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Close matches1
CD, LP, Vinyl record album cover art
Hailstork/Schuller/Zwilich/DzubayAmerican Port Of Call/Four Soundscapes/Concerto For Violin, Cello & Orchestra/Snake Alley – Lawrence Leighton Smith/Louisville Orchestra ... CD
First Edition, 1995. Used ... $3.99
CD
(Out of print.)
 
Possible matches: 156
Possible matches2
CD, LP, Vinyl record album cover art
✨✧ AirtoFingers ... LP
CTI, 1973. Very Good+ Gatefold ... $16.99
One of Airto's greatest records ever – a really hard hitting batch of tracks that mix sharp-edged fusion lines with some earthier Brazilian percussion touches – all in a way that nicely steps off of Airto's first few American releases, and warms the groove up with a nice dose of California soul! Flora Purim joins in here on both vocals and percussion – and the rest of the group features Hugo Fattoruso on keyboards and harmonica, Jorgte Fattoruso on drums, and David Amaro on both electric and acoustic guitars – shifting nicely between both instruments in a way that further underscores the blended vibe of the record! Most of these tracks are Airto classics – like "Tombo in 7/4", "San Francisco River", "Romance Of Death", "Ringers", and "Wind Chant" – and the record has a very sweet CTI production style, but is still rough enough around the edges to keep things nice and real! LP, Vinyl record album

Possible matches3
CD, LP, Vinyl record album cover art
Toshiko Akiyoshi & Leon SashToshiko Akiyoshi & Leon Sash At Newport ... CD
Verve (Japan), 1957. New Copy ... $19.99
One of the first American albums to ever feature the piano of Toshiko Akioshi – and a set that's oddly split with work from jazz accordionist Leon Sash – who also appeared at the Newport Jazz Festival at the same time! Toshiko is on side one – in a trio with Gene Cherico on bass and Jake Hanna on drums – and although young, she's already got a tremendous ear for the piano – able to spin out tunes that both have the majesty of some of her later larger compositions, but delivered with a sharp edge that really shows her bop inspiration. Titles include "Between Me & Myself", "Blues For Toshiko", and "Lover". The flipside features material by accordionist Leon Sash, and his group with Ted Robinson on tenor and clarinet – a really cool combo with a vibe that's more jazz-based than work by artists like Art Van Damme at the time – thanks in part to Robinson's solos. The group grooves nicely – and titles include "Sash-Kebap", "Meant For Brent", and "Blue Lou". CD
(SHM-CD pressing!)

Possible matches4
CD, LP, Vinyl record album cover art
Maki AsakawaMaki Asakawa ... LP
Honest Jons (UK), Late 60s/Early 70s. New Copy 2LP Gatefold ... $23.99
Haunting music from Japanese singer Maki Asakawa – every bit as smoky and soulful as you might guess from her image on the cover! These tracks are mostly sung in Japanese, but draw a very strong inspiration from American torch sounds of the 40s and 50s – a moody, late nite approach that's got a very universal appeal, even if you can't understand the language – and which is filled with an undeniable sense of melancholy right from the first note! The style is partly jazz, but also moves into some groovier modes of the period too – traces of psych at some points, mod European-styled arrangements at others, and even a few funky currents that come off surprisingly well. The package is wonderful – a great introduction to Maki's most classic music, featuring a well-chosen array of tracks, and nice liner notes by Alan Cummings. Titles include "Blue Spirit Blues", "Govinda", "Nemuru No Ga Kowai", "Uramado", "Kamome", "Gogo", "Hikkoshi", "Konna Funi Sugite Iku No Nara", "Yuki Ga Furu", and "Zenkamono Na Christmas". LP, Vinyl record album

Possible matches5
CD, LP, Vinyl record album cover art
Georges BrassensLe Temps Ne Fait Rien (19CD set) ... CD
Universal (France), Late 50s/1960s/1970s/Early 80s. New Copy 19 CDs ... $79.99
An amazing run of music from one of the hippest French artists ever – the legendary George Brassens, a singer/songwriter who was equally important to the sound of postwar French music as Jacques Brel or Serge Gainsbourg! In fact, Brassens may have been one of the first to touch on some of the territory explored by the latter – as his songs often included sexual themes and controversial topics in a playful way – and some of his best-known songs dealt with subjects like pornography, misogyny, cuckoldry, and other topics not usually included in pop music. Brassens has the same sort of wit as Brel – able to poke holes in the proper manners of French society – but his presentation is very different, as he mostly just sings alongside his own acoustic guitar – at a level that's very personal, and which further underscores his strengths as a singer/songwriter. Most of Georges' material has never been presented to the American market – which makes him a real discovery to most of our ears – but his influence on France has been undeniable, which you'll discover in this massive package of music which includes over 300 titles in all – every bit of Brassens' work in the studio for Philips Records, plus additional CDS of rare material, live recordings, and even some bonus archival recordings! The 19CD package comes with a beautiful 48 page book – with notes on all the recordings in French, and lots of images too. CD

Possible matches6
CD, LP, Vinyl record album cover art
Charlie ByrdWorld Of Charlie Byrd ... CD
Columbia/Wounded Bird, 1960s/1973. New Copy ... $3.99 12.98
The world of Charlie Byrd is a pretty darn groovy one – as you'll hear on this sweet collection of 60s sides, pulled together for a double-length Columbia compilation! Byrd first started out as one of the early American guitarists to recognize the possibilities of bossa nova – mixing it with his own acoustic guitar jazz work, and coming up with a groove that was totally great – one that really blossomed during the Columbia years, thanks to some inventive arrangements and production. Some cuts here are still spare and bossa, others move Byrd into a range of fuller backings – and come up with some great bossa/mod hybrids that still stand up nicely all these many years later. Titles include "Blues For China", "Yesterday", "Girl From Ipanema", "Shadow Of Your Smile", "Superstar", "Love Is Blue", "Something", "Up Up & Away", "Corcovado", "Dulcina", "Try To Remember", "By The Time I Get To Phoenix", "Scarborough Fair/Canticle", and "Aquarius/Let The Sunshine In". CD

Possible matches7
CD, LP, Vinyl record album cover art
David Byrne/Fatboy Slim & OthersHere Lies Love – A Song Cyle About Imelda Marcos & Estrella Cumpas (2CD set) ... CD
Nonesuch, 2010. Used 2CD ... $6.99
Here Lies Love and here lies one of the most ambitious projects in the careers of it's authors, the restless creative spirit that is David Byrne and the nearly as adventurous Fatboy Slim! The album is a 2 disc song cycle about former First Lady Of The Philippines Imelda Marcos and her childhood servant Estrella Cumpas – featuring a largely female roster of guest lead vocalists including Florence Welsh, Candie Payne & St Vincent, Sharon Jones, Santigold, Sia, Alice Russell and more – plus some dudes, including Byrne himself and Steve Earle. You can certainly hear Byrne in composition and lyricism, with global pop instrumentation and rhythms, plus big and languorous choruses, while the colorful and clubby thump underlying it most likely comes courtesy Fatboy Slim. The songs are quite good, and there's a grand sweep to the whole thing that we miss in most modern avant pop! Titles include "Here Lies Love" with Florence Weelsh, "A Perfect Hand" with Steve Earle", "Dancing Together" with Sharon Jones, "Please Don't" with Santigold, "Men Will Do Anything" with Alice Russell, "American Troglodyte" sung by Byrne and many more. CD

Possible matches8
CD, LP, Vinyl record album cover art
✨✧ David Byrne/Fatboy Slim & OthersHere Lies Love – A Song Cyle About Imelda Marcos & Estrella Cumpas (2CD/DVD set w/bound book) ... CD
Nonesuch, 2010. Used 2CD & DVD ... $12.99
Here Lies Love and here lies one of the most ambitious projects in the careers of it's authors, the restless creative spirit that is David Byrne and the nearly as adventurous Fatboy Slim! The album is a 2 disc song cycle about former First Lady Of The Philippines Imelda Marcos and her childhood servant Estrella Cumpas – featuring a largely female roster of guest lead vocalists including Florence Welsh, Candie Payne & St Vincent, Sharon Jones, Santigold, Sia, Alice Russell and more – plus some dudes, including Byrne himself and Steve Earle. You can certainly hear Byrne in composition and lyricism, with global pop instrumentation and rhythms, plus big and languorous choruses, while the colorful and clubby thump underlying it most likely comes courtesy Fatboy Slim. The songs are quite good, and there's a grand sweep to the whole thing that we miss in most modern avant pop! Titles include "Here Lies Love" with Florence Weelsh, "A Perfect Hand" with Steve Earle", "Dancing Together" with Sharon Jones, "Please Don't" with Santigold, "Men Will Do Anything" with Alice Russell, "American Troglodyte" sung by Byrne and many more. The deluxe version is a real doozy – a hardcover, 120 page book with lyrics, photos and more with the 2CD album plus a bonus DVD featuring videos a half dozen of the tracks including "Do You Agree", "Eleven Days", "Dancing Together" and more. CD

Possible matches9
CD, LP, Vinyl record album cover art
CalderaCaldera/Sky Islands ... CD
Capitol/Soulmusic.com (UK), 1976/1977. New Copy ... $14.99
A pair of killers from this jazzy Latin combo of the 70s! First up is the self-title Caldera album – a jazzy Latin fusion classic – and the first album by the border-crossing combo! The group features both North and South American players – coming together in a hard-riffing approach to fusion that rivals the best fusion combos of both the California and Brazilian scenes at the time. There's a few nice moments that really belie their more southern roots – and recall the choppy fusion of Airto, or the vocal scatting of Flora – but the set's also got a sunny west coast finish, thanks to some wonderful production from Wayne Henderson – who kicks things up in a way that the group hardly matched on later albums! Guest stars include Raul De Souza and Roberto Da Silva – and titles include the funk classic "Coastin", plus "Guanacaste", "Out Of The Blue", "El Juguete", and "Synesthesia". Nest is Sky Islands – a set that's recorded with a smooth soulful style that's right up there with the best of the Capitol Rare generation! Caldera mixes together nice jazzy saxes with guitars, percussion, and some great keyboard work by Eduardo Del Barrio – all produced by the group with a sweet arching style that's very much in the Brazilian fusion style of the time – a wonderful blend that also gets a dose of California warmth, which is just the right element to send the whole thing home nicely! Tracks include the classic "Sky Islands", plus "Pegasus", "Carnavalito", "Triste", and "Ancient Source". CD

Possible matches10
CD, LP, Vinyl record album cover art
Guido & Maurizio De AngelisIl Grande Racket (with bonus tracks) ... CD
Chris' Soundtrack Corner (Germany), 1976. New Copy ... $19.99
Fierce funky sounds from Guido & Maurizio DeAngelis – a duo who turned out some of the grooviest music on the Italian cop/crime scene of the 70s! The set's a killer right from the very first note – full of fuzz and funk, and lots of heavy rhythms at the bottom – all in a mode that's free from some of the disco touches that came into Italian cinema a few years later – and served up in these short, sharp tunes that pack a hell of a lot of punch into a very short space! The basslines are nicely offbeat – never just copping an American funk mode, but instead in this very driving, dramatic Italo-crime mode that's totally wonderful – that sense of urgency that can only come from a rooftop fight in Rome, or a car chase down the streets of Milano. Titles include "Caccia All'Uomo", "Visioni", "Il Grande Racket", "Ultimo Inseguimento", "The Taste Of Love", and "Seconda Allucinazione". CD features lots of bonus tracks – 37 titles in all! CD

Possible matches11
CD, LP, Vinyl record album cover art
Keith EmersonKeith Emerson Trio ... CD
Emersongs (UK), 1963. New Copy ... $7.99
Some of the first-ever recordings from keyboardist Keith Emerson – a totally straight jazz trio set, and done in a style that's quite different than his famous prog work in ELP! Here, Keith is young, but already a hell of a pianist – working in a style that's drawn plenty from the American bop scene of the 50s, and turns things slightly to a snapping London 60s approach, especially on some of the cuts that have these wonderful basslines from Godfrey Sheppard, whose instrument really helps give the group a lot of direction! Drums are by David Keene, and the recording quality is a little "roomy" – given that the material was not commercial available at the time, and just pressed on a few acetates – but Emerson's strengths come through right away, both in his playing, and his arrangements of the tunes. Some moments are surprisingly soulful – almost pointing towards a much different future for Keith – and tracks include "Winkle Picker Stamp", "Teenie's Blues", "You Say You Care", "Soul Station", and "56 Blues". CD

Possible matches12
CD, LP, Vinyl record album cover art
Georgie FameWhole World's Shaking – Ground Breaking Albums 1963 to 1966 (Rhythm & Blues At/At Last/Sweet Things/Sound Venture) (4LP set) ... LP
Fontana/Universal (UK), Early 60s. New Copy 4LP ... $109.99
Four incredible albums from the young Georgie Fame – served up here in one tremendous package – with all oiriginal artwork, nice heavy vinyl, and even new remastering from the original tapes! First up is Rhythm & Blues At The Flamingo – blistering early work from a young Georgie Fame – a set that definitely lives up to the Rhythm & Blues in the title! The set was recorded live at London's hip Flamingo club – and Georgie and The Blue Flames are very much in command of the crowd – burning with the intensity of a American small organ combo, especially the early 60s variety that often played equal parts soul jazz and R&B! Georgie's on the Hammond, and also sings with a rough-edged style that's plenty soulful, and incredibly appealing – a mode that oozes charisma, but never sounds fake or forced. Titles include "Do The Dog", "Eso Beso", "Work Song", "Baby Please Don't Go", "Shop Around", "Humpty Dumpty", and "You Can't Sit Down". Fame At Last is a brilliant mix of jazz, soul, and R&B – all filtered through a mod sort of London freshness, as early proof that the city could always take some great things from our own musical roots, and feed it back to us with a whole new flavor! Georgie's no copycat here, though – and the sound is instantly Fame-like – a style that's really not the sort that any Americans were doing at the time, and certainly never this well. Hard-burning Hammond colors most of the tunes here – played with a tightly vamping quality – but it's Georgie's charmingly crackling vocals that really win us over! Titles include "Gimme That Wine", "Pink Champagne", "Monkeying Around", "Green Onions", "Let The Sunshine In", "Get On The Right Track Baby", "I'm In The Mood For Love", and "I Love The Life I Live". Sweet Things is a definite sweet thing from Georgie Fame – a record that has him filling in his sound even more than before, with tremendously soulful results! The backings here are bigger than before – a bit tooled in an American soul mode, but still with that beautifully raspy Georgie Fame touch – lots of jazzy inflections on the vocals, and a way of handling a tune, even a familiar one, and really working it on his own level. Hammond still fills in most of the tunes, but other instrumentation includes some nice African percussion from Speedy Acquaye, saxes from Pete Coe, and some nice bold drums from John Mitchell. These come out to the forefront on the classic funky tune "Music Talk" – and still sound great on other numbers that include "The World Is Round", "Last Night", "Dr Kitch", "My Girl", "Ride Your Pony", and "Sweet Thing". Sound Venture is one of the jazziest early albums from Georgie Fame – a set that has him singing with the big band of Harry South, at a level that's a lot more complicated than some of his other work with The Blue Flames! The style here still has that mod 60s London feel, but it also has some deeper inflections as well – modes borrowed a bit from Jon Hendricks or Mose Allison, yet served up with even greater complexity – at a level that really points towards the tremendous growth Fame would unleash over the next few years. Members of the group include Tubby Hayes, Ronnie Scott, Tony Coe, Dick Morrisey, Kenny Wheeler, and many other key Brit jazz figures of the time – and titles include "Three Blind Mice", "Dawn Yawn", "Feed Me", "Lovey Dovey", "Lil Darlin", "Lil Pony", "I Am Missing You", and "Many Happy Returns". LP, Vinyl record album
(Includes download – which gives an additional 60 tracks that were on the CD version, 18 of which are previously unissued!)

Possible matches13
CD, LP, Vinyl record album cover art
First ClassFirst Class ... LP
UK/London, 1974. Very Good ... $2.99
A brilliant extension of the sound of American harmony pop of the 60s – and one that blends it together with a good deal of 70s soft rock as well! First Class are the brainchild of Brit studio legend John Carter – and they're kind of a recast take on the sound of the Beach Boys in later years – filtered through a nicely compressed UK mid 70s pop approach that brings in some sweeter, softer modes, but which also has some of that "bump" of glam-era pop as well. The group's best known for their massive 70s hit "Beach Baby" – but they've got a great sound that's more than worth rediscovering all these years later. Titles include "Beach Baby", "Won't Somebody Help Me", "Bobby Dazzler", "The Disco Kid", "Long Time Gone", "Surfer Queen", and "What Became Of Me". LP, Vinyl record album
(Cover has a cut corner.)

Possible matches14
CD, LP, Vinyl record album cover art
Tommy FlanaganAlone Too Long ... CD
Denon (Japan), 1977. Used ... $13.99
Warm and lyrical solo piano work from Tommy Flanagan – a Japanese only session from the mid 70s, and one of the first of a long run of well-produced dates that Flanagan would do for that market! The format's even more intimate than the relaxed setting of some of Tommy's American dates of the time – and there's some soulfully ringing tones from the piano throughout, that beautiful balance that Flangan always brought to his best recordings. The sound is excellent – and titles include "Like A Butterfly", "Alone Too Long", "Parisian Thorougfare", "Strollin", and "Maybe September". CD
(Out of print 80s pressing.)

Possible matches15
CD, LP, Vinyl record album cover art
Funk Como Le GustaA Nave-Mae Segue Viagem ... CD
Tratore (Brazil), 2016. New Copy ... $18.99
Funk Como Le Gusta were one of the first contemporary funk groups we ever heard from Brazil – a combo who initially blew our minds over a dozen years, and who return here with a record that's maybe even tighter than before! There's a brilliant mix of funk elements going on here – not just American styles of the 70s, but also some of the best Brazilian currents too – echoes of the way that older acts like Banda Black Rio or Uniao Black took American inspiration, yet created rich new grooves of their own – especially in the way the basslines are shaped, and certain acoustic elements filter effortlessly into the mix next to the sweet electric sounds! All tracks are instrumental – and titles include "Som De Preco", "Yeah Yeah Yeah", "Tudo No Lugar", "Funk Nu A Murit", "Pappa Girl", and "Voce Vera". CD

Possible matches16
CD, LP, Vinyl record album cover art
Stan Getz5 Original Albums (West Coast Jazz/In Stockholm/Steamer/Cool Sounds/Stan Meets Chet) (5CD set) ... CD
Verve (Germany), Late 50s. New Copy 5 CDs ... $21.99
Five classic Stan Getz albums for Verve – all in a special package, in little LP-styled covers! First up is West Coast Jazz – a classic pairing of the tenor of Stan Getz and the gentle rhythms of the LA scene of the 50s – and a record that stands up beautifully over the years! Tracks are all a bit longish, and the group features Lou Levy on piano, Leroy Vinnegar on bass, and Shelly Manne on drums – plus Conte Candoli on trumpet, somewhat in the frontline, but never in a way that overshadows Stan's tenor. The album's got a great David Stone Martin cover – and titles include "East Of The Sun (West Of The Moon)," "Four," "Night In Tunisia," and "Summertime." Stan Getz In Stockholm allows Stan to showcase his affection for a jazz scene that had been growing strongly in the postwar years – often in directions that were similar to Stan's own sound at the time! The session is one of the first to pair Stan's tenor with a Swedish group – in this case the bass of Gunnar Johnson, drums of Anders Burman, and piano of Bengt Hallberg – the last of which brings sharper, more angular style to the music than some of Stan's accompanists on earlier American dates – pointing the way towards new experiments to come in his music! Next is Steamer – not a word that we'd necessarily think to use with the gently flowing tenor tone of Stan Getz – but that doesn't stop the album from being a great one, and perhaps in Getz-like terms, it might well have a bit more steam than usual! The album features Getz in a quartet with a nicely flowing groove – nicely vamping piano from Lou Levy in the background on most numbers, and a definite edge in the lead tenor solos – still blown with the warmth of earlier Getz recordings, but perhaps showing some of the modern flourishes to come. Bass is by Leroy Vinnegar and drums are by Stan Levey – and titles include "Blues For Mary Jane", "There'll Never Be Another You", and "You're Blase". Cool Sounds features a range of unusual material recorded over a three year period with a variety of different players! Some of the dates here definitely fit the "cool sounds" title of the record – in that they feature Getz with the west coast lineup of Lou Levy on piano, Shelly Manne on drums, and Leroy Vinnegar on bass – heard more famously on Stan's West Coast album of the same time. But other sides feature a different grouping – with Jimmy Rowles on piano, Bobby Whitlock on bass, and Max Roach on drums – offering up a different side of the west coast altogether. And still others take things back to more of an east coast modern style – by featuring either Tony Fruscella on trumpet or Bob Brookmeyer on trombone, in groups with John Williams on piano. The mix of material makes for a nicely-rounded portrait of Getz's talents in the mid 50s years! Last up is Stan Meets Chet – Stan Getz meets Chet Baker – A classic meeting of these two talents – recorded in Chicago with a Chicago rhythm section of Jodie Christian, Victor Sproles, and Marshall Thompson. The album's an odd one, and is recorded with less of the impeccability of some of Verve's other sessions (which is probaby how the Chicago team got in the action) – but given Baker's harder-edged proclivities at the time, the set's a very interesting one to hear, and the relaxed nature of the tracks brings out some important solo moments from both players. 4 long tracks – including "I'll Remember April", "Jordu", and "Half-Breed Apache". CD

Possible matches17
CD, LP, Vinyl record album cover art
Stan GetzStan Getz In Stockholm (Japanese paper sleeve edition) ... CD
Verve (Japan), 1955. Used ... $8.99
Stan Getz makes a key musical trip to Sweden – to showcase his affection for a jazz scene that had been growing strongly in the postwar years – often in directions that were similar to Stan's own sound at the time! The session is one of the first to pair Stan's tenor with a Swedish group – in this case the bass of Gunnar Johnson, drums of Anders Burman, and piano of Bengt Hallberg – the last of which brings sharper, more angular style to the music than some of Stan's accompanists on earlier American dates – pointing the way towards new experiments to come in his music! Hallberg really helps break the mold from other Getz Verve sessions of the period – and the relaxed, open-ended recording style of the date is almost an equal showcase for his talents as it is for Stan's! Titles include "Indiana", "Get Happy", "I Can't Believe That You're In Love With Me", "Everything Happens To Me", "Without A Song", and "I Don't Stand A Ghost Of A Chance With You". CD
(Out of print. Includes obi!)

Possible matches18
CD, LP, Vinyl record album cover art
Dexter GordonOne Flight Up (RVG remaster edition) ... CD
Blue Note, 1964. Used ... $6.99
An unusual set for both Dexter and Blue Note – first, because the set was recorded in Europe (not at Rudy Van Gelder's), and second because the tracks are all quite long! The album was recorded in Paris – and is cut in an open-ended format that's very much in the mode that Gordon would later use on late 60s and early 70s sessions for European labels. The group features (then) local contemporaries Kenny Drew on piano, and Niels Henning Orsted Pedersen on bass – and is rounded out by Donald Byrd on trumpet and Art Taylor on drums. Tracks are long, but not meanderingly so – and feature a great mix of Blue Note hardbop, with some of the "roomier" recordings that were given to American players in Europe. Side one features an extended reading of Donald Byrd's "Tanya", and other tracks include Kenny Drew's "Coppin' The Haven", and a version of "Darn That Dream". CD

Possible matches19
CD, LP, Vinyl record album cover art
Dexter GordonOur Man In Paris (RVG Edition) ... CD
Blue Note, 1963. Used ... $4.99
One of our favorite Dexter Gordon sessions for Blue Note – and a unique album that's one of the first to illustrate his growing role in the European jazz scene! The group's a quartet – which let's Dex stand out front with plenty of space for marvelous tenor work – and it features Parisian bassist Pierre Michelot, plus Americans Bud Powell on piano and Kenny Clarke on drums – two players who were already making a bit name for themselves overseas. The album's a perfect link between Gordon's earlier American work and his long string of European sessions to come – and titles include a great take of "Scrapple from the Apple", plus excellent readings of "Stairway to the Stars" and "Night in Tunisia". The format is simple, but the sound is magic – classic Dexter Gordon in a tight Blue Note mode! CD reissue also includes 2 non LP bonus cuts – "Our Love Is Here To Stay" and "Like Someone In Love". This is the newly remastered version, too – with crisp sound and addional notes and photos! CD

Possible matches20
CD, LP, Vinyl record album cover art
Johnny Griffin & Art TaylorIn Copenhagen ... CD
Storyville (Denmark), 1964. Used ... $6.99
Mid 60s live work from Johnny Griffin – recorded overseas with a really unbridled approach! The set is one of Griffin's first of its type – a series of 1964 performances at the Club Montmartre in Copenhagen – a club who virtually invented the long-drawn, solo-heavy style of recording American jazzmen. The group here features Kenny Drew on piano, Niels Henning Orsted Pedersen on bass, and Art Taylor on drums – and most tracks really push the boundaries, with two running for nearly 20 minutes in length, which gives both Drew and Griffin lots of room to solo. Titles include "What Is This Thing Called Love", "Wee Dot", "Doctor's Blues", "Exactly Like You", and "A Night In Tunisia". CD
(Out of print.)

Possible matches21
CD, LP, Vinyl record album cover art
Joe Haider/Fritz Pauer/Horace ParlanEgo Recordings Vol 3 (Reconciliation/Katzenvilla/Water Plants/One For Wilton) (4CD set) ... CD
Ego/Organic (Germany), Late 70s. New Copy 4 CDs ... $44.99
Four ultra-rare records – all brought together in one incredible CD set – the third collection to document the brilliant sounds of Germany's Ego Recordings label from the 70s! First up is the album Reconciliation from Joe Haider – one of the 70s gems on the mighty German Ego label – an incredible small company who seemed to put out nothing but excellent music! The set's led by pianist Joe Haider, and features a quintet with Andy Scherrer on tenor and soprano sax, Ack Van Rooyen on flugelhorn, Gunter Lenz on bass, and Todd Canedy on drums – all of them together welling up as way more than the sum of their parts, and cooking up an amazingly soulful set of tunes! There's bits of modal and American 70s spiritual soul jazz in the set – all played with a proud and buoyant style that unfolds majestically through the course of the album, never faltering in its vision or creativity. A under-acknowledged gem, with tracks that include "Mas De Serles", "Magdalena", "Reconciliation", "Crossover", and "Spanish Groove". Katzenvilla features the amazing trio of pianist Joe Haider, bassist Isla Eckinger, and drummer Pierre Favre – three very individual musicians who come together here as a group, but still retain a lot of their special energy! Haider's a lot more dynamic than usual – still with warm chords on the piano, but also some sharper edges – which seem pushed on by Favre's deft drum work, and his flowing sense of both melody and rhythm at the same moment. Eckinger's bass has these deep, soulful currents that we always love – and really grounds the whole thing in a wonderful way – on titles that include "Capricorn", "My Little Darling", "And Now", "Katzenvilla", and "Fate Of A Child" – all originals by Haider! Pianist Fritz Pauer steps out on Water Plants – a trio date that's got a lot more warmth and soul than some of the musician's previous work from the German scene – a beautiful little session that balances the deep bass work of Isla Eckinger and the subtle drums of Billy Brooks. There's a loose, lyrical vibe to the record that shows a side of Pauer we might not have expected – and Fritz wrote some wonderful tunes for the album, including "Water Plants", "Sagittarius", "Tribal Dance", "For La Rives", and "Autumn Evening". Last up is One For Wilton – one of the hippest later albums from pianist Horace Parlan – a set recorded with the saxophonist Wilton Gaynair, who'd contributed heavily to the UK scene in the late 50s/early 60s, then made great waves in Germany during the 70s! The set features Wilton on tenor and soprano sax, Parlan on piano, and great rhythms from Isla Eckinger on bass and Billie Brooks on drums – all coming together with a sense of warmth and imagination that's completely sublime – much richer than some of Gaynair's other performances from the 70s, and with a sense of flow and soul that makes the album one of Parlan's best. Titles include "Billie's Bossa", "One For Wilton", "Shade", "Firm Roots", and "Pananika". All albums come in tiny LP-style covers, and the box also features a bookle of notes! CD
 
 
 



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