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Exact matches: 39
Exact matches1
CD, LP, Vinyl record album cover art
Kenny Dorham with Cannonball AdderleyBlue Spring ... LP
Riverside, 1959. Good+ ... $14.99
A pretty warm and lyrical set by Kenny – accompanied here by a larger group that includes Cecil Payne, David Amram, and Cannonball Adderley on horns, plus a young Cedar Walton on piano. Dorham wrote 4 of the album's tracks, and they provide a perfect showcase for his polished trumpet style. Titles include "Spring Cannon", "Blue Spring", "Poetic", and "Passion Spring". LP, Vinyl record album
(Blue label Bill Grauer pressing with microphone logo & deep groove. Label has a name in pen. Cover has some splitting on the top seam.)

Exact matches2
CD, LP, Vinyl record album cover art
Nancy Wilson & Cannonball AdderleyNancy Wilson/Cannonball Adderley ... CD
Capitol, Mid 60s. Used ... $3.99
The sweet vocals of Nancy join the classic Cannonball quintet for a great set of soul jazz tunes that was one of Capitol's biggest selling jazz sides in the 60s! About half the cuts feature Nancy on vocals – on tunes like "Save Your Love For Me", "Never Will I Marry", "Happy Talk", and "The Masquerade Is Over" – and the other half feature Cannon's group playing instrumentally – on cuts like "Teaneck", "One Man's Dream", and "Never Say Yes". Pop, but hip – nice and hip! CD

Exact matches3
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyCannonball & Coltrane (aka Cannonball In Chicago) ... CD
Limelight/EmArcy, 1959. Used ... Temporarily Out Of Stock
A great session from 1959 – one that features John Coltrane playing with the Adderley group, recorded in Chicago when they were stopping through the city with Miles Davis' combo at the time! In fact, since the rhythm section includes Wynton Kelly, Paul Chambers, and Jimmy Cobb – and since Coltrane's sitting in with Cannon – the album's essentially a Kind Of Blue-era Miles album, recorded without Miles on trumpet, and grooving in a slightly more soul-based Adderley mode. Given the presence of Coltrane, there's a bit less of the gutbuckety soul jazz that Cannon was cutting in his own Quintet – but that's more than ok with us, as the Coltrane solos more than make up for that difference! The set's got 2 great originals by Coltrane – "The Sleeper" and "Grand Central" – plus the cuts "Wabash" and "Limehouse Blues". CD
(Out of print, punch through barcode.)

Exact matches4
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyCannonball Adderley Quintet In Chicago ... CD
EmArcy/Verve, 1959. Used ... Temporarily Out Of Stock
A great session from 1959 – one that features John Coltrane playing with the Adderley group, recorded in Chicago when they were stopping through the city with Miles Davis' combo at the time! In fact, since the rhythm section includes Wynton Kelly, Paul Chambers, and Jimmy Cobb – and since Coltrane's sitting in with Cannon – the album's essentially a Kind Of Blue-era Miles album, recorded without Miles on trumpet, and grooving in a slightly more soul-based Adderley mode. Given the presence of Coltrane, there's a bit less of the gutbuckety soul jazz that Cannon was cutting in his own Quintet – but that's more than ok with us, as the Coltrane solos more than make up for that difference! The set's got 2 great originals by Coltrane – "The Sleeper" and "Grand Central" – plus the cuts "Wabash" and "Limehouse Blues". CD
(Out of print Verve Master Edition.)

Exact matches5
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyCannonball Adderley's Fiddler On The Roof ... LP
Capitol, Mid 60s. Used ... Temporarily Out Of Stock
Once again, Cannon proves that it's not the song, it's the singer! This set of tunes from the hit musical Fiddler On The Roof should be schmaltzy – but thanks to the quality of the group (a great sextet with Nat Adderley, Charles Lloyd, Joe Zawinul, Sam Jones, and Louis Hayes), and thanks to some hip production from David Axelrod, the album really sparkles! The tones of Cannon and Lloyd are great together – and the make the best songs sound like strange Eastern-tinged jazz numbers. Tunes include "To Life", "Fiddler On The Roof", "Cajvalach", "Sewing Machine", "Matchmaker", and "Now I Have Everything". LP, Vinyl record album
(Rainbow label pressing.)

Exact matches6
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyCannonball In Japan ... CD
Capitol, 1966. Used ... Temporarily Out Of Stock
A rare live set by Cannonball Adderley – unreleased in America at the time, and performed with the style of Cannon's best work for Riverside! The album's very similar to some of the group's best live sets for Riverside – like the San Francisco or other Tokyo recording – done with tracks that are long and a bit stretched out, performed with Nat Adderley on cornet, Joe Zawinul on piano, Vic Gaskin on bass, and Roy McCurdy on drums. Titles include "Work Song", "Mercy Mercy Mercy", "This Here", "Jive Samba", and "Money In The Pocket". CD
(Out of print.)

Exact matches7
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyJazz Workshop Revisited ... LP
Riverside, Early 60s. Used ... Temporarily Out Of Stock
Classic funky soul jazz playing by Cannonball and one of his great groups, caught live in San Francisco, with a nice hard groove that you don't always get in their studio recordings. The record includes a stellar 11 minute version of "The Jive Samba", one of Cannonball's greatest track, plus "Primitivo", "Lillie", and "Mellow Buno". Nat Adderley's on trumpet, Joe Zawinul's on piano, and Yusef Lateef is on tenor! LP, Vinyl record album
(Blue label Bill Grauer pressing.)

Exact matches8
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyOne For Daddy-O – Jazz At The Concertgebouw ... CD
55 Records (Japan), 1960/1966. New Copy ... Temporarily Out Of Stock
Two different 60s performances by Cannonball Adderley – both recorded in Amsterdam for the Concertgebouw jazz series! The first half of the album has Cannon working with a classic quintet – one of those groups that helped virtually invent the sound of soul jazz at the start of the 60s – with Nat Adderley on cornet, Victor Feldman on piano, Sam Jones on bass, and Louis Hayes on drums! All tracks are nice and long, with that especially bold approach to soloing that made the Riverside live albums by the group so great – and titles include "This Here", "Exodus", "One For Daddy O", and "Bohemia After Dark". The second batch of the material is from 1966, and has Cannonball blowing alto with a group led by pianist Pim Jacobs – with Wim Overgaauw on guitar, Ruud Jacobs on bass, and Cees See on drums – a Dutch combo who still hang in a soul jazz mode, but bring a nicely different flavor to the usual Adderley groove – on titles that include "Blues", "Stella By Starlight", "Work Song", and "Tune Up". CD

Exact matches9
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyPlanet Earth ... LP
Riverside/ABC, Early 60s/1969. Used ... Temporarily Out Of Stock
Excellent early 60s work by Cannonball Adderley – retitled here for release in the late 60s, but with a rock-solid soul jazz sound all the way through! The album features Cannon's sextet with Yusef Lateef and Joe Zawinul – and they're playing a number of Lateef compositions that have that mix of soul and exoticism that always sounded great. Most of the best tunes are long, and the band plays weaving modal solos over tight rhythms by Zawinul, Sam Jones, and Louis Hayes. Titles include "The Weaver", "Syn-anthesia", "Planet Earth", and "Brother John", one of Lateef's best! LP, Vinyl record album

Exact matches10
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyPortraits In Jazz – Live At The Half Note (180 gram pressing) ... LP
Hi Hat, 1965. New Copy ... Temporarily Out Of Stock
A smoking live set from Cannonball Adderley – one recorded in a space between his famous concert albums for Riverside and Capitol Records – and equally as great as any of them! The group's got a slightly unique lineup – in that Charles Lloyd is in the combo on tenor sax – alongside Nat on cornet and Joe Zawinul on piano – really making the most of the long tracks that are carved out perfectly by the group, in a blend of soul jazz and modal styles! Titles include "Jessica's Birthday", "Cajvalach", "Sewing Machine", "The Little Boy With The Sad Eyes", and "Come Sunday". LP, Vinyl record album

Exact matches11
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleySomethin' Else ... LP
Blue Note, 1958. Used ... Temporarily Out Of Stock
A landmark album – even if it was the only session that Cannonball Adderley ever cut for Blue Note! The album was recorded at a time when Adderley was working with Miles Davis – and as such, the session features a group that includes Miles, blowing in a cool tone that's a perfect offset to Cannonball's more soulful style. The rest of the group includes Hank Jones, Sam Jones, and Art Blakey – and like John Coltrane's Blue Train, the record's more of an "special session" than the usual Blue Note album, but the strength of the players make it one of the more memorable records of its day! Titles include "Somethin' Else", "One For Daddy-O", and a nice moody take on "Dancing In The Dark". LP, Vinyl record album
(75th Anniversary pressing. Vinyl has a press flaw on the edge but play is not affected.)

Exact matches12
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleySomethin' Else (75th Anniversary Edition) ... LP
Blue Note, 1958. New Copy (reissue)... Temporarily Out Of Stock
A landmark album – even if it was the only session that Cannonball Adderley ever cut for Blue Note! The album was recorded at a time when Adderley was working with Miles Davis – and as such, the session features a group that includes Miles, blowing in a cool tone that's a perfect offset to Cannonball's more soulful style. The rest of the group includes Hank Jones, Sam Jones, and Art Blakey – and like John Coltrane's Blue Train, the record's more of an "special session" than the usual Blue Note album, but the strength of the players make it one of the more memorable records of its day! Titles include "Somethin' Else", "One For Daddy-O", and a nice moody take on "Dancing In The Dark". LP, Vinyl record album

Exact matches13
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleySoul Zodiac ... LP
Capitol, 1972. Used 2LP Gatefold ... Temporarily Out Of Stock
One of the coolest, baddest, funkiest albums Cannonball Adderley ever recorded – a massive suite of tunes based on the signs of the Zodiac, produced to perfection by David Axelrod, and featuring some hip recitations from the mighty Rick Holmes! The double-length set is completely compelling all the way through – a darkly brooding batch of funky jazz that shows a strong Miles Davis electric influence at points, thanks to Nat Adderley's spacey trumpet lines, Mike Deasy's trippy guitar, and George Duke's excellent keyboards! Other tracks are a bit more laidback, fitting the mood of their respective signs – and overall, the whole thing slips and slides wonderfully from cut to cut – taking you through the star signs with a really righteous, soulful approach. Titles include "Cancer", "Sagittarius", "Pisces", "Aquarius", "Capricorn", "Virgo", "Taurus", "Aries", "Libra", and a special "Introduction". LP, Vinyl record album
(Cover has ring & edge wear, wrinkling and flaking along the spine, and some pen and marker.)
Also available Soul Zodiac ... CD 9.99

Exact matches14
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyThem Dirty Blues ... LP
Riverside, 1960. Used ... Temporarily Out Of Stock
One of the all-time great ones by Cannonball! This record captures him in the prime of his early soul jazz fame – working with an unbelievably heavy quintet that featured Bobby Timmons on piano (with Barry Harris sitting in on a few tracks), Sam Jones on bass, Louis Hayes on drums, and brother Nat Adderley on cornet. The quintet forged a sound that made them an immediate hit – and which had their tight, jagged, soul-drenched sound getting copied by everyone. The record features some amazing soul jazz standards – like Nat's original version of "Work Song", the first-ever record of Timmons' amazing "Dat Dere", Cannon's slinky "Them Dirty Blues", and the jaunty groover "Jeannine", a wonderful cut by Duke Pearson that never sounded better! The CD features alternates of "Work Song" and "Dat Dere" – for a total of 9 tracks in all! LP, Vinyl record album
(Small blue label pressing, with microphone logo and deep groove. Cover has split seams, held with tape on the bottom seam.)

Exact matches15
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyWhy Am I Treated So Bad? ... LP
Capitol, Late 60s. Used ... Temporarily Out Of Stock
If you ever needed a key example of the genius of Cannonball on Capitol Records, this tight little set may well be it! The record's got all the best elements of a Cannon classic firmly in place – production by David Axelrod, electric piano by Joe Zawinul, and some tremendously soulful work from Cannon and Nat Adderley on their respective horns – all presented with a sense of relaxed tightness (if we can use such a phrase) that's jaw-droppingly brilliant all the way through! Cannon speaks a bit and pushes the band into action with charisma and warmth caught nicely by Axelrod's recording – and the band grooves on long, snakey tunes that mix equal parts funk and soul jazz together, coming up with the quintessential Adderley groove on nearly every number! Tracks include the seminal "Why Am I Treated So Bad", plus "Mini Mama", "I'm On My Way", "One For Newk", "The Scene", "Yvette", and "The Other Side". LP, Vinyl record album
(Rainbow label pressing.)

Exact matches16
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyWhy Am I Treated So Bad? (with bonus tracks) ... CD
Capitol, 1967. Used ... Temporarily Out Of Stock
If you ever needed a key example of the genius of Cannonball on Capitol Records, this tight little set may well be it! The record's got all the best elements of a Cannon classic firmly in place – production by David Axelrod, electric piano by Joe Zawinul, and some tremendously soulful work from Cannon and Nat Adderley on their respective horns – all presented with a sense of relaxed tightness (if we can use such a phrase) that's jaw-droppingly brilliant all the way through! Cannon speaks a bit and pushes the band into action with charisma and warmth caught nicely by Axelrod's recording – and the band grooves on long, snakey tunes that mix equal parts funk and soul jazz together, coming up with the quintessential Adderley groove on nearly every number! Tracks include the seminal "Why Am I Treated So Bad", plus "Mini Mama", "I'm On My Way", "One For Newk", "The Scene", "Yvette", and "The Other Side". CD features 2 long bonus tracks – "Heads Up Feet Down" and "The Girl Next Door" – both previously unissued studio tracks recorded during the same period! CD
(Out of print.)

Exact matches17
CD, LP, Vinyl record album cover art
✨✧ David Axelrod/Cannonball AdderleyMessiah ... LP
RCA, 1971. New Copy (reissue)... Temporarily Out Of Stock
David Axelrod takes on Handel's Messiah – and the result is an amazingly complex set of music – very similar to his earlier albums on Capitol Records, and his Warner work with the Electric Prunes! If you love the Axe, you'll find plenty to love here – spare, dark orchestrations, often with a subtle hint of funk in the rhythms, some jazzy flourishes, and this bold sense of studio majesty that marks Axelrod as one of the most inventive producers of his time! The sound's one that gave birth to a whole generation of hip hoppers and beatheads – and the proceedings are conducted by Cannonball Adderley, with a feel that's similar to other Adderley/Axelrod high-concept sets – like Soul Of The Bible or Soul Zodiac. Titles include "Overture", "Worthy Is the Lamb", "Behold Recitative", "Comfort Ye My People", and "And The Angel Said Unto Them". LP, Vinyl record album

Exact matches18
CD, LP, Vinyl record album cover art
✨✧ Eddie Cleanhead Vinson & Cannonball AdderleyCleanhead & Cannonball (Milestone) ... CD
Milestone, 1961. Used ... Temporarily Out Of Stock
An incredible album that has Cleanhead moving way past his usual bag! Sure, he's normally known as an R&B vocalist and alto player, but here, in one of those great Riverside "Cannonball Adderley Presents" sessions, Vinson gets into a whole new bag on some cuts. He's playing with Cannonball's group of Nat, Joe Zawinul, Sam Jones, and Louis Hayes – and there's one track in particular that's amazing – "Arriving Soon", an instrumental that has Vinson soaring on alto, wailing with an almost Coltrane-esque level of freedom. It's a killer modal track, and is worth the price of the album alone. There's another instrumental called "Vinsonology", plus vocal numbers like "Hold It", "This Time", and "Kidney Stew" – all with a nice groovy Adderley quintet kind of groove. CD also includes 4 bonus tracks! CD

Exact matches19
CD, LP, Vinyl record album cover art
✨✧ Nancy Wilson & Cannonball AdderleyNancy Wilson/Cannonball Adderley ... LP
Capitol, Mid 60s. Used ... Temporarily Out Of Stock
The sweet vocals of Nancy join the classic Cannonball quintet for a great set of soul jazz tunes that was one of Capitol's biggest selling jazz sides in the 60s! About half the cuts feature Nancy on vocals – on tunes like "Save Your Love For Me", "Never Will I Marry", "Happy Talk", and "The Masquerade Is Over" – and the other half feature Cannon's group playing instrumentally – on cuts like "Teaneck", "One Man's Dream", and "Never Say Yes". Pop, but hip – nice and hip! LP, Vinyl record album
(70s pressing.)
Also available Nancy Wilson/Cannonball Adderley ... CD 3.99

Exact matches20
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyLush Side Of Cannonball ... LP
EmArcy, Late 50s. Used ... Out Of Stock
A wonderfully mellow set of ballads recorded by Cannonball, with orchestral backings by Richard Hayman. The album's typical of the kind of "all over the map" approach that Mercury used during Cannon's early years – before he'd settled down into the one-man soul jazz factory he later became – but it's also a great chance to hear Adderley working his horn in a style that doesn't show up much in later years. Hayman's orchestrations are less challenging than some of the Verve "with strings" sessions – but the overall work is solid, and the album's a dreamy mix of tracks like "I Cover The Waterfront", "Street Of Dreams", "You Are Too Beautiful", "Lonely Dreams", and "Two Sleepy People". LP, Vinyl record album
(Black label Mercury pressing with deep groove.)
 
Possible matches: 57
Possible matches40
CD, LP, Vinyl record album cover art
✨✧ Nat AdderleyAutobiography ... LP
Atlantic, 1965. Used ... Temporarily Out Of Stock
A gem of a record from Nat Adderley – filled with short soulful groovers, and done with an upbeat vibe that rivals some of Cannonball's best of the 60s! Joe Zawinul handled the arrangements, so there's definitely a strong influence here from the Cannon group – and although the players shift a bit throughout the course of the set, there's a really unified feel – thanks to a top-shelf lineup that includes Seldon Powell on tenor and flute, Ernie Royal on trumpet, Benny Powell on bass trombone, and Willie Bobo on percussion! The set features all original material by Nat – with older gems and new favorites that include "Little Boy With The Sad Eyes", "Never Say Yes, "Jive Samba", "Stony Island", "Junkanoo", and "Work Song". LP, Vinyl record album
(Blue & green label pressing. Cover has light wear.)

Possible matches41
CD, LP, Vinyl record album cover art
✨✧ Nat AdderleyNatural Soul (aka Little Big Horn) ... LP
Milestone, 1963. Used ... Temporarily Out Of Stock
A rare second version of an album originally titled Little Big Horn – a slightly different session than usual for Nat – one that has him still working in a soul jazz quintet, as always (rhythm by Junior Mance, Bob Cranshaw, and Mickey Roker), but which also features a guitar instead of another horn, played alternately by either Kenny Burrell or Jim Hall. This change in format creates a nice little sound, and a good groove on the more interesting numbers – and gets Nat past the "brother of Cannonball" style of some of his other sides. Titles include "El Chico", "Foo Foo", "Half Time", and "Loneliness". LP, Vinyl record album
(Orange label pressing. Cover has a cut corner and some light wear.)

Possible matches42
CD, LP, Vinyl record album cover art
✨✧ Nat AdderleyTo The Ivy League From Nat Adderley ... LP
EmArcy, Late 50s. Used ... Out Of Stock
What was Nat's deal with the Ivy League? We can't figure it out, but the set's a strong one – with Nat in the lead, working in a group that's essentially the late 50s Cannonball combo. Cannon's on alto, Junior Mance on piano, Sam Jones on bass, and Charles Wright on drums – and Ernie Wilkins arranged the tunes with a sparkly soul jazz finish that's perfect for Nat's tone on cornet. Titles include a number of strong originals – such as "Jackleg", "Rattler's Groove", "Hayseed", "Fat Man", "Sam's Tune", and "Bimini". LP, Vinyl record album
(Blue label pressing with drummer logo & deep groove. Cover has some oxidation on front and a thin stain with a bit of gloss peeling on the opening.)

Possible matches43
CD, LP, Vinyl record album cover art
Nat AdderleyDon't Look Back ... CD
Inner City/Steeplechase (Denmark), 1977. Used ... $13.99
Nat plays with a group that's a bit more far-reaching than the classic Cannonball funk ensembles he cut his teeth on. Players include Ken McIntyre, Onaje Allen Gumbs, and John Stubblefield, and the tracks have a bit more of a spiritual quality to them, although they are not without some of the Adderley trademark funk sound. Includes a great version of Harold Vick's "Don't Look Back", plus "Funny Funny", "I Think I Got It", and "K. High". CD
Also available Don't Look Back ... LP 14.99

Possible matches44
CD, LP, Vinyl record album cover art
Nat AdderleyDon't Look Back ... LP
Inner City, 1977. Sealed ... $14.99
Nat plays with a group that's a bit more far-reaching than the classic Cannonball funk ensembles he cut his teeth on. Players include Ken McIntyre, Onaje Allen Gumbs, and John Stubblefield, and the tracks have a bit more of a spiritual quality to them, although they are not without some of the Adderley trademark funk sound. Includes a great version of Harold Vick's "Don't Look Back", plus "Funny Funny", "I Think I Got It", and "K. High". LP, Vinyl record album
(Cover has a cut corner.)
Also available Don't Look Back ... CD 13.99

Possible matches45
CD, LP, Vinyl record album cover art
✨✧ Nat AdderleyIntroducing Nat Adderley ... CD
EmArcy/Verve, Late 50s. Used ... Just Sold Out!
An excellent batch of soulful bop tracks – recorded as Nat's first – and featuring a group that includes brother Cannonball, plus Horace Silver, Roy Haynes, and Paul Chambers. The set's got a lot more fire than some of Nat's recordings from a few years later, probably because of the top-notch rhythm section – and titles include "Watermelon", "New Arrivals", "Sun Dance", "Friday Nite", and "Fort Lauderdale". This is the Verve master edition with 24-bit remastering, new liiner notes, photographs, original cover art & more. CD
(Out of print.)

Possible matches46
CD, LP, Vinyl record album cover art
Nat AdderleyIntroducing Nat Adderley ... CD
EmArcy/Verve/Jazz Heritage, Late 50s. Used ... $8.99
An excellent batch of soulful bop tracks – recorded as Nat's first – and featuring a group that includes brother Cannonball, plus Horace Silver, Roy Haynes, and Paul Chambers. The set's got a lot more fire than some of Nat's recordings from a few years later, probably because of the top-notch rhythm section – and titles include "Watermelon", "New Arrivals", "Sun Dance", "Friday Nite", and "Fort Lauderdale". This is the Verve master edition with 24-bit remastering, new liiner notes, photographs, original cover art & more. CD
(Out of print Jazz Heritage pressing.)

Possible matches47
CD, LP, Vinyl record album cover art
Nat AdderleySayin' Somethin ... CD
Atlantic (Germany), 1966. Used ... $7.99
A stone killer from Cannonball Adderley's funky brother – one of the best soul jazz sets ever cut by Nat Adderley, and one done with a smoking 60s Atlantic Records groove! Nat's blowing trumpet throughout – and working in 2 different groups – one a larger ensemble with a tight soulful swing, arranged by Jimmy Wisner – the other a smaller combo with tenor from Joe Henderson and piano from Herbie Hancock! The whole thing grooves beautifully – and titles include "Gospelette", "Call Me", "Cantaloupe Island", "Hippodelphia", "The Other Side", and "Manchild". CD
(Out of print.)

Possible matches48
CD, LP, Vinyl record album cover art
✨✧ Nat AdderleySayin' Somethin'/Live At Memory Lane ... CD
Collectables, 1966/1967. Used ... $4.99
2 lost Atlantic recordings by Cannonball Adderley's trumpeter brother, back to back on one CD at a nice low price! The records aren't that easy to come by in the original, and they're both nice 60's soul jazz sessions that take Nat's earlier trumpet sound, forged with his brother's classic late 50's quintet, and update it into a rolling 60's groove. Players on the record include Joe Zawinul, Joe Henderson, Seldon Powell, and Herbie Hancock – and one album has a larger group in a studio session, while the other's got a small combo in a live set. Titles include "The Other Side", "Hippodelphia", "Lavender Woman", "Painted Desert", "Manchild", and a nice remake of "Cantalope Island". CD

Possible matches49
CD, LP, Vinyl record album cover art
✨✧ VariousSuper Breaks – Essential Funk, Soul & Jazz Samples and Breakbeats ... CD
BGP/Ace (UK), Late 60s/1970s. New Copy ... Out Of Stock
Way more than just a typical collection of rare funk and soul – as the selections here not only meet the stunningly high standards of the BGP label – but they've also been sampled in more recent years for hip hop records and other contemporary recordings! Essentially, you've got the best of both worlds – vintage funk from the late 60s and early 70s – brought together in a great collection – and work that's gone onto form the blueprint for contemporary urban sounds as well – which means you'll probably recognize some or part of most of these songs from their use in more contemporary recordings. Nearly every cut's been sampled at least more than once – and titles include "Blind Alley" by The Emotions, "Chick A Boom" by Pazant Brothers, "Eva" by Jean Jacques Perry, "Walk Tall" by Cannonball Adderley, "Baby Let Me Take You In My Arms" by Detroit Emeralds, "Bouncy Lady" by Pleasure, "Tramp" by Lowell Fulson, "Take Yo Praise" by Camille Yarbrough, "Thinking Single" by The Counts, "Different Strokes" by Syl Johnson, "Ike's Mood" by Isaac Hayes, "What A Man" by Linda Lynell, and "Smokey Joe's La La" by Googie Rene. Funky funky! CD

Possible matches50
CD, LP, Vinyl record album cover art
Miles Davis1958 Miles (Japanese pressing with bonus tracks) ... CD
Sony (Japan), 1958. Used ... $11.99
Some of the greatest Miles Davis material ever recorded – and not really ever officially issued as an album until this collection! The recordings are from the magical year of 1958, a time when Miles was working in the Kind Of Blue mode – on the album of the same name, one of his all-time standout classics. The work on this set is in a very similar spirit – recorded by a sextet that includes the rhythm section of Jimmy Cobb, Paul Chambers, and a young Bill Evans, who brings a magically modal feel to the album that really gives it an edge. Added to that are the saxophones of John Coltrane and Cannonball Adderley, blowing together in two ends of the soul spectrum, really stretching the color palette from Miles' usual work. Miles himself seems very inspired by the company, and works with plenty of space to allow the saxophonists to stretch out in wonderful solos – and Evans himself is simply amazing, working wonderfully in the setting, making us wish he'd recorded more group dates like this one! The first 3 tracks on the set were briefly issued on the flipside of the Jazz Track album (an obscure Columbia LP that also included 10 songs from the soundtrack to Ascenseur Pour L'Echafaud), and a few others on later live LPs – but this is the first time the material from that group has appeared together as a full album. Includes stellar versions of "Stella By Starlight", "Green Dolphin Street", "Fran Dance", "Little Melonae", and "Love For Sale". CD also features 2 bonus alternate takes – a total of 7 titles in all! CD
(Out of print, includes obi.)

Possible matches51
CD, LP, Vinyl record album cover art
Miles DavisCircle In The Round – Unreleased Recordings 1955 to 1970 (Japanese paper sleeve edition) ... CD
Sony (Japan), Mid 50s/1960s/Early 70s/1979. Used 2 CDs ... $19.99
An excellent set that spans the gamut of Miles' work on Columbia – from his early hardbop sides to his later experimental ones! All of the material on the 2LP set was unreleased until the time of this release in 1979 – and the album features Miles in the company of a wide variety of players that include George Benson, Cannonball Adderley, Bennie Maupin, Hank Mobley, Joe Zawinul, Herbie Hancock, Bill Evans, Red Garland, and Joe Beck. Titles include "Teo's Bag", "Side Car (1 & 2)", "Sanctuary", "Guinnevere", "Circle In The Round", and "Two Bass Hit". CD
(Out of print, includes obi.)

Possible matches52
CD, LP, Vinyl record album cover art
✨✧ Miles DavisJazz Track (mono) ... LP
Columbia, 1958. Near Mint- (reissue)... $16.99
Although not actually a proper album – this is still one of the greatest Miles Davis albums of all time! Side one features 10 tracks from Miles' amazing soundtrack to the film Ascenseur Pour L'Echafaud – with excellent work by French players Barney Wilen, Rene Urtreger, and Pierre Michelot, on haunting moody tracks like "Generique", "Lassassinat De Carala", "Au Bar Du Petit Bac", and "Dinner Au Motel". Great stuff – and with a wonderful sound that's like no other Miles album! Side 2 is equally great – as it features 3 classic sextet tunes – "On Green Dolphin Street", "Put Your Little Foot Right Out", and "Stella By Starlight" –peformed with Coltrane, Cannonball Adderley, and Bill Evans in that amazing Kind Of Blue mode of perfection. Truly one of our favorite albums of all time! LP, Vinyl record album
(Limited edition #1433.)

Possible matches53
CD, LP, Vinyl record album cover art
Miles DavisKind Of Blue ... LP
Columbia, 1959. Very Good ... $29.99
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, and all those playings, the record manages to still sound fantastic – a truly inspirational piece of music that's long deserved all the attention it gets! The legendary group on the album includes John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans on piano, and Paul Chambers on bass – working with Miles in a relatively modal style, with brilliant rhythm changes and a wonderful sense of space. The whole thing's sublime – and titles include "Blue In Green", "All Blues", "So What", and "Freddie Freeloader". LP, Vinyl record album
(70s pressing. Cover has ring & edge wear, a small peeled spot on the spine, and a small name in pen on back.)

Possible matches54
CD, LP, Vinyl record album cover art
Miles DavisMiles Davis At Newport – 1955-1975 – The Bootleg Series Vol 4 (4CD box set) ... CD
Legacy, Mid 50s/1960s/Mid 70s. New Copy 4 CDs ... $43.99 49.98
Not just Miles Davis live at Newport – but Miles at Newport over the course of 20 years, in the space of eight different live performances – almost all of which are previously unreleased! Apart from the 1958 and 1969 Newport material here, most of the 4CD set features all-new, all-great vintage Miles material – with Newport performances from 1955, 1958, 1966, 1967, 1969, 1971, 1973, and 1975 – the last three of which are Newport festivals in Europe and New York. And these aren't just random tracks, but full sets, too – even with some announcements at the start or end – and players include Gerry Mulligan and Zoot Sims for the 1955 concert; John Coltrane, Cannonball Adderley, and Bill Evans in 1958; Herbie Hancock, Wayne Shorter, Ron Carter, and Tony Williams for 1966 and 1967; Jack DeJohnette, Dave Holland, and Chick Corea in 1969; a big electric group with Keith Jarrett, Gary Bartz, Michel Henderson, and Mtume in 1971; and Pete Cosey, Davie Liebman, Reggie Lucas, and Mtume for the 1973 and 1975 shows. A huge amount of material – 4 CDs in a great package, with detailed notes, too! CD

Possible matches55
CD, LP, Vinyl record album cover art
✨✧ Miles Davis & John ColtraneMiles & Coltrane ... LP
Columbia, Late 50s. Near Mint- ... Just Sold Out!
A strong collection of sides that Miles recorded for Columbia during the late 50s – most featuring a group that included John Coltrane, Cannonball Adderley, Bill Evans, Paul Chambers, and Jimmy Cobb, caught live at the Newport Jazz fest in 1958, playing the tunes "Ah-leu-cha", "Straight No Chaser", "Fran-Dance (Put Your Little Foot Right Out)", "Two Bass Hit", and "Bye Bye Blackbird". The remaining 2 tracks – "Little Melonae" and "Budo" – are from a 1955 set that includes Coltrane, plus the rhythm trio led by Red Garland and featuring Paul Chambers & Philly Joe Jones. LP, Vinyl record album
(80s Columbia Jazz Masterpieces pressing. Cover has a promo stamp.)

Possible matches56
CD, LP, Vinyl record album cover art
✨✧ Miles Davis/Thelonious MonkMiles & Monk At Newport (mono) (180 gram pressing) ... LP
Columbia, 1958/1963. Near Mint- (reissue)... $16.99
A slightly misleading record – but a great one nonetheless! From the title and cover, you might imagine that Thelonious Monk and Miles Davis were sharing the stage together at the Newport Jazz Festival – but instead, the album actually features separate performances by each artist – actually even recorded 5 years apart! The Miles Davis recording is from 1958 – a great year that has John Coltrane working with the group, alongside Wynton Kelly on piano, Cannonball Adderley on alto, Paul Chambers on bass, and Jimmy Cobb on drums – performing lively versions of "Ah Leu Cha", "Straight No Chaser", "Fran Dance" and "Two Bass Hit". The Monk material is even more unique – recorded in 1963, with Monk's usual quartet of Charlie Rouse on tenor, Butch Warren on bass, and Frankie Dunlop on drums – joined by the legendary Pee Wee Russell on clarinet – recently revived in jazz at the time, and displaying surprisingly modernist tendencies! Both Monk tracks are long – and include versions of "Nutty" and "Blue Monk". LP, Vinyl record album
(Limited edition #2014.)

Possible matches57
CD, LP, Vinyl record album cover art
Gil EvansRoots (aka New Bottle Old Wine) ... LP
World Pacific/Fontana (Netherlands), 1958. Very Good ... $19.99
A masterpiece through and through from arranger Gil Evans – a record of swinging modern backdrops, used to showcase both the solo talents of a young Cannonball Adderley, and the dynamic energy of Evans himself! Cannon's sharp-edged early tone is a really great sound for the record – far more modern than you might expect from later funk and soul sides of the 60s – and perfectly poised next to Gil's larger back drops to reignite a host of older tunes with new energy! And while the titles are familiar, the readings certainly are not – as the Evans pen has really changed things up beautifully – as you'll hear on numbers that include "St Louis Blues", "King Porter Stomp", "Willow Tree", "Struttin' With Some Barbeque", "Lester Leaps In", "Round About Midnight", "Manteca", and "Bird Feathers". LP, Vinyl record album
(Unusual vintage Dutch pressing – great cover image! One corner of the cover has a light crease, but rest is great.)

Possible matches58
CD, LP, Vinyl record album cover art
Grodeck Whipperjenny (Dave Matthews)Grodeck Whipperjenny ... LP
People, Early 70s. New Copy (reissue)... $9.99
Here's a rare one! Arranger/producer Dave Matthews was to James Brown what David Axelrod was to Cannonball Adderley. Although Matthews didn't work on all of James' records from the early 70s, he did have quite a hand in some of The Godfather's classic funky material – especially the stuff with a heavier fuzzier sound. This rare album on James' People label has Matthews leading a tight little combo of his own, and the sound is a mix of heavy funk and guitar-based grooves. There's some vocals on the album, with a definite rock flair, but the best moments are the instrumental ones – as they have tight funky drums, and some super fuzzy guitar! Heavy cuts include "Put Your Thing On Me", "Inside Or Outside", and "Evidence For The Existence of The Unconscious". An intriguing (and rare) chapter of the James Brown story! LP, Vinyl record album

Possible matches59
CD, LP, Vinyl record album cover art
Jimmy HeathReally Big ... CD
Riverside, 1960. Used ... $4.99
Very hip work from a young Jimmy Heath – a relative newcomer to the scene at this point, but breaking out with a firm conception and tone, exercised strongly here in a set of large group arrangements worked out in collaboration with Tom McIntosh. McIntosh's work in this format is well known from albums by Dizzy and James Moody – and as with those records, this one has an edgey quality that really keeps the music fresh, and which provides a good foil for solos by Heath, McIntosh, Pat Patrick, and Cannonball Adderley. Titles include "Big P", "Mona's Mood", "Nails", and "The Picture Of Heath". CD
(Out of print.)
Also available Really Big (plus bonus track) (Keepnews collection) ... CD 6.99
 
 
 



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