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Exact matches: 3
Exact matches1
CD, LP, Vinyl record album cover art
Earl GrantEarl Grant ... LP
Decca, 1970. Sealed Gatefold ... $4.99
... LP, Vinyl record album
(Cover has a cut corner.)

Exact matches2
CD, LP, Vinyl record album cover art
✨✧ Earl GrantVersatile Earl Grant ... LP
Decca, 1958. Used ... Out Of Stock
... LP, Vinyl record album
(Black label pressing with deep groove.)

Exact matches3
CD, LP, Vinyl record album cover art
✨✧ Barbara English/Earl GrantFever (2 versions) ... 7-inch
Popcorn (UK), Mid 60s. New Copy ... Out Of Stock
Two takes on the famous tune "Fever" – both mighty nice! Barbara English sings the cut in a 60s soul mode – still with the snapping groove of the original, but with more soul on her vocals – and from the backing trio who joins her for the track! Earl Grant brings that heavy left hand piano sound of his to play on the flipside – really great, with a dark moody vibe that's offset by his own vocals, a bit of Hammond, and a sweet tenor sax as well! 7-inch, Vinyl record
 
Possible matches: 5
Possible matches4
CD, LP, Vinyl record album cover art
✨✧ World's Experience OrchestraBeginning Of A New Birth/As Time Flows On ... CD
Now Again, Mid 70s. New Copy 2 CDs ... $18.99 20.98
A lost legacy in spiritual jazz – two albums recorded by a Boston group who worked far from the limelight in New York – in a very underground scene where they recorded these two very special albums in the 70s! Their sound is very collaborative and freewheeling – an approach that reminds us a lot of music by Phil Cohran and The Artistic Heritage Ensemble. The first album in the set is The Beginning Of A New Birth – a record that really lives up to its title, given the joyous energy it brings into being – a very collaborative vibe that has the entire ensemble working together on two side-long tracks – mixing rootsy percussion, avant solos, and unified voices that really give the music a special touch! The mix of ensemble vocals and reed elements is a bit like some of the Max Roach or Billy Harper projects of the time – but the approach is looser, less structured, and very organic. Players include Michael Cosmic on alto, Raquib Ishma'll Hassan on tenor, Phil Musra on soprano sax, Shaddu Jones on piano, and Robert Fuff on bass – and titles include "The Beginning Of A New Birth" and "The Prayer". As Time Flows on is the second record – and has a style that's maybe slightly more compact – still every bit as spiritual as before, but with some shorter tracks that bring the group's ideas into even deeper focus! The group is smaller, but still uses voice along with their instrumentation – which comes from the work of Earl Grant Lawrence on flute, Jamyll Jones on bass, Shaddu Jones on piano, and Larry Roland, Roy Hall, and Chauncy Hutcherson on percussion. Some vocals are more solo, and even hit a bit of a hip protest vibe – and titles include "Nine Degrees & Cold", "Black Woman", "To Do Nothing", "The Mind", and "Rain". Comes with a great booklet – which tells the group's unique story! CD
Also available Beginning Of A New Birth/As Time Flows On (includes download) ... LP 49.99

Possible matches5
CD, LP, Vinyl record album cover art
World's Experience OrchestraBeginning Of A New Birth/As Time Flows On (includes download) ... LP
Now Again, Mid 70s. New Copy 2LP Gatefold ... $49.99 55.98
A lost legacy in spiritual jazz – two albums recorded by a Boston group who worked far from the limelight in New York – in a very underground scene where they recorded these two very special albums in the 70s! Their sound is very collaborative and freewheeling – an approach that reminds us a lot of music by Phil Cohran and The Artistic Heritage Ensemble. The first album in the set is The Beginning Of A New Birth – a record that really lives up to its title, given the joyous energy it brings into being – a very collaborative vibe that has the entire ensemble working together on two side-long tracks – mixing rootsy percussion, avant solos, and unified voices that really give the music a special touch! The mix of ensemble vocals and reed elements is a bit like some of the Max Roach or Billy Harper projects of the time – but the approach is looser, less structured, and very organic. Players include Michael Cosmic on alto, Raquib Ishma'll Hassan on tenor, Phil Musra on soprano sax, Shaddu Jones on piano, and Robert Fuff on bass – and titles include "The Beginning Of A New Birth" and "The Prayer". As Time Flows on is the second record – and has a style that's maybe slightly more compact – still every bit as spiritual as before, but with some shorter tracks that bring the group's ideas into even deeper focus! The group is smaller, but still uses voice along with their instrumentation – which comes from the work of Earl Grant Lawrence on flute, Jamyll Jones on bass, Shaddu Jones on piano, and Larry Roland, Roy Hall, and Chauncy Hutcherson on percussion. Some vocals are more solo, and even hit a bit of a hip protest vibe – and titles include "Nine Degrees & Cold", "Black Woman", "To Do Nothing", "The Mind", and "Rain". Comes with a great booklet – which tells the group's unique story! LP, Vinyl record album
(Limited numbered edition of 1000 copies, includes download.)
Also available Beginning Of A New Birth/As Time Flows On ... CD 18.99

Possible matches6
CD, LP, Vinyl record album cover art
VariousFever – Journey To The Center Of A Song Vol 2 (10" pressing) ... LP
Stag O Lee (Germany), Late 50s/Early 60s. New Copy ... $16.99
One of the coolest songs of the postwar years – given a tremendous presentation here in a really wonderful package! You probably know "Fever" from the original version by Little Willie John – or from Peggy Lee's string-heavy take – but this collection dives deeper into the heart of the song, by offering up a nice range of different versions – most of which are in a mix of soul, R&B, or jazz-based modes! The groove is nice and raw – similar to that on other of the 10" releases from the Stag-O-Lee label – with all the hard-vamping, bad-stepping groove that "Fever" has to offer – in versions by Bobby Freeman, Little Caesar & The Romans, Ray Peterson, Sid Cooper, Earl Grant, Medicine Men, Sam Butera & The Witnesses, Pete Bennett & The Embers, and The Knockouts. LP, Vinyl record album

Possible matches7
CD, LP, Vinyl record album cover art
VariousFollow Me To The Popcorn – The Untold History Of The Belgian Popcorn Scene ... CD
Jazzman (UK), Late 50s/Early 60s. New Copy ... $14.99
A wonderful tribute to a music scene that got going in Belgium during the 60s, but which was completely fueled by American soul, jazz, and R&B – spun in jam-packed clubs by DJs in that nation's equivalent of the Northern Soul scene in the UK! Yet while Northern Soul has an upbeat, uptempo groove, popcorn has one that's a lot more laidback – often slinky and vamping, with a mode that might well have been birthed by the tune "Fever" – taken to hundreds of different directions, but always handled with an equally sinister vibe! Instrumentation is as important here as the vocals – and many tunes often have slight Latin or exotic touches, a slight current of jazz, and a rock-solid lead singer who holds the whole thing together. The notes tell the tale of the Belgian DJs who first hooked into this groove – but for our ears, it's the sound that makes the set – early soul music, late rhythm and blues, and some sweet jazzy moments that provide more than a bit of variety. Titles include "Spooky" by George Barnes, "Downstairs" by Plas Johnson, "I'd Think It Over" by Sam Fletcher, "You Need To Fall In Love" by Little Jimmy Ray, "Yeah My Baby Loves Me" by Dav Kipp, "It's A Sweet World" by Gloria Grey, "Fever" by Earl Grant, "Summertime" by Monty & The Cyclones, "I Want That" by Bobby Hendricks, "Harlem Nocturne" by JJ Jones, "Sweet Little Love" by Al Brown & His Tunetoppers, "Boss Bossa Nova" by Bellino, "I Dreamed About My Baby Last Night" by Lillian Vines, "Palm Of Your Hand" by Dolly Lyon, "Barricuda" by The Page Boys, and "Any Way You Wanta" by Harvey. CD

Possible matches8
CD, LP, Vinyl record album cover art
✨✧ VariousFollow Me To The Popcorn – The Untold History Of The Belgian Popcorn Scene ... LP
Jazzman (UK), Late 50s/Early 60s. New Copy 2LP Gatefold ... Out Of Stock
A wonderful tribute to a music scene that got going in Belgium during the 60s, but which was completely fueled by American soul, jazz, and R&B – spun in jam-packed clubs by DJs in that nation's equivalent of the Northern Soul scene in the UK! Yet while Northern Soul has an upbeat, uptempo groove, popcorn has one that's a lot more laidback – often slinky and vamping, with a mode that might well have been birthed by the tune "Fever" – taken to hundreds of different directions, but always handled with an equally sinister vibe! Instrumentation is as important here as the vocals – and many tunes often have slight Latin or exotic touches, a slight current of jazz, and a rock-solid lead singer who holds the whole thing together. The notes tell the tale of the Belgian DJs who first hooked into this groove – but for our ears, it's the sound that makes the set – early soul music, late rhythm and blues, and some sweet jazzy moments that provide more than a bit of variety. Titles include "Spooky" by George Barnes, "Downstairs" by Plas Johnson, "I'd Think It Over" by Sam Fletcher, "You Need To Fall In Love" by Little Jimmy Ray, "Yeah My Baby Loves Me" by Dav Kipp, "It's A Sweet World" by Gloria Grey, "Fever" by Earl Grant, "Summertime" by Monty & The Cyclones, "I Want That" by Bobby Hendricks, "Harlem Nocturne" by JJ Jones, "Sweet Little Love" by Al Brown & His Tunetoppers, "Boss Bossa Nova" by Bellino, "I Dreamed About My Baby Last Night" by Lillian Vines, "Palm Of Your Hand" by Dolly Lyon, "Barricuda" by The Page Boys, and "Any Way You Wanta" by Harvey. LP, Vinyl record album
(Includes download!)
Also available Follow Me To The Popcorn – The Untold History Of The Belgian Popcorn Scene ... CD 14.99
 
Partial matches: 47
Partial matches9
CD, LP, Vinyl record album cover art
Grant GreenMain Attraction ... CD
Kudu/CTI, 1976. Used ... $4.99
Quite an unusual album from Grant Green – a record that's quite different than his earlier records for Blue Note, but still pretty darn great overall! Grant's working here in a large group – Kudu style – with arrangements by David Matthews, but a sound that's still pretty lean overall! There's a fair bit of great players in the lineup – including Jon Faddis on trumpet, Hubert Laws on flute, and Joe Farrell on tenor – and the horns soar out nicely to set the scene over some tightly stepping backings – all served up with plenty of room for Grant to solo spaciously on guitar! The title track – "The Main Attraction" – is nearly 20 minutes long – and the other two tracks, "Creature" and "Future Feature", both approach the 10 minute mark themselves! CD
(Out of print.)
Also available Main Attraction ... CD 13.99

Partial matches10
CD, LP, Vinyl record album cover art
Grant GreenMain Attraction ... CD
Kudu/King (Japan), 1976. New Copy ... $13.99
Quite an unusual album from Grant Green – a record that's quite different than his earlier records for Blue Note, but still pretty darn great overall! Grant's working here in a large group – Kudu style – with arrangements by David Matthews, but a sound that's still pretty lean overall! There's a fair bit of great players in the lineup – including Jon Faddis on trumpet, Hubert Laws on flute, and Joe Farrell on tenor – and the horns soar out nicely to set the scene over some tightly stepping backings – all served up with plenty of room for Grant to solo spaciously on guitar! The title track – "The Main Attraction" – is nearly 20 minutes long – and the other two tracks, "Creature" and "Future Feature", both approach the 10 minute mark themselves! CD
(Blu-Spec CD pressing!)
Also available Main Attraction ... CD 4.99

Partial matches11
CD, LP, Vinyl record album cover art
✨✧ Grant GreenMain Attraction ... LP
Kudu, 1976. Used ... Temporarily Out Of Stock
Quite an unusual album from Grant Green – a record that's quite different than his earlier records for Blue Note, but still pretty darn great overall! Grant's working here in a large group – Kudu style – with arrangements by David Matthews, but a sound that's still pretty lean overall! There's a fair bit of great players in the lineup – including Jon Faddis on trumpet, Hubert Laws on flute, and Joe Farrell on tenor – and the horns soar out nicely to set the scene over some tightly stepping backings – all served up with plenty of room for Grant to solo spaciously on guitar! The title track – "The Main Attraction" – is nearly 20 minutes long – and the other two tracks, "Creature" and "Future Feature", both approach the 10 minute mark themselves! LP, Vinyl record album
(Cover has a few razor marks and a light crease on one corner.)
Also available
Main Attraction ... CD 4.99
Main Attraction ... CD 13.99

Partial matches12
CD, LP, Vinyl record album cover art
✨✧ VariousVanguard Folk Rock Album ... CD
Big Beat (UK), Late 60s. New Copy ... Out Of Stock
An amazing little set that will completely transform your understanding of folk music in the 60s – one that picks up with a second waves of folkies who were really opening their minds to the changes in rock music at the time! The styles here all blur wonderfully – as more standard 60s folk music comes into play with psychedelic instrumentation, tripped-out production, harmony pop, and a range of different modes that all make for some incredibly far-reaching work. All tunes come from the Vanguard Records catalog – a label who were making some initial waves in the early 60s, but who really came into their own during this heady era – and helped set the tone for the huge singer/songwriter boom in the mainstream years to come. The set features a total of 22 tracks from Vanguard – titles that include "Honey" by Eric Anderson, "Back On The Street Again" by Steve Gillette, "Someone To Talk My Troubles To" by Judy Roderick, "No Rest For The Weary" and "You'll Never Know What's In My Heart" by The Hi-Five, "Reason To Believe" by Patrick Sky, "Young Blues" by The Vagrants, "Changes" by Jonathan & Leigh, "Reno Nevada" by Richard & Mimi Farina, "January Morning" and "When I Was A Cowboy" by Ian & Sylvia, and "Long Black Cadillac" by Jackie Washington. CD

Partial matches13
CD, LP, Vinyl record album cover art
Atlantic StarrAll In The Name Of Love ... LP
Warner, 1986. Very Good ... $0.99
A mid 80s classic from Atlantic Starr – at the height of their catchy commercial fame – bouncing along with rhythms that crossover nicely to the mainstream, yet still keep a bit of their previous funky edge intact! The groove here is almost in the style that Atlantic Starr inspired in so many other younger groups in the earlier part of the 80s – although it's also a bit more polished too. Most instrumentation is electric, and tunes are mostly written by the team of David and Wayne Lewis – both of whom sing on the record. Barbara Weathers also handles female vocals, and titles include "Once Lover At A Time", "Let The Sun In", "My Mistake", "I'm In Love", "Always", "Don't Take Me For Granted", and a version of Sam Dees' "All In The Name Of Love". LP, Vinyl record album
(Includes the printed inner sleeve.)

Partial matches14
CD, LP, Vinyl record album cover art
DJ Shadow & Cut ChemistRenegades Of Rhythm – DJ Shadow & Cut Chemist Play Afrika Bambaataa (tour book) ... Book
Boo Hooray, 2014. New Copy ... $6.99 39.98
A sweet little tour book commemorating DJ Shadow and Cut Chemist's Renegades Of Rhythm tour – and one that features a wealth of rare images from the early days of hip hop – of old gig flyers, records, drawings, acetates, and more! The most incredible fact about the tour itself, is that Shadow and Chemist don't just spin records that Bambaataa himself spun back in the day, but they're literally spinning Bambaataa's own record collection – having been granted access by the man himself. As part of that, the book is a document of the record collection, and other items in Bam's archives – very much a document of old school hip hop – with text by DJ Shadow, Cut Chemist, and Afrika Bambaataa. The book is 78 pages – done in kind of a DIY style that makes it all the more appealing – with a beautiful hand silk-screened cover with by Paul Insect, and featuring full color scans of many of the actual records. The overall aesthetic is somewhere in the Wax Poetics mode, although maybe a bit less slick – and some of the drawings remind us of work by Mingering Mike. Book
(Limited to 2500 copies!)

Partial matches15
CD, LP, Vinyl record album cover art
✨✧ Lou DonaldsonMusty Rusty/At His Best ... CD
Cadet/Jazz Beat (Spain), 1965. Used ... $23.99
Two Cadet Records cookers from Lou Donaldson – back to back on a single CD! Musty Rusty is a great mid 60s session by Lou Donaldson – a bridge between his earlier Blue Note recordings and his styles of the mid and late 60s – featuring an electric group with Billy Gardner on organ, Grant Green on guitar, Ben Dixon on drums, and Bill Hardman on trumpet. The tracks have the same tight group feel as the work that Lou recorded for Blue Note with Big John Patton on Hammond and Grant Green on guitar – and titles include "The Space Walk", "Hipty Hop", "Musty Rusty", "Midnight Sun", and "Ha' Mercy". At His Best is somewhat misleadingly titled – because it isn't a "best of", but a straight album from Lou's days at Cadet, and one of his best, we might add! The record features Lou's tight group with Billy Gardner on organ, grooving away in a modal soulful mode that should have made him a lot more famous. Bill Hardman is on trumpet, Grady Tate is on drums, and Calvin Newborn rounds out the group on guitar. Titles include "Greasy Papa", "Wig Blues", "Blues #3", and "Win, Lose, or Draw" – and Lou's in better form than on most of his other Cadet LPs! CD
(Out of print.)

Partial matches16
CD, LP, Vinyl record album cover art
Herbie Hancock5 Original Albums (Takin Off/My Point Of View/Inventions & Dimensions/Speak Like A Child/The Prisoner) (5CD set) ... CD
Blue Note (Germany), Mid 60s. New Copy 5CD ... $21.99
The early genius of Herbie Hancock – perfectly summed up here in five classic albums for Blue Note – each presented in a tiny LP-styled sleeve! Takin Off has Herbie Hancock stepping into the limelight with an excellent batch of soul jazz tunes, including the first recording of his classic "Watermelon Man", the one track that probably put all his kids through school! Although that one went on to become a standard within a few short years in 60s jazz, it still sounds great here in the original – a very fresh take on the sound of soul jazz in the 60s – offered up here in a 7 minute version that has more sharp soloing than most other takes on the tune! The group here is great too – with Dexter Gordon on tenor, Freddie Hubbard on trumpet, Butch Warren on bass, and Billy Higgins on drums – and the tracks are all also originals by a young Herbie – including "Watermelon Man", "The Maze", "Driftin", "Three Bags Full", "Alone & I", and "Empty Pockets". My Point Of View is a great mix of soul jazz and modernism! The record include a nice groovy "hit", Herbie's "Blind Man, Blind Man" – an obvious follow-up to "Watermelon Man", but still a standout track with a lot of imagination, and a fierce soul jazz hook that just won't quit! The rest of the record, while still groovy, also shows much more signs of Herbie's far-reaching conception – especially shared with players like Tony Williams, Grachan Moncur, Chuck Israels, and Grant Green – all of whom work with Herbie, Donald Byrd, and Hank Mobley – in a larger than usual group that makes for a really great sound! Titles include "A Tribute To Someone", "King Cobra", and "The Pleasure Is Mine". Inventions & Dimensions is really unique little record from Herbie Hancock – one that's almost completely improvised over Latin percussion! The setup is quite spare – and quite different than Herbie's other Blue Note work – and the group features improvised backgrounds by bassist Paul Chambers and 2 Latin percussionists, Willie Bobo and Osvaldo "Chihuahau" Martinez. Herbie only wrote simple sketches for the songs on the album, and most of the work on the tracks was done live, spontaneously, in the studio – creating a very free groove that never goes too far out, but which is far more adventurous than usual. All tracks are long, and titles include "Succotash", "Triangle", and "Mimosa". Speak Like A Child is an oft-overlooked session that has Herbie mixing a nice dose of lyricism into his usual soul jazz approach from the 60s! The sound's a bit farther-reaching than on some of Herbie's smaller group sessions – and the record features a sextet that includes Ron Carter, Mickey Roker, Jerry Dodgion, Thad Jones, and Peter Phillips – all soaring with the warmth and introspection that was showing up in some of the best Blue Notes from the time. The harder-hitting soul jazz riffs and hooks are nicely replaced by more thoughtful lines that get a bit deeper, soufully – and nearly all tracks on the set are originals by Hancock! The album's filled with great moments – and tracks include "The Sorcerer", "Riot", and "Goodbye To Childhood". Last up is The Prisoner – a nice late Blue Note change from Herbie Hancock – a very different album than his previous sets for the label – in that it features a slightly larger group, and a sound that really points the way towards his directions in the 70s! There's a slightly ambitious feel to some of these cuts – not in a way that's over-arranged, but just a new sort of thinking for Herbie's kind of groove – a mode that's partially informed by the seriousness of 60s jazz soundtracks, but which also has the beginnings of some more righteous modes of expression too. Players are all great – and include Joe Henderson on tenor and flute, Johnny Coles on flugelhorn, Garnett Brown on trombone, Hubert Laws on flute, Jerome Richardson on bass clarinet, Buster Williams on bass, and Tootie Heath on drums. Herbie plays both acoustic and electric piano – using the latter here in one of his first recordings on the instrument – and titles include "Firewater", "I Have A Dream", "The Prisoner", and "He Who Lives In Fear". CD

Partial matches17
CD, LP, Vinyl record album cover art
Herbie HancockMy Point Of View (RVG remaster edition) ... CD
Blue Note, 1963. Used ... $5.99
Classic Herbie from the early years, and a great mix of soul jazz and modernism! The record include a nice groovy "hit", Herbie's "Blind Man, Blind Man" – an obvious follow-up to "Watermelon Man", but still a standout track with a lot of imagination, and a fierce soul jazz hook that just won't quit! The rest of the record, while still groovy, also shows much more signs of Herbie's far-reaching conception – especially shared with players like Tony Williams, Grachan Moncur, Chuck Israels, and Grant Green – all of whom work with Herbie, Donald Byrd, and Hank Mobley – in a larger than usual group that makes for a really great sound! Titles include "A Tribute To Someone", "King Cobra", and "The Pleasure Is Mine". The CD also includes a bonus alternate take of "Blind Man, Blind Man"! CD
(CD has a promo stamp. Barcode has some marker. Includes original slipcase.)

Partial matches18
CD, LP, Vinyl record album cover art
Led ZeppelinComplete BBC Sessions (3CD set) ... CD
Atlantic, Late 60s/Early 70s. New Copy 3CD ... $22.99 24.99
A massive collection of genius from Led Zeppelin – and material that has gone onto become a crucial part of their all-too-small catalog over the years! The work here was all recorded for the BBC in the years 1969 through 1971 – offering up a much wider picture of the group during these formative years, handled by some top-shelf production – which makes these tracks way better than some of the bootlegs and demos that fans had to rely on before these sides hit the record racks. And while some of this material has been out before, this huge package features the full sessions – along with 8 tracks that have never been issued before – all produced and remastered with supervision from Jimmy Page. Titles include "Immigrant Song", "Sunshine Woman", "I Can't Quit You Baby", "Communication Breakdown", "White Summer", "What Is & What Should Never Be", "Traveling Riverside Blues", "You Shook Me", "How Many More Times", "Heartbreaker", "The Girl I Love She Got Long Black Wavy Hair", "How Many More Times", and a very cool medley that lays some other tracks into "Whole Lotta Love". CD
Also available Complete BBC Sessions (5LP set – 180 gram pressing) ... LP 89.99

Partial matches19
CD, LP, Vinyl record album cover art
Led ZeppelinComplete BBC Sessions (5LP set – 180 gram pressing) ... LP
Atlantic, Late 60s/Early 70s. New Copy 5LP ... $89.99 99.98
A massive collection of genius from Led Zeppelin – and material that has gone onto become a crucial part of their all-too-small catalog over the years! The work here was all recorded for the BBC in the years 1969 through 1971 – offering up a much wider picture of the group during these formative years, handled by some top-shelf production – which makes these tracks way better than some of the bootlegs and demos that fans had to rely on before these sides hit the record racks. And while some of this material has been out before, this huge package features the full sessions – along with 8 tracks that have never been issued before – all produced and remastered with supervision from Jimmy Page. Titles include "Immigrant Song", "Sunshine Woman", "I Can't Quit You Baby", "Communication Breakdown", "White Summer", "What Is & What Should Never Be", "Traveling Riverside Blues", "You Shook Me", "How Many More Times", "Heartbreaker", "The Girl I Love She Got Long Black Wavy Hair", "How Many More Times", and a very cool medley that lays some other tracks into "Whole Lotta Love". LP, Vinyl record album
Also available Complete BBC Sessions (3CD set) ... CD 22.99

Partial matches20
CD, LP, Vinyl record album cover art
Ike QuebecBlue & Sentimental ... CD
Blue Note, 1961. Used ... $4.99
Moody late night tenor musings by one of Blue Note's greatest talents of the early 60s! The album's a classic through and through – and the tenor of the mighty Ike Quebec is set up nicely in a solid quartet with Grant Green on guitar, Paul Chambers on bass, and Philly Joe Jones on drums. There's no piano on the album, which really opens things up a lot, and lets the guitar/tenor lines get all snakey and introspective – with just the right dose of "blue" and "sentimental" to sweeten things up without getting all gooey! A seminal bit of Ike Quebec – and proof that he was one of Blue Note's greatest discoveries ever! Titles include "Minor Impulse", "Blues For Charlie", and "Like". CD
(Out of print.)

Partial matches21
CD, LP, Vinyl record album cover art
Allen VizzuttiAllen Vizzutti ... CD
Domo, 1980. Used ... $6.99
The session's a nice jazzy fusion outing, in the best tradition of some of the excellent work from the time on the short-lived Headfirst label! Vizzutti plays trumpet in the lead, often in a brilliantly brassy style that's clearly inspired by some of Freddie Hubbard's electric work of the early 70s – but which also takes off in an even more jamming mode on a few of the album's more frenetic numbers, which get past the gentler soul of the rest of the set. Other players include Chick Corea, Grant Geisman, and Joe Farrell – and titles include "Zig Zag", "Skyrocket", "Down At Sunset Sound", "Sunflower Fields", and "In The Pocket". CD
(Out of print.)

Partial matches22
CD, LP, Vinyl record album cover art
VariousBlue Break Beats 1 – The Jazz Break Beats That Made Hip Hop Hits (colored vinyl pressing – with download) ... LP
Blue Note (Germany), 1960s/Early 70s. New Copy 2LP Gatefold (reissue)... $26.99
A really wonderful collection of grooves that first came to light in the 90s – one that had the Blue Note label digging back in their catalog and completely re-thinking their approach to reissues – given the new popularity of jazz in the hip hop sample world! As you'd guess from the title, the music here is very strongly oriented in the mode of "breaks", or tracks that were sampled for later hip hop and club recordings – classic jazz tunes from the glory days of Blue Note that have gone onto live again, thanks to the keen ears and inventive work of more contemporary DJs and producers. After all these years, The Blue Breakbeats series still stands as one of the best illustrations of the funkier side of the label – and titles on this first volume include "Weasil" by Donald Byrd, "Who's Makin Love" by Lou Donaldson, "Final Comedown" by Grant Green, "Groovin For Mr G" by Richard Groove Holmes, "Kudu" by Eddie Henderson, "Harlem River Drive" by Bobbi Humphrey, "Move Your Hand" by Lonnie Smith, "Shu Shu" by Ike Quebec, "Oliloqui Valley" by Herbie Hancock, "Your Love Is Just Too Much" by Gene Harris & The Three Sounds, "Blue Juice" by Jimmy McGriff, "Turtle Walk" by Lou Donaldson, and "Chunky" by Ronnie Foster. LP, Vinyl record album
(Pressed on colored vinyl – includes download!)

Partial matches23
CD, LP, Vinyl record album cover art
VariousBlue Break Beats 2 – The Jazz Break Beats That Made Hip Hop Hits (colored vinyl pressing – with download) ... LP
Blue Note (Germany), Late 60s/Early 70s. New Copy 2LP Gatefold (reissue)... $26.99
A really wonderful collection of grooves that first came to light in the 90s – one that had the Blue Note label digging back in their catalog and completely re-thinking their approach to reissues – given the new popularity of jazz in the hip hop sample world! As you'd guess from the title, the music here is very strongly oriented in the mode of "breaks", or tracks that were sampled for later hip hop and club recordings – classic jazz tunes from the glory days of Blue Note that have gone onto live again, thanks to the keen ears and inventive work of more contemporary DJs and producers. After all these years, The Blue Breakbeats series still stands as one of the best illustrations of the funkier side of the label – and titles on this second volume include "Orange Peel" by Reuben Wilson, "Higga Boom" by Gene Harris, "Jasper Country Man" by Bobby Humphrey, "Good Humor Man" by Blue Mitchell, "Ain't It Funky Now" by Grant Green, "The Kumquat Kids" by Eddie Henderson, "The Phantom" by Duke Pearson, "Spinning Wheel" by Lonnie Smith, "Ummh" by Bobby Hutcherson, "The Worm" by Jimmy McGriff, "The Caterpiller" by Lou Donaldson, "Pot Belly" by Lou Donaldson, "Beale Street" by Donald Byrd, "Viva Tirado" by Gerald Wilson, and "Street Lady" by Donald Byrd. LP, Vinyl record album
(Pressed on colored vinyl – includes download!)

Partial matches24
CD, LP, Vinyl record album cover art
VariousBlue Break Beats 3 – The Jazz Break Beats That Made Hip Hop Hits (colored vinyl pressing – with download) ... LP
Blue Note (UK), Late 60s/Early 70s. New Copy 2LP Gatefold (reissue)... $26.99
A really wonderful collection of grooves that first came to light in the 90s – one that had the Blue Note label digging back in their catalog and completely re-thinking their approach to reissues – given the new popularity of jazz in the hip hop sample world! As you'd guess from the title, the music here is very strongly oriented in the mode of "breaks", or tracks that were sampled for later hip hop and club recordings – classic jazz tunes from the glory days of Blue Note that have gone onto live again, thanks to the keen ears and inventive work of more contemporary DJs and producers. After all these years, The Blue Breakbeats series still stands as one of the best illustrations of the funkier side of the label – and titles on this third volume "Howling for Judy" by Jeremy Steig, "Mystic Brew" by Ronnie Foster, "Get Out Of My Live Woman" by Joe Williams, "Soul" by Jackie McLean, "Put On Train" by Gene Harris & The Three Sounds, "Light My Fire" by Shirley Bassey, "Ode To Billie Joe" by Lou Donaldson, "You've Made Me So Very Happy" by Lou Rawls, "Walk Tall" by Cannonball Adderley, "Sho-Nuff Mellow" by Reuben Wilson, "Don't Call Me N*gger Whitey" by Gene Harris, "Blacks & Blues" by Bobbi Humprhey, "Dominoes" by Donald Byrd, "Ground Hog" by Duke Pearson, "Goin Down South" by Bobby Hutcherson, "Down Here On The Ground" by Grant Green, "It's Your Thing" by Lou Donaldson, and "Flat Backin" by Blue Mitchell. LP, Vinyl record album
(Pressed on colored vinyl – includes download!)

Partial matches25
CD, LP, Vinyl record album cover art
VariousEsterno Giorno – Open Air Jazz & Psych Beats, Daytime Breaks, Latin & Bossa From The Italian RCA Film Music Vaults 1964 to 1976 (180 gram p ... LP
Four Flies (Italy), Late 60s/Early 70s. New Copy Gatefold ... $34.99
A killer compilation of rare Italian soundtrack treasures from the mid 60s to mid 70s – a decade's span of time with myriad groovy influences! Esterno Giorno is the second in a pair (so far...we're hoping for a series) of lovingly assembled soundtrack funk compilations put together by the Four Flies label, who were granted access to long neglected corners of the RCA archives. It's a stylistically fruitful period to say the least, with shades of the mod, psych, funk, soul, prog eras – smartly put together here with common elements holding it together in a cohesive whole – thanks in large part of driving percussion throughout. It's fantastic stuff, most of which has gone unreleased since the films screened back in the day! 16 tracks in all: "Stasera Mi Butto" by Gianfranco Riverberi, "Amore Formula 2" by Guycen, "Nell'Anno Della Luna" by Gino Conte, "Lovemaker" by Armando Trovajoli, "Nude Calde E Pure" by Piero Piccioni, "Un Posto Ideale Per Uccidere" by Bruno Lauzi, "Le Belve" by Nico Fidenco, "Femmina" by Carlo Savina, LP, Vinyl record album
(Limited to just 500 copies – and includes the complete album on CD!)

Partial matches26
CD, LP, Vinyl record album cover art
VariousLost Sessions (previously unissued material by Blue Note artists) ... CD
Blue Note, Early 60s. Used ... $14.99
A treasure for all jazz fans worldwide! As is known to many, the great Blue Note label often recorded more material than it could issue on a regular basis – and some of the label's best bits often got lost in the cracks, and never saw the light of day! Over the past 30 years, many of these lost albums have come out on their own – but there's still been a lot of great single tracks that have never been issued before. This CD corrects that trend, by bringing together a sumptious batch of single titles from groups that are hardly (or never) represented in Blue Note's regular line of releases. You'll get Charlie Rouse leading a quintet on the track "One For Five"; Tadd Dameron heading up a large group on "Bevan Beeps", "The Elder Speaks", and "Aloof Spoof"; Sonny Stitt wailing with Dexter Gordon on "Lady Be Good"; Fred Jackson playing tenor with John Patton and Grant Green on "Cowbell Boogie"; Ike Quebec blowing with The Three Sounds on "Blues On Trial", and Herbie Hancock leading a very hip 2-guitar group on the track "Don't Even Go There". Like finding a time machine, this CD will introduce you to a world of jazz history you never even imagined! CD
(Out of print.)

Partial matches27
CD, LP, Vinyl record album cover art
VariousSurinam Funk Force – More Boogie & Disco Funk From The Surinamese Dance Floors ... CD
Rush Hour (Netherlands), Late 70s/Early 80s. New Copy ... $15.99
A huge range of funky soul cuts from a very surprising source – the nation of Surinam, which didn't earn its independence until the mid 70s – which then seemed to pave the way for a big wave of wonderful music like this! The cuts often have a groove that's more northern hemisphere club than you'd expect from the nation's South American locale – and given that the nation was previously under the control of the Dutch, there's a lot of back/forth action here with European sounds, styles, and studios – which results in some great grooves that have a really unique hybrid in their approach! Rhythms are strong, but never too slick – never totally polished, as in a Euro disco mode – and instead maybe feel like some of the best underground New York material of the period – especially the sort that was drawing influence from communities of new immigrants. Some tracks have straightforward vocals, others have more of a group chant vibe – and most cuts have at least one key jazzy element, which really sharpens up the sound. Titles include "Happines" by Errol De La Fuente, "Born To Boogie" by Steve Watson, "Craziest" by Sonny Khoeblal, "The Funky G" by Sumy, "Love Dance" by Eddie Tailor, "Kaseko Attack" by Ronald Snijders, "Jamasa Roro" by Astaria, "Tirsa Song" by Sound Track Orchestra & Silvy, "Jhoom Le" by Cyntia, "Freedom Is The Thing" by Langa Langa, and "Jammin With The Jam Band" by Jam Band 80. CD

Partial matches28
CD, LP, Vinyl record album cover art
✨✧ Lou DonaldsonMusty Rusty ... LP
Argo, 1965. Used ... Temporarily Out Of Stock
A great mid 60s session by Lou Donaldson – a bridge between his earlier Blue Note recordings and his styles of the mid and late 60s, featuring an electric group with Billy Gardner on organ, Grant Green on guitar, Ben Dixon on drums, and Bill Hardman on trumpet. The tracks have the same tight group feel as the Patton/Green work that Lou recorded for Blue Note – and titles include "The Space Walk", "Hipty Hop", "Musty Rusty", "Midnight Sun", and "Ha' Mercy". LP, Vinyl record album
(Grey label Argo pressing with deep groove.)
Also available Musty Rusty/At His Best ... CD 23.99
 
 
 



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