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Exact matches: 10
Exact matches1
CD, LP, Vinyl record album cover art
Duke PearsonHoney Buns ... LP
Atlantic, 1965. Very Good+ ... $19.99
An excellent Duke Pearson album – and (dare we say it?) better than any of his Blue Note LPs! The record features a very tight lineup with Johnny Coles on trumpet, Garnett Brown on trombone, Les Spann on flute, James Spaulding on alto, and George Coleman on tenor – all players who are well suited to Pearson's warm funky style on the piano, but who also have a strong modernist sensibility that really comes through on the solos. The album is filled with nice tracks – like "New Girl", "Honeybuns", "Heavy Legs", and the fantastic lyrical groover "Is That So", plus "You Know I Care" and "Our Love". LP, Vinyl record album
(Blue & green label pressing. Cover has a cutout notch.)

Exact matches2
CD, LP, Vinyl record album cover art
Duke PearsonHow Insensitive ... LP
Blue Note, 1969. Very Good ... $16.99
Another bold step forward in the too-short career of Duke Pearson – and one of the last few records before his untimely death! The session departs from previous Pearson work by using vocals on most tracks – sometimes a solo singer, either Andy Bey or Flora Purim, and sometimes a larger chorus, in the manner of vocal jazz experiments on records by Donald Byrd or Max Roach. Duke himself plays electric piano on the set, bringing in a moody undercurrent that sets the whole thing on edge – and which makes even the simplest of vocal performances shine like a dark jewel in the night. Airto plays percussion on the set, and there's also some nice Brazilian rhythms that filter in and out of the tunes – on titles that include "Sandelia Dela", "Lamento", "Cristo Redentor", "My Love Waits", and "Tears". LP, Vinyl record album
(Liberty/UA pressing. Cover has split top seam and spine, mostly split bottom seam, and surface wear.)

Exact matches3
CD, LP, Vinyl record album cover art
✨✧ Duke PearsonIntroducing Duke Pearson's Big Band (plus tracks from Now Hear This) ... CD
Blue Note, 1967. Used ... $4.99
A much better record than you'd expect – one of Duke's funkiest sessions, and a hard swinging big band set with a great late 60s feel! The group is all-class all the way – with players that include Pearson, Bob Cranshaw, Mickey Roker, Marvin Stamm, Julian Priester, Frank Foster, and Jerry Dodgion – and the tracks are short, but with an expansive groove that takes this one way past regular big band jazz, and into the mode of some of the hipper European groups at the time. Includes the classic track "Groundhog", which has a nice funky break on it – plus the cuts "New Girl", "Bedouin", "New Time Shuffle", and "Mississippi Dip". Plus, this CD also features 6 bonus tracks lifted from the album Now Hear This – an equally great album in a similar mode, with titles that include "Make It Good", "Minor League", "Disapporachment", "Tones For Joan's Bones", and "The Days Of Wine & Roses". CD
(Out of print oringing CD pressing, not a CDr, small amount of writing in pen inside booklet.)

Exact matches4
CD, LP, Vinyl record album cover art
Duke PearsonRight Touch ... LP
Blue Note, 1967. Very Good+ ... $29.99
One of the hippest sets that Duke Pearson ever recorded – and an all-out Blue Note soul jazz set that's even better than Pearson's classic Sweet Honey Bee! Duke's style is deeper and more farther-reaching here – with echoes of styles used at the time by Hank Mobley and Lee Morgan – carried off with some of the more tightly-arranged modes used by Pearson on his backdrops for other players at the time. The group here includes James Spaulding on alto, Freddie Hubbard on trumpet, Jerry Dodgion on alto and flute, Stanley Turrentine on tenor, Garnett Brown on trombone, and rhythm by Gene Taylor on bass and Grady Tate on drums. Tracks have a strong overall focus on the groove – rolling around in that rollicking mid 60s Blue Note style that Pearson helped establish as the label's trademark at the time – but titles are also touched with some of Duke's lighter lyricism, especially on his own solos. Titles include "Make It Good", "Chili Peppers", "Rotary", "Los Malos Hombres", and "Scrap Iron". LP, Vinyl record album
(Liberty/UA pressing, with Van Gelder stamp.)

Exact matches5
CD, LP, Vinyl record album cover art
Duke PearsonTender Feelin's ... CD
Blue Note (Japan), 1959. New Copy ... $15.99
One of the most obscure sessions by Duke Pearson, and one of his first for Blue Note too! The album features Duke hitting a laidback and lyrical groove – working in a trio with Gene Taylor on bass and Lex Humphries on drums – overall pretty much in a soul jazz mode, but with more of Pearson's wonderful touches on the keys to open things up. The album's a nice counterpoint to Duke's later work for the label – much more intimate than his bigger band sides, but still put together with the depth that he'd later show more famously with his fuller arrangements. Titles include "3 AM", "On Green Dolphin Street", "I Love You", and "The Golden Striker". CD
(SHM-CD pressing!)

Exact matches6
CD, LP, Vinyl record album cover art
✨✧ Duke PearsonProfile ... LP
Blue Note, 1959. Used ... Temporarily Out Of Stock
Early early work by Duke Pearson – and one of his few trio sessions ever! The album's a great way to hear Pearson's lyrical soulful style at work, as he's playing in an unfettered setting with Gene Taylor on bass and Lex Humphries on drums – really stretching out on piano, in a way that you don't often hear on some of his larger group albums. The album features two of his own compositions "Gate City Bop" and "Two Mile Ride", plus versions of "Black Coffee", "Taboo", and "Witchcraft". LP, Vinyl record album
(UA pressing. Cover has a cut corner.)

Exact matches7
CD, LP, Vinyl record album cover art
✨✧ Duke PearsonDedication! ... CD
Prestige/OJC, 1961. Used ... Out Of Stock
A rare pre-Blue Note gem from pianist Duke Pearson – originally recorded in 1961 for the short-lived Jazzline label! The set appears here in a short-lived 1969 incarnation from Prestige – issued, no doubt, to cash in on Pearson's growing fame at Blue Note – and the record's a good fit for the label, as it's got a tight, right, and in-the-pocket soul jazz energy that's really great! Pearson's leading a group that includes Freddie Hubbard on trumpet, Pepper Adams on baritone, and the lesser-known Willie Wilson on trombone – a great player, but one who was mostly a friend of Pearson, and only ever made this one appearance on record! Tracks have a lively well-crafted sound – mixing modern and soul jazz idioms nicely – and titles include "Lex", "Blues For Alvina", "Apothegm", and "Minor Mishap". CD
(Name in pen on booklet cover & small amount of writing in pen inside booklet.)

Exact matches8
CD, LP, Vinyl record album cover art
✨✧ Duke PearsonProfile ... CD
Blue Note (Japan), 1959. New Copy ... Out Of Stock
Early early work by Duke Pearson – and one of his few trio sessions ever! The album's a great way to hear Pearson's lyrical soulful style at work, as he's playing in an unfettered setting with Gene Taylor on bass and Lex Humphries on drums – really stretching out on piano, in a way that you don't often hear on some of his larger group albums. The album features two of his own compositions "Gate City Bop" and "Two Mile Ride", plus versions of "Black Coffee", "Taboo", and "Witchcraft". CD
(SHM-CD pressing!)

Exact matches9
CD, LP, Vinyl record album cover art
✨✧ Duke PearsonAngel Eyes ... CD
Jazz Line/Muzak (Japan), 1961. New Copy ... Out Of Stock
A rare pre-Blue Note session from Duke Pearson – very mellow, very soulful, and with a quality that's unlike most of his later work! The album's a trio side, recorded for the Jazzline label, and it features Pearson on piano, Thomas Howard on bass, and Lex Humphries on drums – the last of whom brings in some wonderfully lyrical lines on the kit, very much in the manner of the free, dancing rhythms used on records with Donald Byrd. Pearson's piano has a sharper edge than usual – these dark, moody tones that are totally great – almost a rougher version of his later sound, with a great sense of depth. Bob Cranshaw's bass and Walter Perkins' drums are featured on one number – and titles include a killer take on "Jeannine", plus "Say You're Mine", "Le Carrousel", "Bags Groove", and "Exodus". CD
(HQ – Hi Quality CD pressing!)

Exact matches10
CD, LP, Vinyl record album cover art
✨✧ Duke PearsonPhantom (180 gram pressing) ... LP
Blue Note/Heavenly Sweetness (France), 1969. New Copy ... Out Of Stock
Incredible work from pianist Duke Pearson – a darkly-tinged album of grooves that surpasses all his other gems for Blue Note! The record showcases some great work from Bobby Hutcherson – slid into the mix in a really sly way, so that his jazzy vibes color all the tunes with an edgey feeling that's missing from most of Duke's other albums. The group's slightly largeish – with Jerry Dodgion on flute and alto, Sam Brown and Al Gafa on guitar, plus added Latin percussion on a number of tracks – but although the larger group format often made for softer edges on other Pearson sessions from the time, the mix here is quite different – at a level that works in complicated rhythms, rich colors and tones, and warm harmonics that have a slightly unsettling undercurrent. The album's worth it alone for the mighty title cut "The Phantom" – but the whole thing's great, and other tracks include "Bunda Amerela", "Say You're Mine" and "Blues for Alvina". LP, Vinyl record album
 
Possible matches: 42
Possible matches11
CD, LP, Vinyl record album cover art
Randy BreckerScore ... LP
Solid State, Late 60s. Very Good Gatefold ... $9.99
A very cool early Randy Brecker album – recorded years before he was working in tighter, R&B-inflected styles – and was instead an up-and-coming player with a surprisingly sharp edge! The set's produced by Duke Pearson, and has a groovy sound that's similar to Blue Note dates of the late 60s – jazz at the core, but a willingness to bring in some other pre-fusion elements – most notably the electric piano of Hal Galper, which sounds great next to drums from Bernard Purdie and bass from Eddie Gomez! Brother Michael plays tenor, and Galper wrote a lot of the tracks – with that good groovy electric funk sound that he did so well at this time. Titles include "The Vamp", "The Weasel Goes Out To Lunch", "Pipe Dream", "The Marble Sea", and "Bangalore". LP, Vinyl record album

Possible matches12
CD, LP, Vinyl record album cover art
Donald ByrdAt The Half Note Cafe Vol 2 ... LP
Blue Note, Early 60s. Very Good ... $19.99
One of the greatest Donald Byrd albums ever – a smoking live performance spread out over two different records – all with some of the tightest, most grooving work that Byrd ever recorded in his early years on Blue Note! Part of the strength of the set is the group – as Don's trumpet is alongside the brilliant baritone of Pepper Adams – who plays with the deftness of a tenor, but with a richer, fuller sound – and the group also includes the great Duke Pearson on piano, who has this way of comping out tunes that are soulful, but richly lyrical too. The group's completed by Lex Humprhies on drums and Laymon Jackson on bass – and titles on this second volume include a stunning long version of Pearson's "Jeanine", plus the tracks "Pure D. Funk" and "Kimyas". LP, Vinyl record album
(Liberty/UA pressing. Back cover has some wear and a split spine.)

Possible matches13
CD, LP, Vinyl record album cover art
Donald ByrdByrd In Flight ... LP
Blue Note, 1960. Very Good ... $24.99
A wonderfully lyrical session from trumpeter Donald Byrd – yet for some reason, the album's one of his most overlooked from the 60s! The session features material by 2 different groups – one that includes Byrd, Hank Mobley, and Duke Pearson; and another which features Byrd, alongside Jackie McLean and Pearson. Donald's playing is really opening up here – hitting some sweeter, more drifting notes, yet still referencing the heavier style of his hardbop years from time to time – and in a way, the record's almost a hint of the solo style that Byrd would take up on 70s recordings with Larry Mizell – still in a deep groove, but with a newfound ability to sail over the top with some nice light notes. Mobley and McLean are superb, as always, and Pearson plays nice and hard – with more of an edge than on his own recordings of the time. Tracks include "Ghana", "Lex", "My Girl Shirl", and "Bo". LP, Vinyl record album
(70s pressing. Cover has a cutout hole.)

Possible matches14
CD, LP, Vinyl record album cover art
Donald ByrdFuego ... CD
Blue Note (Japan), 1960. New Copy ... $14.99
One of Donald Byrd's first albums on Blue Note – tight, soulful, and a firm statement of hardbop truth – a record that showed that Byrd was firmly on the map! The ensemble features Jackie McLean on alto, and the rhythm section includes Duke Pearson, Doug Watkins, and Lex Humphries – all of whom bring in a sense of lyrical interplay that really shows off a newer side of Byrd's trumpet that didn't emerge in earlier 50s recordings – one that opens up in the individuality of the Blue Note mode, and shakes off some of the more academic trappings of his early work with Gigi Gryce. All tunes are proud originals by Byrd himself – written with a real sense of color, tone, and timing – and titles include "Bup A Loup", "Funky Mama", "Lament", and "Amen". CD
(SHM-CD pressing!)

Possible matches15
CD, LP, Vinyl record album cover art
✨✧ Donald ByrdNew Perspective ... LP
Blue Note, 1963. Near Mint- ... $24.99
A classic album that mixes trumpet and voices in a swirling soulful sound that worked very well for Byrd's career! Byrd's sparkling trumpet fronts a tight septet that includes Hank Mobley, Herbie Hancock, and Kenny Burrell – and which is backed by arrangements by Coleridge Perkinson and Duke Pearson. The sound is beautiful and spiritual, with a sound that mixes Blue Note hardbop with a style that would later show up on labels like Strata East, or in the experiments of Max Roach and Billy Harper. The tracks are long and moody, and the vocal group never gets in the way, but instead backs Byrd in a way that lets him hit new heights, and which gives him a stronger sense of voice. Includes the classic "Christo Redentor", plus "Chant", "The Black Disciple", and "Elijah". LP, Vinyl record album
(70s pressing. Cover has a cut corner & some moderate wear.)

Possible matches16
CD, LP, Vinyl record album cover art
Donald ByrdStep High ... LP
Up Front, Early 60s. Near Mint- ... $7.99
Upfront issue of some Donald Byrd stuff recorded in the early 60's. Two great lineups, one that pairs Donald Byrd with the tenor of Jimmy Heath and the alto of Bunky Green; another that has him joining Johnny Coles on trumpet and Duke Pearson on piano. Nice hard bop stuff, in settings Byrd's not often heard in, 5 tracks in all: "My Babe", "Counter Punch", "Step High", "Out Of This World" and "Angel Eyes". LP, Vinyl record album
(Cover has light wear.)

Possible matches17
CD, LP, Vinyl record album cover art
Michael DeaseRelentless ... CD
Posi tone, 2014. Used ... $6.99
A stunning large ensemble set from trombonist Michael Dease – the first we've ever heard from him in this format, and a record that brings us back to some of the most inventive bigger bands of the late 60s – such as groups by Duke Pearson, or the team of Thad Jones & Mel Lewis! No surprise, Dease starts out with a great version of Pearson's "Is That So" for the record – really grabbing us right away with his deft intepretation of the soulful classic, which is presented in newly shimmering tones by his own arrangement. Michael then continues to wow us with his work on all other tracks as well – a mix of his own compositions, and a few newly-remade classics – featuring solo work from Greg Gisbert on trumpet, Todd Bashore on alto, Diego Rivera on tenor, Miki Hayama on piano, Etienne Charles on trumpet, Sharel Cassity on tenor, Wycliffe Gordon on trombone, and the leader's own instrument on a few key solo moments as well. Titles include "Is That So", "Force", "Relentless", "The Takeover", "Little Lucas", and "Roppongi". CD

Possible matches18
CD, LP, Vinyl record album cover art
Lou DonaldsonLush Life ... CD
Blue Note, 1967. Used ... $3.99
An unusual session from the heart of Lou Donaldson's return to Blue Note in the late 60s – a mellower date that stands in strong contrast to his funkier albums of the time! As you might guess from the title, there's a lusher feel going on here – one that has Lou's alto sax augmented by larger backings from Duke Pearson – who manages to score things perfectly with a balance of soul and sophistication. The album's hardly a "Donaldson with strings" date – and instead is done in the more mature mode that Duke was using in some of his own sides from the time, and on work with players like Donald Byrd or Stanley Turrentine. Other players here include Wayne Shorter on tenor, Pepper Adams on baritone, Jerry Dodgion on alto and flute, Freddie Hubbard on trumpet, and Garnett Brown on trombone – plus core rhythms from the trio of McCoy Tyner on piano, Ron Carter on bass, and Al Harewood on drums. Titles include "Sweet Slumber", "The Good Life", "Sweet & Lovely", "Stardust", and "You've Changed" – and the album was recorded in the 60s, it was only first issued in Japan in 1980 – and even then only later in the US! CD
(Out of print.)

Possible matches19
CD, LP, Vinyl record album cover art
✨✧ Nikki GiovanniLike A Ripple On A Pond ... LP
Niktom/Atlantic, 1973. Very Good ... Just Sold Out!
Beautiful righteousness from poet Nikki Giovanni – a wonderfully put together session that features her reading her own poetry over musical backings, plus some added choral bits from the New York Community Choir! The sound is completely right on – never too over the top, and never too cliched – and the backings are often lifted from older jazz and gospel tunes, but feature Nikki's own words over the top. Titles include "Conversation", "Prison Poem", "Mothers", "Straight Talk", and the great "Scrapbook", set to Duke Pearson's "Christo Redentor". LP, Vinyl record album
(Cover has some staining.)

Possible matches20
CD, LP, Vinyl record album cover art
Joe Henderson5 Original Albums (Our Thing/In N Out/Inner Urge/State Of The Tenor 1 & 2) (5CD set) ... CD
Blue Note (Germany), Mid 60s/Mid 80s. New Copy 5CD ... $21.99
The start of a great run of genius from Joe Henderson – plus a seminal 80s return to form – served up here on five different albums recorded for Blue Note! First up is Our Thing – a classic straight session by Joe Henderson – cut during his early years, when he was breaking out of the box with a heck of a lot of fire! Kenny Dorham's subdued lyricism complements Joe's impassioned playing over the angular, yet still-swinging rythm section of Andrew Hill, Eddie Kahn and Pete La Roca. The track "Pedro's Time" reflects Joe's fascination with Latin-flavored pieces (as evidenced by Joe's previous effort Page One, and his work on Dorham's Una Mas), while pieces like "Teeter Totter", "Our Thing" and "Back Road" play with time and structure in subtle ways. In N Out is a stone killer from the early Blue Note years of tenorist Joe Henderson – a key example of why the label had so much faith in him right from the start, and why Henderson's horn was quite different than so many other players of the 60s! Echoes of "new thing" modes lie in the background of the record, but upfront things have a sharp 60s Blue Note punch – thanks in part to a great lineup that also includes Kenny Dorham on trumpet, McCoy Tyner on piano, Richard Davis on bass, and Elvin Jones on drums. Henderson's tone is rough and young – but in a great way, one that's perfect for the exploratory nature of his original tunes on the set, and which matches the mood of Dorham's compositions as well. Tracks include "In N Out", "Short Story", "Brown's Town", and "Punjab". Inner Urge is a fantastic session of 60s "new thing" jazz – and one of our favorite early records by Joe Henderson! The album features some incredibly hard playing from Joe – with a very dark edge to his solos that's nicely offset by McCoy Tyner's lyrical piano, and the supple rhythms of Bob Cranshaw and Elvin Jones. It's hard to look at the lineup and not feel this group is approaching the tunes in a very post-Coltrane mode, but Henderson's voice on the tenor is completely singular, and puts that short-sighted theory to rest with his first bold note of the session. The album features 5 numbers in all – 3 originals showcasing Henderson's strong songwriting "Inner Urge", "Isotope" and "El Barrio" – plus the great Duke Pearson ballad "You Know I Care" and the standard "Night & Day". Last up are the two live Village Vanguard albums State Of The Tenor Vols 1 & 2 – a real moment of genius for Joe Henderson from the 80s – a spare trio session, recorded live at the Village Vanguard, in a mode that recalls Sonny Rollins classic sets there for Blue Note! And while Sonny often performed heavily in a trio setting, unfettered by chords in the rhythm section – this is a unique date for Joe, and he sounds brilliant throughout! Ron Carter and Al Foster provide a crisp but elastic foundation for Henderson's burnished melodies and solos in a very spacious setting. Titles include"The Bead Game", "Soulville", "Portrait", "Beatrice", "Friday The Thirteenth", "Happy Reunion", "Loose Change", "Ask Me Now" and "Isotope". CD

Possible matches21
CD, LP, Vinyl record album cover art
✨✧ Joe HendersonInner Urge ... LP
Blue Note, 1964. Very Good ... $149.99
A fantastic session of 60s "new thing" jazz – and one of our favorite early records by Joe Henderson! The album features some incredibly hard playing from Joe – with a very dark edge to his solos that's nicely offset by McCoy Tyner's lyrical piano, and the supple rhythms of Bob Cranshaw and Elvin Jones. It's hard to look at the lineup and not feel this group is approaching the tunes in a very post-Coltrane mode, but Henderson's voice on the tenor is completely singular, and puts that short-sighted theory to rest with his first bold note of the session. The album features 5 numbers in all – 3 originals showcasing Henderson's strong songwriting "Inner Urge", "Isotope" and "El Barrio" – plus the great Duke Pearson ballad "You Know I Care" and the standard "Night & Day". LP, Vinyl record album
(New York stereo pressing, with Van Gelder stamp and ear.)

Possible matches22
CD, LP, Vinyl record album cover art
Thad Jones/Pepper Adams QuintetMean What You Say ... CD
Milestone/OJC, 1966. Used ... $6.99
A really unique little small group effort from the team of Thad Jones and Pepper Adams – one that predates Jones' bigger band work with Mel Lewis (also part of the group here), and offers one of the few chances to hear him in a small group in the late 60s! The record's got a care and charm that reminds us both of Adams' excellent late 50s sides as a leader, and of some of Thad's few records for Blue Note – an approach to jazz that's soulful, but always slightly thoughtful – yet never too pensive to swing, nor too overly complex. Jones and Adams both get in plenty of long solos, and the record also features some wonderful piano by Duke Pearson, as well as bass by Ron Carter and drums from Mel Lewis. A really special little record, and one we totally love – with titles that include "Mean What You Say", "H & T Blues", "Bossa Nova Ova", "No Refill", and "Chant". CD

Possible matches23
CD, LP, Vinyl record album cover art
Fumio KarashimaMy Favorite Things ... CD
Pit Inn (Japan), 2017. New Copy ... $29.99
One of the most spiritual albums we've heard in years from pianist Fumio Karashima – a set that has the Japanese jazz legend working with a host of different guests, including some horn players who really give his music some depth! The choice of material is great – and Karashima eschews most of his own compositions for work by Herbie Hancock, Duke Pearson, Jimmy Heath, Bobby Hutcherson, and others – given lively readings by an ensemble who really know how to burst out at the front, then soar with these very strong solos. The album features a great reading of "My Favorite Things", with a unique use of two bassists; a spare duet with trumpeter Terumasa Hino on "Black Orpheus"; guest work from guitarist Kazumi Watanabe on "Chan's Song"; and nice takes on "So Near So Far", "Gingerbread Boy", "Subtle Neptune", and "Jeannine". CD

Possible matches24
CD, LP, Vinyl record album cover art
✨✧ Luca Mannutza Sound SixTributo Al Sestetti Anno 60 ... CD
Albore Jazz (Japan), 2009. Used ... $8.99
The Italian sound of the 60s lives again – in this fresh set of work from pianist Luca Mannutza, and his ultra-hip Sound Six combo! The sextet has a wonderful way of reaching back into the past, grabbing up the best elements of Italian jazz, and moving it forward strongly into the 21st Century – almost a summation of the excellent work heard on other titles on the Albore label, served up to perfection here by a lineup that also includes Andy Gravish on trumpet, Max Ionata on tenor, Paolo Recchia on alto, Renato Gattone on bass, and Andrea Nunzi on drums! There's a fluid feel, solid soul, and modern swing that takes us right back to the classic days of Blue Note – no surprise, given that the set includes versions of Wayne Shorter's "On The Ginza" and "The Big Push", Kenny Dorham's "Short Story", and Duke Pearson's "You Know I Care" – plus great takes on Chick Corea's "Litha" and Mulgrew Miller's "Grew's Tune". CD

Possible matches25
CD, LP, Vinyl record album cover art
John PattonGot A Good Thing Goin' ... LP
Blue Note, Mid 60s. Very Good+ ... $79.99
A classic by Big John Patton! The master organ player is joined by Grant Green on guitar, and the much-overlooked drummer Hugh Walker – a fantastic player on the kit, little known, but who played with this incredible "skipping" groove – one that sounds that reminds us a lot of some of the work that Joe Dukes did with Jack McDuff in the 60s! There's no bass on the set at all – and Walker's drums combine with added conga from Richard Landrum – giving the songs an extra roll, and a modal approach that expands Patton's sound past his usual gutbuckety soul jazz! Includes loads of great tracks – especially the jazz dance classic "The Yodel", as well as on Sam Cooke's "The Shake", Duke Pearson's "Amanda", and the great "Soul Woman". LP, Vinyl record album
(New York mono pressing – with Van Gelder stamp. Cover has some glue remnants on back.)
Also available Got A Good Thing Goin' (180 gram pressing) ... LP 18.99

Possible matches26
CD, LP, Vinyl record album cover art
John PattonGot A Good Thing Goin' (180 gram pressing) ... LP
Blue Note (Spain), 1966. New Copy (reissue)... $18.99
A classic by Big John Patton! The master organ player is joined by Grant Green on guitar, and the much-overlooked drummer Hugh Walker – a fantastic player on the kit, little known, but who played with this incredible "skipping" groove – one that sounds that reminds us a lot of some of the work that Joe Dukes did with Jack McDuff in the 60s! There's no bass on the set at all – and Walker's drums combine with added conga from Richard Landrum – giving the songs an extra roll, and a modal approach that expands Patton's sound past his usual gutbuckety soul jazz! Includes loads of great tracks – especially the jazz dance classic "The Yodel", as well as on Sam Cooke's "The Shake", Duke Pearson's "Amanda", and the great "Soul Woman". LP, Vinyl record album
(Limited edition!)
Also available Got A Good Thing Goin' ... LP 79.99

Possible matches27
CD, LP, Vinyl record album cover art
Don RendellRoarin' ... CD
Riverside/BGP (UK), 1961. New Copy ... $8.99 14.99
A beautiful lost bit of British jazz, and probably one of the greatest records ever made by UK tenor giant Don Rendell! The group's a quintet, and believe it or not, a very young Graham Bond is featured on alto. Bond's got a very straight hard bop sound here, with none of the goofiness that marred his later Beat Group albums. Bond contributed the nice track "Bring Back The Burch", Rendell wrote the groovy "You Loomed Out Of Loch Ness", and the band does very nice readings of Duke Pearson's "Jeannine" and Miles Davis' "So What". A very nice edge to the whole session, and the kind of killer album UK jazz fans should not be without! CD

Possible matches28
CD, LP, Vinyl record album cover art
Stanley TurrentineNew Time Shuffle ... LP
Blue Note, 1967/1979. Very Good ... $6.99
Obscure material by Stanley Turrentine – recorded in 1967, but not issued until 1979, and then only briefly! The album's got Stan working strongly in the Joyride style of his previous Blue Note hit – with larger arrangements from Duke Pearson, in a groove that sets Turrentine's tenor up with plenty of soulful rhythms! Pearson brings a nice sense of lyricism to the session, even a hint of bossa at times – and the sharp-edged Turrentine tone is a welcome one throughout – setting sparks and illuminating corners of the music with a deeply personal feel. Titles include "Blues For Del", "Manha De Carnaval", "Here's That Rainy Day", and "Return of The Prodigal Son". LP, Vinyl record album

Possible matches29
CD, LP, Vinyl record album cover art
Stanley TurrentineRough & Tumble ... LP
Blue Note, Late 60s. Very Good+ ... $29.99
A great album – with a really swinging groove! Stanley's soulful horn is set in a slightly larger group, in the style that would dominate his later years for the Blue Note label. Duke Pearson arranged the set, and players include James Spaulding, Blue Mitchell, Grant Green, Pepper Adams, and McCoy Tyner. Tracks are of medium length, with Stan blowing some nicely-pinched solos on titles like "Shake", "Walk On By", and "And Satisfy" – all with tight arrangements by Pearson. LP, Vinyl record album
(New York stereo pressing with Van Gelder stamp. Cover has some ring & edge wear, small piece of clear tape on the bottom seam, and price sticker remnants on back.)

Possible matches30
CD, LP, Vinyl record album cover art
VariousBlack Roots – Funky & Abstract Directions In Jazz 1965 to 1975 ... CD
Atlantic/BGP (UK), Late 60s/Early 70s. New Copy ... $8.99 18.99
Some of the hippest jazz tracks ever recorded by Atlantic Records – a great blend of numbers that mixes together modal groovers, funky jams, and hard-hitting soul jazz tracks! The music here nicely steps around a number of different styles, and a number of different artists – and represents the cooler side of the Atlantic jazz catalog – instead of some of their better-known, crossover hits – mixed with a few funk and soul numbers too! The set was compiled by London DJ Russ Dewbury – and he did an excellent job of dipping into all the right parts of the Atlantic catalog, and timed out the set so that the cuts fit together extremely well. Titles include "I Walk On Gilded Splinters" by Dr John, "Jagger The Dagger" by Eugene McDaniels, "It's Your Thing" by Shirley Scott, "See Line Woman" by Yusef Lateef, "Mean Greens" by Eddie Harris, "The Windjammer" by Mongo Santamaria, "Black Root" by Roland Kirk, "The Fakir" by Duke Pearson, "Witchi Tai To" by Jim Pepper, "Sufur" by Rufus Harley, and "Foxy Brown" by David Newman. CD
 
 
 



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