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Exact matches: 6
Exact matches1
CD, LP, Vinyl record album cover art
✨✧ Gato Barbieri/Don Cherry/Albert Ayler/John HandyI Giganti Del Jazz – Vol 6 ... LP
Armando Curcio (Italy), Late 60s. Near Mint- Gatefold ... $1.99
Not much of a package, but some pretty great music! Gato Barbieri and Don Cherry play together on "OCDC" and "Third Movement", and the set also features a live take on "If We Only Knew" by John Handy, and "Ghosts" by Albert Ayler. LP, Vinyl record album

Exact matches2
CD, LP, Vinyl record album cover art
Don CherryEternal Rhythm ... LP
MPS, 1968. Very Good+ Gatefold ... $49.99
One of Don Cherry's most hypnotic albums ever – a full album-length performance that features one of his first experiments with mixing jazz and global elements! The set was captured at the 1968 Berlin Jazz Festival – and mixes Cherry's amazing work on cornet, flute, and a myriad of world instruments with key contributions from European improvisers who include Eje Thelin on trombone, Bernt Rosengren on tenor and oboe, Karl Berger on vibes, Joachim Kuhn on piano and prepared piano, and Albert Mangelsdorf on trombone! There's even a bit of gamelon elements in some of the music, and Sonny Sharrock plays guitar too – and although free at times, the music comes together with an amazing sense of cohesion by the end – a vision that would inspire others to move into new territory in the decade to come. LP, Vinyl record album
(US pressing. Cover has an unglued top seam and some marker on the front.)
Also available Eternal Rhythm ... LP 12.99

Exact matches3
CD, LP, Vinyl record album cover art
Steve Lacy with Don CherryEvidence (70s pressing) ... LP
New Jazz/Prestige, 1961. Very Good+ ... $16.99
Really wonderful work from a pair we wish we could have heard more often together! Steve Lacy's early records are all pretty darn great, but this album's a really special gem – a rare pairing with trumpeter Don Cherry, and an album with an incredibly haunting sound! There's almost a bit more warmth here than some of Lacy's other early records – and more than Cherry's too, for that matter – as the pair move together marvelously through space that might be dubbed modal, but which also has a somewhat airy and open sense of freedom. Lacy brings in some of his usual love of Thelonious Monk, but the rhythmic progressions often move away from standard Monk modes – partly from the absence of piano on the set. Drummer Billy Higgins is especially great – playing with an almost melodic approach to his kit at times – and the quartet's completed by bassist Carl Brown, who's really won our attention with his work on the date. Titles include an incredible reading of Duke Ellington's "The Mystery Song" – plus the tracks "Something To Live For", "Let's Cool One", "Who Knows", "San Francisco Holiday", and "Let's Cool One". LP, Vinyl record album
(Italian pressing.)

Exact matches4
CD, LP, Vinyl record album cover art
✨✧ Don Cherry/Krzystof PendereckiActions/Humus (Everest pressing) ... LP
Everest, 1971. Very Good ... Temporarily Out Of Stock
One of the most successful jazz-meets-modern classical albums we've ever heard – thanks largely to the supreme talents of Don Cherry! Cherry leads the large New Eternal Rhythm Orchestra – which includes Peter Brotzmann, Tomasz Stanko, Manfred Schoof, Kenny Wheeler, Gunter Hampel, Willem Breuker, and Albert Manglesdorf – and Krzystof Penderecki conducts the entire proceedings. Cherry plays mostly solo on his own composition "Humus", and other tracks include "Sita Rama Encores" (also by Cherry), and Penderecki's "Actions For Free Jazz Orchestra". LP, Vinyl record album
(80s pressing in a barcode cover. Cover has some light wear, but is nice overall.)

Exact matches5
CD, LP, Vinyl record album cover art
✨✧ Don CherryOrganic Music ... LP
Caprice (Sweden), 1972. Very Good 2LP Gatefold ... Out Of Stock
Early 70s greatness from Don Cherry – a double album's worth of profoundly spiritual soundscapes paired with lots of weird effects – and a very laidback groove overall! Tracks are written by Cherry, Terry Riley, Pharoah Sanders, and Nana Vasconcelos – and include performances by Don on trumpet, voice, and harmonium. Lots of cool percussion elements by the group, with some tabla and other Indian instrumentation. Titles include "Elixir", "Relativity Suite (Parts 1 & 2)", "Terry's Tune", "Hope", "The Creator Has a Master Plan", and "Resa". In a cool, trippy gatefold, too! LP, Vinyl record album
(Original pressing, including the insert. Cover has radio station notes in marker at the top left corner on front and back, a peeled patch on front with a radio station stamp, and some edge wear. Labels have radio station stamps.)

Exact matches6
CD, LP, Vinyl record album cover art
George Russell SextetGeorge Russell Sextet At Beethoven Hall – Guest Artist Don Cherry (2LP) ... LP
MPS/BASF, 1965. Very Good+ 2LP Gatefold ... $14.99
A rare moment in time – documented in this legendary meeting of two American modernists on the European scene of the 60s! The session features a 1965 performance by the George Russell Sextet, but is especially noteworthy for the presence of Don Cherry – making a key guest appearance on the record during immediate post-Ornette modes, and really stretching out into a very different sound with Russell! Russell's still very much in the grip of his "lydian mode" writing of the 50s – which is great, because Russell's modalism was a strong influence on the sound of other MPS/Saba artists of the 60s. The group features Bertil Loevgren on trumpet alongside Cherry, plus Brian Trentham on trombone, Ray Pitts on tenor, Cam Brown on bass, and Albert Heath on drums. Titles include a great extrapolation on "You Are My Sunshine" – plus "Lydia and Her Friends", "Lydia In Bag's Groove", "Lydia Round Midnight", "Lydia's Confirmation", "Oh Jazz Po Jazz", "Volupte", and "Freein' Up". LP, Vinyl record album
(US pressing. Cover has some wear. Vinyl plays with a click on side 3, track 2.)
 
Possible matches: 16
Possible matches7
CD, LP, Vinyl record album cover art
✨✧ Wild CherryWild Cherry ... LP
Epic/Sweet City, 1976. Near Mint- ... Temporarily Out Of Stock
Wild Cherry may have been one-hit wonders – but MAN, what a hit! At the time of release, "Play That Funky Music" was seen as a joke on the disco movement – but all these many years later, a quick dip into this self-titled album will show you that Wild Cherry were actually the real deal – a funky combo with a hell of a way with a bassline, led by the riffing guitar and weirdly raw vocals of Robert Parissi! In a way, the group feel more like some of those blue-eyed funk combos from global scenes in the period – like Australia, Germany, or South Africa – where it maybe didn't matter so much if you lad a long legacy in indie soul, as long as you could come up with the goods. And sure, the lyrics get a bit silly at times – maybe more lifted from compressed post-glam AM rock than soulful roots – but the overall sound of the set is surprisingly funky, in a way that's maybe stronger than so many other acts who got more respect at the time. Titles include "Play That Funky Music", "Nowhere To Run", "Don't Go Near The Water", "99 1/2", "The Lady Wants Your Money", "What In The Funk Do You See", and "Get It Up". A great moment when compressed AM pop, disco rhythms, and bass heavy funk all collided at once! LP, Vinyl record album
(Cover has light wear.)

Possible matches8
CD, LP, Vinyl record album cover art
Albert AylerNew York Eye & Ear Control ... LP
ESP, 1964. Near Mint- ... $29.99
Seminal ESP work from Albert Ayler – a unique session done as a soundtrack to a short (and weird!) film from experimental director Michael Snow! The lineup is a bit different than some of Ayler's other ESP albums – and features Don Cherry on trumpet and cornet, John Tchicai on alto, Roswell Rudd on trombone, Gary Peacock on bass, and Sunny Murray on drums. At times, the record's got a bit of a "new thing" vibe – a bit more spacious and sonic than some of Ayler's other material – but at other times, it burns with an intensity that's almost harder and freer than any of Albert's trio dates of the 60s. The album features 2 long tracks – "AY" and "ITT" – plus the shorter "Don's Dawn". LP, Vinyl record album
(180 gram Get Back pressing.)

Possible matches9
CD, LP, Vinyl record album cover art
Gato BarbieriThird World ... LP
Flying Dutchman, 1969. Very Good Gatefold ... $11.99
One of the hippest albums Gato Barbieri ever cut – and a key link between his late 60s avant work with Don Cherry, and his Latin-tinged albums of the 70s! The album features Barbieri working with a New York group of avant players – including Beaver Harris on drums, Roswell Rudd on trombone, and Charlie Haden on bass – but the sound is a bit more focused and forward-moving than you might expect, thanks to a strong sense of rhythm on the date. Lonnie Liston Smith plays piano and Richard Landrum handles conga and percussion to give the set a slightly Latin flavor – and the overall sound is not that dissimilar from some of Pharoah Sanders' albums at the same time on Impulse. Barbieri's tone is fantastic – and the spiralling piano work by Smith really gives the album a lofty spiritual tone – on titles that include "Zelao", "Cancion Del Llamero", "Haleo & The Wild Rose", and "Antonio Das Mortes". LP, Vinyl record album
(Cover has light wear.)

Possible matches10
CD, LP, Vinyl record album cover art
Ornette ColemanCrisis ... LP
Impulse, 1969. Very Good+ Gatefold ... $59.99
A record that bursts out with a sound that definitely lives up to its striking title – as Ornette Coleman explores the new frontiers of experimental jazz with one of his great groups from the end of the 60s! The album's got the intensity of the best ESP sessions of the period, but also shows the richer sonic elements that Coleman can bring to the proceedings – that way of mixing sharp edges with surprising currents – delivered by an all-star group that features Ornette on alto and violin, Don Cherry on trumpet and flute, Dewey Redman on tenor and clarinet, Charlie Haden on bass, and the young Ornette D Coleman on drums. It's especially amazing to hear Haden and Cherry take on such different roles than in the Ornette material of the early 60s – and also realize a wider vision for the music, on tunes that include a great version of Haden's "Song For Che", plus "Broken Shadows", "Trouble In The East", and "Space Jungle". LP, Vinyl record album
(Rainbow label stereo pressing.)

Possible matches11
CD, LP, Vinyl record album cover art
Ornette ColemanOrnette On Tenor ... LP
Atlantic, 1962. Near Mint- ... $43.99
An early standout set from Ornette Coleman – and a record that features him blowing on tenor, instead of his usual alto – as you might guess from the title! In a way, Ornette's playing on tenor is almost freer than his alto work – a bit more open-ended and exploratory, stretching out strongly – yet still also hitting that great rhythmic groove that made his Atlantic albums so great – thanks to rhythm from Jimmy Garrison on bass and Ed Blackwell on drums. Don Cherry's in the group on pocket trumpet, and the tunes are as provocative as their titles – which include "Ecars", "Enfant", "Mapa", and "Cross Breeding". LP, Vinyl record album
(Red & purple label pressing. Cover has a small cutout hole and very light aging, in great shape otherwise.)

Possible matches12
CD, LP, Vinyl record album cover art
Ornette ColemanOrnette! ... LP
Atlantic, Early 60s. Very Good ... $23.99
A stunning session by Ornette, and one that always seems to get overlooked in discussions of his albums for Atlantic! His quartet here features the amazing Scott LaFaro on bass, and a young Ed Blackwell on drums – both of whom give the tracks an amazing pulse that brings new energy out of Ornette and Don Cherry's solos – working in a modal groove that's as catchy as it is modern! All tracks are named after initials of titles of books by Sigmund Freud, including "T & T" (Totem & Taboo), "C&D"(Civilization and Discontent), "W.R.U.", and "R.P.D.D.". LP, Vinyl record album
(Blue and green label 60s pressing. Cover has some light wear, a touch of seam splitting, and a small bit of tape.)
Also available Ornette! ... CD 8.99

Possible matches13
CD, LP, Vinyl record album cover art
Ornette ColemanSomething Else!!!! ... LP
Contemporary, 1958. Near Mint- ... $16.99
Pre-Atlantic work from Ornette Coleman – one of his first recorded statements in jazz – and one of his boldest! At some level, the complete Coleman sound isn't entirely in place here – as there's a bit of a trace of hardbop in the mix – not entirely, but just a bit. But at another level, the record's still way darn bolder than just about anything coming out of LA at the time – proof that amidst all the cool jazz ruminations of the 50s, there was a second wave of modernism about to explode! The group here features Don Cherry on trumpet, Walter Norris on piano, Don Payne on bass, and Billy Higgins on drums – and while the core harmelodic rhythmic approach isn't always in place, it's more than made up for by some surprisingly free energy. Titles include "Invisible", "The Blessing", "Alpha", and "The Sphinx". LP, Vinyl record album
(OJC pressing.)

Possible matches14
CD, LP, Vinyl record album cover art
Charlie HadenBallad Of The Fallen ... LP
ECM, 1983. Near Mint- Gatefold ... $29.99
One of the greatest records that Charlie Haden ever did, and a record that stands as sort of a bookend to his Liberation Music album on Impulse. As with that record, he's got a large group on here, and also like that one, he's playing a batch of tracks that have a definite political bent. Players include Don Cherry, Carla Bley, Dewey Redman, Paul Motian, Jim Pepper, and Michael Mantler; and tracks include "Ballad Of The Fallen", "Too Late", "La Pasionaria", and "The People United Will Never Be Defeated". The sound's a little bit less harsh than his Impulse recording, but it's no less impassioned, and the record's a very emotional batch of music. LP, Vinyl record album
(US pressing. Cover has a hype sticker.)

Possible matches15
CD, LP, Vinyl record album cover art
Sonny MurraySonny's Time Now ... LP
Jihad, 1965. Near Mint- ... $9.99
An album that was years ahead of its time – and which still stands as one of the boldest statements from the New York jazz underground of the 60s! The revolutionary styles of the scene were documented by bigger labels like Impulse and Blue Note – but this obscure indie set goes even deeper, and opens up to a special side of the generation that would have lasting influence for years to come – players who work here with a formative free jazz mode, one that begins with the energy of the ESP scene, but also hits some of the more open styles of the loft jazz and European recordings to come! The lineup is legendary – drummer Sonny Murray at the head – with Albert Ayler on tenor, Don Cherry on trumpet, and both Henry Grimes and Louis Worrell on drums – working with unbridled imagination and righteous power. LeRoi Jones performs a recitation on "Black Art" – and other titles include "Virtue" and "Justice". LP, Vinyl record album
(Recent EU reissue on Skokiaan.)

Possible matches16
CD, LP, Vinyl record album cover art
New York Contemporary FiveConsequences ... LP
Fontana, 1963. Very Good+ ... $59.99
Searing work from the budding New York avant scene of the 60s – material that was some of the first to explode out of the city's new world of jazz – even though it only saw initial release overseas! The 1963 recording even predates the wave of groundbreaking ESP albums – and features a fantastic quintet with Archie Shepp on tenor, Don Cherry on trumpet, John Tchicai on alto, Don Moore on bass, and JC Moses on drums! The vibe is a bit like Shepp's initial work for Impulse – but also a bit more open and improvised, too – with a vibe that shows that even before the ESP label showed up to document the scene, masters like Shepp and company were already making amazing things happen. Titles include "Consequences", "Trio", "Rufus", "Sound Barrier", and "Wo Wo". LP, Vinyl record album
(Japanese pressing – with insert. Cover has some light wear, but is nice overall.)

Possible matches17
CD, LP, Vinyl record album cover art
Sonny RollinsOur Man In Jazz ... LP
RCA, 1963. Very Good ... $19.99
One of Sonny Rollins' best albums ever, and a totally inspired, totally non-stop freewheeling live set, recorded with Don Cherry, Bob Cranshaw, and Billy Higgins! Working on long tracks in an unfettered setting, Rollins' hits one of those rare moments of genius where he can turn his solo over and over again – never losing interest, and always opening up new territory – at a level that easily matches the oft-made claim that he's one of the greatest tenor talents ever on the tenor sax! The album features only 3 long tracks, all dominated by masterful work by Rollins – and titles include "Oleo", "Dearly Beloved", and "Doxy". LP, Vinyl record album
(Black label mono pressing with deep groove – a nice copy! Label has a small bit of pen, but cover is great.)

Possible matches18
CD, LP, Vinyl record album cover art
Archie Shepp & The New York Contemporary 5Archie Shepp In Europe ... LP
Delmark, 1963. Very Good- ... $14.99
Incredible work from one of the greatest groups of the New York avant scene of the 60s! This French set (probably from the late 60s or early 70s) brings live tracks recorded in Copenhagen in 1963 – and which rarely every show up in any form, even on reissue. The group features Shepp, Don Cherry, John Tchicai, Don Moore, and JC Moses – and the work ranks with some of Shepp's best-ever, and has that dark well-managed "new thing" sound of his best early work on Impulse. In fact, we'd rank these two LPs right up there with some of the best avant garde jazz of the 60s – which is a shame when you consider how rare it is to find. Titles include "Mik", "The Funeral", "Cisum", and "When Will The Blues Leave". US issue of the original recording by Polydor. LP, Vinyl record album
(7 West Grand pressing. Cover has center split top and bottom seams.)

Possible matches19
CD, LP, Vinyl record album cover art
✨✧ Ornette ColemanChange Of The Century ... LP
Atlantic, Early 60s. Near Mint- ... Temporarily Out Of Stock
Essential stuff! This is one of Ornette Coleman's greatest albums – and it was recorded during a period when he just couldn't miss! The group features Don Cherry on pocket trumpet, Charlie Haden on bass, and Billy Higgins on drums – working here with a lively dancing sound on the kit, one that works perfectly for Ornette's jaunty compositions. The chopped-up modal groove is in full effect here – making the record a treasure trove of angular, highly rhythmic numbers that are easily some of Coleman's best-remembered tunes! Titles include the classics "Ramblin" and "Una Muy Bonita" – performed in original early versions – plus "Free", "The Face Of The Bass", "Bird Food", and "Change Of The Century". LP, Vinyl record album
(Red & green Rockefeller pressing.)

Possible matches20
CD, LP, Vinyl record album cover art
✨✧ Ornette ColemanIn All Languages ... LP
Caravan Of Dreams, 1987. Near Mint- 2LP Gatefold ... Temporarily Out Of Stock
2 LP set of material from the mid 80's – one featuring Ornette reunited with his classic quartet of Don Cherry, Charlie Haden, and Billy Higgins; the other with his Prime Time group that included Bern Nix, Jamaaladeen Tacuma, and Denardo Coleman. The whole set's a "30 Years Of Harmelodic Music" tribute, and includes the tracks "Space Church", "In All Languages", "Latin Genetics", "Peace Warriors", "Music News", and "Feet Music". Some tracks are done by both bands, and are a good illustration of how Ornette's style had grown in the 30 year period. LP, Vinyl record album

Possible matches21
CD, LP, Vinyl record album cover art
✨✧ Ornette ColemanThis Is Our Music ... LP
Atlantic, Early 60s. Near Mint- ... Temporarily Out Of Stock
A landmark in modern jazz – from the stark stares of the band on the cover, to the starkly haunting music in the grooves! The record makes a bold statement right from the outset – and more than lives up to its promise in the sound within – an amazing approach to modern jazz that's still quite powerful, even all these many years later! The group features Ornette Coleman on alto, Don Cherry on pocket trumpet, Charlie Haden on bass, and Ed Blackwell on drums – moving at a fast, highly rhythmic pace that still leaves us breathless – filled with angles, but wrapped up in soul. The group make severe statements about the future of modern music in tracks like "Humpty Dumpty", "Beauty Is a Rare Thing", and "Kaleidoscope" – bouncing the efforts of the whole group off the beat, in a way that's both challenging and groove-heavy at the same time, a key summation of the genius of Ornette's early vision! LP, Vinyl record album
(Red & green Rockefeller label pressing. Cover has light wear.)

Possible matches22
CD, LP, Vinyl record album cover art
✨✧ Jon HassellDream Theory In Malaya – Fourth World Vol 2 ... LP
EG, 1981. Near Mint- ... Temporarily Out Of Stock
One of the lasting moments of genius from trumpeter Jon Hassell – his second entry in Brian Eno's 4th World series, and a set that's even more mindblowing than the first! As with that one, the approach here mixes together electric and acoustic sounds, with an imagined landscape of possibilities – music that sometimes feels as if it's come from ethnographic sources, but other times feels as if it's floated down from the future! Hassell blows trumpet on all tracks, often with a fair bit of electronic processing – alongside lots of percussion from other players, all mixed up by Daniel Lanois in the studio. The sound is almost a more abstract extension of the mixture of jazz and global elements that Don Cherry first explored about a decade before – and titles include "These Times", "Gift Of Fire", "Chor Moire", "Courage", and "Dream Theory". LP, Vinyl record album
(Cover has light wear.)
 
Partial matches: 1
Partial matches23
CD, LP, Vinyl record album cover art
✨✧ Jeannie Cheatham & Jimmy CheathamSweet Baby Blues ... LP
Concord, 1984. Very Good ... Temporarily Out Of Stock
A sweetly stepping session of bluesy jazz vocals from Jeannie Cheatham – outwardly a trad-oriented record, but done here with some nice light west coast touches that really capture the best of the Concord groove of the early 80s. There's a gentle swing to the tracks that reminds us of some of the Ernestine Anderson Concord work from the period, and Jeannie plays a bit of piano as well as sings – and is joined by Jimmy on bass trombone, Red Callender on bass and tuba, and Charles McPherson on alto sax. Titles include "Brand New Blues Blues", "I Got A Mind To Ramble", "Cherry Red", "Roll Em Pete", and "Meet Me With Your Black Drawers On". LP, Vinyl record album
 
 
 



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