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Exact matches: 56
Exact matches1
CD, LP, Vinyl record album cover art
Cannonball AdderleyBig Man ... CD
Fantasy/Real Gone, 1975. New Copy ... $15.99
One of the last albums ever issued by the great Cannonball Adderley – and one of the most ambitious, too! The set's a concept album – done in close collaboration with David Axelrod, in a similar spirit to some of Cannon's projects on the zodiac or the bible – but this time turned towards the legend of John Henry! The set's got some fuller orchestrations than some of the others – a bit of strings and a chorus, which sometimes gives the record the feel of a blacksploitation album, sometimes more of a Melvin Van Peebles project. Lead vocals are by Joe Williams, Randy Crawford, and Robert Guillaume – and the core combo features work from Cannonball on alto sax, Dawili Gonga on keyboards, Airto on percussion, and George Bohannon on trombone – on titles that include "Hundred an One Year", "Poundin", "The Steamdrill", "New Star Risin", "On His Bones", "Anybody Need A Big Man", "The Broomstick Song", and "Ten Mile Of Mountain". CD

Exact matches2
CD, LP, Vinyl record album cover art
Cannonball AdderleyBlack Messiah ... CD
Capitol/Dusty Groove, Early 70s. New Copy 2 CDs ... $17.99 19.98
A massive live set from Cannonball Adderley – and a record that really shows the growth he'd undergone in just a few short years! The album's done in close collaboration with David Axelrod – who'd handled Cannon's big live dates for Capitol in the 60s – but this record is much more freewheeling, open-ended, fuzz, funky, and electric overall! Tracks are all nice and long, and really trip out in the best way – with keyboards from George Duke in the core group, plus some heavy basslines from Walter Booker, drums from Roy McCurdy, and guitar from Mike Deasy on a number of key tracks. Deasy plays with lots of great wah wah and fuzz – and the album also features guest work from Airto on percussion and Ernie Watts on tenor – plus Cannonball's great alto and the cornet of brother Nat Adderley too. There's a really collaborative feel to the whole thing – as the record steps easily between a lot of heady styles – and titles include "Zanek", "Eye Of The Cosmos", "The Scene", "The Chocolate Nuisance", "The Steam Drill", "Little Benny Hen", and "The Black Messiah". CD
(On the Dusty Groove label.)

Exact matches3
CD, LP, Vinyl record album cover art
Cannonball AdderleyCannonball & Coltrane (aka Cannonball In Chicago) ... CD
Limelight/EmArcy, 1959. Used ... $8.99
A great session from 1959 – one that features John Coltrane playing with the Adderley group, recorded in Chicago when they were stopping through the city with Miles Davis' combo at the time! In fact, since the rhythm section includes Wynton Kelly, Paul Chambers, and Jimmy Cobb – and since Coltrane's sitting in with Cannon – the album's essentially a Kind Of Blue-era Miles album, recorded without Miles on trumpet, and grooving in a slightly more soul-based Adderley mode. Given the presence of Coltrane, there's a bit less of the gutbuckety soul jazz that Cannon was cutting in his own Quintet – but that's more than ok with us, as the Coltrane solos more than make up for that difference! The set's got 2 great originals by Coltrane – "The Sleeper" and "Grand Central" – plus the cuts "Wabash" and "Limehouse Blues". CD
(Out of print.)

Exact matches4
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyCannonball Adderley & Friends Vol 1 ... LP
Capitol, 1960s. Very Good ... $4.99
Originally, this set was issued as a double LP in the early 70s, pulling together sides Cannonball cut for Riverside and Capitol, but the set was subsequently split into 2 separate volumes, and this is the first of those. Touching on the many styles Adderley played throughout his career, though they all had a wonderful soul jazz underpinning, it features numerous guest players and singers, like Nancy Wilson, Charles Lloyd, Yusef Lateef, Eddie Vinson, and Bobby Timmons. 9 tracks: "Au Privave", "I Had A Dream", "Clouds", "Dat Dere", "Primitivo", "(The Old Man From) The Old Country", "I'd Rather Drink Muddy Water", "Chavalah" and "Back Door Blues". LP, Vinyl record album
(Cover has some wear.)

Exact matches5
CD, LP, Vinyl record album cover art
Cannonball AdderleyCannonball Adderley (aka The Lush Side Of Cannonball) ... LP
Power/EmArcy, Late 50s. Near Mint- ... $1.99
A very unusual repackaging of Cannonball's Lush Side album for Mercury – served up here in a late 60s package for the Power Records label. The original's a wonderfully mellow set of ballads recorded by Cannonball, with orchestral backings by Richard Hayman. The album's typical of the kind of "all over the map" approach that Mercury used during Cannon's early years – before he'd settled down into the one-man soul jazz factory he later became – but it's also a great chance to hear Adderley working his horn in a style that doesn't show up much in later years. Hayman's orchestrations are less challenging than some of the Verve "with strings" sessions – but the overall work is solid, and the album's a dreamy mix of tracks like "I Cover The Waterfront", "Street Of Dreams", "You Are Too Beautiful", and "Two Sleepy People". LP, Vinyl record album
(Cover has some wear.)

Exact matches6
CD, LP, Vinyl record album cover art
Cannonball AdderleyCannonball Adderley Live! ... LP
Capitol, 1964. Very Good ... $9.99
Cannonball Adderley with David Axelrod production – a combination that couldn't miss back in the 60s! In keeping with the success of the Mercy Mercy Mercy album done with Axelrod, Capitol did everything they could to catch Cannonball in a live setting – a great move, given the open, soulful energy his group had in the format – crowd-pleasing, but always plenty darn creative too! Added to the mix here is some nice production by David Axelrod, capturing all the right moments in all the right ways – especially when Joe Zawinul steps up to take some sweet solos on the keys – and the great Charles Lloyd serves up some mighty nice work on flute and tenor sax. Other players include Nat Adderley on cornet, Sam Jones on bass, and Louis Hayes on drums – and titles include "The Song My Lady Sings", "Little Boy With The Sad Eyes", "Work Song", and "Sweet Georgia Bright". LP, Vinyl record album
(Yellow label 70s pressing.)

Exact matches7
CD, LP, Vinyl record album cover art
Cannonball AdderleyCannonball Adderley Quintet At The Lighthouse ... LP
Jazzland, 1960. Very Good ... $14.99
Fantastic work from the Cannonball Adderley Quintet – one of their greatest performances from the seminal early 60s years! The band at this time includes Cannon on alto, Nat on cornet, Victor Feldman on piano, Sam Jones on bass, and Louis Hayes on drums – and although Feldman's not as strong of a soul jazz player as Bobby Timmons or Joe Zawinul, both of whom also played with the group, his playing on this set is great, thanks to a really lively rhythm section! Includes an 11 minute version of "Sack O Woe", plus "Blue Daniel", "Azule Serape", and "Big P". LP, Vinyl record album
(Blue label Bill Grauer productions pressing with microphone logo and deep groove. Cover has small stickers on front and some pen on back.)

Exact matches8
CD, LP, Vinyl record album cover art
Cannonball AdderleyCannonball Enroute ... LP
Mercury, Late 50s. Very Good+ ... $6.99
Cannonball Adderley's enroute to a great jazz legacy here – stepping out in a groove that begins to show some of the soul jazz modes he was forging at the end of the 50s – a great change from the straighter bop styles of his early years! The lineup here is a wonderful early expression of the familiar Adderley groove – with brother Nat Adderley on cornet, Junior Mance on piano, Sam Jones on bass, and Jimmy Cobb on drums – with Mance and Jones bringing an especially nice bottom end to the record – one that gets things moving in a very soulful way! Titles include "Porky", "Hoppin John", "That Funky Train", "I'll Remember April", and "18th Century Ballroom". LP, Vinyl record album
(Black label pressing. Cover has some pen and a small sticker on the back.)

Exact matches9
CD, LP, Vinyl record album cover art
Cannonball AdderleyCannonball In Japan ... CD
Capitol, 1966. Used ... $9.99
A rare live set by Cannonball Adderley – unreleased in America at the time, and performed with the style of Cannon's best work for Riverside! The album's very similar to some of the group's best live sets for Riverside – like the San Francisco or other Tokyo recording – done with tracks that are long and a bit stretched out, performed with Nat Adderley on cornet, Joe Zawinul on piano, Vic Gaskin on bass, and Roy McCurdy on drums. Titles include "Work Song", "Mercy Mercy Mercy", "This Here", "Jive Samba", and "Money In The Pocket". CD
(Out of print.)

Exact matches10
CD, LP, Vinyl record album cover art
Cannonball AdderleyCannonball's Sharpshooters ... LP
Mercury, 1958. Near Mint- ... $11.99
A set that's right on target, right from the start – and one that has the young Cannonball Adderley really coming into his groove! The set's a lot more soul jazz-oriented than some of Cannon's records from a few years before – played by a rock-solid group that includes brother Nat Adderley on cornet, Junior Mance on piano, Sam Jones on bass, and Jimmy Cobb on drums – hitting a groove that's got plenty of nascent elements of that Cannonball sound that would virtually take over jazz in the 60s! Yet there's also a nicely different vibe going on here too – a bit less structure, and a looser approach to the mode – spun out with some modern moments too, on titles that include "Straight No Chaser", "Jubilation", "Our Delight", "Fuller Bop Man", and "Stay On It". LP, Vinyl record album
(180 gram Jazz Wax pressing.)

Exact matches11
CD, LP, Vinyl record album cover art
Cannonball AdderleyCoast To Coast (Cannonball Adderley Quintet In San Francisco/Cannonball Adderley Sextet In New York) ... LP
Milestone, 1959/1962. Near Mint- 2LP Gatefold ... $11.99
2 sets of classic live soul jazz material from the group that invented the genre! Cannonball's caught live in 2 settings, one per disc – live at the Jazz Workshop in 1959, with Bobby Timmons, Sam Jones, and brother Nat; and again at the Village Vanguard in 1962, again with brother Nat and Sam Jones, plus Yusef Lateef, and Joe Zawinul. Titles include "This Here", "You Got It", "High Fly", "Scotch & Water", "Dizzy's Business", "Gemini", and "Planet Earth". Classic material – and even though this 2LP set brings together 2 older albums, it's got some nice notes, and both of those records are kind of tough to find! LP, Vinyl record album
(Cover has light wear and a promo stamp.)

Exact matches12
CD, LP, Vinyl record album cover art
Cannonball AdderleyCompact Jazz ... CD
Verve, Late 50s. Used ... $3.99
CD
(Out of print.)

Exact matches13
CD, LP, Vinyl record album cover art
Cannonball AdderleyDomination ... LP
Capitol, 1965. Very Good ... $4.99
A key meeting of Cannonball Adderley and David Axelrod – and one of the pair's first larger collaborations together! The album features Cannonball solos over larger backings by Oliver Nelson – with some occasional help from brother Nat Adderley – all produced with that dark Axelrod edge that we love so much from the Capitol years. The tunes have just the right amount of space to keep things interesting – but also enough soul to link the work nicely to the other Adderley albums of the time. Nelson himself brings in some captivating modern moments to the set – and titles include "Interlude", "Mystified", "Gon Gong", "Shake A Lady", and "Introduction To A Samba". LP, Vinyl record album
(Cover has some wear and a mostly split spine.)

Exact matches14
CD, LP, Vinyl record album cover art
Cannonball AdderleyPhenix ... CD
Fantasy, 1975. New Copy ... $10.99 11.98
Sweet funky 70s work from Cannonball Adderley – a record that has him revisiting older tunes from his early soul jazz years – but in ways that give them a whole new electric vibe overall! The album's actually Cannonball's last full studio set, but it's also one of his greatest too – a very hip little record that features arrangements that are slightly bigger than before – almost a CTI sort of mode, with a similar CTI sense of space, sound, and timing! There's some great keyboards on the set – courtesy of George Duke and Mike Wolff – and other players include Nat Adderley on cornet, Airto on percussion, Sam Jones and Walter Booker on bass, and Louis Hayes and Roy McCurdy on drums. The keyboards lead off most numbers, but they're followed strongly by Cannon and Nat – both of whom open up wonderfully in the magical setting of the record! Titles include great new takes on "Sack O Woe", "Work Song", "Jive Samba", "74 Miles Away", "Walk Tall/Mercy Mercy Mercy", "Country Preacher", "Domination", and "This Here" – plus "Hi Fly" and "Hamba Nami". CD

Exact matches15
CD, LP, Vinyl record album cover art
Cannonball AdderleySomethin' Else ... LP
Blue Note, 1958. Fair ... $14.99
A landmark album – even if it was the only session that Cannonball Adderley ever cut for Blue Note! The album was recorded at a time when Adderley was working with Miles Davis – and as such, the session features a group that includes Miles, blowing in a cool tone that's a perfect offset to Cannonball's more soulful style. The rest of the group includes Hank Jones, Sam Jones, and Art Blakey – and like John Coltrane's Blue Train, the record's more of an "special session" than the usual Blue Note album, but the strength of the players make it one of the more memorable records of its day! Titles include "Somethin' Else", "One For Daddy-O", and a nice moody take on "Dancing In The Dark". LP, Vinyl record album
(63rd street pressing with deep groove, RVG stamp & "ear". NOTE: condition is FAIR – vinyl plays with surface noise & crackles. Cover has a split spine & seams, numerous spots of tape, a name in marker, and wear.)
Also available Somethin' Else (RVG Remaster Edition) ... CD 6.99

Exact matches16
CD, LP, Vinyl record album cover art
Cannonball AdderleySomethin' Else (RVG Remaster Edition) ... CD
Blue Note, 1958. New Copy ... $6.99 9.98
A landmark album – even if it was the only session that Cannonball Adderley ever cut for Blue Note! The album was recorded at a time when Adderley was working with Miles Davis – and as such, the session features a group that includes Miles, blowing in a cool tone that's a perfect offset to Cannonball's more soulful style. The rest of the group includes Hank Jones, Sam Jones, and Art Blakey – and like John Coltrane's Blue Train, the record's more of an "special session" than the usual Blue Note album, but the strength of the players make it one of the more memorable records of its day! Titles include "Somethin' Else", "One For Daddy-O", and a nice moody take on "Dancing In The Dark". CD
Also available Somethin' Else ... LP 14.99

Exact matches17
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleySoul Zodiac ... CD
Capitol (UK), 1972. New Copy ... $12.99 13.98
One of the coolest, baddest, funkiest albums Cannonball Adderley ever recorded – a massive suite of tunes based on the signs of the Zodiac, produced to perfection by David Axelrod, and featuring some hip recitations from the mighty Rick Holmes! The double-length set is completely compelling all the way through – a darkly brooding batch of funky jazz that shows a strong Miles Davis electric influence at points, thanks to Nat Adderley's spacey trumpet lines, Mike Deasy's trippy guitar, and George Duke's excellent keyboards! Other tracks are a bit more laidback, fitting the mood of their respective signs – and overall, the whole thing slips and slides wonderfully from cut to cut – taking you through the star signs with a really righteous, soulful approach. Titles include "Cancer", "Sagittarius", "Pisces", "Aquarius", "Capricorn", "Virgo", "Taurus", "Aries", "Libra", and a special "Introduction". CD
Also available Soul Zodiac ... CD 9.99

Exact matches18
CD, LP, Vinyl record album cover art
Cannonball AdderleySoul Zodiac ... CD
Capitol (UK), 1972. Used ... $9.99
One of the coolest, baddest, funkiest albums Cannonball Adderley ever recorded – a massive suite of tunes based on the signs of the Zodiac, produced to perfection by David Axelrod, and featuring some hip recitations from the mighty Rick Holmes! The double-length set is completely compelling all the way through – a darkly brooding batch of funky jazz that shows a strong Miles Davis electric influence at points, thanks to Nat Adderley's spacey trumpet lines, Mike Deasy's trippy guitar, and George Duke's excellent keyboards! Other tracks are a bit more laidback, fitting the mood of their respective signs – and overall, the whole thing slips and slides wonderfully from cut to cut – taking you through the star signs with a really righteous, soulful approach. Titles include "Cancer", "Sagittarius", "Pisces", "Aquarius", "Capricorn", "Virgo", "Taurus", "Aries", "Libra", and a special "Introduction". CD
Also available Soul Zodiac ... CD 12.99

Exact matches19
CD, LP, Vinyl record album cover art
Cannonball AdderleySpontaneous Combustion – The Savoy Sessions ... LP
Savoy, 1955/1976. Near Mint- 2LP Gatefold ... $9.99
Tracks recorded back in 1955 as two separate albums and reissued here on this 2LP set. Adderley and his alto sax are joined by Donald Byrd on trumpet, Nat Adderley on cornet, Jerome Richardson on tenor sax and flute, Horace Silver on piano, Paul Chambers on bass and Kenny Clarke on drums. The tracks include "Bohemia After Dark", "Chasm", "Willow Weep For Me", "Late Entry", "Hear Me Talkin To Ya", "With Apologies To Oscar", "We'll Be Together Again", "Spontaneous Combustion", "Caribbean Cutie", and "Flamingo". LP, Vinyl record album
(Cover has a cutout hole, some wear, promo sticker, and a small mark from sticker removal.)

Exact matches20
CD, LP, Vinyl record album cover art
Cannonball AdderleySwiss Radio Days Vol 3 – Lugano 1963 ... CD
TCB (Switzerland), 1963. Used ... $12.99
CD
(Out of print.)
 
Possible matches: 49
Possible matches57
CD, LP, Vinyl record album cover art
Nat AdderleyAutobiography ... LP
Atlantic, 1965. Very Good ... $5.99
A gem of a record from Nat Adderley – filled with short soulful groovers, and done with an upbeat vibe that rivals some of Cannonball's best of the 60s! Joe Zawinul handled the arrangements, so there's definitely a strong influence here from the Cannon group – and although the players shift a bit throughout the course of the set, there's a really unified feel – thanks to a top-shelf lineup that includes Seldon Powell on tenor and flute, Ernie Royal on trumpet, Benny Powell on bass trombone, and Willie Bobo on percussion! The set features all original material by Nat – with older gems and new favorites that include "Little Boy With The Sad Eyes", "Never Say Yes, "Jive Samba", "Stony Island", "Junkanoo", and "Work Song". LP, Vinyl record album
(Red and purple label pressing. Cover has a cutout hole. Top seam is partially split.)

Possible matches58
CD, LP, Vinyl record album cover art
Nat AdderleyDon't Look Back ... LP
Inner City, 1977. Near Mint- ... $14.99
Nat plays with a group that's a bit more far-reaching than the classic Cannonball funk ensembles he cut his teeth on. Players include Ken McIntyre, Onaje Allen Gumbs, and John Stubblefield, and the tracks have a bit more of a spiritual quality to them, although they are not without some of the Adderley trademark funk sound. Includes a great version of Harold Vick's "Don't Look Back", plus "Funny Funny", "I Think I Got It", and "K. High". LP, Vinyl record album
(Cover has a cutout hole.)

Possible matches59
CD, LP, Vinyl record album cover art
✨✧ Nat AdderleyWork Song ... LP
Riverside, 1960. Good ... $9.99
When it comes to soul jazz, you can't get any more classic than this! The title was one of the biggest jazz hits of the 60s – covered by countless other artists, but presented here in all its original brilliance in a group led by its composer, a young Nat Adderley! At the time of the record, Nat was making plenty big waves in the combo of brother Cannonball – but this set has him stepping out strongly as a leader – borrowing Bobby Timmons, Sam Jones, and Louis Hayes from Cannon's group – and also adding in Wes Montgomery on guitar and additional bass and cello work from Keeter Betts and Percy Heath. The tracks are all tight as a drum – and the record features seminal versions of "Work Song" and "Sack O Woe" – as well as the numbers "Scrambled Eggs", "Pretty Memory", and "Fallout" – all great! LP, Vinyl record album
(Black label Bill Grauer Productions pressing, with a microphone logo and deep groove. Cover has a split top seam, partially split spine and some peeling along the bottom.)

Possible matches60
CD, LP, Vinyl record album cover art
Gene AmmonsGene Ammons & Friends At Montreux ... LP
Prestige, 1973. Very Good- ... $1.99
Gene Ammons has some pretty hip friends here – a roster of talent that includes guest appearances by hornmen Cannonball Adderley, Dexter Gordon, and Nat Adderley on one long jam number – plus Hampton Hawes on electric piano on the entire set! The work's done in a laidback, long-blowing way – more the Gene Ammons of earlier live dates than the revived funk hero of the early 70s Prestige years – but thanks to some nicely spacious keyboards from Hawes, the record's got a more modern sound than you might expect, and is a good bridge between 60s and 70s soul jazz modes. Titles include "New Sonny's Blues", "Treux Blue", "Sophisticated Lady", and "Yardbird Suite". LP, Vinyl record album
(Cover has a cut corner & some light wear.)

Possible matches61
CD, LP, Vinyl record album cover art
Ray BrownRay Brown With The All-Star Big Band ... LP
Verve, 1962. Good+ ... $3.99
A standout session from bassist Ray Brown – one of a few 60s big band sessions recorded for Verve, featuring some searing solo work from Cannonball Adderley! Brown's name as a leader is possibly more as a compadre than the main driving force of the record – as the arrangements here are by Ernie Wilkins, often in the tightly soulful bag he was laying down at the time – and Adderley's presence as the main soloist certainly gives a Cannonball flair to the record. But there's definitely plenty of Brown's warmth guiding the whole session – and other players include Nat Adderley, Clark Terry, Melba Liston, Budd Johnson, and Yusef Lateef. Some tracks have Brown's bass right out front in the arrangements, dipping nicely and adding into the groove – and titles include "Tricotism", "Cannon Built", "Thumbstring", "Two For The Blues", and "Work Song". LP, Vinyl record album
(Cover has half-split seams and some pen on the back.)

Possible matches62
CD, LP, Vinyl record album cover art
✨✧ Miles DavisBasic Miles – The Classic Performance Of Miles Davis ... LP
Columbia, Late 50s/Early 60s. Near Mint- ... $5.99
A great collection of Miles' classic work for Columbia – one that features a few really hard to find gems! To us, the highlight is 2 tracks – "Stella By Starlight" and "On Green Dolphin Street" – both of which are subtle modal gems lifted from Miles' rare Jazz Track albums, performed by a hip group that includes John Coltrane on tenor, Bill Evans on piano, Cannonball Adderley on alto, Paul Chambers on bass, and Jimmy Cobb on drums. Those 2 tracks sum up all that is excellent about Miles – but you also get some other great ones, like "Devil May Care", "Budo", "Little Melonae", "Miles Ahead", and "Fran-Dance". LP, Vinyl record album
(Original 70s pressing. Cover has a hype sticker and tracklist sticker.)

Possible matches63
CD, LP, Vinyl record album cover art
✨✧ Miles DavisJazz At The Plaza Vol 1 ... LP
Columbia, 1958. Very Good+ (reissue)... $7.99
A great lost live set – recorded in 1958 during that pivotal time when Miles was working with Coltrane, Cannonball Adderley, Bill Evans, Paul Chambers, and Philly Joe Jones. The whole thing's a great example of how the group could hold up the perfection of Kind Of Blue in a live setting – and the long tracks include "Jazz At The Plaza", "If I Were A Bell", and "Oleo". LP, Vinyl record album
Also available Jazz At The Plaza Vol 1 (Japanese paper sleeve edition) ... CD 9.99

Possible matches64
CD, LP, Vinyl record album cover art
✨✧ Miles DavisJazz At The Plaza Vol 1 (Japanese paper sleeve edition) ... CD
Columbia (Japan), 1958. Used ... $9.99
A great lost live set – recorded in 1958 during that pivotal time when Miles was working with Coltrane, Cannonball Adderley, Bill Evans, Paul Chambers, and Philly Joe Jones. The whole thing's a great example of how the group could hold up the perfection of Kind Of Blue in a live setting – and the long tracks include "Jazz At The Plaza", "If I Were A Bell", and "Oleo". CD
(Out of print. Includes obi!)
Also available Jazz At The Plaza Vol 1 ... LP 7.99

Possible matches65
CD, LP, Vinyl record album cover art
✨✧ Miles DavisKind Of Blue (mono) ... LP
Columbia, 1959. New Copy (reissue)... $22.99 24.98
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, and all those playings, the record manages to still sound fantastic – a truly inspirational piece of music that's long deserved all the attention it gets! The legendary group on the album includes John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans on piano, and Paul Chambers on bass – working with Miles in a relatively modal style, with brilliant rhythm changes and a wonderful sense of space. The whole thing's sublime – and titles include "Blue In Green", "All Blues", "So What", and "Freddie Freeloader". LP, Vinyl record album

Possible matches66
CD, LP, Vinyl record album cover art
Miles DavisMilestones (Japanese paper sleeve edition) ... CD
Sony (Japan), 1958. Used ... $9.99
One of our 50s favorites by Miles Davis – and a record that offers the same twin-sax sound as his classic Kind Of Blue – with both John Coltrane and Cannonball Adderley working alongside Miles in the group! Rhythm here is by the Prestige-era trio of Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums – but it's the two saxophonists who really help Davis shape the feel of the record, pushing things past the initial Coltrane/Davis groove with a really wonderful sense of space and sound! Titles include the classic "Milestones", plus "Two Bass Hit", "Dr Jeckyll", and "Sid's Ahead". CD
(Out of print. Includes obi.)

Possible matches67
CD, LP, Vinyl record album cover art
✨✧ Miles Davis/Thelonious MonkMiles & Monk At Newport ... CD
Columbia/Legacy, 1958/1963. Used 2CD ... $9.99
A slightly misleading record – but a great one nonetheless! From the title and cover, you might imagine that Thelonious Monk and Miles Davis were sharing the stage together at the Newport Jazz Festival – but instead, the album actually features separate performances by each artist – actually even recorded 5 years apart! The Miles Davis recording is from 1958 – a great year that has John Coltrane working with the group, alongside Wynton Kelly on piano, Cannonball Adderley on alto, Paul Chambers on bass, and Jimmy Cobb on drums – performing lively versions of "Ah Leu Cha", "Straight No Chaser", "Fran Dance" and "Two Bass Hit". The Monk material is even more unique – recorded in 1963, with Monk's usual quartet of Charlie Rouse on tenor, Butch Warren on bass, and Frankie Dunlop on drums – joined by the legendary Pee Wee Russell on clarinet – recently revived in jazz at the time, and displaying surprisingly modernist tendencies! Both Monk tracks are long – and include versions of "Nutty" and "Blue Monk". CD
(Out of print.)

Possible matches68
CD, LP, Vinyl record album cover art
Miles Davis/Thelonious MonkMiles & Monk At Newport (mono) (180 gram pressing) ... LP
Columbia, 1958/1963. New Copy (reissue)... $19.99 24.98
A slightly misleading record – but a great one nonetheless! From the title and cover, you might imagine that Thelonious Monk and Miles Davis were sharing the stage together at the Newport Jazz Festival – but instead, the album actually features separate performances by each artist – actually even recorded 5 years apart! The Miles Davis recording is from 1958 – a great year that has John Coltrane working with the group, alongside Wynton Kelly on piano, Cannonball Adderley on alto, Paul Chambers on bass, and Jimmy Cobb on drums – performing lively versions of "Ah Leu Cha", "Straight No Chaser", "Fran Dance" and "Two Bass Hit". The Monk material is even more unique – recorded in 1963, with Monk's usual quartet of Charlie Rouse on tenor, Butch Warren on bass, and Frankie Dunlop on drums – joined by the legendary Pee Wee Russell on clarinet – recently revived in jazz at the time, and displaying surprisingly modernist tendencies! Both Monk tracks are long – and include versions of "Nutty" and "Blue Monk". LP, Vinyl record album

Possible matches69
CD, LP, Vinyl record album cover art
Gil EvansNew Bottle Old Wine ... LP
World Pacific, 1958. Sealed ... $14.99
A masterpiece through and through from arranger Gil Evans – a record of swinging modern backdrops, used to showcase both the solo talents of a young Cannonball Adderley, and the dynamic energy of Evans himself! Cannon's sharp-edged early tone is a really great sound for the record – far more modern than you might expect from later funk and soul sides of the 60s – and perfectly poised next to Gil's larger back drops to reignite a host of older tunes with new energy! And while the titles are familiar, the readings certainly are not – as the Evans pen has really changed things up beautifully – as you'll hear on numbers that include "St Louis Blues", "King Porter Stomp", "Willow Tree", "Struttin' With Some Barbeque", "Lester Leaps In", "Round About Midnight", "Manteca", and "Bird Feathers". LP, Vinyl record album
(Nice 180 gram vinyl pressing, on Pure Pleasure!)

Possible matches70
CD, LP, Vinyl record album cover art
Jimmy HeathNice People ... LP
Riverside, 1959. Near Mint- ... $7.99
A nice little collection of some classic hard bop from Jimmy Heath, with a few of the sides of some the stuff he recorded with larger ensembles thrown in for good measure, pulled together in the 80s, once the OJC family of labels came under the Fantasy umbrella. Heath's Riverside recordings of the late 50s and early 60s is some of our favorite material on the label, recording with a soulful, hip edge and fiery hard bop energy. This collection pulls numbers from The Thumper, Really Big!, The Quota, Triple Threat, Swamp Seed and On The Trail, and feature a host of top notch players, including Nat Adderley, Curtis Fuller, Wynton Kelly, Paul Chambers, Pat Patrick, Cannonball Adderley, Julius Watkins, Freddie Hubbard, Cedar Walton, and brothers Percy and Albert Heath. 8 tracks in all, including "Nice People", "Who Needs It?", "The Picture Of Heath", "Down Shift", "Lowland Lullaby", "Dew & Mud", "Wall To Wall" and "All The Things You Are". LP, Vinyl record album
(Cover has a few light creases.)

Possible matches71
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Jazz At The PhilharmonicJazz At The Philharmonic In Europe (2LP) ... LP
Verve, Early 60s. Very Good 2LP Gatefold ... $2.99
2 nice live sets – put together by Norm Granz, as a tour of the JATP all stars in Europe. Originally issued separately, but pretty much under the same title, the first LP brings together the hottest jazz stars of the day, and on this volume it includes Dizzy Gillespie, Cannonball Adderley, JJ Johnson, Coleman Hawkins and Roy Eldridge. There's a great jamming take on "Bernie's Tune" and a sidelong riffing version of "All The Things You Are", plus "Swedish Jam". The second album was issued ostensibly as a Dizzy Gillespie performance, but with like the first features some very strong guest stars! The core of the group is Diz's great one from the early 60s – with Lalo Schifrin on piano and Leo Wright on alto and flute, and they're joined by Stan Getz, JJ Johnson, and Candido for this tasty set of three long tracks: "Kush", "The Mooch" and "Wheatleigh Hall". LP, Vinyl record album
(MGM pressing. Cover has a cut corner and some minor splitting.)

Possible matches72
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Jazz Critique Special EditionRiverside Book ... Book
Jazz Critique (Japan), 1987. New Copy ... $28.99
You've been gobbling up these discographies we've been stocking, so we've gone ahead and gotten in this cool book on the Riverside/Jazzland labels as part of the same series! Like the other books, this one's a listing of all of the records in the associated group – including Riverside and Jazzland, plus lots of obscure ones, like Offbeat and Battle. The book lists covers, titles, dates, players, and other information for all recordings on the labels – so you'll get essential information about artists like Monk, Cannonball Adderley, Bil Evans, Mongo Santamaria, and a host of others! There's some covers in black and white, and a number in color as well. 280 pages, softcover, with images in black and white and color! Book

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Budd JohnsonBudd Johnson & The Four Brass Giants ... LP
Riverside, 1960. Good+ ... $6.99
Budd Johnson was one of those players from the old days who was continually drawing praise from younger and hipper musicians – crediting Budd with a tone and talent that was forever an inspiration to them. Case in point is this 1960 session, issued as part of the hip Cannonball Adderley Presents series on Riverside – one in which Budd is given free reign to arrange the albums tracks, coming up with a nice batch of originals and interesting tunes that show him to be a much more complex player than might be expected. The players include a four piece trumpet section with Nat Adderley, Clark Terry, Harry Edison, and Ray Nance – and rhythm is by Tommy Flanagan, Joe Benjamin, and Herb Lovelle. Tracks include "Blues For Lester", "All My Love", "Trinity River Bottom", and "Driftwood". LP, Vinyl record album
(Heavy blue label Bill Grauer pressing with microphone logo and deep groove – nice and clean! Vinyl has a few light marks from the old paper sleeve, but is nice overall – as is cover.)

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✨✧ Quincy JonesQuintessential Charts (This Is How I Feel About Jazz/Quintessence) ... LP
ABC, 1956/1961. Very Good 2LP ... $4.99
A split 70s LP – with two earlier classics! First up is How I Feel About Jazz – an important early album from Quincy Jones! Q's working here in some of his hippest settings of the 50s – scoring longish versions of jazz tunes for groups that include players like Lucky Thompson on tenor, Herbie Mann on flute, Art Farmer on trumpet, Phil Woods and Gene Quill on alto sax, Hank Jones on piano, and even Charles Mingus on bass! As with most Jones albums of the time, Quincy has a way of making a bigger group sound nice and lean – hitting some especially nice edges along with the rhythms, and really showing the way towards a new soulful sound for a bigger band. Titles include a sublime 10 minute version of "Walkin" that kicks off the album with a great soulful groove – plus original tunes "Evening In Paris", "Stockholm Sweetnin", and "Boo's Blues", as well as a version of Cannonball Adderley's "Sermonette". Next is Quintessence – a very soulful set of big band material from Quincy Jones – recorded during that tight early 60s period when his arrangements just couldn't fail! The album's his only session for Impulse, and it's got a slightly deeper style than his work from the time for Mercury – a bit more sophisticated, with nice modern touches that take the tunes in surprising directions. Part of the greatness of the set lies in the players – as the album features work by Curtis Fuller, Thad Jones, Stu Martin, Freddie Hubbard, Patty Brown, Phil Woods, and Jerome Richardson – and titles include "Robot Portrait", "Hard Sock Dance", "The Twitch", and "For Lena & Lennie". LP, Vinyl record album
(Cover has ring & edge wear.)

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Yusef LateefContemplation ... LP
Vee Jay/Affinity (UK), 1960. Near Mint- ... $16.99
An obscure moment in Yusef Lateef's career – and a great one too! The material on this set was recorded in 1960 for Vee Jay Records, but wasn't issued until the mid 70s – and even then, only briefly, on a short-lived pressing that soon went out of print. That status doesn't stop the music from being great, though – and the album's a valuable look at the hardbop side of Lateef, one that has him playing with less exotic influences than on some of his Savoy sides, or his more Eastern-oriented albums for Prestige. Lateef plays tenor exclusively on the album – and he's working here with a solid soul jazz combo that includes Nat Adderley on cornet, Barry Harris on piano, Sam Jones on bass, and Louis Hayes on drums – almost in the mode that would be used in Lateef's later work with the Cannonball Adderley group, but with rougher edges all around. Titles include "Sassy Ann", "Hazing", "Teef", "Back Yard", and "Rip De Boom". LP, Vinyl record album
(Cover has a light stain and some waviness at the bottom.)

Possible matches76
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Esther MarrowChains Of Love/Walk Tall ... 7-inch
Flying Dutchman/BGP (UK), 1969. New Copy ... $9.99
Righteous vocals from Esther Marrow – two tracks pulled from her years at the Flying Dutchman label, issued on 45 for the first time ever! "Chains Of Love" is a familiar soul tune, but it's done here with a slower funky groove that's nicely fresh – as Esther belts her way over the top with undeniable power! "Walk Tall" is Esther's reworking of a famous Cannonball Adderley groove – complete with a cool recitation at the beginning, and these excellent lyrics of her own! 7-inch, Vinyl record
 
 
 



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