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Exact matches: 8
Exact matches1
CD, LP, Vinyl record album cover art
Duke PearsonProfile ... CD
Blue Note (Japan), 1959. New Copy ... $14.99
Early early work by Duke Pearson – and one of his few trio sessions ever! The album's a great way to hear Pearson's lyrical soulful style at work, as he's playing in an unfettered setting with Gene Taylor on bass and Lex Humphries on drums – really stretching out on piano, in a way that you don't often hear on some of his larger group albums. The album features two of his own compositions "Gate City Bop" and "Two Mile Ride", plus versions of "Black Coffee", "Taboo", and "Witchcraft". CD
(SHM-CD pressing!)

Exact matches2
CD, LP, Vinyl record album cover art
✨✧ Duke PearsonRight Touch ... LP
Blue Note, 1967. Very Good+ ... $29.99
One of the hippest sets that Duke Pearson ever recorded – and an all-out Blue Note soul jazz set that's even better than Pearson's classic Sweet Honey Bee! Duke's style is deeper and more farther-reaching here – with echoes of styles used at the time by Hank Mobley and Lee Morgan – carried off with some of the more tightly-arranged modes used by Pearson on his backdrops for other players at the time. The group here includes James Spaulding on alto, Freddie Hubbard on trumpet, Jerry Dodgion on alto and flute, Stanley Turrentine on tenor, Garnett Brown on trombone, and rhythm by Gene Taylor on bass and Grady Tate on drums. Tracks have a strong overall focus on the groove – rolling around in that rollicking mid 60s Blue Note style that Pearson helped establish as the label's trademark at the time – but titles are also touched with some of Duke's lighter lyricism, especially on his own solos. Titles include "Make It Good", "Chili Peppers", "Rotary", "Los Malos Hombres", and "Scrap Iron". LP, Vinyl record album
(Liberty/UA pressing, with Van Gelder stamp.)

Exact matches3
CD, LP, Vinyl record album cover art
✨✧ Duke PearsonAngel Eyes ... CD
Jazz Line/Muzak (Japan), 1961. New Copy ... Temporarily Out Of Stock
A rare pre-Blue Note session from Duke Pearson – very mellow, very soulful, and with a quality that's unlike most of his later work! The album's a trio side, recorded for the Jazzline label, and it features Pearson on piano, Thomas Howard on bass, and Lex Humphries on drums – the last of whom brings in some wonderfully lyrical lines on the kit, very much in the manner of the free, dancing rhythms used on records with Donald Byrd. Pearson's piano has a sharper edge than usual – these dark, moody tones that are totally great – almost a rougher version of his later sound, with a great sense of depth. Bob Cranshaw's bass and Walter Perkins' drums are featured on one number – and titles include a killer take on "Jeannine", plus "Say You're Mine", "Le Carrousel", "Bags Groove", and "Exodus". CD
(HQ – Hi Quality CD pressing!)

Exact matches4
CD, LP, Vinyl record album cover art
✨✧ Duke PearsonIt Could Only Happen With You ... LP
Blue Note, 1970. Used ... Temporarily Out Of Stock
Pivotal work from Duke Pearson – a brilliant set that perfectly sums up all the criss-crossing of styles he was working on in the late 60s – and comes up with a wonderful blend of electric jazz, Brazilian rhythms, and just a touch of 70s soul! Pearson plays some sweet Fender Rhodes on the set, in addition to acoustic piano – and there's some other wonderful instrumentation in the mix too – including flute and guitar from Hermeto Pascoal, making a rare Blue Note appearance – plus sweet flutes from Jerry Dodgion and Lew Tabackin, both blowing in kind of a CTI-ish way – as well as tenor from Frank Foster, trumpets from Collins/Shepley, and wonderful drums from Mickey Roker – whose inventive rhythms here really helps set fire to Duke's new ideas. Flora Purim sings on a few tracks – pre-Fantasy Records, and turning in some of her greatest vocals ever – and titles include a wonderful version of "Stormy", plus "Book's Bossa", "Gira, Girou", "Hermeto", "Emily", and "It Could Only Happen With You". LP, Vinyl record album
(Original 70s pressing. Cover has a cut corner, light staining, and some waviness.)

Exact matches5
CD, LP, Vinyl record album cover art
✨✧ Duke PearsonSweet Honey Bee (RVG Remaster Edition) ... CD
Blue Note, 1966. Used ... Temporarily Out Of Stock
A classic Blue Note groover – the funkiest album by Duke Pearson, and a killer batch of piano-heavy soul jazz tunes! Duke really blew out the box for this one – not only coming up with a great batch of original tunes, and playing them with an incredibly soulful touch – but also working with a top-shelf batch of players that includes Freddie Hubbard, Joe Henderson, and James Spaulding! The great Mickey Roker is on drums, playing away with a nice scatter-shot modal mode that grooves in all the right parts – and titles include "Big Bertha", "Sweet Honey Bee", "Sudel", "Ready Rudy?", and "Empathy". CD
(Out of print. BMG Direct pressing.)

Exact matches6
CD, LP, Vinyl record album cover art
✨✧ Duke PearsonTender Feelin's ... CD
Blue Note (Japan), 1959. New Copy ... Temporarily Out Of Stock
One of the most obscure sessions by Duke Pearson, and one of his first for Blue Note too! The album features Duke hitting a laidback and lyrical groove – working in a trio with Gene Taylor on bass and Lex Humphries on drums – overall pretty much in a soul jazz mode, but with more of Pearson's wonderful touches on the keys to open things up. The album's a nice counterpoint to Duke's later work for the label – much more intimate than his bigger band sides, but still put together with the depth that he'd later show more famously with his fuller arrangements. Titles include "3 AM", "On Green Dolphin Street", "I Love You", and "The Golden Striker". CD
(SHM-CD pressing!)

Exact matches7
CD, LP, Vinyl record album cover art
✨✧ Duke PearsonPhantom (180 gram pressing) ... LP
Blue Note/Heavenly Sweetness (France), 1969. New Copy ... Out Of Stock
Incredible work from pianist Duke Pearson – a darkly-tinged album of grooves that surpasses all his other gems for Blue Note! The record showcases some great work from Bobby Hutcherson – slid into the mix in a really sly way, so that his jazzy vibes color all the tunes with an edgey feeling that's missing from most of Duke's other albums. The group's slightly largeish – with Jerry Dodgion on flute and alto, Sam Brown and Al Gafa on guitar, plus added Latin percussion on a number of tracks – but although the larger group format often made for softer edges on other Pearson sessions from the time, the mix here is quite different – at a level that works in complicated rhythms, rich colors and tones, and warm harmonics that have a slightly unsettling undercurrent. The album's worth it alone for the mighty title cut "The Phantom" – but the whole thing's great, and other tracks include "Bunda Amerela", "Say You're Mine" and "Blues for Alvina". LP, Vinyl record album

Exact matches8
CD, LP, Vinyl record album cover art
✨✧ Duke PearsonWahoo! ... LP
Blue Note, 1964. Used ... Out Of Stock
Wahoo is right – as Duke Pearson sets up one of his hippest sessions of the 60s, a lyrical batch of soul jazz tracks, with that slight edge of darkness that he was putting into his best work as the decade progressed! Players include James Spaulding on alto and flute, Joe Henderson on tenor, and Donald Byrd on trumpet – and the overall feel is perhaps a bit like some of those Byrd sessions that were heavily influenced by Pearson, but also with a bit of the later expansive style of writing for horns that you'd find on albums like Pearson's Prarie Dog or Bobby Hutcherson's The Phantom. Titles include "ESP", "Fly Little Bird Fly", "Farewell Machelle", "Bedouin", and "Amanda". LP, Vinyl record album
(Liberty pressing, in beautiful shape! Cover has a small cut corner.)
 
Possible matches: 38
Possible matches9
CD, LP, Vinyl record album cover art
✨✧ Donald ByrdAt The Half Note Cafe Vol 2 ... LP
Blue Note, Early 60s. Very Good ... $19.99
One of the greatest Donald Byrd albums ever – a smoking live performance spread out over two different records – all with some of the tightest, most grooving work that Byrd ever recorded in his early years on Blue Note! Part of the strength of the set is the group – as Don's trumpet is alongside the brilliant baritone of Pepper Adams – who plays with the deftness of a tenor, but with a richer, fuller sound – and the group also includes the great Duke Pearson on piano, who has this way of comping out tunes that are soulful, but richly lyrical too. The group's completed by Lex Humprhies on drums and Laymon Jackson on bass – and titles on this second volume include a stunning long version of Pearson's "Jeanine", plus the tracks "Pure D. Funk" and "Kimyas". LP, Vinyl record album
(Liberty/UA pressing. Back cover has some wear and a split spine.)

Possible matches10
CD, LP, Vinyl record album cover art
✨✧ Donald ByrdFuego ... CD
Blue Note (Japan), 1960. New Copy ... $14.99
One of Donald Byrd's first albums on Blue Note – tight, soulful, and a firm statement of hardbop truth – a record that showed that Byrd was firmly on the map! The ensemble features Jackie McLean on alto, and the rhythm section includes Duke Pearson, Doug Watkins, and Lex Humphries – all of whom bring in a sense of lyrical interplay that really shows off a newer side of Byrd's trumpet that didn't emerge in earlier 50s recordings – one that opens up in the individuality of the Blue Note mode, and shakes off some of the more academic trappings of his early work with Gigi Gryce. All tunes are proud originals by Byrd himself – written with a real sense of color, tone, and timing – and titles include "Bup A Loup", "Funky Mama", "Lament", and "Amen". CD
(SHM-CD pressing!)

Possible matches11
CD, LP, Vinyl record album cover art
✨✧ Donald ByrdNew Perspective ... LP
Blue Note, 1963. Very Good ... $39.99
A classic album that mixes trumpet and voices in a swirling soulful sound that worked very well for Byrd's career! Byrd's sparkling trumpet fronts a tight septet that includes Hank Mobley, Herbie Hancock, and Kenny Burrell – and which is backed by arrangements by Coleridge Perkinson and Duke Pearson. The sound is beautiful and spiritual, with a sound that mixes Blue Note hardbop with a style that would later show up on labels like Strata East, or in the experiments of Max Roach and Billy Harper. The tracks are long and moody, and the vocal group never gets in the way, but instead backs Byrd in a way that lets him hit new heights, and which gives him a stronger sense of voice. Includes the classic "Christo Redentor", plus "Chant", "The Black Disciple", and "Elijah". LP, Vinyl record album
(New York mono pressing, with Van Gelder stamp.)

Possible matches12
CD, LP, Vinyl record album cover art
✨✧ Johnny ColesLittle Johnny C ... LP
Blue Note, 1963. Very Good+ ... $99.99
A rare session as a leader from trumpeter Johnny Coles – a player who cut some great work in the groups of James Moody and Gil Evans, but who shines even more brightly on this classic Blue Note album! Coles really has an ear for finding the hippest side of his instrument – and he blows with a style that's unlike anyone else we can think of – and certainly far from the mellower tones of his previous leader set for Columbia. This album's got a great mix of hardbop and modern ideas – right up there with the best Blue Note had to offer at the time – and the group's filled with equally hip players who include Joe Henderson on tenor, Leo Wright on alto and flute, Duke Pearson on piano, Bob Cranshaw on bass, and either Pete LaRoca or Walter Perkins on drums. Titles include "Heavy Legs", "Hobo Joe", "Jano", and "Little Johnny C". Very hip, very hard, and very swingin! LP, Vinyl record album
(New York stereo pressing, with Van Gelder/Stereo stamps. Cover has some edge wear.)

Possible matches13
CD, LP, Vinyl record album cover art
✨✧ Michael DeaseRelentless ... CD
Posi tone, 2014. Used ... $6.99
A stunning large ensemble set from trombonist Michael Dease – the first we've ever heard from him in this format, and a record that brings us back to some of the most inventive bigger bands of the late 60s – such as groups by Duke Pearson, or the team of Thad Jones & Mel Lewis! No surprise, Dease starts out with a great version of Pearson's "Is That So" for the record – really grabbing us right away with his deft intepretation of the soulful classic, which is presented in newly shimmering tones by his own arrangement. Michael then continues to wow us with his work on all other tracks as well – a mix of his own compositions, and a few newly-remade classics – featuring solo work from Greg Gisbert on trumpet, Todd Bashore on alto, Diego Rivera on tenor, Miki Hayama on piano, Etienne Charles on trumpet, Sharel Cassity on tenor, Wycliffe Gordon on trombone, and the leader's own instrument on a few key solo moments as well. Titles include "Is That So", "Force", "Relentless", "The Takeover", "Little Lucas", and "Roppongi". CD

Possible matches14
CD, LP, Vinyl record album cover art
✨✧ Lou DonaldsonLush Life (Applause version) ... LP
Blue Note/Applause, 1967. Very Good ... $1.99
An unusual session from the heart of Lou Donaldson's return to Blue Note in the late 60s – a mellower date that stands in strong contrast to his funkier albums of the time! As you might guess from the title, there's a lusher feel going on here – one that has Lou's alto sax augmented by larger backings from Duke Pearson – who manages to score things perfectly with a balance of soul and sophistication. The album's hardly a "Donaldson with strings" date – and instead is done in the more mature mode that Duke was using in some of his own sides from the time, and on work with players like Donald Byrd or Stanley Turrentine. Other players here include Wayne Shorter on tenor, Pepper Adams on baritone, Jerry Dodgion on alto and flute, Freddie Hubbard on trumpet, and Garnett Brown on trombone – plus core rhythms from the trio of McCoy Tyner on piano, Ron Carter on bass, and Al Harewood on drums. Titles include "Sweet Slumber", "The Good Life", "Sweet & Lovely", "Stardust", and "You've Changed" – and the album was recorded in the 60s, it was only first issued in Japan in 1980 – and even then only later in the US! LP, Vinyl record album

Possible matches15
CD, LP, Vinyl record album cover art
Hi Fly OrchestraMo Slow/Sweet Honey Bee ... 7-inch
Tramp (Germany), 2006. New Copy ... $2.99
Leave it to Tramp Records to make our turntable happy – because both cuts here are totally great! "Mo Slow" is a snapping little jazz number that feels like it was lifted from a mid 60s Lee Morgan album – less the deep funk that the label first gave us years back – and more a soul jazz tune with a great sense of rhythm, and wonderful interplay between trumpet and tenor sax! Not surprisingly, the flipside is a great remake of Duke Pearson's "Sweet Honey Bee" – penned around the same stretch – and done here with a slow-loping flute line that's really great! 7-inch, Vinyl record

Possible matches16
CD, LP, Vinyl record album cover art
✨✧ Fumio KarashimaMy Favorite Things ... CD
Pit Inn (Japan), 2017. New Copy ... $29.99
One of the most spiritual albums we've heard in years from pianist Fumio Karashima – a set that has the Japanese jazz legend working with a host of different guests, including some horn players who really give his music some depth! The choice of material is great – and Karashima eschews most of his own compositions for work by Herbie Hancock, Duke Pearson, Jimmy Heath, Bobby Hutcherson, and others – given lively readings by an ensemble who really know how to burst out at the front, then soar with these very strong solos. The album features a great reading of "My Favorite Things", with a unique use of two bassists; a spare duet with trumpeter Terumasa Hino on "Black Orpheus"; guest work from guitarist Kazumi Watanabe on "Chan's Song"; and nice takes on "So Near So Far", "Gingerbread Boy", "Subtle Neptune", and "Jeannine". CD

Possible matches17
CD, LP, Vinyl record album cover art
✨✧ Blue MitchellHeads Up! ... LP
Blue Note, Late 60s. Very Good+ ... $19.99
One of the first albums to feature the trumpet of Blue Mitchell in a larger group – a really great move that let his soulful horn really come to the lead! Blue sounds wonderful here – soaring out in front of larger charts from Duke Pearson, Jimmy Heath, Don Pickett, and Melba Liston – all talents who start to bring in a bit of funk to Mitchell's music – which Blue responds to with a mighty nice kick! The group also features Pepper Adams on baritone, Jerry Dodgion on alto, Julian Preister on trombone, and Junior Cook on tenor – and titles include "Heads Up Feet Down", "Togetherness", "Good Humor Man", "Len Sirrah", and "People in Nassau". LP, Vinyl record album
(Liberty stereo pressing with Van Gelder stamp.)

Possible matches18
CD, LP, Vinyl record album cover art
✨✧ John PattonGot A Good Thing Goin' ... LP
Blue Note, Mid 60s. Very Good+ ... $79.99
A classic by Big John Patton! The master organ player is joined by Grant Green on guitar, and the much-overlooked drummer Hugh Walker – a fantastic player on the kit, little known, but who played with this incredible "skipping" groove – one that sounds that reminds us a lot of some of the work that Joe Dukes did with Jack McDuff in the 60s! There's no bass on the set at all – and Walker's drums combine with added conga from Richard Landrum – giving the songs an extra roll, and a modal approach that expands Patton's sound past his usual gutbuckety soul jazz! Includes loads of great tracks – especially the jazz dance classic "The Yodel", as well as on Sam Cooke's "The Shake", Duke Pearson's "Amanda", and the great "Soul Woman". LP, Vinyl record album
(New York mono pressing – with Van Gelder stamp. Cover has some glue remnants on back.)

Possible matches19
CD, LP, Vinyl record album cover art
Don RendellRoarin' ... CD
Riverside/BGP (UK), 1961. New Copy ... $8.99 14.99
A beautiful lost bit of British jazz, and probably one of the greatest records ever made by UK tenor giant Don Rendell! The group's a quintet, and believe it or not, a very young Graham Bond is featured on alto. Bond's got a very straight hard bop sound here, with none of the goofiness that marred his later Beat Group albums. Bond contributed the nice track "Bring Back The Burch", Rendell wrote the groovy "You Loomed Out Of Loch Ness", and the band does very nice readings of Duke Pearson's "Jeannine" and Miles Davis' "So What". A very nice edge to the whole session, and the kind of killer album UK jazz fans should not be without! CD

Possible matches20
CD, LP, Vinyl record album cover art
John StubblefieldConfessin' ... LP
Soul Note (Italy), 1985. Near Mint- ... $6.99
John Stubblefield at his 80s best – playing tenor and soprano sax in a group with Cecil Bridgewater on trumpet and flugelhorn, Mulgrew Miller on piano, Rufus Reid on bass, and Eddie Gladden on drums! Ttiles include the originals "Waltz For Duke Pearson", "Spiral Dance", "More Fun", "Confessin", and "Dusk To Dawn". LP, Vinyl record album

Possible matches21
CD, LP, Vinyl record album cover art
✨✧ Stanley TurrentineNew Time Shuffle ... LP
Blue Note, 1967/1979. Very Good+ ... $7.99
Obscure material by Stanley Turrentine – recorded in 1967, but not issued until 1979, and then only briefly! The album's got Stan working strongly in the Joyride style of his previous Blue Note hit – with larger arrangements from Duke Pearson, in a groove that sets Turrentine's tenor up with plenty of soulful rhythms! Pearson brings a nice sense of lyricism to the session, even a hint of bossa at times – and the sharp-edged Turrentine tone is a welcome one throughout – setting sparks and illuminating corners of the music with a deeply personal feel. Titles include "Blues For Del", "Manha De Carnaval", "Here's That Rainy Day", and "Return of The Prodigal Son". LP, Vinyl record album
(Cover has a thin stain on the bottom seam.)

Possible matches22
CD, LP, Vinyl record album cover art
✨✧ Stanley TurrentineRough & Tumble ... LP
Blue Note, Late 60s. Very Good+ ... $29.99
A great album – with a really swinging groove! Stanley's soulful horn is set in a slightly larger group, in the style that would dominate his later years for the Blue Note label. Duke Pearson arranged the set, and players include James Spaulding, Blue Mitchell, Grant Green, Pepper Adams, and McCoy Tyner. Tracks are of medium length, with Stan blowing some nicely-pinched solos on titles like "Shake", "Walk On By", and "And Satisfy" – all with tight arrangements by Pearson. LP, Vinyl record album
(New York stereo pressing with Van Gelder stamp. Cover has some ring & edge wear, small piece of clear tape on the bottom seam, and price sticker remnants on back.)

Possible matches23
CD, LP, Vinyl record album cover art
Stanley TurrentineSpoiler ... LP
Blue Note, 1966. Very Good+ ... $18.99
Stanley Turrentine's no spoiler here – as his tenor sax soars out over the top of some sweet larger group arrangements from Duke Pearson – all awash in a great sense of soul, joy, and life! The album's got a much brighter feel than you might guess from the cover – a vibe that's a bit similar to Stan's classic Joyride album, but a bit more open and free – thanks to the lyrical touches of Pearson on the charts. Other players include Blue Mitchell on trumpet, Julian Priester on trombone, James Spaulding on alto and flute, and Pepper Dadams on baritone sax – plus rhythm from McCoy Tyner on piano, Bob Cranshaw on electric bass, Mickey Roker on drums, and Joseph Rivera on percussion. As on some of the other Pearson dates from the time – particularly those with Donald Byrd – the use of electric bass really opens things up, by creating a subtle rhythmic pulse that really drives most numbers along. And also in the Pearson mode, the added players aren't really a horn section in the conventional way – just a group of like-minded, top-shelf jazz players who egg on the main soloist with a great sense of enthusiasm for the music! Titles include "La Fiesta", "The Magilla", "Sunny", "Maybe September", "You're Gonna Hear From Me", and "When The Sun Comes Out". LP, Vinyl record album
(Liberty stereo pressing with Van Gelder stamp. Cover has light wear and a cut corner.)

Possible matches24
CD, LP, Vinyl record album cover art
Ernie WilkinsErnie Wilkins & The Almost Big Band ... LP
Storyville (Denmark), 1980. Very Good+ ... $3.99
Very cool work from Ernie Wilkins – a set that's got a lot more to offer than some of his other big band dates, and almost an MPS-like mix of groovy undercurrents and very strong jazz soloing! There's a slight bounce to the set at its best moments – thanks to round basslines from Mads Vinding, and great drums from Ed Thigpen – but the soloists are the ones who really make the record come alive – and include Sahib Shihab on alto, soprano sax, and flute – plus Jesper Thilo and Bent Jaedig on tenor, Richard Boone on trombone, Kenny Drew on piano, Tim Hagens on trumpet, and Wilkins himself on tenor. Titles include a great reading of Duke Pearson's "Is That So" – plus "Sugar", "Jenny", "No More Rat Race", "Sebastian", and "Ballad For Paul". LP, Vinyl record album
(Cover has light wear.)

Possible matches25
CD, LP, Vinyl record album cover art
VariousBlack Roots – Funky & Abstract Directions In Jazz 1965 to 1975 ... CD
Atlantic/BGP (UK), Late 60s/Early 70s. New Copy ... $8.99 18.99
Some of the hippest jazz tracks ever recorded by Atlantic Records – a great blend of numbers that mixes together modal groovers, funky jams, and hard-hitting soul jazz tracks! The music here nicely steps around a number of different styles, and a number of different artists – and represents the cooler side of the Atlantic jazz catalog – instead of some of their better-known, crossover hits – mixed with a few funk and soul numbers too! The set was compiled by London DJ Russ Dewbury – and he did an excellent job of dipping into all the right parts of the Atlantic catalog, and timed out the set so that the cuts fit together extremely well. Titles include "I Walk On Gilded Splinters" by Dr John, "Jagger The Dagger" by Eugene McDaniels, "It's Your Thing" by Shirley Scott, "See Line Woman" by Yusef Lateef, "Mean Greens" by Eddie Harris, "The Windjammer" by Mongo Santamaria, "Black Root" by Roland Kirk, "The Fakir" by Duke Pearson, "Witchi Tai To" by Jim Pepper, "Sufur" by Rufus Harley, and "Foxy Brown" by David Newman. CD

Possible matches26
CD, LP, Vinyl record album cover art
VariousBlue Break Beats 2 ... LP
Blue Note (Germany), 1993. New Copy (reissue)... About January 27, 2017
2nd great volume in this classic series, featuring 15 hard funky Blue Note grooves, put together in 2 LPs, and including gems as varied as "The Phantom" by Duke Pearson, "Orange Peel" by Reuben Wilson, "Higga Boom" by Gene Harris, "Jasper Country Man" by Bobby Humphrey, "Good Humor Man" by Blue Mitchell, and loads more great stuff by Donald Byrd, Eddie Henderson, Lou Donaldson, and Lonnie Smith. Also with Grant Green's version of "Ain't It Funky Now". LP, Vinyl record album

Possible matches27
CD, LP, Vinyl record album cover art
✨✧ Donald ByrdAt The Half Note Cafe Vols 1 & 2 ... CD
Blue Note (UK), 1960. Used 2 CDs ... Temporarily Out Of Stock
Simply one of the greatest Donald Byrd albums ever! This crackling 2 part live set is perhaps one of the best realizations ever of the tight soul jazz sound put forth by the group that included Byrd, Pepper Adams, and Duke Pearson – and the whole thing's a hard-swinging live set that's marked with the group's fantastic mix of soulful playing and lyrical soloing. The whole thing's great – and this rare 2CD set features both volumes of the albums, plus a lot of extra material that wasn't on the vinyl versions! Titles include "My Girl Shirl", "Jeannine", "Pure D Funk", "Kimyas", "When Sunny Gets Blue", "Mr Lucky", "Chant", and "Child's Play". CD
(Out of print.)

Possible matches28
CD, LP, Vinyl record album cover art
✨✧ Donald ByrdCat Walk (RVG remaster edition) ... CD
Blue Note, 1961. Used ... Temporarily Out Of Stock
Classic soul jazz material from trumpeter Donald Byrd – one of his most sinister (and most rare) albums for Blue Note! The group's a quintet, with frequent bandmate Pepper Adams on baritone, Duke Pearson on piano, and Philly Joe Jones on drums – all grooving with some of the tightness heard on other Adams/Byrd dates, but also a warmer, more open-ended approach to the music, especially on the solos! The tracks slink along with a dark little groove – and although Pearson's piano is often sweetly lyrical, it also has a nice hard sound that works well with the sharp-edged horn lines of Byrd and Adams. The album's very much in the vein of the pair's work on the Warwick label during the same time – and with excellent compositions that include "Say You're Mine", "Duke's Mixture", "The Cat Walk", and "Hello Bright Sunflower". CD
(BMG music club pressing.)
 
 
 



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