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Close matches: 2
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CD, LP, Vinyl record album cover art
Papo VazquezAt The Point Vol 1 ... CD
CuBop/Ubiquity, 1999. Used ... $4.99
... CD

Close matches2
CD, LP, Vinyl record album cover art
Papo VazquezAt The Point Vol 2 ... CD
CuBop/Ubiquity, 2000. Used ... $3.99
This is the second volume in Cubop's tasty series of Latin Jazz recordings by trombonist Papo Vazquez – recording here in the company of a very tight group that includes Arturo (son of Chico) O'Farrill on piano and Phoenix (son of Mario) Rivera on drums. Dave Valentin and Michael Brecker each sit in on a track – but the real strength is the group, which plays with a nice crackle and a raw fire that's handled extremely well by the Cubop team. Tracks are all quite long, with lots of soloing – and titles include "In This Lonely Place", "The Reverend", "Capullito De Aleli", and "Juan Jose". CD
(Barcode has a cutout hole.)
 
Possible matches: 7
Possible matches3
CD, LP, Vinyl record album cover art
TK BlueLatinbird ... CD
Motema, 2011. Used ... $4.99
Latin Bird, but way more Latin than Bird ever was – if that makes any sense! In other words, TK Blue really steps out nicely with this album – doing way more than just a Charlie Parker tribute, and certainly not rehashing the cubop elements of Bird's early 50s sides – and instead, taking the whole thing into the rich colors and joyous rhythms of the contemporary Latin jazz scene – far more involved and complicated than the old days! The album's got a lot more to offer than you might expect – a soulful acoustic vibe that's mighty nice – not just from TK's work on alto and flute, but from piano by Theo Hill, percussion by Willie Martinez and Roland Guerrero, guest trombone from Steve Turre, and even a bit of drums from Lewis Nash. Titles include "Chi Chi", "Si Si", "Blue Bird", "Visa", "Buzzy", "He Flew Away Too Soon", and "Moods Of Parker". CD
(Penmark through barcode. Out of print.)

Possible matches4
CD, LP, Vinyl record album cover art
Dizzy GillespieDizzy Gillespie & His Quintet – Olympia 24 November 1965 ... CD
Malaco, 1965. Used ... $6.99
Outstanding Dizzy Gillespie material – from one of his most overlooked periods! The time is the mid 60s, and after a few years of working with Lalo Schifrin in his group, Dizzy's changed his Latin bag from hard-edged Cubop to mellower more complicated Bossa and modal jazz. The result is some of the most sophisticated playing in Dizzy's career – hitched to a groove that's still filled with soul and fire, and which rolls on in a compelling way that always hooks us hard! The group features Kenny Barron on piano, and reed work by James Moody, one of the other great secrets of the mid 60s! Tracks are all long – and titles include "One Note Samba", "Con Alma", "Umh, Umh", and "Chega De Saudade". CD
(Small cutout notch through spine.)

Possible matches5
CD, LP, Vinyl record album cover art
MachitoMachito With Flute To Boot ... CD
Roulette/Warner (Japan), 1958. New Copy ... $14.99
Not just flute to boot – but a heck of a lot more jazz, too – thanks to a lineup that features Johnny Griffin on tenor, Curtis Fuller on trombone, and Herbie Mann on flute! The presence of the three players really make this set a cooker – quite possibly Machito's best Latin jazz album ever, and right up there with the more-familiar Kenya set! Like that one, this is a perfect blend of modes – a late 50s extension of the cubop vibe first started by Diz and Chano Pozo, taken to new territory, and really cooked up nicely in the process! Rhythms are nice and exotic – not the usual Machito groove, but way way more – and the jazz solos are what really sends the whole thing home. Herbie Mann wrote all the tracks – and titles include "Love Chant", "African Flute", "Carabunta", "Bacao", "Davis Cup", and "Afternoon Death". CD
(SHM-CD pressing!)

Possible matches6
CD, LP, Vinyl record album cover art
Mongo Santamaria with Dizzy GillespieSummertime (Japanese pressing) ... CD
Pablo (Japan), 1980. Used ... $6.99
A great cubop revival date – one that has Mongo Santamaria working with the great Dizzy Gillespie – all really opening up on some long live tracks that go quite a bit farther than bop/Latin sets like this from the late 40s! The tracks are all nicely extended, with lots of room for solos – and other players include Toots Thielemans on harmonica, Doug Harris on tenor and flute, and Allen Hoist on alto flute and baritone – all great players who really make a lot out of the energy set down by Mongo. Titles include "Summertime", "Afro Blue", "Virtue", and "Mambo Mongo". CD
(Out of print.)

Possible matches7
CD, LP, Vinyl record album cover art
VariousAmericans Sing Latin America 1935 to 1961 (3CD set) ... CD
Fremeaux & Associates (France), Late 30s/1940s/1950s/Early 60s. New Copy 3CD ... $18.99
American singers respond to the rhythms of Latin America – but not in the way you might expect, as these aren't just conventional Latin numbers – but instead a great combination of jazz, swing, and Afro-Cuban modes! The music might well be seen as the more mainstream take on territory explored by modernists like Dizzy Gillespie and Charlie Parker on their cubop recordings of the postwar years – and many of the numbers here are from the same period (the set's especially strong on late 40s/early 50s material) – with some earlier examples from the swing generation, and a few cuts from later years, when Brazilian and Caribbean grooves were coming into play a bit more too. As with other Fremeaux collections, the whole thing's a great overview of an overlooked genre – presented with a huge amount of tracks, and detailed notes in French and English. Titles include "Brazil" by Rosemary Clooney and Bing Crosby, "Corazon De Melon" by Rosemary Clooney, "Kingston Market" by Harry Belafonte, "Frenesi" by Anita O'Day, "Adios" by Mel Torme, "Mama Inez" by Nappy Lamare, "Ti Pi Tim" by Slim & Slam, "Desafinado" by Julie London, "Rosa Morena" by Jon Hendricks, "Shango" by Eartha Kitt, "Suas Maos" by Nat King Cole, "Te Quiero Dijiste" by Connie Francis, "Tico Tico" by Andrews Sisters, "Not Me" by Robert Mitchum, and "What A Difference A Day Makes" by Sarah Vaughan. CD

Possible matches8
CD, LP, Vinyl record album cover art
✨✧ Mario Bauza, Paquito D'Rivera & Jorge DaltoAfro-Cuban Jazz ... CD
Caiman/Yemaya (Spain), 1986. New Copy ... Temporarily Out Of Stock
One of the first records to return Mario Bauza to the glory of his initial years in Latin jazz – a set that's a real back-to-basics outing – with Bauza's alto at the head of a super-sharp group! The production style is a bit more modern than on the cubop sides of the late 40s, but the performance is otherwise very much in that spirit – save for the fact that some of the tracks are longer, with more room for solos – which is a-OK with us! Jorge Dalto produced the set, and plays piano in the group – and other musicians include Paquito D'Rivera on alto and sopranos ax, Ron Grunhont on tenor, Victor Paz on trumpet, Conrad Herwig on trombone, and Patato, Ignacio Berroa, and Daniel Ponce on percussion. Graciela sings a bit, but most of the set is instrumental – and the great Jose Fajardo provides flute solos on two tracks too. Titles include "Mambo Inn", "Cubanola", "Quedate", "Deja Que Diga La Gente", "Imitations", and "El Mareito". CD

Possible matches9
CD, LP, Vinyl record album cover art
✨✧ Dizzy GillespieAfro (LP sleeve edition) ... CD
Verve, 1954. Used ... Out Of Stock
One of Dizzy Gillespie's finest Afro-Cuban moments! The material on this album has been issued under a few different titles over the years, but this is the early Afro package – the one that features a beautiful David Stone Martin cover, and a title that really gets at the Latin influences in the material. The centerpiece of the record is a side-long workout on the "Manteca" theme, played by Diz and a group that includes Lucky Thompson, Wade Legge, Charlie Persip, and Jose Mangual – all grooving hard in a sound that virtually defines the term of cubop! The other tracks on the album are great too – versions of "Caravan", "Con Alma", and "Night In Tunisia" – all done in a Latin jazz mode, with some nice flute solos by Gilberto Valdes. And if that's not enough, the reissue features a tiny 5" record sleeve cover – just like the original! CD
(Out of print.)
 
 
 



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