... LP, Vinyl record album

... LP, Vinyl record album

... 7-inch, Vinyl record

... LP, Vinyl record album

Ambitious folksy work from British trio Jade – a set that definitely fits into the best acid folk style of the time! There's often a bit of fuller backings in the mix here – nothing slick or commercial, but just a slight use of strings or other instrumentation to give the tunes the right sense of majesty and timing – especially when some well-placed piano lines are used alongside the acoustic guitar to underscore some of the best dark elements of the tunes. Vocals are never too trilling, nor too personal either – and there's almost a bit more confidence to Jade's approach than some of their contemporaries. Titles include "Amongst Anenomies", "Raven", "Fly On Strangewings", "Alan's Song", "Bad Magic", "Clippership", and "Five Of Us". LP, Vinyl record album

... LP, Vinyl record album

Maybe the best album that Johnny Watson cut during his DJM years – a totally tight, totally soulful set that avoids any fake funk cliches! The record's got some wonderful trippy numbers – cut in that slow g-funky mode that was Johnny's huge legacy to the west coast scene – best of these is the classic "Superman Lover", a great little cut with a very catchy hook, and just the right dose of humor. But you'll also catch the same vibe on "I Want To Ta Ta You Baby", "Ain't That A Bitch", and "I Need It". Johnny's sitting on the cover, surrounded by ladies and a dog – and the back cover says "My apologies to Freddie, my guitar, for forgetting to bring him to the photo session." What a guy! LP, Vinyl record album

Tripped-out funk from Johnny – very much in his "I Got To Ta Ta Ya Baby" mode, with the guitar skipping around keyboards in a mellow Bay Area kind of way! Johnny's gone way way past his bluesy roots here – into a sublime blend of soul and funk that's all crafted with just the right amount of lightly spacey touches. The Watson vocals are totally on the money throughout – sliding into the mix in that seductive way that often has Johnny singing beautifully alongside his guitar. Titles include "It's All About The Dollar Bill", "Funk Beyond The Call Of Duty", "Barn Door", "Love That Will Not Die", 'I'm Gonna Get You Baby", "Give Me My Love", and "It's A Damn Shame". LP, Vinyl record album

One of the last great records by Johnny Guitar Watson – and an album that's got some wonderfully subdued moments, which is a real relief after some of the too-funky bits on some of his other sets from the late 70s! Johnny returns to the tight soul of the mid 70s Fantasy LPs – still keeping the guitar up in the mix, but also really focusing on his wonderfully compressed style of vocals – a slightly tripped out mode that dances along beautifully with the guitar – ta-ta-ing us to some great mellow grooves, and really letting Watson's personality shine! Titles include "Love Jones", "Asante Sana", "Lone Ranger", and "Children of the Universe". LP, Vinyl record album

Johnny Guitar Watson at the top of his game – working here in a sublime mix of funk, blues, and soul – all crafted into a groove that was uniquely Watson's own! Johnny may have started the 70s in relative obscurity – down from some hit work in the 50s and 60s – but by the time of this set, he was back on top, and working in a confident groove that few others from his older era could ever hope to achieve! There's a youthful sense of sex and soul that run through the entire set – an effortlessly slinky groove that never goes too over the top in the funk department, and which makes just the right use of electric instrumentation and tripped-out production, but never gets too wrapped up in either – and often comes off with some great jazzy touches as well. Titles include the anthemic "Real Mother For Ya", plus "Your Love Is My Love", "The Real Deal", "Tarzan", "I Wanna Thank You", and "Lover Jones". LP, Vinyl record album

A great Johnny Guitar Watson side project – a set not billed directly to his name on the front, but which has all the great hallmarks of the best Watson albums from the 70s! Johnny produced, wrote songs, played, and sung on the record – but there's also an equal focus on his backing group too – which means maybe a bit lead guitar upfront, and more vocals from the whole ensemble – who work together to give the whole thing a mighty great party sound! In fact, some of the best numbers almost have a roller boogie vibe that's not unlike early hip hop – although other numbers get much bassier, and funkier overall. The whole thing's great – and titles include "Virginia's Pretty Funky", "De John's Delight", "Lady Voo Doo", "Master Funk", and "The Funk If I Know". LP, Vinyl record album

A wonderful early record from Elton John – recorded live in the studio, and with a freer, more open vibe than some of his other albums! The approach is wonderful – and really showcases that sort of special spirit that Elton was creating with the group – but at a grittier level that maybe even ties the whole sound even more strongly to his American inspirations. Titles include a very long version of "Burn Down The Mission" – plus "Bad Side Of The Moon", "Take Me To The Pilot", "Sixty Years On", "Can I Put You On", and "Honky Tonk Women". LP, Vinyl record album

Maybe the best album that Johnny Watson cut during his DJM years – a totally tight, totally soulful set that avoids any fake funk cliches! The record's got some wonderful trippy numbers – cut in that slow g-funky mode that was Johnny's huge legacy to the west coast scene – best of these is the classic "Superman Lover", a great little cut with a very catchy hook, and just the right dose of humor. But you'll also catch the same vibe on "I Want To Ta Ta You Baby", "Ain't That A Bitch", and "I Need It". Johnny's sitting on the cover, surrounded by ladies and a dog – and the back cover says "My apologies to Freddie, my guitar, for forgetting to bring him to the photo session." What a guy! CD