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Exact matches: 1
Exact matches1
CD, LP, Vinyl record album cover art
VariousExtreme Velocity ... LP
Vox Lumania, 1995. Very Good+ ... $4.99
... LP, Vinyl record album
(Cover has some edge wear.)
 
Possible matches: 3
Possible matches2
CD, LP, Vinyl record album cover art
WipersYouth Of America ... LP
Jackpot, 1981. New Copy (reissue)... $16.99 19.99
The incredible second album by The Wipers – a record that cements Greg Sage's status as not only a pioneering figure in Pacific Northwest punk/post punk songcraft, but also as one of the more innovative guitarists in that scene. Youth Of America carries on the surprisingly melodic, yet blazing intensity of the debut, but with richer guitar atmosphere. The 10+ minute title track is the biggest step forward in that regard, but the whole record is a underappreciated gem! Other titles include "Taking Too Long", "Can This Be", "Pushing The Extreme", "When Its Over" and "No Fair". LP, Vinyl record album
(Remastered from the original tapes.)

Possible matches3
CD, LP, Vinyl record album cover art
✨✧ Martin DennyExotica Vol 2 ... LP
Liberty, Late 50s. Used ... Temporarily Out Of Stock
The second album in Denny's legendary Exotica trilogy – a set of records that provided the extreme definition of the small sub-genre that today has become the stuff of legend! Denny's still working here in his classic format – a small group with heavy piano lines, playful percussion, and some birdcalls sung by the members of the group! The set's a mix of strange songs from strange sources, all given the sublime Denny twist – and titles include "Singing Bamboos", "Escales", "August Bells", "Ebb Tide", "Rush Hour In Hong Kong", and "Soshu Night Serenade". LP, Vinyl record album
(Original turquoise label pressing with deep groove. Cover has clear tape on all seams.)

Possible matches4
CD, LP, Vinyl record album cover art
✨✧ Tony WilliamsNative Heart ... CD
Blue Note, 1989. Used ... Temporarily Out Of Stock
Really wonderful work from the legendary Tony Williams – a set that has the drummer hitting a whole new sound at the start of the 90s – a groove that's rich and soulful, yet still every bit as sharp as before! The set's straight ahead, and graced with some very youthful energy by a new-generation lineup that includes Wallace Roney on trumpet, Bill Pierce on tenor and soprano sax, Mulgrew Miller on piano, and Robert Hurst on bass – all players who bristle with excitement from the very first notes, expressing a sense of confidence and vision of a new jazz generation that no longer has to battle between its inside and outside impulses. Williams' drumming is superb, and nicely understated at many points – and titles include "Native Heart", "City Of Lights", "Extreme Measures", "Liberty", and "Two Worlds". CD
(Out of print.)
 
Partial matches: 240
Partial matches5
CD, LP, Vinyl record album cover art
AssociationStop Your Motor ... LP
Warner, 1971. Very Good ... $1.99
A very groovy album of tracks that sounds extremely different from the mid-60's hits by the Association, but which also still shows their genius for production and for sensitive interpretation of sweet pop material. The whole thing's a lot more sophisticated than some of their other records – with a bit of a jazzy feel in parts, and a complicated singer/songwriter sound in others. The album includes their great version of Jimmy Webb's "P.F. Sloan", plus the cuts "Silver Morning", "A Funny Kind Of Song", "The First Sound", "Seven Virgins", and the goofy "That's Racin". LP, Vinyl record album
(Cover has a cut corner, half split seams, and a small wrinkled spot.)

Partial matches6
CD, LP, Vinyl record album cover art
✨✧ Edwin Astley/Tony CrombieInternational Detective/Man From Interpol ... CD
El (UK), Late 50s/Early 60s. New Copy ... $6.99 13.99
A pair of cool British TV soundtracks – both of which feature an action jazz style to rival the best early work of Henry Mancini for the television screen! First up is lost spy soundtrack work from the British composer Edwin Astley – best known for his work on The Saint and Danger Man, but also sounding pretty darn great on the earlier program International Detective! The feel here is similar to some of Astley's better-known work – a more dramatic take on the crime jazz used on American TV in the late 50s – one that retains much of the instrumental elements of the sound, especially the well-placed use of saxes – but which also uses larger orchestrations to flesh out the music nicely, creating a stronger, more cinematic feel. The set features a total of 21 tracks from this short-lived show – and titles include "International Detective", "Murder Strip", "Theme For Larceny", "Night Patrol", "The Badge", "Manhunt", "Shock Tactics", "Murder Chase", and "Concerto In Law". Next is Man From Interpol – one of the best spy soundtracks we've ever heard – and one of the only scores we've ever seen from Brit jazz drummer Tony Crombie! The work was done a few years before Barry's famous Bond scores – but it's got a very similar feel, with lots of driving themes that make the best use of brazen horns, fast jazz, and beat-styled rhythms that crackle throughout the set. Most titles are pretty short, but really great – and nearly all of them feature some extremely strong jazz musicianship, in the manner of that used on the best American soundtracks by Mancini at the time! Titles include "Panic Station", "Interpol Cha Cha Cha", "Interpol Chase", "Samba De Janeiro", and "Blues Macabre". CD

Partial matches7
CD, LP, Vinyl record album cover art
Atlantic StarrBrilliance ... LP
A&M, 1982. Very Good+ ... $2.99
The title's certainly right on this one – because Atlantic Starr serve up a really brilliant blend of electro funk and mainstream soul – balanced with that near-perfect sound that made them one of the best groups of their generation! Despite the size of the combo, the sound is relatively lean – a very focused balance of basslines, keyboards, and some tightly snapping 80s groove rhythms – served up with vocals that warmly cascade over the tops of the tunes, but usually take a second seat to the extremely compelling instrumentation. The sound is polished, but never too slick – and the group are a great example of how well soul from this time could sound when done just the right way! Titles include "Love Me Down", "Sexy Dancer", "Circles", "Love Moves", "Your Love Finally Ran Out", and "You're The One". LP, Vinyl record album
(Includes the printed inner sleeve. Cover has a sticker.)

Partial matches8
CD, LP, Vinyl record album cover art
Kevin AyersJoy Of A Toy (180 gram blue vinyl pressing) ... LP
Harvest/4 Men With Beards, 1969. New Copy (reissue)... About April 10, 2018 (delayed)
A wonderful departure for Kevin Ayers – an album that's a lot lighter and more whimsical than his original fame with Soft Machine! The tunes are extremely playful, and often quite catchy – almost a Donovan-esque blend of folksy roots and jazz inflections – but tuned a bit more towards trippier ends, thanks to instrumentation that includes celeste, electronics, flute, oboe, kazoo, cello, organ, and a wide range of different guitars! David Bedford handled arrangements, and other players on the session include some ex-Soft Machine comrades – like Hugh Hopper and Robert Wyatt! Ayers' vocals are produced with a nicely compressed quality that squeezes them in alongside the instrumentation – and titles include "Joy Of A Toy Continued", "The Lady Rachel", "All This Crazy Gift Of Time", "Eleanor's Cake", and "Girl On A Swing". LP, Vinyl record album

Partial matches9
CD, LP, Vinyl record album cover art
Bill BarronBill Barron Live At Cobi's ... CD
Steeplechase (Netherlands), 1988. New Copy ... $15.99 18.99
Some of the last recordings ever made by the late tenor great Bill Barron – and some of the best as well! The CD presents previously unheard live recordings from Cobi's nightclub – a late 80s New York club where Barron played often upon his return from the European scene in the years before his death – and an extremely comfortable setting that let Bill stretch out on long tenor solos, in a style that's quite different than a lot of his studio work for other labels. There's still a very modern feel to the work – especially in Barron's tone – but the tunes also have a solidly inventive solo approach, one that rivals that of classic live recordings by Dexter Gordon or Sonny Rollins. The group's a quartet with Fred Simmons on piano, Santi Debriano on bass, and Ben Riley on drums – and most tracks stretch out for quite some length, dominated by Barron's beautiful solos. Titles include Kenny Barron's "Row House" and "Voyage", and Bill's own "Until Further Notice", "This One's For Monk", and "Easy Does It". CD

Partial matches10
CD, LP, Vinyl record album cover art
✨✧ Count BasieLil Ol Groovemaker Basie! ... LP
Verve, 1963. Very Good+ ... $5.99
Count Basie and Quincy Jones were always a mighty mighty combination – and there's no finer proof of that fact than this sweet little set! Quincy had a way of swinging Basie's group even more than Neal Hefti did – really letting the piano step out front, and swinging the larger horn parts in this mode that was extremely soulful, yet never with the hoke that could sometimes mar a Basie set – a style that was very 60s groovy, and which really helped breathe new life into the Count's ensemble! The album's a killer all the way through – and the tunes are all originals – written by Quincy, and arranged especially for the set – great little numbers that include "Nasty Magus", "Dum Dum", "Boody Rumble", "Count Em", "Belly Roll", and "Lil Ol Groovemaker Basie"! LP, Vinyl record album

Partial matches11
CD, LP, Vinyl record album cover art
Beginning Of The EndNassau Funk ... CD
Alston/Playback, Early 70s. New Copy ... $12.99 16.99
Fantastic funk from Beginning Of The End – one of the coolest, grooviest, most unique funk groups of the 70s – and one who've got a real criss-crossing of styles in their sound! As you'd guess from the title, these guys hail from Nassau, in the Bahamas – but their sound is hardly the stale calypso of the earlier generation, or some of the more familiar island hybrids that were playing for the tourists. Instead, these guys completely reinvent funk from the ground up – adding in lots of their own special styles of rhythm and inflection, with elements that were learned from their home scene, but then refitted for a mode that's much more American funk overall – making these guys one of the few island acts to challenge the likes of Fatback or Kool & The Gang! The set's an extremely well-chosen batch of tracks from the group's few recordings – and titles include the classic "Funky Nassau (parts 1 & 2)", plus "Monkey Tamarind", "Super Woman", "Doin The Funky Do", "That's What I Get", "When Se Made Me Promise", "In The Deep Bahamian Boogie", "Fishman", "Pretty Girl", "I've Got The News", "Bluestrain", "Jump In The Water", "Gee Whiz It's Christmas", "Sleep On Dream On", "Trip To Nowhere", and "Come Down Baby". CD

Partial matches12
CD, LP, Vinyl record album cover art
Adam Ben EzraPin Drop ... CD
Little Big Beat/Ropeadope, 2017. New Copy ... $4.99 14.99
Pretty wonderful sounds from Adam Ben Ezra – an artist who works here completely solo, but with a flowing range of sounds that's completely hypnotizing overall! Ezra's a bassist at heart, but also plays piano and clarinet on the record – and also vocalizes a bit, and adds in some foot stomps too – all with this earthy, organic approach to his instruments that really opens up their sonic possibilities, while still also keeping things in a forward-moving, always-swinging style! The work on bass is especially wonderful – as Adam's strong, deep notes are extremely powerful – and often offset by more unusual touches on the strings – not in a gimmicky way, but just fresh sonic expressions. Titles include "Prayer", "Silk Road", "Balagusto", "Can't Stop Running", "Brown Piano", and "India Time". CD

Partial matches13
CD, LP, Vinyl record album cover art
Bill BlackDown In The Depths (Japanese paper sleeve edition) ... CD
Cellar Door/SSJ (Japan), 1950. New Copy ... $24.99
An amazing session recorded by Bill Black – a singer known best for his work with Gene Krupa in the 40s, but whose life took a sad turn in the 50s, and was barely heard from again! This album's a really unique session recorded by Bill in the early 50s – one that features very spare accompaniment that's mostly guitar and bass – and these wonderfully fragile vocals by Black that easily place him in the Chet Baker camp. The tunes are all extremely well-chosen – numbers that have the right lack of bravado to fit Bill's sad-tinged vocals – and the arrangements are surprisingly fresh too, way more than just simple renditions of the tunes. There's a brilliance here that we'd almost match with Sinatra's Wee Small Hours album – but which also has the gentle easygoing feel of some of the work of Matt Dennis. Titles include "Listen Little Boy", "Nobody's Heart", "Spring Is Here", "Down In The Depths On The 90th Floor", and "Where Are You". CD

Partial matches14
CD, LP, Vinyl record album cover art
Paul BleyImprovisie ... LP
America/Bamboo (France), 1972. New Copy ... $23.99
Incredible work from Paul Bley – and a record that captures him in his excellent electric period, working in a different setting than we've heard him elsewhere! The group on the set is a trio – one that matches Bley's work on electric piano and synthesizer with percussion from Han Bennink and vocals, piano, bass, and additional synthesizer from a young Annette Peacock! Peacock is especially restrained on the record – especially if you only know her later, straighter work – and her contribution here is wonderfully subtle and extremely lovely. Side one features the track "Improvisie", a free improvisation with Bley on electric piano and synthesizer – and tonalities are as "out" as the playing, which is generally quite spacious and dynamic – though hardly quiet. The second side features a Peacock tune titled "Touching" that's a bit more intense – very much in the spirit of the work on the first side, and a unique slice of magic from this one-off session! LP, Vinyl record album

Partial matches15
CD, LP, Vinyl record album cover art
Victor Assis BrasilEsperanto (180 gram pressing) ... LP
Quartin/Far Out (UK), 1970. New Copy (reissue)... $19.99
An incredible album of jazz tracks by one of Brazil's greatest reed players of the 70s – the mighty Victor Assis Brasil – a free-thinking spirit who really took Brazilian jazz in bold new directions at the time! The record shows Victor absorbing a lot of post-Coltrane influences, and blending them with a tight approach to rhythm – laid down here by Dom Salvador on piano (and organ), Edison Lobo on bass, and Edson Machando on drums. The group is completed by Helio Delmiro on guitar, and Claudio Roditi plays trumpet on one track – but the real highlight is the amazing reed work by Brasil, which is filled with soul and warmth, plus a deep sense of exploration. The whole session was put together by Roberto Quartin in 1970 – and it's still extremely fresh today. Titles include "Children", "Gingerbread Boy", "Senegal", and "Marilia", which is a bonus track that wasn't on the original LP. LP, Vinyl record album
(Limited edition!)

Partial matches16
CD, LP, Vinyl record album cover art
Victor Assis BrasilEsperanto/Victor Assis Brasil Toca Antonio Carlos Jobim (with bonus tracks) ... CD
Quartin/Far Out (UK), 1970. New Copy ... $12.99
A fantastic double-length set – two full albums of music, essential for any fan of Brazilian jazz – or even jazz in general! First up is Esperanto – an incredible album from one of Brazil's greatest reed players of the 70s – the mighty Victor Assis Brasil – a free-thinking spirit who really took Brazilian jazz in bold new directions at the time! The record shows Victor absorbing a lot of post-Coltrane influences, and blending them with a tight approach to rhythm – laid down here by Dom Salvador on piano (and organ), Edison Lobo on bass, and Edson Machando on drums. The group is completed by Helio Delmiro on guitar, and Claudio Roditi plays trumpet on one track – but the real highlight is the amazing reed work by Brasil, which is filled with soul and warmth, plus a deep sense of exploration. The whole session was put together by Roberto Quartin in 1970 – and it's still extremely fresh today. Titles include "Children", "Gingerbread Boy", "Senegal", and "Marilia". Next is Toca Antonio Carlos Jobim – a fantastic album from this legendary Brazilian saxophonist – and one that's way different than the usual instrumental reading of the music of Antonio Carlos Jobim! The setting is less of a bossa-inspired one than a post-Coltrane mode – as Victor Assis Brasil blows alto sax, and a bit of soprano – on long, stretched out versions of Jobim compositions – often given a bit of modal energy, thanks to the group's strong piano and organ performances by Dom Salvador. The rest of the players are all great, too – Helio Delmiro on guitar, Edson Lobo on bass, and Edison Machado on drums – all players who grew up in the bossa jazz years of the 60s, but who here are set free to explore new territory by producer Roberto Quartin. The whole thing's wonderful – and titles include "Bonita", "Wave", "So Tinha De Ser Come Voce", and "Dindi". CD also features two bonus tracks – alternate takes of "Ao Amigo Quartin" and "Marilla". CD

Partial matches17
CD, LP, Vinyl record album cover art
Anthony BraxtonFive Pieces 1975 ... LP
Arista, 1975. Very Good Gatefold ... Just Sold Out!
One of Braxton's best records for Arista, and a great quartet session that features Kenny Wheeler on trumpet, Dave Holland on bass, and Barry Altschul on drums. The playing is extremely tight, and Braxton and Wheeler trade very sharp solos, while Holland pulls these amazing lines out of his bass. The set includes a version of "You Stepped Out Of A Dream", plus a bunch of tracks with Braxton's nutty formulas for titles. LP, Vinyl record album
(Cover has a name in pen near the top seam.)

Partial matches18
CD, LP, Vinyl record album cover art
BrokebackField Recordings From The Cook County Water Table ... CD
Thrill Jockey, 1999. Used ... $8.99
Extremely spare material from Doug McCombs, the bassist for Tortoise, 11th Dream Day, and other fantastic Chicago ensembles. The record features some superb jazz-inflected musings on bass, augmented by occasional additional instrumentation performed by Josh Abrams and Noel Kupersmith on double basses, John McIntire and John Herndon on percussion, and Rob Mazurek on cornet. Titles include "Seiche 2", "A Blueprint", "Another Routine Day Breaks", "Field Code", and "The Wilson Ave Bridge At The Chicago River 1953". CD
(Out of print.)

Partial matches19
CD, LP, Vinyl record album cover art
✨✧ Ray Bryant TrioCon Alma ... CD
Columbia, 1960. Used ... $5.99
Pure genius from Ray Bryant – the kind of a record that few other players could ever hope to cut, and a fantastic demonstration of Ray's extremely soulful approach to the trio format! Bryant's working here with Bill Lee on bass and Mickey Roker on drums – in a triple-burning setting that has all players contributing equally to the groove – and often working strongly to create a great sense of counterpoint in the rhythms. Roker's drums are magically playful throughout – snapping and skipping along the top of the snare in a way that only furthers the rhythmic agenda of Bryant's piano. And Lee's bass has a laidback and mellow delight – one that rings out alongside the keys of the piano, and fleshes them out with some additional depth and color. The title track is a brilliant reading of "Con Alma", and the set also features Bryant's famous tune "Cubano Chant" – as well as the titles "Autumn Leaves", "Milestones", "Ill Wind", and "C Jam Blues". CD
(Out of print. Barcode has a cutout mark.)

Partial matches20
CD, LP, Vinyl record album cover art
BT ExpressEnergy To Burn ... LP
Columbia/Roadshow, 1976. Very Good ... $4.99
A killer set that's extremely well-titled – as BT Express were one of the hottest ensemble funk acts of their time! The groove here is definitely aimed at a more disco-oriented dancefloor than before – but the overall sound is plenty funky enough for our ears – thanks to some amazing horn passages arranged by Carlos Ward, whose own work on sax and flute really add an edgey quality to the set. Ward's horns are really fantastic – cutting and turning with a sharply-honed tone that keeps things fresh throughout – even when the rhythms are hitting more of a mainstream dancefloor sound. Titles include the group's mellow soul version of "Now That We've Found Love", plus "Herbs", "Time Tunnel", "Energy To Burn", "Can't Stop Groovin Now Wanna Do It Some More", and "Make Your Body Move". LP, Vinyl record album
(Includes the printed inner sleeve. Cover has an unglued top seam.)

Partial matches21
CD, LP, Vinyl record album cover art
Solomon BurkeBest Of Atlantic Soul 1962-1965 ... LP
Run Out Groove/Atlantic, Early/Mid 60s. New Copy ... On May 11, 2018
... LP, Vinyl record album
(Run Out Groove pressing. 180 gram vinyl. Pressing number based on pre-release demand – quantities extremely limited and individually numbered!)

Partial matches22
CD, LP, Vinyl record album cover art
Jimmy CastorC ... LP
Long Distance, Early 80s. Near Mint- ... $5.99
An extremely interesting 80s album from Jimmy Castor – and not nearly as bad as you'd think! The record is proof that Jimmy was always willing to work in the music biz – changing his sound and style as the years dictated, but still retaining most of the same elements that were there in the first place. Just as his early 70s work on RCA was almost a "comeback" from his roots in 60s soul – so is this 80s album a comeback of funk in the style of those RCA albums. The record begins with a solo sax version of "The Star Spangled Banner", then rolls into an uptempo club number "Stay With Me/Stay The Night". That gives way to a funkier track called "Con Man", which then rolls into a 5 minute instrumental reading of "Stairway To Heaven", done with Jimmy's tenor sax in the lead, and a lot of guitar! Side two features two ballads, then a strange little funk number with a Japanese title that seems to be about Godzilla. The album ends with another monster number – "The Mummy" – done as a funked-up story sort of tune, with a reprise of the Troglodyte style of monologue. Not Jimmy's best, certainly – but he was definitely going all out on this one! LP, Vinyl record album
(Cover has a large name in marker. Labels have some pen.)

Partial matches23
CD, LP, Vinyl record album cover art
Circuit Des YeuxReaching for Indigo ... LP
Drag City, 2017. New Copy ... $18.99
An extremely beautiful set from singer Haley Fohr – a record that combines late folk singer/songwriter styles with some of the deeper, darker tones of the post-punk generation too – in a way that feels like Tom Rapp into 4AD, or maybe Robbie Basho into Diamanda Galas! The songs are maybe more understated than both of those 80s references might imply – handled with less of a self-conscious mode, with light instrumentation provided by various members of the Chicago scene – in this seamless blend of acoustic and electric elements, often at a level that makes it difficult to tell which instrument is which – or where the overall sound is coming from. But that's also part of the album's success – as it's got a slightly unsettling feel that really matches the vibe of the lyrics, even when the flow of Fohr's vocals can be melodically seductive. Titles include "Black Fly", "Philo", "Paper Bag", "A Story Of This World Part 2", "Geyser", "Falling Blonde", and "Brainshift". LP, Vinyl record album

Partial matches24
CD, LP, Vinyl record album cover art
Sonny ClarkSonny Clark Quintets (with bonus track) ... CD
Blue Note (Japan), 1957/1958. New Copy ... $16.99
This one will confuse the discographers out there – but it's great Blue Note material by this legendary hardbop pianist! The CD reissues a previous Japanese-only set of unreleased material – called Sonny Clark Quintets – but some of the tracks have since come out on other CDs. 2 tracks – "Royal Flush" and "Lover" – feature Clark with a group that includes Art Farmer and Jackie McLean, recorded in 1957. The other 3 tracks – "Minor Meeting", "Eastern Incident", and "Little Sonny" – are from a 1958 session that was cut with Clifford Jordan and Kenny Burrell. Both sets of tracks are great – and although Clark recorded some of these tunes in other versions, the quality on this CD's still extremely high, and is proof that Clark was one of Blue Note's greatest players, worthy of all the extra sessions that were cut in the old days! CD
(SHM-CD pressing!)
 
 
 



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