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Exact matches: 47
Exact matches1
CD, LP, Vinyl record album cover art
Kenny Dorham with Cannonball AdderleyBlue Spring ... LP
Riverside, 1959. Very Good- ... $24.99
A pretty warm and lyrical set by Kenny – accompanied here by a larger group that includes Cecil Payne, David Amram, and Cannonball Adderley on horns, plus a young Cedar Walton on piano. Dorham wrote 4 of the album's tracks, and they provide a perfect showcase for his polished trumpet style. Titles include "Spring Cannon", "Blue Spring", "Poetic", and "Passion Spring". LP, Vinyl record album
(Blue label Bill Grauer pressing with microphone logo & deep groove. Cover has split seams, some surface wear, and a small name in pen on back.)

Exact matches2
CD, LP, Vinyl record album cover art
Nancy Wilson & Cannonball AdderleyNancy Wilson/Cannonball Adderley ... CD
Capitol, Mid 60s. Used ... $3.99
The sweet vocals of Nancy join the classic Cannonball quintet for a great set of soul jazz tunes that was one of Capitol's biggest selling jazz sides in the 60s! About half the cuts feature Nancy on vocals – on tunes like "Save Your Love For Me", "Never Will I Marry", "Happy Talk", and "The Masquerade Is Over" – and the other half feature Cannon's group playing instrumentally – on cuts like "Teaneck", "One Man's Dream", and "Never Say Yes". Pop, but hip – nice and hip! CD

Exact matches3
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyAfrican Waltz ... LP
Riverside, 1961. Used ... Temporarily Out Of Stock
Pretty darn hip stuff – and with some great soloing by Cannonball! The record features Adderley's alto fronting a large group conducted by Ernie Wilkins, and featuring a host of hip players like Melba Liston, Oliver Nelson, Jerome Richardson, Ray Barretto, Sam Jones, and Wynton Kelly. The title track is a beautiful reading of Galt MacDermott's "African Waltz" – and other tracks include "Blue Brass Groove", "Something Different", "The Uptown", and "Letter From Home". Wilkins outdoes himself on this one, really providing some strong swinging arrangements that work well with the complicated groove of the project – and in a way, the record feels more like Randy Weston or Melba Liston's at the helm. LP, Vinyl record album
(Black label Bill Grauer productions pressing with deep groove and microphone logo. Cover has some splitting on the seams.)

Exact matches4
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyCannonball Adderley Quintet At The Lighthouse ... LP
Jazzland, 1960. Used ... Temporarily Out Of Stock
Fantastic work from the Cannonball Adderley Quintet – one of their greatest performances from the seminal early 60s years! The band at this time includes Cannon on alto, Nat on cornet, Victor Feldman on piano, Sam Jones on bass, and Louis Hayes on drums – and although Feldman's not as strong of a soul jazz player as Bobby Timmons or Joe Zawinul, both of whom also played with the group, his playing on this set is great, thanks to a really lively rhythm section! Includes an 11 minute version of "Sack O Woe", plus "Blue Daniel", "Azule Serape", and "Big P". LP, Vinyl record album
(Blue label Bill Grauer productions pressing with microphone logo and deep groove.)

Exact matches5
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyCountry Preacher – Live At Operation Breadbasket ... CD
Capitol, 1969. Used ... Temporarily Out Of Stock
A totally great set by Cannonball Adderley – one of his funkiest albums ever, recorded live at Operation Breadbasket under the supervision of Jesse Jackson, and a session in which the band is cooking a lot more than on some of their other albums from the time! The set grooves hard with some tight electric piano from Joe Zawinul – amazing snakey lines that not only set the tone for the whole record, but which really make for a strong evolution from the Mercy Mercy Mercy era of the group a few years before. Cannon's alto and soprano work are beautiful – a masterpiece of soul jazz expression – as is the cornet from brother Nat – and the group's completed by bassist Walter Booker and drummer Roy McCurdy. The album's a bucketful of great jazzy sample tunes – and tracks include "Walk Tall", "Country Preacher", "Hummin", and the extended "Afro-Spanish Omlet". CD
(Out of print.)

Exact matches6
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyIn The Land Of Hi Fi With Julian Cannonball Adderley ... LP
EmArcy, 1956. Used ... Temporarily Out Of Stock
The title's a bit of a mouthful, but a good description of the way Cannonball was presented in the years before his soul jazz groove firmly kicked in! The "hi fi" is a bit overstated – as the album's pretty much of a straight jazz record, featuring Cannon blowing lead solos in a large group arranged and directed by Ernie Wilkins. Bother Nat's on cornet, and other players include Jerome Richardson, Junior Mance, and Jimmy Cleveland. Titles include "Junior's Tune", "Blues For Bohemia", "Dog My Cats", "T's Tune", and "Casa De Marcel". LP, Vinyl record album
(Drummer logo pressing with deep groove. Cover has some wear & aging on the back. Vinyl has oxidation that causes surface noise throughout.)

Exact matches7
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyJulian Cannonball Adderley (aka Cannonball Adderley Quintet In Chicago) ... LP
Mercury/Everest, 1959. Used ... Temporarily Out Of Stock
A later budget line reissue of this great session from 1959 – one that features John Coltrane playing with the Adderley group, recorded in Chicago when they were stopping through the city with Miles Davis' combo at the time! In fact, since the rhythm section includes Wynton Kelly, Paul Chambers, and Jimmy Cobb – and since Coltrane's sitting in with Cannon – the album's essentially a Kind Of Blue-era Miles album, recorded without Miles on trumpet, and grooving in a slightly more soul-based Adderley mode. Given the presence of Coltrane, there's a bit less of the gutbuckety soul jazz that Cannon was cutting in his own Quintet – but that's more than ok with us, as the Coltrane solos more than make up for that difference! Twe love Coltrane's "The Sleeper" and the set features 4 other numbers, including "Wabash", "You're A Weaver Of Dreams", 'Stars Fell On Alabama" and "The Tune Of The Hickory Stick". LP, Vinyl record album

Exact matches8
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyKnow What I Mean? (20 bit remaster) ... CD
Riverside, 1961. Used ... Temporarily Out Of Stock
Beautiful early work from Cannonball Adderley – and a record that's quite different than most of his better known sets from the time! The album's more spare and stripped-down than usual – with Cannon's alto in a quartet alongside Bill Evans on piano, Percy Heath on bass, and Connie Kay on drums. The style is almost more that of Evans than it is Cannonball – lightly lyrical, with a good sense of space – in a way that has Adderley playing out front very strongly, cutting some beautiful lines with his solos, in a really unfettered way! Titles include versions of two of Evans' tracks – "Waltz For Debby" and "Know What I Mean?" – plus nice moody takes on other material, like John Lewis' "Venice", Clifford Jordan's "Toy", and Gordon Jenkins' "Goodbye". CD features 4 bonus tracks too. CD
(Out of print.)

Exact matches9
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyLovers ... LP
Fantasy, 1976. Used Gatefold ... Temporarily Out Of Stock
Late stuff by Cannonball, with a dope spacey electric sound, no doubt due to some very nice keyboards on the session by George Duke. The album's a bit mellower than some of the others on Fantasy, but it makes up for that with a warm snaking mellow funk groove. Brother Nat gives a helping hand on both cornet and production duties, and the group also features Airto, Alphonso Johnson, Jack DeJohnette, and Alvin batiste with guest spots by Flora Purim and Ron Carter. Tracks include "New Orleans Strut", "Salty Dogs", "Lovers", and "Children of Time". LP, Vinyl record album
(Cover has a cut corner, and a spot of pen. Label has a spot of pen.)

Exact matches10
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyMercy, Mercy, Mercy! ... LP
Capitol, 1966. Used ... Temporarily Out Of Stock
If the 60's ever had a "hit" jazz record, it was probably this one! The album's a sparkling live session featuring the trademark soul jazz sounds of the Cannonball Adderley group with Joe Zawinul on acoustic and electric piano, and brother Nat Adderley on cornet. The tracks have a long soulful groove, with gutbucket solos from the 3 above-mentioned players, and tight live production by a young David Axelrod. Titles include "Sticks", "Hippodelphia", "Sack O Woe", and the classic "Mercy, Mercy, Mercy" – a jazz theme that you'll recognize instantly! LP, Vinyl record album
(Rainbow label pressing.)

Exact matches11
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyOne For Daddy-O – Jazz At The Concertgebouw ... CD
55 Records (Japan), 1960/1966. New Copy ... Temporarily Out Of Stock
Two different 60s performances by Cannonball Adderley – both recorded in Amsterdam for the Concertgebouw jazz series! The first half of the album has Cannon working with a classic quintet – one of those groups that helped virtually invent the sound of soul jazz at the start of the 60s – with Nat Adderley on cornet, Victor Feldman on piano, Sam Jones on bass, and Louis Hayes on drums! All tracks are nice and long, with that especially bold approach to soloing that made the Riverside live albums by the group so great – and titles include "This Here", "Exodus", "One For Daddy O", and "Bohemia After Dark". The second batch of the material is from 1966, and has Cannonball blowing alto with a group led by pianist Pim Jacobs – with Wim Overgaauw on guitar, Ruud Jacobs on bass, and Cees See on drums – a Dutch combo who still hang in a soul jazz mode, but bring a nicely different flavor to the usual Adderley groove – on titles that include "Blues", "Stella By Starlight", "Work Song", and "Tune Up". CD

Exact matches12
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyPortraits In Jazz – Live At The Half Note ... CD
Hi Hat, 1965. New Copy ... Temporarily Out Of Stock
A smoking live set from Cannonball Adderley – one recorded in a space between his famous concert albums for Riverside and Capitol Records – and equally as great as any of them! The group's got a slightly unique lineup – in that Charles Lloyd is in the combo on tenor sax – alongside Nat on cornet and Joe Zawinul on piano – really making the most of the long tracks that are carved out perfectly by the group, in a blend of soul jazz and modal styles! Titles include "Jessica's Birthday", "Cajvalach", "Sewing Machine", "The Little Boy With The Sad Eyes", and "Come Sunday". CD

Exact matches13
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyPrice You Got To Pay To Be Free ... LP
Capitol, 1970. Used 2LP Gatefold ... Temporarily Out Of Stock
Fantastic work from the massive electric years of the Cannonball Adderley Quintet – one of the group's last records to feature the keyboards of Joe Zawinul – and also one of the heaviest from the time! The set's a double-length gem that presents the group in an open live setting – one that really displays the full charm of their approach at the time, and that wonderfully crowd-winning mode that made Cannon a key act at this time for rock and soul audiences too! Adderley raps a bit at key points, and brings some righteous energy to the concert – while the rest of the group follow up with performances that really send the whole thing home – Nat Adderley on cornet, Zawinul on Fender Rhodes and piano, Walter Booker on bass, and Roy McCurdy on drums. Cannon plays some soprano sax, in addition to his familiar alto – and titles include "Alto Sex", "Lonesome Stranger", "Wild Cat Pee", "Soul Virgo", "Painted Desert", "Directions", "Pra Dizer Adeus", "Rumplestiltskin", "Price You Got To Pay To Be Free", "Esquisition", "Get Up Off Your Knees", "Down In Black Bottom", and "The Scene". Produced by David Axelrod too! LP, Vinyl record album
(Cover has ring & edge wear and a cutout hole.)
Also available Price You Got To Pay To Be Free ... CD 12.99

Exact matches14
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyPyramid ... LP
Fantasy, 1974. Used ... Temporarily Out Of Stock
One of Cannonball Adderley's excellent moody electric albums from the early 70s – with a stripped down vibe that's really nice, made even better by sweeeet production by David Axelrod! The set's got great keyboard work by George Duke and Hal Galper – both working in a spare, subtle funk mode that's a perfect fit for Axelrod's production style and Cannon's soulful soloing. Tracks include David Axelrod's "Book-Ends", plus 2 Hal Galper tunes, "Phases" and "My Lady Blue", and Cannonball's "Suite Cannon". LP, Vinyl record album
(Cover has a cut corner.)

Exact matches15
CD, LP, Vinyl record album cover art
Cannonball AdderleySomethin' Else ... LP
Blue Note, 1958. Good ... Just Sold Out!
A landmark album – even if it was the only session that Cannonball Adderley ever cut for Blue Note! The album was recorded at a time when Adderley was working with Miles Davis – and as such, the session features a group that includes Miles, blowing in a cool tone that's a perfect offset to Cannonball's more soulful style. The rest of the group includes Hank Jones, Sam Jones, and Art Blakey – and like John Coltrane's Blue Train, the record's more of an "special session" than the usual Blue Note album, but the strength of the players make it one of the more memorable records of its day! Titles include "Somethin' Else", "One For Daddy-O", and a nice moody take on "Dancing In The Dark". LP, Vinyl record album
(Mono 63rd Street pressing with deep groove, RVG stamp, 9M etch and ear. Cover has some wear. Vinyl plays with clicks & crackles.)

Exact matches16
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleySomethin' Else (75th Anniversary Edition) ... LP
Blue Note, 1958. New Copy (reissue)... Temporarily Out Of Stock
A landmark album – even if it was the only session that Cannonball Adderley ever cut for Blue Note! The album was recorded at a time when Adderley was working with Miles Davis – and as such, the session features a group that includes Miles, blowing in a cool tone that's a perfect offset to Cannonball's more soulful style. The rest of the group includes Hank Jones, Sam Jones, and Art Blakey – and like John Coltrane's Blue Train, the record's more of an "special session" than the usual Blue Note album, but the strength of the players make it one of the more memorable records of its day! Titles include "Somethin' Else", "One For Daddy-O", and a nice moody take on "Dancing In The Dark". LP, Vinyl record album

Exact matches17
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleySomethin' Else (RVG Remaster Edition) ... CD
Blue Note, 1958. Used ... Temporarily Out Of Stock
A landmark album – even if it was the only session that Cannonball Adderley ever cut for Blue Note! The album was recorded at a time when Adderley was working with Miles Davis – and as such, the session features a group that includes Miles, blowing in a cool tone that's a perfect offset to Cannonball's more soulful style. The rest of the group includes Hank Jones, Sam Jones, and Art Blakey – and like John Coltrane's Blue Train, the record's more of an "special session" than the usual Blue Note album, but the strength of the players make it one of the more memorable records of its day! Titles include "Somethin' Else", "One For Daddy-O", and a nice moody take on "Dancing In The Dark". CD

Exact matches18
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyThem Dirty Blues ... LP
Riverside, 1960. Used ... Temporarily Out Of Stock
One of the all-time great ones by Cannonball! This record captures him in the prime of his early soul jazz fame – working with an unbelievably heavy quintet that featured Bobby Timmons on piano (with Barry Harris sitting in on a few tracks), Sam Jones on bass, Louis Hayes on drums, and brother Nat Adderley on cornet. The quintet forged a sound that made them an immediate hit – and which had their tight, jagged, soul-drenched sound getting copied by everyone. The record features some amazing soul jazz standards – like Nat's original version of "Work Song", the first-ever record of Timmons' amazing "Dat Dere", Cannon's slinky "Them Dirty Blues", and the jaunty groover "Jeannine", a wonderful cut by Duke Pearson that never sounded better! The CD features alternates of "Work Song" and "Dat Dere" – for a total of 9 tracks in all! LP, Vinyl record album
(Small blue label pressing, with microphone logo and deep groove. Cover has a split top seam and spine.)

Exact matches19
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyWhy Am I Treated So Bad? ... LP
Capitol, Late 60s. Used ... Temporarily Out Of Stock
If you ever needed a key example of the genius of Cannonball on Capitol Records, this tight little set may well be it! The record's got all the best elements of a Cannon classic firmly in place – production by David Axelrod, electric piano by Joe Zawinul, and some tremendously soulful work from Cannon and Nat Adderley on their respective horns – all presented with a sense of relaxed tightness (if we can use such a phrase) that's jaw-droppingly brilliant all the way through! Cannon speaks a bit and pushes the band into action with charisma and warmth caught nicely by Axelrod's recording – and the band grooves on long, snakey tunes that mix equal parts funk and soul jazz together, coming up with the quintessential Adderley groove on nearly every number! Tracks include the seminal "Why Am I Treated So Bad", plus "Mini Mama", "I'm On My Way", "One For Newk", "The Scene", "Yvette", and "The Other Side". LP, Vinyl record album
(Rainbow label pressing. Cover has a cutout hole.)

Exact matches20
CD, LP, Vinyl record album cover art
✨✧ Cannonball Adderley with Nancy Wilson & Lou RawlsIn Person ... LP
Capitol, 1968. Used ... Temporarily Out Of Stock
Almost everything soulful at Capitol Records in the mid 60s – packed together in one sweet little place! The set's a winner in a great line of Cannonball Adderley live dates from the time – produced by David Axelrod, and done with that great mix of angular, slightly electric groove the combo was virtually pioneering – thanks to help from Joe Zawinul on electric piano, and Nat Adderley on cornet! Cannon also plays some great soprano sax – an instrument that he was taking off beautifully with at the time – and sets fire to a few great tunes with the instrument. But as if that's not enough, Lou Rawls joins in on vocals on a few cuts, and Nancy Wilson comes in on a few more – and the album alternates singing with instrumentals in a really great way. Titles include two very nice extended tracks by Joe Zawinul – "Rumplestiltskin" and "The Scavenger", both of which are over 10 minutes long, and which have the group stretching out in a nice live vein – and other cuts include "The Scene", "Somewhere", "Sweet Emma", and "Zorba". LP, Vinyl record album
(Rainbow label stereo pressing. Cover has light wear.)
 
Possible matches: 55
Possible matches48
CD, LP, Vinyl record album cover art
✨✧ Nat AdderleyIn The Bag ... LP
Jazzland, 1962. Used ... Temporarily Out Of Stock
An excellent early Nat Adderley record that has the funky trumpet player groovin' in the company of a number of bright young players from New Orleans, including Nat Perrilliat on tenor, Ellis Marsalis (yes, that one) on piano, and James Black on drums. Sam Jones plays funky bass, and brother Cannonball joins on on alto for a nice set of groovers that includes "In The Bag", "Sister Wilson", "Low Brown", and "New Arrival". Nice stuff, and we don't really see this one that much these days. LP, Vinyl record album
(OJC pressing. Cover is slightly wavy near the bottom, with some very light stains visible on back.)

Possible matches49
CD, LP, Vinyl record album cover art
✨✧ Bud Powell/Don ByasTribute To Cannonball (with bonus tracks) ... CD
Columbia, 1961. Used ... Temporarily Out Of Stock
A gem of a session from the European expatriot scene of the postwar years – not really a tribute to Cannonball Adderley, but a rare meeting of Bud Powell and Don Byas in the studio, produced by Cannonball in Paris in 1961! The record has a tremendous amount of fire and focus – especially on the part of Powell, who could sometimes falter in a European setting – and although Byas' horn might seem a contrasting choice for Bud, he really burns with a lot of energy here – arcing, soaring, and turning with lines that show that his talents hadn't dimmed at all out of the American limelight. As always with his few productions from the time, Cannonball shows a great deal of sensitivity and patience with the players – probably a key factor of the success of the set. Also noteworthy is the rest of the group – which includes Idrees Sulieman on trumpet, Pierre Michelot on bass, and Kenny Clarke on drums. Titles include "Jeannine", "Just One Of Those Things", "All The Things You Are", "I Remember Clifford", and "Jackie My Little Cat". CD
(Out of print.)

Possible matches50
CD, LP, Vinyl record album cover art
Nat AdderleyTo The Ivy League From Nat Adderley ... LP
EmArcy, Late 50s. Very Good ... $16.99
What was Nat's deal with the Ivy League? We can't figure it out, but the set's a strong one – with Nat in the lead, working in a group that's essentially the late 50s Cannonball combo. Cannon's on alto, Junior Mance on piano, Sam Jones on bass, and Charles Wright on drums – and Ernie Wilkins arranged the tunes with a sparkly soul jazz finish that's perfect for Nat's tone on cornet. Titles include a number of strong originals – such as "Jackleg", "Rattler's Groove", "Hayseed", "Fat Man", "Sam's Tune", and "Bimini". LP, Vinyl record album
(Blue label pressing with drummer logo & deep groove. Cover has some oxidation on front and a thin stain with a bit of gloss peeling on the opening.)

Possible matches51
CD, LP, Vinyl record album cover art
✨✧ Nat AdderleyWork Song ... CD
Riverside/OJC, 1960. Used ... Just Sold Out!
When it comes to soul jazz, you can't get any more classic than this! The title was one of the biggest jazz hits of the 60s – covered by countless other artists, but presented here in all its original brilliance in a group led by its composer, a young Nat Adderley! At the time of the record, Nat was making plenty big waves in the combo of brother Cannonball – but this set has him stepping out strongly as a leader – borrowing Bobby Timmons, Sam Jones, and Louis Hayes from Cannon's group – and also adding in Wes Montgomery on guitar and additional bass and cello work from Keeter Betts and Percy Heath. The tracks are all tight as a drum – and the record features seminal versions of "Work Song" and "Sack O Woe" – as well as the numbers "Scrambled Eggs", "Pretty Memory", and "Fallout" – all great! CD
(Booklet has a name written in pen and a cutout hole.)

Possible matches52
CD, LP, Vinyl record album cover art
Miles Davis1958 (Master Sound pressing with bonus tracks) ... CD
Sony (Japan), 1958. Used ... $18.99
Some of the greatest Miles Davis material ever recorded – and not really ever officially issued as an album until this collection! The recordings are from the magical year of 1958, a time when Miles was working in the Kind Of Blue mode – on the album of the same name, one of his all-time standout classics. The work on this set is in a very similar spirit – recorded by a sextet that includes the rhythm section of Jimmy Cobb, Paul Chambers, and a young Bill Evans, who brings a magically modal feel to the album that really gives it an edge. Added to that are the saxophones of John Coltrane and Cannonball Adderley, blowing together in two ends of the soul spectrum, really stretching the color palette from Miles' usual work. Miles himself seems very inspired by the company, and works with plenty of space to allow the saxophonists to stretch out in wonderful solos – and Evans himself is simply amazing, working wonderfully in the setting, making us wish he'd recorded more group dates like this one! The first 3 tracks on the set were briefly issued on the flipside of the Jazz Track album (an obscure Columbia LP that also included 10 songs from the soundtrack to Ascenseur Pour L'Echafaud), and a few others on later live LPs – but this is the first time the material from that group has appeared together as a full album. Includes stellar versions of "Stella By Starlight", "Green Dolphin Street", "Fran Dance", "Little Melonae", and "Love For Sale". CD also features 2 bonus alternate takes – a total of 7 titles in all! CD
(Out of print, includes obi.)

Possible matches53
CD, LP, Vinyl record album cover art
Miles DavisMiles Davis At Newport – 1955-1975 – The Bootleg Series Vol 4 (4CD box set) ... CD
Legacy, Mid 50s/1960s/Mid 70s. New Copy 4 CDs ... $43.99 49.98
Not just Miles Davis live at Newport – but Miles at Newport over the course of 20 years, in the space of eight different live performances – almost all of which are previously unreleased! Apart from the 1958 and 1969 Newport material here, most of the 4CD set features all-new, all-great vintage Miles material – with Newport performances from 1955, 1958, 1966, 1967, 1969, 1971, 1973, and 1975 – the last three of which are Newport festivals in Europe and New York. And these aren't just random tracks, but full sets, too – even with some announcements at the start or end – and players include Gerry Mulligan and Zoot Sims for the 1955 concert; John Coltrane, Cannonball Adderley, and Bill Evans in 1958; Herbie Hancock, Wayne Shorter, Ron Carter, and Tony Williams for 1966 and 1967; Jack DeJohnette, Dave Holland, and Chick Corea in 1969; a big electric group with Keith Jarrett, Gary Bartz, Michel Henderson, and Mtume in 1971; and Pete Cosey, Davie Liebman, Reggie Lucas, and Mtume for the 1973 and 1975 shows. A huge amount of material – 4 CDs in a great package, with detailed notes, too! CD

Possible matches54
CD, LP, Vinyl record album cover art
Miles DavisMilestones (Japanese pressing) ... CD
Sony (Japan), 1958. Used ... $4.99
One of our 50s favorites by Miles Davis – and a record that offers the same twin-sax sound as his classic Kind Of Blue – with both John Coltrane and Cannonball Adderley working alongside Miles in the group! Rhythm here is by the Prestige-era trio of Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums – but it's the two saxophonists who really help Davis shape the feel of the record, pushing things past the initial Coltrane/Davis groove with a really wonderful sense of space and sound! Titles include the classic "Milestones", plus "Two Bass Hit", "Dr Jeckyll", and "Sid's Ahead". CD
(Out of print, includes obi.)

Possible matches55
CD, LP, Vinyl record album cover art
Gil EvansComplete Pacific Jazz Sessions (New Bottle Old Wine/Great Jazz Standards) ... CD
Pacific Jazz, 1958/1959. Used ... $6.99
2 wonderful late 50s sessions from arranger Gil Evans – both of which we'd rank right up there with his best work with Miles Davis, or the albums under his own name for Impulse in the 60s! The first half of the CD is from the album New Bottle Old Wine – a record of swinging modern backdrops, used to showcase both the solo talents of a young Cannonball Adderley, and the dynamic energy of Evans himself! Cannon's sharp-edged early tone is a really great sound for the record – far more modern than you might expect from later funk and soul sides of the 60s – and perfectly poised next to Gil's larger back drops to reignite a host of older tunes with new energy! And while the titles are familiar, the readings certainly are not – as the Evans pen has really changed things up beautifully – as you'll hear on numbers that include "St Louis Blues", "King Porter Stomp", "Willow Tree", "Struttin' With Some Barbeque", "Lester Leaps In", "Round About Midnight", "Manteca", and "Bird Feathers". Great Jazz Standards is equally great, a fantastic lost set from Evans – and one that features Mingus trumpeter Johnny Coles as the lead soloist in front of Evans-led modern groups that include players like Elvin Jones, Ray Crawford, Steve Lacy, Budd Johnson, Rod Levitt, and Chuck Wayne. Despite the "standards" in the title, most of these numbers are modern tunes from the 50s – like "Joy Spring", "Ballad Of The Sad Young Men", "Django", "Straight No Chaser", and "Chant Of The Weed" – all given Evans' unique style of arrangement, tweaked up a few notches to give them a really edgey quality. Coles is clearly standing in for Miles here, but the format works well overall! CD features 15 tracks in all, including some newly-improved versions of a few tracks, correcting mistakes in the original records! CD
(Out of print. BMG Direct pressing.)

Possible matches56
CD, LP, Vinyl record album cover art
Gil EvansRoots (aka New Bottle Old Wine) ... LP
World Pacific/Fontana (Netherlands), 1958. Very Good ... $19.99
A masterpiece through and through from arranger Gil Evans – a record of swinging modern backdrops, used to showcase both the solo talents of a young Cannonball Adderley, and the dynamic energy of Evans himself! Cannon's sharp-edged early tone is a really great sound for the record – far more modern than you might expect from later funk and soul sides of the 60s – and perfectly poised next to Gil's larger back drops to reignite a host of older tunes with new energy! And while the titles are familiar, the readings certainly are not – as the Evans pen has really changed things up beautifully – as you'll hear on numbers that include "St Louis Blues", "King Porter Stomp", "Willow Tree", "Struttin' With Some Barbeque", "Lester Leaps In", "Round About Midnight", "Manteca", and "Bird Feathers". LP, Vinyl record album
(Unusual vintage Dutch pressing – great cover image! One corner of the cover has a light crease, but rest is great.)

Possible matches57
CD, LP, Vinyl record album cover art
Jimmy HeathNice People (with bonus tracks) ... CD
Riverside/OJC, 1959. Used ... $2.99
A nice little collection of some classic hard bop from Jimmy Heath, with a few of the sides of some the stuff he recorded with larger ensembles thrown in for good measure, pulled together in the 80s, once the OJC family of labels came under the Fantasy umbrella. Heath's Riverside recordings of the late 50s and early 60s is some of our favorite material on the label, recording with a soulful, hip edge and fiery hard bop energy. This collection pulls numbers from The Thumper, Really Big!, The Quota, Triple Threat, Swamp Seed and On The Trail, and feature a host of top notch players, including Nat Adderley, Curtis Fuller, Wynton Kelly, Paul Chambers, Pat Patrick, Cannonball Adderley, Julius Watkins, Freddie Hubbard, Cedar Walton, and brothers Percy and Albert Heath. Tracks include "Nice People", "Who Needs It?", "The Picture Of Heath", "Down Shift", "Lowland Lullaby", "Dew & Mud", "Wall To Wall" and "All The Things You Are". CD includes two bonus tracks "Goodbye" & "Swamp Seed". CD
(Out of print.)

Possible matches58
CD, LP, Vinyl record album cover art
✨✧ Jimmy HeathReally Big ... CD
Riverside, 1960. Used ... $4.99
Very hip work from a young Jimmy Heath – a relative newcomer to the scene at this point, but breaking out with a firm conception and tone, exercised strongly here in a set of large group arrangements worked out in collaboration with Tom McIntosh. McIntosh's work in this format is well known from albums by Dizzy and James Moody – and as with those records, this one has an edgey quality that really keeps the music fresh, and which provides a good foil for solos by Heath, McIntosh, Pat Patrick, and Cannonball Adderley. Titles include "Big P", "Mona's Mood", "Nails", and "The Picture Of Heath". CD
(Out of print.)

Possible matches59
CD, LP, Vinyl record album cover art
Jon HendricksGood Git-Together ... CD
World Pacific, 1959. Used ... $4.99
A rare early session as a solo act by vocalist Jon Hendricks – recorded at the time when he was first making waves with Lambert, Hendricks, and Ross – but proof that Jon always sounded a lot hipper on his own! The style here is quite different from the vocalese of LHR, and Hendricks is laidback, open, and very soulful – working with Wes, Buddy, and Monk Montgomery – as well as Cannonball and Nat Adderley, Pony Poindexter, and Gildo Mahones – all coming together in a "git together" session that features some of Hendricks' best vocals on record! The session features great readings of Hendricks originals that include "Minor Catastrophe", "I'll Die Happy", and "I'm Gonna Shout" – as well as Gigi Gryce's "Music In The Air" and "Social Call", plus a great take on Randy Weston's "Pretty Strange" and Gildo Mahones' "The Shouter". CD

Possible matches60
CD, LP, Vinyl record album cover art
Sherman Irby QuartetLive At The Otto Club ... CD
Black Warrior, 2008. Used ... $8.99
We last heard altoist Sherman Irby on a hip tribute to Cannonball Adderley – and here, in a recent live set, he blows with an equally soulful vibe! The tunes are all quite long, and played by a quartet – which leaves plenty of room for Irby to take the lead on his solos – stretching out with a wonderfully soulful sense of imagination, really making the most of the ten-plus minutes of most of the numbers, while the group really soars alongside in a sweet modal groove! Titles include "Depth", "Laura's Love Song", "Countdown", "Four", and "Bohemia After Dark". CD

Possible matches61
CD, LP, Vinyl record album cover art
✨✧ Jazz At The PhilharmonicJazz At The Philharmonic In Europe (2LP) ... LP
Verve, Early 60s. Very Good 2LP Gatefold ... $1.99
2 nice live sets – put together by Norm Granz, as a tour of the JATP all stars in Europe. Originally issued separately, but pretty much under the same title, the first LP brings together the hottest jazz stars of the day, and on this volume it includes Dizzy Gillespie, Cannonball Adderley, JJ Johnson, Coleman Hawkins and Roy Eldridge. There's a great jamming take on "Bernie's Tune" and a sidelong riffing version of "All The Things You Are", plus "Swedish Jam". The second album was issued ostensibly as a Dizzy Gillespie performance, but with like the first features some very strong guest stars! The core of the group is Diz's great one from the early 60s – with Lalo Schifrin on piano and Leo Wright on alto and flute, and they're joined by Stan Getz, JJ Johnson, and Candido for this tasty set of three long tracks: "Kush", "The Mooch" and "Wheatleigh Hall". LP, Vinyl record album
(70s pressing. Cover has a cut corner.)

Possible matches62
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Sam JonesChanges & Things ... CD
Xanadu, 1977. New Copy ... $14.99 15.99
A brilliant 70s album from bassist Sam Jones – a player who rose to fame with Cannonball Adderley at the start of the 60s, and worked on his own as a leader too – but who really seemed to take off during the time of this recording! Sam's sense of groove and arranging is very strongly in place here – a sense of fire that was no doubt developed with Cannonball, but given a much wider vision on Jones' 70s albums like this – records that might well be some of the few to find a new space forward in the decade for a 60s soul jazz aesthetic! Sam's bass is right out front, and gets some good exposure on a few of the tunes' intros, too – and the rest of the lineup is excellent – with Blue Mitchell on trumpet, Bob Berg on tenor, Slide Hampton on trombone, Barry Harris on piano, and Louis Hayes on drums. Titles include "Miss Morgan", "Laverne Walk", "Sam's Things", "Trane's Changes", "Blue's", and "Stablemates". CD

Possible matches63
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✨✧ MachitoKenya ... CD
Roulette/EMI, 1957. Used ... $7.99
A real corker from Machito – a set that's got a lot more bite and earthy fire than some of his other albums of the 50s – as you might be able to guess from the cover and the title! The record definitely lives up to the Afro-Cuban promise on the front – thanks to very hip arrangements from Mario BAuza and AK Salim – who balance core rhythmic elements with some great modern jazz solo contributions – from key players who include Johnny Griffin on tenor, Cannonball Adderley on alto, Joe Newman on trumpet, and Eddie Bert on trombone – all coming together under Machito's leadership with a sound that's much bolder than most of his work in a straighter Latin mode! The album's a key meeting of styles – as powerful today as it was when first recorded – and tracks include the great "Congo Mulence", a very tight groover – plus "Turuato", "Frenzy", "Cannonology", "Minor Rama", and "Wild Jungle". CD
(Out of print.)

Possible matches64
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Lou RawlsSoulin' ... CD
Capitol/Elemental (France), 1966. New Copy Gatefold ... $13.99
One of the best albums that Lou Rawls cut with the team of HB Barnum and David Axelrod – that incredible duo who made some of his 60s Capitol albums so great! The style here is wonderful – upbeat grooves from Barnum – who brings more soul into Lou's music than before – recorded by Axelrod with the right sort of sharpness and punch – that special quality he brought to Cannonball Adderley's 60s soul classics too! Rawls is really at home in the setting – stepping out in some points with these hip monologue passages that are as great as his singing – maybe even better, too – as they show a whole new side of Lou's personality – that badass, totally hip quality that people might never have expected from the early days. One of the best of these is the excellent "Old Man's Memories", about a guy sitting on a bench in Washington Park on the south side of Chicago, which then rolls into an amazing version of "It Was A Very Good Year". Other tunes have a great mix of soul and jazz – and titles include "Love Is A Hurtin Thing", "A Whole Lotta Woman", "Don't Explain", "Old Folks", and "Breaking My Back (Instead Of Using My Mind)". CD
(Limited edition!)

Possible matches65
CD, LP, Vinyl record album cover art
Louis SmithHere Comes Louis Smith ... LP
Blue Note, 1957. Very Good ... $24.99
Trumpeter Louis Smith made only two records for Blue Note, but both of them are great! This set's arguably his most famous – because of a rare uncredited appearance by Cannonball Adderley, working here under the "nom de date" of "Buckshot La Funke" – and blowing with a power that beats most of his other Mercury sessions of the late 50s! But the real credit here should go to Louis Smith – who's got a sense of power and command that should have made him one of THE trumpeters of the 50s – an emerging young talent to stand alongside Lee Morgan, Nat Adderley, and other post-Fats Navarro/Clifford Brown talents on the instrument. Smith sparkles throughout with a mix of soul and modernism we really love – and an earthy way of blowing the horn that doesn't always reach its goals, but which draws even more energy from its ability to try! The rhythm section on the album's also very tight – with Art Taylor on drums, Doug Watkins on bass, and either Tommy Flanagan or Duke Jordan on piano – and tracks include "Ande", "Brill's Blues", "South Side", and "Val's Blues". LP, Vinyl record album
(UA pressing. Vinyl appears slightly heated, and plays with faint surface noise. Cover has a small cut corner, otherwise looks great.)
Also available Here Comes Louis Smith (180 gram pressing) ... LP 18.99

Possible matches66
CD, LP, Vinyl record album cover art
Louis SmithHere Comes Louis Smith (180 gram pressing) ... LP
Blue Note (Spain), 1957. New Copy (reissue)... $18.99
Trumpeter Louis Smith made only two records for Blue Note, but both of them are great! This set's arguably his most famous – because of a rare uncredited appearance by Cannonball Adderley, working here under the "nom de date" of "Buckshot La Funke" – and blowing with a power that beats most of his other Mercury sessions of the late 50s! But the real credit here should go to Louis Smith – who's got a sense of power and command that should have made him one of THE trumpeters of the 50s – an emerging young talent to stand alongside Lee Morgan, Nat Adderley, and other post-Fats Navarro/Clifford Brown talents on the instrument. Smith sparkles throughout with a mix of soul and modernism we really love – and an earthy way of blowing the horn that doesn't always reach its goals, but which draws even more energy from its ability to try! The rhythm section on the album's also very tight – with Art Taylor on drums, Doug Watkins on bass, and either Tommy Flanagan or Duke Jordan on piano – and tracks include "Ande", "Brill's Blues", "South Side", and "Val's Blues". LP, Vinyl record album
(Limited edition!)
Also available Here Comes Louis Smith ... LP 24.99

Possible matches67
CD, LP, Vinyl record album cover art
Eddie Cleanhead VinsonBack Door Blues ... LP
Riverside, 1962. Very Good+ ... $14.99
An incredible album that has Cleanhead moving way past his usual bag! Sure, he's normally known as an R&B vocalist and alto player, but here, in one of those great Riverside "Cannonball Adderley Presents" sessions, Vinson gets into a whole new bag on some cuts. He's playing with Cannonball's group of Nat, Joe Zawinul, Sam Jones, and Louis Hayes – and there's one track in particular that's amazing – "Arriving Soon", an instrumental that has Vinson soaring on alto, wailing with an almost Coltrane-esque level of freedom. It's a killer modal track, and is worth the price of the album alone. There's another instrumental called "Vinsonology", plus vocal numbers like "Hold It", "This Time", and "Kidney Stew" – all with a nice groovy Adderley quintet kind of groove. LP, Vinyl record album
(Blue label Bill Grauer pressing with microphone logo and deep groove. A great copy!)
 
 
 



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