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Exact matches: 42
Exact matches1
CD, LP, Vinyl record album cover art
Cannonball AdderleyBig Man ... CD
Fantasy/Real Gone, 1975. New Copy ... $15.99
One of the last albums ever issued by the great Cannonball Adderley – and one of the most ambitious, too! The set's a concept album – done in close collaboration with David Axelrod, in a similar spirit to some of Cannon's projects on the zodiac or the bible – but this time turned towards the legend of John Henry! The set's got some fuller orchestrations than some of the others – a bit of strings and a chorus, which sometimes gives the record the feel of a blacksploitation album, sometimes more of a Melvin Van Peebles project. Lead vocals are by Joe Williams, Randy Crawford, and Robert Guillaume – and the core combo features work from Cannonball on alto sax, Dawili Gonga on keyboards, Airto on percussion, and George Bohannon on trombone – on titles that include "Hundred an One Year", "Poundin", "The Steamdrill", "New Star Risin", "On His Bones", "Anybody Need A Big Man", "The Broomstick Song", and "Ten Mile Of Mountain". CD

Exact matches2
CD, LP, Vinyl record album cover art
Cannonball AdderleyBlack Messiah ... CD
Capitol/Dusty Groove, Early 70s. New Copy 2 CDs ... $17.99 19.98
A massive live set from Cannonball Adderley – and a record that really shows the growth he'd undergone in just a few short years! The album's done in close collaboration with David Axelrod – who'd handled Cannon's big live dates for Capitol in the 60s – but this record is much more freewheeling, open-ended, fuzz, funky, and electric overall! Tracks are all nice and long, and really trip out in the best way – with keyboards from George Duke in the core group, plus some heavy basslines from Walter Booker, drums from Roy McCurdy, and guitar from Mike Deasy on a number of key tracks. Deasy plays with lots of great wah wah and fuzz – and the album also features guest work from Airto on percussion and Ernie Watts on tenor – plus Cannonball's great alto and the cornet of brother Nat Adderley too. There's a really collaborative feel to the whole thing – as the record steps easily between a lot of heady styles – and titles include "Zanek", "Eye Of The Cosmos", "The Scene", "The Chocolate Nuisance", "The Steam Drill", "Little Benny Hen", and "The Black Messiah". CD
(On the Dusty Groove label.)

Exact matches3
CD, LP, Vinyl record album cover art
Cannonball AdderleyCannonball Adderley (aka The Lush Side Of Cannonball) ... LP
Power/EmArcy, Late 50s. Near Mint- ... $4.99
A very unusual repackaging of Cannonball's Lush Side album for Mercury – served up here in a late 60s package for the Power Records label. The original's a wonderfully mellow set of ballads recorded by Cannonball, with orchestral backings by Richard Hayman. The album's typical of the kind of "all over the map" approach that Mercury used during Cannon's early years – before he'd settled down into the one-man soul jazz factory he later became – but it's also a great chance to hear Adderley working his horn in a style that doesn't show up much in later years. Hayman's orchestrations are less challenging than some of the Verve "with strings" sessions – but the overall work is solid, and the album's a dreamy mix of tracks like "I Cover The Waterfront", "Street Of Dreams", "You Are Too Beautiful", and "Two Sleepy People". LP, Vinyl record album
(Cover has some wear.)

Exact matches4
CD, LP, Vinyl record album cover art
Cannonball AdderleyCannonball Adderley Quintet In Chicago ... CD
EmArcy/Universal (Japan), 1959. New Copy ... $13.99
A great session from 1959 – one that features John Coltrane playing with the Adderley group, recorded in Chicago when they were stopping through the city with Miles Davis' combo at the time! In fact, since the rhythm section includes Wynton Kelly, Paul Chambers, and Jimmy Cobb – and since Coltrane's sitting in with Cannon – the album's essentially a Kind Of Blue-era Miles album, recorded without Miles on trumpet, and grooving in a slightly more soul-based Adderley mode. Given the presence of Coltrane, there's a bit less of the gutbuckety soul jazz that Cannon was cutting in his own Quintet – but that's more than ok with us, as the Coltrane solos more than make up for that difference! The set's got 2 great originals by Coltrane – "The Sleeper" and "Grand Central" – plus the cuts "Wabash" and "Limehouse Blues". CD

Exact matches5
CD, LP, Vinyl record album cover art
Cannonball AdderleyCannonball Enroute ... LP
Mercury, Late 50s. Very Good ... $6.99
Cannonball Adderley's enroute to a great jazz legacy here – stepping out in a groove that begins to show some of the soul jazz modes he was forging at the end of the 50s – a great change from the straighter bop styles of his early years! The lineup here is a wonderful early expression of the familiar Adderley groove – with brother Nat Adderley on cornet, Junior Mance on piano, Sam Jones on bass, and Jimmy Cobb on drums – with Mance and Jones bringing an especially nice bottom end to the record – one that gets things moving in a very soulful way! Titles include "Porky", "Hoppin John", "That Funky Train", "I'll Remember April", and "18th Century Ballroom". LP, Vinyl record album
(Black label pressing.)

Exact matches6
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyCannonball Takes Charge ... LP
Riverside, 1959. Very Good ... $24.99
A hardbop classic from Cannonball Adderley – and one of his harder to find albums from the Riverside days! The set has Cannon playing without his usual group, in the context of an all-star batch of players that includes Wynton Kelly, Paul Chambers, and Jimmy Cobb – who he worked with in his time with Miles Davis – plus occasional guest rhythm work by Albert and Percy Heath. The set's strong and straight ahead – a good bridge between Cannon's early Mercury recordings, and his later albums for Riverside and Capitol – tightly crafted solos with a good deal of soul, Adderley holding down all the horn work on the record. Titles include "If This Isn't Love", "Serenata", "Poor Butterfly", "I Remember You", and "I've Told Ev'ry Little Star". CD also features 2 bonus alternate tracks! LP, Vinyl record album
(Small blue label Bill Grauer Productions pressing with microphone logo and deep groove – nice and clean overall. Top cover seam has a bit of splitting, but cover is nice overall.)

Exact matches7
CD, LP, Vinyl record album cover art
Cannonball AdderleyCannonball's Sharpshooters ... LP
Mercury, 1958. Near Mint- ... $16.99
A set that's right on target, right from the start – and one that has the young Cannonball Adderley really coming into his groove! The set's a lot more soul jazz-oriented than some of Cannon's records from a few years before – played by a rock-solid group that includes brother Nat Adderley on cornet, Junior Mance on piano, Sam Jones on bass, and Jimmy Cobb on drums – hitting a groove that's got plenty of nascent elements of that Cannonball sound that would virtually take over jazz in the 60s! Yet there's also a nicely different vibe going on here too – a bit less structure, and a looser approach to the mode – spun out with some modern moments too, on titles that include "Straight No Chaser", "Jubilation", "Our Delight", "Fuller Bop Man", and "Stay On It". LP, Vinyl record album
(180 gram Jazz Wax pressing.)

Exact matches8
CD, LP, Vinyl record album cover art
Cannonball AdderleyCompact Jazz ... CD
Verve, Late 50s. Used ... $4.99
CD
(Out of print.)

Exact matches9
CD, LP, Vinyl record album cover art
Cannonball AdderleyCountry Preacher – Live At Operation Breadbasket ... LP
Capitol, 1969. Sealed Gatefold ... $14.99
A totally great set by Cannonball Adderley – one of his funkiest albums ever, recorded live at Operation Breadbasket under the supervision of Jesse Jackson, and a session in which the band is cooking a lot more than on some of their other albums from the time! The set grooves hard with some tight electric piano from Joe Zawinul – amazing snakey lines that not only set the tone for the whole record, but which really make for a strong evolution from the Mercy Mercy Mercy era of the group a few years before. Cannon's alto and soprano work are beautiful – a masterpiece of soul jazz expression – as is the cornet from brother Nat – and the group's completed by bassist Walter Booker and drummer Roy McCurdy. The album's a bucketful of great jazzy sample tunes – and tracks include "Walk Tall", "Country Preacher", "Hummin", and the extended "Afro-Spanish Omlet". LP, Vinyl record album
(Sealed original pressing! Cover has a cutout hole.)

Exact matches10
CD, LP, Vinyl record album cover art
Cannonball AdderleyI Got It Bad & That Ain't Good ... LP
Pickwick, 1967. Near Mint- ... $4.99
LP, Vinyl record album
(Cover has light wear.)

Exact matches11
CD, LP, Vinyl record album cover art
Cannonball AdderleyJulian Cannonball Adderley & Strings ... LP
EmArcy, 1955. Very Good- ... $4.99
An early album that features Adderley's beautifully edgey alto sliding nicely through a set of standards conducted by Richard Hayman. The album's not as strikingly emotive as other Verve "with strings"outings – such as the Charlie Parker & Strings sessions – but it is a great platform for the youthful Cannonball to do more than wail in a soul jazz kind of way, and it unlocks a much more thoughtful, introspective side of his playing not usually heard on record. A nice divergence from the usual – with titles that include "I Cover The Waterfront", "Two Sleepy People", "I'll Never Stop Loving You", and "Street Of Dreams". LP, Vinyl record album
(Blue label pressing, with drummer logo & deep groove. Cover has wear and aging.)

Exact matches12
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyLove, Sex, And The Zodiac ... CD
Fantasy/BGP (UK), 1974. New Copy ... $11.99
A classic from Cannoball and producer-partner David Axelrod – truly great stuff and maybe even better than the Zodiac set Cannonball did for Capitol! The formula is similar to that one – with David Axelrod producing, electric keyboards by Hal Galper and George Duke, spacey solos by Cannonball and Nat Adderley, and some very hip recitations by Rick Holmes on love, sex, and the zodiac! Holmes is best known as the chappie who cut "Remember To Remember" years later with Roy Ayers – but this album's got a similar "wisdom and knowledge" feel that's pretty wonderful. Titles include "Aquarius: Humanity Plus", "Cancer: All Sides", "Leo: Rosebud", "Aries: Damn Right", "Gemini: Ecstasy", and "Virgo: For Pam". CD

Exact matches13
CD, LP, Vinyl record album cover art
Cannonball AdderleyMercy, Mercy, Mercy! ... LP
Capitol, 1966. Very Good ... $6.99
If the 60's ever had a "hit" jazz record, it was probably this one! The album's a sparkling live session featuring the trademark soul jazz sounds of the Cannonball Adderley group with Joe Zawinul on acoustic and electric piano, and brother Nat Adderley on cornet. The tracks have a long soulful groove, with gutbucket solos from the 3 above-mentioned players, and tight live production by a young David Axelrod. Titles include "Sticks", "Hippodelphia", "Sack O Woe", and the classic "Mercy, Mercy, Mercy" – a jazz theme that you'll recognize instantly! LP, Vinyl record album
(Yellow label pressing. Cover has some wear and a mostly split spine.)

Exact matches14
CD, LP, Vinyl record album cover art
Cannonball AdderleyOh Babe/Marabi ... 7-inch
Capitol, Early 70s. Near Mint- ... $4.99
7-inch, Vinyl record
(Promo. Label has a sticker and some pen.)

Exact matches15
CD, LP, Vinyl record album cover art
Cannonball AdderleySomethin' Else ... LP
Blue Note, 1958. Good ... $34.99
A landmark album – even if it was the only session that Cannonball Adderley ever cut for Blue Note! The album was recorded at a time when Adderley was working with Miles Davis – and as such, the session features a group that includes Miles, blowing in a cool tone that's a perfect offset to Cannonball's more soulful style. The rest of the group includes Hank Jones, Sam Jones, and Art Blakey – and like John Coltrane's Blue Train, the record's more of an "special session" than the usual Blue Note album, but the strength of the players make it one of the more memorable records of its day! Titles include "Somethin' Else", "One For Daddy-O", and a nice moody take on "Dancing In The Dark". LP, Vinyl record album
(63rd street pressing with deep groove, with RVG stamp. Cover has some wear and the back paste-on has some aging.)
Also available Somethin' Else (RVG Remaster Edition) ... CD 6.99

Exact matches16
CD, LP, Vinyl record album cover art
Cannonball AdderleySomethin' Else (RVG Remaster Edition) ... CD
Blue Note, 1958. New Copy ... $6.99 9.98
A landmark album – even if it was the only session that Cannonball Adderley ever cut for Blue Note! The album was recorded at a time when Adderley was working with Miles Davis – and as such, the session features a group that includes Miles, blowing in a cool tone that's a perfect offset to Cannonball's more soulful style. The rest of the group includes Hank Jones, Sam Jones, and Art Blakey – and like John Coltrane's Blue Train, the record's more of an "special session" than the usual Blue Note album, but the strength of the players make it one of the more memorable records of its day! Titles include "Somethin' Else", "One For Daddy-O", and a nice moody take on "Dancing In The Dark". CD
Also available Somethin' Else ... LP 34.99

Exact matches17
CD, LP, Vinyl record album cover art
Cannonball AdderleySoul Zodiac ... LP
Capitol, 1972. New Copy 2LP Gatefold (reissue)... $16.99
One of the coolest, baddest, funkiest albums Cannonball Adderley ever recorded – a massive suite of tunes based on the signs of the Zodiac, produced to perfection by David Axelrod, and featuring some hip recitations from the mighty Rick Holmes! The double-length set is completely compelling all the way through – a darkly brooding batch of funky jazz that shows a strong Miles Davis electric influence at points, thanks to Nat Adderley's spacey trumpet lines, Mike Deasy's trippy guitar, and George Duke's excellent keyboards! Other tracks are a bit more laidback, fitting the mood of their respective signs – and overall, the whole thing slips and slides wonderfully from cut to cut – taking you through the star signs with a really righteous, soulful approach. Titles include "Cancer", "Sagittarius", "Pisces", "Aquarius", "Capricorn", "Virgo", "Taurus", "Aries", "Libra", and a special "Introduction". LP, Vinyl record album
Also available Soul Zodiac ... LP 9.99

Exact matches18
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleySoul Zodiac ... LP
Capitol, 1972. Very Good- 2LP Gatefold ... $9.99
One of the coolest, baddest, funkiest albums Cannonball Adderley ever recorded – a massive suite of tunes based on the signs of the Zodiac, produced to perfection by David Axelrod, and featuring some hip recitations from the mighty Rick Holmes! The double-length set is completely compelling all the way through – a darkly brooding batch of funky jazz that shows a strong Miles Davis electric influence at points, thanks to Nat Adderley's spacey trumpet lines, Mike Deasy's trippy guitar, and George Duke's excellent keyboards! Other tracks are a bit more laidback, fitting the mood of their respective signs – and overall, the whole thing slips and slides wonderfully from cut to cut – taking you through the star signs with a really righteous, soulful approach. Titles include "Cancer", "Sagittarius", "Pisces", "Aquarius", "Capricorn", "Virgo", "Taurus", "Aries", "Libra", and a special "Introduction". LP, Vinyl record album
(Cover has a split top sem, parrtially split top seam and some wear.)
Also available Soul Zodiac ... LP 16.99

Exact matches19
CD, LP, Vinyl record album cover art
Cannonball Adderley & Nat AdderleyCannonball & Nat ... CD
Savoy, 1955. Used ... $9.99
With Kenny Clarke, Donald Byrd, Jerome Richardson, Horace Silver, Paul Chambers and Hank Jones. CD
(Out of print.)

Exact matches20
CD, LP, Vinyl record album cover art
Cannonball Adderley & Nat AdderleyWhat Is This Thing Called Soul – The Cannonball Adderley/Nat Adderley Quintet In Europe Live ... LP
Pablo, 1960. Very Good+ ... $7.99
A real treat for Cannonball Adderley fans in the years after his passing – vintage live material recorded in 1960, right at a time when Adderley was really finding his groove! The lineup here features a classic quintet – with brother Nat on cornet, Victor Feldman on piano, Sam Jones on bass, and Louis Hayes on drums – rolling out in a heavy soul jazz groove that's right up there with Cannon's best Riverside albums from the time! The tracks are longish, given the live setting – with energy to match his Live In San Francisco or Japan albums – and titles include "Big P", "One For Daddy O", "The Chant", "Azule Serape", and "What Is This Thing Called Love". LP, Vinyl record album
(Cover has some creases.)
 
Possible matches: 38
Possible matches43
CD, LP, Vinyl record album cover art
Nat AdderleySayin' Somethin'/Live At Memory Lane ... CD
Collectables, 1966/1967. Used ... $6.99
2 lost Atlantic recordings by Cannonball Adderley's trumpeter brother, back to back on one CD at a nice low price! The records aren't that easy to come by in the original, and they're both nice 60's soul jazz sessions that take Nat's earlier trumpet sound, forged with his brother's classic late 50's quintet, and update it into a rolling 60's groove. Players on the record include Joe Zawinul, Joe Henderson, Seldon Powell, and Herbie Hancock – and one album has a larger group in a studio session, while the other's got a small combo in a live set. Titles include "The Other Side", "Hippodelphia", "Lavender Woman", "Painted Desert", "Manchild", and a nice remake of "Cantalope Island". CD

Possible matches44
CD, LP, Vinyl record album cover art
Nat AdderleyWork Song ... CD
Riverside, 1960. New Copy ... $4.99 11.98
When it comes to soul jazz, you can't get any more classic than this! The title was one of the biggest jazz hits of the 60s – covered by countless other artists, but presented here in all its original brilliance in a group led by its composer, a young Nat Adderley! At the time of the record, Nat was making plenty big waves in the combo of brother Cannonball – but this set has him stepping out strongly as a leader – borrowing Bobby Timmons, Sam Jones, and Louis Hayes from Cannon's group – and also adding in Wes Montgomery on guitar and additional bass and cello work from Keeter Betts and Percy Heath. The tracks are all tight as a drum – and the record features seminal versions of "Work Song" and "Sack O Woe" – as well as the numbers "Scrambled Eggs", "Pretty Memory", and "Fallout" – all great! CD
(CD case has a small cutout hole.)

Possible matches45
CD, LP, Vinyl record album cover art
Gene AmmonsBrasswind ... LP
Prestige, 1973. Very Good+ ... $7.99
Gene Ammons gets the Cannonball Adderley treatment – as he blows funky solos over an album arranged and conducted by David Axelrod! Brasswind has a larger, fuller funky sound than some of his earlier work for Prestige – and it works very well! The overall sound's a bit smoother, but Axelrod's edge is still quite sharp, and the polished jazzy arrangements still have plenty of funk to around. George Duke is on keyboards and Carol Kaye plays bass – and other players include Snooky Young, Michael Howell, Jim Horn and Kay Migliori. Titles include "Cantaro", "Brasswind", "Cariba", "Rozzie", and "Once I Loved". LP, Vinyl record album

Possible matches46
CD, LP, Vinyl record album cover art
David Axelrod & OthersAxelrod Chronicles ... CD
Fantasy, Early 70s. New Copy ... $4.99 14.98
It's great to see that David Axelrod's finally getting his due – and this reissue of material from Fantasy is one of the first reissues of his work in the US! Most cuts here are much more jazz-based than Axelrod's higher-concept material under his own name for Capitol in the late 60s – and the music represents Axe's key move to Fantasy after bigger label fame – a move that he made with Cannonball Adderley, who also figures in on some of these tracks. The CD features 8 tracks from Axelrod's Full Axe album – a tasty bit of funky fusion that's one of his best jazz-oriented releases – plus a sampling of tracks from other albums he produced and/or arranged for Fantasy. Titles from Full Axe include "My Family", "Mucho Chupar", "Don't You Worry 'Bout A Thing", and "Everything Counts" – and other tracks include "Cantaro" and "Solitario" by Gene Ammons, "Bach" and "Sierra Morena" by Hampton Hawes, "Quit It" by Nat Adderley, "Goodbye So Long" by Funk Inc, and "Stayin Place" from the Big Man 2LP set. CD
(CD case has a small cutout notch.)

Possible matches47
CD, LP, Vinyl record album cover art
Miles Davis58 Sessions ... CD
Sony, 1958. Used ... $4.99
Some of the greatest Miles Davis material ever recorded – and not really ever officially issued as an album until this collection! The recordings are from the magical year of 1958, a time when Miles was working in the Kind Of Blue mode – on the album of the same name, one of his all-time standout classics. The work on this set is in a very similar spirit – recorded by a sextet that includes the rhythm section of Jimmy Cobb, Paul Chambers, and a young Bill Evans, who brings a magically modal feel to the album that really gives it an edge. Added to that are the saxophones of John Coltrane and Cannonball Adderley, blowing together in two ends of the soul spectrum, really stretching the color palette from Miles' usual work. Miles himself seems very inspired by the company, and works with plenty of space to allow the saxophonists to stretch out in wonderful solos – and Evans himself is simply amazing, working wonderfully in the setting, making us wish he'd recorded more group dates like this one! The first 3 tracks on the set were briefly issued on the flipside of the Jazz Track album (an obscure Columbia LP that also included 10 songs from the soundtrack to Ascenseur Pour L'Echafaud), and a few others on later live LPs – but this is the first time the material from that group has appeared together as a full album. Includes stellar versions of "Stella By Starlight", "Green Dolphin Street", "Fran Dance", "My Funny Valentine", "Oleo", and "Love For Sale". CD
(Out of print.)

Possible matches48
CD, LP, Vinyl record album cover art
✨✧ Miles DavisKind Of Blue (Japanese pressing – with bonus track) ... CD
Sony (Japan), 1959. Used ... $8.99
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, and all those playings, the record manages to still sound fantastic – a truly inspirational piece of music that's long deserved all the attention it gets! The legendary group on the album includes John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans on piano, and Paul Chambers on bass – working with Miles in a relatively modal style, with brilliant rhythm changes and a wonderful sense of space. The whole thing's sublime – and titles include "Blue In Green", "All Blues", "So What", and "Freddie Freeloader". Features an alternate take of "Flamenco Sketches". CD
(Includes obi.)
Also available Kind Of Blue (mono) ... LP 24.99

Possible matches49
CD, LP, Vinyl record album cover art
✨✧ Miles DavisKind Of Blue (mono) ... LP
Columbia, 1959. New Copy (reissue)... $24.99
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, and all those playings, the record manages to still sound fantastic – a truly inspirational piece of music that's long deserved all the attention it gets! The legendary group on the album includes John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans on piano, and Paul Chambers on bass – working with Miles in a relatively modal style, with brilliant rhythm changes and a wonderful sense of space. The whole thing's sublime – and titles include "Blue In Green", "All Blues", "So What", and "Freddie Freeloader". LP, Vinyl record album
Also available Kind Of Blue (Japanese pressing – with bonus track) ... CD 8.99

Possible matches50
CD, LP, Vinyl record album cover art
Miles DavisMilestones ... CD
Sony, 1958. Used ... $1.99
One of our 50s favorites by Miles Davis – and a record that offers the same twin-sax sound as his classic Kind Of Blue – with both John Coltrane and Cannonball Adderley working alongside Miles in the group! Rhythm here is by the Prestige-era trio of Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums – but it's the two saxophonists who really help Davis shape the feel of the record, pushing things past the initial Coltrane/Davis groove with a really wonderful sense of space and sound! Titles include the classic "Milestones", plus "Two Bass Hit", "Dr Jeckyll", and "Sid's Ahead". CD
(Columbia Jazz Masterpieces pressing – with a blue border around the cover image.)
Also available Milestones (Japanese pressing) ... CD 12.99

Possible matches51
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMilestones (Japanese pressing) ... CD
Sony (Japan), 1958. Used ... $12.99
One of our 50s favorites by Miles Davis – and a record that offers the same twin-sax sound as his classic Kind Of Blue – with both John Coltrane and Cannonball Adderley working alongside Miles in the group! Rhythm here is by the Prestige-era trio of Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums – but it's the two saxophonists who really help Davis shape the feel of the record, pushing things past the initial Coltrane/Davis groove with a really wonderful sense of space and sound! Titles include the classic "Milestones", plus "Two Bass Hit", "Dr Jeckyll", and "Sid's Ahead". CD
(Out of print. Includes obi.)
Also available Milestones ... CD 1.99

Possible matches52
CD, LP, Vinyl record album cover art
Miles Davis & John ColtraneMiles & Coltrane ... CD
Columbia, Late 50s. Used ... $2.99
A strong collection of sides that Miles recorded for Columbia during the late 50s – most featuring a group that included John Coltrane, Cannonball Adderley, Bill Evans, Paul Chambers, and Jimmy Cobb, caught live at the Newport Jazz fest in 1958, playing the tunes "Ah-leu-cha", "Straight No Chaser", "Fran-Dance (Put Your Little Foot Right Out)", "Two Bass Hit", and "Bye Bye Blackbird". The remaining 2 tracks – "Little Melonae" and "Budo" – are from a 1955 set that includes Coltrane, plus the rhythm trio led by Red Garland and featuring Paul Chambers & Philly Joe Jones. CD

Possible matches53
CD, LP, Vinyl record album cover art
✨✧ Miles Davis/Thelonious MonkMiles & Monk At Newport (mono) (180 gram pressing) ... LP
Columbia, 1958/1963. New Copy (reissue)... $19.99 24.98
A slightly misleading record – but a great one nonetheless! From the title and cover, you might imagine that Thelonious Monk and Miles Davis were sharing the stage together at the Newport Jazz Festival – but instead, the album actually features separate performances by each artist – actually even recorded 5 years apart! The Miles Davis recording is from 1958 – a great year that has John Coltrane working with the group, alongside Wynton Kelly on piano, Cannonball Adderley on alto, Paul Chambers on bass, and Jimmy Cobb on drums – performing lively versions of "Ah Leu Cha", "Straight No Chaser", "Fran Dance" and "Two Bass Hit". The Monk material is even more unique – recorded in 1963, with Monk's usual quartet of Charlie Rouse on tenor, Butch Warren on bass, and Frankie Dunlop on drums – joined by the legendary Pee Wee Russell on clarinet – recently revived in jazz at the time, and displaying surprisingly modernist tendencies! Both Monk tracks are long – and include versions of "Nutty" and "Blue Monk". LP, Vinyl record album

Possible matches54
CD, LP, Vinyl record album cover art
Jazz Critique Special EditionRiverside Book ... Book
Jazz Critique (Japan), 1987. New Copy ... $28.99
You've been gobbling up these discographies we've been stocking, so we've gone ahead and gotten in this cool book on the Riverside/Jazzland labels as part of the same series! Like the other books, this one's a listing of all of the records in the associated group – including Riverside and Jazzland, plus lots of obscure ones, like Offbeat and Battle. The book lists covers, titles, dates, players, and other information for all recordings on the labels – so you'll get essential information about artists like Monk, Cannonball Adderley, Bil Evans, Mongo Santamaria, and a host of others! There's some covers in black and white, and a number in color as well. 280 pages, softcover, with images in black and white and color! Book

Possible matches55
CD, LP, Vinyl record album cover art
Budd JohnsonBudd Johnson & The Four Brass Giants ... LP
Riverside, 1960. Good+ ... $11.99
Budd Johnson was one of those players from the old days who was continually drawing praise from younger and hipper musicians – crediting Budd with a tone and talent that was forever an inspiration to them. Case in point is this 1960 session, issued as part of the hip Cannonball Adderley Presents series on Riverside – one in which Budd is given free reign to arrange the albums tracks, coming up with a nice batch of originals and interesting tunes that show him to be a much more complex player than might be expected. The players include a four piece trumpet section with Nat Adderley, Clark Terry, Harry Edison, and Ray Nance – and rhythm is by Tommy Flanagan, Joe Benjamin, and Herb Lovelle. Tracks include "Blues For Lester", "All My Love", "Trinity River Bottom", and "Driftwood". LP, Vinyl record album
(Heavy blue label Bill Grauer pressing with microphone logo and deep groove – nice and clean! Vinyl has a few light marks from the old paper sleeve, but is nice overall – as is cover.)

Possible matches56
CD, LP, Vinyl record album cover art
Esther MarrowChains Of Love/Walk Tall ... 7-inch
Flying Dutchman/BGP (UK), 1969. New Copy ... $9.99
Righteous vocals from Esther Marrow – two tracks pulled from her years at the Flying Dutchman label, issued on 45 for the first time ever! "Chains Of Love" is a familiar soul tune, but it's done here with a slower funky groove that's nicely fresh – as Esther belts her way over the top with undeniable power! "Walk Tall" is Esther's reworking of a famous Cannonball Adderley groove – complete with a cool recitation at the beginning, and these excellent lyrics of her own! 7-inch, Vinyl record

Possible matches57
CD, LP, Vinyl record album cover art
Bud PowellPortrait Of Thelonious ... CD
Columbia (France), 1961. Used ... $13.99
Quite an interesting session from Bud Powell – a tribute to Thelonious Monk, recorded in Paris in 1961, but not issued until 1965, shortly before his death. Cannonball Adderley was the producer on the session, and it's got the same sort of groundbreaking approach as some of the other Cannonball-produced albums for Riverside from the same stretch – a bit more farther reaching than the players' work in an ordinary setting. Powell's take on the Monk sound is a very unusual one – a bit more fragile and tentative than Monk's own interpretations of the material, but performed with an equal commitment to a modern sound overall. Backing is from Kenny Clarke on drums and Pierre Michelot on bass – and titles include "No Name Blues", "Ruby My Dear", "Off Minor", "Squatty", and "Thelonious". CD
(Out of print.)

Possible matches58
CD, LP, Vinyl record album cover art
Don WilkersonTexas Twister ... LP
Riverside, 1960. Very Good- ... $34.99
One of the rarest albums by this great Texas tenor player! This heavy little gem was one of the few sides that Wilkerson cut under his own name – and it was the only one recorded away from Blue Note, as part of Cannonball Adderley's short-lived "Cannonball Presents" series. The core group features Wilkerson's Texas tenor right out front (a lot louder than on the Blue Note sides), set against the piano of Barry Harris, the bass of Leroy Vinnegar, and the drums of Billy Higgins. Nat Adderley plays cornet on a few tracks – and titles include "Jelly Roll", "The Twister", "Morning Coffee", "Idiom", and "Media". LP, Vinyl record album
(Blue label Bill Grauer Productions pressing with deep groove and microphone logo. Cover has light wear and one light stain in a bottom corner.)

Possible matches59
CD, LP, Vinyl record album cover art
MachitoKenya ... CD
Roulette, Late 50s. New Copy ... Spring 2015
A classic Machito session from the 50s – with stunning arrangements by Mario Bauza and AK Salim! The record is a beautiful batch of Latin jazz tracks that shine with a sound that's unlike anything else Machito was doing at the time – and the band wails hard, with soloists that include Cannonball Adderley, Eddie Bert, Doc Cheatham, Johnny Griffin, and others – in a groundbreaking mix of straight jazz and Latin that still burns mightily today! Tracks include the great "Congo Mulence", a very tight groover, plus "Turuato", "Frenzy", "Cannonology", "Minor Rama", and "Wild Jungle. Very nice, and a very tight jazz sound! CD

Possible matches60
CD, LP, Vinyl record album cover art
Louis SmithHere Comes Louis Smith ... CD
Blue Note (Japan), 1957. New Copy ... Around June 3, 2015
Trumpeter Louis Smith made only two records for Blue Note, but both of them are great! This set's arguably his most famous – because of a rare uncredited appearance by Cannonball Adderley, working here under the "nom de date" of "Buckshot La Funke" – and blowing with a power that beats most of his other Mercury sessions of the late 50s! But the real credit here should go to Louis Smith – who's got a sense of power and command that should have made him one of THE trumpeters of the 50s – an emerging young talent to stand alongside Lee Morgan, Nat Adderley, and other post-Fats Navarro/Clifford Brown talents on the instrument. Smith sparkles throughout with a mix of soul and modernism we really love – and an earthy way of blowing the horn that doesn't always reach its goals, but which draws even more energy from its ability to try! The rhythm section on the album's also very tight – with Art Taylor on drums, Doug Watkins on bass, and either Tommy Flanagan or Duke Jordan on piano – and tracks include "Ande", "Brill's Blues", "South Side", and "Val's Blues". CD

Possible matches61
CD, LP, Vinyl record album cover art
✨✧ Nat AdderleyIn The Bag ... CD
Jazzland/OJC, 1962. Used ... Temporarily Out Of Stock
An excellent early Nat Adderley record that has the funky trumpet player groovin' in the company of a number of bright young players from New Orleans, including Nat Perrilliat on tenor, Ellis Marsalis (yes, that one) on piano, and James Black on drums. Sam Jones plays funky bass, and brother Cannonball joins on on alto for a nice set of groovers that includes "In The Bag", "Sister Wilson", "Low Brown", and "New Arrival". Nice stuff, and we don't really see this one that much these days. CD
(Out of print.)

Possible matches62
CD, LP, Vinyl record album cover art
✨✧ Nat AdderleyLittle New York Midtown Music ... CD
Galaxy/OJC, 1979. New Copy ... Temporarily Out Of Stock
An overlooked later gem from the great Nat Adderley – one of the first records cut after the passing of his brother Cannonball, and a set that shows that Nat was definitely ready to carry on the groove! Familiar bandmate Victor Feldman's in the combo alongside Nat's cornet – and Vic plays a bit of Fender Rhodes, which brings up the funk on a few key numbers – balanced out with some more intimate passages that include acoustic piano. The great Johnny Griffin brings a lot to the session, with some well-blown tenor solos that stretch out on a few of the album's long tracks – and the rest of the group includes Ron Carter on bass, and Roy McCurdy on drums. Titles include "Yeehaw Junction", "Whipitup", "Saguaro", and "Sunshine Sammy". CD
 
 
 



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