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Possible matches: 8
Possible matches1
CD, LP, Vinyl record album cover art
Earl HinesUp To Date With Earl Hines ... LP
RCA, 1965. Near Mint- ... $9.99
One of the many nice sides that Hines made during the 60s, when he was being rediscovered by the labels, and touted as a traditionalist who was still working to expand his style. The group's here are nice and small, and Hines trio is augmented by either Budd Johnson or Ray Nance on most tracks. With the tracks "Linger Awhile", "Hour Of Parting", "But Not For Me", and "Father's Freeway". LP, Vinyl record album
(Black label stereo Dynagroove pressing, with deep groove. Cover has light wear, a promo imprint, and a bit of pen on back.)

Possible matches2
CD, LP, Vinyl record album cover art
✨✧ T Bone WalkerT Bone Blues (180 gram pressing) ... LP
Atlantic/Friday Music, Early 60s. New Copy (reissue)... $28.99 29.98
Later work from T-Bone, but very much in the style of his best R&B work! The album features small group backings that do the best to bring out the jazzier side of T-Bone's style – one that was a direct influence on countless jazz funk guitarists in later years – and players include Plas Johnson, Earl Palmer, Lloyd Glenn, and Barney Kessell playing some second guitar. Titles include "T Bone Blues", "Papa Ain't Salty", "Two Bones & A Pick", "Mean Old World", "T Bone Shuffle", and "Blues For Marili". LP, Vinyl record album

Possible matches3
CD, LP, Vinyl record album cover art
✨✧ VariousMainstream Modern Soul – 1969 to 1976 ... CD
Kent/Mainstream (UK), Early 70s. New Copy ... $14.99 18.99
A huge array of soul tracks from the Mainstream label – an imprint that was probably best known for its jazz work of the early 70s, and as the launching pad for a few key rock groups – but one who also cut some killer soul tracks in the best New York and Philly styles of the period! Mainstream only ever issued most of its soul material as singles – 45s issued on their own label, and under the IX Chains, Brown Dog, and New Moon imprints too – spread out in an array of under-circulated, poorly-distributed releases that never fully got their due at the time – partly because much of the music was years ahead of its time! There's a groove here that reminds us of the hippest sounds from bigger labels – including Philly International or All-Platinum – with a similar blend of sweetness, honest vocal performances, and some top-shelf studio work that gives the lyrics a hell of an instrumental push, but all without ever sounding slick or commercial. The package is a much-needed look at this scattered legacy – and brings together 24 rare cuts that include "These Memories" by Almeta Lattimore, "I'm The One Who Loves You" by JG Lewis, "Come Back (part 1)" by The Fantastic Puzzles, "I Can't Give You Up" by Linda Perry, "It Ain't Like It Used To Be" by Randolph Brown & Company, "No Rebate On Love" by The Dramatics, "You're A Friend Of Mine" by Words Of Wisdom, "Satisfy My Woman" by Calvin Arnold, "Plain Out Of Luck" by Nia Johnson, "We're Not Too Young To Fall In Love" by Jackey Beavers Show, "Let The People Talk" by The Steptones, "To Whom It May Concern" by Ellerine Harding, "It's So Real" by McArthur, "Stop & Think A Minute" by Charles Beverly, and "That's The Way She Is" by Bobby Earl Williams. CD

Possible matches4
CD, LP, Vinyl record album cover art
VariousOne Track Mind – More Motown Guys ... CD
Kent (UK), Mid 60s. New Copy ... $15.99
Never-heard songs from the Motown empire of the 60s – all new discoveries from the label's mighty deep vaults – all of them totally great tracks that make for a superb new look at the Detroit powerhouse of soul! Many of these cuts are in a Northern Soul mode – the kind of upbeat groovers that made Motown a huge favorite on the British scene right from the start, and which make the UK Kent label a perfect spot to showcase work this great – with detailed notes on all the tracks, excellent sound quality, and an impeccable ear for choosing just the right sort of tracks to pop a groove like the bigger singles from the label. Some of the cuts here are early recordings by artists who'd later break big, others are more obscure Motown acts – and the package features 24 titles that include "Goose Wobbling Time" by Popcorn Wylie, "I'll Be Satisfied" by Frank Wilson, "Where Are You" by Ivy Jo, "One Track Mind" by Marv Johnson, "Heart To Heart" by Earl Van Dyke, "Head Over Heels In Love With You Baby" by Edwin Starr, "I'm Here Now That You Need Me" by The Fantastic Four, "Imagination Is Running Wild" by The Spinners, "The In Crowd" by Jimmy Ruffin, "Wish I Didn't Love You So" by The Monitors, "The Touch Of Venus" by Marvin Gaye, "I'd Rather Forget" by The Temptations, and "Kissing In The Shadows" by Johnny Bristol. CD

Possible matches5
CD, LP, Vinyl record album cover art
VariousSoul Emissaries – Super Funk – Rare Black American Music From The 1970s & 80s ... CD
BGP (UK), 1970s. New Copy ... $14.99
A really great entry in the excellent Super Funk series – one that offers up cuts that are every bit as strong on their soulful vocals as they are their funky grooves! The track selection is wonderful – rare cuts from 45s, of the sort that funk diggers have been trading for years – plus some of those extra-special unreleased tracks, which the folks at Ace/BGP always seem able to dig up through their access to the vaults! The notes are filled with rare photos, label scans, and loads of information on the cuts – showing that their selection here wasn't just a random process – and despite the title, most tracks here are 70s numbers from the heavy funk years. Titles include "Dark Skin Woman" by Billy Cee, "Love Highjacker" by George Jackson, "You Bring The Tears" by Sampson & Delilah, "Born To Live With Heartache" by Mary Lvoe, "Sweet Thang" by William Bostic, "Foolish Man (part 2)" by The Huck Daniels Co, "Work It Out" by Marcene Harris, "Jodine" by Earl Harris, "Funky Kingston" by Tribe, "Brother Jack" by The Funky Kids, "Forgotten" by Lamont Johnson, "Daddy Please Stay Home" by Obrey Wilson, and "So Fine" by Chet Ivey & His Fabulous Avengers. CD

Possible matches6
CD, LP, Vinyl record album cover art
Junior KimbroughDo The Rump (180 gram green vinyl pressing) ... LP
Sutro Park, 1980s. New Copy (reissue)... About July 1, 2016
Benchmark early-to-mid 80s recordings by Mississippi blues great Junior Kimbrough – recorded at the University Of Memphis studios and eventually compiled as this great set – his first full length release! Kimbrough is alternately backed by George Scales and Earl Ayers on bass, Calvin Johnson and Allabu Juju/Winston Doxey on drums. Includes "Keep Your Hands Off Her", "I Feel Good, Little Girl", "You Better Run", "My Mama Done Told Me", "Please Don't Leave Me Baby", "Too Late Baby", "Walk With Me", "Done Got Old" and "Do The Rump!". 12 in all. LP, Vinyl record album

Possible matches7
CD, LP, Vinyl record album cover art
✨✧ Atmospheres with Clive StevensVoyage To Uranus ... LP
Capitol, 1974. Near Mint- ... Just Sold Out!
A tasty set of funky fusion from reed player Clive Stevens and his Atmospheres combo – a group that features Michael Carvin on drums, David Earl Johnson on percussion, John Abercrombie on guitars, and Ralph Towner on keyboards. Stevens himself plays some great electric tenor, soprano sax, flute, and echoplex – and the album's got a style that's a lot like the rock-inspired fusion of the European scene of the time. Tracks include "Inner Spaces & Outer Space", "Un Jour Dans Le Monde", "Shifting Phases", "Voyage To Uranus", and "Electric Impulse From The Heart". LP, Vinyl record album
(Includes the printed inner sleeve. Cover has light wear.)

Possible matches8
CD, LP, Vinyl record album cover art
✨✧ VariousBirth Of Funk – Low Down & Dirty ... LP
History Of Soul (UK), Late 50s/Early 60s. New Copy ... Out Of Stock
A set that definitely lives up to its title – and brings together tracks from the earliest years of funk – and the earliest years of soul as well! These tunes are funky – but not in a late 60s James Brown mode, or in the smoother, tighter styles of the 70s – and instead, the groove is more of an R&B style with a strong focus on the rhythm – the kind of sharper guitar, bass, and drums parts that were coming around as those instruments were really beginning to up their game. The track list is a bit wide-ranging, but in a good way – and the set features 15 tracks that include "Mudd" by Roy Montrell, "Slick Chick" by Vernon Harrel, "Tell Me The Truth" by The Turniquettes, "RB Special" by Bob Bateman, "What A Wedding Day" by Shirley Raymond, "Trick Bag" by Earl King, "The Popeye" by Spider Johnson, "Say Yeah Yeah" by Yvonne Fair, "Say Yeah" by Porgy & The Polka Dots, and "I'm Leaving You Today" by Al Robinson. LP, Vinyl record album
 
Partial matches: 161
Partial matches9
CD, LP, Vinyl record album cover art
Mose AllisonMose Allison Takes To The Hills ... LP
Epic, Early 60s. Near Mint- ... $14.99
Incredible stuff – and Mose Allison at his finest! The record's got a rough and hard-grooving quality that surpasses even Allison's other albums for Prestige and Columbia from the time – an almost bluesy approach that comes out in the style of the recording – which features more rougher edges and room noise, and also a fair bit of Mose's own mumbling and humming along with his piano! Of course, it's Mose's actual vocals that really make the set work – but there's also a nice equal focus on his piano work too, plus some great support backing that includes Addison Farmer and Henry Grimes on bass, and Paul Motian and Osie Johnson on drums. Titles include "Baby Please Don't Go", "Back On The Corner", "Life Is Suicide", "Mad With You", "I Ain't God Nobody", and "I Love The Life I Live". LP, Vinyl record album
(180 gram vinyl pressing on Pure Pleasure.)

Partial matches10
CD, LP, Vinyl record album cover art
✨✧ Billy BlandLet The Little Girl Dance ... CD
Ace (UK), Late 50s/Early 60s. New Copy ... $11.99 18.99
That's Billy Bland, not Bobby Bland – a really great singer who's got a wonderful range of material – equally able to sing jump blues, R&B, and even a bit of New Orleans soul – all of which is featured in this excellent collection of his work for the Old Town label! Billy cut most of these tracks at the end of the 50s and start of the 60s – after he'd spent time singing in the bigger groups of Lionel Hampton and Buddy Johnson – where he learned the care that comes to singing in a jazz based environment, and probably developed the powerful lead that really shines through here! In true Old Town style, there's a mix of modes throughout – especially as the work moves into the 60s – but Bland's able to shine with it and has this amazing, arching style of singing that should have made him huge. CD features 29 tracks in all – including "You Were Born To Be Loved", "Chicken In The Basket", "Do The Bug With Me", "Let The Little Girl Dance", "Grandma Gave A Party", "Chicken Hop", "Can't Stop Her From Dancing", "Flo Open The Door", "Make Believe Lover", and "You Took My Love For Granted". CD

Partial matches11
CD, LP, Vinyl record album cover art
Brothers JohnsonBlam ... CD
A&M/Universal (Japan), 1978. New Copy ... $9.99
Blam is right – an all-out batch of funky tracks from The Brothers Johnson – captured here right in the middle of their classic period with Quincy Jones! The Q's at the helm on production for the set, and the record's a great extension of their earlier efforts with the man – but a bit more Johnson-tuned (if we can say that in mixed company) – with the bass upfront on some of the best numbers, and a surprisingly strong male ballad approach on some of the gentler tunes. There's a slightly jazzy undercurrent at times, and tracks include "Rocket Countdown/Blastoff", "Ride-O-Rocket", "Streetwave", "Blam", "So You Won't Stay", "Ain't We Funkin Now", and "Mista Cool". CD
Also available Blam ... LP 2.99

Partial matches12
CD, LP, Vinyl record album cover art
✨✧ Brothers JohnsonBlam ... LP
A&M, 1978. Very Good Gatefold ... $2.99
Blam is right – an all-out batch of funky tracks from The Brothers Johnson – captured here right in the middle of their classic period with Quincy Jones! The Q's at the helm on production for the set, and the record's a great extension of their earlier efforts with the man – but a bit more Johnson-tuned (if we can say that in mixed company) – with the bass upfront on some of the best numbers, and a surprisingly strong male ballad approach on some of the gentler tunes. There's a slightly jazzy undercurrent at times, and tracks include "Rocket Countdown/Blastoff", "Ride-O-Rocket", "Streetwave", "Blam", "So You Won't Stay", "Ain't We Funkin Now", and "Mista Cool". LP, Vinyl record album
Also available Blam ... CD 9.99

Partial matches13
CD, LP, Vinyl record album cover art
Solomon BurkeProud Mary ... LP
Bell, 1969. Very Good+ ... $29.99
Solomon Burke may be most famously known for his early recordings for Atlantic Records – but he still sounds pretty darn great on this set, recorded at Fame Studios in 1969, and with a rootsier feel than before! Solomon himself handled the arrangements, and co-produced with Tamiko Jones – and the instrumentation is quite lean and very stripped-down – drums from Roger Hawkins, guitar from Jimmy Johnson and Eddie Hinton, and keyboards from Barry Beckett – all burning down at the bottom range of the Muscle Shoals spectrum! Titles include a surprisingly great remake of "Proud Mary", plus "These Arms Of Mine", "I Can't Stop", "What Am I Living For", "Uptight Good Woman", "Don't Wait Too Long", and Solomon's own "How Big A Fool (Can a Fool Be)". LP, Vinyl record album
(Cover and labels have a drillhole through the center.)

Partial matches14
CD, LP, Vinyl record album cover art
Miles DavisEnigma (10 inch EP) ... LP
Blue Note, 1952/1953. New Copy ... $13.99
A real enigma from Miles Davis – rare material from the Blue Note vaults, issued here for the first time ever – and done as a totally sweet 10" album! The cover and package are great – and the music is even better – very much in the most sparkling spirit of Davis' early 10" albums for Blue Note – with a lineup that includes JJ Johnson on trombone, Jimmy Heath on tenor, Jackie McLean on alto sax, Gil Coggins on piano, Percy Heath or Oscar Pettiford on bass, and Art Blakey or Kenny Clarke on drums! Titles include "Enigma (alt take 1)", "Kelo (alt take 1)", "Chance It (alt take 3)", and "Chance It (alt take 4)". LP, Vinyl record album

Partial matches15
CD, LP, Vinyl record album cover art
Miles DavisMiles Davis In Concert ... CD
Columbia, 1972. Used 2 CDs ... $9.99
Massive double-length Miles from the early 70s – some of his most inventive long form work of the time, and some of his funkiest too! The album stretches out with almost an improvised jamming sort of quality – tunes that begin sparely, then have the musicians stepping in as the groove builds up – an odd amalgam of electric sounds on sitar, keyboards, and guitar – mixed with earthier percussion and some great trumpet and sax – working at a level that has the edge of the Japanese recordings, but a lot less noise overall. Players include Carlos Garnett on tenor and soprano sax, Reggie Lucas on guitar, Khalil Balakrishna on electric sitar, Cedric Lawson on keyboards, Al Foster on drums, Badal Roy on tabla, and Mtume on percussion. Titles include the "Foot Fooler" tracks "Rated X", "Honky Tonk", "Theme From Jack Johnson", and "Black Satin/The Theme" – and the "Slickaphonics" tracks "Ife" and "Right Off/The Theme". CD
(Out of print. Barcode has a promo sticker.)

Partial matches16
CD, LP, Vinyl record album cover art
8th DayShe's Not Just Another Woman/I Can't Fool Myself ... 7-inch
Invictus, Early 70s. Near Mint- ... $4.99
Classic work from 8th Day – working here in 2 different modes! "She's Not Just" is a funky soul tune – heavy on the downbeats, in that early 70s Holland-Dozier-Holland mode. "I Can't Fool Myself" is more of a soulful ballad, with good lyrics by General Johnson and Greg Perry. 7-inch, Vinyl record
(In an Invictus sleeve.)

Partial matches17
CD, LP, Vinyl record album cover art
Gil EvansGreat Jazz Standards ... CD
World Pacific, 1959. Used ... $8.99
A fantastic lost set from Evans – one that features Mingus trumpeter Johnny Coles as the lead soloist in front of Evans-led modern groups that include players like Elvin Jones, Ray Crawford, Steve Lacy, Budd Johnson, Rod Levitt, and Chuck Wayne. Despite the "standards" in the title, most of these numbers are modern tunes from the 50s – like "Joy Spring", "Ballad Of The Sad Young Men", "Django", "Straight No Chaser", and "Chant Of The Weed" – all given Evans' unique style of arrangement, tweaked up a few notches to give them a really edgey quality. Coles is clearly standing in for Miles here, but the format works well overall! CD
(Out of print.)
Also available Great Jazz Standards ... LP 11.99

Partial matches18
CD, LP, Vinyl record album cover art
Gil EvansGreat Jazz Standards ... LP
World Pacific, 1959. Very Good- ... $11.99
A fantastic lost set from Evans – one that features Mingus trumpeter Johnny Coles as the lead soloist in front of Evans-led modern groups that include players like Elvin Jones, Ray Crawford, Steve Lacy, Budd Johnson, Rod Levitt, and Chuck Wayne. Despite the "standards" in the title, most of these numbers are modern tunes from the 50s – like "Joy Spring", "Ballad Of The Sad Young Men", "Django", "Straight No Chaser", and "Chant Of The Weed" – all given Evans' unique style of arrangement, tweaked up a few notches to give them a really edgey quality. Coles is clearly standing in for Miles here, but the format works well overall! LP, Vinyl record album
(Black label pressing, with deep groove and a bit of pen on both sides. Cover has splitting on the spine, promo ink stamps and a bit of pen, tape remnants on back, and clear tape on the bottom seam.)
Also available Great Jazz Standards ... CD 8.99

Partial matches19
CD, LP, Vinyl record album cover art
Gil EvansOut Of The Cool/Into The Hot ... CD
Impulse (Germany), 1960/1961. New Copy ... $11.99
Two formative albums from Gil Evans – back to back on a single CD! Out Of The Cool is a pivotal session for Gil Evans – one that brought his genius to the American public strongly and successfully, without the help of Miles Davis! Sure, Gil had recorded albums as a leader before this one – but the sparkling quality of this set is right up there with the charts he handled for Miles, and the quality of the players in the group make the performance every bit as great. Gil's band includes trumpeter Johnny Coles, plus Ron Carter on bass, Elvin Jones on drums, Budd Johnson on tenor, and Ray Crawford on guitar. Titles include "Stratusphunk", "Sunken Treasure", "La Nevada", and a great reading of Kurt Weil's "Bilbao Song". Into The Hot is the harder of the two Gil Evans albums on Impulse to find, and the best – really far-reaching material that has Evans coming into contact with some of the hippest jazz players of his generation! The record's got three incredible tracks written by Cecil Taylor – a very bold move for Evans, given Taylor's strongly out reputation even at this point in his career – and possibly even more bold, given that Taylor's on the tracks playing piano, alongside players who include Archie Shepp, Jimmy Lyons, Sonny Murray, and Henry Grimes. The material's fantastic, and is a key part of Taylor's work at the time, and shows a very different setting for his piano – a bit of tension with the larger Evans group, in a way that's almost more compelling than his own early dates as a leader! Taylor titles include "Pots", "Bulbs", and "Mixed". The other tracks on the album were written by John Carisi, who wrote the classic "Israel" for Miles Davis' nine piece group in the late 40s – but who here contributes "Moon Taj", "Angkor Wat", and "Barry's Tune". Carisi's tracks are a bit more subdued, but no less wonderful – and arrangements are by Taylor and Carisi, of their own music, presented with the Evans modern touch. If you ever needed a record to convince you that Gil Evans was a genius, this is it! CD

Partial matches20
CD, LP, Vinyl record album cover art
✨✧ Gil EvansOut Of The Cool/Into The Hot ... CD
Impulse (Germany), 1960/1961. Used ... $6.99
Two formative albums from Gil Evans – back to back on a single CD! Out Of The Cool is a pivotal session for Gil Evans – one that brought his genius to the American public strongly and successfully, without the help of Miles Davis! Sure, Gil had recorded albums as a leader before this one – but the sparkling quality of this set is right up there with the charts he handled for Miles, and the quality of the players in the group make the performance every bit as great. Gil's band includes trumpeter Johnny Coles, plus Ron Carter on bass, Elvin Jones on drums, Budd Johnson on tenor, and Ray Crawford on guitar. Titles include "Stratusphunk", "Sunken Treasure", "La Nevada", and a great reading of Kurt Weil's "Bilbao Song". Into The Hot is the harder of the two Gil Evans albums on Impulse to find, and the best – really far-reaching material that has Evans coming into contact with some of the hippest jazz players of his generation! The record's got three incredible tracks written by Cecil Taylor – a very bold move for Evans, given Taylor's strongly out reputation even at this point in his career – and possibly even more bold, given that Taylor's on the tracks playing piano, alongside players who include Archie Shepp, Jimmy Lyons, Sonny Murray, and Henry Grimes. The material's fantastic, and is a key part of Taylor's work at the time, and shows a very different setting for his piano – a bit of tension with the larger Evans group, in a way that's almost more compelling than his own early dates as a leader! Taylor titles include "Pots", "Bulbs", and "Mixed". The other tracks on the album were written by John Carisi, who wrote the classic "Israel" for Miles Davis' nine piece group in the late 40s – but who here contributes "Moon Taj", "Angkor Wat", and "Barry's Tune". Carisi's tracks are a bit more subdued, but no less wonderful – and arrangements are by Taylor and Carisi, of their own music, presented with the Evans modern touch. If you ever needed a record to convince you that Gil Evans was a genius, this is it! CD
Also available Out Of The Cool/Into The Hot ... CD 11.99

Partial matches21
CD, LP, Vinyl record album cover art
Dizzy GillespieSchool Days ... LP
Regent/Savoy, 1951. Very Good- ... $9.99
A bebop classic from Dizzy Gillespie – a full album comprised of some famous 78s recorded for the Savoy label at the start of the 50s – the kind of hard-grooving material that made Diz a fan favorite right from the start! There's some nice use of vocals in the mix – not just from Dizzy, but also from Joe Carroll as well – an overlooked vocalese genius from the early days of bebop – not as well-known as Eddie Jefferson or King Pleasure, but working here in a very similar spirit! Diz sings with Joe a bit too, and other players include JJ Johnson on trombone, Milt Jackson on vibes, Bill Graham on alto and baritone sax, and Wynton Kelly on piano. Cuts include "Bopsie's Blues", "School Days", "We Love To Boogie", "Umbrella Man", "I Couldn't Beat The Rap", "Pop's Confession", and "Lady Be Good". LP, Vinyl record album
(Original Regent pressing with a deep groove and RVG etching. Cover has some pen on back.)

Partial matches22
CD, LP, Vinyl record album cover art
Coleman HawkinsColeman Hawkins (aka The Hawk Swings) ... LP
Crown, Mid 50s. Near Mint- ... $11.99
An obscure session that was nearly lost, because it was issued on a cheapo label – but which features some really great work from Coleman Hawkins! The format is small combo, with long tracks that really open up – and Hawk is blowing in that fantastic mode that he began to use a lot around the end of the 50s. His tone is incredible – at once deep and soulful, but also touched with some raspiness and a bit of a biting reed approach – almost a bit of Sonny Rollins at times, with a sound that really makes us want to listen to more work from this fruitful (and overlooked) time in Hawk's career! Players include Thad Jones on trumpet, Eddie Costa on piano and vibes, George Duvivier on bass, and Osie Johnson on drums – and titles include "Bean In Orbit", "Stalking", "Moodsville", and "Hassle". LP, Vinyl record album
(180 gram pressing on Pure Pleasure)

Partial matches23
CD, LP, Vinyl record album cover art
Cyril The Spider HaynesThe Spider Weaves Piano Magic ... LP
Golden Crest, Early 60s. Near Mint- ... $29.99
An obscure pianist – but working here in a trio with Milt Hinton on bass and Osie Johnson on drums! Includes "Theme For Pegleg Bates". LP, Vinyl record album
(Cover has a half split top seam.)

Partial matches24
CD, LP, Vinyl record album cover art
✨✧ Son HouseReal Delta Blues – 14 Songs From The Man Who Taught Robert Johnson ... LP
Blue Goose, Mid 60s. New Copy (reissue)... $9.99
Rare late recordings from the great Son House – a key figure in the early blues scene in the Mississippi Delta, but heard here during some at-home sessions recorded during his rediscovery in the 60s! House has lost none of his power over the years – and, if anything, the passage of time has really sharpened the sense of humanity in his music, and improved his work on guitar – to a point where even the spare choices of notes seem to be right on the money to illuminate the words of the songs. Most tracks are originals – and titles include "Pony Blues", "A Down The Staff", "The DT Moan", "Trouble Blue", "Lake Cormorant Blues", "Milkcow's Calf Blues", "Rochester Blues", and "Hobo". LP, Vinyl record album

Partial matches25
CD, LP, Vinyl record album cover art
Terry Huff & Special DeliveryLonely One (voc, inst) ... 7-inch
Mainstream, 1976. Near Mint- ... $2.99
A great lost bit of east coast soul – arranged and conducted by Al Johnson, and featuring the raw falsetto vocals of Terry Huff. The track shows the east coast sound in a more well-produced era, with a tighter sound than on earlier group singles – but the cut's still a nice one, with a style that hints at Al's later modern soul work. 7-inch, Vinyl record

Partial matches26
CD, LP, Vinyl record album cover art
✨✧ Bobby HutchersonTotal Eclipse ... LP
Blue Note, 1968. Near Mint- ... $34.99
A brilliant collaboration between vibist Bobby Hutcherson and reedman Harold Land – the first Blue Note album to feature the talents of the pair together, and a stone classic from the very first note! Hutcherson had already been making big waves for the label with his earlier sides – some avant, some soulful, all great – but adding Land's magical tenor and flute to the mix really opens his sound up a lot, and unlocks a lyrical quality in Bobby's music that really points the way to his flourishing years in the 70s! Yet all is not totally sweet – as both Land and Hutcherson maintain an edginess on the record that makes it more of a progression from the "new thing" years than a break – and pianist Chick Corea is on hand, moving through a very similar path in his own music too. Other players include Reggie Johnson on bass and Joe Chambers on drums – and the tracks are nice and long, with that free-wheeling soulful sound that Land seemed to nicely bring to Hutcherson's playing. Titles include "Herzog", "Same Shame", "Maxtrix", "Total Eclipse", and "Pompeian". LP, Vinyl record album
(Original Liberty pressing.)
Also available Total Eclipse (75th Anniversary Edition) ... LP 16.99

Partial matches27
CD, LP, Vinyl record album cover art
Bobby HutchersonTotal Eclipse (75th Anniversary Edition) ... LP
Blue Note, 1968. New Copy (reissue)... $16.99 19.98
A brilliant collaboration between vibist Bobby Hutcherson and reedman Harold Land – the first Blue Note album to feature the talents of the pair together, and a stone classic from the very first note! Hutcherson had already been making big waves for the label with his earlier sides – some avant, some soulful, all great – but adding Land's magical tenor and flute to the mix really opens his sound up a lot, and unlocks a lyrical quality in Bobby's music that really points the way to his flourishing years in the 70s! Yet all is not totally sweet – as both Land and Hutcherson maintain an edginess on the record that makes it more of a progression from the "new thing" years than a break – and pianist Chick Corea is on hand, moving through a very similar path in his own music too. Other players include Reggie Johnson on bass and Joe Chambers on drums – and the tracks are nice and long, with that free-wheeling soulful sound that Land seemed to nicely bring to Hutcherson's playing. Titles include "Herzog", "Same Shame", "Maxtrix", "Total Eclipse", and "Pompeian". LP, Vinyl record album
Also available Total Eclipse ... LP 34.99

Partial matches28
CD, LP, Vinyl record album cover art
✨✧ Jackie & RoyGlory Of Love ... LP
ABC, 1956. Very Good ... $1.99
One of our favorite albums by the team of Jackie & Roy – a really special little set that features small combo backing, great tunes, and some of the best vocals of their early career! The album features Roy playing piano in a quartet with Barry Galbraith on guitar, Milt Hinton on bass, and Osie Johnson on drums – and there's a lightly jazzy feel to the whole set, one that really works well with the vocals from the pair. Jackie takes the lead on some numbers, but most have her and Roy singing duets – in that cool mix of scatting and lyrical interplay they do so well. Pretty groovy stuff – especially for the 50s – and titles include "Let's Get Away From It All", "You Inspire Me", "Where Did The Gentleman Go", "The Glory Of Love", "I Love You Real", and "Miz Margret". LP, Vinyl record album
(ABC/Paramount pressing with the deep groove. Cover has wear & tape along the seams.)
 
 
 



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