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Exact matches: 7
Exact matches1
CD, LP, Vinyl record album cover art
Duke PearsonHow Insensitive ... LP
Blue Note, 1969. Very Good+ ... $24.99
Another bold step forward in the too-short career of Duke Pearson – and one of the last few records before his untimely death! The session departs from previous Pearson work by using vocals on most tracks – sometimes a solo singer, either Andy Bey or Flora Purim, and sometimes a larger chorus, in the manner of vocal jazz experiments on records by Donald Byrd or Max Roach. Duke himself plays electric piano on the set, bringing in a moody undercurrent that sets the whole thing on edge – and which makes even the simplest of vocal performances shine like a dark jewel in the night. Airto plays percussion on the set, and there's also some nice Brazilian rhythms that filter in and out of the tunes – on titles that include "Sandelia Dela", "Lamento", "Cristo Redentor", "My Love Waits", and "Tears". LP, Vinyl record album
(Liberty/UA pressing. Cover has a cut corner.)

Exact matches2
CD, LP, Vinyl record album cover art
Duke PearsonIt Could Only Happen With You ... LP
Blue Note, 1970. Very Good ... $7.99
Pivotal work from Duke Pearson – a brilliant set that perfectly sums up all the criss-crossing of styles he was working on in the late 60s – and comes up with a wonderful blend of electric jazz, Brazilian rhythms, and just a touch of 70s soul! Pearson plays some sweet Fender Rhodes on the set, in addition to acoustic piano – and there's some other wonderful instrumentation in the mix too – including flute and guitar from Hermeto Pascoal, making a rare Blue Note appearance – plus sweet flutes from Jerry Dodgion and Lew Tabackin, both blowing in kind of a CTI-ish way – as well as tenor from Frank Foster, trumpets from Collins/Shepley, and wonderful drums from Mickey Roker – whose inventive rhythms here really helps set fire to Duke's new ideas. Flora Purim sings on a few tracks – pre-Fantasy Records, and turning in some of her greatest vocals ever – and titles include a wonderful version of "Stormy", plus "Book's Bossa", "Gira, Girou", "Hermeto", "Emily", and "It Could Only Happen With You". LP, Vinyl record album
(Original 70s pressing. Cover has wear & staining.)

Exact matches3
CD, LP, Vinyl record album cover art
Duke PearsonProfile ... CD
Blue Note (Japan), 1959. New Copy ... $15.99
Early early work by Duke Pearson – and one of his few trio sessions ever! The album's a great way to hear Pearson's lyrical soulful style at work, as he's playing in an unfettered setting with Gene Taylor on bass and Lex Humphries on drums – really stretching out on piano, in a way that you don't often hear on some of his larger group albums. The album features two of his own compositions "Gate City Bop" and "Two Mile Ride", plus versions of "Black Coffee", "Taboo", and "Witchcraft". CD
(SHM-CD pressing!)

Exact matches4
CD, LP, Vinyl record album cover art
Duke PearsonSweet Honey Bee ... LP
Blue Note, 1966. Good+ ... $14.99
A classic Blue Note groover – the funkiest album by Duke Pearson, and a killer batch of piano-heavy soul jazz tunes! Duke really blew out the box for this one – not only coming up with a great batch of original tunes, and playing them with an incredibly soulful touch – but also working with a top-shelf batch of players that includes Freddie Hubbard, Joe Henderson, and James Spaulding! The great Mickey Roker is on drums, playing away with a nice scatter-shot modal mode that grooves in all the right parts – and titles include "Big Bertha", "Sweet Honey Bee", "Sudel", "Ready Rudy?", and "Empathy". LP, Vinyl record album
(Liberty mono pressing. Cover has light wear and an "Audition Copy" ink stamp on the back. Vinyl plays with clicks & crackles.)

Exact matches5
CD, LP, Vinyl record album cover art
Duke PearsonTender Feelin's ... CD
Blue Note (Japan), 1959. New Copy ... $15.99
One of the most obscure sessions by Duke Pearson, and one of his first for Blue Note too! The album features Duke hitting a laidback and lyrical groove – working in a trio with Gene Taylor on bass and Lex Humphries on drums – overall pretty much in a soul jazz mode, but with more of Pearson's wonderful touches on the keys to open things up. The album's a nice counterpoint to Duke's later work for the label – much more intimate than his bigger band sides, but still put together with the depth that he'd later show more famously with his fuller arrangements. Titles include "3 AM", "On Green Dolphin Street", "I Love You", and "The Golden Striker". CD
(SHM-CD pressing!)

Exact matches6
CD, LP, Vinyl record album cover art
✨✧ Duke PearsonI Don't Care Who Knows It ... CD
Blue Note, 1969/1970. Used ... Temporarily Out Of Stock
One of Duke Pearson's greatest records – pulled from 2 different sessions recorded at the end of the 60s, but not issued until a few years back! The work's quite different than Pearson's big band recordings, or his earlier soul jazz ones – and is a brilliant mix of Brazilian styles, electric instrumentation, complicated arrangements, and some of the more head-oriented jazz that was cropping up on Blue Note at the time, particularly work on records by Horace Silver. Andy Bey sings some incredible vocals on the title cut "I Don't Care Who Knows It", and other players on the record include Bobby Hutcherson, Airto, Wally Richardson, Jerry Dodgion, and Frank Foster. Titles include "Bloos", "I Don't Know", "Canto De Ossanha", and "Xibaba". CD
(Out of print original CD pressing, not a CDr.)

Exact matches7
CD, LP, Vinyl record album cover art
✨✧ Duke PearsonSweet Honey Bee ... LP
Blue Note, 1966. New Copy (reissue)... Out Of Stock
A classic Blue Note groover – the funkiest album by Duke Pearson, and a killer batch of piano-heavy soul jazz tunes! Duke really blew out the box for this one – not only coming up with a great batch of original tunes, and playing them with an incredibly soulful touch – but also working with a top-shelf batch of players that includes Freddie Hubbard, Joe Henderson, and James Spaulding! The great Mickey Roker is on drums, playing away with a nice scatter-shot modal mode that grooves in all the right parts – and titles include "Big Bertha", "Sweet Honey Bee", "Sudel", "Ready Rudy?", and "Empathy". LP, Vinyl record album
Also available Sweet Honey Bee ... LP 14.99
 
Possible matches: 30
Possible matches8
CD, LP, Vinyl record album cover art
Geri AllenTimeless Portraits & Dreams (with bonus CD) ... CD
Telarc, 2006. Used 2 CDs ... $5.99
Beautifully sensitive work from pianist Geri Allen – a session cut with a core trio of Ron Carter on bass and Jimmy Cobb on drums, but one that sparkles even more from guest contributions by Wallace Roney and Carmen Lundy! Geri's piano is at the forefront of the set – sliding out gracefully with a sound that's not exactly timeless, but which has a soulful energy that reminds us a lot of some of the best styles of her roots – focused a bit more here, and augmented on a few tracks by the Atlanta Jazz Chorus, a vocal group who hardly dominate the record, but float in very gently alongside Geri's piano – almost in a style that's similar to the use of voices on some of Duke Pearson's last recordings for Blue Note. Titles include "Portraits & Dreams", "Oh Freedom", "Melchezedik", "Well Done", "La Strada", "I Have A Dream", "Nearly", "In Real Time", "Our Lady", and "Timeless Portraits & Dreams". CD features a bonus disc with a version of "Lift Every Voice & Sing" by vocalist George Shirley with the Atlanta Jazz Chorus. CD

Possible matches9
CD, LP, Vinyl record album cover art
Donald ByrdI'm Tryin' To Get Home ... LP
Blue Note, 1965. Very Good ... $11.99
Donald Byrd's second foray into the "with voices" genre – done with the same arranging talents of Coleridge Perkinson, the lyrical modernist who made Donald's A New Perspective such a success! The group that plays with Byrd is excellent, and includes Freddie Roach, Herbie Hancock, Stanley Turrentine, and Grant Green – all of whom blend beautifully with the choir, and know when to lay back, and when to come out strong with hard rhythm playing and good solos. Donald Byrd and Duke Pearson wrote all of the tunes, and the set's got some beautiful shimmering solos by Byrd which just float dreamily over the album's gorgeous orchestrations. With the tracks "Pearly Gates", "March Children", "Brother Isaac", and "I'm Tryin' To Get Home". LP, Vinyl record album
(70s pressing. Cover has splitting on the spine & top seam and a peeled spot on the front.)

Possible matches10
CD, LP, Vinyl record album cover art
✨✧ Donald ByrdThank You For FUML (Funkin Up My Life) ... LP
Elektra, 1978. Very Good+ ... $4.99
A post-Blue Note effort, and Donald's changing things up a bit with his 125th Street Orchestra and Uptown Singers – funking along in a way you'd expect from the longwinded title! Byrd loostens up the smoother backgrounds of his recent Larry Mizell helmed work, and in their place are grooves that have more of a heavy slap bass sound, punchier horns and guitars! There are lotes nice moments that are a bit more restrained than the comparably full-on funk approach – and these have a spacey fusiony soul quality that reminds us of similar work that Byrd was doing with The Blackbyrds at the time. One of the best cuts is "Your Life Is My Ecstasy", which has some great bubbling Moog behind it, which creates a sound that you've heard sampled famously by Tribe Called Quest. Other nice ones are "Loving You", which features vocals by Jim Gilstrap, and a remake of Duke Pearson's "Cristo Redentor", a big hit for Don in the 60s, which is redone here in an excellent slow funk mode that feels like Bob James' work on CTI. Others include "Have You Heard The News", "In Love With Love" and "Close Your Eyes And Look Within". LP, Vinyl record album
(Includes the printed inner sleeve.)

Possible matches11
CD, LP, Vinyl record album cover art
Luis GascaLittle Giant ... LP
Atlantic, 1969. Very Good ... $34.99
A rare album by the great west coast Latin trumpeter Luis Gasca, and argubly the best album he ever recorded! The set was recorded in New York during the late 60's, and features a great lineup of musicians that includes Paul Griffin on piano, Joe Henderson on tenor, Herbie Hancock on piano, Mongo santamaria on conga, and Bernard Purdie on drums. The style's a mix of soul jazz, Latin, and bits of modal riffing – and the record features some beautiful large arrangements by Gasca and Mark Levine, in a style that's a bit like some of Duke Pearson's work from the late 60s, but handled with a bit more of an edge. Tracks include "Coisa No. 2", "Afro Blue", "Joy Ride", and "Sweet Pea". LP, Vinyl record album
(Original pressing. Cover has a small name in marker on back.)

Possible matches12
CD, LP, Vinyl record album cover art
Joe Henderson5 Original Albums (Our Thing/In N Out/Inner Urge/State Of The Tenor 1 & 2) (5CD set) ... CD
Blue Note (Germany), Mid 60s/Mid 80s. New Copy 5CD ... $14.99
The start of a great run of genius from Joe Henderson – plus a seminal 80s return to form – served up here on five different albums recorded for Blue Note! First up is Our Thing – a classic straight session by Joe Henderson – cut during his early years, when he was breaking out of the box with a heck of a lot of fire! Kenny Dorham's subdued lyricism complements Joe's impassioned playing over the angular, yet still-swinging rythm section of Andrew Hill, Eddie Kahn and Pete La Roca. The track "Pedro's Time" reflects Joe's fascination with Latin-flavored pieces (as evidenced by Joe's previous effort Page One, and his work on Dorham's Una Mas), while pieces like "Teeter Totter", "Our Thing" and "Back Road" play with time and structure in subtle ways. In N Out is a stone killer from the early Blue Note years of tenorist Joe Henderson – a key example of why the label had so much faith in him right from the start, and why Henderson's horn was quite different than so many other players of the 60s! Echoes of "new thing" modes lie in the background of the record, but upfront things have a sharp 60s Blue Note punch – thanks in part to a great lineup that also includes Kenny Dorham on trumpet, McCoy Tyner on piano, Richard Davis on bass, and Elvin Jones on drums. Henderson's tone is rough and young – but in a great way, one that's perfect for the exploratory nature of his original tunes on the set, and which matches the mood of Dorham's compositions as well. Tracks include "In N Out", "Short Story", "Brown's Town", and "Punjab". Inner Urge is a fantastic session of 60s "new thing" jazz – and one of our favorite early records by Joe Henderson! The album features some incredibly hard playing from Joe – with a very dark edge to his solos that's nicely offset by McCoy Tyner's lyrical piano, and the supple rhythms of Bob Cranshaw and Elvin Jones. It's hard to look at the lineup and not feel this group is approaching the tunes in a very post-Coltrane mode, but Henderson's voice on the tenor is completely singular, and puts that short-sighted theory to rest with his first bold note of the session. The album features 5 numbers in all – 3 originals showcasing Henderson's strong songwriting "Inner Urge", "Isotope" and "El Barrio" – plus the great Duke Pearson ballad "You Know I Care" and the standard "Night & Day". Last up are the two live Village Vanguard albums State Of The Tenor Vols 1 & 2 – a real moment of genius for Joe Henderson from the 80s – a spare trio session, recorded live at the Village Vanguard, in a mode that recalls Sonny Rollins classic sets there for Blue Note! And while Sonny often performed heavily in a trio setting, unfettered by chords in the rhythm section – this is a unique date for Joe, and he sounds brilliant throughout! Ron Carter and Al Foster provide a crisp but elastic foundation for Henderson's burnished melodies and solos in a very spacious setting. Titles include"The Bead Game", "Soulville", "Portrait", "Beatrice", "Friday The Thirteenth", "Happy Reunion", "Loose Change", "Ask Me Now" and "Isotope". CD

Possible matches13
CD, LP, Vinyl record album cover art
Joe HendersonInner Urge ... CD
Blue Note, 1964. Used ... $6.99
A fantastic session of 60s "new thing" jazz – and one of our favorite early records by Joe Henderson! The album features some incredibly hard playing from Joe – with a very dark edge to his solos that's nicely offset by McCoy Tyner's lyrical piano, and the supple rhythms of Bob Cranshaw and Elvin Jones. It's hard to look at the lineup and not feel this group is approaching the tunes in a very post-Coltrane mode, but Henderson's voice on the tenor is completely singular, and puts that short-sighted theory to rest with his first bold note of the session. The album features 5 numbers in all – 3 originals showcasing Henderson's strong songwriting "Inner Urge", "Isotope" and "El Barrio" – plus the great Duke Pearson ballad "You Know I Care" and the standard "Night & Day". CD
(Out of print.)

Possible matches14
CD, LP, Vinyl record album cover art
Hi Fly OrchestraMo Slow/Sweet Honey Bee ... 7-inch
Tramp (Germany), 2006. New Copy ... $8.99
Leave it to Tramp Records to make our turntable happy – because both cuts here are totally great! "Mo Slow" is a snapping little jazz number that feels like it was lifted from a mid 60s Lee Morgan album – less the deep funk that the label first gave us years back – and more a soul jazz tune with a great sense of rhythm, and wonderful interplay between trumpet and tenor sax! Not surprisingly, the flipside is a great remake of Duke Pearson's "Sweet Honey Bee" – penned around the same stretch – and done here with a slow-loping flute line that's really great! 7-inch, Vinyl record

Possible matches15
CD, LP, Vinyl record album cover art
✨✧ Eddie JeffersonMain Man ... LP
Inner City, 1977. Very Good+ ... $5.99
One of our favorite albums ever from Eddie Jefferson – one of the last sessions he ever recorded as a leader, and a stone cooker through and through! The arrangements here are by Slide Hampton, who hits a really soulful groove for the set – one that moves away from some of the more experimental modes of other Jefferson dates of the 70s, and hits a snapping, swinging style that moves Eddie back to his hippest modes of the 60s. Hampton plays trombone in the group, and other players include Charles Sullivan on trumpet, Richie Cole on alto, Junior Cook on tenor, Hamiet Bluiett on baritone, and Harold Mabern on piano and electric piano. Leon Thomas produced the record, and Joyce Lawson guests as the female voice on a remake of "Moody's Mood For Love". Other titles include a killer version of Duke Pearson's "Jeannine" that is probably worth the price of the album alone – and there's also "Benny's From Heaven" and "Freedom Jazz Dance", both of which are great, too – plus "Summertime", "Exactly Like You", and "Night Train". LP, Vinyl record album
(Cover has wide tape along the seams.)

Possible matches16
CD, LP, Vinyl record album cover art
Fumio KarashimaMy Favorite Things ... CD
Pit Inn (Japan), 2017. New Copy ... $28.99
One of the most spiritual albums we've heard in years from pianist Fumio Karashima – a set that has the Japanese jazz legend working with a host of different guests, including some horn players who really give his music some depth! The choice of material is great – and Karashima eschews most of his own compositions for work by Herbie Hancock, Duke Pearson, Jimmy Heath, Bobby Hutcherson, and others – given lively readings by an ensemble who really know how to burst out at the front, then soar with these very strong solos. The album features a great reading of "My Favorite Things", with a unique use of two bassists; a spare duet with trumpeter Terumasa Hino on "Black Orpheus"; guest work from guitarist Kazumi Watanabe on "Chan's Song"; and nice takes on "So Near So Far", "Gingerbread Boy", "Subtle Neptune", and "Jeannine". CD

Possible matches17
CD, LP, Vinyl record album cover art
Antonio (Chocolate) Diaz MenaEso es Latin Jazz . . . Man! ... LP
Audio Fidelity, Early 60s. New Copy (reissue)... $9.99
A crackling little set from Latin percussionist Antonio "Chocolate" Mena – not to be confused with the Latin trumpeter who also went by the name of Chocolate! The album's got some wonderfully jazzy numbers – put together with arrangements from Duke Pearson and Lalo Schifrin, and a group that includes Pearson, Richard Williams, Walter Perkins, Seldon Powell, and Jerome Richardson – all of whom make for a session that's equally jazz-based as much as it is Latin-styled – almost in the manner of some of the best Latinesque work on Prestige from the same period. Tracks are short, but very powerful, and titles include "El Pega Joso", "Green Dolphin Street", "Tin Tin Deo", "Kush", "Con Alma", and "Mambo Jazz Opus 7". LP, Vinyl record album

Possible matches18
CD, LP, Vinyl record album cover art
Lee MorganStandards ... CD
Blue Note, 1967. Used ... $8.99
A great Lee Morgan set – and one of his rarest! The album was recorded in 1967, but unissued until 1998, when Blue Note unveiled the material as part of its "standards" series that featured label players performing material not of their own composition. Unlike the other records in the series, though, this set by Morgan is not filled with snoozy evergreens, and instead features some excellent reworkings of 60's pop tracks and a few traditional numbers. The group's a septet, with instrumentation that hearkens to other Morgan sessions from the time – like Infinity or Sixth Sense – and players include Wayne Shorter, James Spaulding, and Herbie Hancock. Duke Pearson did the arrangements, and titles include "If I Were A Carpenter", "A Lot Of Livin To Do", and "This Is The Life". CD
(Out of print.)

Possible matches19
CD, LP, Vinyl record album cover art
John PattonGot A Good Thing Goin' ... LP
Blue Note, Mid 60s. Very Good+ ... $43.99
A classic by Big John Patton! The master organ player is joined by Grant Green on guitar, and the much-overlooked drummer Hugh Walker – a fantastic player on the kit, little known, but who played with this incredible "skipping" groove – one that sounds that reminds us a lot of some of the work that Joe Dukes did with Jack McDuff in the 60s! There's no bass on the set at all – and Walker's drums combine with added conga from Richard Landrum – giving the songs an extra roll, and a modal approach that expands Patton's sound past his usual gutbuckety soul jazz! Includes loads of great tracks – especially the jazz dance classic "The Yodel", as well as on Sam Cooke's "The Shake", Duke Pearson's "Amanda", and the great "Soul Woman". LP, Vinyl record album
(New York mono pressing – with Van Gelder stamp. Cover has some glue remnants on back.)

Possible matches20
CD, LP, Vinyl record album cover art
Don RendellRoarin' ... CD
Riverside/BGP (UK), 1961. New Copy ... $5.99 14.99
A beautiful lost bit of British jazz, and probably one of the greatest records ever made by UK tenor giant Don Rendell! The group's a quintet, and believe it or not, a very young Graham Bond is featured on alto. Bond's got a very straight hard bop sound here, with none of the goofiness that marred his later Beat Group albums. Bond contributed the nice track "Bring Back The Burch", Rendell wrote the groovy "You Loomed Out Of Loch Ness", and the band does very nice readings of Duke Pearson's "Jeannine" and Miles Davis' "So What". A very nice edge to the whole session, and the kind of killer album UK jazz fans should not be without! CD

Possible matches21
CD, LP, Vinyl record album cover art
Wayne ShorterOdyssey Of Iska ... LP
Blue Note, 1970. Very Good- ... $11.99
A very unusual album for Wayne Shorter – recorded right around that 1970 point when Duke Pearson was exploring formats for Blue Note artists that included larger, often electric arrangements, pointing the way towards some of the later 70s soul jazz work on labels like Kudu or CTI! This set, produced by Pearson, features Shorter as the main soloist on tenor and soprano sax – in a very hip group that includes Dave Friedman on vibes, Gene Bertoncini on guitar, Ron Carter and Cecil McBee on bass, and both Billy Hart and Alphonse Mouzon on drums. Tracks are long and complicated, with searching soulful arrangements that are part post-Miles fusion, part early 70s indie soul jazz – but balanced nicely without any sense of overindulgence at all. Shorter's soprano work is very nice, and much more angular than his playing on tenor – and titles include "Wind", "Joy", "Storm", and "Calm". LP, Vinyl record album
(Liberty pressing. Cover has a split spine, a mostly split top seam, and some surface wear.)

Possible matches22
CD, LP, Vinyl record album cover art
Stanley TurrentineRough & Tumble ... CD
Blue Note, 1966. Used ... $13.99
Stanley's soulful horn is set in a slightly larger group, in the style that would dominate his later years for the Blue Note label. Duke Pearson arranged the set, and players include James Spaulding, Blue Mitchell, Grant Green, Pepper Adams, and McCoy Tyner. Tracks are of medium length, with Stan blowing some nicely-pinched solos on titles like "Shake", "Walk On By", and "And Satisfy" – all with tight arrangements by Pearson! CD
(Out of print.)

Possible matches23
CD, LP, Vinyl record album cover art
✨✧ Stanley TurrentineRough & Tumble ... LP
Blue Note, Late 60s. Good ... Just Sold Out!
A great album – with a really swinging groove! Stanley's soulful horn is set in a slightly larger group, in the style that would dominate his later years for the Blue Note label. Duke Pearson arranged the set, and players include James Spaulding, Blue Mitchell, Grant Green, Pepper Adams, and McCoy Tyner. Tracks are of medium length, with Stan blowing some nicely-pinched solos on titles like "Shake", "Walk On By", and "And Satisfy" – all with tight arrangements by Pearson. LP, Vinyl record album
(New York monopressing with Van Gelder stamp. Cover has splash stains.)
Also available Rough & Tumble ... CD 13.99

Possible matches24
CD, LP, Vinyl record album cover art
VariousBlue Break Beats 3 – The Jazz Break Beats That Made Hip Hop Hits (colored vinyl pressing – with download) ... LP
Blue Note (UK), Late 60s/Early 70s. New Copy 2LP Gatefold (reissue)... $26.99
A really wonderful collection of grooves that first came to light in the 90s – one that had the Blue Note label digging back in their catalog and completely re-thinking their approach to reissues – given the new popularity of jazz in the hip hop sample world! As you'd guess from the title, the music here is very strongly oriented in the mode of "breaks", or tracks that were sampled for later hip hop and club recordings – classic jazz tunes from the glory days of Blue Note that have gone onto live again, thanks to the keen ears and inventive work of more contemporary DJs and producers. After all these years, The Blue Breakbeats series still stands as one of the best illustrations of the funkier side of the label – and titles on this third volume "Howling for Judy" by Jeremy Steig, "Mystic Brew" by Ronnie Foster, "Get Out Of My Live Woman" by Joe Williams, "Soul" by Jackie McLean, "Put On Train" by Gene Harris & The Three Sounds, "Light My Fire" by Shirley Bassey, "Ode To Billie Joe" by Lou Donaldson, "You've Made Me So Very Happy" by Lou Rawls, "Walk Tall" by Cannonball Adderley, "Sho-Nuff Mellow" by Reuben Wilson, "Don't Call Me N*gger Whitey" by Gene Harris, "Blacks & Blues" by Bobbi Humprhey, "Dominoes" by Donald Byrd, "Ground Hog" by Duke Pearson, "Goin Down South" by Bobby Hutcherson, "Down Here On The Ground" by Grant Green, "It's Your Thing" by Lou Donaldson, and "Flat Backin" by Blue Mitchell. LP, Vinyl record album
(Pressed on colored vinyl – includes download!)

Possible matches25
CD, LP, Vinyl record album cover art
VariousDodgy Bossa & Silly Sambas ... CD
Warner (Australia), Late 60s. New Copy ... $16.99
A great little collection – even though we almost resent the title for mis-stating the quality of these tunes! We'd hardly call these cuts "dodgy" or "silly" – as most of them are pretty darn wonderful, and represent a fresh new flowering of the bossa sound from Brazil – taken in all sorts of very cool directions by American artists who fell in love with the rhythms, then decided to do something new! Only a handful of these tunes are by Brazlian artists – but they all share a real love of bossa nova changes, and take the sound into some wonderful directions – including forays into American jazz and soul. The choice of cuts is wonderful – and the package features 20 tracks that include "Caravan" by Lonnie Satin, "Comin Home Baby" by Marian McPartland, "Jive Samba" by Jon Hendricks, "The Girl From Ipanema" by Lou Rawls, "Crickets Sing For Anamaria" by Marcos VAlle, "Bossa Nova Blues" by Doris Troy, "Stormy" by Duke Pearson, "The Bossa Nova" by Tippie & The Clovers, "Something In My Eye" by Corduroy, "Who Will Buy" by Jon Lucien, "Carcara" by Nancy Ames, "Mas Que Nada" by Dizzy Gillespie, and "Bossa Nova Baby" by Elvis Presley. CD

Possible matches26
CD, LP, Vinyl record album cover art
✨✧ Gene AmmonsGoodbye ... CD
Fantasy, 1974. Used ... Temporarily Out Of Stock
Gene Ammons' last session – not as funky as earlier work for Prestige, but still pretty darn nice! The group's got Gary Bartz on alto, Kenny Drew on piano, Sam Jones on bass, Louis Hayes on drums, and Nat Adderley on cornet – and they groove together well, in the kind of soul jazz/modal mode that you'd find on some of the better mid 70s sides for the Muse label. The album includes a nice remake of Duke Pearson's "Jeanine", plus the tracks "Out In The Sticks", "Alone Again Naturally", "It Don't Mean A Thing", and "Geru's Blues". CD
(Out of print original CD pressing, not a CDr.)

Possible matches27
CD, LP, Vinyl record album cover art
✨✧ Donald ByrdCat Walk ... LP
Blue Note, 1961. Used ... Temporarily Out Of Stock
Classic soul jazz material from trumpeter Donald Byrd – one of his most sinister (and most rare) albums for Blue Note! The group's a quintet, with frequent bandmate Pepper Adams on baritone, Duke Pearson on piano, and Philly Joe Jones on drums – all grooving with some of the tightness heard on other Adams/Byrd dates, but also a warmer, more open-ended approach to the music, especially on the solos! The tracks slink along with a dark little groove – and although Pearson's piano is often sweetly lyrical, it also has a nice hard sound that works well with the sharp-edged horn lines of Byrd and Adams. The album's very much in the vein of the pair's work on the Warwick label during the same time – and with excellent compositions that include "Say You're Mine", "Duke's Mixture", "The Cat Walk", and "Hello Bright Sunflower". LP, Vinyl record album
(70s pressing.)
 
 
 



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