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Exact matches: 1
Exact matches1
CD, LP, Vinyl record album cover art
Far Out Monster Disco OrchestaFar Out Monster Disco Orchesta ... LP
Far Out (UK), 2014. Sealed 2LP ... $11.99
A really wonderful project that was years in the making – a mix of American club and Brazilian elements – put together by a group that includes members of Azymuth and Banda Black Rio, as well as the legendary Arthur Verocai! Jose Roberto Bertrami's the strongest contributor here – and the music really echoes that great late 70s/early 80s point when the Azymuth fusion groove crossed over into tighter, funkier territory – coming off here with a sound that's got really universal appeal and a wickedly classic vibe overall – like some unusual cross-breeding of Brazilian grooves and Salsoul Records! Vocals are by Mia Mendes and Marcina Arnold, but the instrumentation is even better than the lyrics – filled with jazzy touches, blended with bits of strings, and perfectly produced all the way through. Really tremendous stuff – one of the freshest records we've heard from Far Out in years – with titles that include "Mystery", "Keep Believing", "Dead Dance", "The Last Carnival", "A Disco Supreme", "Vendetta", and "Don't Cha Know He's Alright". LP, Vinyl record album
 
Close matches: 2
Close matches2
CD, LP, Vinyl record album cover art
Fred Katz/Chico HamiltonZen – The Music Of Fred Katz ... LP
Pacific Jazz/So Far Out (UK), 1957. Sealed (reissue)... $11.99
An important early album of compositions by Fred Katz – recorded at the time when he was the cello player in Chico Hamilton's groundbreaking late 50s group! The tunes are distinctly more modern than even his work with Chico – and are played by Hamilton-esque players that include Paul Horn or Harry Klee on flute and saxes, Carson Smith on bass, John Pisano on guitar, and Chico himself on drums and tympani. There's some added strings and woodwinds on a number of tracks, and the tunes move between 50s chamber jazz and 50s chamber modern – with titles that include "Montuna", "Katz Up", "Loma", "Pluck It", "Lord Randall", and "Suite For Horn". LP, Vinyl record album

Close matches3
CD, LP, Vinyl record album cover art
✨✧ War & Eric BurdonBlack Man's Burdon ... LP
Far Out/MGM, 1971. Used 2LP Gatefold ... Temporarily Out Of Stock
A surprisingly great pairing of talents – the post-Animals Eric Burdon on vocals, and early grooves from Cali funk legends War – coming together here in a blend that still holds up beautifully after all these years! Burdon was already getting pretty soulful on the last few Animals albums on MGM – and he really advances that style here when working with War's great grooves – some of the grittiest, nastiest, most stretched out work of their career – especially on some of the album's nicely long tracks. There's some nice Latin currents to the music at times, and the group vocalize alongside Burdon at times – and titles include a long version of "Paint It Black", plus "Bare Back Ride", "Sun/Moon", "Pretty Colors", "Gun", "Nuts Seeds & Life", "They Can't Take Away Our Music", and "Spirit". LP, Vinyl record album
(Cover has light wear.)
Also available Black Man's Burdon ... CD 14.99
 
Possible matches: 81
Possible matches4
CD, LP, Vinyl record album cover art
✨✧ Albert AylerBells (70s red cover pressing) ... LP
ESP, 1965. Near Mint- ... $28.99
A seminal live set by a young Albert Ayler – an unusual one-sided record that featured only 20 minutes of music, performed with an intensity that hardly leaves room for complaints about the shortness of the album! The single track "Bells" was performed at Town Hall by Ayler with a group that includes Donald Ayler on trumpet, Charles Tyler on alto sax, Lewis Worrell on bass, and Sunny Murray on percussion – all coming together in a raw, real sense of freedom – beautifully explored here without ever getting too overindulgent. The tune may well be one of the greatest illustrations of the ESP format at its best – as Ayler and company never stray too far, but carve out some incredibly imaginative space through their starkly-blown horn solos! LP, Vinyl record album
(70s US pressing – red cover with blue ink, and orange inner label. Still one-sided vinyl, too.)

Possible matches5
CD, LP, Vinyl record album cover art
Count BasieDance Along With Basie ... LP
Roulette, 1958. Very Good ... $3.99
One of the lesser-remembered Basie sessions for Roulette – but one of the best ones too! The album follows nicely in the "dance" style of Basie's earlier albums for Clef – by offering a set of work that was typical of that the group might have performed on one of their more popular live sets for swingers. The tunes are a bit familiar, the charts are more rhythmic and not too far out – but the playing is top-shelf all the way, and the set grooves with a style that makes you easily understand why the Count was still going strong at the time. Titles include "It Had To Be You", "Fools Rush In", "Easy Living", "Give Me The Simple Life", "Secret Love", and "It's A Pity To Say Goodnight". LP, Vinyl record album
(Multi-color bar pressing. Cover has some wear.)

Possible matches6
CD, LP, Vinyl record album cover art
Bionic BoogieBionic Boogie ... LP
Polydor, 1977. Very Good ... $3.99
The first album by Gregg Diamond's Bionic Boogie group – and a cooker of a set that follows strongly from Gregg's previous Hot Butterfly gem! Luther Vandross isn't on board this time around, but the overall groove is still totally great – upbeat, soaring, and put together with a jazzy undercurrent that really keeps things interesting – far more so than most other mainstream disco sets of the time! Brad Baker – of B Baker Chocolate Company – handled the arrangements – and the grooves spin out nicely from Diamond's keyboards, and a tight mix of strings and jazzy horns. Vocals are from the soulful trio of Gwen Guthrie, Ullanda McCullough, and Zachary Sanders – and titles include "Dance Little Dreamer", "Risky Changes", "Boogie Boo", "We Must Believe In Music", "Feel Like Dancing", and "Don't Lose The Number". LP, Vinyl record album
(Cover has a cut corner.)

Possible matches7
CD, LP, Vinyl record album cover art
✨✧ Black IvoryHangin' Heavy ... LP
Buddah, 1979. Very Good+ ... $7.99
Killer grooves from Black Ivory – a trio who've really come a long way here since their roots – stepping out with proud, soulful tones that are a perfect fit for the upbeat grooves of the set! There's still a touch of fragile harmonies at times – but overall, the group have a much more mature, adult vibe – set to tight late 70s club arrangements from Patrick Adams and Leroy Burgess – both of whom stay far away from any mainstream disco cliches, and really hit a sweet underground vibe for the set! Titles include the classic club track "Mainline", plus "Peace & Harmony", "Get Down (Comin' Down)", "You Turned My Whole World Around", and "Rest Inside My Love". LP, Vinyl record album
(Cover has a cut corner and promo sticker.)

Possible matches8
CD, LP, Vinyl record album cover art
Anthony BraxtonIn The Tradition Vol 2 ... LP
Steeplechase (Denmark), 1976. Very Good+ ... $8.99
Wonderful work from Anthony Braxton – an album that has him playing straight ahead jazz – but at a time when he was also making some of his most complex recordings of the 70s! The approach here is sublime – as Braxton's reputation has ears already anticipating some far-out playing, but then marvel at his restraint – his care for keeping alto and bass clarinet work inside a straight jazz tradition, yet always hinting at the modern inflections he can bring to his music! Tunes are almost all jazz standards, blown beautifully – with a tone that's crisp, cool, and very inviting – surprisingly soulful, and never cold at all – matched well with the rhythm trio of Tete Montoliu on piano, Niels Henning Orsted Pedersen on bass, and Albert Tootie Heath on drums. Titles include "Body & Soul", "Donna Lee", "My Funny Valentine" and "Half Nelson". LP, Vinyl record album
(US pressing on Inner City. Cover has a cut corner and some light aging.)

Possible matches9
CD, LP, Vinyl record album cover art
✨✧ Dave BrubeckTime Further Out ... LP
Columbia, 1961. Near Mint- ... $9.99
Like Dave Brubeck's legendary Time Out set? Try this one – a great record that takes off from the concept of the first, but which goes in some very fresh new directions – using the same great group with Paul Desmond on alto, Eugene Wright on bass, and Joe Morello on drums! Dave's still working out some nutty time signatures here – but apart from the science, the thing that really makes the record cook is Desmond's alto – icy, edgey, floating, and always a treat – almost even more amazing in the space of some of these offbeat numbers. Titles include "Maori Blues", "Far More Drums", "Bluetee", "Far More Blue", and "It's A Raggy Waltz". LP, Vinyl record album
(6 eye mono pressing.)

Possible matches10
CD, LP, Vinyl record album cover art
Gary BurtonGenuine Tong Funeral ... LP
RCA, 1968. Very Good+ ... $11.99
One of the most ambitious projects ever from vibist Gary Burton – an extended piece written by Carla Bley – and billed as "A Dark Opera Without Words"! The work has a feel that's much more fluid than opera, though – and is a great instrumental outing that not only features Gary's vibes at their youthful best, with support from his quartet – but which also includes extra work from Steve Lacy on soprano sax, Gato Barbieri on tenor, and Carla Bley herself on piano. The music is never too far out, but with angular tones and strange time changes that mark the record as being quite different from Gary's other sides for RCA. It also makes the record one of his best, too – as the set has that wonderfully fresh sound that you get from early work by Bley – never too silly, and with a serious approach to composition that also never loses sight of its roots in jazz. Titles include "The New Funeral March", "Silent Spring", "Mother Of The Dead Man", "Death Rolls", and "The New National Anthem". LP, Vinyl record album
(Orange label pressing.)

Possible matches11
CD, LP, Vinyl record album cover art
Gary BurtonLofty Fake Anagram ... LP
RCA, 1967. Very Good+ ... $9.99
A standout classic from Gary Burton – the kind of fresh-voiced and angularly modern session that showed why his sound on the vibes was one of the most revolutionary in jazz at the time! The session features a quartet with Larry Coryell on guitar, Steve Swallow on bass, and Bob Moses on drums – all working in a style that's got touches of modal jazz, and fragments of the Walt Dickerson sound – yet which is also a bit looser, freer, and more spacious – all without going too far "out". Titles include "Lines", "I'm Your Pal", "Fleurette Africaine", "Feelings & Things", "June The 15th, 1967", and "Good Citizen Swallow". LP, Vinyl record album
(Orange label pressing.)

Possible matches12
CD, LP, Vinyl record album cover art
John ColtraneOm ... LP
Impulse, 1965. Good+ Gatefold ... $11.99
A pure statement of being and essence – and one of John Coltrane's spiritual masterpieces from the 60s! The 1965 recording was one of Trane's most adventurous so far – as it featured just one album-length track, building up out of relatively free expressions from Coltrane in the studio – initially in the spirit of Love Supreme, but much sharper-edged and unbridled overall – as if the meditative spirit of the previous recording had unlocked a sense of freedom that refused to be tied down to simple structures! The group is great – and features Pharoah Sanders on tenor, Donald Garrett on bass clarinet, McCoy Tyner on piano, Jimmy Garrison on bass, and Elvin Jones on drums – plus a bit of flute and percussion from Joe Brazil. The playing is much freer than on other albums of the time, but also has some introspective spiritual moments – clearly inspired by the Love Supreme recording, but taken a shade outside as well! LP, Vinyl record album
(Orange & black label stereo pressing. Cover has some wear.)

Possible matches13
CD, LP, Vinyl record album cover art
Joe Daley with Hal RussellJoe Daley Trio At Newport '63 ... LP
RCA, 1963. Very Good ... $18.99
Rare obscure trio recording by this lost group from Chicago! The great Hal Russell, later a reed player, is in the group playing drums, which were his first instrument. The writing's great, and very modern without being that "out". Hard angular lines all over the place, and Daley's tenor has a nice hard biting edge. As far as we can tell, this is the only album that the group ever made. It's a great one, and a really super bit of early avant garde jazz from the 60's. LP, Vinyl record album
(Black label stereo Dynagroove pressing with deep groove.)

Possible matches14
CD, LP, Vinyl record album cover art
Eric DolphyEric Dolphy At The Five Spot Vol 2 ... LP
Prestige, 1961. Very Good ... $24.99
Searing live work from Eric Dolphy – part of a series of recordings that set a whole new standard for live jazz recording! The record features Dolphy going even farther out than on his studio sides from the time – as the record features very long tracks performed by a crack group that includes Booker Little on trumpet, Mal Waldron on piano, Richard Davis on bass, and Ed Blackwell on drums. Despite the length of the tracks, Dolphy isn't as far out as on later European live recordings – but the performance is a great example of his inventiveness within a mainstream structure, and the modernist tendencies of both Waldron and Little shine very brightly in the set. The concert was one of Little's last (and greatest) recordings – sometimes billed as a "memorial", even though he was still alive when it was done – and titles on this volume include "Aggression" and "Like Someone In Love". LP, Vinyl record album
(Blue label pressing. Cover has a cutout hole, light wear, and a bit of marker on back.)

Possible matches15
CD, LP, Vinyl record album cover art
✨✧ Duke EllingtonDrum Is A Woman ... LP
Columbia, 1956. Very Good- ... $2.99
A hokey cover and title, but a hip little record from Duke Ellington – kind of a story of percussion and jazz, all wrapped together with some great vocals and narration! The format is kind of far-reaching, but never too stuffy – and in a way, the album offers a great opportunity to hear some of the Ellington players stepping out in a slightly different vibe than the usual Columbia date from the decade. Duke does a bit of narration himself – and singers include Margaret Tynes, Joya Sherrill, and Ozzie Bailey – who beautifully illustrate the shifting passages of the longer suite. Solos are by Johnny Hodges on alto, Clark Terry on trumpet, and Paul Gonsalves on tenor – and titles include "Congo Square", "Madam Zajj", "Drum is A Woman", "You Better Know It", "Rhythm Pum Te Dum", and "Rhumbop". LP, Vinyl record album
(6 eye pressing. Cover has some wear and minor splitting in the top seam.)

Possible matches16
CD, LP, Vinyl record album cover art
Ella Fitzgerald & Joe PassTake Love Easy (2LP 180gram pressing – 45rpm) ... LP
Pablo/Analogue Productions, 1973. Sealed 2LP ... $49.99
One of the great Pablo Records efforts to revisit the jazz sound of the 50s – but in fresh new ways allowed by the freer recording modes of the 70s! The album features Ella Fitgerald and Joe Pass, plus nobody else – just voice and guitar coming together in quiet, introspective ways that are completely sublime, and a very nice change from some of Ella's fuller band recordings of the few years before this album. And far from being sleepy, the intimacy of the record almost seems to set a new kind of fire – one that comes from the gentle persona of Ella, which is a far cry from the glass-breaking singer that she'd come to be known as in the mainstream! Titles include "Take Love Easy", "Once I Loved", "Lush Life", "You're Blase", "A Foggy Day", "I Want To Talk About You", and "You Go To My Head". LP, Vinyl record album
(Limited, numbered pressing. Out of print.)

Possible matches17
CD, LP, Vinyl record album cover art
Slim GaillardSlim Gaillard Rides Again! ... LP
Dot, 1959. Very Good ... $19.99
Some of the best material Slim Gaillard ever recorded! Although he's best known for his Verve work, and for his early 40s sessions in LA – these 1959 recordings for Dot have Slim hitting a groove that's far tighter than usual, with a better jazz influence, and a much freer approach to singing than his usual stock style. There's a wonderful version of "How High The Moon" that's got crazy guitar, and wild lyrics from Slim about life on the moon. Other nice cuts include "Sukiyaka Cha Cha", "Chicken Rhythm", "Slim's Cee", "Lady Be Good", and "Thunderbird". If you've ever wondered why people think Slim is so great, check this one out – and you'll flip! LP, Vinyl record album
(Black label pressing with deep groove. Vinyl clicks on side two, tracks 4 through 6.)

Possible matches18
CD, LP, Vinyl record album cover art
Lesley GoreSomeplace Else Now ... LP
MoWest, 1972. Very Good+ Gatefold ... $6.99
An obscure later album from Lesley Gore – and a set that's far more mature and adult than you might know from her 60s girl pop hits! The album's cut for Motown's MoWest subsidiary, and has the same hip style as other albums on the label at the time – kind of a California singer/songwriter style, which fits well with all the original material penned by Gore for the album – arranged with kind of a gentle, glowing sound by Artie Butler and the team of Michael Omartin and Jimmie Haskell. The approach is laidback and warm on most numbers, with compressed orchestrations that would be right at home behind Dionne Warwick – and titles include "She Said That", "Out Of Love", "For Me", "The Road I Walk", "Someplace Else Now", "Mine", and "Be My Life". LP, Vinyl record album
(Cover has light wear.)
Also available Someplace Else Now ... CD 11.99

Possible matches19
CD, LP, Vinyl record album cover art
Thelma GracenThelma Gracen ... LP
EmArcy/Wing, 1955. Very Good- ... $34.99
A beautiful little record from obscure 50s vocalist Thelma Gracen – a singer from Chicago who once worked territory not too far from Dusty Groove! Thelma may not be the biggest name of her decade, but she's got a sound that's very worthy of this Emarcy debut – a gently sophisticated approach to jazz vocals that's often quite relaxed, but not in a sleepy or careless way. Backings here are small combo throughout – in a mode that's a bit like some of Helen Merrill's classics for the label at the time, but a bit warmer overall. Players include Georgie Auld on tenor, Lou Levy on piano, and Barney Kessel on guitar – and titles include "Solitude", "I'll Remember April", "Night & Day", "Out Of Nowhere", "Let There Be Love", and "I'm Yours". LP, Vinyl record album
(Deep groove Wing pressing! Cover has a split top seam and oxidation under the laminate, which has caused white pixilation on the image.)

Possible matches20
CD, LP, Vinyl record album cover art
Barry GraySpace 1999 ... LP
RCA, 1976. Very Good+ Gatefold ... $24.99
One of Barry Gray's greatest moments – the ultra groovy soundtrack for Space 1999, the short-lived but well-remembered mainstream sci-fi show from the 70s! The title theme has a nice bit of a dancefloor bounce to it – pre-guessing the disco-copy mode that other space soundtracks were facing in the 70s by turning out its own original hit – and other tunes in the set follow a sometimes similar mode that makes the record far funkier than you'd guess for a soundtrack of this type! Some tracks are certainly more straightforward and dramatic, but there's plenty here in that funky Brit Easy mode of the mid 70s – lots of compressed instrumentation and some slight electronic touches – and often rhythms that are a lot harder than you'd expect! Highlights include "Breakaway", "Death's Other Dominion", "Black Sun", and a reprise of the theme. LP, Vinyl record album
(Cover has some wear and a sticker on the back.)

Possible matches21
CD, LP, Vinyl record album cover art
✨✧ Phyllis HymanPhyllis Hyman ... LP
Buddah, 1977. Very Good- ... $2.99
Far and away our favorite album by Phyllis Hyman – her first, and with lots of the same smooth jazzy soul touches you'd find in her work with Norman Connors! Phyllis is still as sophisticated as she is on later albums, but there's a bit freer style to the record – and Phyllis breaks a bit from her normally restrained classy sound, into one that opens up a bit more emotionally – really soaring out here in a way that's quite different than later hits, with a vibrancy that still makes this album our favorite Hyman effort after all these years. Arrangements are by Onaje Allen Gumbs and Jerry Peters – and the album features the sublime jazzy groover "Children Of The World", which would sound great next to any Roy Ayers cut of the time! Other tracks include "Loving You Losing You", "One Thing On My Mind", "No One Can Love You More" and "Beautiful Man Of Mine". LP, Vinyl record album
(Cover has light edge wear.)

Possible matches22
CD, LP, Vinyl record album cover art
JBsFood For Thought ... LP
People, 1972. Very Good ... $36.99
The classic first album by The JBs – James Brown's Fred Wesley-led backing band, and the force behind most of his greatest records of the early 70s! The band are incredible at this point – sharper, harder, and funkier than just about any other combo around – and that includes all the thousands of groups in the funky 45 underground who were always trying to copy their sound, but never got things this right! Not only are the rhythms the stuff of legend – but the use of the instruments is far far above the norm – as can be heard on the mindblowing "The Grunt", which was sampled heavily by Public Enemy to great fame – and which features a saxophone solo that sounds more like a whistling tea kettle! The set collects some of the group's best early singles, and includes all of the short little funky cuts that made them a legend right out of the box – "Pass the Peas", "The Grunt", "These Are The JBs", "Hot Pants Road", "Wine Spot", "To My Brother", "Blessed Blackness", "Theme From King Heroin", "Escapism (parts 1 & 2), and "Gimme Some More" – all together here in one tight little album of massive funky hard beats and breaks! LP, Vinyl record album
(Original pressing! Cover has some wear, stains, and minor splitting.)
Also available
Food For Thought ... LP 9.99
Food For Thought (180 gram pressing) ... LP 11.99

Possible matches23
CD, LP, Vinyl record album cover art
David LiebmanDoin' It Again ... LP
Timeless (Netherlands), 1980. Near Mint- ... $9.99
An excellent set from reedman Dave Liebman – easily one of his most soulful from the 70s, thanks to some key currents in the group! John Scofield is on the session – playing guitar, but sometimes with this phrasing that almost feels more like a keyboard – especially in the way it layers into the rhythms from Ron McClure on bass and Adam Nussbaum on drums – who work with John to carve out these nicely chunky moments that allow Dave to really take off on tenor and soprano sax. The great Terumasa Hino is also in the combo – and his work on trumpet and flugelhorn is brilliant – this bold, flowing sense of color that really illuminates things – and without which, the album would be far less. Titles include "Cliff's Vibes", "Stardust", "Lady", and "Doin It Again". LP, Vinyl record album
Also available Doin' It Again ... CD 13.99
 
Partial matches: 93
Partial matches85
CD, LP, Vinyl record album cover art
Mose AllisonAutumn Song ... LP
Prestige, 1959. Very Good+ ... $14.99
Mose Allison's last album for Prestige Records – before moving onto even bigger fame at Columbia and Atlantic during the 60s! Unlike Allison's later sets, this one is mostly instrumental – but there are a few sweet vocal tracks that bring out the hip, rootsy lyrical modes that would make Mose a big hit with the mod scene overseas – including the classic "Eyesight To The Blind", plus "That's All Right" and "Do Nothing Till You Here From Me". The remaining piano trio sides have a great rollicking groove – rootsy, yet slightly modern too – with bass by Addison Farmer and drums from Ronnie Free – on titles that include "Promenade", "It's Crazy", "Strange", "Autumn Song", and "Groovin High". LP, Vinyl record album
(Blue label pressing.)

Partial matches86
CD, LP, Vinyl record album cover art
Mose AllisonCreek Bank (Young Man Mose/Creek Bank) ... LP
Prestige, Early 60s. Very Good+ 2LP Gatefold ... $8.99
Like many other 70s reissues in the Prestige/Milestone/fantasy family, this set compiles 2 early albums by Mose. Unlike a lot of his later material, this set's mostly instrumental, though he does get in some vocals on about a third of the tracks. The album features some great work by Allison's trio of the time – Addison Farmer on bass and Ronnie Free or Nick Stabulas on drums – simple piano-driven groovers, performed with a slight gutbuckety approach, and lots of sweet down home soul. 20 tracks in all, including "Don't Get Around Much Anymore", "How Long Has This Been Going On", "Baby Let Me Hold Your Hand", "Stroll", "I Hadn't Anyone Till You", "Seventh Son", "If You Live", "Mule", "If I Didn't Care", "Moon & Cypress", and "Creek Bank". LP, Vinyl record album

Partial matches87
CD, LP, Vinyl record album cover art
✨✧ Mose AllisonI Don't Worry About A Thing ... LP
Atlantic, 1962. Very Good- ... $4.99
One of Mose Allison's first albums for Atlantic – a great set of soulful jazz vocals, done in a rootsy style that has some slight New Orleans touches – and a nice sort of beat undercurrent! The sound of the set follows nicely from Mose's earlier work for Prestige and Columbia – with Mose on piano, plus Addison Farmer on bass and Osie Johnson on drums. The set features 10 tracks in all – including "I Don't Worry About A Thing", "It Didn't Turn Out That Way", "Your Mind Is On Vacation", "Stand By", "Meet Me At No Special Place" and "The Song Is Ended". LP, Vinyl record album
(Red & purple label pressing.)

Partial matches88
CD, LP, Vinyl record album cover art
Mose AllisonMose Allison (Back Country Suite/Local Color) ... LP
Prestige, 1957. Very Good- 2LP Gatefold ... $1.99
Two early, rootsy Mose Allison sides, brought together by Milestone/Prestige in the 70s for this repackage. Most of this set is instrumental bluesy piano trio numbers, but Mose busts out with some vocals and even a spot of trumpet on a couple numbers, including an early version of his signature tune "Parchman Farm", plus "Lost Mind", "Blues", "Trouble In Mind" and "One Room Country Shack". He's joined by Addison Farmer or Taylor LaFargue on bass, and either Frank Isola or Nick Stabulas on drums, and the instrumental sides include "Blueberry Hill", the side long "Black Country Suite", "In Shalah", "I'll Never Be Free" and "Ain't You A Mess". LP, Vinyl record album

Partial matches89
CD, LP, Vinyl record album cover art
Mose AllisonMose Allison Takes To The Hills ... LP
Epic, Early 60s. Near Mint- ... $24.99
Incredible stuff – and Mose Allison at his finest! The record's got a rough and hard-grooving quality that surpasses even Allison's other albums for Prestige and Columbia from the time – an almost bluesy approach that comes out in the style of the recording – which features more rougher edges and room noise, and also a fair bit of Mose's own mumbling and humming along with his piano! Of course, it's Mose's actual vocals that really make the set work – but there's also a nice equal focus on his piano work too, plus some great support backing that includes Addison Farmer and Henry Grimes on bass, and Paul Motian and Osie Johnson on drums. Titles include "Baby Please Don't Go", "Back On The Corner", "Life Is Suicide", "Mad With You", "I Ain't God Nobody", and "I Love The Life I Live". LP, Vinyl record album
(180 gram vinyl pressing on Pure Pleasure.)

Partial matches90
CD, LP, Vinyl record album cover art
Mose Allison TrioBack Country Suite ... LP
Prestige, 1957. Near Mint- ... $11.99
A rare early Mose Allison album – a mostly-instrumental outing that focuses on Allison's wonderful talents on the piano – already honed by this time through participation in a number of key sessions with other leaders! Side one of the album features the beautiful "Back Country Suite" – an extended piece of shorter numbers, composed by Allison with a wonderfully evocative feel. The depth of the work is wonderful, and shows that even at an early point, Allison was forging a unique voice in jazz that went far beyond simple work on piano as an accompanist. Other players on the set include bassist Taylor La Fargue and drummer Frank Isola – and side two features the tunes "Blueberry Hill", "I Thought About You", "In Salah", and "One Room Country Shack". LP, Vinyl record album
(Reissue pressing on Doxy.)

Partial matches91
CD, LP, Vinyl record album cover art
Count BasieFarmers Market Barbecue ... LP
Pablo, 1982. Near Mint- ... $4.99
Count Basie and Barbecue – words together that are bound to make us love this album! The set's got an easygoing swing that takes us right back to Basie's best for Roulette Records – a reference the title seems to imply – and although the band's a later one, they've got that perfect Basie sense of fluidity, especially in the way the horns come together! Basie's piano work isn't as dramatic or dynamic as in years past, but that's fine with us, because the band more than makes up for that change with their own groovy sound. Titles include "Way Out Basie", "I Don't Know It Yet", "Lester Leaps In", "Beaver Junction", and "Ain't That Something". LP, Vinyl record album
Also available Farmers Market Barbecue (2LP 180 gram pressing – 45rpm) ... LP 29.99

Partial matches92
CD, LP, Vinyl record album cover art
✨✧ Count BasieFarmers Market Barbecue (2LP 180 gram pressing – 45rpm) ... LP
Pablo/Analogue Productions, 1982. Sealed 2LP ... $29.99
Count Basie and Barbecue – words together that are bound to make us love this album! The set's got an easygoing swing that takes us right back to Basie's best for Roulette Records – a reference the title seems to imply – and although the band's a later one, they've got that perfect Basie sense of fluidity, especially in the way the horns come together! Basie's piano work isn't as dramatic or dynamic as in years past, but that's fine with us, because the band more than makes up for that change with their own groovy sound. Titles include "Way Out Basie", "I Don't Know It Yet", "Lester Leaps In", "Beaver Junction", and "Ain't That Something". LP, Vinyl record album
(Limited, numbered pressing!)
Also available Farmers Market Barbecue ... LP 4.99

Partial matches93
CD, LP, Vinyl record album cover art
Count Basie with Oliver NelsonAfrique (Doctor Jazz) ... LP
Flying Dutchman/Doctor Jazz, 1971. Near Mint- ... $9.99
One of the deepest albums that Count Basie ever recorded – thanks to some great arrangements and backings by Oliver Nelson! Nelson's working in the same groovy mode he used with Jimmy Smith's excellent Verve sessions – and although the record doesn't have the same sort of star soloist in the lead, the Basie band members do a great job of trading off solos over the enigmatic backings crafted by Nelson. A number of the tracks have a Latin flair – and work on electric bass grooves that push the set farther than the usual Basie outing of the time – with a flavor that's right up there with the hippest Nelson sessions for Flying Dutchman, and maybe even a bit like spiritual ensemble material too. Titles include versions of Albert Ayler's "Love Flower" and Pharoah Sanders' "Japan", plus originals by Nelson like "Afrique", "Kilimanjaro", and "African Sunrise". LP, Vinyl record album

Partial matches94
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Elmer Bernstein/Shorty Rogers & His GiantsMan With The Golden Arm – Original Soundtrack ... LP
Decca, 1955. Near Mint- ... $5.99
One of the greatest jazz soundtracks of all time! Elmer Bernstein wrote the score to Otto Preminger's chilling film version of Nelson Algren's book The Man With The Golden Arm – a sad tale of jazz, gambling, and heroin addiction on the streets of Chicago (not far from Dusty Groove, in fact!) – and in doing so, he came up with one of the first jazz soundtracks to really work strongly with a dramatic narrative. The film's striking theme is played in a number of variations, either with orchestral backing, or in small combo format by Shorty Rogers & His Giants, a crack west coast group that features work by Bud Shank, Shelly Manne, Bob Cooper, and Pete Candoli. The tracks work perfectly together as a suite of tracks, even without the images of the film – telling a tale of temptation, sadness, tragedy, and rebirth. Titles include "Clark Street", "Breakup", "The Fix", "Zosh", "Frankie Machine", and "Audition". Worth the price for the Saul Bass cover alone! LP, Vinyl record album
(80s MCA pressing.)

Partial matches95
CD, LP, Vinyl record album cover art
Booker T & PriscillaHome Grown ... LP
A&M, 1972. Near Mint- ... $14.99
Much mellower than the previous duet effort from Booker T & Priscilla Jones – a set that almost echoes Book's Memphis roots, but in ways that are different than the familiar soul of Stax! There's lots of sweet organ lines in the instrumentation – but they're played with a style that's often a bit rougher, almost more gospel-influenced than we're used to hearing from Booker – a beautiful mix for the spare vocal approach used on most of the record – a definite "home grown" sound that has Book and Priscilla singing in an intimate way that's really great. If you've ever doubted Booker's departure from The MGs, this record's well worth checking out – as he's definitely moved into a hip new space of his own – one that has some extremely haunting qualities at times. Titles include "Color Your Mama", "Save Us From Ourselves", "Maggies Farm", "Muddy Road", "The Sequence", and "Born Under a Bad Sign". LP, Vinyl record album
(White label promo. Cover has a cutout hole.)

Partial matches96
CD, LP, Vinyl record album cover art
James BradleyJames Bradley ... LP
Malaco, 1969. Sealed ... $6.99
A mixed effort from Bradley, with some really nice tracks, and some weaker ones. Side one of the album features some tepid southern soul disco type work – probably trying for the Johnnie Taylor mode, but not hitting any of the right notes. Side two is the real charmer, and features some great mellow tracks done in a southern modern mode – with production by Fredrick Knight that's in that smooth Jackson style, on tracks that include "I Can't Get Enough Of Your Love", "Knowing You're My Everything", "Never Too Far Away", and "Let's Do It Together". LP, Vinyl record album

Partial matches97
CD, LP, Vinyl record album cover art
John Benson Brooks with Cannonball AdderleyAlabama Concerto ... LP
Riverside, 1958. Very Good+ ... $14.99
A groundbreaking album – not only for Cannonball Adderley, but for the jazz concerto format, used to strong effect here in this excellent modernist composition by John Benson Brooks! The album's based on a number of historical and mythical southern themes – and although it gets a bit hokey at times, the work of Adderley and Art Farmer on the solo sections really opens up the piece and gives it a deep sense of soul. The setting is a drummer-less small group, with Barry Galbraith on guitar, Milt Hinton on bass, and Brooks on occasional piano – and themes include "The Loop", "Trampin", "Little John Shoes", "Milord's Calling", and "Rufus Playboy". LP, Vinyl record album
(Blue label, silver text pressing – with deep groove, and microphone logo. Cover has a a split on the top seam, and some other light wear.)

Partial matches98
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Dave BrubeckJazz – Red Hot & Cool ... LP
Columbia, 1955. Very Good ... $6.99
A sweet live set from Dave Brubeck's early years on Columbia Records – recorded in New York, but with all the calculated cool and modern tones Brubeck first forged in the San Francisco scene of the 50s! Paul Desmond's on board on alto sax – really getting a lot of space to stretch out on the album's extended performances, with a haunting, floating tone that really sends us. Remaining members include Bob Bates on bass, and Joe Dodge on drums – and tracks include "Lover", "Love Walked In", "The Duke", "Little Girl Blue", and "Fare Thee Well Annabelle". LP, Vinyl record album
(Jazz Wax Records reissue pressing.)

Partial matches99
CD, LP, Vinyl record album cover art
Ray BryantAlone With The Blues ... LP
New Jazz/Prestige, 1958. Very Good ... $24.99
A very striking album – one of Ray Bryant's most noteworthy of the time! The album features Ray playing solo piano – quite unusual for the period, as most piano jazz records, especially his, were at least cut in a trio format – with additional bass and drums. Yet the approach works wonderfully for Bryant, and unlocks a surprisingly sensitive side of his music – quite different than some of his more soul jazz-styled work of the period. Ray's wonderfully unfettered here – hitting grooves with a level of expression and sophistication that far surpasses most of his other records. The intimate time on the keys never gets hokey or overindulgent – but it does let Ray open up and show a side that we've rarely heard on wax. Titles include "Stocking Feet", "Blues #3", "Joy", "Me & The Blues", and "My Blues". LP, Vinyl record album
(Orange label Status pressing. Cover has a cutout hole.)

Partial matches100
CD, LP, Vinyl record album cover art
ColosseumThose Who Are About To Die Salute You ... LP
ABC/Dunhill, 1970. Very Good- Gatefold ... $8.99
A jazz rock masterpiece from Colosseum – the kind of record that the British scene could do far far better than any American group at the time! The set is a sweet blend of late beat group grooving – using the heavy R&B-influenced guitar and organ styles of earlier years, and working them into a more open-ended, more improvisatory approach that had a surprising amount of soul! Most cuts have vocals, but the instrumentation is what really dominates the set – especially on the sweet organ work from Dave Greenslade, and the always-great sax work by Dick Heckstall-Smith. Titles include the extended "Valentyne Sweet", the funky "Debut", and the cuts "The Kettle", "Walking In The Park", and "Those About To Die". LP, Vinyl record album
(Black label ABC/Dunhill pressing. Cover has some wear, partially split seams, and a name in marker.)
 
 
 



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