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Exact matches: 1
Possible matches: 23
2
Wanda Stafford —
In Love For The Very First Time – Introducing Wanda Stafford (Japanese paper sleeve edition) ... CD Roulette (Japan), 1960. Used ... Out Of Stock
A great debut from singer Wanda Stafford – and the kind of set that makes you think she's been recording albums like this for years! Wanda's got a hell of a voice, right from the start – a nice punch that really fits with the choice of material on the date – and with the lively arrangements, which often have these playful horn parts moving up and down in the background – almost in a Capitol Records Jack Marshall or Billy May sort of style – although the instrumentation isn't credited here. The mix of great music and swinging vocals is great – and the album's a real knockout from Stafford, with cuts that include "Ridin On The Moon", "In Love For The Very First Time", "Hooray For Love", "Let There Be Love", "Late Late Show", and "Love". CD
(2012 Japanese pressing – in great shape with obi!)
3
Orchestra Baobab —
Pirates Choice ... CD World Circuit/
Hardly a pirate album at all – and instead one of the first big global moments of fame for the mighty Orchestra Baobob – a Senegalese combo who'd really been honing their craft during the 70s! The album has the group working with all the soulful currents of their early work – and especially that inflection from Cuban styles that made some of the groups in Dakar so unique – a special trans-Atlantic handshake between the nations that really helped these guys take off once they got exposure on a record like this! Titles include "Coumba", "Utru Horas", "Werente Seringe", "Ray M'Bele", "Toumaranke", "Ngalam", and "La Rebellion". CD
4
Various —
Choice – A Collection Of Classics – Frankie Knuckles ... CD Azuli (UK), 1970s/
Extremely soulful grooves from the great Frankie Knuckles – a collection of tunes from back in the day, including some seminal numbers from the pre-house years that were a huge influence on Frankie himself! The 2CD set features Frankie mixing the tracks live – sliding from one to one with the effortless ease that first brought him to fame back in the 80s, and which continued to make him one of the most soulful club DJs of the past few decades! The set's got a great choice of material – with some familiar classics, and lesser known gems that include "Change" by Paradise, "Nights" by Billy Ocean, "A Little Bit Of Jazz" by Nick Straker Band, "Night Cruiser" by Eumir Deodato, "Do You Like The Way It Feels" by Tempest Trio, "Can You Handle It" by Sharon Redd, "Billy Who?" by Billy Frazier & Friends, Love Bug" by Bumblebee Unlimited, "Let's Do It" by Convertion, "G-Man's Groove" by Mental Instrum, "Symphony" by Donell Rush, "What You Need" by Soft House Company, "Notice Me" by Sandee, "Feel It" by Adonte, "I'll Be Waiting" by Clive Griffin, and "I Want You" by Starpoint. CD
5
Blue Mitchell —
Cup Bearers ... CD Riverside/
One of the first albums to really show Blue Mitchell's genius as a leader – recorded past the more formulaic bop modes of some of his other Riverside sessions, and handled with a lyrical edge that really gets at the best aspects of his playing. Of course, part of the reason for this is that Blue's in the company of some of his Horace Silver bandmates – including drummer Roy Brooks, tenorist Junior Cook, and bassist Gene Taylor – but even more than that, the presence of a young Cedar Walton on piano really makes the set sparkle, as does the choice of some extremely strong material – such as "The Cup Bearers" and "Capers", both written by that young and glowing jazz compositional lumiary, Tom McIntosh, and the tunes "Turquoise, written by Walton, and "Dingbat Blues", written by Charles Davis. Forgive the long sentence, but the quality of this one's best expressed in a single breath! CD
(OJC pressing.)
6
Rezillos —
Can't Stand The Rezillos/Sire, 1978/
First up is Can't Stand The Rezillos – a record with guitars fast and hard enough to almost be late 70s punk rock, but which often comes off with a more playful, whimsical new wave sort of approach! Tracks are short and hook-heavy – produced by Bob Clearmountain with that razor-edged quality he brought to his best work of the time – and the trading off of lead vocals between Fay Fife and Eugene Reynolds makes the record hang nicely in a space between Blondie and The Ramones! Titles include "Flying Saucer Attach", "No", "Top Of The Pops", "2000 AD", "It Gets Me", "Glad All Over", and "Cold Wars". Next is Mission Accomplished – a fierce little live set from The Rezillos – one that comes as quite a surprise, since the group had only issued one studio set before – but a great choice overall, as the live setting really seems to set them on fire! Things here are harder, faster, and sharper than on their debut – with more punk speed and energy in the guitars, even if the songs themselves are more in a power pop mode – as tuneful as they are quick-moving! The concert was actually the group's last – recorded at a time when they'd announced a breakup – and that maybe gives the whole thing an urgency that was missing before, and which really makes us wish they'd kept recording. Titles include "Top Of The Pops"," Mystery Action", "Somebody's Gonna Get Their Head Kicked In Tonite", "Thunderbirds Are Go", "No", "Teenbeat", "Ballroom Blitz", "Destination Venus", and "Culture Shock". CD
(Out of print, punch through barcode and booklet.)
7
Guru —
Jazzmatazz Vol 2 – A New Reality ... CD Capitol, 1995. Used ... Temporarily Out Of Stock
Guru's second foray into the jazz/
(Out of print and sealed.)
8
Horace Parlan —
Happy Frame Of Mind ... CD Blue Note, 1963. Used ... Temporarily Out Of Stock
Wicked work by pianist Horace Parlan – and one of his most stunning Blue Note sessions ever! The album was first recorded in 1963, but then kept on the shelf for years – seeing only brief release as part of a Booker Ervin package in the late 70s, and finally coming out with the proper cover and lineup at some point in the 80s! Why Blue Note waited so long is a mystery, because the album's a gem throughout – almost more important, and more starkly modern than any of Parlan's other work for the label. Booker Ervin leads the frontline on tenor, alongside Johnny Coles on trumpet, Grant Green on guitar, and the rhythm section of Butch Warren and Billy Higgins. Parlan's choice of material is fantastic – with a number of Africanist tracks that feature unique rhythmic patterns that really push the soloists! Titles include "A Tune For Richard", "Dexi", "Home Is Africa", "Kucheza Blues", and "Back From The Gig". CD
(First CD pressing. Booklet has some age spots and a bit of white out.)
9
Miles Davis with John Coltrane & Sonny Stitt —
In Stockholm 1960 Complete (4CD set) ... CD Dragon (Sweden), 1960/
The complete recordings of a legendary live cycle of shows in Stockholm from 1960 – material that was previously issued on two different 2LP sets during the album era, now brought together here with bonus tracks too! The first third of the set features incredible work from the team of Miles Davis and John Coltrane – working together in space that's very open, and far more exploratory than their studio work of the late 50s – maybe at a level that really shows the impact that Coltrane's growth was having on the solo approach of Davis! The key rhythm trio keeps things swinging – Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – which almost seems to allow the horn players even more freedom. The second two thirds of the set are equally striking, but in a very different way – as they feature the great Sonny Stitt, blowing both alto and tenor with Miles' group – a choice that's maybe a bit surprising, but equally wonderful too – a Stitt brings the sound maybe back to a bop core, but also seems to really get a chance to show off some of those modern currents that he had to soft-pedal on his albums for Roost. Titles with Coltrane include "So What", "On Green Dolphin Street", "All Blues/
10
Down To The Bone —
Spread The Word (Album III) ... CD Internal Bass/
An overlooked third album from Down To The Bone – a set that maybe didn't take the world by storm as much as their first two, but which still has the group very much in fine formation! All the best previous elements are in place here – that strong mix of funky jazz instrumentation with contemporary rhythmic production – almost a blend of some of the funkier club styles of the time with more mainstream fusion, at a level that made these guys both a hit on the dancefloors and for kicking back at the crib! Titles include "The Backburner", "Righteous Reeds", "Sound As A Pound", "Bridgeport Boogie", "The Lowdown", and "Black Choice". CD
(Out of print.)
11
Bill Evans —
Bill Evans At The Montreux Jazz Festival (German pressing – with bonus track) ... CD Verve (Germany), 1968. Used ... Out Of Stock
Bill Evans' first famous appearance at the Montreux Jazz Festival – a great 60s trio session, with Eddie Gomez on bass and Jack DeJohnette on drums! The tunes are mostly relatively familiar ones, but the ensemble on the set gives them a freer and more lyrical feel than you might expect – especially with DeJohnette on drums, who is a somewhat more powerful choice than some of Bill's other drummers of the 60s. Eddie Gomez is great, as always – with that round bass sound that we totally love – and titles include "Nardis", "Sleepin Bee", "Embraceable You", "Someday My Prince Will Come", "Mother Of Earl", "One For Helen", and "Walkin Up". Includes the bonus track "Quiet Now". CD
Also available Bill Evans At The Montreux Jazz Festival ... LP 34.99(Out of print.)
12
Peggy Lee —
Lost 40s & 50s Capitol Masters ... CD Capitol/
Rare work from Peggy Lee's first stretch at Capitol Records – 39 tracks from the late 40s and early 50s that are collected here on CD for the first time ever! The work is a wonderful illustration of Peggy's early brilliance – and they show a strong evolution from simple big band singer into the mature, melancholy territory that really set Lee apart from most of her generation – and which paved the way for other solo singers like Chris Connor and June Christy in the 50s. Styles vary as the set goes on, and backings are from Dave Barbour, Pete Rugolo, Billy May, and others. Titles include "Neon Signs", "Trouble Is A Man", "Music Maestro Please", "Ain't Goin No Place", "Don't Be So Mean To Baby", "Ay Ay Chug A Chug", "Something To Remember You By", "Goin On A Hayride", "Shame On You", "That Ol Devil", "Boulevard Cafe", "A Man Wrote A Song", "Sunshine Cake", "Run For The Round House Nellie", and "Love". CD
(Out of print.)
13
Shoes —
35 Years – The Definitive Shoes Collection 1977 to 2012 ... CD Real Gone, Late 1970s/
A much-needed tribute to this genius power-pop trio – local Illinois legends who labored in the indie underground during the biggest years of disco and punk rock! Shoes were something else entirely – a no-nonsense group with a really tight power pop feel – easily one of the proudest of the Yellow Pills generation, with an ear for a hook and sharp guitar line to rival their Illinois contemporaries Cheap Trick – even though Shoes never broke nearly as big at the time. This set's the first full career-spanning collection of their music – and features lots of tracks from early albums like Present Tense, Black Vinyl Shoes, Tongue Twister, and Boomerang – plus a few choice bits from later years (these guys are still going today!) – all wrapped together with some wonderfully personal liner notes too. Titles include "She Satisfies", "Tomorrow Night", "Okay", "Girls Of Today", "Only In My Sleep", "Curiosity", "Get My Message", "Feel The Way That I Do", "Your Devotion", "Your Very Eyes", "Oh Angeline", "Burned Out Love", and "Torn In Two". CD
(Out of print.)
14
Nancy Wilson —
Essence Of Nancy Wilson – Four Decades Of Music (4CD boxset) ... CD Capitol, 1950s/
Way more than just the "essence" of Nancy – an excellent 4CD set, with a huge amount of rare material! Here's the breakdown: Disc 1 features "Spanning The Decades" – a selection of rare singles and chart hits, most on CD in the US for the first time; Disc 2 is "From The Vaults", with 14 previously unreleased live recordings, and another 9 previously unissued studio tracks; Disc 3 is "Nancy's Choice", featuring 22 tracks that are Nancy's own personal favorites, 4 of which have never been issued in the US; Disc 4 is "Hidden Gems", 18 choice cuts from Nancy's albums, all issued on CD for the first time in the US! Wonderful throughout – with a total of 81 rare tracks on 4CDs, all packaged in a nice booklet style. Titles include "Hurry Change", "Are We Losin Touch", "But Only Sometimes", "Save Your Love For Me", "The Seventh Son", "Small World", "Just Go", "Go Away & Find Yourself", "Ribbon In The Sky", "Below Above", "Listen Little Girl", "Wave", "I'm Gonna Let Ya", "The Island", "Casablanca", "Dindi", "Godsend", "Suzanne", "I Remember", "Theme From Hotel", and "Free Again". CD
(BMG Direct pressing.)
15
Various —
Beats & Breaks – Just A Mellow Groove ... CD Solid (Japan), 1970s. Used ... Out Of Stock
Lots of beats and breaks – and the groove is a lot less mellow than you'd guess from the title! Tracks are pulled from some of the coolest indie labels of the 70s – Brunswick, HDH, and Salsoul – and the focus is on tracks that have lots of heavy drums and sharp changes – of the sort that were sampled heavily back in the day, but which also make for a nice batch of upbeat soul numbers too! Yet the collection is way more than just a sample-based collection of soul – as most of these numbers are pretty unusual, and not the kind of soul tracks that show up often on other compilations – and they link together surprisingly well, given the different sources from Chicago, Detroit, and New York. Titles include "Girl I Need You" by The Artistics, "I'm Bugging Your Phone" by The Smith Connection, "Seeing You Through The Eyes Of A Blindman" by Satisfaction Unlimited, "Lovin You Is Killin Me" by Moment Of Truth, "Where Will It End (Walter Gibbons mix)" by Love Committee, "I Got It" by New York Port Authority, "Love Factory" by Eloise Laws, "Breakaway" by First Choice, "Taster Of The Honey" by The Jones Girls, and "You Don't Have To Go (edit)" by The Chi-Lites. CD
(Out of print, includes obi.)
16
Various —
Our Lives Are Shaped By What We Love – Motown's MoWest Story 1971 to 1973 ... CD Motown/
The first ever compilation of the best music made for MoWest – the eclectic, but still soulful cuts made when Berry Gordy Jr. relocated from Motown to the west coast in the early 70s – releasing cool and sometimes strange music with a soul background, yet toasted by LA sunshine! The MoWest subsidiary lasted just a few years, and gets overlooked in the canonization of Motown at it's most classic and revolutionary – but the legacy is pretty incredible. Funk, sunshine rock and soul fused adventurously by a stunningly diverse roster – late period Frankie Vallie & The Four Seasons (who's comp-opening track is a slept on sunshine pop-soul classic), breezy-jazzy-soul from Odyssey, the sister funk of Sisters Love, a stunning solo left turn from Spinners singer GC Cameron and more great stuff from Syreeta, The Commodores, Suzee Ikeda, Thelma Houston and others. We've been dying for a well selected MoWest comp like this for years, and Light In The Attic stepped to the plate and knock it right out of the park. The songs choices are great, the notes are great. . .everything about it is a win. Essential! Includes "You're A Song (That I Can't Sing)" and "The Night" by Frankie Valli & The Four Seasons, "Our Lives Are Shaped By What We Love" and "Broken Road" by Odyssey, "Don't You Be Worried" by The Commodores, "A Heart Is A House" Nu Page, "I Ain't Going Nowhere" by Thelma Houston, "I Can't Give Back The Love I Feel For You" by Suzee Ikeda, "You've Got To Make The Choice" and "Give Me Your Love" by The Sisters Love and more. CD
(Digipak has some light wear.)
17
George Duke —
No Rhyme No Reason – The Elektra/Elektra/
George Duke at the end of the century – still going strong with the wonderful mix of jazz, funk, and soul that he pioneered in the 70s – a style that really grows and shifts in mighty nice way over the course of the material in the set! Duke moved from Epic to Elektra and Warner during the time of these tracks – and while some of the material has George picking up more 80s-styled keyboard elements and rhythms, the set also progresses towards other material that's maybe even more back to basics in a jazz sort of way – first electric, then more acoustic – but with some nice variations that show that Duke, one of the real pioneers, was still doing a lot more with soulful jazz than most of his contemporaries! You'll definitely find a few vocal cuts here – George always had a great ear for a singer – and throughout, the man's skills on the keyboard continue to be strong – especially tilted towards that nice sense of space that Duke picked up after his jamming years in the mid 70s. As with other titles on the Soulmusic label, the choice of cuts is great – really focusing on the kind of special album tracks that show a deeper side of the artist than the singles – with a total of 45 tracks that include "Mystery Eyes", "Say Hello", "The Touch", "From Dusk To Dawn", "It's Our World", "So I'll Pretend", "Montreux Nights", "Love Can Be So Cold", "No Rhyme No Reason", "6 O'Clock", "Fame", "560 SL", "Rise Up", "Guilty", "I Surrender", "Thief In The Night", "The Times We've Known", "All About You", "If You Will", "She's Amazing", "Thinin About You", "Fill The Need", and "Never Be Another". CD
18
Parlet —
Best Of Parlet ... CD Polygram/
11 tracks from one of George Clinton's loveliest groups! Parlet were clearly George's most disco-oriented group – featuring a trio of female voices in the lead (ala First Choice or Three Degrees), with backing by Parliament and the rest of the P-Funk crew. The tracks tend to be a bit longer and faster than your usual Parliament record, but there's still plenty of funk – and the overall feel of the work is very much in the P-Funk party ensemble mode. Titles include "No Rump To Bump", "Pleasure Principle", "Wolf Tickets", "Love Amnesia", "Play Me Or Trade Me", "Ridin High", and "Cookie Jar". CD
19
Miroslav Vitous with Michel Portal —
Remembering Weather Report ... CD ECM, 2009. Used ... Out Of Stock
Bassist Miroslav Vitous was a key member of the legendary combo Weather Report, so he's obviously a great choice to head a record like this – but the sound of the album's quite different than any easy fusion expectations you might have, put together in ways that definitely showcase the ECM setting of the session! Vitous' basslines are more complicated than ever – those rich, rumbling tones we first came to love many years back – and they're joined here with a core quartet that includes Franco Ambrosetti on trumpet, Gary Campbell on tenor, and Gerald Cleaver on bass – all players with an atmospheric sensibility that matches Miroslav's modes on the record. The lack of any keyboards really makes the album differ from any familiar Weather Report grooves – as does the presence of Michel Portal on guest bass clarinet – so you might do best thinking of the record as more of a "poem" to Weather Report than a straight homage – but a great poem that's filled with all the richest sounds Vitous has to offer. Titles include "Variations On Wayne Shorter", "Variations On Lonely Woman", "Semina", "Surfing With Michel", and "When Dvorak Meets Miles". CD
20
Various —
Soul Hits Of The 70s – Didn't It Blow Your Mind! Volume 10 ... CD Rhino, 1970s. Used ... Out Of Stock
Tracks include "Why Can't We Live Together" by Timmy Thomas, "Love Jones" by Brighter Side of Darkness", "Lonely Man" by The Chi-Lites, "Superfly" by Curtis Mayfield, "One Night Affair" by Jerry Butler, "World Is a Ghetto" by War, "Stir It Up" by Johnny Nash, "Ain't No Woman (Like the One I've Got)" by The Four Tops, "Armed and Extremely Dangerous" by First Choice, "Leaving Me" by The Independents, "Pillow Talk" by Sylvia, and "I'm Doin' Fine Now" by New York City. CD
21
Bill Evans —
Bill Evans At The Montreux Jazz Festival (20 bit remaster) ... CD Verve, 1968. Used ... Out Of Stock
Bill Evans' first famous appearance at the Montreux Jazz Festival – a great 60s trio session, with Eddie Gomez on bass and Jack DeJohnette on drums! The tunes are mostly relatively familiar ones, but the ensemble on the set gives them a freer and more lyrical feel than you might expect – especially with DeJohnette on drums, who is a somewhat more powerful choice than some of Bill's other drummers of the 60s. Eddie Gomez is great, as always – with that round bass sound that we totally love – and titles include "Nardis", "Sleepin Bee", "Embraceable You", "Someday My Prince Will Come", "Mother Of Earl", "One For Helen", and "Walkin Up". CD
Also available Bill Evans At The Montreux Jazz Festival ... LP 34.9922
Barry Harris —
Barry Harris Trio Plays Tadd Dameron & Thelonious Monk ... CD Xanadu/
2 overlooked 70s gems from Barry Harris – both of them trio dates based around famous jazz composers! First up are 8 tracks in which Barry Harris stretches out wonderfully in a set of compositions by Tadd Dameron – most of them familiar jazz standards from a few decades before, transformed magically by Harris in a hip 70s piano trio mode! The group here features Gene Taylor on bass and Leroy Williams on drums – both of whom work nicely with Barry's newly discovered sweetness at the time – an approach that's sometimes a bit warmer than his work in the 60s, and which helps make these tunes stand out in newly sensitive readings. Titles include "The Tadd Walk", "Lady Bird", "Casbah", "Our Delight", "Soultrane", "The Chase", and "Hot House". Next up are 5 more tracks penned by Thelonious Monk, and played by Harris with a trio that includes Bill Lee on bass and Leroy Williams on drums! Harris hits the right angular modes to make Monk's music come alive, but also warms them up with a bit more sensitivity too – slight colorings in his choice of tone, and an almost more personal feel on some of the numbers, even when taken at a fast clip. Titles include "Epistrophy", "In Walked Bud", "52nd Street Theme", and "Light Blue". CD also features a solo version of "Pannonica" from 1984, and a reading of "All God's Chillun Got Rhythm" from 1978 – recorded live in Montreux with Sam Jones on bass and Leroy Williams on drums. CD
23
Jazzmeia Horn —
Social Call ... CD Prestige, 2017. Used ... Out Of Stock
The album's titled after a famous song by Betty Carter, and the sound of the set might well match her legacy too – as Jazzmeia Horn is clearly a singer we'll be hearing plenty from in years to come! Horn's got an incredible range – the first female jazz singer we've heard in years to really open up in the instrument-inspired style of the famous vocalists of years back – but she's also an artist who's not just copping old school jazz modes, as the presentation and choice of material is very strongly her own, and really blows us away! For everyone who's dug the music of top-shelf jazz singers like Betty Carter, Shirley Horn, and Dee Dee Bridgewater – Jazzmeia Horn may well be the next step forward. Players on the album include Victor Gould on piano, Ben Williams on bass, and Jerome Jennings on drums – and the set also features contributions from Josh Evans on trumpet, Frank Lacy on trombone, and Stacy Dillard on tenor. Titles include "Tight", "Up Above My Head", "Social Call", "People Make The World Go Round", "The Peacocks", "I Remember You", and "Afro Blue/
24
Various —
Stop The War – Vietnam Through The Eyes Of Black America 1965 to 1974 ... CD Ace/
The Vietnam war was tough on most folks in the US – but it's no secret that it was especially tough on black Americans – who were often given little choice and little chance to get out of the callup to the military action – which left a huge impression on their community for years to come! This package documents the affect of Vietnam in soul music – in ways that are both direct and more subtle, as the package blends together a number of tracks that you likely don't know at all, and others that you might have missed as being critical of the war – as there's more subtle messaging going on, a lesson that was learned during the Civil Rights era, when a mellower lyric might get more mainstream circulation – as a call to action that a change was going to come. The quality of cuts here is wonderful – as well-selected as some of the Ace/
Partial matches: 2
25
EMI/
First up is one of Julie London's strongest overall albums – a great session that features small group backings with a warm and intimate feel! There's less of the languid sadness of some of Julie's other records, and more of the dreamy floating style of singers like Chris Connor or June Christy on this one. The feeling of the album's great, and it shows that Julie was much more than a pop singer with sexy looks and a smoky finish – although we're happy to hear that on here too! Titles include "Let There Be Love", "Goodbye", "You've Changed", "You'd Be So Nice to Come Home To", "Lonesome Road", "They Didn't Believe Me", and "The Thrill Is Gone". Around Midnight's just about the best time to listen to Julie London – especially given her sultry late-night style of singing! This album's one that definitely follows in that mode – setting Julie's vocals to backings by Dick Reynolds – a bit fuller than some of her earliest Liberty albums, but still quite moody, and very much in the best spirit of the album's songs of adult love and loss. The song choices are especially great too – with some key mid-century classics that include "In The Wee Small Hours Of The Morning", "Lush Life", "Lonely In Paris", "Something Cool", and "You & The Night & The Music". CD
(Out of print.)
26
Various —
Soul Gospel 2 ... CD Soul Jazz (UK), 1960s/
Soul and gospel, gospel and soul – a beautiful marriage in music that's summed up perfectly in this sweet little set! It's no secret that gospel music had plenty of influence on soul back in the early days – but as the genre went on, soul ended up throwing a mighty sound back at gospel too – so that by the late 60s, both musics were pretty well tied together in styles, themes, and spirit! This collection digs even deeper than the already-great first volume from Soul Jazz – and brings together a wide range of work that illustrates the powerful effect that soul had on gospel back in the late 60s and 1970s – righteous lessons learned from the secular side of the spectrum, folded back to make the spiritual even hipper than before! As always with Soul Jazz, plenty of care went into the set – and the music is provided with an extremely thoughtful track list that goes way past the obvious – as well as a good set of notes to back up the choices. Plus, the tunes here are often quite funky – almost making the package a "gospel funk" collection! 20 tracks in all – including "We Should All Thank The Lord" by The Lovers Of God, "I'll Keep A Light In My Window" by NYCC, "Why Am I Treated So Bad" by Sweet Inspirations, "Let Him Come In" by Howard Lemon Singers, "Keep Trying" by Mildred Clark, "Dead End Street" by Clara Ward, "Since I've Been Born Again" by Martha Bass, "You'd Better Get A Move On" by Louise McCord, "Do Your Thing" by Marion Gaines Singers, "Praise His Name" by The Stovall Singers, "Let Them Talk" by Meditation Singers, "When Will It End" by The Sensational Cymbals, and "After The Rain" by Pastor TL Barrett. CD
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