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Evan Parker Edit search Phrase match

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Exact matches: 11
Exact matches1
CD, LP, Vinyl record album cover art
✨✧ Instant Composers Pool (Misha Mengelberg, Peter Brotzmann, Evan Parker & Others)Groupcomposing ... CD
ICP/Corbett vs. Dempsey, 1970. Used Gatefold ... Just Sold Out!
A landmark album from this groundbreaking free jazz ensemble – a record that's as important to improvised music as Peter Brotzmann's Machine Gun or Derek Bailey's solo albums! And no surprise, the group features Brotzmann on tenor and Bailey on guitar – alongside Misha Mengelberg on piano, Evan Parker on soprano and tenor, Peter Bennink on alto and bagpipes, Paul Rutherford on trombone, and Han Bennink on drums and percussion! Nearly every one of these musicians were emerging giants at the time – and together, they really live up to the promise of the title – moving fast and fiercely, with uncanny understanding of each other – as they maybe even blow away the famous American album-length improvisations with one of their own. CD

Exact matches2
CD, LP, Vinyl record album cover art
Louis Moholo/Evan ParkerBush Fire ... CD
Ogun (UK), 1995. New Copy ... $14.99 15.99
A key linking of two traditions of British avant jazz expression – and a session that's co-led by percussionist Louis Moholo and saxophonist Evan Parker! The sound here is almost more in Parker's camp than it is Moholo's – as the album's improvised tracks have a spare, contemplative quality that builds very slowly – working strongly in space and sound, as the group finds themselves through a rich array of techniques, tones, and expressions. Other players include Barry Guy on bass and piccolo bass (right channel), Gibo Pheto on bass (left channel), and Pule Pheto on piano – and titles include "Bush Fire", "For Chisa", "South Afrika Is Free OK", "Baobab", "Sticks", "Back Beat", and "Flaming July". CD

Exact matches3
CD, LP, Vinyl record album cover art
Evan ParkerChicago Solo ... CD
Okka Disk, 1997. New Copy ... $9.99 14.99
Evan Parker sounds wonderful here – on a 90s session recorded in Chicago, but a record that may well stand with our favorites from his earliest years on vinyl! Parker was sometimes sounding more academic and dry at this point in his career, but he really wakes up our ears here too – maybe in part because the album's his first-ever solo effort on tenor, in contrast to a number of other records over the years in a Lacy-like fashion, recorded with solo soprano sax! A few tunes are dedicated to heroes and inspirations – Lee Konitz, Anthony Braxton, George Lewis, and Chris McGregor – and the album features 14 solo tenor tracks in all. CD

Exact matches4
CD, LP, Vinyl record album cover art
Matthew Shipp & Evan ParkerLeonine Aspects ... CD
Rogue Art (France), 2017. New Copy ... $14.99 16.99
Beautiful sounds from two dark-tinged improvisers – coming here together in a performance that's supposedly a tribute to John Coltrane, but which comes across in a spirit that's very much their own! Shipp is able to serve out these effortless clusters of notes with that new sense of imagination that's really marked his growth in the past decade – notes that are always full of brooding energy, but never in a way that's sleepy or sloppy. Parker responds with some of his sharpest, fastest lines in years – blowing both tenor and soprano sax, but never in ways that are Coltrane-like – which is no surprise, as Evan's helped evolve jazz tremendously in the decades since Trane's passing. The CD features one extended improvisation "Leonine Aspects 1", which runs for 51 minutes – and the shorter "Leonine Aspects 2". CD

Exact matches5
CD, LP, Vinyl record album cover art
✨✧ Anthony Braxton & Evan ParkerDuo (London) 1993 ... CD
Leo (UK), 1993. Used ... Temporarily Out Of Stock
A set of live duets between these two saxophone heavyweights! CD

Exact matches6
CD, LP, Vinyl record album cover art
✨✧ Anthony Braxton, Evan Parker & Paul RutherfordTrio (London) 1993 ... CD
Leo (UK), 1993. Used ... Temporarily Out Of Stock
Features Evan Parker and Anthony Braxton on saxophones – plus Paul Rutherford on trombone! CD

Exact matches7
CD, LP, Vinyl record album cover art
✨✧ Evan Parker & Joe McPheeChicago Tenor Duets ... CD
Okka Disk, 2002. New Copy ... Temporarily Out Of Stock
Two legendary tenorists, coming together here in a record that's one of the most striking from both players at the time – a real return to the spare space of some of Joe McPhee's earliest albums, and some of the sharper edges that Evan Parker wasn't always giving us in the 90s! The setting is as basic as the title, but the sound is amazing – two giants, freely improvising in open space – making some amazing textures and tones together, but really shifting in mood from track to track – at a level that's completely spellbinding all the way through – a record that bristles with the kind of energy you'd expect from an older FMP session. An instant avant classic – with a total of 11 tracks in all! CD

Exact matches8
CD, LP, Vinyl record album cover art
✨✧ John Stevens & Evan ParkerCorner To Corner/The Longest Night ... CD
Ogun (UK), 1976/1993. New Copy 2CD ... Temporarily Out Of Stock
A triple length set of work from the team of Evan Parker and John Stevens – presented here as a 2CD set! The first part of the package features both volumes 1 and 2 of the Longest Night sessions from 1976 – very free duets between these two ex-partners in the Spontaneous Music Ensemble – a session with very little structure at all, and sounds that are almost more FMP than other Ogun albums of the time! Evan Parker plays soprano sax throughout – and Stevens alternates between percussion and cornet – using mostly the former, but sometimes a bit of the latter in ways that have a surprising sense of presence. Parker's notes are nicely shaped on the best numbers – bringing in occasional more human moments amidst more Lacy-like bleats and blonks on the soprano. Titles include "21.25", "19.11", "19.44", "21.47", "22.18", "23.12",, and "23.40. Next up is the album Corner To Corner – recorded in 1993, nearly 20 years after the first 2 records – but with a quality that's amazingly similar, and which shows both Parker and Stevens to still be at the farthest, freest edges of British jazz. The sounds of the session clearly mark it as a belated follow-up to the first date – but the titles this time around are a bit less oblique, and include "Corner To Corner", "Rubber", "Angles", "Incidence", and "Reflections". CD

Exact matches9
CD, LP, Vinyl record album cover art
✨✧ Evan ParkerAll Knavery & Collusion ... CD
Cadillac (UK), 2021. New Copy ... Out Of Stock
A quartet of improvising greats, coming together hear beautifully – with lots of sharp tenor work from Evan Parker, alongside the drums of Paul Lytton, bass of John Edwards, and piano of Alexander Hawkins! Parker is sometimes very deft, sometimes more in the textural territory of his more spacious improvisations – and at points, he's able to fold the two together beautifully – always seeming to direct the proceedings of the entire group, although it's clear that each player brings a fair bit of their own energy to bear in the proceedings. The bass of Edwards might be one of the most important elements – sometimes a bit more understated than the others, but in a way that really provides some glue for the whole thing – on titles that include "The Alchemy Of John Edwards", "A Well Staring At The Sky", "The Influence Of The Dog Star", "Art Is A Science", "A Blazing Star Or Comet Appeared", and "The Weather Set In Hot". CD

Exact matches10
CD, LP, Vinyl record album cover art
✨✧ Evan Parker/Okkyung Lee/Peter EvansBleeding Edge ... CD
Emanem (UK), 2010. Used ... Out Of Stock
Evan Parker on soprano and tenor saxophone, Okkyung Lee on cello, and Peter Evans on trumpet and piccolo trumpet. CD
(Out of print.)

Exact matches11
CD, LP, Vinyl record album cover art
✨✧ Evan Parker/Barry Guy/Paul LyttonConcert In Vilnius ... CD
No Business (Lithuania), 2019. New Copy ... Out Of Stock
This longstanding trio of musical partners really sounds wonderful here – attuned to the strengths and subtleties of each member – and able to open up with a beautiful sense of flow on the extended live improvisation on the set! All three musicians have always had as much of an ear for sound as they have for music – and that really comes through here with a stunning array of soundshapes and textures – which are also balanced by some surprisingly tuneful moments too. Evan Parker blows soprano and tenor, Barry Guy is on bass, and Paul Lytton is on drums – and the set features a full improvised performance, divided up into sections. CD
Possible matches: 8
Possible matches12
CD, LP, Vinyl record album cover art
Ashbury Stabbins Duo (Roy Ashbury/Larry Stabbins)Fire Without Bricks ... CD
Bead/Corbett vs. Dempsey, 1977. New Copy ... $12.99 15.00
An overlooked gem from the British free jazz scene of the 70s – a set issued on the Bead Records label, and one that got very little circulation at the time – but which is equally as mindblowing as work from the period on labels like Ictus and Ogun! The duo here features Roy Ashbury on drums and percussion, and Larry Stabbins on soprano and tenor – working in this free, open space, but on tracks that are often shorter than album-length improvisations – which allows the players to stop a minute, take a breath, and move into these nicely varied moments of spontaneous creation! You might know Stabbins from later 80s work on more groove-oriented records – but here, he's a tremendousimproviser, with a sense for creative reedwork that might well rival his contemporary Evan Parker. Titles include "Puff", "Formants Of The Deep", "Wych Elm", "Fire Without Bricks", "Rough Cut", and "Maldoror". CD

Possible matches13
CD, LP, Vinyl record album cover art
Louis MoholoBra Louis Bra Tebs/Spirits Rejoice ... CD
Ogun (UK), 1978/1995. New Copy 2CDs ... $16.99 18.99
A beautiful double-length package of work from drummer Louis Moholo – a 2CD set that features one record from recent years, and a key classic from the 70s! Spirits Rejoice is one of the strongest 70s statements from ex-Blue Notes drummer Moholo – recorded in the company of fellow expatriots and UK avant jazzers that include Johnny Dyani, Evan Parker, Kenny Wheeler, Nick Evans, Radu Malfatti, and Harry Miller. The album shifts easily between strongly rhythmic passages that show Moholo's roots in the South African jazz scene, and other, freer sections that also illustrate his importance in the European avant scene of the 70s – and overall, the record's got a beautifully soulful quality that guides it well through all of these moments. Titles include "Wedding Hymn", "Khanya Apho Ukhona", "Ithi Gqi", "Amaxesha Osizi", and "You Ain't Gonna Know Me". That record is followed here by 1995's Bra Louis Bra Tebs – a session with a similar style, especially in its use of African-inspired rhythms – but one that also features a different lineup, and some great use of vocals! Francine Luce sings on a number of the album's best tracks – in a style that's almost an avant-tuned approach to vocalese, and which seems to carry echoes of Norma Winstone – a voice that's dreamy one minute, challenging the next – and often used as a key instrument in the combo's lineup of tenor, alto, trumpet, piano, bass, and drums. Titles include "Utshaka", "Maybe Of Cause", "Moegoe", "Sonke", and "Lakutshona Ilanga". CD

Possible matches14
CD, LP, Vinyl record album cover art
Natural Information SocietyDescension – Our Of Our Constrictions ... CD
Eremite/Aguirre (Belgium), 2021. New Copy ... $20.99 About July 1, 2021
Beautiful music from a group that features familiar players from the world of improvised music, but coming together here in a very different way! Joshua Abrams leads the group, and he's playing guimbri instead of his usual bass – a lighter stringed instrument used with global currents that set a pace for a very organic sound throughout – quite rhythmic at times, but still opening up with plenty of freely improvised moments – from a group that includes key contributions from Lisa Alvarado on harmonium and effects, plus drums from Mikel Patrick Avery, bass clarinet from Jason Stein, and soprano sax from the legendary Evan Parker! The setting is quite an unusual one for Parker – even though the date was recorded at the Cafe Oto in London – and with a set like this, it's clear that the growing power of Abrams' music is starting to have a larger global impact. The set features one long track – "Descension – Out Of Our Constrictions" – spread over the double-length set. CD
This title is scheduled for release about Thursday, July 1.

Possible matches15
CD, LP, Vinyl record album cover art
Ken VandermarkFurniture Music ... CD
Okka Disk, 2003. New Copy ... $9.99 14.99
One of the most striking albums we've heard in years from Ken Vandermark – an album of solo tracks, recorded in the living room of his home, with a wonderfully introspective and exploratory quality! The album instantly achieves a place in a legacy of solo reed work that includes seminal albums by Evan Parker and Steve Lacy – and the set features Vandermark blowing on baritone, tenor, clarinet, and bass clarinet. The set features 13 titles recorded in the living room, plus 5 more recorded live in the studio (how's that for a switch?) – with titles that include "Panels", "So Is This", "Lines", "Resistance", "Horizontal Weight", "Beck & Fall", and "Leaves". CD

Possible matches16
CD, LP, Vinyl record album cover art
VariousInternational Holy Hill Jazz Meeting ... CD
Be! (Germany), 1969. New Copy ... $16.99
A legendary moment in European free jazz – performances all recorded on a single Sunday in 1969 – but which stand as some of the most powerful music of the time! The vibe here is often in the best spirit of early FMP, or maybe the most outside work of MPS – and the recording quality equals the best avant jazz on both labels – with very long performances on each track that represent the pinnacle of all players involved! One side alone is worth the price of admission – a searing track titled "Finally", performed by an octet with Peter Brotzmann at the helm, alongside Evan Parker on tenor and soprano sax, Fred Van Hove on piano, Paul Rutherford on trombone, Peter Kowald on bass, and Pierre Favre on drums. Favre returns on "Let's Talk About The Weather" – played by a trio with Kowad on bass and Irene Schweizer on piano. Other tracks include "Five To Five" and "Gluga Gluga Blues" by the Joki Freund Quintet, "In Memory Of John Coltrane" by Marion Brown, "Vibration" by the group of saxophonist Joe Fiera and trombonist Ed Kroger, and "Circus Live" by a quartet led by Rolf Kuhn on electric clarinet, with Joachim Kuhn on piano and Stu Martin on drums. CD

Possible matches17
CD, LP, Vinyl record album cover art
✨✧ Hans Koch & Paul LovensNephlokokkygia 1992 ... CD
Hat Art (Switzerland), 1992. New Copy ... Temporarily Out Of Stock
Fantastic reedwork from Hans Koch – a player captured here at the height of his powers, on a series of live improvisations with drummer Paul Lovens, recorded during a tour of Eastern Europe in the early 90s! Koch doesn't always get his due alongside some of the bigger names of the overseas scene – but his work here is fantastic on a range of reeds – tenor, soprano, clarinet, and bass clarinet – all used with the kind of quick-thinking tones and textures you might hear from a range of players that might include Evan Parker and Mats Gustafsson! Drummer Lovens is always great too, but really seems to wrap his work here around the lead inspiration of Koch – using drums, cymbals, gongs, and even a musical saw at all the right moments, in all the right ways – on long improvisations titled "In Sofia", "In Warna", "In Plovidiv", and "In Russe". CD

Possible matches18
CD, LP, Vinyl record album cover art
✨✧ Roscoe MitchellRoscoe Mitchell Ao Vivo Na Fabrica – Sustain & Run ... CD
SESCSP (Brazil), 2013. New Copy ... Out Of Stock
Tremendous live work from Roscoe Mitchell – a set of solo performances recorded in concert in Brazil – played with an intensity that we haven't heard in years! It's true that sometimes Mitchell can sometimes be very concerned with space and sonic textures – but here, he's got this focused energy that's really full-on from the start – extended blowing that's almost more like soprano sax work from Evan Parker or Steve Lacy, and which takes us back a lot more to Mitchell's roots than some of his later, more mannered projects. Mitchell plays soprano sax on one track, sopranino on the other three – and titles include "Sustain & Run", "Conversations From Stage Right", "Useful News", and "Thanks For The Call". CD

Possible matches19
CD, LP, Vinyl record album cover art
✨✧ Alexander Von Schlippenbach QuartetThree Nails Left ... CD
FMP/Corbett vs. Dempsey, 1975. New Copy Gatefold ... Out Of Stock
Amazing work from this seminal group on the FMP scene – a quartet led by pianist Alexander Von Schlippenbach, but equally balanced between the saxes of Evan Parker, bass of Peter Kowald, and percussion of Paul Lovens! We're not sure how much to take the "nails" in the title seriously, but it does sound as if Schlippenbach is playing prepared piano at times – or perhaps his command of the keyboard is just so strong, he can make other-worldly elements come from the instrument whenever he wants! Much of the music has a full-on FMP intensity – that non-stop, sonically adventurous quality inherited from Machine Gun – spun out over three great live improvisations, titled "Range", "Black Holes", and "Three Nails Left". CD
(Remastered from the original tapes – and first time on CD!)
Partial matches: 1
Partial matches20
CD, LP, Vinyl record album cover art
✨✧ Miles DavisBirth Of The Cool ... CD
Capitol, Late 40s/Early 50s. Used ... $2.99
Legendary early work from trumpeter Miles Davis – late 40s sessions for Capitol Records that are completely different than the bop material he was cutting with Charlie Parker and on his own! Instead, these sides have Miles working with a complex, more arranged style – built up with a young Gil Evans, in a mode that prefaces the later famous recordings the pair would make in the late 50s for Columbia. Here, the tracks are shorter, but beautifully blend bop ideas with fuller arrangements – and Davis blows alongside other key young modernists in a variety of larger groups – with work from Lee Konitz on alto, Gerry Mulligan on baritone sax, JJ Johnson and Kai Winding on trombones, Al Haig and John Lewis on piano, and Kenny Clarke and Max Roach on drums. Mulligan contributed plenty, too – his ideas on an overall sound definitely helped shape these sides – and the record's go on to legendary status – even though it's very different than most other Miles Davis from the time. Titles include "Godchild", "Jeru", "Move", "Venus De Milo", "Budo", and "Deception". CD
(BMG Direct edition.)

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