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Exact matches: 10
Exact matches1
CD, LP, Vinyl record album cover art
Duke PearsonHow Insensitive ... LP
Blue Note, 1969. Very Good+ ... $19.99
Another bold step forward in the too-short career of Duke Pearson – and one of the last few records before his untimely death! The session departs from previous Pearson work by using vocals on most tracks – sometimes a solo singer, either Andy Bey or Flora Purim, and sometimes a larger chorus, in the manner of vocal jazz experiments on records by Donald Byrd or Max Roach. Duke himself plays electric piano on the set, bringing in a moody undercurrent that sets the whole thing on edge – and which makes even the simplest of vocal performances shine like a dark jewel in the night. Airto plays percussion on the set, and there's also some nice Brazilian rhythms that filter in and out of the tunes – on titles that include "Sandelia Dela", "Lamento", "Cristo Redentor", "My Love Waits", and "Tears". LP, Vinyl record album
(Liberty/UA pressing. Cover has a cut corner.)

Exact matches2
CD, LP, Vinyl record album cover art
Duke PearsonProfile ... CD
Blue Note (Japan), 1959. New Copy ... $15.99
Early early work by Duke Pearson – and one of his few trio sessions ever! The album's a great way to hear Pearson's lyrical soulful style at work, as he's playing in an unfettered setting with Gene Taylor on bass and Lex Humphries on drums – really stretching out on piano, in a way that you don't often hear on some of his larger group albums. The album features two of his own compositions "Gate City Bop" and "Two Mile Ride", plus versions of "Black Coffee", "Taboo", and "Witchcraft". CD
(SHM-CD pressing!)

Exact matches3
CD, LP, Vinyl record album cover art
✨✧ Duke PearsonRight Touch ... LP
Blue Note, 1967. Very Good- ... $9.99
One of the hippest sets that Duke Pearson ever recorded – and an all-out Blue Note soul jazz set that's even better than Pearson's classic Sweet Honey Bee! Duke's style is deeper and more farther-reaching here – with echoes of styles used at the time by Hank Mobley and Lee Morgan – carried off with some of the more tightly-arranged modes used by Pearson on his backdrops for other players at the time. The group here includes James Spaulding on alto, Freddie Hubbard on trumpet, Jerry Dodgion on alto and flute, Stanley Turrentine on tenor, Garnett Brown on trombone, and rhythm by Gene Taylor on bass and Grady Tate on drums. Tracks have a strong overall focus on the groove – rolling around in that rollicking mid 60s Blue Note style that Pearson helped establish as the label's trademark at the time – but titles are also touched with some of Duke's lighter lyricism, especially on his own solos. Titles include "Make It Good", "Chili Peppers", "Rotary", "Los Malos Hombres", and "Scrap Iron". LP, Vinyl record album
(Liberty/UA pressing, with Van Gelder stamp. Cover has ring & edge wear, with a torn corner on the back paste-on.)

Exact matches4
CD, LP, Vinyl record album cover art
Duke PearsonSweet Honey Bee ... LP
Blue Note, 1966. Good+ ... $9.99
A classic Blue Note groover – the funkiest album by Duke Pearson, and a killer batch of piano-heavy soul jazz tunes! Duke really blew out the box for this one – not only coming up with a great batch of original tunes, and playing them with an incredibly soulful touch – but also working with a top-shelf batch of players that includes Freddie Hubbard, Joe Henderson, and James Spaulding! The great Mickey Roker is on drums, playing away with a nice scatter-shot modal mode that grooves in all the right parts – and titles include "Big Bertha", "Sweet Honey Bee", "Sudel", "Ready Rudy?", and "Empathy". LP, Vinyl record album
(Liberty mono pressing. Cover has light wear and an "Audition Copy" ink stamp on the back. Vinyl plays with clicks & crackles.)

Exact matches5
CD, LP, Vinyl record album cover art
Duke PearsonTender Feelin's ... CD
Blue Note (Japan), 1959. New Copy ... $15.99
One of the most obscure sessions by Duke Pearson, and one of his first for Blue Note too! The album features Duke hitting a laidback and lyrical groove – working in a trio with Gene Taylor on bass and Lex Humphries on drums – overall pretty much in a soul jazz mode, but with more of Pearson's wonderful touches on the keys to open things up. The album's a nice counterpoint to Duke's later work for the label – much more intimate than his bigger band sides, but still put together with the depth that he'd later show more famously with his fuller arrangements. Titles include "3 AM", "On Green Dolphin Street", "I Love You", and "The Golden Striker". CD
(SHM-CD pressing!)

Exact matches6
CD, LP, Vinyl record album cover art
✨✧ Duke PearsonIntroducing Duke Pearson's Big Band ... LP
Blue Note, 1967. Used Gatefold ... Temporarily Out Of Stock
A much better record than you'd expect from the somewhat cheesy cover – one of Duke Pearson's funkiest sessions ever, and a hard swinging big band set with a great late 60s feel! The group is all-class all the way – with players that include Pearson, Bob Cranshaw, Mickey Roker, Marvin Stamm, Julian Priester, Frank Foster, and Jerry Dodgion – and the tracks are short, but with an expansive groove that takes this one way past regular big band jazz, and into the mode of some of the hipper European groups at the time. Includes the classic track "Groundhog", which has a nice funky break on it – plus the cuts "New Girl", "Bedouin", "New Time Shuffle", and "Mississippi Dip". LP, Vinyl record album
(Liberty/UA pressing. Cover has a name in marker written mulitple times.)

Exact matches7
CD, LP, Vinyl record album cover art
✨✧ Duke PearsonIt Could Only Happen With You ... LP
Blue Note, 1970. Used ... Temporarily Out Of Stock
Pivotal work from Duke Pearson – a brilliant set that perfectly sums up all the criss-crossing of styles he was working on in the late 60s – and comes up with a wonderful blend of electric jazz, Brazilian rhythms, and just a touch of 70s soul! Pearson plays some sweet Fender Rhodes on the set, in addition to acoustic piano – and there's some other wonderful instrumentation in the mix too – including flute and guitar from Hermeto Pascoal, making a rare Blue Note appearance – plus sweet flutes from Jerry Dodgion and Lew Tabackin, both blowing in kind of a CTI-ish way – as well as tenor from Frank Foster, trumpets from Collins/Shepley, and wonderful drums from Mickey Roker – whose inventive rhythms here really helps set fire to Duke's new ideas. Flora Purim sings on a few tracks – pre-Fantasy Records, and turning in some of her greatest vocals ever – and titles include a wonderful version of "Stormy", plus "Book's Bossa", "Gira, Girou", "Hermeto", "Emily", and "It Could Only Happen With You". LP, Vinyl record album
(Original 70s pressing. Cover has a cutout hole, light wear, and a name in marker.)

Exact matches8
CD, LP, Vinyl record album cover art
✨✧ Duke PearsonNow Hear This ... LP
Blue Note, 1968. Used Gatefold ... Temporarily Out Of Stock
Duke Pearson knocks it out of the park with this one – perfectly summing up all the new ideas in jazz arranging and large ensemble work he'd been exploring at Blue Note – and pushing things way way past his previous small group material as well! The album's quite different than most other 60s iterations of big band jazz – as Pearson's got a way of making all instruments come together on the rhythms, then exploding with subtle colors and soulful tones – yet all at a level that's never forced or gimmicky at all. It helps that he's got a tremendous lineup of players here – both Lew Tabackin and Frank Foster on tenor (the latter of whom does some arranging for the record) – plus Pepper Adams on baritone, Marvin Stamm and Randy Brecker on trumpets, Garnett Brown and Jimmy Cleveland on trombones, Jerry Dodgion and Al Gibbons on alto, and the rhythm team of Bob Cranshaw on bass and Mickey Roker on drums. Duke plays superb piano with a really sophisticated touch, but it's really his strength as an arranger that makes the whole thing come together beautifully. Andy Bey sings on a version of "I'm Tired Cryin Over You" – and other titles include "Amanda", "Tones For Joan's Bones", "Dad Digs Mom", "Disapproachment", and "Make It Good". LP, Vinyl record album
(Liberty pressing. Cover has some wear & a name in marker. Labels have a name in marker.)

Exact matches9
CD, LP, Vinyl record album cover art
✨✧ Duke PearsonRight Touch (RVG remaster edition – with bonus track) ... CD
Blue Note, 1967. Used ... Out Of Stock
One of the hippest sets that Duke Pearson ever recorded – and an all-out Blue Note soul jazz set that's even better than Pearson's classic Sweet Honey Bee! Duke's style is deeper and more farther-reaching here – with echoes of styles used at the time by Hank Mobley and Lee Morgan – carried off with some of the more tightly-arranged modes used by Pearson on his backdrops for other players at the time. The group here includes James Spaulding on alto, Freddie Hubbard on trumpet, Jerry Dodgion on alto and flute, Stanley Turrentine on tenor, Garnett Brown on trombone, and rhythm by Gene Taylor on bass and Grady Tate on drums. Tracks have a strong overall focus on the groove – rolling around in that rollicking mid 60s Blue Note style that Pearson helped establish as the label's trademark at the time – but titles are also touched with some of Duke's lighter lyricism, especially on his own solos. Titles include "Make It Good", "Chili Peppers", "Rotary", "Los Malos Hombres", and "Scrap Iron". CD features a bonus alternate of "Los Malos Hombres". CD
(Out of print.)
Also available Right Touch ... LP 9.99

Exact matches10
CD, LP, Vinyl record album cover art
✨✧ Duke PearsonSweet Honey Bee ... LP
Blue Note, 1966. New Copy (reissue)... Out Of Stock
A classic Blue Note groover – the funkiest album by Duke Pearson, and a killer batch of piano-heavy soul jazz tunes! Duke really blew out the box for this one – not only coming up with a great batch of original tunes, and playing them with an incredibly soulful touch – but also working with a top-shelf batch of players that includes Freddie Hubbard, Joe Henderson, and James Spaulding! The great Mickey Roker is on drums, playing away with a nice scatter-shot modal mode that grooves in all the right parts – and titles include "Big Bertha", "Sweet Honey Bee", "Sudel", "Ready Rudy?", and "Empathy". LP, Vinyl record album
Also available Sweet Honey Bee ... LP 9.99
 
Possible matches: 32
Possible matches11
CD, LP, Vinyl record album cover art
✨✧ Gene AmmonsGoodbye ... LP
Prestige, 1975. Very Good ... $5.99
Gene Ammons' last session – not as funky as earlier work for Prestige, but pretty nice at that! The group's got Gary Bartz on alto, Kenny Drew on piano, Sam Jones on bass, Louis Hayes on drums, and Nat Adderley on cornet – and they groove together well, in the kind of soul jazz/modal mode that you'd find on some of the better mid 70s sides for the Muse label. The album includes a nice remake of Duke Pearson's "Jeanine", plus the tracks "Out In The Sticks", "Alone Again Naturally", "It Don't Mean A Thing", and "Geru's Blues". LP, Vinyl record album

Possible matches12
CD, LP, Vinyl record album cover art
Gene Ammons & Sonny StittTogether Again For The Last Time ... LP
Prestige, 1976. Very Good ... $3.99
1973 recording that would become the last that Jug and Stitt did before Jug's untimely death in the mid 70's. Duke Pearson produced it (even though it wasn't for Blue Note), and the group includes Junior Mance on piano, Sam Jones on bass, and either Mickey Roker or Ajaramu on drums. Tracks include "One For Amos", "The Window Pain", "Saxification", and "I'll Close My Eyes". LP, Vinyl record album
(Cover has a promo stamp and a name in marker. Labels have some marker.)

Possible matches13
CD, LP, Vinyl record album cover art
Black NoteNothin' But The Swing ... CD
Impulse, 1995. Used ... $6.99
A great little record that came out a few years ago and never got the success it deserved. The album's got a beautifully classic sound, and feels like one of the more melodic and lyrical sides from the Blue Note late 60s era – like stuff by Lee Morgan or Duke Pearson. This critically acclaimed LA combo never resorts to tricks to put over their bag, and instead, the record's filled with the kind of solid writing and playing that we'd never expect from an album of this vintage (especially one on Impulse, who seem to be making a lot of other weaker choices with jazz). The record's one we come back to quite a bit, and it's filled with loads of nice tunes like "The Core", "Double Indemnity", "An Open Letter", and "West Coastings". CD
(Out of print. Digipack has a clear promo sticker. Penmark through barcode.)

Possible matches14
CD, LP, Vinyl record album cover art
✨✧ Donald ByrdAt The Half Note Cafe Vol 1 ... CD
Blue Note, Early 60s. Used ... Just Sold Out!
One of the greatest Donald Byrd albums ever – a smoking live performance spread out over two different records – all with some of the tightest, most grooving work that Byrd ever recorded in his early years on Blue Note! Part of the strength of the set is the group – as Don's trumpet is alongside the brilliant baritone of Pepper Adams – who plays with the deftness of a tenor, but with a richer, fuller sound – and the group also includes the great Duke Pearson on piano, who has this way of comping out tunes that are soulful, but richly lyrical too. The group's completed by Lex Humprhies on drums and Laymon Jackson on bass – and titles on this first volume include nice long versions of "Soulful Kiddy", "My Girl Shirl", and "Cecile". CD
(Out of print first pressing.)
Also available At The Half Note Cafe Vol 2 ... CD

Possible matches15
CD, LP, Vinyl record album cover art
✨✧ Donald ByrdAt The Half Note Cafe Vol 2 ... CD
Blue Note, Early 60s. Used ... Just Sold Out!
One of the greatest Donald Byrd albums ever – a smoking live performance spread out over two different records – all with some of the tightest, most grooving work that Byrd ever recorded in his early years on Blue Note! Part of the strength of the set is the group – as Don's trumpet is alongside the brilliant baritone of Pepper Adams – who plays with the deftness of a tenor, but with a richer, fuller sound – and the group also includes the great Duke Pearson on piano, who has this way of comping out tunes that are soulful, but richly lyrical too. The group's completed by Lex Humprhies on drums and Laymon Jackson on bass – and titles on this second volume include a stunning long version of Pearson's "Jeanine", plus the tracks "Pure D. Funk" and "Kimyas". CD
(Out of print.)
Also available At The Half Note Cafe Vol 1 ... CD

Possible matches16
CD, LP, Vinyl record album cover art
Donald ByrdNew Perspective ... LP
Blue Note, 1963. Very Good ... $14.99
A classic album that mixes trumpet and voices in a swirling soulful sound that worked very well for Byrd's career! Byrd's sparkling trumpet fronts a tight septet that includes Hank Mobley, Herbie Hancock, and Kenny Burrell – and which is backed by arrangements by Coleridge Perkinson and Duke Pearson. The sound is beautiful and spiritual, with a sound that mixes Blue Note hardbop with a style that would later show up on labels like Strata East, or in the experiments of Max Roach and Billy Harper. The tracks are long and moody, and the vocal group never gets in the way, but instead backs Byrd in a way that lets him hit new heights, and which gives him a stronger sense of voice. Includes the classic "Christo Redentor", plus "Chant", "The Black Disciple", and "Elijah". LP, Vinyl record album
(80s DMM pressing. Cover has index stickers.)

Possible matches17
CD, LP, Vinyl record album cover art
Johnny ColesLittle Johnny C (2LP 180 gram 45 RPM) ... LP
Blue Note/Music Matters, 1963. Near Mint- 2LP Gatefold (reissue)... $49.99
A rare session as a leader from trumpeter Johnny Coles – a player who cut some great work in the groups of James Moody and Gil Evans, but who shines even more brightly on this classic Blue Note album! Coles really has an ear for finding the hippest side of his instrument – and he blows with a style that's unlike anyone else we can think of – and certainly far from the mellower tones of his previous leader set for Columbia. This album's got a great mix of hardbop and modern ideas – right up there with the best Blue Note had to offer at the time – and the group's filled with equally hip players who include Joe Henderson on tenor, Leo Wright on alto and flute, Duke Pearson on piano, Bob Cranshaw on bass, and either Pete LaRoca or Walter Perkins on drums. Titles include "Heavy Legs", "Hobo Joe", "Jano", and "Little Johnny C". Very hip, very hard, and very swingin! LP, Vinyl record album
(Test pressing, in separate plain covers with catalog number stamps.)

Possible matches18
CD, LP, Vinyl record album cover art
Luis GascaLittle Giant ... LP
Atlantic, 1969. Very Good ... $29.99
A rare album by the great west coast Latin trumpeter Luis Gasca, and argubly the best album he ever recorded! The set was recorded in New York during the late 60's, and features a great lineup of musicians that includes Paul Griffin on piano, Joe Henderson on tenor, Herbie Hancock on piano, Mongo santamaria on conga, and Bernard Purdie on drums. The style's a mix of soul jazz, Latin, and bits of modal riffing – and the record features some beautiful large arrangements by Gasca and Mark Levine, in a style that's a bit like some of Duke Pearson's work from the late 60s, but handled with a bit more of an edge. Tracks include "Coisa No. 2", "Afro Blue", "Joy Ride", and "Sweet Pea". LP, Vinyl record album
(Original pressing. Cover has a small name in marker on back.)

Possible matches19
CD, LP, Vinyl record album cover art
✨✧ Nikki GiovanniLike A Ripple On A Pond ... LP
Niktom/Atlantic, 1973. Very Good- ... $0.99
Beautiful righteousness from poet Nikki Giovanni – a wonderfully put together session that features her reading her own poetry over musical backings, plus some added choral bits from the New York Community Choir! The sound is completely right on – never too over the top, and never too cliched – and the backings are often lifted from older jazz and gospel tunes, but feature Nikki's own words over the top. Titles include "Conversation", "Prison Poem", "Mothers", "Straight Talk", and the great "Scrapbook", set to Duke Pearson's "Christo Redentor". LP, Vinyl record album

Possible matches20
CD, LP, Vinyl record album cover art
✨✧ Grant GreenIdle Moments ... LP
Blue Note, Early 60s. Very Good ... Just Sold Out!
A warmly melodic session from Blue Note's greatest guitarist! The sound of the set's as evocative as the title – an idle moment of space between the notes, explored by Green's tight single-note work on guitar – and wonderfully supported by a lineup that includes Joe Henderson, Bobby Hutcherson, and Duke Pearson. Hutcherson and Pearson are always a treat together – bringing out the best exotic side of each other, and crafting a set of spiritually soulful grooves that are really great! The album's got 4 long tracks – exploratory and open, in the best manner of Green's mid 60s work – and titles include "Nomad", "Idle Moments", and "Jean De Fleur". LP, Vinyl record album
(New York mono pressing – with Van Gelder stamp and ear. Cover has splitting on both seams and some discoloration on the back.)

Possible matches21
CD, LP, Vinyl record album cover art
Joe Henderson5 Original Albums (Our Thing/In N Out/Inner Urge/State Of The Tenor 1 & 2) (5CD set) ... CD
Blue Note (Germany), Mid 60s/Mid 80s. New Copy 5CD ... $14.99
The start of a great run of genius from Joe Henderson – plus a seminal 80s return to form – served up here on five different albums recorded for Blue Note! First up is Our Thing – a classic straight session by Joe Henderson – cut during his early years, when he was breaking out of the box with a heck of a lot of fire! Kenny Dorham's subdued lyricism complements Joe's impassioned playing over the angular, yet still-swinging rythm section of Andrew Hill, Eddie Kahn and Pete La Roca. The track "Pedro's Time" reflects Joe's fascination with Latin-flavored pieces (as evidenced by Joe's previous effort Page One, and his work on Dorham's Una Mas), while pieces like "Teeter Totter", "Our Thing" and "Back Road" play with time and structure in subtle ways. In N Out is a stone killer from the early Blue Note years of tenorist Joe Henderson – a key example of why the label had so much faith in him right from the start, and why Henderson's horn was quite different than so many other players of the 60s! Echoes of "new thing" modes lie in the background of the record, but upfront things have a sharp 60s Blue Note punch – thanks in part to a great lineup that also includes Kenny Dorham on trumpet, McCoy Tyner on piano, Richard Davis on bass, and Elvin Jones on drums. Henderson's tone is rough and young – but in a great way, one that's perfect for the exploratory nature of his original tunes on the set, and which matches the mood of Dorham's compositions as well. Tracks include "In N Out", "Short Story", "Brown's Town", and "Punjab". Inner Urge is a fantastic session of 60s "new thing" jazz – and one of our favorite early records by Joe Henderson! The album features some incredibly hard playing from Joe – with a very dark edge to his solos that's nicely offset by McCoy Tyner's lyrical piano, and the supple rhythms of Bob Cranshaw and Elvin Jones. It's hard to look at the lineup and not feel this group is approaching the tunes in a very post-Coltrane mode, but Henderson's voice on the tenor is completely singular, and puts that short-sighted theory to rest with his first bold note of the session. The album features 5 numbers in all – 3 originals showcasing Henderson's strong songwriting "Inner Urge", "Isotope" and "El Barrio" – plus the great Duke Pearson ballad "You Know I Care" and the standard "Night & Day". Last up are the two live Village Vanguard albums State Of The Tenor Vols 1 & 2 – a real moment of genius for Joe Henderson from the 80s – a spare trio session, recorded live at the Village Vanguard, in a mode that recalls Sonny Rollins classic sets there for Blue Note! And while Sonny often performed heavily in a trio setting, unfettered by chords in the rhythm section – this is a unique date for Joe, and he sounds brilliant throughout! Ron Carter and Al Foster provide a crisp but elastic foundation for Henderson's burnished melodies and solos in a very spacious setting. Titles include"The Bead Game", "Soulville", "Portrait", "Beatrice", "Friday The Thirteenth", "Happy Reunion", "Loose Change", "Ask Me Now" and "Isotope". CD

Possible matches22
CD, LP, Vinyl record album cover art
Joe HendersonInner Urge ... CD
Blue Note, 1964. Used ... $4.99
A fantastic session of 60s "new thing" jazz – and one of our favorite early records by Joe Henderson! The album features some incredibly hard playing from Joe – with a very dark edge to his solos that's nicely offset by McCoy Tyner's lyrical piano, and the supple rhythms of Bob Cranshaw and Elvin Jones. It's hard to look at the lineup and not feel this group is approaching the tunes in a very post-Coltrane mode, but Henderson's voice on the tenor is completely singular, and puts that short-sighted theory to rest with his first bold note of the session. The album features 5 numbers in all – 3 originals showcasing Henderson's strong songwriting "Inner Urge", "Isotope" and "El Barrio" – plus the great Duke Pearson ballad "You Know I Care" and the standard "Night & Day". CD
(Out of print.)

Possible matches23
CD, LP, Vinyl record album cover art
Hi Fly OrchestraMo Slow/Sweet Honey Bee ... 7-inch
Tramp (Germany), 2006. New Copy ... $8.99
Leave it to Tramp Records to make our turntable happy – because both cuts here are totally great! "Mo Slow" is a snapping little jazz number that feels like it was lifted from a mid 60s Lee Morgan album – less the deep funk that the label first gave us years back – and more a soul jazz tune with a great sense of rhythm, and wonderful interplay between trumpet and tenor sax! Not surprisingly, the flipside is a great remake of Duke Pearson's "Sweet Honey Bee" – penned around the same stretch – and done here with a slow-loping flute line that's really great! 7-inch, Vinyl record

Possible matches24
CD, LP, Vinyl record album cover art
Fumio KarashimaMy Favorite Things ... CD
Pit Inn (Japan), 2017. New Copy ... $28.99
One of the most spiritual albums we've heard in years from pianist Fumio Karashima – a set that has the Japanese jazz legend working with a host of different guests, including some horn players who really give his music some depth! The choice of material is great – and Karashima eschews most of his own compositions for work by Herbie Hancock, Duke Pearson, Jimmy Heath, Bobby Hutcherson, and others – given lively readings by an ensemble who really know how to burst out at the front, then soar with these very strong solos. The album features a great reading of "My Favorite Things", with a unique use of two bassists; a spare duet with trumpeter Terumasa Hino on "Black Orpheus"; guest work from guitarist Kazumi Watanabe on "Chan's Song"; and nice takes on "So Near So Far", "Gingerbread Boy", "Subtle Neptune", and "Jeannine". CD

Possible matches25
CD, LP, Vinyl record album cover art
Antonio (Chocolate) Diaz MenaEso es Latin Jazz . . . Man! ... LP
Audio Fidelity, Early 60s. New Copy (reissue)... $9.99
A crackling little set from Latin percussionist Antonio "Chocolate" Mena – not to be confused with the Latin trumpeter who also went by the name of Chocolate! The album's got some wonderfully jazzy numbers – put together with arrangements from Duke Pearson and Lalo Schifrin, and a group that includes Pearson, Richard Williams, Walter Perkins, Seldon Powell, and Jerome Richardson – all of whom make for a session that's equally jazz-based as much as it is Latin-styled – almost in the manner of some of the best Latinesque work on Prestige from the same period. Tracks are short, but very powerful, and titles include "El Pega Joso", "Green Dolphin Street", "Tin Tin Deo", "Kush", "Con Alma", and "Mambo Jazz Opus 7". LP, Vinyl record album

Possible matches26
CD, LP, Vinyl record album cover art
✨✧ John PattonGot A Good Thing Goin' ... CD
Blue Note, Mid 60s. Used ... Just Sold Out!
A classic by Big John Patton! The master organ player is joined by Grant Green on guitar, and the much-overlooked drummer Hugh Walker – a fantastic player on the kit, little known, but who played with this incredible "skipping" groove – one that sounds that reminds us a lot of some of the work that Joe Dukes did with Jack McDuff in the 60s! There's no bass on the set at all – and Walker's drums combine with added conga from Richard Landrum – giving the songs an extra roll, and a modal approach that expands Patton's sound past his usual gutbuckety soul jazz! Includes loads of great tracks – especially the jazz dance classic "The Yodel", as well as on Sam Cooke's "The Shake", Duke Pearson's "Amanda", and the great "Soul Woman". CD
(Out of print.)
Also available Got A Good Thing Goin' ... LP 29.99

Possible matches27
CD, LP, Vinyl record album cover art
John PattonGot A Good Thing Goin' ... LP
Blue Note, Mid 60s. Good+ ... $29.99
A classic by Big John Patton! The master organ player is joined by Grant Green on guitar, and the much-overlooked drummer Hugh Walker – a fantastic player on the kit, little known, but who played with this incredible "skipping" groove – one that sounds that reminds us a lot of some of the work that Joe Dukes did with Jack McDuff in the 60s! There's no bass on the set at all – and Walker's drums combine with added conga from Richard Landrum – giving the songs an extra roll, and a modal approach that expands Patton's sound past his usual gutbuckety soul jazz! Includes loads of great tracks – especially the jazz dance classic "The Yodel", as well as on Sam Cooke's "The Shake", Duke Pearson's "Amanda", and the great "Soul Woman". LP, Vinyl record album
(New York mono pressing – with Van Gelder stamp. Cover has wear, aging with split top & bottom seams.)

Possible matches28
CD, LP, Vinyl record album cover art
Wayne ShorterOdyssey Of Iska ... LP
Blue Note, 1970. Very Good+ ... $29.99
A very unusual album for Wayne Shorter – recorded right around that 1970 point when Duke Pearson was exploring formats for Blue Note artists that included larger, often electric arrangements, pointing the way towards some of the later 70s soul jazz work on labels like Kudu or CTI! This set, produced by Pearson, features Shorter as the main soloist on tenor and soprano sax – in a very hip group that includes Dave Friedman on vibes, Gene Bertoncini on guitar, Ron Carter and Cecil McBee on bass, and both Billy Hart and Alphonse Mouzon on drums. Tracks are long and complicated, with searching soulful arrangements that are part post-Miles fusion, part early 70s indie soul jazz – but balanced nicely without any sense of overindulgence at all. Shorter's soprano work is very nice, and much more angular than his playing on tenor – and titles include "Wind", "Joy", "Storm", and "Calm". LP, Vinyl record album
(Liberty pressing.)

Possible matches29
CD, LP, Vinyl record album cover art
Ernie WilkinsErnie Wilkins & The Almost Big Band ... LP
Storyville (Denmark), 1980. Near Mint- ... $5.99
Very cool work from Ernie Wilkins – a set that's got a lot more to offer than some of his other big band dates, and almost an MPS-like mix of groovy undercurrents and very strong jazz soloing! There's a slight bounce to the set at its best moments – thanks to round basslines from Mads Vinding, and great drums from Ed Thigpen – but the soloists are the ones who really make the record come alive – and include Sahib Shihab on alto, soprano sax, and flute – plus Jesper Thilo and Bent Jaedig on tenor, Richard Boone on trombone, Kenny Drew on piano, Tim Hagens on trumpet, and Wilkins himself on tenor. Titles include a great reading of Duke Pearson's "Is That So" – plus "Sugar", "Jenny", "No More Rat Race", "Sebastian", and "Ballad For Paul". LP, Vinyl record album
(US pressing. Cover has a name in marker)

Possible matches30
CD, LP, Vinyl record album cover art
✨✧ Donald ByrdElectric Byrd ... LP
Blue Note, 1970. Used ... Temporarily Out Of Stock
Donald Byrd in a sweet electric mode – as you'd guess from the title! The set was recorded right before Byrd's legendary run with Larry Mizell in the early 70s – and the electric approach is a bit different here – a style that blends Byrd's wonderful trumpet lines with the larger ensemble mode Blue Note sometimes used in the late 60s, but with a spacey, stretched-out feel that's mighty nice! The album's somewhat similar to Byrd's Kofi set – but possibly a bit more open overall – and players here include Duke Pearson on electric piano, Jerry Dodgion on alto and sopranos ax, Frank Foster on tenor, Pepper Adams on baritone, Hermeto Pascoal on flute, Wally Richardson on guitar, Ron Carter on bass, Mickey Roker on drums, and Airto on percussion. Pearson produced, and probably arranged too – given a slight Brazilian undercurrent to the grooves – and titles include "Estavanico", "Essence", "The Dude", and "Xibaba". LP, Vinyl record album
(Liberty pressing with Van Gelder stamp. Cover has some surface wear.)
 
 
 



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