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Exact matches: 49
Exact matches1
CD, LP, Vinyl record album cover art
David Axelrod/Cannonball AdderleyMessiah ... CD
RCA/Real Gone, 1971. New Copy Gatefold ... $5.99 13.98
David Axelrod takes on Handel's Messiah – and the result is an amazingly complex set of music – very similar to his earlier albums on Capitol Records, and his Warner work with the Electric Prunes! If you love the Axe, you'll find plenty to love here – spare, dark orchestrations, often with a subtle hint of funk in the rhythms, some jazzy flourishes, and this bold sense of studio majesty that marks Axelrod as one of the most inventive producers of his time! The sound's one that gave birth to a whole generation of hip hoppers and beatheads – and the proceedings are conducted by Cannonball Adderley, with a feel that's similar to other Adderley/Axelrod high-concept sets – like Soul Of The Bible or Soul Zodiac. Titles include "Overture", "Worthy Is the Lamb", "Behold Recitative", "Comfort Ye My People", and "And The Angel Said Unto Them". CD

Exact matches2
CD, LP, Vinyl record album cover art
Nancy Wilson & Cannonball AdderleyNancy Wilson/Cannonball Adderley ... CD
Capitol, Mid 60s. Used ... $2.99
The sweet vocals of Nancy join the classic Cannonball quintet for a great set of soul jazz tunes that was one of Capitol's biggest selling jazz sides in the 60s! About half the cuts feature Nancy on vocals – on tunes like "Save Your Love For Me", "Never Will I Marry", "Happy Talk", and "The Masquerade Is Over" – and the other half feature Cannon's group playing instrumentally – on cuts like "Teaneck", "One Man's Dream", and "Never Say Yes". Pop, but hip – nice and hip! CD
(Out of print.)
Also available Nancy Wilson/Cannonball Adderley ... CD 3.99

Exact matches3
CD, LP, Vinyl record album cover art
Nancy Wilson & Cannonball AdderleyNancy Wilson/Cannonball Adderley ... CD
Capitol, Mid 60s. Used ... $3.99
The sweet vocals of Nancy join the classic Cannonball quintet for a great set of soul jazz tunes that was one of Capitol's biggest selling jazz sides in the 60s! About half the cuts feature Nancy on vocals – on tunes like "Save Your Love For Me", "Never Will I Marry", "Happy Talk", and "The Masquerade Is Over" – and the other half feature Cannon's group playing instrumentally – on cuts like "Teaneck", "One Man's Dream", and "Never Say Yes". Pop, but hip – nice and hip! CD
Also available Nancy Wilson/Cannonball Adderley ... CD 2.99

Exact matches4
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyCannonball Adderley Quintet In San Francisco (with bonus track) ... CD
Riverside/OJC, 1959. Used ... Temporarily Out Of Stock
One of the greatest Cannonball Adderley albums from the Riverside years – a completely smoking live date recorded in San Francisco, often with long tracks that really let the group open up and do their thing! The lineup here is that classic one that first grabbed attention – the group with brother Nat on cornet, Sam Jones on bass, Louis Hayes on drums – and a young Bobby Timmons on piano, really cooking things up with tremendous drive, energy, and a sense of the groove! Titles include a great workout on Timmons' classic "This Here", plus originals "You Got It" and Spontaneous Combustion", and a great version of "Hi Fly". Soul jazz at its best, by one of the groups who gave the genre its name in the first place! CD
(Out of print.)
Also available Cannonball Adderley Quintet In San Francisco ... LP 9.99

Exact matches5
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyCannonball Adderley Sextet In New York ... LP
Riverside, 1962. Used ... Temporarily Out Of Stock
Rock-solid live material from the classic Cannonball Adderley Sextet – a combo who could usually groove even better on a concert date then they could in the studio! The album's one of a number of key live sides from Cannon in the 60s – and although it pre-dates his work on Capitol, it's done in a similar spacious mode – with plenty of longish tracks that build upon the core groove set down by Joe Zawinul's piano, Sam Jones' bass, and Louis Hayes' drums – a perfect backdrop for the creative and complicated solos of Cannon on alto, Nat Adderley on cornet, and Yusef Lateef on tenor, flute, and oboe! The date was recorded live at the Village Vanguard in 1962 – and titles include "Gemini", "Planet Earth", "Dizzy's Business", "Syn-anthesia", "Scotch & Water", and "Cannon's Theme". LP, Vinyl record album
(OJC pressing. Cover has light wear.)
Also available Cannonball Adderley Sextet In New York ... CD 3.99

Exact matches6
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyInside Straight ... LP
Fantasy, 1973. Used Gatefold ... Temporarily Out Of Stock
One of Cannonball Adderley's late funky sessions for Fantasy – and a record that still features some mighty heavy production from David Axelrod! The album's got that core groove that Axe and Cannon first crafted together at Capitol in the 60s – but the sound here has some definite 70s touches too – a bit more emphasis on electric piano, played here by Hal Galper – and rhythms that are even funkier than before! Other players include Nat Adderley on cornet, Walter Booker on bass, Roy McCurdy on drums, and King Errison on percussion – and titles include the excellent "Snakin' the Grass", which is just ripe for samplin', plus some other good grooves like "Second Son", "Saudade", "Five Of A Kind", and "Inside Straight". LP, Vinyl record album
(Cover has a cut corner.)

Exact matches7
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyKnow What I Mean? (with bonus tracks) ... CD
Riverside/OJC, 1961. Used ... Temporarily Out Of Stock
Beautiful early work from Cannonball Adderley – and a record that's quite different than most of his better known sets from the time! The album's more spare and stripped-down than usual – with Cannon's alto in a quartet alongside Bill Evans on piano, Percy Heath on bass, and Connie Kay on drums. The style is almost more that of Evans than it is Cannonball – lightly lyrical, with a good sense of space – in a way that has Adderley playing out front very strongly, cutting some beautiful lines with his solos, in a really unfettered way! Titles include versions of two of Evans' tracks – "Waltz For Debby" and "Know What I Mean?" – plus nice moody takes on other material, like John Lewis' "Venice", Clifford Jordan's "Toy", and Gordon Jenkins' "Goodbye". Remastered edition with 2 bonus tracks: "Who Cares (Take 4)" and "Know What I Mean? (Take 12)". CD
(Out of print.)
Also available Know What I Mean? ... LP 49.99

Exact matches8
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyPrice You Got To Pay To Be Free ... LP
Capitol, 1970. Used 2LP Gatefold ... Temporarily Out Of Stock
Fantastic work from the massive electric years of the Cannonball Adderley Quintet – one of the group's last records to feature the keyboards of Joe Zawinul – and also one of the heaviest from the time! The set's a double-length gem that presents the group in an open live setting – one that really displays the full charm of their approach at the time, and that wonderfully crowd-winning mode that made Cannon a key act at this time for rock and soul audiences too! Adderley raps a bit at key points, and brings some righteous energy to the concert – while the rest of the group follow up with performances that really send the whole thing home – Nat Adderley on cornet, Zawinul on Fender Rhodes and piano, Walter Booker on bass, and Roy McCurdy on drums. Cannon plays some soprano sax, in addition to his familiar alto – and titles include "Alto Sex", "Lonesome Stranger", "Wild Cat Pee", "Soul Virgo", "Painted Desert", "Directions", "Pra Dizer Adeus", "Rumplestiltskin", "Price You Got To Pay To Be Free", "Esquisition", "Get Up Off Your Knees", "Down In Black Bottom", and "The Scene". Produced by David Axelrod too! LP, Vinyl record album
(Cover has light wear.)
Also available Price You Got To Pay To Be Free ... CD 12.99

Exact matches9
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleySextet ... LP
Milestone, 1962/1963. Used ... Temporarily Out Of Stock
Rare work by Cannonball – recorded in the early 60s, but not issued until after his death! The album features live material – recorded in Tokyo and San Francisco – performed by Cannon's amazing sextet that includes Joe Zawinul on piano, Yusef Lateef on reeds, Nat Adderley on cornet, and the rhythm section of Sam Jones in bass and Louis Hayes on drums. Tracks are all long and grooving – with a sublime mix of the earlier soul jazz that Adderley forge in the late 50s, with some of the more exotic traces that were coming into the group through the work of Lateef. Titles include "New Delhi", "Peter & The Goats", "This Here", and "Never Say Yes". LP, Vinyl record album
(80s pressing.)

Exact matches10
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleySomethin' Else (RVG Remaster Edition) ... CD
Blue Note, 1958. Used ... Temporarily Out Of Stock
A landmark album – even if it was the only session that Cannonball Adderley ever cut for Blue Note! The album was recorded at a time when Adderley was working with Miles Davis – and as such, the session features a group that includes Miles, blowing in a cool tone that's a perfect offset to Cannonball's more soulful style. The rest of the group includes Hank Jones, Sam Jones, and Art Blakey – and like John Coltrane's Blue Train, the record's more of an "special session" than the usual Blue Note album, but the strength of the players make it one of the more memorable records of its day! Titles include "Somethin' Else", "One For Daddy-O", and a nice moody take on "Dancing In The Dark". CD
(Includes slipcase.)
Also available
Somethin' Else ... LP 149.99
Somethin' Else (Japanese pressing) ... CD 8.99

Exact matches11
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleySpontaneous Combustion – The Savoy Sessions ... LP
Savoy, 1955/1976. Used 2LP Gatefold ... Temporarily Out Of Stock
Tracks recorded back in 1955 as two separate albums and reissued here on this 2LP set. Adderley and his alto sax are joined by Donald Byrd on trumpet, Nat Adderley on cornet, Jerome Richardson on tenor sax and flute, Horace Silver on piano, Paul Chambers on bass and Kenny Clarke on drums. The tracks include "Bohemia After Dark", "Chasm", "Willow Weep For Me", "Late Entry", "Hear Me Talkin To Ya", "With Apologies To Oscar", "We'll Be Together Again", "Spontaneous Combustion", "Caribbean Cutie", and "Flamingo". LP, Vinyl record album
(Cover has light wear.)

Exact matches12
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyThem Dirty Blues ... LP
Riverside, 1960. Used ... Temporarily Out Of Stock
One of the all-time great ones by Cannonball! This record captures him in the prime of his early soul jazz fame – working with an unbelievably heavy quintet that featured Bobby Timmons on piano (with Barry Harris sitting in on a few tracks), Sam Jones on bass, Louis Hayes on drums, and brother Nat Adderley on cornet. The quintet forged a sound that made them an immediate hit – and which had their tight, jagged, soul-drenched sound getting copied by everyone. The record features some amazing soul jazz standards – like Nat's original version of "Work Song", the first-ever record of Timmons' amazing "Dat Dere", Cannon's slinky "Them Dirty Blues", and the jaunty groover "Jeannine", a wonderful cut by Duke Pearson that never sounded better! The CD features alternates of "Work Song" and "Dat Dere" – for a total of 9 tracks in all! LP, Vinyl record album
(Small blue label pressing, with microphone logo and deep groove. Cover has split top & bottom seams.)

Exact matches13
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyThis Here (pts 1 & 2) ... 7-inch
Riverside, 1959. Used ... Temporarily Out Of Stock
A Bobby Timmons tune from "Cannonball Adderley Quintet In San Francisco". Timmons on piano, too! 7-inch, Vinyl record
(Small hole pressing. Label has a peeled spot from sticker removal.)

Exact matches14
CD, LP, Vinyl record album cover art
✨✧ Wes Montgomery/Cannonball AdderleyWes Montgomery Cannonball Adderley & The Poll Winners (with bonus tracks) ... CD
Essential Jazz (Spain), 1960. Used ... Temporarily Out Of Stock
Cannon's left his usual soul jazz combo for this album – and he's recording on the west coast with an all-star group that includes Wes Montgomery on guitar, Victor Feldman on vibes and piano, Ray Brown on bass, and Louis Hayes on drums. The sound's a bit different than usual – with a strong focus on the solos of the big stars, and less on the tight grooving of the group – but that doesn't stop it from being a great set, and Cannon blows in a way that reminds us of his classic Mercury sides. Titles include "The Chant", "Azule Serape", "Never Will I Marry", and "Au Privave". CD

Exact matches15
CD, LP, Vinyl record album cover art
✨✧ Cannonball Adderley & Ray BrownTwo For The Blues (aka Ray Brown With The All-Star Big Band) ... LP
Verve, 1962. Used ... Out Of Stock
A standout session from bassist Ray Brown – one of a few 60s big band sessions recorded for Verve, featuring some searing solo work from Cannonball Adderley! Brown's name as a leader is possibly more as a compadre than the main driving force of the record – as the arrangements here are by Ernie Wilkins, often in the tightly soulful bag he was laying down at the time – and Adderley's presence as the main soloist certainly gives a Cannonball flair to the record. But there's definitely plenty of Brown's warmth guiding the whole session – and other players include Nat Adderley, Clark Terry, Melba Liston, Budd Johnson, and Yusef Lateef. Some tracks have Brown's bass right out front in the arrangements, dipping nicely and adding into the groove – and titles include "Tricotism", "Cannon Built", "Thumbstring", "Two For The Blues", and "Work Song". LP, Vinyl record album
(Cover has some wear.)

Exact matches16
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyCannonball Adderley Quintet & Orchestra – Experience/Tensity/Dialogues ... LP
Capitol, Late 60s. Used ... Out Of Stock
A great lost chapter in the Cannonball/David Axelrod story! The record features Cannon's classic quintet performing some longer, more serious works with orchestral backing – and the sound is vaguely similar to some of Axelrod's "high concept" work for Capitol. The record features a recording of Axelrod's "Tensity" and William Fischer's "Experience In E", both conducted by Fischer, a hip modern soul-oriented arranger, with a sound that's not dissimilar to Axelrod. The last piece on the album is a nice long one by Lalo Schifrin, "Dialogues For Jazz Quintet & Orchestra", which is also conducted by him as well. LP, Vinyl record album

Exact matches17
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyCannonball Adderley Quintet In Chicago ... CD
EmArcy/Verve, 1959. Used ... Out Of Stock
A great session from 1959 – one that features John Coltrane playing with the Adderley group, recorded in Chicago when they were stopping through the city with Miles Davis' combo at the time! In fact, since the rhythm section includes Wynton Kelly, Paul Chambers, and Jimmy Cobb – and since Coltrane's sitting in with Cannon – the album's essentially a Kind Of Blue-era Miles album, recorded without Miles on trumpet, and grooving in a slightly more soul-based Adderley mode. Given the presence of Coltrane, there's a bit less of the gutbuckety soul jazz that Cannon was cutting in his own Quintet – but that's more than ok with us, as the Coltrane solos more than make up for that difference! The set's got 2 great originals by Coltrane – "The Sleeper" and "Grand Central" – plus the cuts "Wabash" and "Limehouse Blues". CD
(Out of print Verve Master Edition.)

Exact matches18
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyPhenix ... LP
Fantasy, 1975. Used 2LP Gatefold ... Out Of Stock
Sweet funky 70s work from Cannonball Adderley – a record that has him revisiting older tunes from his early soul jazz years – but in ways that give them a whole new electric vibe overall! The album's actually Cannonball's last full studio set, but it's also one of his greatest too – a very hip little record that features arrangements that are slightly bigger than before – almost a CTI sort of mode, with a similar CTI sense of space, sound, and timing! There's some great keyboards on the set – courtesy of George Duke and Mike Wolff – and other players include Nat Adderley on cornet, Airto on percussion, Sam Jones and Walter Booker on bass, and Louis Hayes and Roy McCurdy on drums. The keyboards lead off most numbers, but they're followed strongly by Cannon and Nat – both of whom open up wonderfully in the magical setting of the record! Titles include great new takes on "Sack O Woe", "Work Song", "Jive Samba", "74 Miles Away", "Walk Tall/Mercy Mercy Mercy", "Country Preacher", "Domination", and "This Here" – plus "Hi Fly" and "Hamba Nami". LP, Vinyl record album
(Cover has splitting on the top seam & some wear.)

Exact matches19
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyPortrait Of Cannonball ... LP
Riverside, 1958. Used ... Out Of Stock
A jazzy portrait of Cannonball Adderley in his early soul jazz prime – oddly one that doesn't feature his regular quintet lineup, but which more than makes up for that lack with a batch of players that includes Blue Mitchell on trumpet, Bill Evans on piano, Sam Jones on bass, and Philly Joe Jones on drums! Given the personnel, the record's almost kind of a transition from Cannon's brief time with Miles Davis into his tighter more soul-inflected group to come – and Evans' piano provides an especially spacious sensibility here, one that marks the time spent with Miles nicely. Titles include "Nardis", "A Little Taste", "Minority", and "Blue Funk". LP, Vinyl record album
(Blue label Bill Grauer pressing, with microphone logo and deep groove. Cover has a split bottom seam.)

Exact matches20
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleySomethin' Else (70s pressing) ... LP
Blue Note, 1958. Used ... Out Of Stock
A landmark album – even if it was the only session that Cannonball Adderley ever cut for Blue Note! The album was recorded at a time when Adderley was working with Miles Davis – and as such, the session features a group that includes Miles, blowing in a cool tone that's a perfect offset to Cannonball's more soulful style. The rest of the group includes Hank Jones, Sam Jones, and Art Blakey – and like John Coltrane's Blue Train, the record's more of an "special session" than the usual Blue Note album, but the strength of the players make it one of the more memorable records of its day! Titles include "Somethin' Else", "One For Daddy-O", and a nice moody take on "Dancing In The Dark". LP, Vinyl record album
 
Possible matches: 48
Possible matches50
CD, LP, Vinyl record album cover art
✨✧ Nat AdderleyTo The Ivy League From Nat Adderley ... LP
EmArcy, Late 50s. Used ... Temporarily Out Of Stock
What was Nat's deal with the Ivy League? We can't figure it out, but the set's a strong one – with Nat in the lead, working in a group that's essentially the late 50s Cannonball combo. Cannon's on alto, Junior Mance on piano, Sam Jones on bass, and Charles Wright on drums – and Ernie Wilkins arranged the tunes with a sparkly soul jazz finish that's perfect for Nat's tone on cornet. Titles include a number of strong originals – such as "Jackleg", "Rattler's Groove", "Hayseed", "Fat Man", "Sam's Tune", and "Bimini". LP, Vinyl record album
(Blue label pressing with drummer logo & deep groove. Cover has some oxidation, a peeled patch, and some gloss separation along the opening, with some writing on back.)

Possible matches51
CD, LP, Vinyl record album cover art
✨✧ Nat AdderleyNaturally! (7 Inch jukebox EP) ... 7-inch
Jazzland, 1961. Used (pic cover)... Out Of Stock
A strong showcase for young Nat's talents on cornet – and an album that's got a different feel that his work with his more famous brother's combo at the same time! The style here is simple – Nat blowing with 2 different quartets: one with Joe Zawinul, Sam Jones, and Louis Hayes (all from Cannonball's group), the other with the rhythm section of Wynton Kelly, Paul Chambers, and Philly Joe Jones. Despite's Nat's reputation as a gutbuckety soul jazz player, he actually gets in some nicely lyrical licks in this set – blowing in a soulful modern style that almost recalls the work of Carmell Jones. 3 tracks off the LP: "Seventh Son", "Images" and "Oleo". 7-inch, Vinyl record
(Cover has a name in red marker, light wear, and tape spots on back.)

Possible matches52
CD, LP, Vinyl record album cover art
✨✧ Nat AdderleyWork Song ... CD
Riverside, 1960. Used ... Out Of Stock
When it comes to soul jazz, you can't get any more classic than this! The title was one of the biggest jazz hits of the 60s – covered by countless other artists, but presented here in all its original brilliance in a group led by its composer, a young Nat Adderley! At the time of the record, Nat was making plenty big waves in the combo of brother Cannonball – but this set has him stepping out strongly as a leader – borrowing Bobby Timmons, Sam Jones, and Louis Hayes from Cannon's group – and also adding in Wes Montgomery on guitar and additional bass and cello work from Keeter Betts and Percy Heath. The tracks are all tight as a drum – and the record features seminal versions of "Work Song" and "Sack O Woe" – as well as the numbers "Scrambled Eggs", "Pretty Memory", and "Fallout" – all great! CD
(Keepnews Colleciton pressing. Barcode has a cutout hole.)

Possible matches53
CD, LP, Vinyl record album cover art
Nat Adderley & The Big Sax SectionThat's Right! ... LP
Riverside, 1960. Very Good ... $11.99
Nat's trumpet is backed up by the "big sax section" here – a trio of reed players that includes Yusef Lateef, Jimmy Heath, and Charlie Rouse, plus some additional baritone work by Tate Houston. The groove's pretty swinging – kind of in the mode of early work with Cannonball Adderley in that it's not as "in the pocket" soul jazz wise, but still quite strong overall. Heath and Jimmy Jones did the arrangements, and the rhythm section features Wynton Kelly, Sam Jones, and Jimmy Cobb. Tracks include "Tadd", "The Old Country", "Chordnation", and "ESP". LP, Vinyl record album
(Blue label Bill Grauer pressing with deep groove and microphone logo. Cover has a name in marker & tape on all seams.)

Possible matches54
CD, LP, Vinyl record album cover art
Wolfgang DaunerRischkas Soul ... CD
Brain/Long Hair (Germany), 1972. New Copy ... $19.99
A fantastic album from German keyboard giant Wolfgang Dauner – and maybe one of the few to perfectly balance both his soul jazz roots and his later trippier style! The music here is very groovy – much more in the mode of MPS Records electric jazz sets of the time than you'd guess from the album's placement on Brain Records – and the lineup features incredible work from Sigi Schwab on guitar – who can be open and spacious at some points, but then really jam with a groove at others! Likewise, the bassist Eberhard Weber can provide a lot of propulsion when needed, but also lay back and bow his cello in a more ECM-like way – and the album's two drummers, Fred Braceful and Roland Wittich, both show an equally deft ability to change up the groove! The real superstar, though, is the mighty Dauner – who plays piano, organ, and keyboards, plus a sweet bit of flute too – on tracks that include "Reading Machine", "Kamasutram", "Blues Far Out", "Flute Woman", and a freaky fuzzy take on Cannonball Adderley's "Jive Samba". CD
Also available Rischkas Soul ... LP 25.99

Possible matches55
CD, LP, Vinyl record album cover art
Wolfgang DaunerRischkas Soul ... LP
Brain/Long Hair (Germany), 1972. New Copy Gatefold (reissue)... $25.99
A fantastic album from German keyboard giant Wolfgang Dauner – and maybe one of the few to perfectly balance both his soul jazz roots and his later trippier style! The music here is very groovy – much more in the mode of MPS Records electric jazz sets of the time than you'd guess from the album's placement on Brain Records – and the lineup features incredible work from Sigi Schwab on guitar – who can be open and spacious at some points, but then really jam with a groove at others! Likewise, the bassist Eberhard Weber can provide a lot of propulsion when needed, but also lay back and bow his cello in a more ECM-like way – and the album's two drummers, Fred Braceful and Roland Wittich, both show an equally deft ability to change up the groove! The real superstar, though, is the mighty Dauner – who plays piano, organ, and keyboards, plus a sweet bit of flute too – on tracks that include "Reading Machine", "Kamasutram", "Blues Far Out", "Flute Woman", and a freaky fuzzy take on Cannonball Adderley's "Jive Samba". LP, Vinyl record album
Also available Rischkas Soul ... CD 19.99

Possible matches56
CD, LP, Vinyl record album cover art
Miles Davis1958 Miles (Japanese pressing with bonus tracks) ... CD
Sony (Japan), 1958. Used ... $9.99
Some of the greatest Miles Davis material ever recorded – and not really ever officially issued as an album until this collection! The recordings are from the magical year of 1958, a time when Miles was working in the Kind Of Blue mode – on the album of the same name, one of his all-time standout classics. The work on this set is in a very similar spirit – recorded by a sextet that includes the rhythm section of Jimmy Cobb, Paul Chambers, and a young Bill Evans, who brings a magically modal feel to the album that really gives it an edge. Added to that are the saxophones of John Coltrane and Cannonball Adderley, blowing together in two ends of the soul spectrum, really stretching the color palette from Miles' usual work. Miles himself seems very inspired by the company, and works with plenty of space to allow the saxophonists to stretch out in wonderful solos – and Evans himself is simply amazing, working wonderfully in the setting, making us wish he'd recorded more group dates like this one! The first 3 tracks on the set were briefly issued on the flipside of the Jazz Track album (an obscure Columbia LP that also included 10 songs from the soundtrack to Ascenseur Pour L'Echafaud), and a few others on later live LPs – but this is the first time the material from that group has appeared together as a full album. Includes stellar versions of "Stella By Starlight", "Green Dolphin Street", "Fran Dance", "Little Melonae", and "Love For Sale". CD also features 2 bonus alternate takes – a total of 7 titles in all! CD
(Out of print, includes obi.)

Possible matches57
CD, LP, Vinyl record album cover art
✨✧ Miles DavisKind Of Blue ... LP
Columbia, 1959. Very Good+ ... $149.99
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, and all those playings, the record manages to still sound fantastic – a truly inspirational piece of music that's long deserved all the attention it gets! The legendary group on the album includes John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans on piano, and Paul Chambers on bass – working with Miles in a relatively modal style, with brilliant rhythm changes and a wonderful sense of space. The whole thing's sublime – and titles include "Blue In Green", "All Blues", "So What", and "Freddie Freeloader". LP, Vinyl record album
(6 eye stereo pressing, matrix ending in 1BA/1BG. Cover has very light surface wear.)

Possible matches58
CD, LP, Vinyl record album cover art
Miles DavisKind Of Blue (Gold CD) ... CD
Columbia, 1959. Used ... $14.99
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, and all those playings, the record manages to still sound fantastic – a truly inspirational piece of music that's long deserved all the attention it gets! The legendary group on the album includes John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans on piano, and Paul Chambers on bass – working with Miles in a relatively modal style, with brilliant rhythm changes and a wonderful sense of space. The whole thing's sublime – and titles include "Blue In Green", "All Blues", "So What", and "Freddie Freeloader". CD
(Out of print Gold CD pressing, pleased note that the outerbox spine has a tear.)

Possible matches59
CD, LP, Vinyl record album cover art
✨✧ Miles Davis/Thelonious MonkMiles & Monk At Newport ... LP
Columbia, 1958/1963. Near Mint- ... $24.99
A slightly misleading record – but a great one nonetheless! From the title and cover, you might imagine that Thelonious Monk and Miles Davis were sharing the stage together at the Newport Jazz Festival – but instead, the album actually features separate performances by each artist – actually even recorded 5 years apart! The Miles Davis recording is from 1958 – a great year that has John Coltrane working with the group, alongside Wynton Kelly on piano, Cannonball Adderley on alto, Paul Chambers on bass, and Jimmy Cobb on drums – performing lively versions of "Ah Leu Cha", "Straight No Chaser", "Fran Dance" and "Two Bass Hit". The Monk material is even more unique – recorded in 1963, with Monk's usual quartet of Charlie Rouse on tenor, Butch Warren on bass, and Frankie Dunlop on drums – joined by the legendary Pee Wee Russell on clarinet – recently revived in jazz at the time, and displaying surprisingly modernist tendencies! Both Monk tracks are long – and include versions of "Nutty" and "Blue Monk". LP, Vinyl record album
(360 Sound stereo pressing, with black text.)

Possible matches60
CD, LP, Vinyl record album cover art
Raul De SouzaColors ... CD
Milestone, 1975. Used ... $7.99
A sweet blend of west coast jazz and Brazilian rhythms – and one of our favorite records ever from trombonist Raul De Souza! The session's got a more soulful, jazzy feel than some of Raul's other dates from the 70s – not nearly as tight as his sets for Capitol, with an earthy undercurrent in the music, thanks to the production efforts of Airto, who spearheads the session. Horns are by JJ Johnson, with some slight echoes of his soul soundtrack work of the period – and other players include Ted Lo on keyboards, Richard Davis on bass, and Jack DeJohnette on drums – plus a bit of guest alto sax from Cannonball Adderley on a few tunes. Titles include "Water Buffalo", "Dr Honoris Causa", "Canto De Ossahna", "Nana", "Festival", and "Chants To Burn". CD

Possible matches61
CD, LP, Vinyl record album cover art
Bill EvansEverybody Digs Bill Evans (Japanese pressing) ... CD
Riverside/Victor (Japan), 1958. Used ... $8.99
Everybody Digs Bill Evans – or at least it certainly seems that way from the cover endorsements by Miles Davis, Cannonball Adderley, and Ahmad Jamal – but the real proof is in the record, and the set is a great one from Bill's classic years on Riverside! Evans is at the peak of his early powers here – working with a straightforward rhythm combo that features Sam Jones on bass and Philly Joe Jones on drums – but still hitting those beautifully fluid, beautifully spacious lines that set his playing apart from most who'd come before him. Tracks include 3 solo numbers – "Lucky To Be Me", "Peace Piece", and the very short "Epilogue" – plus trio tracks "Night & Day", "Minority", "Tenderly", and "Oleo". CD

Possible matches62
CD, LP, Vinyl record album cover art
Gil EvansComplete Pacific Jazz Sessions (New Bottle Old Wine/Great Jazz Standards) ... CD
Pacific Jazz, 1958/1959. Used ... $7.99
2 wonderful late 50s sessions from arranger Gil Evans – both of which we'd rank right up there with his best work with Miles Davis, or the albums under his own name for Impulse in the 60s! The first half of the CD is from the album New Bottle Old Wine – a record of swinging modern backdrops, used to showcase both the solo talents of a young Cannonball Adderley, and the dynamic energy of Evans himself! Cannon's sharp-edged early tone is a really great sound for the record – far more modern than you might expect from later funk and soul sides of the 60s – and perfectly poised next to Gil's larger back drops to reignite a host of older tunes with new energy! And while the titles are familiar, the readings certainly are not – as the Evans pen has really changed things up beautifully – as you'll hear on numbers that include "St Louis Blues", "King Porter Stomp", "Willow Tree", "Struttin' With Some Barbeque", "Lester Leaps In", "Round About Midnight", "Manteca", and "Bird Feathers". Great Jazz Standards is equally great, a fantastic lost set from Evans – and one that features Mingus trumpeter Johnny Coles as the lead soloist in front of Evans-led modern groups that include players like Elvin Jones, Ray Crawford, Steve Lacy, Budd Johnson, Rod Levitt, and Chuck Wayne. Despite the "standards" in the title, most of these numbers are modern tunes from the 50s – like "Joy Spring", "Ballad Of The Sad Young Men", "Django", "Straight No Chaser", and "Chant Of The Weed" – all given Evans' unique style of arrangement, tweaked up a few notches to give them a really edgey quality. Coles is clearly standing in for Miles here, but the format works well overall! CD features 15 tracks in all, including some newly-improved versions of a few tracks, correcting mistakes in the original records! CD
(Out of print.)

Possible matches63
CD, LP, Vinyl record album cover art
Gil EvansNew Bottle Old Wine ... CD
Pacific Jazz/Blue Note, 1958. Used ... $5.99
A masterpiece through and through from arranger Gil Evans – a record of swinging modern backdrops, used to showcase both the solo talents of a young Cannonball Adderley, and the dynamic energy of Evans himself! Cannon's sharp-edged early tone is a really great sound for the record – far more modern than you might expect from later funk and soul sides of the 60s – and perfectly poised next to Gil's larger back drops to reignite a host of older tunes with new energy! And while the titles are familiar, the readings certainly are not – as the Evans pen has really changed things up beautifully – as you'll hear on numbers that include "St Louis Blues", "King Porter Stomp", "Willow Tree", "Struttin' With Some Barbeque", "Lester Leaps In", "Round About Midnight", "Manteca", and "Bird Feathers". CD
(Out of print.)

Possible matches64
CD, LP, Vinyl record album cover art
Art Farmer/Benny GolsonMeet The Jazztet ... CD
Argo/Chess, 1960. Used ... $6.99
Landmark work by one of the greatest jazz outfits of the early 60s! Art Farmer and Benny Golson were both known as well-composed players during the 50s – strongly soulful, but often with a fine sense of arrangement that usually tended towards the lyrical side of things. With this group, though, they turned that approach towards a heavier sounding style of jazz – tightly stepping soul jazz, in the manner that was being explored at the time by Cannonball Adderley, Art Blakey, and others – presented by Farmer and Golson with a bit more groove and a wonderful kick at the bottom! This album's the first the group cut together – and apart from trumpet by Farmer and tenor by Golson, it also features Curtis Fuller on trombone, McCoy Tyner on piano, Addison Farmer (brother of Art) on bass, and Lex Humphries on drums. Includes the massive original recording of "Killer Joe", which went onto become one of the most recorded jazz standards ever, plus the tracks "Blues March", "Mox Nix", "Park Avenue Petite", and "I Remember Clifford". Perfect tone, perfect groove, and a perfect sound all the way through! CD
(Out of print original CD pressing, not a CDr.)

Possible matches65
CD, LP, Vinyl record album cover art
Grodeck Whipperjenny (Dave Matthews)Grodeck Whipperjenny ... LP
People, Early 70s. Near Mint- (reissue)... $7.99
Here's a rare one! Arranger/producer Dave Matthews was to James Brown what David Axelrod was to Cannonball Adderley. Although Matthews didn't work on all of James' records from the early 70s, he did have quite a hand in some of The Godfather's classic funky material – especially the stuff with a heavier fuzzier sound. This rare album on James' People label has Matthews leading a tight little combo of his own, and the sound is a mix of heavy funk and guitar-based grooves. There's some vocals on the album, with a definite rock flair, but the best moments are the instrumental ones – as they have tight funky drums, and some super fuzzy guitar! Heavy cuts include "Put Your Thing On Me", "Inside Or Outside", and "Evidence For The Existence of The Unconscious". An intriguing (and rare) chapter of the James Brown story! LP, Vinyl record album

Possible matches66
CD, LP, Vinyl record album cover art
Philly Joe JonesDrums Around The World ... LP
Riverside, 1959. Very Good- ... $14.99
A wonderfully experimental album from drummer Philly Joe Jones – and one that has just the right sort of "ethnic" feel to earn its "Around The World" title! Mostly, the ethnicity comes through in exotic reed work by Sahib Shihab, Herbie Mann, and Cannonball Adderley – who all play wonderfully on the album – alongside straighter sidemen who include Lee Morgan and Blue Mitchell on trumpets, Benny Golson on tenor, and Curtis Fuller on trombone. There's a bit of the Yusef Lateef late 50s sound on here – mixed with Philly's killer crack sock drum approach – a blend that comes off wonderfully throughout, and really makes the album a standout in Philly Joe's catalog from the time. Titles include "Land Of The Blue Veils", "Blue Gwynn", "El Tambores", and "The Tribal Message", which is a nice drum solo! LP, Vinyl record album
(Maroon label Orpheum Productions pressing. Cover has a flaky stain at the top.)

Possible matches67
CD, LP, Vinyl record album cover art
✨✧ Quincy JonesThis Is How I Feel About Jazz ... LP
ABC, 1956. Near Mint- ... Just Sold Out!
Fantastic – and an important early album from Quincy Jones! Q's working here in some of his hippest settings of the 50s – scoring longish versions of jazz tunes for groups that include players like Lucky Thompson on tenor, Herbie Mann on flute, Art Farmer on trumpet, Phil Woods and Gene Quill on alto sax, Hank Jones on piano, and even Charles Mingus on bass! As with most Jones albums of the time, Quincy has a way of making a bigger group sound nice and lean – hitting some especially nice edges along with the rhythms, and really showing the way towards a new soulful sound for a bigger band. Titles include a sublime 10 minute version of "Walkin" that kicks off the album with a great soulful groove – plus original tunes "Evening In Paris", "Stockholm Sweetnin", and "Boo's Blues", as well as a version of Cannonball Adderley's "Sermonette". LP, Vinyl record album
(Black label pressing with deep groove. Cover has light wear.)

Possible matches68
CD, LP, Vinyl record album cover art
MachitoKenya (180 gram pressing) ... LP
Roulette/Pure Pleasure (UK), 1957. New Copy (reissue)... $34.99 44.99
A real corker from Machito – a set that's got a lot more bite and earthy fire than some of his other albums of the 50s – as you might be able to guess from the cover and the title! The record definitely lives up to the Afro-Cuban promise on the front – thanks to very hip arrangements from Mario Bauza and AK Salim – who balance core rhythmic elements with some great modern jazz solo contributions – from key players who include Johnny Griffin on tenor, Cannonball Adderley on alto, Joe Newman on trumpet, and Eddie Bert on trombone – all coming together under Machito's leadership with a sound that's much bolder than most of his work in a straighter Latin mode! The album's a key meeting of styles – as powerful today as it was when first recorded – and tracks include the great "Congo Mulence", a very tight groover – plus "Turuato", "Frenzy", "Cannonology", "Minor Rama", and "Wild Jungle". LP, Vinyl record album
(Limited edition!)

Possible matches69
CD, LP, Vinyl record album cover art
Riverside Reunion BandHi Fly ... CD
Milestone, 1994. Used ... $5.99
A set recorded in the 90s, but one that brings together a host of players who recorded for Riverside Records in the late 50s and early 60s! The core sound is right in keeping with the label's best mix of hardbop, modern, and soul jazz at the time – and the ensemble is mighty tight, and hardly the "jam session" group you might expect! Instead, the record features a sextet with Nat Adderley on cornet, Jimmy Heath on tenor, Buddy Montgomery on vibes, Tommy Flanagan on piano, Bob Cranshaw on bass, and Albert Tootie Heath on drums – all coming together with the solid sock you might expect from some of Nat's classic Riverside dates with brother Cannonball Adderley! Tracks are nice and long – and titles include "Hi Fly", "Jive Samba", "Big P", "Back To Back", "You've Changed", and "Pannonica". CD
(Out of print, punch through barcode.)
 
Partial matches: 1
Partial matches98
CD, LP, Vinyl record album cover art
Cannonbally AdderleyShake A Lady/Cyclops ... 7-inch
Capitol, Mid 60s. Very Good ... $4.99
A killer single with David Axelrod production! 7-inch, Vinyl record
(Label has ink stamps.)
 
 
 



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