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Exact matches: 16
Exact matches1
CD, LP, Vinyl record album cover art
Duke PearsonHow Insensitive ... CD
Blue Note (Japan), 1969. New Copy ... $13.99
Another bold step forward in the too-short career of Duke Pearson – and one of the last few records before his untimely death! The session departs from previous Pearson work by using vocals on most tracks – sometimes a solo singer, either Andy Bey or Flora Purim, and sometimes a larger chorus, in the manner of vocal jazz experiments on records by Donald Byrd or Max Roach. Duke himself plays electric piano on the set, bringing in a moody undercurrent that sets the whole thing on edge – and which makes even the simplest of vocal performances shine like a dark jewel in the night. Airto plays percussion on the set, and there's also some nice Brazilian rhythms that filter in and out of the tunes – on titles that include "Sandelia Dela", "Lamento", "Cristo Redentor", "My Love Waits", and "Tears". CD

Exact matches2
CD, LP, Vinyl record album cover art
✨✧ Duke PearsonI Don't Care Who Knows It ... CD
Blue Note, 1969/1970. Used ... $14.99
One of Duke Pearson's greatest records – pulled from 2 different sessions recorded at the end of the 60s, but not issued until a few years back! The work's quite different than Pearson's big band recordings, or his earlier soul jazz ones – and is a brilliant mix of Brazilian styles, electric instrumentation, complicated arrangements, and some of the more head-oriented jazz that was cropping up on Blue Note at the time, particularly work on records by Horace Silver. Andy Bey sings some incredible vocals on the title cut "I Don't Care Who Knows It", and other players on the record include Bobby Hutcherson, Airto, Wally Richardson, Jerry Dodgion, and Frank Foster. Titles include "Bloos", "I Don't Know", "Canto De Ossanha", and "Xibaba". CD
(Promotional sticker on booklet cover & stamp on CD.)

Exact matches3
CD, LP, Vinyl record album cover art
Duke PearsonIntroducing Duke Pearson's Big Band ... LP
Blue Note, 1967. Very Good+ Gatefold ... $6.99
A much better record than you'd expect from the somewhat cheesy cover – one of Duke Pearson's funkiest sessions ever, and a hard swinging big band set with a great late 60s feel! The group is all-class all the way – with players that include Pearson, Bob Cranshaw, Mickey Roker, Marvin Stamm, Julian Priester, Frank Foster, and Jerry Dodgion – and the tracks are short, but with an expansive groove that takes this one way past regular big band jazz, and into the mode of some of the hipper European groups at the time. Includes the classic track "Groundhog", which has a nice funky break on it – plus the cuts "New Girl", "Bedouin", "New Time Shuffle", and "Mississippi Dip". LP, Vinyl record album
(Liberty stereo pressing. Cover has some wear.)

Exact matches4
CD, LP, Vinyl record album cover art
✨✧ Duke PearsonIt Could Only Happen With You ... LP
Blue Note, 1970. Near Mint- ... $19.99
Pivotal work from Duke Pearson – a brilliant set that perfectly sums up all the criss-crossing of styles he was working on in the late 60s – and comes up with a wonderful blend of electric jazz, Brazilian rhythms, and just a touch of 70s soul! Pearson plays some sweet Fender Rhodes on the set, in addition to acoustic piano – and there's some other wonderful instrumentation in the mix too – including flute and guitar from Hermeto Pascoal, making a rare Blue Note appearance – plus sweet flutes from Jerry Dodgion and Lew Tabackin, both blowing in kind of a CTI-ish way – as well as tenor from Frank Foster, trumpets from Collins/Shepley, and wonderful drums from Mickey Roker – whose inventive rhythms here really helps set fire to Duke's new ideas. Flora Purim sings on a few tracks – pre-Fantasy Records, and turning in some of her greatest vocals ever – and titles include a wonderful version of "Stormy", plus "Book's Bossa", "Gira, Girou", "Hermeto", "Emily", and "It Could Only Happen With You". LP, Vinyl record album
(Original 70s pressing – very nice!)

Exact matches5
CD, LP, Vinyl record album cover art
✨✧ Duke PearsonPhantom (plus bonus track) ... CD
Blue Note (Japan), 1969. New Copy ... $16.99
Incredible work from pianist Duke Pearson – a darkly-tinged album of grooves that surpasses all his other gems for Blue Note! The record showcases some great work from Bobby Hutcherson – slid into the mix in a really sly way, so that his jazzy vibes color all the tunes with an edgey feeling that's missing from most of Duke's other albums. The group's slightly largeish – with Jerry Dodgion on flute and alto, Sam Brown and Al Gafa on guitar, plus added Latin percussion on a number of tracks – but although the larger group format often made for softer edges on other Pearson sessions from the time, the mix here is quite different – at a level that works in complicated rhythms, rich colors and tones, and warm harmonics that have a slightly unsettling undercurrent. The album's worth it alone for the mighty title cut "The Phantom" – but the whole thing's great, and other tracks include "Bunda Amerela", "Say You're Mine" and "Blues for Alvina". CD features a bonus track – Komeda's great "Theme From Rosemary's Baby"! CD
(SHM-CD pressing!)

Exact matches6
CD, LP, Vinyl record album cover art
Duke PearsonProfile ... CD
Blue Note (Japan), 1959. New Copy ... $13.99
Early early work by Duke Pearson – and one of his few trio sessions ever! The album's a great way to hear Pearson's lyrical soulful style at work, as he's playing in an unfettered setting with Gene Taylor on bass and Lex Humphries on drums – really stretching out on piano, in a way that you don't often hear on some of his larger group albums. The album features two of his own compositions "Gate City Bop" and "Two Mile Ride", plus versions of "Black Coffee", "Taboo", and "Witchcraft". CD

Exact matches7
CD, LP, Vinyl record album cover art
Duke PearsonTender Feelin's ... CD
Blue Note (Japan), 1959. New Copy ... $13.99
One of the most obscure sessions by Duke Pearson, and one of his first for Blue Note too! The album features Duke hitting a laidback and lyrical groove – working in a trio with Gene Taylor on bass and Lex Humphries on drums – overall pretty much in a soul jazz mode, but with more of Pearson's wonderful touches on the keys to open things up. The album's a nice counterpoint to Duke's later work for the label – much more intimate than his bigger band sides, but still put together with the depth that he'd later show more famously with his fuller arrangements. Titles include "3 AM", "On Green Dolphin Street", "I Love You", and "The Golden Striker". CD

Exact matches8
CD, LP, Vinyl record album cover art
✨✧ Duke PearsonWahoo! ... CD
Blue Note (Japan), 1964. New Copy ... $13.99
Wahoo is right – as Duke Pearson sets up one of his hippest sessions of the 60s, a lyrical batch of soul jazz tracks, with that slight edge of darkness that he was putting into his best work as the decade progressed! Players include James Spaulding on alto and flute, Joe Henderson on tenor, and Donald Byrd on trumpet – and the overall feel is perhaps a bit like some of those Byrd sessions that were heavily influenced by Pearson, but also with a bit of the later expansive style of writing for horns that you'd find on albums like Pearson's Prarie Dog or Bobby Hutcherson's The Phantom. Titles include "ESP", "Fly Little Bird Fly", "Farewell Machelle", "Bedouin", and "Amanda". CD

Exact matches9
CD, LP, Vinyl record album cover art
Duke PearsonBaltimore 1969 ... CD
Uptown, 1969. New Copy ... Just Sold Out!
A much-needed recording of the late 60s big band of pianist Duke Pearson – an amazing ensemble who only recorded just a bit for Blue Note – and who really shine here in this rare concert performance! The set was recorded as part of the legendary late 60s run of concerts for Baltimore's Left Bank Jazz Society – but it's got an approach that's a lot tighter and more focused than some of those mostly-freewheeling dates – thanks to some really sharp charts from Duke, who was by this time turning out to be one of the 60s most creative jazz arrangers! There's a sense of vibrancy to the music that's really tremendous – not the flashy flourishes of other big bands on the American scene, but a deep understanding of tone and color – mixed with a sense of rhythm that really brings plenty of soul to the set too. The lineup's filled with great players whose solos make the whole thing sparkle – including Donald Byrd and Burt Collins on trumpets, Julian Priester and Eddie Bert on trombone, Jerry Dodgion on alto and flute, Frank Foster and Lew Tabackin on tneor, and Pepper Adams on baritone sax. Pearson's piano is a key part of the sound – nestled wonderfully in the crack rhythm team of Bob Cranshaw on bass and Mickey Roker on drums – and titles include "Ready When You Are CB", "Eldorado", "New Girl", "Tones For Joan's Bones", "Straight Up & Down", and "Night Song". CD

Exact matches10
CD, LP, Vinyl record album cover art
Duke PearsonRight Touch ... LP
Blue Note, 1967. Near Mint- ... Just Sold Out!
One of the hippest sets that Duke Pearson ever recorded – and an all-out Blue Note soul jazz set that's even better than Pearson's classic Sweet Honey Bee! Duke's style is deeper and more farther-reaching here – with echoes of styles used at the time by Hank Mobley and Lee Morgan – carried off with some of the more tightly-arranged modes used by Pearson on his backdrops for other players at the time. The group here includes James Spaulding on alto, Freddie Hubbard on trumpet, Jerry Dodgion on alto and flute, Stanley Turrentine on tenor, Garnett Brown on trombone, and rhythm by Gene Taylor on bass and Grady Tate on drums. Tracks have a strong overall focus on the groove – rolling around in that rollicking mid 60s Blue Note style that Pearson helped establish as the label's trademark at the time – but titles are also touched with some of Duke's lighter lyricism, especially on his own solos. Titles include "Make It Good", "Chili Peppers", "Rotary", "Los Malos Hombres", and "Scrap Iron". LP, Vinyl record album
(90s pressing. Cover has light wear.)

Exact matches11
CD, LP, Vinyl record album cover art
✨✧ Duke PearsonBags Groove (aka Angel Eyes) ... LP
Jazz Line/Trio (Japan), 1961. Used ... Temporarily Out Of Stock
A rare pre-Blue Note session from Duke Pearson – very mellow, very soulful, and with a quality that's unlike most of his later work! The album's a trio side, recorded for the Jazzline label, and it features Pearson on piano, Thomas Howard on bass, and Lex Humphries on drums – the last of whom brings in some wonderfully lyrical lines on the kit, very much in the manner of the free, dancing rhythms used on records with Donald Byrd. Pearson's piano has a sharper edge than usual – these dark, moody tones that are totally great – almost a rougher version of his later sound, with a great sense of depth. Bob Cranshaw's bass and Walter Perkins' drums are featured on one number – and titles include a killer take on "Jeannine", plus "Say You're Mine", "Le Carrousel", "Bags Groove", and "Exodus". Plus, the CD features 3 alternate bonus takes! LP, Vinyl record album
(Japanese pressing, with obi! Cover has a very small trace of a sticker in one corner.)

Exact matches12
CD, LP, Vinyl record album cover art
✨✧ Duke PearsonPrairie Dog ... CD
Atlantic (UK), 1966. New Copy ... Temporarily Out Of Stock
Dark genius from Duke Pearson – quite possibly one of his hippest records ever, and an album that's filled with surprising twists and turns! At one level, the set seems to be a simple batch of soul jazz tunes – in the mode of Pearson's mid-60s classics on Blue Note – but at another, it opens up into unusual phrasings, timings, shades, and tones – all of which are years ahead of their time, and serve to keep the album full of complexity throughout! Many tracks groove here – but in a very subtle way that often moves a bit towards modal jazz. And the players on the set shade things in unconventionally – sometimes using understatement and space as their strongest tools – clearly directed by Pearson's budding talents as an arranger. Players include James Spaulding on flute and alto sax, Harold Vick on soprano sax, Johnny Coles on trumpet, George Coleman on tenor, and Gene Bertoncini on guitar – and Pearson himself plays a bit of celeste in addition to his regular piano. Titles include a great version of Joe Henderson's "Soulin", plus Ron Carter's "Little Waltz", and Pearson's own "The Fakir", one of the best tracks he ever wrote! Other titles include "Hush A Bye", "Prairie Dog", and "Angel Eyes". CD

Exact matches13
CD, LP, Vinyl record album cover art
✨✧ Duke PearsonRight Touch ... CD
Blue Note (Japan), 1967. New Copy ... Temporarily Out Of Stock
One of the hippest sets that Duke Pearson ever recorded – and an all-out Blue Note soul jazz set that's even better than Pearson's classic Sweet Honey Bee! Duke's style is deeper and more farther-reaching here – with echoes of styles used at the time by Hank Mobley and Lee Morgan – carried off with some of the more tightly-arranged modes used by Pearson on his backdrops for other players at the time. The group here includes James Spaulding on alto, Freddie Hubbard on trumpet, Jerry Dodgion on alto and flute, Stanley Turrentine on tenor, Garnett Brown on trombone, and rhythm by Gene Taylor on bass and Grady Tate on drums. Tracks have a strong overall focus on the groove – rolling around in that rollicking mid 60s Blue Note style that Pearson helped establish as the label's trademark at the time – but titles are also touched with some of Duke's lighter lyricism, especially on his own solos. Titles include "Make It Good", "Chili Peppers", "Rotary", "Los Malos Hombres", and "Scrap Iron". CD
Also available Right Touch ... LP

Exact matches14
CD, LP, Vinyl record album cover art
✨✧ Duke PearsonSweet Honey Bee ... LP
Blue Note, 1966. New Copy (reissue)... Temporarily Out Of Stock
A classic Blue Note groover – the funkiest album by Duke Pearson, and a killer batch of piano-heavy soul jazz tunes! Duke really blew out the box for this one – not only coming up with a great batch of original tunes, and playing them with an incredibly soulful touch – but also working with a top-shelf batch of players that includes Freddie Hubbard, Joe Henderson, and James Spaulding! The great Mickey Roker is on drums, playing away with a nice scatter-shot modal mode that grooves in all the right parts – and titles include "Big Bertha", "Sweet Honey Bee", "Sudel", "Ready Rudy?", and "Empathy". LP, Vinyl record album

Exact matches15
CD, LP, Vinyl record album cover art
✨✧ Duke PearsonAngel Eyes ... CD
Jazz Line/Muzak (Japan), 1961. New Copy ... Out Of Stock
A rare pre-Blue Note session from Duke Pearson – very mellow, very soulful, and with a quality that's unlike most of his later work! The album's a trio side, recorded for the Jazzline label, and it features Pearson on piano, Thomas Howard on bass, and Lex Humphries on drums – the last of whom brings in some wonderfully lyrical lines on the kit, very much in the manner of the free, dancing rhythms used on records with Donald Byrd. Pearson's piano has a sharper edge than usual – these dark, moody tones that are totally great – almost a rougher version of his later sound, with a great sense of depth. Bob Cranshaw's bass and Walter Perkins' drums are featured on one number – and titles include a killer take on "Jeannine", plus "Say You're Mine", "Le Carrousel", "Bags Groove", and "Exodus". CD
(HQ – Hi Quality CD pressing!)

Exact matches16
CD, LP, Vinyl record album cover art
✨✧ Duke PearsonPrairie Dog ... LP
Atlantic, 1966. Used ... Out Of Stock
Dark genius from Duke Pearson – quite possibly one of his hippest records ever, and an album that's filled with surprising twists and turns! At one level, the set seems to be a simple batch of soul jazz tunes – in the mode of Pearson's mid-60s classics on Blue Note – but at another, it opens up into unusual phrasings, timings, shades, and tones – all of which are years ahead of their time, and serve to keep the album full of complexity throughout! Many tracks groove here – but in a very subtle way that often moves a bit towards modal jazz. And the players on the set shade things in unconventionally – sometimes using understatement and space as their strongest tools – clearly directed by Pearson's budding talents as an arranger. Players include James Spaulding on flute and alto sax, Harold Vick on soprano sax, Johnny Coles on trumpet, George Coleman on tenor, and Gene Bertoncini on guitar – and Pearson himself plays a bit of celeste in addition to his regular piano. Titles include a great version of Joe Henderson's "Soulin", plus Ron Carter's "Little Waltz", and Pearson's own "The Fakir", one of the best tracks he ever wrote! Other titles include "Hush A Bye", "Prairie Dog", and "Angel Eyes". LP, Vinyl record album
(Red & purple label pressing. Cover has light wear, but is nice overall.)
 
Possible matches: 43
Possible matches17
CD, LP, Vinyl record album cover art
Gene Ammons & Sonny StittTogether Again For The Last Time ... LP
Prestige, 1976. Very Good ... $3.99
1973 recording that would become the last that Jug and Stitt did before Jug's untimely death in the mid 70's. Duke Pearson produced it (even though it wasn't for Blue Note), and the group includes Junior Mance on piano, Sam Jones on bass, and either Mickey Roker or Ajaramu on drums. Tracks include "One For Amos", "The Window Pain", "Saxification", and "I'll Close My Eyes". LP, Vinyl record album

Possible matches18
CD, LP, Vinyl record album cover art
✨✧ Donald ByrdAt The Half Note Cafe Vol 2 ... CD
Blue Note, Early 60s. Used ... $7.99
One of the greatest Donald Byrd albums ever – a smoking live performance spread out over two different records – all with some of the tightest, most grooving work that Byrd ever recorded in his early years on Blue Note! Part of the strength of the set is the group – as Don's trumpet is alongside the brilliant baritone of Pepper Adams – who plays with the deftness of a tenor, but with a richer, fuller sound – and the group also includes the great Duke Pearson on piano, who has this way of comping out tunes that are soulful, but richly lyrical too. The group's completed by Lex Humprhies on drums and Laymon Jackson on bass – and titles on this second volume include a stunning long version of Pearson's "Jeanine", plus the tracks "Pure D. Funk" and "Kimyas". CD
(Out of print. Tray card has a cutout notch.)

Possible matches19
CD, LP, Vinyl record album cover art
Donald ByrdByrd In Flight ... CD
Blue Note (Japan), 1960. New Copy ... $13.99
A wonderfully lyrical session from trumpeter Donald Byrd – yet for some reason, the album's one of his most overlooked from the 60s! The session features material by 2 different groups – one that includes Byrd, Hank Mobley, and Duke Pearson; and another which features Byrd, alongside Jackie McLean and Pearson. Donald's playing is really opening up here – hitting some sweeter, more drifting notes, yet still referencing the heavier style of his hardbop years from time to time – and in a way, the record's almost a hint of the solo style that Byrd would take up on 70s recordings with Larry Mizell – still in a deep groove, but with a newfound ability to sail over the top with some nice light notes. Mobley and McLean are superb, as always, and Pearson plays nice and hard – with more of an edge than on his own recordings of the time. Tracks include "Ghana", "Lex", "My Girl Shirl", and "Bo". CD

Possible matches20
CD, LP, Vinyl record album cover art
Donald ByrdCat Walk (RVG remaster edition) ... CD
Blue Note, 1961. Used ... $4.99
Classic soul jazz material from trumpeter Donald Byrd – one of his most sinister (and most rare) albums for Blue Note! The group's a quintet, with frequent bandmate Pepper Adams on baritone, Duke Pearson on piano, and Philly Joe Jones on drums – all grooving with some of the tightness heard on other Adams/Byrd dates, but also a warmer, more open-ended approach to the music, especially on the solos! The tracks slink along with a dark little groove – and although Pearson's piano is often sweetly lyrical, it also has a nice hard sound that works well with the sharp-edged horn lines of Byrd and Adams. The album's very much in the vein of the pair's work on the Warwick label during the same time – and with excellent compositions that include "Say You're Mine", "Duke's Mixture", "The Cat Walk", and "Hello Bright Sunflower". CD
(BMG music club pressing.)

Possible matches21
CD, LP, Vinyl record album cover art
Donald ByrdElectric Byrd ... LP
Blue Note, 1970. Very Good+ ... $23.99
Donald Byrd in a sweet electric mode – as you'd guess from the title! The set was recorded right before Byrd's legendary run with Larry Mizell in the early 70s – and the electric approach is a bit different here – a style that blends Byrd's wonderful trumpet lines with the larger ensemble mode Blue Note sometimes used in the late 60s, but with a spacey, stretched-out feel that's mighty nice! The album's somewhat similar to Byrd's Kofi set – but possibly a bit more open overall – and players here include Duke Pearson on electric piano, Jerry Dodgion on alto and sopranos ax, Frank Foster on tenor, Pepper Adams on baritone, Hermeto Pascoal on flute, Wally Richardson on guitar, Ron Carter on bass, Mickey Roker on drums, and Airto on percussion. Pearson produced, and probably arranged too – given a slight Brazilian undercurrent to the grooves – and titles include "Estavanico", "Essence", "The Dude", and "Xibaba". LP, Vinyl record album
(Liberty/UA pressing, nice and clean. Cover has a bit of light wear, but is nice overall.)

Possible matches22
CD, LP, Vinyl record album cover art
Donald ByrdFancy Free ... CD
Blue Note (Japan), 1969. New Copy ... $18.99
One of the coolest, grooviest 60s albums from trumpeter Donald Byrd – one that has him really reaching out for a hip new sound, but in ways that are different than most of his other material at the time! Key on the date is the placement of electric piano from Duke Pearson – played in this open, flowing style that has all the best hallmarks of Pearson's own work on the instrument for his sessions – yet balanced nicely with the bolder punch of Byrd's trumpet as well. Donald's quite far from any Miles Davis cliches on this one – no too-dark electric modes at all – and instead, the album's got this sense of lyrical soulfulness that we've maybe never heard this strongly again on any of Byrd's other albums. Other players include Frank Foster on tenor, Jerry Dodgion and Lew Tabackin on flute, Julian Priester on trombone, Jimmy Ponder on guitar, and either Idris Muhammad or Joe Chambers on drums. All tracks are nice and long, and very fresh – and include "Weasil", "I Love the Girl", "Fancy Free", and "The Uptowner". CD
(SHMCD.)

Possible matches23
CD, LP, Vinyl record album cover art
Donald ByrdFancy Free ... LP
Blue Note, 1969. Very Good ... $29.99
One of the coolest, grooviest 60s albums from trumpeter Donald Byrd – one that has him really reaching out for a hip new sound, but in ways that are different than most of his other material at the time! Key on the date is the placement of electric piano from Duke Pearson – played in this open, flowing style that has all the best hallmarks of Pearson's own work on the instrument for his sessions – yet balanced nicely with the bolder punch of Byrd's trumpet as well. Donald's quite far from any Miles Davis cliches on this one – no too-dark electric modes at all – and instead, the album's got this sense of lyrical soulfulness that we've maybe never heard this strongly again on any of Byrd's other albums. Other players include Frank Foster on tenor, Jerry Dodgion and Lew Tabackin on flute, Julian Priester on trombone, Jimmy Ponder on guitar, and either Idris Muhammad or Joe Chambers on drums. All tracks are nice and long, and very fresh – and include "Weasil", "I Love the Girl", "Fancy Free", and "The Uptowner". LP, Vinyl record album
(Liberty pressing with Van Gelder stamp.)

Possible matches24
CD, LP, Vinyl record album cover art
Donald ByrdI'm Tryin' To Get Home ... LP
Blue Note, 1965. Very Good ... $39.99
Donald Byrd's second foray into the "with voices" genre – done with the same arranging talents of Coleridge Perkinson, the lyrical modernist who made Donald's A New Perspective such a success! The group that plays with Byrd is excellent, and includes Freddie Roach, Herbie Hancock, Stanley Turrentine, and Grant Green – all of whom blend beautifully with the choir, and know when to lay back, and when to come out strong with hard rhythm playing and good solos. Donald Byrd and Duke Pearson wrote all of the tunes, and the set's got some beautiful shimmering solos by Byrd which just float dreamily over the album's gorgeous orchestrations. With the tracks "Pearly Gates", "March Children", "Brother Isaac", and "I'm Tryin' To Get Home". LP, Vinyl record album
(New York mono pressing, with deep groove on one side, Van Gelder stamp, and ear! Cover has some light wear, and a small mark from an old sticker.)

Possible matches25
CD, LP, Vinyl record album cover art
Donald ByrdKofi (180 gram vinyl) ... LP
Blue Note/Heavenly Sweetness (France), 1969/1970. New Copy (reissue)... $26.99
A fantastic set of tracks that was recorded at the cusp of the 70s, but which wasn't (for some strange reason) released until many years later! Donald Byrd's playing here with two different larger groups, and the music is a perfect bridge between his spacey late 60s attempts to mimic Miles Davis, and his tighter early 70s jazz funk work with Larry Mizell. The instrumentation's a bit different than usual, and includes a warm frontline of Frank Foster on tenor, Lew Tabackin on flute and tenor, and William Campbell on trombone – all working with these charts that are full and flowing – really strong, soulful elements that get some further great touches from Duke Pearson on Fender Rhodes! Rhythms echo some of Pearson's own great music of the time, with lots of Brazilian undercurrents – no surprise, given that Duke produced the record – and titles include "Kofi", "Fufu", "Perpetual Love", and "Elmina". LP, Vinyl record album

Possible matches26
CD, LP, Vinyl record album cover art
Donald ByrdNew Perspective ... LP
Blue Note, 1963. Very Good+ ... $16.99
A classic album that mixes trumpet and voices in a swirling soulful sound that worked very well for Byrd's career! Byrd's sparkling trumpet fronts a tight septet that includes Hank Mobley, Herbie Hancock, and Kenny Burrell – and which is backed by arrangements by Coleridge Perkinson and Duke Pearson. The sound is beautiful and spiritual, with a sound that mixes Blue Note hardbop with a style that would later show up on labels like Strata East, or in the experiments of Max Roach and Billy Harper. The tracks are long and moody, and the vocal group never gets in the way, but instead backs Byrd in a way that lets him hit new heights, and which gives him a stronger sense of voice. Includes the classic "Christo Redentor", plus "Chant", "The Black Disciple", and "Elijah". LP, Vinyl record album
(70s pressing. Cover has a cut corner and some wear.)
Also available New Perspective (75th Anniversary Edition) ... LP 16.99

Possible matches27
CD, LP, Vinyl record album cover art
Donald ByrdNew Perspective (75th Anniversary Edition) ... LP
Blue Note, 1963. New Copy (reissue)... $16.99 19.99
A classic album that mixes trumpet and voices in a swirling soulful sound that worked very well for Byrd's career! Byrd's sparkling trumpet fronts a tight septet that includes Hank Mobley, Herbie Hancock, and Kenny Burrell – and which is backed by arrangements by Coleridge Perkinson and Duke Pearson. The sound is beautiful and spiritual, with a sound that mixes Blue Note hardbop with a style that would later show up on labels like Strata East, or in the experiments of Max Roach and Billy Harper. The tracks are long and moody, and the vocal group never gets in the way, but instead backs Byrd in a way that lets him hit new heights, and which gives him a stronger sense of voice. Includes the classic "Christo Redentor", plus "Chant", "The Black Disciple", and "Elijah". LP, Vinyl record album
Also available New Perspective ... LP 16.99

Possible matches28
CD, LP, Vinyl record album cover art
Donald ByrdStep High ... LP
Up Front, Early 60s. Near Mint- ... $6.99
Upfront issue of some Donald Byrd stuff recorded in the early 60's. Two great lineups, one that pairs Donald Byrd with the tenor of Jimmy Heath and the alto of Bunky Green; another that has him joining Johnny Coles on trumpet and Duke Pearson on piano. Nice hard bop stuff, in settings Byrd's not often heard in, 5 tracks in all: "My Babe", "Counter Punch", "Step High", "Out Of This World" and "Angel Eyes". LP, Vinyl record album

Possible matches29
CD, LP, Vinyl record album cover art
Donald ByrdThank You For FUML (Funkin Up My Life) ... CD
Elektra/Wounded Bird, 1978. New Copy ... $10.99 11.98
A post-Blue Note effort, and Donald's changing things up a bit with his 125th Street Orchestra and Uptown Singers – funking along in a way you'd expect from the longwinded title! Byrd loostens up the smoother backgrounds of his recent Larry Mizell helmed work, and in their place are grooves that have more of a heavy slap bass sound, punchier horns and guitars! There are lotes nice moments that are a bit more restrained than the comparably full-on funk approach – and these have a spacey fusiony soul quality that reminds us of similar work that Byrd was doing with The Blackbyrds at the time. One of the best cuts is "Your Life Is My Ecstasy", which has some great bubbling Moog behind it, which creates a sound that you've heard sampled famously by Tribe Called Quest. Other nice ones are "Loving You", which features vocals by Jim Gilstrap, and a remake of Duke Pearson's "Cristo Redentor", a big hit for Don in the 60s, which is redone here in an excellent slow funk mode that feels like Bob James' work on CTI. Others include "Have You Heard The News", "In Love With Love" and "Close Your Eyes And Look Within". CD

Possible matches30
CD, LP, Vinyl record album cover art
Grant GreenIdle Moments (non RVG edition) ... CD
Blue Note, 1963. Used ... $4.99
A warmly melodic session from Blue Note's greatest guitarist! The sound of the set's as evocative as the title – an idle moment of space between the notes, explored by Green's tight single-note work on guitar – and wonderfully supported by a lineup that includes Joe Henderson, Bobby Hutcherson, and Duke Pearson. Hutcherson and Pearson are always a treat together – bringing out the best exotic side of each other, and crafting a set of spiritually soulful grooves that are really great! The album's got 4 long tracks – exploratory and open, in the best manner of Green's mid 60s work – and titles include "Nomad", "Idle Moments", and "Jean De Fleur". Also includes bonus tracks that are alternate takes of some of the cuts on the album! CD

Possible matches31
CD, LP, Vinyl record album cover art
John HicksIs That So ... CD
Timeless/Solid (Japan), 1990. New Copy ... $13.99
The title alone is more than enough to win us over here – as it's a great Duke Pearson composition that turns out to be a wonderful showcase for the most lyrical modes of pianist John Hicks! That tune's the leadoff, and it really sets the tone for the record – a gently soulful set that has Hicks working in a wonderful trio with Ray Drummond on bass and Idris Muhammad on drums – both players with a warmly melodic feel, especially Drummond – who seems to create this resonance with John's piano. Titles include "Is That So", "Emily", "Yesterdays", "I'll Remember April", "Sonnymoon For Two", and "April Eyes". CD

Possible matches32
CD, LP, Vinyl record album cover art
Blue MitchellHeads Up! ... LP
Blue Note, Late 60s. Very Good ... $14.99
One of the first albums to feature the trumpet of Blue Mitchell in a larger group – a really great move that let his soulful horn really come to the lead! Blue sounds wonderful here – soaring out in front of larger charts from Duke Pearson, Jimmy Heath, Don Pickett, and Melba Liston – all talents who start to bring in a bit of funk to Mitchell's music – which Blue responds to with a mighty nice kick! The group also features Pepper Adams on baritone, Jerry Dodgion on alto, Julian Preister on trombone, and Junior Cook on tenor – and titles include "Heads Up Feet Down", "Togetherness", "Good Humor Man", "Len Sirrah", and "People in Nassau". LP, Vinyl record album
(Liberty pressing. Cover has a some wear.)

Possible matches33
CD, LP, Vinyl record album cover art
✨✧ Lee MorganCharisma ... CD
Blue Note, 1966. Used ... $11.99
One of our favorite albums from Lee Morgan – a soaringly soulful session that was recorded in the mid 60s, and finally issued by Blue Note at the end of the decade! The vibe here really follows from the lyrically inventive, post-Sidewinder mid 60s Morgan years – with a spirit that's similar to Lee's work on the albums Gigolo or Tom Cat, in a style that mixes in a fair bit more modal and Latin influences to the rhythms. The lineup is totally great too – a sextet that features Hank Mobley, Jackie McLean, Cedar Walton, Paul Chambers, and Billy Higgins – the last of whom provides tremendous rhythms that are as fluidly inventive as Morgan's playing and the writing of Hank Mobley, who contributed most of the tunes to the set. Titles include "Hey Chico", "The Double Up", and "The Murphy Man" – and the record also includes a nice version of Duke Pearson's "Sweet Honey Bee". CD
(Out of print.)

Possible matches34
CD, LP, Vinyl record album cover art
Lee MorganMidnight Cowboy/Popi ... 7-inch
Blue Note, Early 70s. Very Good ... $6.99
We're never sure if these two Lee Morgan versions of soundtrack hits were on one of his LPs, but we think that they're only exclusive to this 45. Weird stuff, and Lee playing in the kind of orchestrated groove that some of his labelmates were playing at the time, but which never turned up on his late LPs. Duke Pearson arrangements. 7-inch, Vinyl record

Possible matches35
CD, LP, Vinyl record album cover art
Wallace RoneyUnderstanding ... CD
High Note, 2013. Used ... $7.99
Wallace Roney is one of those players who never lets us down – and here on this recent set, he's every bit as soaringly soulful as on his early albums from the 80s! The trumpeter's got a fluid groove right from the start – sweeping forward with these notes that have a beautiful balance between sharp punctuation and long runs of sound – that well-crafted approach to his horn that's always made Roney a real standout in his generation. The album's filled with plenty of soul – and the supporting players include Ben Solomon on tenor, Arnold Lee on alto, Victor Gould and Eden Ladin on piano, Daryl Johns on bass, and Kush Abadey on drums. Titles include a great version of the Duke Pearson gem "Is That So" – plus "Kotra", "Red Lantern", "Gaslight", "Search For Peace", and "You Taught My Heart To Sing". CD

Possible matches36
CD, LP, Vinyl record album cover art
Stanley TurrentineBluish Bag (New Time Shuffle/Stanley Turrentine plus previously unreleased tracks) ... CD
Blue Note, 1967. Used ... $8.99
60s genius from the mighty Stanley Turrentine – an under-reissued album, coupled here with a huge amount of bonus tracks! The first part of the CD features material that was recorded in 1967, but not issued until the 70s – partly on the self-titled Stanley Turrentine album, and partly on New Time Shuffle! The album's got Stan working strongly in the Joyride style of his previous Blue Note hit – with larger arrangements from Duke Pearson, in a groove that sets Turrentine's tenor up with plenty of soulful rhythms! Pearson brings a nice sense of lyricism to the session, even a hint of bossa at times – and the sharp-edged Turrentine tone is a welcome one throughout – setting sparks and illuminating corners of the music with a deeply personal feel. Titles include "Blues For Del", "Manha De Carnaval", "Here's That Rainy Day", "She's A Carioca", "What Now My Love", and "Night Song". Added to these tracks are 5 more tunes from a similar Pearson-arranged date recorded a few months later – one that's got a slightly fuller horn section, and a bit less of a bossa groove, but still plenty darn great! Duke brings in a bit more drama at times – especially on some of the slower numbers – and Stan picks up the vibe with his tenor, playing with an almost soundtrack-like sensibility. Titles include "Silver Tears", "Come Back To Me", "A Bluish Bag", and "With This Ring". CD
(BMG music club pressing.)
 
 
 



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