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Exact matches: 8
Exact matches1
CD, LP, Vinyl record album cover art
Duke PearsonHoney Buns ... LP
Atlantic, 1965. Very Good+ ... $11.99
An excellent Duke Pearson album – and (dare we say it?) better than any of his Blue Note LPs! The record features a very tight lineup with Johnny Coles on trumpet, Garnett Brown on trombone, Les Spann on flute, James Spaulding on alto, and George Coleman on tenor – all players who are well suited to Pearson's warm funky style on the piano, but who also have a strong modernist sensibility that really comes through on the solos. The album is filled with nice tracks – like "New Girl", "Honeybuns", "Heavy Legs", and the fantastic lyrical groover "Is That So", plus "You Know I Care" and "Our Love". LP, Vinyl record album
(Blue & green label pressing. Cover has a cutout notch.)

Exact matches2
CD, LP, Vinyl record album cover art
Duke PearsonHow Insensitive ... LP
Blue Note, 1969. Very Good ... $11.99
Another bold step forward in the too-short career of Duke Pearson – and one of the last few records before his untimely death! The session departs from previous Pearson work by using vocals on most tracks – sometimes a solo singer, either Andy Bey or Flora Purim, and sometimes a larger chorus, in the manner of vocal jazz experiments on records by Donald Byrd or Max Roach. Duke himself plays electric piano on the set, bringing in a moody undercurrent that sets the whole thing on edge – and which makes even the simplest of vocal performances shine like a dark jewel in the night. Airto plays percussion on the set, and there's also some nice Brazilian rhythms that filter in and out of the tunes – on titles that include "Sandelia Dela", "Lamento", "Cristo Redentor", "My Love Waits", and "Tears". LP, Vinyl record album
(Liberty/UA pressing. Cover has split top seam and spine, mostly split bottom seam, and surface wear.)

Exact matches3
CD, LP, Vinyl record album cover art
Duke PearsonIt Could Only Happen With You ... LP
Blue Note, 1970. Sealed ... $29.99
Pivotal work from Duke Pearson – a brilliant set that perfectly sums up all the criss-crossing of styles he was working on in the late 60s – and comes up with a wonderful blend of electric jazz, Brazilian rhythms, and just a touch of 70s soul! Pearson plays some sweet Fender Rhodes on the set, in addition to acoustic piano – and there's some other wonderful instrumentation in the mix too – including flute and guitar from Hermeto Pascoal, making a rare Blue Note appearance – plus sweet flutes from Jerry Dodgion and Lew Tabackin, both blowing in kind of a CTI-ish way – as well as tenor from Frank Foster, trumpets from Collins/Shepley, and wonderful drums from Mickey Roker – whose inventive rhythms here really helps set fire to Duke's new ideas. Flora Purim sings on a few tracks – pre-Fantasy Records, and turning in some of her greatest vocals ever – and titles include a wonderful version of "Stormy", plus "Book's Bossa", "Gira, Girou", "Hermeto", "Emily", and "It Could Only Happen With You". LP, Vinyl record album
(Original 70s pressing – sealed! Cover has a cut corner, and back has a light stain near the bottom.)

Exact matches4
CD, LP, Vinyl record album cover art
Duke PearsonRight Touch ... LP
Blue Note, 1967. Very Good+ ... $19.99
One of the hippest sets that Duke Pearson ever recorded – and an all-out Blue Note soul jazz set that's even better than Pearson's classic Sweet Honey Bee! Duke's style is deeper and more farther-reaching here – with echoes of styles used at the time by Hank Mobley and Lee Morgan – carried off with some of the more tightly-arranged modes used by Pearson on his backdrops for other players at the time. The group here includes James Spaulding on alto, Freddie Hubbard on trumpet, Jerry Dodgion on alto and flute, Stanley Turrentine on tenor, Garnett Brown on trombone, and rhythm by Gene Taylor on bass and Grady Tate on drums. Tracks have a strong overall focus on the groove – rolling around in that rollicking mid 60s Blue Note style that Pearson helped establish as the label's trademark at the time – but titles are also touched with some of Duke's lighter lyricism, especially on his own solos. Titles include "Make It Good", "Chili Peppers", "Rotary", "Los Malos Hombres", and "Scrap Iron". LP, Vinyl record album
(Liberty/UA pressing, with Van Gelder stamp.)

Exact matches5
CD, LP, Vinyl record album cover art
Duke PearsonTender Feelin's ... CD
Blue Note (Japan), 1959. New Copy ... $15.99
One of the most obscure sessions by Duke Pearson, and one of his first for Blue Note too! The album features Duke hitting a laidback and lyrical groove – working in a trio with Gene Taylor on bass and Lex Humphries on drums – overall pretty much in a soul jazz mode, but with more of Pearson's wonderful touches on the keys to open things up. The album's a nice counterpoint to Duke's later work for the label – much more intimate than his bigger band sides, but still put together with the depth that he'd later show more famously with his fuller arrangements. Titles include "3 AM", "On Green Dolphin Street", "I Love You", and "The Golden Striker". CD
(SHM-CD pressing!)

Exact matches6
CD, LP, Vinyl record album cover art
✨✧ Duke PearsonIntroducing Duke Pearson's Big Band (plus tracks from Now Hear This) ... CD
Blue Note, 1967. Used ... Temporarily Out Of Stock
A much better record than you'd expect – one of Duke's funkiest sessions, and a hard swinging big band set with a great late 60s feel! The group is all-class all the way – with players that include Pearson, Bob Cranshaw, Mickey Roker, Marvin Stamm, Julian Priester, Frank Foster, and Jerry Dodgion – and the tracks are short, but with an expansive groove that takes this one way past regular big band jazz, and into the mode of some of the hipper European groups at the time. Includes the classic track "Groundhog", which has a nice funky break on it – plus the cuts "New Girl", "Bedouin", "New Time Shuffle", and "Mississippi Dip". Plus, this CD also features 6 bonus tracks lifted from the album Now Hear This – an equally great album in a similar mode, with titles that include "Make It Good", "Minor League", "Disapporachment", "Tones For Joan's Bones", and "The Days Of Wine & Roses". CD
(Out of print oringing CD pressing, not a CDr, small amount of writing in pen inside booklet.)

Exact matches7
CD, LP, Vinyl record album cover art
✨✧ Duke PearsonProfile ... CD
Blue Note (Japan), 1959. New Copy ... Temporarily Out Of Stock
Early early work by Duke Pearson – and one of his few trio sessions ever! The album's a great way to hear Pearson's lyrical soulful style at work, as he's playing in an unfettered setting with Gene Taylor on bass and Lex Humphries on drums – really stretching out on piano, in a way that you don't often hear on some of his larger group albums. The album features two of his own compositions "Gate City Bop" and "Two Mile Ride", plus versions of "Black Coffee", "Taboo", and "Witchcraft". CD
(SHM-CD pressing!)

Exact matches8
CD, LP, Vinyl record album cover art
✨✧ Duke PearsonSweet Honey Bee ... LP
Blue Note, 1966. Used ... Temporarily Out Of Stock
A classic Blue Note groover – the funkiest album by Duke Pearson, and a killer batch of piano-heavy soul jazz tunes! Duke really blew out the box for this one – not only coming up with a great batch of original tunes, and playing them with an incredibly soulful touch – but also working with a top-shelf batch of players that includes Freddie Hubbard, Joe Henderson, and James Spaulding! The great Mickey Roker is on drums, playing away with a nice scatter-shot modal mode that grooves in all the right parts – and titles include "Big Bertha", "Sweet Honey Bee", "Sudel", "Ready Rudy?", and "Empathy". LP, Vinyl record album
(New York stereo pressing. Cover has light wear.)
 
Possible matches: 27
Possible matches9
CD, LP, Vinyl record album cover art
Donald ByrdI'm Tryin' To Get Home ... LP
Blue Note, 1965. Very Good ... $14.99
Donald Byrd's second foray into the "with voices" genre – done with the same arranging talents of Coleridge Perkinson, the lyrical modernist who made Donald's A New Perspective such a success! The group that plays with Byrd is excellent, and includes Freddie Roach, Herbie Hancock, Stanley Turrentine, and Grant Green – all of whom blend beautifully with the choir, and know when to lay back, and when to come out strong with hard rhythm playing and good solos. Donald Byrd and Duke Pearson wrote all of the tunes, and the set's got some beautiful shimmering solos by Byrd which just float dreamily over the album's gorgeous orchestrations. With the tracks "Pearly Gates", "March Children", "Brother Isaac", and "I'm Tryin' To Get Home". LP, Vinyl record album
(70s pressing. Cover has splitting on the spine & top seam and a peeled spot on the front.)

Possible matches10
CD, LP, Vinyl record album cover art
Michael DeaseRelentless ... CD
Posi tone, 2014. Used ... $2.99
A stunning large ensemble set from trombonist Michael Dease – the first we've ever heard from him in this format, and a record that brings us back to some of the most inventive bigger bands of the late 60s – such as groups by Duke Pearson, or the team of Thad Jones & Mel Lewis! No surprise, Dease starts out with a great version of Pearson's "Is That So" for the record – really grabbing us right away with his deft intepretation of the soulful classic, which is presented in newly shimmering tones by his own arrangement. Michael then continues to wow us with his work on all other tracks as well – a mix of his own compositions, and a few newly-remade classics – featuring solo work from Greg Gisbert on trumpet, Todd Bashore on alto, Diego Rivera on tenor, Miki Hayama on piano, Etienne Charles on trumpet, Sharel Cassity on tenor, Wycliffe Gordon on trombone, and the leader's own instrument on a few key solo moments as well. Titles include "Is That So", "Force", "Relentless", "The Takeover", "Little Lucas", and "Roppongi". CD

Possible matches11
CD, LP, Vinyl record album cover art
Joe Henderson5 Original Albums (Our Thing/In N Out/Inner Urge/State Of The Tenor 1 & 2) (5CD set) ... CD
Blue Note (Germany), Mid 60s/Mid 80s. New Copy 5CD ... $21.99
The start of a great run of genius from Joe Henderson – plus a seminal 80s return to form – served up here on five different albums recorded for Blue Note! First up is Our Thing – a classic straight session by Joe Henderson – cut during his early years, when he was breaking out of the box with a heck of a lot of fire! Kenny Dorham's subdued lyricism complements Joe's impassioned playing over the angular, yet still-swinging rythm section of Andrew Hill, Eddie Kahn and Pete La Roca. The track "Pedro's Time" reflects Joe's fascination with Latin-flavored pieces (as evidenced by Joe's previous effort Page One, and his work on Dorham's Una Mas), while pieces like "Teeter Totter", "Our Thing" and "Back Road" play with time and structure in subtle ways. In N Out is a stone killer from the early Blue Note years of tenorist Joe Henderson – a key example of why the label had so much faith in him right from the start, and why Henderson's horn was quite different than so many other players of the 60s! Echoes of "new thing" modes lie in the background of the record, but upfront things have a sharp 60s Blue Note punch – thanks in part to a great lineup that also includes Kenny Dorham on trumpet, McCoy Tyner on piano, Richard Davis on bass, and Elvin Jones on drums. Henderson's tone is rough and young – but in a great way, one that's perfect for the exploratory nature of his original tunes on the set, and which matches the mood of Dorham's compositions as well. Tracks include "In N Out", "Short Story", "Brown's Town", and "Punjab". Inner Urge is a fantastic session of 60s "new thing" jazz – and one of our favorite early records by Joe Henderson! The album features some incredibly hard playing from Joe – with a very dark edge to his solos that's nicely offset by McCoy Tyner's lyrical piano, and the supple rhythms of Bob Cranshaw and Elvin Jones. It's hard to look at the lineup and not feel this group is approaching the tunes in a very post-Coltrane mode, but Henderson's voice on the tenor is completely singular, and puts that short-sighted theory to rest with his first bold note of the session. The album features 5 numbers in all – 3 originals showcasing Henderson's strong songwriting "Inner Urge", "Isotope" and "El Barrio" – plus the great Duke Pearson ballad "You Know I Care" and the standard "Night & Day". Last up are the two live Village Vanguard albums State Of The Tenor Vols 1 & 2 – a real moment of genius for Joe Henderson from the 80s – a spare trio session, recorded live at the Village Vanguard, in a mode that recalls Sonny Rollins classic sets there for Blue Note! And while Sonny often performed heavily in a trio setting, unfettered by chords in the rhythm section – this is a unique date for Joe, and he sounds brilliant throughout! Ron Carter and Al Foster provide a crisp but elastic foundation for Henderson's burnished melodies and solos in a very spacious setting. Titles include"The Bead Game", "Soulville", "Portrait", "Beatrice", "Friday The Thirteenth", "Happy Reunion", "Loose Change", "Ask Me Now" and "Isotope". CD

Possible matches12
CD, LP, Vinyl record album cover art
Antonio (Chocolate) Diaz MenaEso es Latin Jazz . . . Man! ... LP
Audio Fidelity, Early 60s. New Copy (reissue)... $9.99
A crackling little set from Latin percussionist Antonio "Chocolate" Mena – not to be confused with the Latin trumpeter who also went by the name of Chocolate! The album's got some wonderfully jazzy numbers – put together with arrangements from Duke Pearson and Lalo Schifrin, and a group that includes Pearson, Richard Williams, Walter Perkins, Seldon Powell, and Jerome Richardson – all of whom make for a session that's equally jazz-based as much as it is Latin-styled – almost in the manner of some of the best Latinesque work on Prestige from the same period. Tracks are short, but very powerful, and titles include "El Pega Joso", "Green Dolphin Street", "Tin Tin Deo", "Kush", "Con Alma", and "Mambo Jazz Opus 7". LP, Vinyl record album

Possible matches13
CD, LP, Vinyl record album cover art
John PattonGot A Good Thing Goin' ... LP
Blue Note, Mid 60s. Very Good+ ... $59.99
A classic by Big John Patton! The master organ player is joined by Grant Green on guitar, and the much-overlooked drummer Hugh Walker – a fantastic player on the kit, little known, but who played with this incredible "skipping" groove – one that sounds that reminds us a lot of some of the work that Joe Dukes did with Jack McDuff in the 60s! There's no bass on the set at all – and Walker's drums combine with added conga from Richard Landrum – giving the songs an extra roll, and a modal approach that expands Patton's sound past his usual gutbuckety soul jazz! Includes loads of great tracks – especially the jazz dance classic "The Yodel", as well as on Sam Cooke's "The Shake", Duke Pearson's "Amanda", and the great "Soul Woman". LP, Vinyl record album
(New York mono pressing – with Van Gelder stamp. Cover has some glue remnants on back.)

Possible matches14
CD, LP, Vinyl record album cover art
Don RendellRoarin' ... CD
Riverside/BGP (UK), 1961. New Copy ... $8.99 14.99
A beautiful lost bit of British jazz, and probably one of the greatest records ever made by UK tenor giant Don Rendell! The group's a quintet, and believe it or not, a very young Graham Bond is featured on alto. Bond's got a very straight hard bop sound here, with none of the goofiness that marred his later Beat Group albums. Bond contributed the nice track "Bring Back The Burch", Rendell wrote the groovy "You Loomed Out Of Loch Ness", and the band does very nice readings of Duke Pearson's "Jeannine" and Miles Davis' "So What". A very nice edge to the whole session, and the kind of killer album UK jazz fans should not be without! CD

Possible matches15
CD, LP, Vinyl record album cover art
✨✧ Stanley TurrentineLook Of Love ... LP
Blue Note, Late 60s. Very Good Gatefold ... $7.99
Stanley Turrentine's a hell of a soloist in a large ensemble setting – and there's possibly no better place to hear that talent at work than on this classic 60s date for Blue Note! The format's a bit different than other Turrentine records of the time – no small group romping, nor larger band soul jazz – and instead this laidback and classy mode that's handled with a heck of a lot of soul by arrangers Thad Jones and Duke Pearson – with this sophisticated vibe that almost points the way towards some of Stan's ballad work of the 70s. Strings are balanced nicely with jazz inflections from players who include Hank Jones, Roland Hanna, and Duke Pearson on piano – plus Kenny Burrell on guitar, Benny Powell on trombone, and both Snooky Young and Jimmy Nottingham on flugelhorn. Titles include "The Look Of Love", "Emily", "I'm Always Drunk In San Francisco", "MacArthur Park", "Blues For Stan", "This Guy's In Love With You", and "Here There & Everywhere". LP, Vinyl record album
(Liberty pressing. Cover & labels have an ink stamp.)

Possible matches16
CD, LP, Vinyl record album cover art
Stanley TurrentineRough & Tumble ... LP
Blue Note, Late 60s. Very Good+ ... $19.99
A great album – with a really swinging groove! Stanley's soulful horn is set in a slightly larger group, in the style that would dominate his later years for the Blue Note label. Duke Pearson arranged the set, and players include James Spaulding, Blue Mitchell, Grant Green, Pepper Adams, and McCoy Tyner. Tracks are of medium length, with Stan blowing some nicely-pinched solos on titles like "Shake", "Walk On By", and "And Satisfy" – all with tight arrangements by Pearson. LP, Vinyl record album
(New York stereo pressing with Van Gelder stamp. Cover has some ring & edge wear, small piece of clear tape on the bottom seam, and price sticker remnants on back.)

Possible matches17
CD, LP, Vinyl record album cover art
VariousBlue Bossa – Vols 1 to 3 – Cool Cuts From The Tropics (3CD set) ... CD
Blue Note (Germany), Late 50s/1960s/Early 70s. New Copy 3CD ... $19.99
The Latin side of Blue Note Records – and the Brazilian one, too – served up here in a series that brought together classic work from the label in a special sort of groove – tunes that are maybe more influenced by south of the border rhythms than you'd expect from the soul jazz and hardbop artists who originally made the records! There's a bit of bossa here, but the rhythms open up into a fair bit more, too – and it's great to hear the difference in these musicians as they change things up from straighter bop modes, and use the new grooves to open up their solos and rework their phrasing too! This side of Blue Note was sometimes buried in a world of collectors looking for more familiar hardbop, but it really lives again, thanks tot he Blue Bossa collection. 3CD set features 41 tracks in all – including "Afreaka" by Lee Morgan, "Avila & Tequila" by Hank Mobley, "Chitlins Con Carne" by Kenny Burrell, "Congalegre" by Horace Parlan, "Back Down To The Tropics" by Charlie Rouse, "Latona" by Big John Patton, "Girl From Ipanema" by Lou Rawls, "La Fiesta" by Stanley Turrentine, "Headin South" by Horace Parlan, "La Malanga" by Bobby Hutcherson, "Mama Inez" by Grant Green, "Swingin The Samba" by Horace Silver, "Upa Neguinho" by Duke Pearson, "Mambo Inn" by Grant Green, "Ghana" by Donald Byrd, "Love For Sale" by Dexter Gordon, "Samba De Orfeu" by Charlie Rouse, "Afrodisia" by Kenny Dorham, "Sambop" by Cannonball Adderley with Bossa Rio, "Loi" by Ike Quebec, "Sandalia Dela" by Duke Pearson, "Congo Lament" by Ike Quebec, "Corcovado" by Grant Green, "Tin Tin Deo" by James Moody, "El Gaucho" by Wayne Shorter, and "Stormy" by Duke Pearson. CD

Possible matches18
CD, LP, Vinyl record album cover art
VariousBlue Break Beats – Vols 1 to 3 – The Jazz Break Beats That Made Hip Hop Hits (3CD set) ... CD
Blue Note (Germany), 1960s/Early 70s. New Copy 3CD ... $19.99
A special package that brings together the first three volumes in this landmark series – one that had the Blue Note label digging back in their catalog and completely re-thinking their approach to reissues – given the new popularity of jazz in the hip hop sample world! As you'd guess from the title, the music here is very strongly oriented in the mode of "breaks", or tracks that were sampled for later hip hop and club recordings – classic jazz tunes from the glory days of Blue Note that have gone onto live again, thanks to the keen ears and inventive work of more contemporary DJs and producers. After all these years, The Blue Breakbeats series still stands as one of the best illustrations of the funkier side of the label – and titles include "Blue Juice" by Jimmy McGriff, "Groovin For Mr G" by Richard Groove Holmes, "Street Lady" by Donald Byrd, "Jasper Country Man" by Bobbi Humphrey, "Higga Boom" by Gene Harris, "Walk Tall" by Cannonball Adderley, "Howlin For Judy" by Jeremy Steig, "Sho Nuff Mellow" by Rueben Wilson, "Ode To Billie Joe" by Lou Donaldson, "Don't Call Me N*gger Whitey" by Gene Harris, "Mystic Brew" by Ronnie Foster, "Ground Hog" by Duke Pearson, "Ummh" by Bobby Hutcherson, "Ain't It Funky Now" by Grant Green, "Your Love Is Just Too Much" by Gene Harris, "Kudu" by Eddie Henderson, "The Weasil" by Donald Byrd, "It's Your Thing" by Lou Donaldson, "The Worm" by Jimmy McGriff, "Orange Peel" by Reuben Wilson, "The Kumquat Kids" by Eddie Henderson, "Good Humor Man" by Blue Mitchell, "Viva Tirado" by Gerald Wilson, "Turtle Walk" by Lou Donaldson, "Final Comedown" by Grant Green, "Get Out Of My Life Woman" by Joe Williams, "You've Made Me So Very Happy" by Lou Rawls, and "Oliloqui Valley" by Herbie Hancock. CD

Possible matches19
CD, LP, Vinyl record album cover art
VariousDodgy Bossa & Silly Sambas ... CD
Warner (Australia), Late 60s. New Copy ... $16.99
A great little collection – even though we almost resent the title for mis-stating the quality of these tunes! We'd hardly call these cuts "dodgy" or "silly" – as most of them are pretty darn wonderful, and represent a fresh new flowering of the bossa sound from Brazil – taken in all sorts of very cool directions by American artists who fell in love with the rhythms, then decided to do something new! Only a handful of these tunes are by Brazlian artists – but they all share a real love of bossa nova changes, and take the sound into some wonderful directions – including forays into American jazz and soul. The choice of cuts is wonderful – and the package features 20 tracks that include "Caravan" by Lonnie Satin, "Comin Home Baby" by Marian McPartland, "Jive Samba" by Jon Hendricks, "The Girl From Ipanema" by Lou Rawls, "Crickets Sing For Anamaria" by Marcos VAlle, "Bossa Nova Blues" by Doris Troy, "Stormy" by Duke Pearson, "The Bossa Nova" by Tippie & The Clovers, "Something In My Eye" by Corduroy, "Who Will Buy" by Jon Lucien, "Carcara" by Nancy Ames, "Mas Que Nada" by Dizzy Gillespie, and "Bossa Nova Baby" by Elvis Presley. CD

Possible matches20
CD, LP, Vinyl record album cover art
✨✧ Donald ByrdAt The Half Note Cafe Vol 1 ... CD
Blue Note, Early 60s. Used ... Temporarily Out Of Stock
One of the greatest Donald Byrd albums ever – a smoking live performance spread out over two different records – all with some of the tightest, most grooving work that Byrd ever recorded in his early years on Blue Note! Part of the strength of the set is the group – as Don's trumpet is alongside the brilliant baritone of Pepper Adams – who plays with the deftness of a tenor, but with a richer, fuller sound – and the group also includes the great Duke Pearson on piano, who has this way of comping out tunes that are soulful, but richly lyrical too. The group's completed by Lex Humprhies on drums and Laymon Jackson on bass – and titles on this first volume include nice long versions of "Soulful Kiddy", "My Girl Shirl", and "Cecile". CD
(Out of print first pressing.)

Possible matches21
CD, LP, Vinyl record album cover art
✨✧ Donald ByrdNew Perspective ... LP
Blue Note, 1963. Used ... Temporarily Out Of Stock
A classic album that mixes trumpet and voices in a swirling soulful sound that worked very well for Byrd's career! Byrd's sparkling trumpet fronts a tight septet that includes Hank Mobley, Herbie Hancock, and Kenny Burrell – and which is backed by arrangements by Coleridge Perkinson and Duke Pearson. The sound is beautiful and spiritual, with a sound that mixes Blue Note hardbop with a style that would later show up on labels like Strata East, or in the experiments of Max Roach and Billy Harper. The tracks are long and moody, and the vocal group never gets in the way, but instead backs Byrd in a way that lets him hit new heights, and which gives him a stronger sense of voice. Includes the classic "Christo Redentor", plus "Chant", "The Black Disciple", and "Elijah". LP, Vinyl record album
(New York stereo pressing – with Van Gelder stamp and ear – in beautiful shape!)

Possible matches22
CD, LP, Vinyl record album cover art
✨✧ Donald ByrdThank You For FUML (Funkin Up My Life) ... LP
Elektra, 1978. Used ... Temporarily Out Of Stock
A post-Blue Note effort, and Donald's changing things up a bit with his 125th Street Orchestra and Uptown Singers – funking along in a way you'd expect from the longwinded title! Byrd loostens up the smoother backgrounds of his recent Larry Mizell helmed work, and in their place are grooves that have more of a heavy slap bass sound, punchier horns and guitars! There are lotes nice moments that are a bit more restrained than the comparably full-on funk approach – and these have a spacey fusiony soul quality that reminds us of similar work that Byrd was doing with The Blackbyrds at the time. One of the best cuts is "Your Life Is My Ecstasy", which has some great bubbling Moog behind it, which creates a sound that you've heard sampled famously by Tribe Called Quest. Other nice ones are "Loving You", which features vocals by Jim Gilstrap, and a remake of Duke Pearson's "Cristo Redentor", a big hit for Don in the 60s, which is redone here in an excellent slow funk mode that feels like Bob James' work on CTI. Others include "Have You Heard The News", "In Love With Love" and "Close Your Eyes And Look Within". LP, Vinyl record album
(Includes the printed inner sleeve.)

Possible matches23
CD, LP, Vinyl record album cover art
✨✧ Lou DonaldsonLush Life ... CD
Blue Note, 1967. Used ... Temporarily Out Of Stock
An unusual session from the heart of Lou Donaldson's return to Blue Note in the late 60s – a mellower date that stands in strong contrast to his funkier albums of the time! As you might guess from the title, there's a lusher feel going on here – one that has Lou's alto sax augmented by larger backings from Duke Pearson – who manages to score things perfectly with a balance of soul and sophistication. The album's hardly a "Donaldson with strings" date – and instead is done in the more mature mode that Duke was using in some of his own sides from the time, and on work with players like Donald Byrd or Stanley Turrentine. Other players here include Wayne Shorter on tenor, Pepper Adams on baritone, Jerry Dodgion on alto and flute, Freddie Hubbard on trumpet, and Garnett Brown on trombone – plus core rhythms from the trio of McCoy Tyner on piano, Ron Carter on bass, and Al Harewood on drums. Titles include "Sweet Slumber", "The Good Life", "Sweet & Lovely", "Stardust", and "You've Changed" – and the album was recorded in the 60s, it was only first issued in Japan in 1980 – and even then only later in the US! CD
(Out of print.)

Possible matches24
CD, LP, Vinyl record album cover art
✨✧ Fumio KarashimaMy Favorite Things ... CD
Pit Inn (Japan), 2017. New Copy ... Temporarily Out Of Stock
One of the most spiritual albums we've heard in years from pianist Fumio Karashima – a set that has the Japanese jazz legend working with a host of different guests, including some horn players who really give his music some depth! The choice of material is great – and Karashima eschews most of his own compositions for work by Herbie Hancock, Duke Pearson, Jimmy Heath, Bobby Hutcherson, and others – given lively readings by an ensemble who really know how to burst out at the front, then soar with these very strong solos. The album features a great reading of "My Favorite Things", with a unique use of two bassists; a spare duet with trumpeter Terumasa Hino on "Black Orpheus"; guest work from guitarist Kazumi Watanabe on "Chan's Song"; and nice takes on "So Near So Far", "Gingerbread Boy", "Subtle Neptune", and "Jeannine". CD

Possible matches25
CD, LP, Vinyl record album cover art
✨✧ Lee MorganCharisma ... CD
Blue Note, 1966. Used ... Temporarily Out Of Stock
One of our favorite albums from Lee Morgan – a soaringly soulful session that was recorded in the mid 60s, and finally issued by Blue Note at the end of the decade! The vibe here really follows from the lyrically inventive, post-Sidewinder mid 60s Morgan years – with a spirit that's similar to Lee's work on the albums Gigolo or Tom Cat, in a style that mixes in a fair bit more modal and Latin influences to the rhythms. The lineup is totally great too – a sextet that features Hank Mobley, Jackie McLean, Cedar Walton, Paul Chambers, and Billy Higgins – the last of whom provides tremendous rhythms that are as fluidly inventive as Morgan's playing and the writing of Hank Mobley, who contributed most of the tunes to the set. Titles include "Hey Chico", "The Double Up", and "The Murphy Man" – and the record also includes a nice version of Duke Pearson's "Sweet Honey Bee". CD
(Out of print.)

Possible matches26
CD, LP, Vinyl record album cover art
✨✧ John PattonGot A Good Thing Goin' (180 gram pressing) ... LP
Blue Note (Spain), 1966. New Copy (reissue)... Temporarily Out Of Stock
A classic by Big John Patton! The master organ player is joined by Grant Green on guitar, and the much-overlooked drummer Hugh Walker – a fantastic player on the kit, little known, but who played with this incredible "skipping" groove – one that sounds that reminds us a lot of some of the work that Joe Dukes did with Jack McDuff in the 60s! There's no bass on the set at all – and Walker's drums combine with added conga from Richard Landrum – giving the songs an extra roll, and a modal approach that expands Patton's sound past his usual gutbuckety soul jazz! Includes loads of great tracks – especially the jazz dance classic "The Yodel", as well as on Sam Cooke's "The Shake", Duke Pearson's "Amanda", and the great "Soul Woman". LP, Vinyl record album
(Limited edition!)
Also available Got A Good Thing Goin' ... LP 59.99

Possible matches27
CD, LP, Vinyl record album cover art
✨✧ Stanley TurrentineNew Time Shuffle ... LP
Blue Note, 1967/1979. Used ... Temporarily Out Of Stock
Obscure material by Stanley Turrentine – recorded in 1967, but not issued until 1979, and then only briefly! The album's got Stan working strongly in the Joyride style of his previous Blue Note hit – with larger arrangements from Duke Pearson, in a groove that sets Turrentine's tenor up with plenty of soulful rhythms! Pearson brings a nice sense of lyricism to the session, even a hint of bossa at times – and the sharp-edged Turrentine tone is a welcome one throughout – setting sparks and illuminating corners of the music with a deeply personal feel. Titles include "Blues For Del", "Manha De Carnaval", "Here's That Rainy Day", and "Return of The Prodigal Son". LP, Vinyl record album
(Cover has light wear and a piece of clear tape on the opening.)

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CD, LP, Vinyl record album cover art
✨✧ Stanley TurrentineSpoiler ... LP
Blue Note, 1966. Used ... Temporarily Out Of Stock
Stanley Turrentine's no spoiler here – as his tenor sax soars out over the top of some sweet larger group arrangements from Duke Pearson – all awash in a great sense of soul, joy, and life! The album's got a much brighter feel than you might guess from the cover – a vibe that's a bit similar to Stan's classic Joyride album, but a bit more open and free – thanks to the lyrical touches of Pearson on the charts. Other players include Blue Mitchell on trumpet, Julian Priester on trombone, James Spaulding on alto and flute, and Pepper Dadams on baritone sax – plus rhythm from McCoy Tyner on piano, Bob Cranshaw on electric bass, Mickey Roker on drums, and Joseph Rivera on percussion. As on some of the other Pearson dates from the time – particularly those with Donald Byrd – the use of electric bass really opens things up, by creating a subtle rhythmic pulse that really drives most numbers along. And also in the Pearson mode, the added players aren't really a horn section in the conventional way – just a group of like-minded, top-shelf jazz players who egg on the main soloist with a great sense of enthusiasm for the music! Titles include "La Fiesta", "The Magilla", "Sunny", "Maybe September", "You're Gonna Hear From Me", and "When The Sun Comes Out". LP, Vinyl record album
(70s pressing. Cover has a cut corner.)
 
 
 



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