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Exact matches: 3
Exact matches1
CD, LP, Vinyl record album cover art
Earl GrantEarl Grant ... LP
Decca, 1970. Sealed Gatefold ... $2.99
... LP, Vinyl record album
(Cover has a cut corner.)

Exact matches2
CD, LP, Vinyl record album cover art
✨✧ Earl GrantAt Basin Street East ... LP
Decca, Mid 60s. Used ... Temporarily Out Of Stock
... LP, Vinyl record album
(Rainbow label pressing with deep groove.)

Exact matches3
CD, LP, Vinyl record album cover art
✨✧ Barbara English/Earl GrantFever (2 versions) ... 7-inch
Popcorn (UK), Mid 60s. New Copy ... Out Of Stock
Two takes on the famous tune "Fever" – both mighty nice! Barbara English sings the cut in a 60s soul mode – still with the snapping groove of the original, but with more soul on her vocals – and from the backing trio who joins her for the track! Earl Grant brings that heavy left hand piano sound of his to play on the flipside – really great, with a dark moody vibe that's offset by his own vocals, a bit of Hammond, and a sweet tenor sax as well! 7-inch, Vinyl record
 
Possible matches: 5
Possible matches4
CD, LP, Vinyl record album cover art
World's Experience OrchestraBeginning Of A New Birth/As Time Flows On ... CD
Now Again, Mid 70s. New Copy 2 CDs ... $18.99 20.98
A lost legacy in spiritual jazz – two albums recorded by a Boston group who worked far from the limelight in New York – in a very underground scene where they recorded these two very special albums in the 70s! Their sound is very collaborative and freewheeling – an approach that reminds us a lot of music by Phil Cohran and The Artistic Heritage Ensemble. The first album in the set is The Beginning Of A New Birth – a record that really lives up to its title, given the joyous energy it brings into being – a very collaborative vibe that has the entire ensemble working together on two side-long tracks – mixing rootsy percussion, avant solos, and unified voices that really give the music a special touch! The mix of ensemble vocals and reed elements is a bit like some of the Max Roach or Billy Harper projects of the time – but the approach is looser, less structured, and very organic. Players include Michael Cosmic on alto, Raquib Ishma'll Hassan on tenor, Phil Musra on soprano sax, Shaddu Jones on piano, and Robert Fuff on bass – and titles include "The Beginning Of A New Birth" and "The Prayer". As Time Flows on is the second record – and has a style that's maybe slightly more compact – still every bit as spiritual as before, but with some shorter tracks that bring the group's ideas into even deeper focus! The group is smaller, but still uses voice along with their instrumentation – which comes from the work of Earl Grant Lawrence on flute, Jamyll Jones on bass, Shaddu Jones on piano, and Larry Roland, Roy Hall, and Chauncy Hutcherson on percussion. Some vocals are more solo, and even hit a bit of a hip protest vibe – and titles include "Nine Degrees & Cold", "Black Woman", "To Do Nothing", "The Mind", and "Rain". Comes with a great booklet – which tells the group's unique story! CD

Possible matches5
CD, LP, Vinyl record album cover art
VariousFever – Journey To The Center Of A Song Vol 2 (10" pressing) ... LP
Stag O Lee (Germany), Late 50s/Early 60s. New Copy ... $16.99
One of the coolest songs of the postwar years – given a tremendous presentation here in a really wonderful package! You probably know "Fever" from the original version by Little Willie John – or from Peggy Lee's string-heavy take – but this collection dives deeper into the heart of the song, by offering up a nice range of different versions – most of which are in a mix of soul, R&B, or jazz-based modes! The groove is nice and raw – similar to that on other of the 10" releases from the Stag-O-Lee label – with all the hard-vamping, bad-stepping groove that "Fever" has to offer – in versions by Bobby Freeman, Little Caesar & The Romans, Ray Peterson, Sid Cooper, Earl Grant, Medicine Men, Sam Butera & The Witnesses, Pete Bennett & The Embers, and The Knockouts. LP, Vinyl record album

Possible matches6
CD, LP, Vinyl record album cover art
VariousFollow Me To The Popcorn – The Untold History Of The Belgian Popcorn Scene ... CD
Jazzman (UK), Late 50s/Early 60s. New Copy ... $14.99
A wonderful tribute to a music scene that got going in Belgium during the 60s, but which was completely fueled by American soul, jazz, and R&B – spun in jam-packed clubs by DJs in that nation's equivalent of the Northern Soul scene in the UK! Yet while Northern Soul has an upbeat, uptempo groove, popcorn has one that's a lot more laidback – often slinky and vamping, with a mode that might well have been birthed by the tune "Fever" – taken to hundreds of different directions, but always handled with an equally sinister vibe! Instrumentation is as important here as the vocals – and many tunes often have slight Latin or exotic touches, a slight current of jazz, and a rock-solid lead singer who holds the whole thing together. The notes tell the tale of the Belgian DJs who first hooked into this groove – but for our ears, it's the sound that makes the set – early soul music, late rhythm and blues, and some sweet jazzy moments that provide more than a bit of variety. Titles include "Spooky" by George Barnes, "Downstairs" by Plas Johnson, "I'd Think It Over" by Sam Fletcher, "You Need To Fall In Love" by Little Jimmy Ray, "Yeah My Baby Loves Me" by Dav Kipp, "It's A Sweet World" by Gloria Grey, "Fever" by Earl Grant, "Summertime" by Monty & The Cyclones, "I Want That" by Bobby Hendricks, "Harlem Nocturne" by JJ Jones, "Sweet Little Love" by Al Brown & His Tunetoppers, "Boss Bossa Nova" by Bellino, "I Dreamed About My Baby Last Night" by Lillian Vines, "Palm Of Your Hand" by Dolly Lyon, "Barricuda" by The Page Boys, and "Any Way You Wanta" by Harvey. CD

Possible matches7
CD, LP, Vinyl record album cover art
✨✧ World's Experience OrchestraBeginning Of A New Birth/As Time Flows On (includes download) ... LP
Now Again, Mid 70s. New Copy 2LP Gatefold ... Out Of Stock
A lost legacy in spiritual jazz – two albums recorded by a Boston group who worked far from the limelight in New York – in a very underground scene where they recorded these two very special albums in the 70s! Their sound is very collaborative and freewheeling – an approach that reminds us a lot of music by Phil Cohran and The Artistic Heritage Ensemble. The first album in the set is The Beginning Of A New Birth – a record that really lives up to its title, given the joyous energy it brings into being – a very collaborative vibe that has the entire ensemble working together on two side-long tracks – mixing rootsy percussion, avant solos, and unified voices that really give the music a special touch! The mix of ensemble vocals and reed elements is a bit like some of the Max Roach or Billy Harper projects of the time – but the approach is looser, less structured, and very organic. Players include Michael Cosmic on alto, Raquib Ishma'll Hassan on tenor, Phil Musra on soprano sax, Shaddu Jones on piano, and Robert Fuff on bass – and titles include "The Beginning Of A New Birth" and "The Prayer". As Time Flows on is the second record – and has a style that's maybe slightly more compact – still every bit as spiritual as before, but with some shorter tracks that bring the group's ideas into even deeper focus! The group is smaller, but still uses voice along with their instrumentation – which comes from the work of Earl Grant Lawrence on flute, Jamyll Jones on bass, Shaddu Jones on piano, and Larry Roland, Roy Hall, and Chauncy Hutcherson on percussion. Some vocals are more solo, and even hit a bit of a hip protest vibe – and titles include "Nine Degrees & Cold", "Black Woman", "To Do Nothing", "The Mind", and "Rain". Comes with a great booklet – which tells the group's unique story! LP, Vinyl record album
(Limited numbered edition of 1000 copies, includes download.)
Also available Beginning Of A New Birth/As Time Flows On ... CD 18.99

Possible matches8
CD, LP, Vinyl record album cover art
✨✧ VariousBest Of Soundtracks ... CD
MCA (Japan), 1950s/1960s/1970s/1980s. Used ... Out Of Stock
Includes tracks from Francis Lai, Little Richard, The Commitments, Buddy Holly, Glenn Frey, Dan Harman, Louis Armstrong, Gladys Knight, Bobby Brown, and Earl Grant. CD
(Out of print. Includes obi.)
 
Partial matches: 55
Partial matches9
CD, LP, Vinyl record album cover art
Grant GreenComplete Blue Note Recordings Of Grant Green With Sonny Clark (4CD set) ... CD
Blue Note/Mosaic, Early 60s. Used 4CDs ... $184.99
Although Grant Green has been getting a lot of attention lately for his heavy-duty funk work of the late 60s, it's the subtly beautiful work of the early 60's that first caught our attention years ago. From the start of his young career, Green was an amazing player who had developed a unique single-note approach to soloing that was positively riveting. And while his appearances on other Blue Note albums were filled with a heavy soul jazz sound that had Green playing next to organ and tenor, material like this gives you a perfect chance to hear how well he could swing a group on his own, with little other accompaniment than a tight rhythm section, and some soulful piano from Sonny Clark. None of this material was issued at the time. Includes material that appeared on the later albums Gooden's Corner, Oleo, Born To Be Blue, and Nigeria – plus tracks from The World Of Jazz Guitar, and Blue & Sentimental by Ike Quebec. CD
(Out of print numbered limited ediiton. Includes original book, box and all CDs in their cases – all in great shape!)

Partial matches10
CD, LP, Vinyl record album cover art
Grant GreenHoly Barbarian – St Louis 1959 ... CD
Uptown, 1959. Used ... $9.99
A rare early chapter in the career of guitarist Grant Green – local material, cut in his hometown of St Louis – in the years before Lou Donaldson picked him up and delivered him to Blue Note Records! Amazingly, though, the Grant Green heard here is every bit as great as the guitarist who emerged strongly on his early Blue Note dates as a leader – a smoking soloist with a strong talent for single-line grooving – working here in a hip organ combo that features Sam Lazar on Hammond and Bob Graf on tenor sax! Lazar's got a mean bite to his organ, and pairs beautifully with Green – and together, the players hit a groove that's gritty, yet which has surprisingly strong fidelity – more than enough to make the record an essential piece of Grant's catalog. The CD's hardly a muddy live recording, and instead has surprisingly great fidelity – and lots of long tracks with open solos, on titles that include "Deep", "Blue Train", "Holy Barbarian Blues", "Caramu", "Grovvin High", and "Out Of Nowhere". CD
(Punch through barcode.)

Partial matches11
CD, LP, Vinyl record album cover art
Grant GreenMain Attraction ... CD
Kudu/King (Japan), 1976. New Copy ... $13.99
Quite an unusual album from Grant Green – a record that's quite different than his earlier records for Blue Note, but still pretty darn great overall! Grant's working here in a large group – Kudu style – with arrangements by David Matthews, but a sound that's still pretty lean overall! There's a fair bit of great players in the lineup – including Jon Faddis on trumpet, Hubert Laws on flute, and Joe Farrell on tenor – and the horns soar out nicely to set the scene over some tightly stepping backings – all served up with plenty of room for Grant to solo spaciously on guitar! The title track – "The Main Attraction" – is nearly 20 minutes long – and the other two tracks, "Creature" and "Future Feature", both approach the 10 minute mark themselves! CD
(Blu-Spec CD pressing!)
Also available Main Attraction ... LP 4.99

Partial matches12
CD, LP, Vinyl record album cover art
Grant GreenMain Attraction ... LP
Kudu, 1976. Very Good+ ... $4.99
Quite an unusual album from Grant Green – a record that's quite different than his earlier records for Blue Note, but still pretty darn great overall! Grant's working here in a large group – Kudu style – with arrangements by David Matthews, but a sound that's still pretty lean overall! There's a fair bit of great players in the lineup – including Jon Faddis on trumpet, Hubert Laws on flute, and Joe Farrell on tenor – and the horns soar out nicely to set the scene over some tightly stepping backings – all served up with plenty of room for Grant to solo spaciously on guitar! The title track – "The Main Attraction" – is nearly 20 minutes long – and the other two tracks, "Creature" and "Future Feature", both approach the 10 minute mark themselves! LP, Vinyl record album
Also available Main Attraction ... CD 13.99

Partial matches13
CD, LP, Vinyl record album cover art
Grant GreenOriginal Jam Master Vol 3 – Mellow Madness ... CD
Blue Note, Late 60s/Early 70s. Used ... $8.99
Some of the funkiest work on guitar ever recorded – and a great overview of the legendary sessions that Grant Green recorded for Blue Note in the late 60s and early 70s! Years back, the label used to disown these sessions – claiming they were more commercial and lower-quality than Green's original, earlier 60s sessions for the company. But now, thanks to the attention given the music by beatheads worldwide, Blue Note's finally giving this music its due – and bringing together the best Grant Green work from this time in a massive 3 volume series! The vibe here was often inspired by mainstream soul and funk of the time – but taken much more into the jazz side of the spectrum, as Green opens up with long weaving solos that still stand as some of the best guitar work in jazz at the time. Instrumentation is often raw and rough – using heavy drums, Hammond, and a bit of horns to support Grant's solos – and given that most of these tracks are nice and long, there's often plenty of space for other instrumental jamming as well. Volume 3 features 5 long tracks – "Cease The Bombing", "Maiden Voyage", "Day In The Life", "Down Here On The Ground", and "Fancy Free". CD
(Out of print.)

Partial matches14
CD, LP, Vinyl record album cover art
✨✧ Eddy GrantKiller On The Rampage ... LP
Epic/Ice, 1983. Used ... Out Of Stock
An unlikely contender to the throne of king of electro, this early 80s effort from Eddie Grant helps to prop him up there quite nicely. Heavy synth driven grooves bubble along nicely with that crisp Linn Drum sound, and though this album benefited from some wider pop appeal, there's more than a bit of Eddie's reggae side showing through too! Includes the massive "Electric Avenue", plus "Killer On The Rampage" and "Latin Love Affair", 10 tracks in all. LP, Vinyl record album
(Includes the lyric sleeve.)

Partial matches15
CD, LP, Vinyl record album cover art
✨✧ Amon Duul IIMade In Germany ... LP
Atco, 1975. New Copy (reissue)... $15.99
A big international record from Amon Duul – and for good reason, too – as the set's filled with catchy little tracks that have this really cool blend of prog and glam! The style's almost like Roxy Music at points – with the vocals all compressed in the guitars, and this sinister vibe in the instrumentation – played by a group who clearly know how to stretch out more, but instead pack a lot of experimentation into shorter, groovier space. The vocals are in English, but accented – which gives them a further offbeat vibe – and titles include "The King's Chocolate Waltz", "Emigrant Son", "La Krautoma", "Metropolis", "Gala Gnome", and "Mr Kraut's Jinx". LP, Vinyl record album

Partial matches16
CD, LP, Vinyl record album cover art
✨✧ Rusty BryantRusty Bryant Returns ... LP
Prestige, 1969. New Copy (reissue)... $9.99
A real smoker of a session – Rusty Bryant's first comeback album of the jazz funk years, done in a mode that virtually set the tone for other Prestige sessions of the time! Rusty's working here on alto sax, in a mode that's clearly inspired by the Lou Donaldson sessions of the time on Blue Note – but done with a freer, looser, more rolling sort of vibe. Organist Sonny Phillips really makes the set great with some fluid work on the Hammond that matches Bryant's groove – and guitarist Grant Green's also in the group, setting up some great single note lines that punctuate the tunes nicely. A key factor is also bassist Bob Bushnell, who plays Fender bass on the record (an element missing from the Donaldson sound), and gives the record a key bit of motion at the bottom! Tracks include the groovy "Zoo Boogaloo", plus "Streak O' Lean", "Night Flight", "The Cat", and "Ready Rusty". LP, Vinyl record album

Partial matches17
CD, LP, Vinyl record album cover art
Joe CarrollMan With A Happy Sound ... LP
Charlie Parker, Early 60s. Very Good ... $2.99
Dizzy's longtime bebop partner cut this album of vocal tracks in the early 60s, when he was no longer recording with Diz. The record's a good batch of vocalese tracks with a strong bop edge – in the traditon of singers like Eddie Jefferson, Jon Hendricks, and King Pleasure, and the band features a young Grant Green on guitar. The best track is the goofy "Land Of Ooh Bla Dee", but there's lots of other nice ones, like "Wha Wha Blues", "Have You Got A Penny Benny", and "New School Days". LP, Vinyl record album
(Yellow label pressing. Cover has light wear & a name in pen.)

Partial matches18
CD, LP, Vinyl record album cover art
DJ Shadow & Cut ChemistRenegades Of Rhythm – DJ Shadow & Cut Chemist Play Afrika Bambaataa (tour book) ... Book
Boo Hooray, 2014. New Copy ... $6.99 39.98
A sweet little tour book commemorating DJ Shadow and Cut Chemist's Renegades Of Rhythm tour – and one that features a wealth of rare images from the early days of hip hop – of old gig flyers, records, drawings, acetates, and more! The most incredible fact about the tour itself, is that Shadow and Chemist don't just spin records that Bambaataa himself spun back in the day, but they're literally spinning Bambaataa's own record collection – having been granted access by the man himself. As part of that, the book is a document of the record collection, and other items in Bam's archives – very much a document of old school hip hop – with text by DJ Shadow, Cut Chemist, and Afrika Bambaataa. The book is 78 pages – done in kind of a DIY style that makes it all the more appealing – with a beautiful hand silk-screened cover with by Paul Insect, and featuring full color scans of many of the actual records. The overall aesthetic is somewhere in the Wax Poetics mode, although maybe a bit less slick – and some of the drawings remind us of work by Mingering Mike. Book
(Limited to 2500 copies!)

Partial matches19
CD, LP, Vinyl record album cover art
Lou DonaldsonMusty Rusty/At His Best ... CD
Cadet/Jazz Beat (Spain), 1965. Used ... $23.99
Two Cadet Records cookers from Lou Donaldson – back to back on a single CD! Musty Rusty is a great mid 60s session by Lou Donaldson – a bridge between his earlier Blue Note recordings and his styles of the mid and late 60s – featuring an electric group with Billy Gardner on organ, Grant Green on guitar, Ben Dixon on drums, and Bill Hardman on trumpet. The tracks have the same tight group feel as the work that Lou recorded for Blue Note with Big John Patton on Hammond and Grant Green on guitar – and titles include "The Space Walk", "Hipty Hop", "Musty Rusty", "Midnight Sun", and "Ha' Mercy". At His Best is somewhat misleadingly titled – because it isn't a "best of", but a straight album from Lou's days at Cadet, and one of his best, we might add! The record features Lou's tight group with Billy Gardner on organ, grooving away in a modal soulful mode that should have made him a lot more famous. Bill Hardman is on trumpet, Grady Tate is on drums, and Calvin Newborn rounds out the group on guitar. Titles include "Greasy Papa", "Wig Blues", "Blues #3", and "Win, Lose, or Draw" – and Lou's in better form than on most of his other Cadet LPs! CD
(Out of print.)

Partial matches20
CD, LP, Vinyl record album cover art
Sonny ForriestTuff Pickin ... LP
Decca, Early 60s. Very Good ... $19.99
A lost groover from this obscure soul jazz guitarist – recorded with some pretty interesting backing, and a firey guitar style that makes us wish he'd recorded more! The record sports two main groups backing up Forriest's guitar – one with Ernie Hayes on organ, Bernard Purdie on drums, Willie Rodriguez on conga, and Albert Winston on bass; the other with Grachan Moncur on trombone, Frank Haynes on tenor, Charles Davis on baritone, and Leo Morris on drums. Sonny's guitar work is right out front – very complicated and bluesy, mostly single-note plucked, in the manner of Grant Green, but with a lot more inflection on the strings. Titles include "Minor Blast", "My Soul Is Happy", "Mashin It", "Steppin", "Miss Dee McC", and "Bitter With The Sweet". LP, Vinyl record album
(Cover has a light crease on one corner.)

Partial matches21
CD, LP, Vinyl record album cover art
Herbie Hancock5 Original Albums (Takin Off/My Point Of View/Inventions & Dimensions/Speak Like A Child/The Prisoner) (5CD set) ... CD
Blue Note (Germany), Mid 60s. New Copy 5CD ... $21.99
The early genius of Herbie Hancock – perfectly summed up here in five classic albums for Blue Note – each presented in a tiny LP-styled sleeve! Takin Off has Herbie Hancock stepping into the limelight with an excellent batch of soul jazz tunes, including the first recording of his classic "Watermelon Man", the one track that probably put all his kids through school! Although that one went on to become a standard within a few short years in 60s jazz, it still sounds great here in the original – a very fresh take on the sound of soul jazz in the 60s – offered up here in a 7 minute version that has more sharp soloing than most other takes on the tune! The group here is great too – with Dexter Gordon on tenor, Freddie Hubbard on trumpet, Butch Warren on bass, and Billy Higgins on drums – and the tracks are all also originals by a young Herbie – including "Watermelon Man", "The Maze", "Driftin", "Three Bags Full", "Alone & I", and "Empty Pockets". My Point Of View is a great mix of soul jazz and modernism! The record include a nice groovy "hit", Herbie's "Blind Man, Blind Man" – an obvious follow-up to "Watermelon Man", but still a standout track with a lot of imagination, and a fierce soul jazz hook that just won't quit! The rest of the record, while still groovy, also shows much more signs of Herbie's far-reaching conception – especially shared with players like Tony Williams, Grachan Moncur, Chuck Israels, and Grant Green – all of whom work with Herbie, Donald Byrd, and Hank Mobley – in a larger than usual group that makes for a really great sound! Titles include "A Tribute To Someone", "King Cobra", and "The Pleasure Is Mine". Inventions & Dimensions is really unique little record from Herbie Hancock – one that's almost completely improvised over Latin percussion! The setup is quite spare – and quite different than Herbie's other Blue Note work – and the group features improvised backgrounds by bassist Paul Chambers and 2 Latin percussionists, Willie Bobo and Osvaldo "Chihuahau" Martinez. Herbie only wrote simple sketches for the songs on the album, and most of the work on the tracks was done live, spontaneously, in the studio – creating a very free groove that never goes too far out, but which is far more adventurous than usual. All tracks are long, and titles include "Succotash", "Triangle", and "Mimosa". Speak Like A Child is an oft-overlooked session that has Herbie mixing a nice dose of lyricism into his usual soul jazz approach from the 60s! The sound's a bit farther-reaching than on some of Herbie's smaller group sessions – and the record features a sextet that includes Ron Carter, Mickey Roker, Jerry Dodgion, Thad Jones, and Peter Phillips – all soaring with the warmth and introspection that was showing up in some of the best Blue Notes from the time. The harder-hitting soul jazz riffs and hooks are nicely replaced by more thoughtful lines that get a bit deeper, soufully – and nearly all tracks on the set are originals by Hancock! The album's filled with great moments – and tracks include "The Sorcerer", "Riot", and "Goodbye To Childhood". Last up is The Prisoner – a nice late Blue Note change from Herbie Hancock – a very different album than his previous sets for the label – in that it features a slightly larger group, and a sound that really points the way towards his directions in the 70s! There's a slightly ambitious feel to some of these cuts – not in a way that's over-arranged, but just a new sort of thinking for Herbie's kind of groove – a mode that's partially informed by the seriousness of 60s jazz soundtracks, but which also has the beginnings of some more righteous modes of expression too. Players are all great – and include Joe Henderson on tenor and flute, Johnny Coles on flugelhorn, Garnett Brown on trombone, Hubert Laws on flute, Jerome Richardson on bass clarinet, Buster Williams on bass, and Tootie Heath on drums. Herbie plays both acoustic and electric piano – using the latter here in one of his first recordings on the instrument – and titles include "Firewater", "I Have A Dream", "The Prisoner", and "He Who Lives In Fear". CD

Partial matches22
CD, LP, Vinyl record album cover art
Led ZeppelinComplete BBC Sessions (3CD set) ... CD
Atlantic, Late 60s/Early 70s. New Copy 3CD ... $22.99 24.99
A massive collection of genius from Led Zeppelin – and material that has gone onto become a crucial part of their all-too-small catalog over the years! The work here was all recorded for the BBC in the years 1969 through 1971 – offering up a much wider picture of the group during these formative years, handled by some top-shelf production – which makes these tracks way better than some of the bootlegs and demos that fans had to rely on before these sides hit the record racks. And while some of this material has been out before, this huge package features the full sessions – along with 8 tracks that have never been issued before – all produced and remastered with supervision from Jimmy Page. Titles include "Immigrant Song", "Sunshine Woman", "I Can't Quit You Baby", "Communication Breakdown", "White Summer", "What Is & What Should Never Be", "Traveling Riverside Blues", "You Shook Me", "How Many More Times", "Heartbreaker", "The Girl I Love She Got Long Black Wavy Hair", "How Many More Times", and a very cool medley that lays some other tracks into "Whole Lotta Love". CD

Partial matches23
CD, LP, Vinyl record album cover art
Jimmy SmithI'm Movin' On ... CD
Blue Note, Early 60s. Used ... $9.99
A great little trio session – one of Jimmy's hippest, featuring Grant Green on guitar and Donald Bailey on drums. The talents of Green are quite welcome here – as his lighter touch on the strings makes Jimmy open up a bit more than with some of his other compatriots in this format – creating a groove that's less bluesy, with slight modal touches. The set includes a nice long original called "Back Talk", plus the cuts "T'Ain't No Use", "I'm Movin On", and "Hotel Happiness". Cool cover, too, with Jimmy posed in front of the wheel of a Jaguar! CD
(Out of print original CD pressing, not a CDr.)

Partial matches24
CD, LP, Vinyl record album cover art
Allen VizzuttiAllen Vizzutti ... CD
Domo, 1980. Used ... $4.99
The session's a nice jazzy fusion outing, in the best tradition of some of the excellent work from the time on the short-lived Headfirst label! Vizzutti plays trumpet in the lead, often in a brilliantly brassy style that's clearly inspired by some of Freddie Hubbard's electric work of the early 70s – but which also takes off in an even more jamming mode on a few of the album's more frenetic numbers, which get past the gentler soul of the rest of the set. Other players include Chick Corea, Grant Geisman, and Joe Farrell – and titles include "Zig Zag", "Skyrocket", "Down At Sunset Sound", "Sunflower Fields", and "In The Pocket". CD
(Out of print.)

Partial matches25
CD, LP, Vinyl record album cover art
Patrick WilliamsTheme ... LP
PA USA, 1977. Very Good+ ... $9.99
A groovy album of slick LA jazz – put together by the great Pat Williams, who did some great arranging work for Verve and MPS in earlier years! The record features a lot of studio jazz players – like Dave Grusin, Toots Thielemans, Gerrry Niewood, Marvin Stamm, and Jerome Richardson – and the tracks are short with kind of an uptempo funky style. Titles include "Barrio", "Blue Light", "Sail On", and versions of the "Bob Newhart" and "Lou Grant" TV Themes! LP, Vinyl record album

Partial matches26
CD, LP, Vinyl record album cover art
VariousBlue Bossa – Vols 1 to 3 – Cool Cuts From The Tropics (3CD set) ... CD
Blue Note (Germany), Late 50s/1960s/Early 70s. New Copy 3CD ... $19.99
The Latin side of Blue Note Records – and the Brazilian one, too – served up here in a series that brought together classic work from the label in a special sort of groove – tunes that are maybe more influenced by south of the border rhythms than you'd expect from the soul jazz and hardbop artists who originally made the records! There's a bit of bossa here, but the rhythms open up into a fair bit more, too – and it's great to hear the difference in these musicians as they change things up from straighter bop modes, and use the new grooves to open up their solos and rework their phrasing too! This side of Blue Note was sometimes buried in a world of collectors looking for more familiar hardbop, but it really lives again, thanks tot he Blue Bossa collection. 3CD set features 41 tracks in all – including "Afreaka" by Lee Morgan, "Avila & Tequila" by Hank Mobley, "Chitlins Con Carne" by Kenny Burrell, "Congalegre" by Horace Parlan, "Back Down To The Tropics" by Charlie Rouse, "Latona" by Big John Patton, "Girl From Ipanema" by Lou Rawls, "La Fiesta" by Stanley Turrentine, "Headin South" by Horace Parlan, "La Malanga" by Bobby Hutcherson, "Mama Inez" by Grant Green, "Swingin The Samba" by Horace Silver, "Upa Neguinho" by Duke Pearson, "Mambo Inn" by Grant Green, "Ghana" by Donald Byrd, "Love For Sale" by Dexter Gordon, "Samba De Orfeu" by Charlie Rouse, "Afrodisia" by Kenny Dorham, "Sambop" by Cannonball Adderley with Bossa Rio, "Loi" by Ike Quebec, "Sandalia Dela" by Duke Pearson, "Congo Lament" by Ike Quebec, "Corcovado" by Grant Green, "Tin Tin Deo" by James Moody, "El Gaucho" by Wayne Shorter, and "Stormy" by Duke Pearson. CD

Partial matches27
CD, LP, Vinyl record album cover art
VariousBlue Break Beats – Vols 1 to 3 – The Jazz Break Beats That Made Hip Hop Hits (3CD set) ... CD
Blue Note (Germany), 1960s/Early 70s. New Copy 3CD ... $19.99
A special package that brings together the first three volumes in this landmark series – one that had the Blue Note label digging back in their catalog and completely re-thinking their approach to reissues – given the new popularity of jazz in the hip hop sample world! As you'd guess from the title, the music here is very strongly oriented in the mode of "breaks", or tracks that were sampled for later hip hop and club recordings – classic jazz tunes from the glory days of Blue Note that have gone onto live again, thanks to the keen ears and inventive work of more contemporary DJs and producers. After all these years, The Blue Breakbeats series still stands as one of the best illustrations of the funkier side of the label – and titles include "Blue Juice" by Jimmy McGriff, "Groovin For Mr G" by Richard Groove Holmes, "Street Lady" by Donald Byrd, "Jasper Country Man" by Bobbi Humphrey, "Higga Boom" by Gene Harris, "Walk Tall" by Cannonball Adderley, "Howlin For Judy" by Jeremy Steig, "Sho Nuff Mellow" by Rueben Wilson, "Ode To Billie Joe" by Lou Donaldson, "Don't Call Me N*gger Whitey" by Gene Harris, "Mystic Brew" by Ronnie Foster, "Ground Hog" by Duke Pearson, "Ummh" by Bobby Hutcherson, "Ain't It Funky Now" by Grant Green, "Your Love Is Just Too Much" by Gene Harris, "Kudu" by Eddie Henderson, "The Weasil" by Donald Byrd, "It's Your Thing" by Lou Donaldson, "The Worm" by Jimmy McGriff, "Orange Peel" by Reuben Wilson, "The Kumquat Kids" by Eddie Henderson, "Good Humor Man" by Blue Mitchell, "Viva Tirado" by Gerald Wilson, "Turtle Walk" by Lou Donaldson, "Final Comedown" by Grant Green, "Get Out Of My Life Woman" by Joe Williams, "You've Made Me So Very Happy" by Lou Rawls, and "Oliloqui Valley" by Herbie Hancock. CD

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VariousDeep Jazz Trip ... CD
Muse/Pho, Early 70s. Used ... $3.99
Things definitely get plenty deep on this jazz trip – a great run through the 70s catalog of Muse Records, and one that's filled with some incredible bits that we'd rank right up there with the best work of the time on labels like Black Jazz or Strata East! Muse always had a way of really letting its artists do their thing – and you'll heard that clearly on some of the best cuts here – numbers that offer up surprisingly vibrant sides of the artists included, usually with some righteous undertones. Titles include Eddie Jefferson's rendering of "Freedom Jazz Dance" (and a very crazy one at that), Charles Earland's excellent stormer "Murilley", Kenny Barron's "Swamp Demon", Walter Bishop Jr's "Soul Village", Joao Donato's "Night Tripper", "Old Man Moses" by Grant Green, and three nice ones by Carlos Garnett – "Good Shepherd", "Banks Of The Nile", and "Taurus Woman", from the classic Black Love LP. CD
 
 
 



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