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Exact matches: 53
Exact matches1
CD, LP, Vinyl record album cover art
✨✧ Dexter GordonAfter Hours ... LP
Steeplechase (Denmark), Mid 60s. Very Good ... $7.99
Lost genius from Dexter Gordon's initial years in Europe – a set that has him still stretching out in familiar Scandinavian modes, but with a slightly tighter sound too! The group's notable in that it features trumpeter Rolf Ericson – whose horn really adds a lot to the frontline, and has a surprisingly strong talent for matching Gordon's beautifully-blown longform solo modes! Rhythm is from the trio of Lars Sjosten on piano, Sture Nordin on bass, and Per Hulten on drums – and titles include "All The Things You Are", "Darn That Dream", "Straight No Chaser",and "I Remember You". LP, Vinyl record album
(Cover has light wear.)

Exact matches2
CD, LP, Vinyl record album cover art
Dexter GordonArt Of The Ballad ... CD
Prestige, Early 70s. Used ... $4.99
... CD
(Out of print, punch through barcode & promotional stamp on CD.)

Exact matches3
CD, LP, Vinyl record album cover art
Dexter GordonBethlehem Years (aka Daddy Plays The Horn) ... LP
Bethlehem, 1955. Near Mint- ... $9.99
One of Dexter Gordon's proudest moments of the 50s – a rock-solid session for Bethlehem – easily one of the best-remembered hardbop sides from the label's California years! The album's got a relaxed, free-blown sound that's quite nice – with Dex in the lead on tenor, supported by the trio of Kenny Drew on piano, Leroy Vinnegar on bass, and Lawrence Marable on drums. Gordon's perhaps not as fully imaginative as he would become in the 60s, but his sound and control is still great throughout – and the rhythm section really helps knock this one out of the park. Titles include versions of "Darn That Dream", "Autumn In New York", "You Can Depend On Me", and "Confirmation", plus two originals "Number Four" and "Daddy Plays The Horn". LP, Vinyl record album
(Mid 70s pressing on International Jazz Emporium. Cover has a cutout notch and bumped corner.)

Exact matches4
CD, LP, Vinyl record album cover art
Dexter GordonBoth Sides Of Midnight (180 gram vinyl) ... LP
Black Lion/ORG, 1967. Sealed ... $12.99
One of the first great European statements from tenorist Dexter Gordon – a 1967 live recording that really lets Dexter stretch out, and show an even deeper side of his talents than on his 60s albums for Blue Note! The rhythm section here is rock solid – Kenny Drew on piano, Neils Henning Orsted Pedersen on bass, and Albert Tootie Heath on drums – a unit that still retains the sharpness of the Blue Note dates, but also has the energy to "go long" as Gordon pushes a few of the numbers on the set well past the ten minute mark. Gordon's solos are wonderfully imaginative and expressive – and titles include "Devilette", "For All We Know", "Doxy", and "Sonnymoon For Two". Material previously issued on LP under the title Montmartre Collection Vol 1. LP, Vinyl record album

Exact matches5
CD, LP, Vinyl record album cover art
Dexter GordonCa'Purange ... CD
Prestige/OJC, 1973. Used ... $11.99
One of Dexter's best sessions from the 70s – and one that's got more soul, more power, and more ensemble playing than a lot of his other "soloist with European rhythm section" albums. The group's a great one – with Thad Jones, Hank Jones, and Louis Hayes laying down some very soulful licks – and the tracks ("Ca'Purange", "Oh! Karen O", and "Airegin" especially) are nice and long, with a very deep groove. CD
(Out of print.)

Exact matches6
CD, LP, Vinyl record album cover art
Dexter GordonComplete Blue Note Sixties Sessions (6CD box set) ... CD
Blue Note, 1960s. Used 6 CDs ... $59.99
... CD
(Out of print.)

Exact matches7
CD, LP, Vinyl record album cover art
Dexter GordonComplete Kenny Drew & Carl Perkins Sessions (Daddy Plays The Horn/Dexter Blows It Hot & Cool) ... CD
Lonehill (Spain), 1955. Used ... $6.99
2 of Dexter Gordon's best sessions from the mid 50s – both of them tight small group sets that were some of the best west coast bop recorded at the time! First up on the set is the classic album Daddy Plays The Horn – a 1955 Bethlehem Records session that was one of Gordon's first fully-formed hardbop albums of the time, recorded with a group that featured Kenny Drew on piano, Leroy Vinnegar on bass, and Lawrence Marable on drums – in a mature, well-blow style that prefaced Gordon's later work for Blue Note. Next up is the more obscure Dexter Blows Hot & Cool – recorded for Dootoo records, also in 1955, in a style that was a bit looser, and more in the Central Ave groove. Players on that set included the enigmatic pianist Carl Perkins – famous for his sideways style of hitting the keys – plus bassist Vinnegar, drummer Chuck Thompson, and guest trumpeter Jimmy Robinson on 2 tracks. The CD features over 75 minutes of music – 14 tracks that include "Danny Plays The Horn", "Confirmation", "Number Four", "Cry Me A River", "I Should Care", "I Hear Music", "Tenderly", "Bonna Rue", and "Rhythm Mad". CD
(Out of print.)

Exact matches8
CD, LP, Vinyl record album cover art
Dexter GordonDaddy Plays The Horn ... CD
Bethlehem, 1955. Used ... $1.99
One of Dexter Gordon's proudest moments of the 50s – a rock-solid session for Bethlehem – easily one of the best-remembered hardbop sides from the label's California years! The album's got a relaxed, free-blown sound that's quite nice – with Dex in the lead on tenor, supported by the trio of Kenny Drew on piano, Leroy Vinnegar on bass, and Lawrence Marable on drums. Gordon's perhaps not as fully imaginative as he would become in the 60s, but his sound and control is still great throughout – and the rhythm section really helps knock this one out of the park. Titles include versions of "Darn That Dream", "Autumn In New York", "You Can Depend On Me", and "Confirmation", plus two originals "Number Four" and "Daddy Plays The Horn". CD
(Out of print.)

Exact matches9
CD, LP, Vinyl record album cover art
Dexter GordonDaddy Plays The Horn ... LP
Bethlehem, 1955. Near Mint- ... Just Sold Out!
One of Dexter Gordon's proudest moments of the 50s – a rock-solid session for Bethlehem – easily one of the best-remembered hardbop sides from the label's California years! The album's got a relaxed, free-blown sound that's quite nice – with Dex in the lead on tenor, supported by the trio of Kenny Drew on piano, Leroy Vinnegar on bass, and Lawrence Marable on drums. Gordon's perhaps not as fully imaginative as he would become in the 60s, but his sound and control is still great throughout – and the rhythm section really helps knock this one out of the park. Titles include versions of "Darn That Dream", "Autumn In New York", "You Can Depend On Me", and "Confirmation", plus two originals "Number Four" and "Daddy Plays The Horn". LP, Vinyl record album
(Japanese pressing on Trio.)
Also available Daddy Plays The Horn ... CD 1.99

Exact matches10
CD, LP, Vinyl record album cover art
Dexter GordonDexter Blows Hot & Cool ... LP
Dooto, Mid 50s. Very Good+ ... $14.99
A seminal 50s session from the mighty Dexter Gordon – one of his few full albums from the decade, and one of the only ones to really capture him at the heart of his original LA scene! The set's got a nice bite, and a strong sense of focus – shorter tracks that step off strongly from the bop years that saw Gordon rise to fame, but without as much of the longer blowing from some of his "chase" recordings with other tenorists. Instead, the focus here is on great tight group sounds – just the right solo space to let each player open up and groove a bit, then come back together in sharp formation. The group features Dex on tenor, Jimmy Robinson on trumpet, Carl Perkins on piano, Leroy Vinnegar on bass, and Chuck Thompson on drums – and titles include "Silver Plated", "Rhythm Mad", "Bonna Rue", "Blowin' For Dootsie", and "Cry Me A River". LP, Vinyl record album
(80s UK pressing on Boplicity. Cover has some edge wear.)
Also available Dexter Blows Hot And Cool ... CD 8.99

Exact matches11
CD, LP, Vinyl record album cover art
Dexter GordonDexter Blows Hot And Cool ... CD
Boplicity (UK), 1955. Used ... $8.99
A seminal 50s session from the mighty Dexter Gordon – one of his few full albums from the decade, and one of the only ones to really capture him at the heart of his original LA scene! The set's got a nice bite, and a strong sense of focus – shorter tracks that step off strongly from the bop years that saw Gordon rise to fame, but without as much of the longer blowing from some of his "chase" recordings with other tenorists. Instead, the focus here is on great tight group sounds – just the right solo space to let each player open up and groove a bit, then come back together in sharp formation. The group features Dex on tenor, Jimmy Robinson on trumpet, Carl Perkins on piano, Leroy Vinnegar on bass, and Chuck Thompson on drums – and titles include "Silver Plated", "Rhythm Mad", "Bonna Rue", "Blowin' For Dootsie", and "Cry Me A River". CD
(Out of print.)
Also available Dexter Blows Hot & Cool ... LP 14.99

Exact matches12
CD, LP, Vinyl record album cover art
Dexter GordonDexter Gordon Featuring Joe Newman ... CD
Monad, 1976. Used ... $8.99
... CD
(Out of print.)

Exact matches13
CD, LP, Vinyl record album cover art
Dexter GordonDexter In Radio Land Vol 1 to 7 (7CD set) ... CD
Steeplechase/Video Arts (Japan), 1964. Used 7 CDs ... $199.99
... CD
(Out of print, numbered edition. Slipcover has some light edgewear.)

Exact matches14
CD, LP, Vinyl record album cover art
Dexter GordonDexter Plays – The Bethlehem Years ... CD
Fresh Sound (Spain), 1955. Used ... $9.99
... CD
(Out of print.)

Exact matches15
CD, LP, Vinyl record album cover art
Dexter GordonFor All We Know ... CD
Jazz Life (Germany), 1967. Used ... $9.99
... CD
(Out of print.)

Exact matches16
CD, LP, Vinyl record album cover art
✨✧ Dexter GordonFried Bananas – Live 1972 ... CD
Gearbox (UK), 1972. New Copy ... $11.99 12.99
A stunning slice of work from the mighty Dexter Gordon – material recorded in the Netherlands, at a time when Dex was really expanding his talents on that scene! The work here is unreleased, but follows the format of some of his killer albums on the Steeplechase label – a live performance, with Gordon really stretching out on some incredible solos that are filled with fire and imagination– with backing from a Dutch trio that features Rein DeGraaff on piano, Henk Haverhoek on bass, and Eric Ineke on drums. Rein is great – and has the full sense of soul that Kenny Drew brought to some of his recordings with Gordon on the scene – but the real star is the man himself, stretching out beautifully on long versions of "Fried Bananas", "The Panther", and "Body & Soul". CD

Exact matches17
CD, LP, Vinyl record album cover art
✨✧ Dexter GordonGO (RVG remaster edition) ... CD
Blue Note, 1962. Used ... $4.99
Seminal stuff – and one of Dexter Gordon's excellent Blue Note sessions with pianist Sonny Clark! Sonny's in fine fine form for the record, and in our opinion, he seems to be the most relaxed and inventive when accompanying Dexter Gordon – even over other Blue Note horn players, and that's saying a heck of a lot! Gordon's very much in the pocket on the record too – and doesn't spend too much time soloing around and around, and really goes for the tighter groove laid out by Clark on piano, Butch Warren on bass, and Billy Higgins on drums. Cuts include "Cheese Cake", "Second Balcony Jump", and "Love For Sale". CD
(Booklet is lightly wrinkled.)

Exact matches18
CD, LP, Vinyl record album cover art
Dexter GordonHomecoming ... LP
Columbia, 1977. Near Mint- 2LP Gatefold ... $16.99
Dex's famous return to New York in the mid 70s – recorded at the Village Vanguard in 1977, and featuring some of his best group-heavy playing of the decade! The quintet is fantastic – and includes Woody Shaw, Ronnie Matthews, Stafford James, and Louis Hayes. Features versions of Shaw's "Little Red's Fantasy" and "In Case You Haven't Heard", Matthews' "Let's Get Down", Jimmy Heath's "Gingerbread Boy", and Gordon's own "Fenja" and "Backstairs". LP, Vinyl record album

Exact matches19
CD, LP, Vinyl record album cover art
Dexter GordonIt's You Or No One ... LP
Steeplechase (Denmark), 1964. Near Mint- ... $11.99
... LP, Vinyl record album

Exact matches20
CD, LP, Vinyl record album cover art
Dexter GordonLove For Sale ... LP
Steeplechase (Holland), 1981. Near Mint- ... $11.99
... LP, Vinyl record album
 
Possible matches: 24
Possible matches54
CD, LP, Vinyl record album cover art
Bill BarronBill Barron Live At Cobi's ... CD
Steeplechase (Netherlands), 1988. New Copy ... $15.99 18.99
Some of the last recordings ever made by the late tenor great Bill Barron – and some of the best as well! The CD presents previously unheard live recordings from Cobi's nightclub – a late 80s New York club where Barron played often upon his return from the European scene in the years before his death – and an extremely comfortable setting that let Bill stretch out on long tenor solos, in a style that's quite different than a lot of his studio work for other labels. There's still a very modern feel to the work – especially in Barron's tone – but the tunes also have a solidly inventive solo approach, one that rivals that of classic live recordings by Dexter Gordon or Sonny Rollins. The group's a quartet with Fred Simmons on piano, Santi Debriano on bass, and Ben Riley on drums – and most tracks stretch out for quite some length, dominated by Barron's beautiful solos. Titles include Kenny Barron's "Row House" and "Voyage", and Bill's own "Until Further Notice", "This One's For Monk", and "Easy Does It". CD

Possible matches55
CD, LP, Vinyl record album cover art
Sonny CrissMemorial Album ... LP
Xanadu, 1947/1950/1952/1965. Near Mint- ... Just Sold Out!
Very early work from Sonny Criss – cut during his young years in the LA bop scene, featuring a number of different groups all dating from 1947 to 1965. Criss does a fine job, blowing effortlessly in a style that's clearly Bird-inspired, but which has a raspy genius of its own. Players include Hampton Hawes, Clark Terry, Dexter Gordon, Wardell Gray, and Gil Barrios – and titles include "Blue N Boogie", "Ursula", "I Can't Give You Anything But Love" with Damita Jo singing, "The Creep", "Blue Lou", "Body & Soul", "Out Of Nowhere", and "The Masquerade Is Over". 12 tracks in all. LP, Vinyl record album

Possible matches56
CD, LP, Vinyl record album cover art
Teddy Edwards & Houston PersonHorn To Horn (32 Jazz pressing) ... CD
32 Jazz, 1994. Used ... $6.99
Two tenor greats pay tribute to a host of other tenor greats – but with results that are quite different than you might expect! The album's hardly the type that just revisits familiar cliches from tenor giants of years past – and instead, the team of Houston Person and Teddy Edwards really bring a lot of themselves to the record – working through modes previously expressed by John Coltrane, Stan Getz, Dexter Gordon, and others – but all in ways that are more than solid enough to stand on their own. Of course, they've got some great help here in the rhythm section – Richard Wyands on piano, Peter Washington on bass, and Kenny Washington on drums – the latter two of whom we'd be happy to hear in anyone's company. Titles include "Equinox", "The Girl From Ipanema", "Body & Soul", "Talk Of The Town", "That's All", and "Out Of Nowhere". CD
(Out of print.)

Possible matches57
CD, LP, Vinyl record album cover art
Wardell GrayJazz Concert West Coast ... LP
Savoy, Early 50s. Very Good+ ... $4.99
LA bebop jam session material, featuring two long tracks recorded live in the city of angels! The sides give us a great picture of the kind of lively cutting jam sessions that were ripping through the Central Ave scene of the old days. Players include Dexter Gordon, Sonny Criss, Hampton Hawes, Howard McGhee, and Wardell Gray in the lead – and the two long tracks are "Disorder At The Border" and "Rocks N Shoals". One of two LPs that Savoy released in this format – and the first volume. LP, Vinyl record album
(Maroon label pressing with RVG etch. Cover has some wear on the opening.)

Possible matches58
CD, LP, Vinyl record album cover art
Wardell GrayWardell Gray Memorial Vol 2 ... LP
Prestige, Early 50s. Near Mint- ... $9.99
One of the best-ever documents of the young genius of tenorist Wardell Gray – exactly the kind of music that shows why he was one of the biggest and best of the bop saxophonists – before he was taken away from us all too soon! The material here was originally issued on 78s or 45s, and comes together as a great full length representation of Gray at his best – and on this second volume, Wardell works in some bigger groups on great long tracks with a nicely jamming feel! Players include Sonny Criss on alto, Art Farmer and Clark Terry on trumpet, Dexter Gordon on tenor, and Hampton Hawes on piano – and titles include "Move", "Scrapple From The Apple", "Lover", "Farmer's Market", "April Skies", "Jackie", and "Sweet & Lovely". LP, Vinyl record album
(OJC pressing, including obi.)

Possible matches59
CD, LP, Vinyl record album cover art
Herbie HancockTakin' Off ... CD
Blue Note/Jazz Heritage, 1962. Used ... $6.99
Herbie Hancock is certainly Takin Off at this point in his career – stepping into the limelight with an excellent batch of soul jazz tunes, including the first recording of his classic "Watermelon Man", the one track that probably put all his kids through school! Although that one went on to become a standard within a few short years in 60s jazz, it still sounds great here in the original – a very fresh take on the sound of soul jazz in the 60s – offered up here in a 7 minute version that has more sharp soloing than most other takes on the tune! The group here is great too – with Dexter Gordon on tenor, Freddie Hubbard on trumpet, Butch Warren on bass, and Billy Higgins on drums – and the tracks are all also originals by a young Herbie – including "Watermelon Man", "The Maze", "Driftin", "Three Bags Full", "Alone & I", and "Empty Pockets". CD
(Jazz Heritage pressing.)

Possible matches60
CD, LP, Vinyl record album cover art
Karin KrogMany Faces Of Karin Krog – Recordings 1967 to 2017 (6CD set) ... CD
Meantime (Norway), Late 60s/1970s/1980s/1990s/2000s/2010s. New Copy 6CD ... $42.99
A fantastic tribute to the legendary Karin Krog – one of our favorite jazz singers of all time – and maybe one of the most creative talents to emerge from the European jazz scene in the past 50 years! Karin's not just a regular singer – she's a hell of a collaborator, and a great experimentalist who's always willing to try out new sounds and styles – modes she's explored since her initial recordings of the 60s, and the wonderful legacy of music she's given us on record from that time onwards – which still results in fantastic new music in recent years too! This package goes way beyond any other Krog collection we've ever seen – not just because it offers up differing discs that look at her many musical "faces" – but also because it brings together recordings for a number of different labels across a great span of time – all to really show the full range of her music! Even if you've got as many of Karin's records as we do, there's plenty that's new here too – and the well-done package divides each disc up into a special theme – with standard material, key collaborations, vocal experiments, and more. The set includes work with John Surman, Steve Kuhn, Marty Paich, Georgie Fame, Don Ellis, Slide Hampton, Red Mitchell, Dexter Gordon, Kenny Drew, Bengt Hallberg, Archie Shepp, and others – and one CD features just spare duets with musicians, and another features some great bigger band material. 59 tracks in all – with loads of surprises! CD

Possible matches61
CD, LP, Vinyl record album cover art
Allegra LevyCities Between Us ... CD
Steeplechase (Denmark), 2017. New Copy ... $15.99 19.99
A great singer in a great group – a vocalist who's really coming into her own, and turning out to be a heck of a writer – as you'll hear on this album that features both original music, and lyrics set to tunes by jazz musicians who include Duke Jordan and Dexter Gordon! Allegra Levy's never going for an easy approach here – not trying crossover ballads or torch material, but also not trying to overdo things with too many tricks and gimmicks – just delivering rock-solid, jazz-based presentation of the tunes – which include some surprisingly poetic lyrics on a few of our favorite numbers. The group's got the right balance to make the music sparkle in all the right ways – with Stephen Riley on tenor, Kirk Knkuffke on cornet, Carmen Staaf on piano, Jay Anderson on bass, and Billy Drummond on drums – and titles include "Lullaby Of The Orient", "Cities Between Us", "Cherry Blossom Song", "I Shouldn't Tell You", "Misery Makes The Music", "Sleepwalk With Me", and "Soy Califa". CD

Possible matches62
CD, LP, Vinyl record album cover art
Fats NavarroNostalgia ... CD
Savoy, 1947. Used ... $4.99
Classic early bebop from trumpter Fats Navarro – a seminal album that brings together earlier famous 78s recorded for Savoy Records! The set features the late great trumpeter leading 3 different small groups – all top-shelf lineups, with players that include Charlie Rouse or Dexter Gordon on tenor, Tadd Dameron or Al Haig on piano, and Art Blakey on drums! The recordings have the raw bebop energy that characterized the best of these Savoy sessions, but Navarro's playing adds touches of lyricism not usually heard on recordings like these. Certainly one of the albums that will convince you why Fats was so great – with the tracks "Barry's Bop", "Dextrose", "Stealing Trash", and "Hollerin' & Screamin". CD
(Out of print.)

Possible matches63
CD, LP, Vinyl record album cover art
VariousBlue Bossa – Vols 1 to 3 – Cool Cuts From The Tropics (3CD set) ... CD
Blue Note (Germany), Late 50s/1960s/Early 70s. New Copy 3CD ... $22.99
The Latin side of Blue Note Records – and the Brazilian one, too – served up here in a series that brought together classic work from the label in a special sort of groove – tunes that are maybe more influenced by south of the border rhythms than you'd expect from the soul jazz and hardbop artists who originally made the records! There's a bit of bossa here, but the rhythms open up into a fair bit more, too – and it's great to hear the difference in these musicians as they change things up from straighter bop modes, and use the new grooves to open up their solos and rework their phrasing too! This side of Blue Note was sometimes buried in a world of collectors looking for more familiar hardbop, but it really lives again, thanks tot he Blue Bossa collection. 3CD set features 41 tracks in all – including "Afreaka" by Lee Morgan, "Avila & Tequila" by Hank Mobley, "Chitlins Con Carne" by Kenny Burrell, "Congalegre" by Horace Parlan, "Back Down To The Tropics" by Charlie Rouse, "Latona" by Big John Patton, "Girl From Ipanema" by Lou Rawls, "La Fiesta" by Stanley Turrentine, "Headin South" by Horace Parlan, "La Malanga" by Bobby Hutcherson, "Mama Inez" by Grant Green, "Swingin The Samba" by Horace Silver, "Upa Neguinho" by Duke Pearson, "Mambo Inn" by Grant Green, "Ghana" by Donald Byrd, "Love For Sale" by Dexter Gordon, "Samba De Orfeu" by Charlie Rouse, "Afrodisia" by Kenny Dorham, "Sambop" by Cannonball Adderley with Bossa Rio, "Loi" by Ike Quebec, "Sandalia Dela" by Duke Pearson, "Congo Lament" by Ike Quebec, "Corcovado" by Grant Green, "Tin Tin Deo" by James Moody, "El Gaucho" by Wayne Shorter, and "Stormy" by Duke Pearson. CD

Possible matches64
CD, LP, Vinyl record album cover art
VariousClassic Savoy Be-Bop Sessions 1945 to 1949 (10CD set) ... CD
Savoy/Mosaic, Late 40s. New Copy 10CD ... $168.99 169.00
The roots of modern jazz never sounded this great before – and this is the first time ever that all the early bop recordings by Savoy have been properly brought together in one place! Savoy was one of the most important labels to record the early bop pioneers – and had a dedication to the music that begin in 1945, and moved well into the 50s – as the label captured some of the brightest young stars who'd go onto shape a generation! Almost all of this material was originally issued just as 78rpm singles – then later scattered and repackaged in a confusing way – although many tracks here also never made it into the LP or CD generation, either. The folks at Mosaic have worked incredible magic to correct that error – and have pulled together a stunning 10CD package that finally presents this amazing legacy of music in its proper form – complete with notes and session details that were never given in later years, too. There's way too much here to list in this space – but the set features dates recorded under the name of Dexter Gordon, Fats Navarro, Stan Getz, JJ Johnson, Sonny Stitt & Kenny Dorham's Bebop Boys, Allen Eager, Kai Winding, Ray Brown, Eddie Davis, Serge Chaloff, Kenny Hagood, Leo Parker, Tadd Dameron, Teddy Reig, Brew Moore, Milt Jackson, Kenny Clarke, and Gil Fuller – all with groups that are filled with equally hip and important musicians too. We love Mosaic all the time – but with a collection of 78rpm material, they really knock it out of the park – and do us, and the jazz history books, a mighty big favor! CD
(Limited to 5000 copies.)

Possible matches65
CD, LP, Vinyl record album cover art
✨✧ VariousHavana Jam 2 ... LP
Columbia, 1979. Very Good+ 2LP Gatefold ... $14.99
A rare cross-cultural session from 1979 – one in which Columbia Records was allowed to record live performances involving a number of American jazz musicians playing alongside Cuban groups like Irakere and The Cuban Percussion Ensemble! The blend of modes here is really great – somewhat in the territory of Irakere's albums for Columbia, but a lot wider-ranging overall – sometimes sensitive and jazz-based, sometimes much more upbeat and jamming! Jazz players include Dexter Gordon, Paquito D'Rivera, Jimmy Heath, and Stan Getz on tenor sax; Arthur Blythe on alto sax, Cedar Walton on piano, Jimmy Heath on bass, and Tony Williams on drums – as well as the members of Weather Report, who turn in one especially cooking number. Irakere plays "Mil Ciento De Junedad" and "Contradanza", Weather Report play "Teentown", Cuban Percussion Ensemble play "Scherezada/Sun Sun", John McLaughlin's Trio Of Doom play "Para Oriente" and "Continuum", and assorted jazz players handle "Tin Tin Deo", "Polkadots & Moonbeams", "Sounds For Sore Ears", and "I Wanna Be". LP, Vinyl record album

Possible matches66
CD, LP, Vinyl record album cover art
✨✧ Booker ErvinSetting The Pace (plus The Trance) ... CD
Prestige, 1965. Used ... Temporarily Out Of Stock
A CD of very long tracks from Booker Ervin – only 4 tunes in all, but each over 15 minutes long! First up is the album Setting The Pace – an album that's one of the most open-ended and jamming sets that Booker Ervin recorded for Prestige in the 60s! The album's a live date from Germany – featuring Dexter Gordon joining Ervin on the stage for some very long, extended solo work – the sort that Dex was starting to do heavily overseas at the time, and which is relatively new territory for Ervin – at least on record. Other players include Jaki Byard on piano, Reggie Workman on bass, and Alan Dawson on drums – but the clear starts of the set are Booker and Dexter – blowing in a range of modern and soulful modes throughout their extended solos. Album features 2 side-long tracks – "Setting The Pace" and "Dexters Deck". Next up is The Trance – an amazing record from the legendary Booker Ervin – and a set that really does a great job of bridging his modernist tendencies and soul jazz roots! The title track – "The Trance" – is an amazing 20 minute number that takes up all of side one of the record – and features Ervin soloing in an incredibly imaginative way – not as boppish as on his set with Dexter Gordon, but more in the powerful-voiced style that he developed with Mingus. The rest of the group features Jaki Byard on piano (always a treat!), Reggie Workman on bass, and Alan Dawson on drums – and side two features a very moody take on "Speak Low". Note that the CD omits the track "Groovin At The Jamboree" from The Trance – due to space restrictions. CD

Possible matches67
CD, LP, Vinyl record album cover art
✨✧ Herbie HancockTakin' Off ... LP
Blue Note, 1962. Used ... Temporarily Out Of Stock
Herbie Hancock is certainly Takin Off at this point in his career – stepping into the limelight with an excellent batch of soul jazz tunes, including the first recording of his classic "Watermelon Man", the one track that probably put all his kids through school! Although that one went on to become a standard within a few short years in 60s jazz, it still sounds great here in the original – a very fresh take on the sound of soul jazz in the 60s – offered up here in a 7 minute version that has more sharp soloing than most other takes on the tune! The group here is great too – with Dexter Gordon on tenor, Freddie Hubbard on trumpet, Butch Warren on bass, and Billy Higgins on drums – and the tracks are all also originals by a young Herbie – including "Watermelon Man", "The Maze", "Driftin", "Three Bags Full", "Alone & I", and "Empty Pockets". LP, Vinyl record album
(Liberty stereo pressing, with Van Gelder stamp. Cover has aging, a large center split in the spine, a small center split in the bottom seam & a small split in the top seam, at the opening.)
Also available Takin' Off ... CD 6.99

Possible matches68
CD, LP, Vinyl record album cover art
✨✧ Bent JaedigBent Jaedig Was Here – Live At Montmartre 1969 ... CD
Stunt (Denmark), 1969. New Copy ... Out Of Stock
Never-heard work from tenorist Bent Jaedig – easily one of the most important figures on the Danish jazz scene in the 60s! Bent's working here in a loose, open style that's quite different from some of his more tightly arranged albums of the decade – a mode that's still got lots of sharp edges and modern moments in Jaedig's solos, but which also gets some more conventional drive from the Cafe Montmartre rhythm section of Kenny Drew on piano, Niels-Henning Orsted Pedersen on bass, and JC Moses on drums! Tracks are long, and handled in a format that's similar to Montmartre recordings by Dexter Gordon or Johnny Griffin from the same time – but Bent's overall style is much edgier, and he really makes a lot with the extended solo space. Titles include Long versions of "What's New", "Love For Sale", "Softly As In A Morning Sunrise", "On Green Dolphin Street", and "Bent's Minor Blues". CD

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✨✧ VariousLost Sessions (previously unissued material by Blue Note artists) ... CD
Blue Note, Early 60s. Used ... Out Of Stock
A treasure for all jazz fans worldwide! As is known to many, the great Blue Note label often recorded more material than it could issue on a regular basis – and some of the label's best bits often got lost in the cracks, and never saw the light of day! Over the past 30 years, many of these lost albums have come out on their own – but there's still been a lot of great single tracks that have never been issued before. This CD corrects that trend, by bringing together a sumptious batch of single titles from groups that are hardly (or never) represented in Blue Note's regular line of releases. You'll get Charlie Rouse leading a quintet on the track "One For Five"; Tadd Dameron heading up a large group on "Bevan Beeps", "The Elder Speaks", and "Aloof Spoof"; Sonny Stitt wailing with Dexter Gordon on "Lady Be Good"; Fred Jackson playing tenor with John Patton and Grant Green on "Cowbell Boogie"; Ike Quebec blowing with The Three Sounds on "Blues On Trial", and Herbie Hancock leading a very hip 2-guitar group on the track "Don't Even Go There". Like finding a time machine, this CD will introduce you to a world of jazz history you never even imagined! CD
(Out of print.)

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✨✧ Herbie Hancock5 Original Albums (Takin Off/My Point Of View/Inventions & Dimensions/Speak Like A Child/The Prisoner) (5CD set) ... CD
Blue Note (Germany), Mid 60s. New Copy 5CD ... Out Of Stock
The early genius of Herbie Hancock – perfectly summed up here in five classic albums for Blue Note – each presented in a tiny LP-styled sleeve! Takin Off has Herbie Hancock stepping into the limelight with an excellent batch of soul jazz tunes, including the first recording of his classic "Watermelon Man", the one track that probably put all his kids through school! Although that one went on to become a standard within a few short years in 60s jazz, it still sounds great here in the original – a very fresh take on the sound of soul jazz in the 60s – offered up here in a 7 minute version that has more sharp soloing than most other takes on the tune! The group here is great too – with Dexter Gordon on tenor, Freddie Hubbard on trumpet, Butch Warren on bass, and Billy Higgins on drums – and the tracks are all also originals by a young Herbie – including "Watermelon Man", "The Maze", "Driftin", "Three Bags Full", "Alone & I", and "Empty Pockets". My Point Of View is a great mix of soul jazz and modernism! The record include a nice groovy "hit", Herbie's "Blind Man, Blind Man" – an obvious follow-up to "Watermelon Man", but still a standout track with a lot of imagination, and a fierce soul jazz hook that just won't quit! The rest of the record, while still groovy, also shows much more signs of Herbie's far-reaching conception – especially shared with players like Tony Williams, Grachan Moncur, Chuck Israels, and Grant Green – all of whom work with Herbie, Donald Byrd, and Hank Mobley – in a larger than usual group that makes for a really great sound! Titles include "A Tribute To Someone", "King Cobra", and "The Pleasure Is Mine". Inventions & Dimensions is really unique little record from Herbie Hancock – one that's almost completely improvised over Latin percussion! The setup is quite spare – and quite different than Herbie's other Blue Note work – and the group features improvised backgrounds by bassist Paul Chambers and 2 Latin percussionists, Willie Bobo and Osvaldo "Chihuahau" Martinez. Herbie only wrote simple sketches for the songs on the album, and most of the work on the tracks was done live, spontaneously, in the studio – creating a very free groove that never goes too far out, but which is far more adventurous than usual. All tracks are long, and titles include "Succotash", "Triangle", and "Mimosa". Speak Like A Child is an oft-overlooked session that has Herbie mixing a nice dose of lyricism into his usual soul jazz approach from the 60s! The sound's a bit farther-reaching than on some of Herbie's smaller group sessions – and the record features a sextet that includes Ron Carter, Mickey Roker, Jerry Dodgion, Thad Jones, and Peter Phillips – all soaring with the warmth and introspection that was showing up in some of the best Blue Notes from the time. The harder-hitting soul jazz riffs and hooks are nicely replaced by more thoughtful lines that get a bit deeper, soufully – and nearly all tracks on the set are originals by Hancock! The album's filled with great moments – and tracks include "The Sorcerer", "Riot", and "Goodbye To Childhood". Last up is The Prisoner – a nice late Blue Note change from Herbie Hancock – a very different album than his previous sets for the label – in that it features a slightly larger group, and a sound that really points the way towards his directions in the 70s! There's a slightly ambitious feel to some of these cuts – not in a way that's over-arranged, but just a new sort of thinking for Herbie's kind of groove – a mode that's partially informed by the seriousness of 60s jazz soundtracks, but which also has the beginnings of some more righteous modes of expression too. Players are all great – and include Joe Henderson on tenor and flute, Johnny Coles on flugelhorn, Garnett Brown on trombone, Hubert Laws on flute, Jerome Richardson on bass clarinet, Buster Williams on bass, and Tootie Heath on drums. Herbie plays both acoustic and electric piano – using the latter here in one of his first recordings on the instrument – and titles include "Firewater", "I Have A Dream", "The Prisoner", and "He Who Lives In Fear". CD

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✨✧ Karin Krog & Scott HamiltonBest Things In Life ... CD
Stunt (Denmark), 2016. New Copy ... Out Of Stock
One of the most swinging albums we've heard from vocalist Karin Krog in years – thanks to tight backing from a combo that also includes the great Scott Hamilton on tenor! The album's got the classic, easygoing flow of most of Scott's best work – a simple, no-nonsense style that's steeped in tradition, but carried off with a crisp, contemporary vibe – at that level that makes Hamilton one of the stronger tenorists in a line that goes back to Ben Wester and Lester Young. His approach really warms things up, and makes things a bit different than some of Krog's records with more experimental reed players, or without much backing at all – and the feel here is almost like Karin's classic 70s album with Dexter Gordon. Rhythm is from Jan Lundgren on piano – whose presence also really shapes the record – and Hans Backenroth on bass and Kristian Leth on drums. Titles include "Will You Still Be Mine", "How Am I To Know", "We Will Be Together Again", "Shake It But Don't Break It", "The Best Things In Life Are Free", and "I Must Have That Man". CD

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✨✧ Karin Krog with Warne MarshI Remember You ... CD
Spotlite/Meantime (Norway), 1981. New Copy ... Out Of Stock
Essential work from vocalist Karin Krog – one in a number of sessions cut with some of the best saxophonists of her time (Dexter Gordon, Archie Shepp, John Surman) – a record that features some incredible late tenor from Warne Marsh, set beautifully alongside one of the few vocalists who could match him! Instrumentation for the record comes only from Warne's tenor and the bass of Red Mitchell – leaving Karin plenty of room to open up with imaginative interpretations of the tunes – and almost letting Marsh emerge as a second "voice" that contributes equally to the album. The approach is wonderful – spare and moody, but extremely soulful – and even familiar chestnuts sound completely fresh in the setting. Titles include "I Remember You", "Trane", "Moody's Mood For Love", "Loverman", and "Speak Low". CD also features 3 bonus alternate takes! CD

Possible matches73
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✨✧ Hank Mobley with The Kenny Drew TrioBlue Bossa (Japanese paper sleeve edition) ... CD
SSJ (Japan), 1968. New Copy ... Out Of Stock
A rare live appearance from the great Hank Mobley – a player who wasn't always that present on the European scene, but is heard here in a strong Copenhagen concert with pianist Kenny Drew! The format's a bit similar to other American tenor dates of the time – especially those of Dexter Gordon – as Drew's trio – with Niels Henning Orsted Pedersen on bass and Albert Heath on drums – provides a solid rhythmic groove while Mobley really stretches out with long-spun solos on some extended tracks! The format's very different than most other recordings that Hank made in the 60s – especially during these later years – and although the date has a bit of a "broadcast" quality from the way it was recorded, Mobley's tenor shines through on long readings of "Summertime", "Workout", "Blue Bossa", and "Alone Together". CD
 
 
 



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