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Exact matches: 53
Exact matches1
CD, LP, Vinyl record album cover art
Cannonball AdderleyBeginnings ... LP
EmArcy, Mid/Late 50s. Very Good+ 2LP Gatefold ... $4.99
Excellent bop sides cut for EmArcy by Cannonball, collected and assembled in a manner that showcases his wonderfully soulful and hard blowing approach to the alto in the years before Miles recruited him. The set features a host of great sidemen including brother Nat, JJ Johnson, Cecil Payne, Ernie Royal, John Coltrane, Junior Mance, Horace Silver, Wynton Kelly, Paul Chambers, Keeter Betts, Sam Jones, Kenny Clarke, Max Roach and Jimmy Cobb. 17 tracks in all, including "Hurrican Connie", "Cynthia's In Love", "Cannonball", "Nat's Everglade", "Fallen Feathers", "Watermelon", "Fort Lauderdale", "Broadway At Basin Street", "T's Tune", "Blues For Bohemia", "Specutacular", "Miss Jackie's Delight", "Hoppin' John", "The Way You Look Tonight", "I'll Remember April", "Limehouse Blues" and "The Sleeper". LP, Vinyl record album
(Cover has a cut corner & some light wear.)

Exact matches2
CD, LP, Vinyl record album cover art
Cannonball AdderleyCannonball & Coltrane (aka Cannonball In Chicago) ... CD
Limelight/EmArcy, 1959. Used ... $7.99
A great session from 1959 – one that features John Coltrane playing with the Adderley group, recorded in Chicago when they were stopping through the city with Miles Davis' combo at the time! In fact, since the rhythm section includes Wynton Kelly, Paul Chambers, and Jimmy Cobb – and since Coltrane's sitting in with Cannon – the album's essentially a Kind Of Blue-era Miles album, recorded without Miles on trumpet, and grooving in a slightly more soul-based Adderley mode. Given the presence of Coltrane, there's a bit less of the gutbuckety soul jazz that Cannon was cutting in his own Quintet – but that's more than ok with us, as the Coltrane solos more than make up for that difference! The set's got 2 great originals by Coltrane – "The Sleeper" and "Grand Central" – plus the cuts "Wabash" and "Limehouse Blues". CD
(Out of print, BMG music club pressing.)

Exact matches3
CD, LP, Vinyl record album cover art
Cannonball AdderleyCannonball Adderley Live! ... LP
Capitol, 1964. Near Mint- ... $7.99
Cannonball Adderley with David Axelrod production – a combination that couldn't miss back in the 60s! In keeping with the success of the Mercy Mercy Mercy album done with Axelrod, Capitol did everything they could to catch Cannonball in a live setting – a great move, given the open, soulful energy his group had in the format – crowd-pleasing, but always plenty darn creative too! Added to the mix here is some nice production by David Axelrod, capturing all the right moments in all the right ways – especially when Joe Zawinul steps up to take some sweet solos on the keys – and the great Charles Lloyd serves up some mighty nice work on flute and tenor sax. Other players include Nat Adderley on cornet, Sam Jones on bass, and Louis Hayes on drums – and titles include "The Song My Lady Sings", "Little Boy With The Sad Eyes", "Work Song", and "Sweet Georgia Bright". LP, Vinyl record album
(Yellow label 70s pressing.)

Exact matches4
CD, LP, Vinyl record album cover art
Cannonball AdderleyCannonball Adderley Quintet At The Lighthouse ... CD
Jazzland/Landmark, 1960. Used ... $8.99
Fantastic work from the Cannonball Adderley Quintet – one of their greatest performances from the seminal early 60s years! The band at this time includes Cannon on alto, Nat on cornet, Victor Feldman on piano, Sam Jones on bass, and Louis Hayes on drums – and although Feldman's not as strong of a soul jazz player as Bobby Timmons or Joe Zawinul, both of whom also played with the group, his playing on this set is great, thanks to a really lively rhythm section! Includes an 11 minute version of "Sack O Woe", plus "Blue Daniel", "Azule Serape", and "Big P". CD
(Out of print original pressing.)

Exact matches5
CD, LP, Vinyl record album cover art
Cannonball AdderleyCannonball Adderley Quintet In San Francisco (20 bit remaster with bonus track) ... CD
Riverside, 1959. Used ... $6.99
One of the greatest Cannonball Adderley albums from the Riverside years – a completely smoking live date recorded in San Francisco, often with long tracks that really let the group open up and do their thing! The lineup here is that classic one that first grabbed attention – the group with brother Nat on cornet, Sam Jones on bass, Louis Hayes on drums – and a young Bobby Timmons on piano, really cooking things up with tremendous drive, energy, and a sense of the groove! Titles include a great workout on Timmons' classic "This Here", plus originals "You Got It" and Spontaneous Combustion", and a great version of "Hi Fly". Soul jazz at its best, by one of the groups who gave the genre its name in the first place! CD also features the bonus track "Straight No Chaser". CD
(Out of print. Includes original slipcase.)
Also available Cannonball Adderley Quintet In San Francisco (Keepnews collection – with bonus tracks) ... CD 4.99

Exact matches6
CD, LP, Vinyl record album cover art
Cannonball AdderleyCannonball Adderley Quintet In San Francisco (Keepnews collection – with bonus tracks) ... CD
Riverside, 1959. Used ... $4.99
One of the greatest Cannonball Adderley albums from the Riverside years – a completely smoking live date recorded in San Francisco, often with long tracks that really let the group open up and do their thing! The lineup here is that classic one that first grabbed attention – the group with brother Nat on cornet, Sam Jones on bass, Louis Hayes on drums – and a young Bobby Timmons on piano, really cooking things up with tremendous drive, energy, and a sense of the groove! Titles include a great workout on Timmons' classic "This Here", plus originals "You Got It" and Spontaneous Combustion", and a great version of "Hi Fly". Soul jazz at its best, by one of the groups who gave the genre its name in the first place! CD features 3 bonus tracks, 2 previously unreleased – "This Here (alt)", "You Got It (alt)", and "Straight No Chaser". CD
(Punch through barcode.)
Also available Cannonball Adderley Quintet In San Francisco (20 bit remaster with bonus track) ... CD 6.99

Exact matches7
CD, LP, Vinyl record album cover art
Cannonball AdderleyIn The Land Of Hi Fi With Julian Cannonball Adderley ... LP
EmArcy, 1956. Very Good- ... $9.99
The title's a bit of a mouthful, but a good description of the way Cannonball was presented in the years before his soul jazz groove firmly kicked in! The "hi fi" is a bit overstated – as the album's pretty much of a straight jazz record, featuring Cannon blowing lead solos in a large group arranged and directed by Ernie Wilkins. Bother Nat's on cornet, and other players include Jerome Richardson, Junior Mance, and Jimmy Cleveland. Titles include "Junior's Tune", "Blues For Bohemia", "Dog My Cats", "T's Tune", and "Casa De Marcel". LP, Vinyl record album
(Drummer logo pressing with deep groove. Cover has a split bottom seam, partially split top and some writing on the back.)

Exact matches8
CD, LP, Vinyl record album cover art
Cannonball AdderleyJulian Cannonball Adderley ... CD
EmArcy/Verve, 1955. Used ... $3.99
Very early work from Cannonball Adderley – recorded way before the funky years, when he was a hard-wailing soulful soloist with a lot of bop in his style! Cannon's paired here with brother Nat, a good companion even at this early stage – and the two of them solo in front of a large group that features Jerome Richardson, Max Roach, Cecil Payne, and Jimmy Cleveland, all blowing away in hard heavy form, similar to that used on other Mercury/Emarcy jazz sessions from the time. Quincy Jones handled the arrangements, and Cannonball holds his own nicely – and serves up a whole new tone that's a lot more measured than in later years. Tracks include "Fallen Feathers", "Song Is You", "Willows", and "Everglade". CD
(Out of print.)
Also available Julian Cannonball Adderley ... LP 9.99

Exact matches9
CD, LP, Vinyl record album cover art
Cannonball AdderleyJulian Cannonball Adderley ... LP
EmArcy, Mid 50s. Good+ ... $9.99
Very early work from Cannonball Adderley – recorded way before the funky years, when he was a hard-wailing soulful soloist with a lot of bop in his style! Cannon's paired here with brother Nat, a good companion even at this early stage – and the two of them solo in front of a large group that features Jerome Richardson, Max Roach, Cecil Payne, and Jimmy Cleveland, all blowing away in hard heavy form, similar to that used on other Mercury/Emarcy jazz sessions from the time. Quincy Jones handled the arrangements, and Cannonball holds his own nicely – and serves up a whole new tone that's a lot more measured than in later years. Tracks include "Fallen Feathers", "Song Is You", "Willows", and "Everglade". LP, Vinyl record album
(Blue label drummer logo pressing. Cover has wear and splitting. Vinyl has oxidation that causes surface noise.)
Also available Julian Cannonball Adderley ... CD 3.99

Exact matches10
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyLovers ... LP
Fantasy, 1976. Near Mint- Gatefold ... $9.99
Late stuff by Cannonball, with a dope spacey electric sound, no doubt due to some very nice keyboards on the session by George Duke. The album's a bit mellower than some of the others on Fantasy, but it makes up for that with a warm snaking mellow funk groove. Brother Nat gives a helping hand on both cornet and production duties, and the group also features Airto, Alphonso Johnson, Jack DeJohnette, and Alvin batiste with guest spots by Flora Purim and Ron Carter. Tracks include "New Orleans Strut", "Salty Dogs", "Lovers", and "Children of Time". LP, Vinyl record album

Exact matches11
CD, LP, Vinyl record album cover art
Cannonball AdderleyMoney In The Pocket – Recorded Live At The Club In Chicago 1966 ... CD
Capitol, 1966. Used ... $8.99
A great lost slice of Cannonball Adderley from the 60s – material recorded live in Chicago in 1966, but never issued at the time! The performance on the set is a real corker – right up there with any of Cannonball's other live albums for Capitol at the time, and featuring a similar group that includes Nat Adderley on cornet and Joe Zawinul on piano – grooving along with Cannon in a set of long, loping numbers that mix together equal parts modal and soul jazz! A few of the tunes were briefly issued as 45s in the 60s – chopped down to very edited versions – but these takes are all nice and long, with many tracks that run close to ten minutes! Titles include "Money In The Pocket", "Introduction To A Samba", "Hear Me Talkin To Ya", "Requiem For A Jazz Musician", "Fiddler On The Roof", "The Sticks", and "Cannon's Theme". CD

Exact matches12
CD, LP, Vinyl record album cover art
Cannonball AdderleyMusic You All ... CD
Capitol/Dusty Groove, 1971. New Copy ... $10.99 15.98
Killer work from the same sessions that gave the world Cannonball Adderley's classic Black Messiah album – live material from an extended stretch as the Troubadour club in LA – featuring a very righteous, freewheeling version of Cannonball's group! The lineup features some wonderful work on Fender Rhodes from George Duke – who brings a more soulful, spiritual current to the proceedings than Joe Zawinul did in earlier years – a really commanding presence that hints at his brewing solo fame, and which is a very welcome addition to the core lineup, which also includes Cannon on soprano and alto, and brother Nat on cornet! The performance also fetaures some great guest work from Ernie Watts on tenor and Airto on percussion – who really help round out the long tunes on the set. David Axelrod produced – leaving some nice room for Adderley's key spoken bits – and titles include the 12 minute groover "The Brakes", plus "Oh Babe", "Music You All", and "Capricorn" – plus a sweet take on "Walk Tall", which really has Duke stomping away on the Rhodes! CD
(On the Dusty Groove label.)

Exact matches13
CD, LP, Vinyl record album cover art
Cannonball AdderleyPhenix ... LP
Fantasy, 1975. Very Good+ 2LP Gatefold ... $13.99
Sweet funky 70s work from Cannonball Adderley – a record that has him revisiting older tunes from his early soul jazz years – but in ways that give them a whole new electric vibe overall! The album's actually Cannonball's last full studio set, but it's also one of his greatest too – a very hip little record that features arrangements that are slightly bigger than before – almost a CTI sort of mode, with a similar CTI sense of space, sound, and timing! There's some great keyboards on the set – courtesy of George Duke and Mike Wolff – and other players include Nat Adderley on cornet, Airto on percussion, Sam Jones and Walter Booker on bass, and Louis Hayes and Roy McCurdy on drums. The keyboards lead off most numbers, but they're followed strongly by Cannon and Nat – both of whom open up wonderfully in the magical setting of the record! Titles include great new takes on "Sack O Woe", "Work Song", "Jive Samba", "74 Miles Away", "Walk Tall/Mercy Mercy Mercy", "Country Preacher", "Domination", and "This Here" – plus "Hi Fly" and "Hamba Nami". LP, Vinyl record album

Exact matches14
CD, LP, Vinyl record album cover art
Cannonball AdderleyRadio Nights ... CD
Virgin, 1967/1968. Used ... $4.99
CD
(Small punch through barcode & booklet. Out of print.)

Exact matches15
CD, LP, Vinyl record album cover art
Cannonball AdderleySalle Pleyel Nov 25, 1960/Olympia Apr 15, 1961/Salle Pleyel Mar 27, 1969 ... CD
Delta (Germany), 1960/1961/1969. Used 2CD ... $11.99
CD
(Out of print. Includes original box.)

Exact matches16
CD, LP, Vinyl record album cover art
Cannonball AdderleySextet ... LP
Milestone, 1962/1963. Very Good+ ... $9.99
Rare work by Cannonball – recorded in the early 60s, but not issued until after his death! The album features live material – recorded in Tokyo and San Francisco – performed by Cannon's amazing sextet that includes Joe Zawinul on piano, Yusef Lateef on reeds, Nat Adderley on cornet, and the rhythm section of Sam Jones in bass and Louis Hayes on drums. Tracks are all long and grooving – with a sublime mix of the earlier soul jazz that Adderley forge in the late 50s, with some of the more exotic traces that were coming into the group through the work of Lateef. Titles include "New Delhi", "Peter & The Goats", "This Here", and "Never Say Yes". LP, Vinyl record album
(80s pressing.)

Exact matches17
CD, LP, Vinyl record album cover art
Cannonball AdderleySomethin' Else ... LP
Blue Note, 1958. Very Good+ ... $19.99
A landmark album – even if it was the only session that Cannonball Adderley ever cut for Blue Note! The album was recorded at a time when Adderley was working with Miles Davis – and as such, the session features a group that includes Miles, blowing in a cool tone that's a perfect offset to Cannonball's more soulful style. The rest of the group includes Hank Jones, Sam Jones, and Art Blakey – and like John Coltrane's Blue Train, the record's more of an "special session" than the usual Blue Note album, but the strength of the players make it one of the more memorable records of its day! Titles include "Somethin' Else", "One For Daddy-O", and a nice moody take on "Dancing In The Dark". LP, Vinyl record album
(80s DMM pressing.)
Also available Somethin' Else (with bonus track) ... CD 1.99

Exact matches18
CD, LP, Vinyl record album cover art
Cannonball AdderleySomethin' Else (with bonus track) ... CD
Blue Note, 1958. Used ... $1.99
A landmark album – even if it was the only session that Cannonball Adderley ever cut for Blue Note! The album was recorded at a time when Adderley was working with Miles Davis – and as such, the session features a group that includes Miles, blowing in a cool tone that's a perfect offset to Cannonball's more soulful style. The rest of the group includes Hank Jones, Sam Jones, and Art Blakey – and like John Coltrane's Blue Train, the record's more of an "special session" than the usual Blue Note album, but the strength of the players make it one of the more memorable records of its day! Titles include "Somethin' Else", "One For Daddy-O", and a nice moody take on "Dancing In The Dark". Includes bonus track "Alison's Uncle". CD
(Note – artwork is wrinkled from some light water damage.)
Also available Somethin' Else ... LP 19.99

Exact matches19
CD, LP, Vinyl record album cover art
Cannonball AdderleySpontaneous Combustion – The Savoy Sessions ... LP
Savoy, 1955/1976. Near Mint- 2LP Gatefold ... $8.99
Tracks recorded back in 1955 as two separate albums and reissued here on this 2LP set. Adderley and his alto sax are joined by Donald Byrd on trumpet, Nat Adderley on cornet, Jerome Richardson on tenor sax and flute, Horace Silver on piano, Paul Chambers on bass and Kenny Clarke on drums. The tracks include "Bohemia After Dark", "Chasm", "Willow Weep For Me", "Late Entry", "Hear Me Talkin To Ya", "With Apologies To Oscar", "We'll Be Together Again", "Spontaneous Combustion", "Caribbean Cutie", and "Flamingo". LP, Vinyl record album

Exact matches20
CD, LP, Vinyl record album cover art
Cannonball AdderleyWhy (Am I Treated So Bad)/I'm On My Way ... 7-inch
Capitol, Late 60s. Very Good+ ... $4.99
Prime late 60s Cannon! "Why" is a great cut – a tune that's almost as catchy as "Mercy Mercy Mercy", but a lot lot better. Dark, slightly funky, and with an obvious political masses that was not lost on the ears of civil rights-era fans! "I'm On My Way" has a freer jazzy feel – rolling and dipping with a great sax solo, and a nice little skipping groove! 7-inch, Vinyl record
(Labels have some marker and a small piece of masking tape.)
 
Possible matches: 39
Possible matches54
CD, LP, Vinyl record album cover art
Nat AdderleyDouble Exposure ... LP
Prestige, 1975. Very Good ... $8.99
A lost chapter in the David Axelrod/Cannonball Adderley tradition – and one of Nat's best albums from the 70s! Nat's funky trumpet sits nicely in moody arrangements by David Axelrod and Jimmy Jones – and the group features electric piano by George Duke, plus guest playing by Cannonball Adderley, Hal Galper, and Johnny Watson. Includes a few cuts with vocals by Nat, done in a weird funky style that's vaguely similar to Eugene McDaniels. Titles include "Traffic", "Contant 19", "59 Go & Pass", "Quit It", "Watermelon Man", and "Song Of The Valez Diamond", which has some cool electronics! LP, Vinyl record album
(Library copy – cover has a check out card, tape along the spine & seams, and a split top seam.)

Possible matches55
CD, LP, Vinyl record album cover art
✨✧ David AxelrodHeavy Axe ... CD
Fantasy/BGP (UK), 1974. New Copy ... $8.99 14.99
A great back-to-basics solo album from the legendary David Axelrod – cut in the mid 70s for Fantasy Records, after higher-concept projects like The Auction and Messiah! This set gets right to the core – and focuses on the funk currents that were always part of Axelrod's larger arrangements, but which sometimes never got pulled to the forefront as strongly – and the approach is almost like some of the funky jazz albums that were issued by Fantasy/Prestige Records at the time – especially those that Axelrod produced for Cannonball Adderley. The whole thing has that great Axelrod sense of composition, with lots of space, and lots of spare cold bits that are nice nice nice for sample cuts – and titles include the classic track "Everything Counts", plus "Get Up Off Your Knees", "My Family", and "Mucho Chupar". CD
Also available Heavy Axe ... LP 9.99

Possible matches56
CD, LP, Vinyl record album cover art
David AxelrodHeavy Axe ... LP
Fantasy, 1974. New Copy (reissue)... $9.99
A great back-to-basics solo album from the legendary David Axelrod – cut in the mid 70s for Fantasy Records, after higher-concept projects like The Auction and Messiah! This set gets right to the core – and focuses on the funk currents that were always part of Axelrod's larger arrangements, but which sometimes never got pulled to the forefront as strongly – and the approach is almost like some of the funky jazz albums that were issued by Fantasy/Prestige Records at the time – especially those that Axelrod produced for Cannonball Adderley. The whole thing has that great Axelrod sense of composition, with lots of space, and lots of spare cold bits that are nice nice nice for sample cuts – and titles include the classic track "Everything Counts", plus "Get Up Off Your Knees", "My Family", and "Mucho Chupar". LP, Vinyl record album
Also available Heavy Axe ... CD 8.99

Possible matches57
CD, LP, Vinyl record album cover art
Jack Costanzo & Gerry Woo/Al EscobarJive Samba/Tighten Up ... 7-inch
Mr Bongo (UK), 1967/1968. New Copy ... $6.99
Two Latin soul covers back to back – both of them great! Jack Costanzo takes on Cannonball Adderley's classic "Jive Samba" – but he slows the tune down a lot, gives it a boogaloo vibe, and lets some horns solo nicely in the middle! "Tighten Up" is the Archie Bell tune you'll know from the hit – but it's done here in a cool boogaloo mode with lots more added percussion, and some cool shouted calls as well! 7-inch, Vinyl record

Possible matches58
CD, LP, Vinyl record album cover art
✨✧ Miles DavisJazz Track ... LP
Columbia, Late 50s. Very Good- ... $9.99
Although not actually a proper album – this is still one of the greatest Miles Davis albums of all time! Side one features 10 tracks from Miles' amazing soundtrack to the film Ascenseur Pour L'Echafaud – with excellent work by French players Barney Wilen, Rene Urtreger, and Pierre Michelot, on haunting moody tracks like "Generique", "Lassassinat De Carala", "Au Bar Du Petit Bac", and "Dinner Au Motel". Great stuff – and with a wonderful sound that's like no other Miles album! Side 2 is equally great – as it features 3 classic sextet tunes – "On Green Dolphin Street", "Put Your Little Foot Right Out", and "Stella By Starlight" –peformed with Coltrane, Cannonball Adderley, and Bill Evans in that amazing Kind Of Blue mode of perfection. Truly one of our favorite albums of all time! LP, Vinyl record album
(6 eye pressing with deep groove.)

Possible matches59
CD, LP, Vinyl record album cover art
Miles DavisKind Of Blue (2CD legacy edition) ... CD
Columbia, 1959. Used 2 CDs ... $6.99
The ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, and all those playings, the record manages to still sound fantastic – a truly inspirational piece of music that's long deserved all the attention it gets! The legendary group on the album includes John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans on piano, and Paul Chambers on bass – working with Miles in a relatively modal style, with brilliant rhythm changes and a wonderful sense of space. The whole thing's sublime – and titles include "Blue In Green", "All Blues", "So What", and "Freddie Freeloader". This Legacy edition features 2CDs worth of music, with 21 tracks in all – a few short studio bits, plus alternate takes on "Flamenco Sketches" and "Fran Dance", a 17 minute version of "So What", and the key 1958 cuts "On Green Dolphin Street", "Fran Dance", "Stella By Starlight", and "Love For Sale". CD
Also available
Kind Of Blue (Gold CD) ... CD 6.99
Kind Of Blue (mono) ... LP 19.99

Possible matches60
CD, LP, Vinyl record album cover art
Miles DavisKind Of Blue (Gold CD) ... CD
Columbia, 1959. Used ... $6.99
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, and all those playings, the record manages to still sound fantastic – a truly inspirational piece of music that's long deserved all the attention it gets! The legendary group on the album includes John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans on piano, and Paul Chambers on bass – working with Miles in a relatively modal style, with brilliant rhythm changes and a wonderful sense of space. The whole thing's sublime – and titles include "Blue In Green", "All Blues", "So What", and "Freddie Freeloader". CD
(Out of print. Does not include slipcase.)
Also available
Kind Of Blue (2CD legacy edition) ... CD 6.99
Kind Of Blue (mono) ... LP 19.99

Possible matches61
CD, LP, Vinyl record album cover art
Miles DavisKind Of Blue (mono) ... LP
Columbia, 1959. Near Mint- (reissue)... $19.99
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, and all those playings, the record manages to still sound fantastic – a truly inspirational piece of music that's long deserved all the attention it gets! The legendary group on the album includes John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans on piano, and Paul Chambers on bass – working with Miles in a relatively modal style, with brilliant rhythm changes and a wonderful sense of space. The whole thing's sublime – and titles include "Blue In Green", "All Blues", "So What", and "Freddie Freeloader". LP, Vinyl record album
Also available
Kind Of Blue (2CD legacy edition) ... CD 6.99
Kind Of Blue (Gold CD) ... CD 6.99

Possible matches62
CD, LP, Vinyl record album cover art
Miles DavisMiles Davis At Newport – 1955-1975 – The Bootleg Series Vol 4 (4CD box set) ... CD
Legacy, Mid 50s/1960s/Mid 70s. New Copy 4 CDs ... $43.99 49.98
Not just Miles Davis live at Newport – but Miles at Newport over the course of 20 years, in the space of eight different live performances – almost all of which are previously unreleased! Apart from the 1958 and 1969 Newport material here, most of the 4CD set features all-new, all-great vintage Miles material – with Newport performances from 1955, 1958, 1966, 1967, 1969, 1971, 1973, and 1975 – the last three of which are Newport festivals in Europe and New York. And these aren't just random tracks, but full sets, too – even with some announcements at the start or end – and players include Gerry Mulligan and Zoot Sims for the 1955 concert; John Coltrane, Cannonball Adderley, and Bill Evans in 1958; Herbie Hancock, Wayne Shorter, Ron Carter, and Tony Williams for 1966 and 1967; Jack DeJohnette, Dave Holland, and Chick Corea in 1969; a big electric group with Keith Jarrett, Gary Bartz, Michel Henderson, and Mtume in 1971; and Pete Cosey, Davie Liebman, Reggie Lucas, and Mtume for the 1973 and 1975 shows. A huge amount of material – 4 CDs in a great package, with detailed notes, too! CD

Possible matches63
CD, LP, Vinyl record album cover art
Buddy DeFranco & Louis HayesBlues Bag/Louis Hayes – Two Classic Vee Jay LPs On One CD ... CD
Vee Jay/Blue Moon (Spain), 1960/1964. Used ... $9.99
Two LP's on one CD. The first set is a later one for Vee Jay, and it brings together half of the Jazz Messengers with a batch of west coast players – in a groove that wonderfully mixes together different traditions and rhythms in jazz – and which steps out with a sound that's far more than the sum of its parts! Art Blakey, Lee Morgan, and Curtis Fuller join a group headed by Buddy De Franco, and featuring Victor Feldman on piano and vibes, plus Victor Sproles on bass and Freddie Hill on trumpet. The sound of the group is quite unusual – and a lot lighter than you'd guess – giving Buddy plenty of room to solo in a breezy style that's grown tremendously since his 50s recordings – pushed along by some heavier soul from Art and the group. Titles include "Rain Dance", "Blues Bag", "Twelve Tone Blues", "Kush", and "Cousin Mary". The second album's one of the few ever cut as a leader by Louis Hayes – a very soulful talent who's probably best known for his work with Horace Silver and Cannonball Adderley during the late 50s. Hayes' has a wonderful approach to the record – borrowing bits of the exoticism of his work with Silver, and bits of the harder soul jazz from Cannonball's group – all of which is played to perfection by a tight quintet that includes Yusef Lateef, Sam Jones, Barry Harris, and Nat Adderley. Tracks are all originals by the group, and titles include "Hazing", "Rip De Boom", "Teef", and "Sassy Ann". CD
(Out of print.)

Possible matches64
CD, LP, Vinyl record album cover art
Gil EvansComplete Pacific Jazz Sessions (New Bottle Old Wine/Great Jazz Standards) ... CD
Pacific Jazz, 1958/1959. Used ... $8.99
2 wonderful late 50s sessions from arranger Gil Evans – both of which we'd rank right up there with his best work with Miles Davis, or the albums under his own name for Impulse in the 60s! The first half of the CD is from the album New Bottle Old Wine – a record of swinging modern backdrops, used to showcase both the solo talents of a young Cannonball Adderley, and the dynamic energy of Evans himself! Cannon's sharp-edged early tone is a really great sound for the record – far more modern than you might expect from later funk and soul sides of the 60s – and perfectly poised next to Gil's larger back drops to reignite a host of older tunes with new energy! And while the titles are familiar, the readings certainly are not – as the Evans pen has really changed things up beautifully – as you'll hear on numbers that include "St Louis Blues", "King Porter Stomp", "Willow Tree", "Struttin' With Some Barbeque", "Lester Leaps In", "Round About Midnight", "Manteca", and "Bird Feathers". Great Jazz Standards is equally great, a fantastic lost set from Evans – and one that features Mingus trumpeter Johnny Coles as the lead soloist in front of Evans-led modern groups that include players like Elvin Jones, Ray Crawford, Steve Lacy, Budd Johnson, Rod Levitt, and Chuck Wayne. Despite the "standards" in the title, most of these numbers are modern tunes from the 50s – like "Joy Spring", "Ballad Of The Sad Young Men", "Django", "Straight No Chaser", and "Chant Of The Weed" – all given Evans' unique style of arrangement, tweaked up a few notches to give them a really edgey quality. Coles is clearly standing in for Miles here, but the format works well overall! CD features 15 tracks in all, including some newly-improved versions of a few tracks, correcting mistakes in the original records! CD
(Out of print.)

Possible matches65
CD, LP, Vinyl record album cover art
Art Farmer/Benny GolsonMeet The Jazztet ... LP
Argo, 1960. Very Good+ ... $14.99
Landmark work by one of the greatest jazz outfits of the early 60s! Art Farmer and Benny Golson were both known as well-composed players during the 50s – strongly soulful, but often with a fine sense of arrangement that usually tended towards the lyrical side of things. With this group, though, they turned that approach towards a heavier sounding style of jazz – tightly stepping soul jazz, in the manner that was being explored at the time by Cannonball Adderley, Art Blakey, and others – presented by Farmer and Golson with a bit more groove and a wonderful kick at the bottom! This album's the first the group cut together – and apart from trumpet by Farmer and tenor by Golson, it also features Curtis Fuller on trombone, McCoy Tyner on piano, Addison Farmer (brother of Art) on bass, and Lex Humphries on drums. Includes the massive original recording of "Killer Joe", which went onto become one of the most recorded jazz standards ever, plus the tracks "Blues March", "Mox Nix", "Park Avenue Petite", and "I Remember Clifford". Perfect tone, perfect groove, and a perfect sound all the way through! LP, Vinyl record album
(Gray label Argo pressing with deep groove.)

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Jimmy ForrestOut Of The Forrest ... LP
Prestige, 1961. Near Mint- ... $13.99
Great work from one of the most under-rated tenor players of the 60s! Jimmy Forrest was an excellent player who made only a handful of recordings at the time – but he blows with a deep confidence that should have made him one of the biggest new stars on the scene. This set's one of Jimmy's best, and features his laidback tenor in a quartet with Joe Zawinul on piano, shortly before Zawinul hooked up with Cannonball Adderley. The tracks are short, but the interplay between Forrest and Zawinul is tasty – a bit like the album made by Joe and Coleman Hawkins – and the rest of the group features Tommy Potter on bass and Clarence Johnston on drums. Titles include "Bolo Blues", "Crash Program", "By The River Saint Marie", and "I Cried For You". LP, Vinyl record album
(OJC pressing.)

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Jimmy HeathReally Big ... CD
Riverside, 1960. Used ... $4.99
Very hip work from a young Jimmy Heath – a relative newcomer to the scene at this point, but breaking out with a firm conception and tone, exercised strongly here in a set of large group arrangements worked out in collaboration with Tom McIntosh. McIntosh's work in this format is well known from albums by Dizzy and James Moody – and as with those records, this one has an edgey quality that really keeps the music fresh, and which provides a good foil for solos by Heath, McIntosh, Pat Patrick, and Cannonball Adderley. Titles include "Big P", "Mona's Mood", "Nails", and "The Picture Of Heath". CD

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Jon HendricksGood Git-Together ... CD
World Pacific, 1959. Used ... $8.99
A rare early session as a solo act by vocalist Jon Hendricks – recorded at the time when he was first making waves with Lambert, Hendricks, and Ross – but proof that Jon always sounded a lot hipper on his own! The style here is quite different from the vocalese of LHR, and Hendricks is laidback, open, and very soulful – working with Wes, Buddy, and Monk Montgomery – as well as Cannonball and Nat Adderley, Pony Poindexter, and Gildo Mahones – all coming together in a "git together" session that features some of Hendricks' best vocals on record! The session features great readings of Hendricks originals that include "Minor Catastrophe", "I'll Die Happy", and "I'm Gonna Shout" – as well as Gigi Gryce's "Music In The Air" and "Social Call", plus a great take on Randy Weston's "Pretty Strange" and Gildo Mahones' "The Shouter". CD

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Sam JonesChanges & Things ... CD
Xanadu, 1977. New Copy ... $14.99 15.99
A brilliant 70s album from bassist Sam Jones – a player who rose to fame with Cannonball Adderley at the start of the 60s, and worked on his own as a leader too – but who really seemed to take off during the time of this recording! Sam's sense of groove and arranging is very strongly in place here – a sense of fire that was no doubt developed with Cannonball, but given a much wider vision on Jones' 70s albums like this – records that might well be some of the few to find a new space forward in the decade for a 60s soul jazz aesthetic! Sam's bass is right out front, and gets some good exposure on a few of the tunes' intros, too – and the rest of the lineup is excellent – with Blue Mitchell on trumpet, Bob Berg on tenor, Slide Hampton on trombone, Barry Harris on piano, and Louis Hayes on drums. Titles include "Miss Morgan", "Laverne Walk", "Sam's Things", "Trane's Changes", "Blue's", and "Stablemates". CD

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✨✧ MachitoKenya ... CD
Roulette/Warner (Japan), 1957. New Copy ... $14.99
A real corker from Machito – a set that's got a lot more bite and earthy fire than some of his other albums of the 50s – as you might be able to guess from the cover and the title! The record definitely lives up to the Afro-Cuban promise on the front – thanks to very hip arrangements from Mario BAuza and AK Salim – who balance core rhythmic elements with some great modern jazz solo contributions – from key players who include Johnny Griffin on tenor, Cannonball Adderley on alto, Joe Newman on trumpet, and Eddie Bert on trombone – all coming together under Machito's leadership with a sound that's much bolder than most of his work in a straighter Latin mode! The album's a key meeting of styles – as powerful today as it was when first recorded – and tracks include the great "Congo Mulence", a very tight groover – plus "Turuato", "Frenzy", "Cannonology", "Minor Rama", and "Wild Jungle". CD
(SHM-CD pressing!)

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✨✧ Joe ZawinulMoney In The Pocket ... CD
Atlantic (Japan), 1966. New Copy ... $14.99
Arguably the best solo record that Joe Zawinul ever cut – and one of the few to really show him working in the soulful style that he had with Cannonball Adderley's famous 60s combo! The record features Joe on piano – stepping out on cuts that still have all the soul jazz currents that he brought to his work with Cannon – those rolling lines and heavy left-hand grooves that made a Zawinul groove instantly infectious! The lineups shift a bit here, but include heavyweight players throughout – including Blue Mitchell on trumpet, Clifford Jordan or Joe Henderson on tenor, Pepper Adams on baritone, Sam Jones on bass, and Louis Hayes on drums! The presence of those giants puts the whole thing in Blue Note or Prestige Records 60s territory – and titles include "Money In The Pocket", "If", "Midnight Mood", "Some More Of Dat", "Sharon's Waltz", and "Del Sasser". CD
(SHM-CD pressing!)

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VariousAfro Blue Vol 2 – The Roots & Rhythms Of Jazz ... CD
Blue Note, 1998. Used ... $8.99
Despite the "primitivist" sort of leanings you might expect from the "roots" in the title, this is actually a nice batch of tracks from the catalogs of Blue Note and World Pacific during the 60's – and they're all jazz tracks that have a slight Africanist influence, but which are certainly not African tracks themselves. The 13 tracks include loads of nice hard to find ones, including "Blue Dashiki" by Blue Mitchell, "Appointment in Ghana" by the Jazz Crusaders, "Marabi" by Cannonball Adderley, "Ghana Spice" Candido, "Zulu" by Randy Weston, "Zambia" by Lee Morgan, and "Follow Me To Africa" by Solomon Ilori & His Afro Drum Ensemble. CD
(Mark through barcode & promotional stamp on CD.)

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✨✧ VariousHip Walk – Jazz Undercurrents In 60s New York ... CD
BGP/Ace (UK), 1960s. New Copy ... $11.99 18.99
A very groovy selection of tracks from the New York scene of the 60s – mostly tunes pulled from the Prestige and Milestone labels, and a mixture of soul jazz, modal jazz, and early funky jazz! There's a nicely gritty feel to the set – artists trying to really find a new way to express themselves, but always in a soulful style – not avant garde, but pushing forward with fresh rhythms, inventive instrumentation, and some mighty nice soulos throughout! The package features 13 tracks in all – with plenty rare numbers – and titles that include "Cantaloupe Woman" by George Braith, "The Village Caller" by Johnny Lytle, "Ca'Purange (Jungle Soul)" by Gene Ammons, "Love Theme From Spartacus" by Yusef Lateef, "Brother John" by Cannonball Adderley, "Muscle Soul" by Phil Upchurch, "Eastern Blues" by Gary Bartz, and the completely fantastic "Nuther'n Like Thuther'n" by Willis Jackson – worth the price of the CD alone! CD
 
 
 



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