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Exact matches: 21
Exact matches1
CD, LP, Vinyl record album cover art
Paul Gonsalves & Clark TerryDiminuendo Crescendo & Blues ... CD
RCA/BMG, 1958. Used ... $3.99
CD

Exact matches2
CD, LP, Vinyl record album cover art
Coleman Hawkins & Clark TerryBack In Bean's Bag ... LP
Columbia, Early 60s. Very Good- ... $2.99
Excellent! The album's a strong full-bodied session with totally solid playing, and a stone cold hardbop groove that you'd never expect from either player. This could be because Dave Bailey's holding down the drum chores, and the record sounds a bit like his great recordings from the early 60's on Epic or Jazztime. There's a fantastic cut called "Tune For The Tutor", which was written by Pat Patrick, and which really grooves. Other nice ones include "Feedin' The Bean" and "Squeeze Me". Great stuff, and as far as we know, it hasn't been reissued. LP, Vinyl record album
(Columbia Special Products pressing. Cover has some wear, a center split on the spine, and some pen on back.)

Exact matches3
CD, LP, Vinyl record album cover art
Shirley Scott & Clark TerrySoul Duo ... LP
Impulse, 1966. Near Mint- Gatefold ... $11.99
A sweet 60s session from the team of Shirley Scott and Clark Terry – musicians who never played together regularly, but who really work wonders on this unique record! Shirley's got that perfect tone on Hammond she hit during her Impulse Records years – a groove that's leaner and cleaner than Prestige sessions of a few years before – and Terry's got that cool mix of muted sounds and soulful undercurrents that really shown during his work with Bob Brookmeyer – a surprisingly great mix here for Scott's organ lines, especially when mixed with the great grooves of the rhythm section! The set features Mickey Roker on drums, and either Bob Cranshaw or George Duvivier on bass – and titles include "Heat Wave", "Taj Mahal", "Clark Bars", "Up A Hair", "Soul Duo", and "Joonji". LP, Vinyl record album
(Rainbow label pressing. Cover has a small cutout hole and very light ring wear.)

Exact matches4
CD, LP, Vinyl record album cover art
Clark TerryAin't Misbehavin' ... LP
Pablo, 1979. Near Mint- ... $4.99
With some guest vocals from Johnny Hartman, alto and flute from Chris Woods, and a piano from Oscar Peterson! LP, Vinyl record album

Exact matches5
CD, LP, Vinyl record album cover art
✨✧ Clark TerryClark Terry's Big Bad Band Live At The Wichita Jazz Festival 1974 ... CD
Vanguard, 1975. Used ... $8.99
A crowd-pleasing cooker from Clark Terry – a set recorded live before a very appreciative audience, and in a hipper 70s mode than you'd expect! The album's one of those great jazz efforts that was put together by Ed Bland – who seems to bring a nice sense of bounce, soul, and groove to the set – working with arrangements by Jimmy Heath, Phil Woods, Ernie Wilkins, and others who manage to keep Clark out of hoke territory, and into a very tightly swinging 70s big band groove. Other players include Jimmh Heath, Phil Woods, Richard Williams, Charles Davis, and Duke Jordan – and the tunes are lively and soulful throughout! Titles include "Randi", "Cold Tater Stomp", "Sheba", "Mumbles", "Una Mas", and "Nefertiti". CD

Exact matches6
CD, LP, Vinyl record album cover art
✨✧ Clark TerryCT Meets Monk (aka In Orbit) ... LP
Riverside, 1958. Very Good+ ... $7.99
A surprisingly nice set that brings together Clark Terry and Thelonious Monk! Given Terry's bright approach to jazz, it's a bit hard to imagine him and Monk working well together – but at the time of this session, Clark still had a fair bit of an edge – with roots in a number of modern styles of the 50s, and a flair for crafting a compelling line on his horn. The set's got a number of nice originals – and titles include "In Orbit", "Pea Eye", "Argentina", "One Foot In The Gutter", and "Buck's Business". (Also issued under the name Clark Terry In Orbit.) LP, Vinyl record album
(ABC Riverside pressing.)

Exact matches7
CD, LP, Vinyl record album cover art
✨✧ Clark TerryIn Orbit ... CD
Riverside/OJC, 1958. Used ... $5.99
A surprisingly nice set that brings together Clark Terry and Thelonious Monk! Given Terry's bright approach to jazz, it's a bit hard to imagine him and Monk working well together – but at the time of this session, Clark still had a fair bit of an edge – with roots in a number of modern styles of the 50s, and a flair for crafting a compelling line on his horn. The set's got a number of nice originals – and titles include "In Orbit", "Pea Eye", "Argentina", "One Foot In The Gutter", and "Buck's Business". CD

Exact matches8
CD, LP, Vinyl record album cover art
Clark TerryIncomparable Clark Terry ... CD
Candid (UK), 1960/1961/1992/1993. New Copy ... $9.99 11.98
A compelling collection of work from the late trumpeter Clark Terry – material from two different slices of his career, brought together in a really illuminating way! The first half of the album features tracks from Terry's early 60s sessions for the Candid label – not just work from his own great album with Seldon Powell and Yusef Lateef on tenor and flute, but also an especially great date with Cecil Taylor on piano, Archie Shepp on tenor, Steve Lacy on soprano, and Roswell Rudd on trombone – really showing Clark holding his own amidst these important modernists! The later work is equally nice – but in a very different way – a mature Terry blowing beautifully in a relaxed live setting, with players who include Seldon Powell on tenor, Jesse Davis on alto, and either Barry Harris, Roland Hanna, or Don Friedman on piano. Titles include "Jumpin Punkins", "Hackensack", "Jive At Five", "The Snapper", "Ow", "Flintstones", "Blues For Rebecca", "Rhythm Ride", and "Naystye Blues". CD

Exact matches9
CD, LP, Vinyl record album cover art
Clark TerryIt's What's Happenin' – The Varitone Sound Of Clark Terry ... LP
Impulse, 1967. Very Good Gatefold ... $5.99
A very groovy record – one of the most unique from trumpeter Clark Terry! At the end of the 60s, many soul jazz sax players – like Eddie Harris and Lou Donaldson – turned towards the new electric technology of the Varitone company in an attempt to keep up with the electric guitar-driven pop music that was beating them out in record sales. While that trend worked large for the sax players, Clark Terry's one of the few trumpeters we can think of who gave the Varitone a try – and surprisingly, it was a great way to capture the playful style that Terry had been developing during the mid 60s. The album's nothing fancy, but the Varitone gives Terry a nice tone that works well with the easy trio backing led by pianist Don Friedman, and featuring Dave Bailey on drums and George Duvivier on bass. The album includes an extended jazzy reading of Grofe's "Grand Canyon Suite", plus "Electric Mumbles", "Take Me Back To Elkhart", and "Tee Pee Time". LP, Vinyl record album
(Rainbow label stereo pressing. Vinyl plays with a short click on the first track.)

Exact matches10
CD, LP, Vinyl record album cover art
✨✧ Clark TerryWhat A Wonderful World – For Louis & Duke ... CD
Red Baron, 1993. Used ... $4.99
CD
(Out of print. Booklet has some writing in pen.)

Exact matches11
CD, LP, Vinyl record album cover art
Clark Terry, Paul Gonsalves, Joe Gordon, & Art MadJazz School ... LP
Mercury/EmArcy, 1956. Near Mint- ... $28.99
A compilation of Joe Gordon, Art Mardigan, Paul Gonsalves and Clark Terry each leading their own bands on a couple of tracks. All of the players and songs are too numerous to mention here but, for instance, the record features Art Mardigan on drums and he is joined by such performers as Milt Gold on trombone for a couple of songs which include "I've Found A New Baby". Paul Gonsalves plays tenor sax with Junior Mance on piano and plays such tunes as"It Don't Mean A Thing". Joe Gordon plays trumpet with Charlie Rouse on tenor and they play "Evening Lights", just to name a few of the performers and tracks! LP, Vinyl record album
(Blue label "Jazz Wing" pressing. Cover has a few spots of old tape on the bottom seam & corner – but looks nice overall.)

Exact matches12
CD, LP, Vinyl record album cover art
Clark Terry/Bob BrookmeyerPower Of Positive Swinging ... CD
Mainstream, Mid 60s. Used ... $8.99
Wonderful work from one of Clark Terry's best periods – and the kind of stripped-down swinging 60s set that really let him show his most soulful side! The group features Terry on both trumpet and flugelhorn – working in co-leadership with Bob Brookmeyer on trombone – supported by the rhythm combo of Roger Kellaway, Bill Crow, and Dave Bailey. Bailey's drums are nice and tight – arguably a good reason the best Terry records from this time are so good – and titles include a lot of playful originals like "Dancing On The Grave", "Ode To A Flugelhorn", "Green Stamps", "Hawg Jawz", and "Simple Waltz". CD
(Out of print.)

Exact matches13
CD, LP, Vinyl record album cover art
✨✧ Clark Terry/Coleman HawkinsEddie Costa – Memorial Concert ... LP
Colpix, Early 60s. Very Good- ... $11.99
An interesting tribute to the passing of pianist Eddie Costa – mostly because the overall feel is much more in a soulful hardbop mode, quite different than the modern and chamber sides that Costa cut during the 50s! Side one features work by the Clark Terry quartet – with Terry on trumpet, Dick Hyman on piano, Art Davis on drums, and Osie Johnson on bass – and side two features and even better group led by Coleman Hawkins – with Hawk blowing in that great late solo style of his, alongside players that include Sonny Clark, Roy Haynes, and Chuck Israels. Tracks on the album are all long and intimate – mellow, but soulful, with plenty of interesting solo space. Titles include "The Simple Waltz", "Just You Just Me", "I'm Confessin", and "Things Ain't What They Used To Be". LP, Vinyl record album
(Gold label pressing in the textured cover.)

Exact matches14
CD, LP, Vinyl record album cover art
Oscar Peterson & Clark TerryOscar Peterson & Clark Terry ... LP
Pablo, 1975. Very Good+ ... Just Sold Out!
LP, Vinyl record album
(Cover has a cutout hole.)

Exact matches15
CD, LP, Vinyl record album cover art
Clark TerryGlobetrotter ... LP
Vanguard, 1977. Near Mint- ... Just Sold Out!
The title's a right one, as Terry was one of the world's biggest-selling jazz acts at the time – playing a variety of settings during the 70s, and making a lot more penny than some of his contemporaries. Fortunately, that fame didn't mean that he sold out his talent – because he still sounds quite strong here, working with a group that includes Vic Sproles, Ronnie Mathews, and Ernie Wilkins – plus some guest work by Roland Prince and Walter Bishop Jr. Tracks are swinging and sometimes playful – with a lot more strident soul than you might expect, given the cover. Titles include "Zip Co-Ed", "Globetrotter", "Autumn Leaves", and a reprise of the old Dave Bailey-recorded tune "One Foot In The Gutter". LP, Vinyl record album
(Cover has some wear.)

Exact matches16
CD, LP, Vinyl record album cover art
✨✧ Wes Montgomery/Clark TerryStraight No Chaser (Japanese pressing) ... CD
Bandstand (Japan), 1965. Used ... Temporarily Out Of Stock
Unusual pressing of some of the rare 1965 live material cut by Wes – with the usual group that features Harold Mabern on piano, Art Harper on bass, and Jimmy Lovelace on drums – but also with Clark Terry on trumpet! Titles include "Wes Got Rhythm", "Straight No Chaser", "In A Mellotone", and "Just Friends". CD
(Out of print.)

Exact matches17
CD, LP, Vinyl record album cover art
✨✧ Clark TerryFree & Oozy ... CD
Cameo/Blue Moon, 1963. Used ... Temporarily Out Of Stock
Obscure sessions that Clark Terry cut for the mostly-pop Cameo label during the early 60s. The set collects titles from the album Tread Ye Lightly plus cuts from another obscure side – and the work is some of the better recording that Terry did during the decade. The groups are relatively small – filled with soul jazz players like Ray Bryant, Seldon Powell, Willie Rodriguez, and Dave Bailey – and Terry's soloing is nice and tight, with a measured economical quality that works will with the tightness of the backing. Titles include "Tread Ye Lightly", "Free & Oozy", "Gravy Waltz", "Sapphire Blue", and "Sid's Mark". 15 tracks in all. CD

Exact matches18
CD, LP, Vinyl record album cover art
✨✧ Clark TerryIn Orbit ... LP
Riverside, 1958. Used ... Temporarily Out Of Stock
A surprisingly nice set that brings together Clark Terry and Thelonious Monk! Given Terry's bright approach to jazz, it's a bit hard to imagine him and Monk working well together – but at the time of this session, Clark still had a fair bit of an edge – with roots in a number of modern styles of the 50s, and a flair for crafting a compelling line on his horn. The set's got a number of nice originals – and titles include "In Orbit", "Pea Eye", "Argentina", "One Foot In The Gutter", and "Buck's Business". LP, Vinyl record album
(OJC pressing.)
Also available In Orbit ... CD 5.99

Exact matches19
CD, LP, Vinyl record album cover art
✨✧ Clark TerryTread Ye Lightly ... LP
Cameo, 1963. Used ... Out Of Stock
An obscure session that Clark Terry cut for the mostly-pop Cameo label during the early 60s – and some of the better recording that Terry did during the decade. The group is relatively small – filled with soul jazz players like Buddy Lucas, Seldon Powell, Willie Rodriguez, and Dave Bailey – and Terry's soloing is nice and tight, with a measured economical quality that works will with the tightness of the backing. Titles include "Tread Ye Lightly", "Free & Oozy", "Sweet Juke", and "Sapphire Blue". LP, Vinyl record album
(Cover has a cutout notch.)

Exact matches20
CD, LP, Vinyl record album cover art
✨✧ Clark Terry & Chico O'FarrillSpanish Rice ... LP
Impulse, 1966. Used Gatefold ... Out Of Stock
Sweet Latin licks from Clark Terry and Chico O'Farrill – cut in a mode that's very similar to O'Farrill's best Verve work of the 60s! The vibe is kind of a mod take on Afro Cuban sounds – not really Latin soul, but with a playful vibe that mixes together jazz and Latin with equal parts – letting Terry solo over the top with sweet trumpety licks, while Chico sets up a crack ensemble that features lots of horns, Latin percussion, and some tasty guitar! The mix of modes is plenty nice – not authentically Latin, but extremely groovy – and titles include "Joonji", "Que Sera", "Tin Tin Deo", "Spanish Rice", "Angelitos Negros", and "Happiness Is". LP, Vinyl record album
(Orange & black label stereo pressing – in great shape!)
 
Possible matches: 63
Possible matches22
CD, LP, Vinyl record album cover art
Gene Ammons & Sonny Stitt with Jack McDuffSoul Summit – Vols 1 & 2 ... CD
Prestige (Germany), 1962. New Copy ... $13.99 18.98
The brain trust of soul jazz in the early 60s – led by tenorist Gene Ammons on both albums! Soul Summit Volume one features Ammons and Sonny Stitt on tenor, plus Jack McDuff on Hammond – a definite soul summit for the time – with 3 top-shelf players in the lead, all getting plenty of room to do their thing! Both Gene Ammons and Sonny Stitt are on tenor in the front, working with the respect and confidence they'd forged together on other co-led sessions from the time – and Jack McDuff's a great addition to the set, playing Hammond with his newly-lean tone, and really helping things move along nicely. Drummer Charlie Persip has a nicely booming style here – one that gets the group out of the box from the get-go, and McDuff's handling all the bass work on the organ, which always makes for a tight rhythmic romp! Most tunes are in that great raw Prestige mode from the old days, as you'd guess by titles like "Tubby", "Dumplin", and "Shuffle Twist" – alongside other numbers that include "Sleeping Susan" and "Out In The Cold Again". Soul Summit Vol 2 is a set that's less a "summit" than a great collection of groovy work for Prestige Records in the 60s – tracks that didn't make it onto other full albums of the time, but which feature material by some of the most soulful talents on the label! Tenorist Gene Ammons is the main star here – stretching out wonderfully on most numbers on the record – although the set also features added tenor work from Red Holloway, George Barrow, and Harold Vick! The mighty Jack McDuff lends his Hammond to a few tunes, Etta Jones sings on three numbers, and the record even features trumpet from Clark Terry, alto from Oliver Nelson, and congas from Ray Barretto too – on cuts that include "Scram", "Cool Cool Daddy", "Ballad For Baby", "If You Are But A Dream", "But Not For Me", and "Love I've Found You". CD

Possible matches23
CD, LP, Vinyl record album cover art
Cat AndersonCat On A Hot Tin Horn ... LP
Mercury, 1958. Very Good ... $9.99
Sweet trumpet work from one of Duke Ellington's best sidemen – done for Mercury in 1958 with some very tight arrangements by Anderson and Ernie Wilkins – all in a mode that show's a bit of Cat's Ellington association, but which also opens up in some other swinging modes – including a bit of Basie, and even some wider ranging styles. Cat's in the lead on trumpet, getting support from other players on the instrument – including Clark Terry, Ernie Royal, and Ray Copeland – plus Jimmy Cleveland and Frank Rehack on trombone, Earl Warren on alto sax, Jimmy Forrest and Ernie Wilkins on tenor, and Sahib Shihab on baritone. Titles include "Little Man", "Cat's In The Alley", "June Bug", "Adorable D", "Nina", "Birth Of The Blues", and "Blue Jean Beguine". LP, Vinyl record album
(Blue label stereo pressing with deep groove. Cover has light wear, a couple of small seam splits, the remnants of a sticker, and a stain on the back.)

Possible matches24
CD, LP, Vinyl record album cover art
Dave Bailey SextetGetting' Into Somethin' ... LP
Epic, Early 60s. New Copy (reissue)... $7.99
Heavy duty hardbop – and one of three amazing Epic sessions cut by drummer Dave Bailey! The set grooves as massively as his One and Two Feet In The Gutter albums – and is recorded with a similar lineup that includes Horace Parlan on piano, Curtis Fuller on trombone, Charlie Rouse on tenor, and Clark Terry on trumpet. Dave's drumming is mighty and soulful, and the set smokes with a lively rolling groove that mixes hardbop and soul jazz into a raw early 60s sound! Includes the 17 minute long jam "Blues For JP", plus "Slop Jah", "Little Old Mongoose", and "Evad Smurd". LP, Vinyl record album

Possible matches25
CD, LP, Vinyl record album cover art
Art BlakeyLive At The Monterey Jazz Festival 1972 ... CD
Monterey Jazz Festival/Concord, 1972. New Copy ... $6.99 14.98
A rare live date from Art Blakey – recorded right around the same time as his Giants Of Jazz concert album for Atlantic in 1972! Like that set, this one features Blakey working with a group of bigger stars than his usual Jazz Messengers – a compelling assemblage of players that includes Thelonious Monk on piano, Roy Eldridge and Clark Terry on trumpets, Kai Winding on trombone, and Sonny Stitt on both alto and tenor sax! The feel is less Blakey-like than some of Art's other material – and more in a classic bop-styled approach overall – but that's no complaint, given the quality of the work, and the strength of the solo players. Titles include "Blue N Boogie", "Round Midnight", "Stardust", "Lover Man", "Perdido", "The Man I Love", and "Night In Tunisia". CD

Possible matches26
CD, LP, Vinyl record album cover art
✨✧ Ray BrownRay Brown With The All-Star Big Band ... LP
Verve, 1962. Good+ ... $3.99
A standout session from bassist Ray Brown – one of a few 60s big band sessions recorded for Verve, featuring some searing solo work from Cannonball Adderley! Brown's name as a leader is possibly more as a compadre than the main driving force of the record – as the arrangements here are by Ernie Wilkins, often in the tightly soulful bag he was laying down at the time – and Adderley's presence as the main soloist certainly gives a Cannonball flair to the record. But there's definitely plenty of Brown's warmth guiding the whole session – and other players include Nat Adderley, Clark Terry, Melba Liston, Budd Johnson, and Yusef Lateef. Some tracks have Brown's bass right out front in the arrangements, dipping nicely and adding into the groove – and titles include "Tricotism", "Cannon Built", "Thumbstring", "Two For The Blues", and "Work Song". LP, Vinyl record album
(Cover has half-split seams and some pen on the back.)

Possible matches27
CD, LP, Vinyl record album cover art
Ray Bryant TrioGotta Travel On ... LP
Cadet, 1966. Very Good ... $6.99
A stone groover from the great Ray Bryant – one of his brilliant albums for Cadet from the 60s! Ray's soul jazz trio (with Freddie Waits on drums) is augmented by the 2-horn trumpet section he used on some of his other Cadet recordings from the time – trumpet from Snookie Young and flugelhorn from Clark Terry, both of whom really help the album open up from the usual standard soul jazz trio side! The sound is really unique, and the "bottom" of the brass gives his piano a nice deep sound that you wouldn't necessarily expect from the arrangement – almost a bit of a bounce at the bottom, always helping the groove. The record includes a number of nice originals, like "Little Soul Sister", "All Things Are Possible", "Erewhon", and "Monkey Business" – plus versions of "Gotta Travel On" and "Bag's Groove". LP, Vinyl record album
(Blue label stereo pressing with deep groove.)

Possible matches28
CD, LP, Vinyl record album cover art
Joe CainLatin Explosion (aka Latin Au Go Go) ... LP
Time, 1962. New Copy (reissue)... $9.99
One of the few albums ever issued as a leader by the great Joe Cain – a wonderful Latin arranger with a really mad ear for a groove! Cain's approach is often quite choppy in the rhythms – short, hard, and very very sharp – then topped with sweeter, jazzier lines – played on this set by Clark Terry on trumpet, Jerome Richardson on tenor and flute, and Frank Anderson on piano and some especially nice organ lines! Percussion is super-heavy throughout – played by Jose Mangual, Chocolate, and Marcelino Valdes with a vibe that's just right for the rhythms – and additional support is from Cachao on bass and Herbie Lovelle on drums. The grooves are incredible – quite different than anything else on Mainstream Records at the time, and even different than most of the New York scene – and titles include the amazing "It's A Mad Mad Mad Mambo (parts 1 & 2) (also known elsewhere as "Mambo Au Go Go") – a cut that sounds like some sort of crazy avant garde percussion banging, all made to keep in time to a mambo beat, with jazzy organ solos over the top. Other titles include "Mongo Mongo Baby", "Papa Bajo", "Que Paso", "Tanga Pa Katanga", and "Chunga A Go Go". LP, Vinyl record album
Also available Latin Explosion (aka Latin Au Go Go) ... LP 19.99

Possible matches29
CD, LP, Vinyl record album cover art
✨✧ Joe CainLatin Explosion (aka Latin Au Go Go) ... LP
Time, 1962. Very Good ... $19.99
One of the few albums ever issued as a leader by the great Joe Cain – a wonderful Latin arranger with a really mad ear for a groove! Cain's approach is often quite choppy in the rhythms – short, hard, and very very sharp – then topped with sweeter, jazzier lines – played on this set by Clark Terry on trumpet, Jerome Richardson on tenor and flute, and Frank Anderson on piano and some especially nice organ lines! Percussion is super-heavy throughout – played by Jose Mangual, Chocolate, and Marcelino Valdes with a vibe that's just right for the rhythms – and additional support is from Cachao on bass and Herbie Lovelle on drums. The grooves are incredible – quite different than anything else on Mainstream Records at the time, and even different than most of the New York scene – and titles include the amazing "It's A Mad Mad Mad Mambo (parts 1 & 2) (also known elsewhere as "Mambo Au Go Go") – a cut that sounds like some sort of crazy avant garde percussion banging, all made to keep in time to a mambo beat, with jazzy organ solos over the top. Other titles include "Mongo Mongo Baby", "Papa Bajo", "Que Paso", "Tanga Pa Katanga", and "Chunga A Go Go". LP, Vinyl record album
(Original pressing. Cover has light wear.)
Also available Latin Explosion (aka Latin Au Go Go) ... LP 9.99

Possible matches30
CD, LP, Vinyl record album cover art
John Dankworth/Billy StrayhornEchoes Of An Era (Billy Strayhorn Live/Jazz From Abroad) ... LP
Roulette, 1958/1961. Very Good 2LP ... $4.99
Two older Roulette albums – brought together in one 70s package! The first set is a live Billy Strayhorn date – recorded with a group that includes Johnny Hodges and Paul Gonsalves on reeds, Harold Baker and Clark Terry on trumpets, and Quentin Jackson on trombone. Next up is Jazz From Abroad – an incredible early work from British leader Johnny Dankworth – jazz work that's as fluid and grooving as his best 60s soundtrack sessions, and cut with an early sense of power that's really great! Dankworth's tight on the head arrangements, really leaping into the rhythms of the tune with the same love of groove as contemporary Johnny Keating – but he also makes some strong solo space on the best tracks on the album, really letting the sax players in the group stretch out searingly. Players aren't named in the credits, sadly, but we're guessing they're the top-level players who made appearances on Dankworth's key British sides of the time. Titles include "A String Of Camels", "Cannonball", "Chano", "Avengers Theme", "Sack O Woe", "Esso Blues", and "Curtain Up". LP, Vinyl record album
(Cover has a bit of pen and a sticker in one corner.)

Possible matches31
CD, LP, Vinyl record album cover art
✨✧ Hank De ManoHank De Mano Quartet In Concert (Japanese paper sleeve edition) ... CD
Freeway/Jazzhus Disk (Japan), 1963. New Copy ... $13.99
Brilliant work from Hank De Mano – a rare set of live material, recorded in a really stretched-out, open formation that's quite unique for the time! Hank plays flugelhorn throughout the set – blowing in the spacious tones remind us a bit of Art Farmer's handling of the instrument, or of the wonderful work Clark Terry did on the horn when working with Bob Brookmeyer. Like both of those players, Hank's sound here is a wonderful balance of tone and timing – never too rushed, and always taking the time to find the right sort of style and phrasing for each tune. He's working here with a very well-matched group, too – one that features a young Frank Strazzeri on piano, plus Monte Budwig on bass and Nick Martinis on drums. Strazzeri's especially great, and shares a similarly fluid sensibility with De Mano – and titles include long takes on "Summertime", "Delilah", "Long Ago & Far Away", and "Angel Eyes". CD

Possible matches32
CD, LP, Vinyl record album cover art
Duke EllingtonBethlehem Years Vol 1 (aka Historically Speaking) ... LP
Bethlehem, 1956. Very Good+ ... $4.99
The album's a bit less "historical" than you might guess from the title – at least at the time it was issued in the mid 50s! The material is from Chicago sessions recorded in 1956 – unusual non-Columbia material for the period, featuring the Ellington group working in a slightly older-styled mode. Much of the material is from the earlier songbook of the orchestra – but it's done here with some slight modern touches that show the 50s impulses of the group firmly in place. Players include Cat Anderson and Clark Terry on trumpet, Johnny Hodges on alto, Paul Gonsalves on tenor, and Harry Carney on baritone sax – and titles include "Midriff", "Ko Ko", "Lonesome Lullaby", "Upper Manhattan Medical Group", "Jack The Bear", "Stompy Jones", and "Creole Love Call". LP, Vinyl record album
(70s pressing. Cover has a promo stamp and unglued bottom seam.)

Possible matches33
CD, LP, Vinyl record album cover art
Duke EllingtonBlue Light/Hi-Fi Ellington Uptown ... CD
Columbia/Collectables, Late 30s/1953. Used 2CD ... $6.99
Duke Ellington classics from 2 different decades! Blue Light is subtitled "jazz for that relaxed mood", but is actually a great compilation of early work by Ellington's group – recorded for Columbia during the years 1934 to 1939! Somehow, the tracks still end up sounding 30 years ahead of their time – far stronger than most other big band work of the early 50s – which is when the album was released. Recording quality is excellent, and the whole thing's awash in richly chromatic waves of sound – with titles that include "Pyramid", "Reminiscing In Tempo", "Tough Truckin", "No Greater Love", and "Finesse". Hi Fi Ellington Uptown is one of Duke's best mid 50s sides for Columbia – a strong recording that revisits many of the best elements of his earlier work, and offers up some more sophisticated scoring for the 50s! Players include Billy Strayhorn, Paul Gonsalves, Clark Terry, Ray Nance, Juan Tizol, and Louis Bellson – and the record features long versions of "The Mooche", "Perdido", "Controversial Suite", and "Skin Deep" – plus a 13 minute reading of "A Tone Parallel To Harlem (aka The Harlem Suite)". CD

Possible matches34
CD, LP, Vinyl record album cover art
Duke EllingtonDrum Is A Woman ... CD
Jazz Track, 1956. Used ... $6.99
A hokey cover and title, but a hip little record from Duke Ellington – kind of a story of percussion and jazz, all wrapped together with some great vocals and narration! The format is kind of far-reaching, but never too stuffy – and in a way, the album offers a great opportunity to hear some of the Ellington players stepping out in a slightly different vibe than the usual Columbia date from the decade. Duke does a bit of narration himself – and singers include Margaret Tynes, Joya Sherrill, and Ozzie Bailey – who beautifully illustrate the shifting passages of the longer suite. Solos are by Johnny Hodges on alto, Clark Terry on trumpet, and Paul Gonsalves on tenor – and titles include "Congo Square", "Madam Zajj", "Drum is A Woman", "You Better Know It", "Rhythm Pum Te Dum", and "Rhumbop". CD
(Out of print.)
Also available Drum Is A Woman ... LP 8.99

Possible matches35
CD, LP, Vinyl record album cover art
✨✧ Duke EllingtonDrum Is A Woman ... LP
Columbia, 1956. Very Good ... $8.99
A hokey cover and title, but a hip little record from Duke Ellington – kind of a story of percussion and jazz, all wrapped together with some great vocals and narration! The format is kind of far-reaching, but never too stuffy – and in a way, the album offers a great opportunity to hear some of the Ellington players stepping out in a slightly different vibe than the usual Columbia date from the decade. Duke does a bit of narration himself – and singers include Margaret Tynes, Joya Sherrill, and Ozzie Bailey – who beautifully illustrate the shifting passages of the longer suite. Solos are by Johnny Hodges on alto, Clark Terry on trumpet, and Paul Gonsalves on tenor – and titles include "Congo Square", "Madam Zajj", "Drum is A Woman", "You Better Know It", "Rhythm Pum Te Dum", and "Rhumbop". LP, Vinyl record album
(6 eye pressing, with deep groove. Cover has light wear but is nice overall.)
Also available Drum Is A Woman ... CD 6.99

Possible matches36
CD, LP, Vinyl record album cover art
Duke EllingtonDuke's DJ Special EP ... 7-inch
Repertory/Sesac, 1959. Near Mint- (pic cover)... $4.99
Some great lesser-known material from the Duke Ellington group of the late 50s – recorded for the Sesac sound library – a set that's especially noteworthy for its variety of compositions that get past the usual overplayed Ellington standards! The lineup here includes Clark Terry, Ray Nance, Shorty Baker, Cat Anderson, Johnny Hodges, Paul Gonsalves, Jimmy Hamilton, and Harry Carney – all coming together with the tightness and fluidity of some of the best late 50s sides by Duke for Columbia – that magical Ellington mix of grace and energy that was near-perfect at this point in his career! Titles include "Fat Mouth", "Frou Frou", "Night Stick", and "Lullaby For Dreamers". 7-inch, Vinyl record

Possible matches37
CD, LP, Vinyl record album cover art
Duke EllingtonEllington Uptown ... LP
Columbia, 1952. Very Good ... $3.99
One of Duke Ellington's standout sides for Columbia – a strong recording that revisits many of the best elements of his earlier work, and offers up some more sophisticated scoring for the 50s – thanks to extended track length in the LP generation! The tunes here are older ones, but they're taken to some nicely hip territory – thanks to Duke's strong ear for modern changes, and a line up of players that includes Billy Strayhorn on piano, Paul Gonsalves on tenor, Clark Terry and Ray Nance on trumpets, Juan Tizol on trombone, and Louis Bellson on drums. Bellson does a great job on the classic "Skin Deep" – a real showcase for his talents in this recording – and other titles include "The Mooche", "Take The A Train", and "Perdido" – plus a 13 minute reading of "A Tone Parallel To Harlem (aka The Harlem Suite)". LP, Vinyl record album
(Gray label Masterworks pressing. Cover has a partially split top seam and the label has a name in marker.)

Possible matches38
CD, LP, Vinyl record album cover art
Duke EllingtonEllington Uptown (Columbia Jazz Masterpieces pressing) ... LP
Columbia, 1952. Very Good+ ... $2.99
One of Duke Ellington's standout sides for Columbia – a strong recording that revisits many of the best elements of his earlier work, and offers up some more sophisticated scoring for the 50s – thanks to extended track length in the LP generation! The tunes here are older ones, but they're taken to some nicely hip territory – thanks to Duke's strong ear for modern changes, and a line up of players that includes Billy Strayhorn on piano, Paul Gonsalves on tenor, Clark Terry and Ray Nance on trumpets, Juan Tizol on trombone, and Louis Bellson on drums. Bellson does a great job on the classic "Skin Deep" – a real showcase for his talents in this recording – and other titles include "The Mooche", "Take The A Train", and "Perdido" – plus a 13 minute reading of "A Tone Parallel To Harlem (aka The Harlem Suite)". LP, Vinyl record album
(Cover has some wear.)

Possible matches39
CD, LP, Vinyl record album cover art
Duke EllingtonSuch Sweet Thunder (plus bonus tracks) ... CD
Columbia, 1957. Used ... $3.99
Excellent Duke Ellington work from the late 50s – written and recorded during a period in which he was reemerging with a stronger jazz vision than ever before! The set was written by Ellington and Strayhorn – and dedicated to the Shakespeare Festival in Stratford, Ontario – but forget the Bard-inspired roots of the tracks, because the shimmering moods of the pieces is pure Ellington – with a richness of feeling that's totally great, and a sound that's wonderfully fresh, given that most of these numbers aren't overplayed Ellington compositions! Players include Cat Anderson and Clark Terry on trumpets, Paul Gonsalves on tenor, and Johnny Hodges on alto – and titles include "The Telecasters", "Circle Of Fourths", "Sonnet For Caesar", "Sonnet To Hank Cinq", and "Such Sweet Thunder". CD also features 3 previously unissued tracks, and a bunch of alternate takes and outtakes – for a total of 22 cuts in all! CD
(Out of print.)

Possible matches40
CD, LP, Vinyl record album cover art
Babs GonzalesSunday Afternoon At Small's Paradise With Babs Gonzales ... LP
Dauntless, 1963. Very Good ... $39.99
A mad mad afternoon with the great Babs Gonzales – one of the hippest jazz singers ever! The set is one of Babs' best on records, and it features a mix of jazz vocals and hipster monologues that shows perfectly the mixture of talent and hustling that Babs used to make a name for himself in the New York scene. He's backed by a nice little combo that includes friends and songwriting partners like Horace Parlan, Clark Terry, and Johnny Griffin – and the set includes loads of great numbers like "Dem Jive New York People", "Keep An Ugly Woman", "Be Bop Santa Claus", and "Le Moody Mood Pour Amour". The whole thing's hung together with some great patter, and recorded in a way that shows the warm spirit of all the more famous folks who kept Babs going along during his glory years! LP, Vinyl record album
(Original pressing! Cover has some aging and wear on the back.)

Possible matches41
CD, LP, Vinyl record album cover art
✨✧ Wardell GrayWardell Gray Memorial Album (2LP set) ... LP
Prestige, Early 50s/1964. Very Good 2LP Gatefold ... $4.99
One of the best-ever documents of the young genius of tenorist Wardell Gray – exactly the kind of music that shows why he was one of the biggest and best of the bop saxophonists – before he was taken away from us all too soon! The material here was originally issued on 78s or 45s, and comes together as a great full length representation of Gray at his best – and on the set Wardell plays tenor in one group with Al Haig on piano and Roy Haynes on drums – on titles that include "Easy Living", "Twisted", and "Southside". Another combo features Phil Hill on piano – on "Treadin", "Grayhound", and "Blue Gray". And the last combo is Teddy Charles' West Coasters – with Charles on vibes, Frank Morgan on alto, and Sonny Clark on piano – the last two of whom make their debut on the record! On the second half, Wardell works in some bigger groups on great long tracks with a nicely jamming feel! Players include Sonny Criss on alto, Art Farmer and Clark Terry on trumpet, Dexter Gordon on tenor, and Hampton Hawes on piano – and titles include "Move", "Scrapple From The Apple", "Lover", "Farmer's Market", "April Skies", "Jackie", and "Sweet & Lovely". LP, Vinyl record album
(Blue label pressing.)
 
Partial matches: 6
Partial matches85
CD, LP, Vinyl record album cover art
✨✧ Ed BickertEd Bickert (Japanese paper sleeve edition) ... CD
PM/Muzak (Japan), 1975. New Copy ... $24.99
A sweet little set from Candian guitarist Ed Bickert – a record that's filled with amazing tones and colors, and which sparkles brightly from the very first note! The date's a trio outing – with Don Thompson on bass and Terry Clarke on drums – but Bickert's playing gives the whole thing a quality that's very different than any sort of traditional jazz guitar set like this – thanks to a style that shows a knowledge of 70s innovators like Pat Martino and John Abercrombie, but a sense of soul that keeps the whole thing nice and solid – in a very classic way. The set's got an airy feel, but is deeply grounded too – and at times, Bickert almost seems to echo the unique phrasing of his Canadian contemporary Sonny Greenwich. Titles include "Where Are You", "When Sunny Gets Blue", "It Might As Well Be Spring", and "Manha De Carnaval". CD
(SHMCD pressing.)

Partial matches86
CD, LP, Vinyl record album cover art
Bernie SenenskyFree Spirit ... CD
PM, 1981. New Copy ... About March 1, 2016
One of the few records ever cut by the great keyboardist Bernie Senesky – a player who did some of his finest work ever for the ultra-hip PM Records label! This set's got Bernie on both acoustic and electric piano – and the artist handles the keys with this sensitivity that's really appreciated – an ability to move fast and really take flight, but never in a way that's too jamming, or show-offy at all – and still very much with the lyrical qualities that have always made him such a great surprise. The group's a quartet – with added percussion from Don Alias to complicate the rhythms nicely – alongside bass from David Piltch and drums from Terry Clarke. Titles include "Homeland", "Adam", "No More Tears", "Silver Trane", "Free Spirit", and "Reunion". CD

Partial matches87
CD, LP, Vinyl record album cover art
✨✧ Jim HallJim Hall Live ... LP
A&M, 1975. Used Gatefold ... Temporarily Out Of Stock
A work of understated brilliance from guitarist Jim Hall – and one of our favorite records by him! The setting is simple – Hall plays live with a trio, on a set of familiar standards – but the results are remarkable, as both Hall and the rhythm section manage to bring a hell of a lot of swing and imagination into such a tiny space! Hall's always had a rhythmic approach to his work, but here, playing with drummer Terry Clarke and bassist Don Thompson, he really opens into a great groove – stretching things past his usual standard, and bringing a lot more soul into the set than you might expect. The tunes are ones you'll recognize – "Angel Eyes", "Round Midnight", and "The Way You Look Tonight" – but the real charm is what Hall and the trio do with them! LP, Vinyl record album

Partial matches88
CD, LP, Vinyl record album cover art
✨✧ Ed BickertEd Bickert At Last ... CD
PM, 1975. New Copy ... Out Of Stock
A sweet little set from Candian guitarist Ed Bickert – a record that's filled with amazing tones and colors, and which sparkles brightly from the very first note! The date's a trio outing – with Don Thompson on bass and Terry Clarke on drums – but Bickert's playing gives the whole thing a quality that's very different than any sort of traditional jazz guitar set like this – thanks to a style that shows a knowledge of 70s innovators like Pat Martino and John Abercrombie, but a sense of soul that keeps the whole thing nice and solid – in a very classic way. The set's got an airy feel, but is deeply grounded too – and at times, Bickert almost seems to echo the unique phrasing of his Canadian contemporary Sonny Greenwich. Titles include "Where Are You", "When Sunny Gets Blue", "It Might As Well Be Spring", and "Manha De Carnaval". CD

Partial matches89
CD, LP, Vinyl record album cover art
✨✧ Ed BickertEd Bickert At Last ... LP
PM, 1975. New Copy ... Out Of Stock
A sweet little set from Candian guitarist Ed Bickert – a record that's filled with amazing tones and colors, and which sparkles brightly from the very first note! The date's a trio outing – with Don Thompson on bass and Terry Clarke on drums – but Bickert's playing gives the whole thing a quality that's very different than any sort of traditional jazz guitar set like this – thanks to a style that shows a knowledge of 70s innovators like Pat Martino and John Abercrombie, but a sense of soul that keeps the whole thing nice and solid – in a very classic way. The set's got an airy feel, but is deeply grounded too – and at times, Bickert almost seems to echo the unique phrasing of his Canadian contemporary Sonny Greenwich. Titles include "Where Are You", "When Sunny Gets Blue", "It Might As Well Be Spring", and "Manha De Carnaval". LP, Vinyl record album
Also available Ed Bickert (Japanese paper sleeve edition) ... CD 24.99

Partial matches90
CD, LP, Vinyl record album cover art
✨✧ Bernie SenenskyFree Spirit ... LP
PM, 1981. New Copy ... Out Of Stock
One of the few records ever cut by the great keyboardist Bernie Senesky – a player who did some of his finest work ever for the ultra-hip PM Records label! This set's got Bernie on both acoustic and electric piano – and the artist handles the keys with this sensitivity that's really appreciated – an ability to move fast and really take flight, but never in a way that's too jamming, or show-offy at all – and still very much with the lyrical qualities that have always made him such a great surprise. The group's a quartet – with added percussion from Don Alias to complicate the rhythms nicely – alongside bass from David Piltch and drums from Terry Clarke. Titles include "Homeland", "Adam", "No More Tears", "Silver Trane", "Free Spirit", and "Reunion". LP, Vinyl record album
 
 
 



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