight backing vocals in the symphony from a trio that features Alex Brown, Mamie Galore, and Clydie King. The "Soul Symphony" cut runs for 26 minutes on side one – and other tracks include "Popsicle Pimp", "Repeat After Me", "Black Sugar", and "Upper Four Hundred". LP, Vinyl record album
(Liberty/UA pressing. Cover has a promo sticker in one corner.)

Possible matches13
CD, LP, Vinyl record album cover art
✨✧ Monk HigginsMonk Higgins (aka Little Mama) ... LP
United Artists, 1972. New Copy (reissue)... Out Of Stock
An excellent batch of soulful and funky instrumental tracks – super-dope 70s work from funky arranger Monk Higgins! The album grooves in the best blacksploitation soundtrack mode – as Monk plays tenor sax and organ in the set, over slinky stepping arrangements that feature Paul Humphrey on drums, and Freddy Robinson on guitars – all coming together with Monk in a sweet LA style of early 70s funk! The groove is funky, yet laidback at the same time – and with some soulful backing vocals behind the instrumentation on a number of cuts – really the perfect sort of approach for a hip crime or action soundtrack. Tracks include "Little Mama", "If", "Highway No 101", "Walking In My Sleep", "Can't Stop", and the classic "Black Fox"! LP, Vinyl record album
 
 
 



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