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Exact matches: 64
Exact matches1
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyThings Are Getting Better ... CD
Riverside/OJC, 1958. Used ... $4.99
An album that definitely lives up to its title – given the great change and evolution in the style of Cannonball Adderley's music – definitely pointed towards the soul jazz fame to come in the 60s! The group here has Adderley's alto in the company of some all-stars who may not be his regular group, but who definitely help keep the whole thing at a top-shelf level throughout – a quintet that features Milt Jackson on vibes, Wynton Kelly on piano, Percy Heath on bass, and Art Blakey on drums. There's still a few echoes of Cannon's earlier bop recordings, but the sound is also moving towards the new modes to come – especially on the classic title cut "Things Are Getting Better". Other cuts include "Just One Of Those Things", "Sounds For Sid", "Groovin High", "Serves Me Right", and "Blues Oriental". CD

Exact matches2
CD, LP, Vinyl record album cover art
Cannonball AdderleyUltimate Cannonball Adderley – Selected By Joe Zawinul ... CD
Verve, Late 50s/Early 60s. Used ... $3.99
... CD
(Out of print.)

Exact matches3
CD, LP, Vinyl record album cover art
Cannonball Adderley QuintetLive In Paris April 23rd 1966 ... LP
Ulysse (France), 1966. Near Mint- ... $19.99
... LP, Vinyl record album
(Cover has very light stains on back.)

Exact matches4
CD, LP, Vinyl record album cover art
Cannonball Adderley with Bossa Rio SextetCannonball's Bossa Nova ... CD
Capitol/Riverside, 1962. Used ... $3.99
Cannonball Adderley recorded this nice little groover in 1962, when American musicans were just getting on the bossa tip, and still keeping things pretty authentic. The record was cut in New York with Sergio Mendes' early Bossa Rio group – the legendary Brazilian jazz ensemble that featured Paulo Moura, Dom Um Romao, and Durval Ferreira. The mixture of tight bossa rhythms and Cannon's soulful sax is totally great – and it's only because the Riverside label was folding at the time that the record never got bigger fame. It's here now, though, and the record's a real treat – especially at this price! Includes the cuts "Joyce's Samba", "Clouds", "Minha Saudade", "Corcovado", "Batida Diferentes", and "Sambops". Plus, the CD also features bonus single versions of "Corcovado" and "Clouds"! CD

Exact matches5
CD, LP, Vinyl record album cover art
✨✧ Cannonball Adderley with Ernie AndrewsLive Session! ... CD
Blue Note, 1962/1964. Used ... $5.99
An excellent jazz vocal album by one of the lost greats! Ernie Andrews was always a musician's singer – in that he never cracked the masses, but did have tremendous respect among jazz players in the 60s and 70s. Here, in one of his best albums, he's caught live, working with Cannon's classic quintet, and under production work by David Axelrod. The record perfectly captures the live fire of Adderley's group, and mixes it with the strong voice of Andrews in a good set of material that includes "Big City", "I'm Always Drunk In San Francisco", "Don't Be Afraid Of Love", and "I'm A Born World Shaker". Plus, CD also features 3 bonus tracks, previously unissued – "Green Door", "Work Song", and "Come On Back". CD
(Out of print, Official pressing of the CD, with full artwork – not the CDr pressing found at other online retailers.)

Exact matches6
CD, LP, Vinyl record album cover art
✨✧ John Benson Brooks with Cannonball AdderleyAlabama Concerto ... CD
Riverside/OJC, 1958. Used ... $5.99
A groundbreaking album – not only for Cannonball Adderley, but for the jazz concerto format, used to strong effect here in this excellent modernist composition by John Benson Brooks! The album's based on a number of historical and mythical southern themes – and although it gets a bit hokey at times, the work of Adderley and Art Farmer on the solo sections really opens up the piece and gives it a deep sense of soul. The setting is a drummer-less small group, with Barry Galbraith on guitar, Milt Hinton on bass, and Brooks on occasional piano – and themes include "The Loop", "Trampin", "Little John Shoes", "Milord's Calling", and "Rufus Playboy". CD
(Out of print.)

Exact matches7
CD, LP, Vinyl record album cover art
Kenny Dorham with Cannonball AdderleyBlue Spring ... LP
Riverside, 1959. Good+ ... $14.99
A pretty warm and lyrical set by Kenny – accompanied here by a larger group that includes Cecil Payne, David Amram, and Cannonball Adderley on horns, plus a young Cedar Walton on piano. Dorham wrote 4 of the album's tracks, and they provide a perfect showcase for his polished trumpet style. Titles include "Spring Cannon", "Blue Spring", "Poetic", and "Passion Spring". LP, Vinyl record album
(Blue label Bill Grauer pressing with microphone logo & deep groove. Label has a name in pen. Cover has some splitting on the top seam.)

Exact matches8
CD, LP, Vinyl record album cover art
Nancy Wilson & Cannonball AdderleyNancy Wilson/Cannonball Adderley ... LP
Capitol, Mid 60s. Very Good+ ... $7.99
The sweet vocals of Nancy join the classic Cannonball quintet for a great set of soul jazz tunes that was one of Capitol's biggest selling jazz sides in the 60s! About half the cuts feature Nancy on vocals – on tunes like "Save Your Love For Me", "Never Will I Marry", "Happy Talk", and "The Masquerade Is Over" – and the other half feature Cannon's group playing instrumentally – on cuts like "Teaneck", "One Man's Dream", and "Never Say Yes". Pop, but hip – nice and hip! LP, Vinyl record album
(70s pressing.)

Exact matches9
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyCannonball Adderley & His Quintet En Concert ... CD
Europe 1, 1969. Used ... Temporarily Out Of Stock
A hip little live set from Cannonball – recorded at the end of the funky 60s, in Paris, with Joe Zawinul on keyboards, and in the same long electric tradition as his famous Country Preacher album! The tracks include some of the gems from the Capitol years – stretched out and served up with a great deal of soul, and mixed in with some older titles for a very well-rounded set. Zawinul's on keyboards, Nat Adderley is on cornet, Vic Gaskin's the bass player, and Roy McCurdy handles the drums. Titles include "Walk Tall", "Mercy Mercy Mercy", "The Blooz", "Experience In E", "The Work Song", and "Rufus Still Skinned". CD
(Out of print.)

Exact matches10
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyCannonball Adderley & The Poll Winners ... CD
Riverside/Capitol, 1960. Used ... Temporarily Out Of Stock
Cannon's left his usual soul jazz combo for this album – and he's recording on the west coast with an all-star group that includes Wes Montgomery on guitar, Victor Feldman on vibes and piano, Ray Brown on bass, and Louis Hayes on drums. The sound's a bit different than usual – with a strong focus on the solos of the big stars, and less on the tight grooving of the group – but that doesn't stop it from being a great set, and Cannon blows in a way that reminds us of his classic Mercury sides. Titles include "The Chant", "Azule Serape", "Never Will I Marry", and "Au Prive". CD
(Out of print.)

Exact matches11
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyCannonball Adderley Quintet In Chicago ... LP
Mercury, 1959. Used ... Temporarily Out Of Stock
A great session from 1959 – one that features John Coltrane playing with the Adderley group, recorded in Chicago when they were stopping through the city with Miles Davis' combo at the time! In fact, since the rhythm section includes Wynton Kelly, Paul Chambers, and Jimmy Cobb – and since Coltrane's sitting in with Cannon – the album's essentially a Kind Of Blue-era Miles album, recorded without Miles on trumpet, and grooving in a slightly more soul-based Adderley mode. Given the presence of Coltrane, there's a bit less of the gutbuckety soul jazz that Cannon was cutting in his own Quintet – but that's more than ok with us, as the Coltrane solos more than make up for that difference! The set's got 2 great originals by Coltrane – "The Sleeper" and "Grand Central" – plus the cuts "Wabash" and "Limehouse Blues". LP, Vinyl record album
(Mono black label pressing. Cover has a piece of yellowed tape on back.)

Exact matches12
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyCannonball Adderley Sextet In New York ... CD
Riverside/OJC, 1962. Used ... Temporarily Out Of Stock
Rock-solid live material from the classic Cannonball Adderley Sextet – a combo who could usually groove even better on a concert date then they could in the studio! The album's one of a number of key live sides from Cannon in the 60s – and although it pre-dates his work on Capitol, it's done in a similar spacious mode – with plenty of longish tracks that build upon the core groove set down by Joe Zawinul's piano, Sam Jones' bass, and Louis Hayes' drums – a perfect backdrop for the creative and complicated solos of Cannon on alto, Nat Adderley on cornet, and Yusef Lateef on tenor, flute, and oboe! The date was recorded live at the Village Vanguard in 1962 – and titles include "Gemini", "Planet Earth", "Dizzy's Business", "Syn-anthesia", "Scotch & Water", and "Cannon's Theme". CD
(Out of print.)

Exact matches13
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyCannonball Adderley's Fiddler On The Roof ... LP
Capitol, Mid 60s. Used ... Temporarily Out Of Stock
Once again, Cannon proves that it's not the song, it's the singer! This set of tunes from the hit musical Fiddler On The Roof should be schmaltzy – but thanks to the quality of the group (a great sextet with Nat Adderley, Charles Lloyd, Joe Zawinul, Sam Jones, and Louis Hayes), and thanks to some hip production from David Axelrod, the album really sparkles! The tones of Cannon and Lloyd are great together – and the make the best songs sound like strange Eastern-tinged jazz numbers. Tunes include "To Life", "Fiddler On The Roof", "Cajvalach", "Sewing Machine", "Matchmaker", and "Now I Have Everything". LP, Vinyl record album
(Red label Capitol reissue pressing. Cover has some wear & a cutout hole.)

Exact matches14
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyCannonball In Europe ... CD
Capitol, 1962. Used ... Temporarily Out Of Stock
Rare work by Cannonball – recorded live in Europe in the early 60s, and only ever issued there until the release of this CD in the US! The set features live material performed by Cannon's amazing group that included Joe Zawinul on piano, Yusef Lateef on reeds, Nat Adderley on cornet, and the rhythm section of Sam Jones and Louis Hayes – all grooving together perfectly for the set, with a fluid mix of hardbop, soul jazz, and slight exotic traces that are completely sublime! Titles include "P Bouk", "Gemini", "Work Song", "Trouble In Mind" and "Dizzy's Business". CD
(Out of print.)

Exact matches15
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyCannonball In Japan ... CD
Capitol, 1966. Used ... Temporarily Out Of Stock
A rare live set by Cannonball Adderley – unreleased in America at the time, and performed with the style of Cannon's best work for Riverside! The album's very similar to some of the group's best live sets for Riverside – like the San Francisco or other Tokyo recording – done with tracks that are long and a bit stretched out, performed with Nat Adderley on cornet, Joe Zawinul on piano, Vic Gaskin on bass, and Roy McCurdy on drums. Titles include "Work Song", "Mercy Mercy Mercy", "This Here", "Jive Samba", and "Money In The Pocket". CD
(Out of print.)

Exact matches16
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyJulian Cannonball Adderley ... CD
EmArcy/Verve, 1955. Used ... Temporarily Out Of Stock
Very early work from Cannonball Adderley – recorded way before the funky years, when he was a hard-wailing soulful soloist with a lot of bop in his style! Cannon's paired here with brother Nat, a good companion even at this early stage – and the two of them solo in front of a large group that features Jerome Richardson, Max Roach, Cecil Payne, and Jimmy Cleveland, all blowing away in hard heavy form, similar to that used on other Mercury/Emarcy jazz sessions from the time. Quincy Jones handled the arrangements, and Cannonball holds his own nicely – and serves up a whole new tone that's a lot more measured than in later years. Tracks include "Fallen Feathers", "Song Is You", "Willows", and "Everglade". CD
(Out of print. Barcode has a cutout mark.)

Exact matches17
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyKnow What I Mean? ... LP
Riverside, 1961. Used ... Temporarily Out Of Stock
Beautiful early work from Cannonball Adderley – and a record that's quite different than most of his better known sets from the time! The album's more spare and stripped-down than usual – with Cannon's alto in a quartet alongside Bill Evans on piano, Percy Heath on bass, and Connie Kay on drums. The style is almost more that of Evans than it is Cannonball – lightly lyrical, with a good sense of space – in a way that has Adderley playing out front very strongly, cutting some beautiful lines with his solos, in a really unfettered way! Titles include versions of two of Evans' tracks – "Waltz For Debby" and "Know What I Mean?" – plus nice moody takes on other material, like John Lewis' "Venice", Clifford Jordan's "Toy", and Gordon Jenkins' "Goodbye". LP, Vinyl record album
(Black label stereo Bill Grauer pressing. Cover has a little wear on the spine.)
Also available Know What I Mean? (with bonus tracks) ... CD 4.99

Exact matches18
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyMercy, Mercy, Mercy! ... LP
Capitol, 1966. Used ... Temporarily Out Of Stock
If the 60's ever had a "hit" jazz record, it was probably this one! The album's a sparkling live session featuring the trademark soul jazz sounds of the Cannonball Adderley group with Joe Zawinul on acoustic and electric piano, and brother Nat Adderley on cornet. The tracks have a long soulful groove, with gutbucket solos from the 3 above-mentioned players, and tight live production by a young David Axelrod. Titles include "Sticks", "Hippodelphia", "Sack O Woe", and the classic "Mercy, Mercy, Mercy" – a jazz theme that you'll recognize instantly! LP, Vinyl record album
(Red label Capitol reissue pressing.)

Exact matches19
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyMoney In The Pocket – Recorded Live At The Club In Chicago 1966 ... CD
Capitol, 1966. Used ... Temporarily Out Of Stock
A great lost slice of Cannonball Adderley from the 60s – material recorded live in Chicago in 1966, but never issued at the time! The performance on the set is a real corker – right up there with any of Cannonball's other live albums for Capitol at the time, and featuring a similar group that includes Nat Adderley on cornet and Joe Zawinul on piano – grooving along with Cannon in a set of long, loping numbers that mix together equal parts modal and soul jazz! A few of the tunes were briefly issued as 45s in the 60s – chopped down to very edited versions – but these takes are all nice and long, with many tracks that run close to ten minutes! Titles include "Money In The Pocket", "Introduction To A Samba", "Hear Me Talkin To Ya", "Requiem For A Jazz Musician", "Fiddler On The Roof", "The Sticks", and "Cannon's Theme". CD

Exact matches20
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyMusic You All ... LP
Capitol, 1971. Used ... Temporarily Out Of Stock
Killer work from the same sessions that gave the world Cannonball Adderley's classic Black Messiah album – live material from an extended stretch as the Troubadour club in LA – featuring a very righteous, freewheeling version of Cannonball's group! The lineup features some wonderful work on Fender Rhodes from George Duke – who brings a more soulful, spiritual current to the proceedings than Joe Zawinul did in earlier years – a really commanding presence that hints at his brewing solo fame, and which is a very welcome addition to the core lineup, which also includes Cannon on soprano and alto, and brother Nat on cornet! The performance also fetaures some great guest work from Ernie Watts on tenor and Airto on percussion – who really help round out the long tunes on the set. David Axelrod produced – leaving some nice room for Adderley's key spoken bits – and titles include the 12 minute groover "The Brakes", plus "Oh Babe", "Music You All", and "Capricorn" – plus a sweet take on "Walk Tall", which really has Duke stomping away on the Rhodes! LP, Vinyl record album
Also available Music You All ... CD 10.99
 
Possible matches: 59
Possible matches65
CD, LP, Vinyl record album cover art
Nat AdderleyDon't Look Back ... LP
Inner City, 1977. Sealed ... $14.99
Nat plays with a group that's a bit more far-reaching than the classic Cannonball funk ensembles he cut his teeth on. Players include Ken McIntyre, Onaje Allen Gumbs, and John Stubblefield, and the tracks have a bit more of a spiritual quality to them, although they are not without some of the Adderley trademark funk sound. Includes a great version of Harold Vick's "Don't Look Back", plus "Funny Funny", "I Think I Got It", and "K. High". LP, Vinyl record album
(Cover has a cut corner.)

Possible matches66
CD, LP, Vinyl record album cover art
Nat AdderleyHummin' ... CD
Little David/Collectables, 1976. Used ... $7.99
A really brilliant little record from Nat Adderley – one that shows him shaking off the groove gotten from brother Cannonball, and finding some great space all on his own! The setting here is tight and funky – at a level that's a bit more arranged than a small combo soul jazz session, but which still has plenty of sharp edges and bold notes! The groove's a bit like Kudu Records from the time, but less electric overall – and Nat's cornet is featured in a hip combo with John Stubblefield on reeds, Onaje Allen Gumbs on piano and keyboards, and Buddy Williams on drums. There's plenty of great funky riffing in the set, but also some wonderfully laidback grooves that really sparkle with electric piano from Gumbs – and titles include a surprisingly wonderful version of "MASH", plus "Hummin", "Midnight Over Memphis", "The Traveler", "Listen To The Rain", and the Latin-tinged "Amor Sonador". CD

Possible matches67
CD, LP, Vinyl record album cover art
Nat AdderleyLittle Big Horn ... CD
Riverside/OJC, 1963. Used ... $13.99
A slightly different album than usual for Nat – one that has him still working in a soul jazz quintet, as always (rhythm by Junior Mance, Bob Cranshaw, and Mickey Roker), but which also features a guitar instead of another horn, played alternately by either Kenny Burrell or Jim Hall. This change in format creates a nice little sound, and a good groove on the more interesting numbers – and gets Nat past the "brother of Cannonball" style of some of his other sides. Titles include "El Chico", "Foo Foo", "Half Time", and "Loneliness". CD
(Out of print.)

Possible matches68
CD, LP, Vinyl record album cover art
Nat AdderleyLittle New York Midtown Music ... CD
Galaxy/OJC, 1979. Used ... $6.99
An overlooked later gem from the great Nat Adderley – one of the first records cut after the passing of his brother Cannonball, and a set that shows that Nat was definitely ready to carry on the groove! Familiar bandmate Victor Feldman's in the combo alongside Nat's cornet – and Vic plays a bit of Fender Rhodes, which brings up the funk on a few key numbers – balanced out with some more intimate passages that include acoustic piano. The great Johnny Griffin brings a lot to the session, with some well-blown tenor solos that stretch out on a few of the album's long tracks – and the rest of the group includes Ron Carter on bass, and Roy McCurdy on drums. Titles include "Yeehaw Junction", "Whipitup", "Saguaro", and "Sunshine Sammy". CD

Possible matches69
CD, LP, Vinyl record album cover art
Nat AdderleySayin' Somethin ... CD
Atlantic (Germany), 1966. Used ... $7.99
A stone killer from Cannonball Adderley's funky brother – one of the best soul jazz sets ever cut by Nat Adderley, and one done with a smoking 60s Atlantic Records groove! Nat's blowing trumpet throughout – and working in 2 different groups – one a larger ensemble with a tight soulful swing, arranged by Jimmy Wisner – the other a smaller combo with tenor from Joe Henderson and piano from Herbie Hancock! The whole thing grooves beautifully – and titles include "Gospelette", "Call Me", "Cantaloupe Island", "Hippodelphia", "The Other Side", and "Manchild". CD
(Out of print.)

Possible matches70
CD, LP, Vinyl record album cover art
✨✧ Nat AdderleyAutobiography ... LP
Atlantic, 1965. Used ... Temporarily Out Of Stock
A gem of a record from Nat Adderley – filled with short soulful groovers, and done with an upbeat vibe that rivals some of Cannonball's best of the 60s! Joe Zawinul handled the arrangements, so there's definitely a strong influence here from the Cannon group – and although the players shift a bit throughout the course of the set, there's a really unified feel – thanks to a top-shelf lineup that includes Seldon Powell on tenor and flute, Ernie Royal on trumpet, Benny Powell on bass trombone, and Willie Bobo on percussion! The set features all original material by Nat – with older gems and new favorites that include "Little Boy With The Sad Eyes", "Never Say Yes, "Jive Samba", "Stony Island", "Junkanoo", and "Work Song". LP, Vinyl record album
(Red & purple label pressing.)

Possible matches71
CD, LP, Vinyl record album cover art
✨✧ Nat AdderleyDon't Look Back ... CD
Inner City/Steeplechase (Denmark), 1977. Used ... Temporarily Out Of Stock
Nat plays with a group that's a bit more far-reaching than the classic Cannonball funk ensembles he cut his teeth on. Players include Ken McIntyre, Onaje Allen Gumbs, and John Stubblefield, and the tracks have a bit more of a spiritual quality to them, although they are not without some of the Adderley trademark funk sound. Includes a great version of Harold Vick's "Don't Look Back", plus "Funny Funny", "I Think I Got It", and "K. High". CD
Also available Don't Look Back ... LP 14.99

Possible matches72
CD, LP, Vinyl record album cover art
✨✧ Nat AdderleyIn The Bag ... LP
Jazzland, 1962. Used ... Temporarily Out Of Stock
An excellent early Nat Adderley record that has the funky trumpet player groovin' in the company of a number of bright young players from New Orleans, including Nat Perrilliat on tenor, Ellis Marsalis (yes, that one) on piano, and James Black on drums. Sam Jones plays funky bass, and brother Cannonball joins on on alto for a nice set of groovers that includes "In The Bag", "Sister Wilson", "Low Brown", and "New Arrival". Nice stuff, and we don't really see this one that much these days. LP, Vinyl record album
(Orange label Bill Grauer pressing. Cover has a split spine & seams.)

Possible matches73
CD, LP, Vinyl record album cover art
✨✧ Nat Adderley & The Big Sax SectionThat's Right! ... CD
Riverside, 1960. Used ... Temporarily Out Of Stock
Nat's trumpet is backed up by the "big sax section" here – a trio of reed players that includes Yusef Lateef, Jimmy Heath, and Charlie Rouse, plus some additional baritone work by Tate Houston. The groove's pretty swinging – kind of in the mode of early work with Cannonball Adderley in that it's not as "in the pocket" soul jazz wise, but still quite strong overall. Heath and Jimmy Jones did the arrangements, and the rhythm section features Wynton Kelly, Sam Jones, and Jimmy Cobb. Tracks include "Tadd", "The Old Country", "Chordnation", and "ESP". CD
(Out of print.)

Possible matches74
CD, LP, Vinyl record album cover art
✨✧ Nat AdderleySayin' Somethin'/Live At Memory Lane ... CD
Collectables, 1966/1967. Used ... Out Of Stock
2 lost Atlantic recordings by Cannonball Adderley's trumpeter brother, back to back on one CD at a nice low price! The records aren't that easy to come by in the original, and they're both nice 60's soul jazz sessions that take Nat's earlier trumpet sound, forged with his brother's classic late 50's quintet, and update it into a rolling 60's groove. Players on the record include Joe Zawinul, Joe Henderson, Seldon Powell, and Herbie Hancock – and one album has a larger group in a studio session, while the other's got a small combo in a live set. Titles include "The Other Side", "Hippodelphia", "Lavender Woman", "Painted Desert", "Manchild", and a nice remake of "Cantalope Island". CD

Possible matches75
CD, LP, Vinyl record album cover art
✨✧ VariousSuper Breaks – Essential Funk, Soul & Jazz Samples and Breakbeats ... CD
BGP/Ace (UK), Late 60s/1970s. New Copy ... Out Of Stock
Way more than just a typical collection of rare funk and soul – as the selections here not only meet the stunningly high standards of the BGP label – but they've also been sampled in more recent years for hip hop records and other contemporary recordings! Essentially, you've got the best of both worlds – vintage funk from the late 60s and early 70s – brought together in a great collection – and work that's gone onto form the blueprint for contemporary urban sounds as well – which means you'll probably recognize some or part of most of these songs from their use in more contemporary recordings. Nearly every cut's been sampled at least more than once – and titles include "Blind Alley" by The Emotions, "Chick A Boom" by Pazant Brothers, "Eva" by Jean Jacques Perry, "Walk Tall" by Cannonball Adderley, "Baby Let Me Take You In My Arms" by Detroit Emeralds, "Bouncy Lady" by Pleasure, "Tramp" by Lowell Fulson, "Take Yo Praise" by Camille Yarbrough, "Thinking Single" by The Counts, "Different Strokes" by Syl Johnson, "Ike's Mood" by Isaac Hayes, "What A Man" by Linda Lynell, and "Smokey Joe's La La" by Googie Rene. Funky funky! CD
Also available Super Breaks – Essential Funk, Soul & Jazz Samples and Breakbeats ... LP 16.99

Possible matches76
CD, LP, Vinyl record album cover art
Gene AmmonsGene Ammons & Friends At Montreux ... CD
Prestige/OJC, 1973. Used ... $13.99
Gene Ammons has some pretty hip friends here – a roster of talent that includes guest appearances by hornmen Cannonball Adderley, Dexter Gordon, and Nat Adderley on one long jam number – plus Hampton Hawes on electric piano on the entire set! The work's done in a laidback, long-blowing way – more the Gene Ammons of earlier live dates than the revived funk hero of the early 70s Prestige years – but thanks to some nicely spacious keyboards from Hawes, the record's got a more modern sound than you might expect, and is a good bridge between 60s and 70s soul jazz modes. Titles include "New Sonny's Blues", "Treux Blue", "Sophisticated Lady", and "Yardbird Suite". CD
(Out of print.)

Possible matches77
CD, LP, Vinyl record album cover art
✨✧ Gene AmmonsGene Ammons & Friends At Montreux ... LP
Prestige, 1973. Sealed ... $7.99
Gene Ammons has some pretty hip friends here – a roster of talent that includes guest appearances by hornmen Cannonball Adderley, Dexter Gordon, and Nat Adderley on one long jam number – plus Hampton Hawes on electric piano on the entire set! The work's done in a laidback, long-blowing way – more the Gene Ammons of earlier live dates than the revived funk hero of the early 70s Prestige years – but thanks to some nicely spacious keyboards from Hawes, the record's got a more modern sound than you might expect, and is a good bridge between 60s and 70s soul jazz modes. Titles include "New Sonny's Blues", "Treux Blue", "Sophisticated Lady", and "Yardbird Suite". LP, Vinyl record album
(Cover has a cut corner.)

Possible matches78
CD, LP, Vinyl record album cover art
Miles Davis1958 Miles (Japanese pressing with bonus tracks) ... CD
Sony (Japan), 1958. Used ... $11.99
Some of the greatest Miles Davis material ever recorded – and not really ever officially issued as an album until this collection! The recordings are from the magical year of 1958, a time when Miles was working in the Kind Of Blue mode – on the album of the same name, one of his all-time standout classics. The work on this set is in a very similar spirit – recorded by a sextet that includes the rhythm section of Jimmy Cobb, Paul Chambers, and a young Bill Evans, who brings a magically modal feel to the album that really gives it an edge. Added to that are the saxophones of John Coltrane and Cannonball Adderley, blowing together in two ends of the soul spectrum, really stretching the color palette from Miles' usual work. Miles himself seems very inspired by the company, and works with plenty of space to allow the saxophonists to stretch out in wonderful solos – and Evans himself is simply amazing, working wonderfully in the setting, making us wish he'd recorded more group dates like this one! The first 3 tracks on the set were briefly issued on the flipside of the Jazz Track album (an obscure Columbia LP that also included 10 songs from the soundtrack to Ascenseur Pour L'Echafaud), and a few others on later live LPs – but this is the first time the material from that group has appeared together as a full album. Includes stellar versions of "Stella By Starlight", "Green Dolphin Street", "Fran Dance", "Little Melonae", and "Love For Sale". CD also features 2 bonus alternate takes – a total of 7 titles in all! CD
(Out of print, includes obi.)

Possible matches79
CD, LP, Vinyl record album cover art
Miles DavisMiles Davis At Newport – 1955-1975 – The Bootleg Series Vol 4 (4CD box set) ... CD
Legacy, Mid 50s/1960s/Mid 70s. New Copy 4 CDs ... $43.99 49.98
Not just Miles Davis live at Newport – but Miles at Newport over the course of 20 years, in the space of eight different live performances – almost all of which are previously unreleased! Apart from the 1958 and 1969 Newport material here, most of the 4CD set features all-new, all-great vintage Miles material – with Newport performances from 1955, 1958, 1966, 1967, 1969, 1971, 1973, and 1975 – the last three of which are Newport festivals in Europe and New York. And these aren't just random tracks, but full sets, too – even with some announcements at the start or end – and players include Gerry Mulligan and Zoot Sims for the 1955 concert; John Coltrane, Cannonball Adderley, and Bill Evans in 1958; Herbie Hancock, Wayne Shorter, Ron Carter, and Tony Williams for 1966 and 1967; Jack DeJohnette, Dave Holland, and Chick Corea in 1969; a big electric group with Keith Jarrett, Gary Bartz, Michel Henderson, and Mtume in 1971; and Pete Cosey, Davie Liebman, Reggie Lucas, and Mtume for the 1973 and 1975 shows. A huge amount of material – 4 CDs in a great package, with detailed notes, too! CD

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Miles DavisMilestones ... LP
Columbia, 1958. Near Mint- ... $19.99
One of our 50s favorites by Miles Davis – and a record that offers the same twin-sax sound as his classic Kind Of Blue – with both John Coltrane and Cannonball Adderley working alongside Miles in the group! Rhythm here is by the Prestige-era trio of Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums – but it's the two saxophonists who really help Davis shape the feel of the record, pushing things past the initial Coltrane/Davis groove with a really wonderful sense of space and sound! Titles include the classic "Milestones", plus "Two Bass Hit", "Dr Jeckyll", and "Sid's Ahead". LP, Vinyl record album
(Recent mono 180 gram pressing.)

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Miles Davis/Thelonious MonkMiles & Monk At Newport (mono) (180 gram pressing) ... LP
Columbia, 1958/1963. Near Mint- (reissue)... $16.99
A slightly misleading record – but a great one nonetheless! From the title and cover, you might imagine that Thelonious Monk and Miles Davis were sharing the stage together at the Newport Jazz Festival – but instead, the album actually features separate performances by each artist – actually even recorded 5 years apart! The Miles Davis recording is from 1958 – a great year that has John Coltrane working with the group, alongside Wynton Kelly on piano, Cannonball Adderley on alto, Paul Chambers on bass, and Jimmy Cobb on drums – performing lively versions of "Ah Leu Cha", "Straight No Chaser", "Fran Dance" and "Two Bass Hit". The Monk material is even more unique – recorded in 1963, with Monk's usual quartet of Charlie Rouse on tenor, Butch Warren on bass, and Frankie Dunlop on drums – joined by the legendary Pee Wee Russell on clarinet – recently revived in jazz at the time, and displaying surprisingly modernist tendencies! Both Monk tracks are long – and include versions of "Nutty" and "Blue Monk". LP, Vinyl record album
(Limited edition #2014.)

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Gil EvansRoots (aka New Bottle Old Wine) ... LP
World Pacific/Fontana (Netherlands), 1958. Very Good ... $14.99
A masterpiece through and through from arranger Gil Evans – a record of swinging modern backdrops, used to showcase both the solo talents of a young Cannonball Adderley, and the dynamic energy of Evans himself! Cannon's sharp-edged early tone is a really great sound for the record – far more modern than you might expect from later funk and soul sides of the 60s – and perfectly poised next to Gil's larger back drops to reignite a host of older tunes with new energy! And while the titles are familiar, the readings certainly are not – as the Evans pen has really changed things up beautifully – as you'll hear on numbers that include "St Louis Blues", "King Porter Stomp", "Willow Tree", "Struttin' With Some Barbeque", "Lester Leaps In", "Round About Midnight", "Manteca", and "Bird Feathers". LP, Vinyl record album
(Unusual vintage Dutch pressing – great cover image! One corner of the cover has a light crease, but rest is great.)

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Grodeck Whipperjenny (Dave Matthews)Grodeck Whipperjenny ... LP
People, Early 70s. New Copy (reissue)... $9.99
Here's a rare one! Arranger/producer Dave Matthews was to James Brown what David Axelrod was to Cannonball Adderley. Although Matthews didn't work on all of James' records from the early 70s, he did have quite a hand in some of The Godfather's classic funky material – especially the stuff with a heavier fuzzier sound. This rare album on James' People label has Matthews leading a tight little combo of his own, and the sound is a mix of heavy funk and guitar-based grooves. There's some vocals on the album, with a definite rock flair, but the best moments are the instrumental ones – as they have tight funky drums, and some super fuzzy guitar! Heavy cuts include "Put Your Thing On Me", "Inside Or Outside", and "Evidence For The Existence of The Unconscious". An intriguing (and rare) chapter of the James Brown story! LP, Vinyl record album

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Jimmy HeathReally Big ... CD
Riverside, 1960. Used ... $4.99
Very hip work from a young Jimmy Heath – a relative newcomer to the scene at this point, but breaking out with a firm conception and tone, exercised strongly here in a set of large group arrangements worked out in collaboration with Tom McIntosh. McIntosh's work in this format is well known from albums by Dizzy and James Moody – and as with those records, this one has an edgey quality that really keeps the music fresh, and which provides a good foil for solos by Heath, McIntosh, Pat Patrick, and Cannonball Adderley. Titles include "Big P", "Mona's Mood", "Nails", and "The Picture Of Heath". CD
(Out of print.)
Also available Really Big (plus bonus track) (Keepnews collection) ... CD 6.99
 
 
 



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