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Exact matches: 53
Exact matches1
CD, LP, Vinyl record album cover art
David Axelrod/Cannonball AdderleyMessiah ... CD
RCA/Real Gone, 1971. New Copy Gatefold ... $5.99 13.98
David Axelrod takes on Handel's Messiah – and the result is an amazingly complex set of music – very similar to his earlier albums on Capitol Records, and his Warner work with the Electric Prunes! If you love the Axe, you'll find plenty to love here – spare, dark orchestrations, often with a subtle hint of funk in the rhythms, some jazzy flourishes, and this bold sense of studio majesty that marks Axelrod as one of the most inventive producers of his time! The sound's one that gave birth to a whole generation of hip hoppers and beatheads – and the proceedings are conducted by Cannonball Adderley, with a feel that's similar to other Adderley/Axelrod high-concept sets – like Soul Of The Bible or Soul Zodiac. Titles include "Overture", "Worthy Is the Lamb", "Behold Recitative", "Comfort Ye My People", and "And The Angel Said Unto Them". CD

Exact matches2
CD, LP, Vinyl record album cover art
✨✧ Eddie Cleanhead Vinson & Cannonball AdderleyCleanhead & Cannonball (Milestone) ... CD
Milestone, 1961. Used ... $6.99
An incredible album that has Cleanhead moving way past his usual bag! Sure, he's normally known as an R&B vocalist and alto player, but here, in one of those great Riverside "Cannonball Adderley Presents" sessions, Vinson gets into a whole new bag on some cuts. He's playing with Cannonball's group of Nat, Joe Zawinul, Sam Jones, and Louis Hayes – and there's one track in particular that's amazing – "Arriving Soon", an instrumental that has Vinson soaring on alto, wailing with an almost Coltrane-esque level of freedom. It's a killer modal track, and is worth the price of the album alone. There's another instrumental called "Vinsonology", plus vocal numbers like "Hold It", "This Time", and "Kidney Stew" – all with a nice groovy Adderley quintet kind of groove. CD also includes 4 bonus tracks! CD
(Barcode has a cutout hole, CD has a promotional stamp.)

Exact matches3
CD, LP, Vinyl record album cover art
Nancy Wilson & Cannonball AdderleyNancy Wilson/Cannonball Adderley ... CD
Capitol, Mid 60s. Used ... $2.99
The sweet vocals of Nancy join the classic Cannonball quintet for a great set of soul jazz tunes that was one of Capitol's biggest selling jazz sides in the 60s! About half the cuts feature Nancy on vocals – on tunes like "Save Your Love For Me", "Never Will I Marry", "Happy Talk", and "The Masquerade Is Over" – and the other half feature Cannon's group playing instrumentally – on cuts like "Teaneck", "One Man's Dream", and "Never Say Yes". Pop, but hip – nice and hip! CD
(Out of print.)
Also available Nancy Wilson/Cannonball Adderley ... CD 3.99

Exact matches4
CD, LP, Vinyl record album cover art
Nancy Wilson & Cannonball AdderleyNancy Wilson/Cannonball Adderley ... CD
Capitol, Mid 60s. Used ... $3.99
The sweet vocals of Nancy join the classic Cannonball quintet for a great set of soul jazz tunes that was one of Capitol's biggest selling jazz sides in the 60s! About half the cuts feature Nancy on vocals – on tunes like "Save Your Love For Me", "Never Will I Marry", "Happy Talk", and "The Masquerade Is Over" – and the other half feature Cannon's group playing instrumentally – on cuts like "Teaneck", "One Man's Dream", and "Never Say Yes". Pop, but hip – nice and hip! CD
Also available Nancy Wilson/Cannonball Adderley ... CD 2.99

Exact matches5
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyCannonball Adderley Quintet At The Lighthouse (with bonus track) ... CD
Riverside/Capitol, 1960. Used ... Temporarily Out Of Stock
Fantastic work from the Cannonball Adderley Quintet – one of their greatest performances from the seminal early 60s years! The band at this time includes Cannon on alto, Nat on cornet, Victor Feldman on piano, Sam Jones on bass, and Louis Hayes on drums – and although Feldman's not as strong of a soul jazz player as Bobby Timmons or Joe Zawinul, both of whom also played with the group, his playing on this set is great, thanks to a really lively rhythm section! Includes an 11 minute version of "Sack O Woe", plus "Blue Daniel", "Azule Serape", and "Big P". CD also includes a bonus track – "Our Delight". CD
(Out of print.)

Exact matches6
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyCannonball Adderley Quintet In San Francisco (with bonus track) ... CD
Riverside/OJC, 1959. Used ... Temporarily Out Of Stock
One of the greatest Cannonball Adderley albums from the Riverside years – a completely smoking live date recorded in San Francisco, often with long tracks that really let the group open up and do their thing! The lineup here is that classic one that first grabbed attention – the group with brother Nat on cornet, Sam Jones on bass, Louis Hayes on drums – and a young Bobby Timmons on piano, really cooking things up with tremendous drive, energy, and a sense of the groove! Titles include a great workout on Timmons' classic "This Here", plus originals "You Got It" and Spontaneous Combustion", and a great version of "Hi Fly". Soul jazz at its best, by one of the groups who gave the genre its name in the first place! CD
(Out of print.)
Also available Cannonball Adderley Quintet In San Francisco ... LP 9.99

Exact matches7
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyCannonball Adderley Sextet In New York ... LP
Riverside, 1962. Used ... Temporarily Out Of Stock
Rock-solid live material from the classic Cannonball Adderley Sextet – a combo who could usually groove even better on a concert date then they could in the studio! The album's one of a number of key live sides from Cannon in the 60s – and although it pre-dates his work on Capitol, it's done in a similar spacious mode – with plenty of longish tracks that build upon the core groove set down by Joe Zawinul's piano, Sam Jones' bass, and Louis Hayes' drums – a perfect backdrop for the creative and complicated solos of Cannon on alto, Nat Adderley on cornet, and Yusef Lateef on tenor, flute, and oboe! The date was recorded live at the Village Vanguard in 1962 – and titles include "Gemini", "Planet Earth", "Dizzy's Business", "Syn-anthesia", "Scotch & Water", and "Cannon's Theme". LP, Vinyl record album
(OJC pressing. Cover has light wear.)
Also available Cannonball Adderley Sextet In New York ... CD 3.99

Exact matches8
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyInside Straight ... LP
Fantasy, 1973. Used Gatefold ... Temporarily Out Of Stock
One of Cannonball Adderley's late funky sessions for Fantasy – and a record that still features some mighty heavy production from David Axelrod! The album's got that core groove that Axe and Cannon first crafted together at Capitol in the 60s – but the sound here has some definite 70s touches too – a bit more emphasis on electric piano, played here by Hal Galper – and rhythms that are even funkier than before! Other players include Nat Adderley on cornet, Walter Booker on bass, Roy McCurdy on drums, and King Errison on percussion – and titles include the excellent "Snakin' the Grass", which is just ripe for samplin', plus some other good grooves like "Second Son", "Saudade", "Five Of A Kind", and "Inside Straight". LP, Vinyl record album
(Cover has a cut corner.)

Exact matches9
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyKnow What I Mean? (with bonus tracks) ... CD
Riverside/OJC, 1961. Used ... Temporarily Out Of Stock
Beautiful early work from Cannonball Adderley – and a record that's quite different than most of his better known sets from the time! The album's more spare and stripped-down than usual – with Cannon's alto in a quartet alongside Bill Evans on piano, Percy Heath on bass, and Connie Kay on drums. The style is almost more that of Evans than it is Cannonball – lightly lyrical, with a good sense of space – in a way that has Adderley playing out front very strongly, cutting some beautiful lines with his solos, in a really unfettered way! Titles include versions of two of Evans' tracks – "Waltz For Debby" and "Know What I Mean?" – plus nice moody takes on other material, like John Lewis' "Venice", Clifford Jordan's "Toy", and Gordon Jenkins' "Goodbye". Remastered edition with 2 bonus tracks: "Who Cares (Take 4)" and "Know What I Mean? (Take 12)". CD
(Out of print.)
Also available Know What I Mean? ... LP 49.99

Exact matches10
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyPrice You Got To Pay To Be Free ... LP
Capitol, 1970. Used 2LP Gatefold ... Temporarily Out Of Stock
Fantastic work from the massive electric years of the Cannonball Adderley Quintet – one of the group's last records to feature the keyboards of Joe Zawinul – and also one of the heaviest from the time! The set's a double-length gem that presents the group in an open live setting – one that really displays the full charm of their approach at the time, and that wonderfully crowd-winning mode that made Cannon a key act at this time for rock and soul audiences too! Adderley raps a bit at key points, and brings some righteous energy to the concert – while the rest of the group follow up with performances that really send the whole thing home – Nat Adderley on cornet, Zawinul on Fender Rhodes and piano, Walter Booker on bass, and Roy McCurdy on drums. Cannon plays some soprano sax, in addition to his familiar alto – and titles include "Alto Sex", "Lonesome Stranger", "Wild Cat Pee", "Soul Virgo", "Painted Desert", "Directions", "Pra Dizer Adeus", "Rumplestiltskin", "Price You Got To Pay To Be Free", "Esquisition", "Get Up Off Your Knees", "Down In Black Bottom", and "The Scene". Produced by David Axelrod too! LP, Vinyl record album
(Cover has light wear.)
Also available Price You Got To Pay To Be Free ... CD 12.99

Exact matches11
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleySextet ... LP
Milestone, 1962/1963. Used ... Temporarily Out Of Stock
Rare work by Cannonball – recorded in the early 60s, but not issued until after his death! The album features live material – recorded in Tokyo and San Francisco – performed by Cannon's amazing sextet that includes Joe Zawinul on piano, Yusef Lateef on reeds, Nat Adderley on cornet, and the rhythm section of Sam Jones in bass and Louis Hayes on drums. Tracks are all long and grooving – with a sublime mix of the earlier soul jazz that Adderley forge in the late 50s, with some of the more exotic traces that were coming into the group through the work of Lateef. Titles include "New Delhi", "Peter & The Goats", "This Here", and "Never Say Yes". LP, Vinyl record album
(80s pressing.)

Exact matches12
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleySomethin' Else (75th Anniversary Edition) ... LP
Blue Note, 1958. New Copy (reissue)... Temporarily Out Of Stock
A landmark album – even if it was the only session that Cannonball Adderley ever cut for Blue Note! The album was recorded at a time when Adderley was working with Miles Davis – and as such, the session features a group that includes Miles, blowing in a cool tone that's a perfect offset to Cannonball's more soulful style. The rest of the group includes Hank Jones, Sam Jones, and Art Blakey – and like John Coltrane's Blue Train, the record's more of an "special session" than the usual Blue Note album, but the strength of the players make it one of the more memorable records of its day! Titles include "Somethin' Else", "One For Daddy-O", and a nice moody take on "Dancing In The Dark". LP, Vinyl record album
Also available
Somethin' Else ... LP 149.99
Somethin' Else (Japanese pressing) ... CD 8.99

Exact matches13
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleySomethin' Else (RVG Remaster Edition) ... CD
Blue Note, 1958. Used ... Temporarily Out Of Stock
A landmark album – even if it was the only session that Cannonball Adderley ever cut for Blue Note! The album was recorded at a time when Adderley was working with Miles Davis – and as such, the session features a group that includes Miles, blowing in a cool tone that's a perfect offset to Cannonball's more soulful style. The rest of the group includes Hank Jones, Sam Jones, and Art Blakey – and like John Coltrane's Blue Train, the record's more of an "special session" than the usual Blue Note album, but the strength of the players make it one of the more memorable records of its day! Titles include "Somethin' Else", "One For Daddy-O", and a nice moody take on "Dancing In The Dark". CD
(Includes slipcase.)
Also available
Somethin' Else ... LP 149.99
Somethin' Else (Japanese pressing) ... CD 8.99

Exact matches14
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleySoul Zodiac ... LP
Capitol, 1972. Used 2LP Gatefold ... Temporarily Out Of Stock
One of the coolest, baddest, funkiest albums Cannonball Adderley ever recorded – a massive suite of tunes based on the signs of the Zodiac, produced to perfection by David Axelrod, and featuring some hip recitations from the mighty Rick Holmes! The double-length set is completely compelling all the way through – a darkly brooding batch of funky jazz that shows a strong Miles Davis electric influence at points, thanks to Nat Adderley's spacey trumpet lines, Mike Deasy's trippy guitar, and George Duke's excellent keyboards! Other tracks are a bit more laidback, fitting the mood of their respective signs – and overall, the whole thing slips and slides wonderfully from cut to cut – taking you through the star signs with a really righteous, soulful approach. Titles include "Cancer", "Sagittarius", "Pisces", "Aquarius", "Capricorn", "Virgo", "Taurus", "Aries", "Libra", and a special "Introduction". LP, Vinyl record album
(Cover has a cutout hole.)

Exact matches15
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleySpontaneous Combustion – The Savoy Sessions ... LP
Savoy, 1955/1976. Used 2LP Gatefold ... Temporarily Out Of Stock
Tracks recorded back in 1955 as two separate albums and reissued here on this 2LP set. Adderley and his alto sax are joined by Donald Byrd on trumpet, Nat Adderley on cornet, Jerome Richardson on tenor sax and flute, Horace Silver on piano, Paul Chambers on bass and Kenny Clarke on drums. The tracks include "Bohemia After Dark", "Chasm", "Willow Weep For Me", "Late Entry", "Hear Me Talkin To Ya", "With Apologies To Oscar", "We'll Be Together Again", "Spontaneous Combustion", "Caribbean Cutie", and "Flamingo". LP, Vinyl record album
(Cover has light wear.)

Exact matches16
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyThem Dirty Blues ... LP
Riverside, 1960. Used ... Temporarily Out Of Stock
One of the all-time great ones by Cannonball! This record captures him in the prime of his early soul jazz fame – working with an unbelievably heavy quintet that featured Bobby Timmons on piano (with Barry Harris sitting in on a few tracks), Sam Jones on bass, Louis Hayes on drums, and brother Nat Adderley on cornet. The quintet forged a sound that made them an immediate hit – and which had their tight, jagged, soul-drenched sound getting copied by everyone. The record features some amazing soul jazz standards – like Nat's original version of "Work Song", the first-ever record of Timmons' amazing "Dat Dere", Cannon's slinky "Them Dirty Blues", and the jaunty groover "Jeannine", a wonderful cut by Duke Pearson that never sounded better! The CD features alternates of "Work Song" and "Dat Dere" – for a total of 9 tracks in all! LP, Vinyl record album
(Small blue label pressing, with microphone logo and deep groove. Cover has split top & bottom seams.)

Exact matches17
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyThis Here (pts 1 & 2) ... 7-inch
Riverside, 1959. Used ... Temporarily Out Of Stock
A Bobby Timmons tune from "Cannonball Adderley Quintet In San Francisco". Timmons on piano, too! 7-inch, Vinyl record
(Small hole pressing. Label has a peeled spot from sticker removal.)

Exact matches18
CD, LP, Vinyl record album cover art
✨✧ Wes Montgomery/Cannonball AdderleyWes Montgomery Cannonball Adderley & The Poll Winners (with bonus tracks) ... CD
Essential Jazz (Spain), 1960. Used ... Temporarily Out Of Stock
Cannon's left his usual soul jazz combo for this album – and he's recording on the west coast with an all-star group that includes Wes Montgomery on guitar, Victor Feldman on vibes and piano, Ray Brown on bass, and Louis Hayes on drums. The sound's a bit different than usual – with a strong focus on the solos of the big stars, and less on the tight grooving of the group – but that doesn't stop it from being a great set, and Cannon blows in a way that reminds us of his classic Mercury sides. Titles include "The Chant", "Azule Serape", "Never Will I Marry", and "Au Privave". CD

Exact matches19
CD, LP, Vinyl record album cover art
✨✧ Cannonball Adderley & Ray BrownTwo For The Blues (aka Ray Brown With The All-Star Big Band) ... LP
Verve, 1962. Used ... Out Of Stock
A standout session from bassist Ray Brown – one of a few 60s big band sessions recorded for Verve, featuring some searing solo work from Cannonball Adderley! Brown's name as a leader is possibly more as a compadre than the main driving force of the record – as the arrangements here are by Ernie Wilkins, often in the tightly soulful bag he was laying down at the time – and Adderley's presence as the main soloist certainly gives a Cannonball flair to the record. But there's definitely plenty of Brown's warmth guiding the whole session – and other players include Nat Adderley, Clark Terry, Melba Liston, Budd Johnson, and Yusef Lateef. Some tracks have Brown's bass right out front in the arrangements, dipping nicely and adding into the groove – and titles include "Tricotism", "Cannon Built", "Thumbstring", "Two For The Blues", and "Work Song". LP, Vinyl record album
(Cover has some wear.)

Exact matches20
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyCannonball Adderley Quintet & Orchestra – Experience/Tensity/Dialogues ... LP
Capitol, Late 60s. Used ... Out Of Stock
A great lost chapter in the Cannonball/David Axelrod story! The record features Cannon's classic quintet performing some longer, more serious works with orchestral backing – and the sound is vaguely similar to some of Axelrod's "high concept" work for Capitol. The record features a recording of Axelrod's "Tensity" and William Fischer's "Experience In E", both conducted by Fischer, a hip modern soul-oriented arranger, with a sound that's not dissimilar to Axelrod. The last piece on the album is a nice long one by Lalo Schifrin, "Dialogues For Jazz Quintet & Orchestra", which is also conducted by him as well. LP, Vinyl record album
 
Close matches: 4
Close matches54
CD, LP, Vinyl record album cover art
✨✧ Charles EarlandLive ... CD
Cannonball, 1997. Used ... $6.99
Charles Earland always burns brightly in a live setting – and his fire is especially hot here, working on a Chicago date with tenor from Eric Alexander and trumpet from Jim Rotundi – playing together at the DuSable Museum on Earland's birthday! There's a nice degree of "room" in the mix, making the album a bit more raw-sounding than other Earland sessions of this period – almost recreating the sort of classic groove you'd hear if you caught Charles at one of those great southside gigs he was laying down in Chicago during the 90s. Titles include "Explosion", "The Burner's Magic", "If Only For One Night", "The Burning Spirit", and "I Love You More Today Than Yesterday". CD
(Out of print.)

Close matches55
CD, LP, Vinyl record album cover art
✨✧ Charles Earland/Lonnie Smith/Johnny Hammond/JimmyJazz Organ Summit – Live At The DuSable Museum Of African American History Chicago ... CD
Cannonball, 1997. Used ... $6.99
A well-titled Jazz Organ Summit – given that the players here include Lonnie Smith, Johnny Hammond Smith, Charles Earland, and Jimmy McGriff! Most of the players work solo – each getting a track or two on their own, before coming together for a great jam session at the end – and there's a core group of accompanists who include Jim Rotundi on trumpet, Mike Allemana on guitar, and Terry Morrisette on drums – plus other contributions from Eric Alexander on tenor and Greg Rockingham on drums. Titles include Lonnie Smith on "Cherokee", Johnny Hammond Smith on "The Masquerade Is Over" and "Summertime", Charles Earland on "I Love You More Today Than Yesterday", Jimmy McGriff on "Gospel Slo Blues" and "Groovin Blues" – and the whole group of organists come together on "Summit Intro/Summit Theme/Outro". CD
(Out of print.)

Close matches56
CD, LP, Vinyl record album cover art
Idris MuhammadRight Now ... CD
Cannonball, 1998. Used ... $7.99
... CD
(Out of print.)

Close matches57
CD, LP, Vinyl record album cover art
✨✧ Johnnie BassettCadillac Blues ... CD
Cannonball, 1997. Used ... Temporarily Out Of Stock
... CD
(Out of print, punch through barcode.)
 
Possible matches: 55
Possible matches58
CD, LP, Vinyl record album cover art
Wolfgang DaunerRischkas Soul ... CD
Brain/Long Hair (Germany), 1972. New Copy ... $19.99
A fantastic album from German keyboard giant Wolfgang Dauner – and maybe one of the few to perfectly balance both his soul jazz roots and his later trippier style! The music here is very groovy – much more in the mode of MPS Records electric jazz sets of the time than you'd guess from the album's placement on Brain Records – and the lineup features incredible work from Sigi Schwab on guitar – who can be open and spacious at some points, but then really jam with a groove at others! Likewise, the bassist Eberhard Weber can provide a lot of propulsion when needed, but also lay back and bow his cello in a more ECM-like way – and the album's two drummers, Fred Braceful and Roland Wittich, both show an equally deft ability to change up the groove! The real superstar, though, is the mighty Dauner – who plays piano, organ, and keyboards, plus a sweet bit of flute too – on tracks that include "Reading Machine", "Kamasutram", "Blues Far Out", "Flute Woman", and a freaky fuzzy take on Cannonball Adderley's "Jive Samba". CD
Also available Rischkas Soul ... LP 25.99

Possible matches59
CD, LP, Vinyl record album cover art
Wolfgang DaunerRischkas Soul ... LP
Brain/Long Hair (Germany), 1972. New Copy Gatefold (reissue)... $25.99
A fantastic album from German keyboard giant Wolfgang Dauner – and maybe one of the few to perfectly balance both his soul jazz roots and his later trippier style! The music here is very groovy – much more in the mode of MPS Records electric jazz sets of the time than you'd guess from the album's placement on Brain Records – and the lineup features incredible work from Sigi Schwab on guitar – who can be open and spacious at some points, but then really jam with a groove at others! Likewise, the bassist Eberhard Weber can provide a lot of propulsion when needed, but also lay back and bow his cello in a more ECM-like way – and the album's two drummers, Fred Braceful and Roland Wittich, both show an equally deft ability to change up the groove! The real superstar, though, is the mighty Dauner – who plays piano, organ, and keyboards, plus a sweet bit of flute too – on tracks that include "Reading Machine", "Kamasutram", "Blues Far Out", "Flute Woman", and a freaky fuzzy take on Cannonball Adderley's "Jive Samba". LP, Vinyl record album
Also available Rischkas Soul ... CD 19.99

Possible matches60
CD, LP, Vinyl record album cover art
Miles Davis1958 Miles (Japanese pressing with bonus tracks) ... CD
Sony (Japan), 1958. Used ... $9.99
Some of the greatest Miles Davis material ever recorded – and not really ever officially issued as an album until this collection! The recordings are from the magical year of 1958, a time when Miles was working in the Kind Of Blue mode – on the album of the same name, one of his all-time standout classics. The work on this set is in a very similar spirit – recorded by a sextet that includes the rhythm section of Jimmy Cobb, Paul Chambers, and a young Bill Evans, who brings a magically modal feel to the album that really gives it an edge. Added to that are the saxophones of John Coltrane and Cannonball Adderley, blowing together in two ends of the soul spectrum, really stretching the color palette from Miles' usual work. Miles himself seems very inspired by the company, and works with plenty of space to allow the saxophonists to stretch out in wonderful solos – and Evans himself is simply amazing, working wonderfully in the setting, making us wish he'd recorded more group dates like this one! The first 3 tracks on the set were briefly issued on the flipside of the Jazz Track album (an obscure Columbia LP that also included 10 songs from the soundtrack to Ascenseur Pour L'Echafaud), and a few others on later live LPs – but this is the first time the material from that group has appeared together as a full album. Includes stellar versions of "Stella By Starlight", "Green Dolphin Street", "Fran Dance", "Little Melonae", and "Love For Sale". CD also features 2 bonus alternate takes – a total of 7 titles in all! CD
(Out of print, includes obi.)

Possible matches61
CD, LP, Vinyl record album cover art
✨✧ Miles DavisKind Of Blue ... LP
Columbia, 1959. Very Good+ ... $149.99
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, and all those playings, the record manages to still sound fantastic – a truly inspirational piece of music that's long deserved all the attention it gets! The legendary group on the album includes John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans on piano, and Paul Chambers on bass – working with Miles in a relatively modal style, with brilliant rhythm changes and a wonderful sense of space. The whole thing's sublime – and titles include "Blue In Green", "All Blues", "So What", and "Freddie Freeloader". LP, Vinyl record album
(6 eye stereo pressing, matrix ending in 1BA/1BG. Cover has very light surface wear.)
Also available Kind Of Blue (mono) ... LP 22.99

Possible matches62
CD, LP, Vinyl record album cover art
Miles DavisKind Of Blue (Gold CD) ... CD
Columbia, 1959. Used ... $14.99
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, and all those playings, the record manages to still sound fantastic – a truly inspirational piece of music that's long deserved all the attention it gets! The legendary group on the album includes John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans on piano, and Paul Chambers on bass – working with Miles in a relatively modal style, with brilliant rhythm changes and a wonderful sense of space. The whole thing's sublime – and titles include "Blue In Green", "All Blues", "So What", and "Freddie Freeloader". CD
(Out of print Gold CD pressing, pleased note that the outerbox spine has a tear.)

Possible matches63
CD, LP, Vinyl record album cover art
✨✧ Miles DavisKind Of Blue (mono) ... LP
Columbia, 1959. New Copy (reissue)... $22.99 24.98
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, and all those playings, the record manages to still sound fantastic – a truly inspirational piece of music that's long deserved all the attention it gets! The legendary group on the album includes John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans on piano, and Paul Chambers on bass – working with Miles in a relatively modal style, with brilliant rhythm changes and a wonderful sense of space. The whole thing's sublime – and titles include "Blue In Green", "All Blues", "So What", and "Freddie Freeloader". LP, Vinyl record album
(On 180 gram vinyl as well!)
Also available Kind Of Blue ... LP 149.99

Possible matches64
CD, LP, Vinyl record album cover art
✨✧ Miles Davis/Thelonious MonkMiles & Monk At Newport ... LP
Columbia, 1958/1963. Near Mint- ... $24.99
A slightly misleading record – but a great one nonetheless! From the title and cover, you might imagine that Thelonious Monk and Miles Davis were sharing the stage together at the Newport Jazz Festival – but instead, the album actually features separate performances by each artist – actually even recorded 5 years apart! The Miles Davis recording is from 1958 – a great year that has John Coltrane working with the group, alongside Wynton Kelly on piano, Cannonball Adderley on alto, Paul Chambers on bass, and Jimmy Cobb on drums – performing lively versions of "Ah Leu Cha", "Straight No Chaser", "Fran Dance" and "Two Bass Hit". The Monk material is even more unique – recorded in 1963, with Monk's usual quartet of Charlie Rouse on tenor, Butch Warren on bass, and Frankie Dunlop on drums – joined by the legendary Pee Wee Russell on clarinet – recently revived in jazz at the time, and displaying surprisingly modernist tendencies! Both Monk tracks are long – and include versions of "Nutty" and "Blue Monk". LP, Vinyl record album
(360 Sound stereo pressing, with black text.)

Possible matches65
CD, LP, Vinyl record album cover art
Raul De SouzaColors ... CD
Milestone, 1975. Used ... $7.99
A sweet blend of west coast jazz and Brazilian rhythms – and one of our favorite records ever from trombonist Raul De Souza! The session's got a more soulful, jazzy feel than some of Raul's other dates from the 70s – not nearly as tight as his sets for Capitol, with an earthy undercurrent in the music, thanks to the production efforts of Airto, who spearheads the session. Horns are by JJ Johnson, with some slight echoes of his soul soundtrack work of the period – and other players include Ted Lo on keyboards, Richard Davis on bass, and Jack DeJohnette on drums – plus a bit of guest alto sax from Cannonball Adderley on a few tunes. Titles include "Water Buffalo", "Dr Honoris Causa", "Canto De Ossahna", "Nana", "Festival", and "Chants To Burn". CD

Possible matches66
CD, LP, Vinyl record album cover art
Electric Prunes (with David Axelrod)Mass In F Minor ... LP
Reprise, Late 60s. Very Good+ ... $14.99
A beautifully baroque batch of tracks, written and arranged for the Electric Prunes by the great David Axelrod – a really groundbreaking mix of modes that had quite an impact back in the late 60s! The record shows Axelrod's perpetual fascination with the spiritual – mixed with that great modern style of funk that he was forging at Capitol during the late 60s. The record's not really preachy, nor is it proggy. It's more of a complex blueprint of rock, jazz, funk, and touches of soul – all hung together on the same sort of "mass" structure that Axelrod would later use with Cannonball and on his own. Titles include "Kyrie Eleison", "Gloria", "Benedictus", and "Sanctus". LP, Vinyl record album
(Tri-color stereo pressing. Cover has light wear.)

Possible matches67
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Bill EvansEverybody Digs Bill Evans (Japanese pressing) ... CD
Riverside/Victor (Japan), 1958. Used ... $8.99
Everybody Digs Bill Evans – or at least it certainly seems that way from the cover endorsements by Miles Davis, Cannonball Adderley, and Ahmad Jamal – but the real proof is in the record, and the set is a great one from Bill's classic years on Riverside! Evans is at the peak of his early powers here – working with a straightforward rhythm combo that features Sam Jones on bass and Philly Joe Jones on drums – but still hitting those beautifully fluid, beautifully spacious lines that set his playing apart from most who'd come before him. Tracks include 3 solo numbers – "Lucky To Be Me", "Peace Piece", and the very short "Epilogue" – plus trio tracks "Night & Day", "Minority", "Tenderly", and "Oleo". CD

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Gil EvansComplete Pacific Jazz Sessions (New Bottle Old Wine/Great Jazz Standards) ... CD
Pacific Jazz, 1958/1959. Used ... $7.99
2 wonderful late 50s sessions from arranger Gil Evans – both of which we'd rank right up there with his best work with Miles Davis, or the albums under his own name for Impulse in the 60s! The first half of the CD is from the album New Bottle Old Wine – a record of swinging modern backdrops, used to showcase both the solo talents of a young Cannonball Adderley, and the dynamic energy of Evans himself! Cannon's sharp-edged early tone is a really great sound for the record – far more modern than you might expect from later funk and soul sides of the 60s – and perfectly poised next to Gil's larger back drops to reignite a host of older tunes with new energy! And while the titles are familiar, the readings certainly are not – as the Evans pen has really changed things up beautifully – as you'll hear on numbers that include "St Louis Blues", "King Porter Stomp", "Willow Tree", "Struttin' With Some Barbeque", "Lester Leaps In", "Round About Midnight", "Manteca", and "Bird Feathers". Great Jazz Standards is equally great, a fantastic lost set from Evans – and one that features Mingus trumpeter Johnny Coles as the lead soloist in front of Evans-led modern groups that include players like Elvin Jones, Ray Crawford, Steve Lacy, Budd Johnson, Rod Levitt, and Chuck Wayne. Despite the "standards" in the title, most of these numbers are modern tunes from the 50s – like "Joy Spring", "Ballad Of The Sad Young Men", "Django", "Straight No Chaser", and "Chant Of The Weed" – all given Evans' unique style of arrangement, tweaked up a few notches to give them a really edgey quality. Coles is clearly standing in for Miles here, but the format works well overall! CD features 15 tracks in all, including some newly-improved versions of a few tracks, correcting mistakes in the original records! CD
(Out of print.)

Possible matches69
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Gil EvansNew Bottle Old Wine ... CD
Pacific Jazz/Blue Note, 1958. Used ... $5.99
A masterpiece through and through from arranger Gil Evans – a record of swinging modern backdrops, used to showcase both the solo talents of a young Cannonball Adderley, and the dynamic energy of Evans himself! Cannon's sharp-edged early tone is a really great sound for the record – far more modern than you might expect from later funk and soul sides of the 60s – and perfectly poised next to Gil's larger back drops to reignite a host of older tunes with new energy! And while the titles are familiar, the readings certainly are not – as the Evans pen has really changed things up beautifully – as you'll hear on numbers that include "St Louis Blues", "King Porter Stomp", "Willow Tree", "Struttin' With Some Barbeque", "Lester Leaps In", "Round About Midnight", "Manteca", and "Bird Feathers". CD
(Out of print.)

Possible matches70
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Art Farmer/Benny GolsonMeet The Jazztet ... CD
Argo/Chess, 1960. Used ... $4.99
Landmark work by one of the greatest jazz outfits of the early 60s! Art Farmer and Benny Golson were both known as well-composed players during the 50s – strongly soulful, but often with a fine sense of arrangement that usually tended towards the lyrical side of things. With this group, though, they turned that approach towards a heavier sounding style of jazz – tightly stepping soul jazz, in the manner that was being explored at the time by Cannonball Adderley, Art Blakey, and others – presented by Farmer and Golson with a bit more groove and a wonderful kick at the bottom! This album's the first the group cut together – and apart from trumpet by Farmer and tenor by Golson, it also features Curtis Fuller on trombone, McCoy Tyner on piano, Addison Farmer (brother of Art) on bass, and Lex Humphries on drums. Includes the massive original recording of "Killer Joe", which went onto become one of the most recorded jazz standards ever, plus the tracks "Blues March", "Mox Nix", "Park Avenue Petite", and "I Remember Clifford". Perfect tone, perfect groove, and a perfect sound all the way through! CD
(Out of print original CD pressing, not a CDr.)

Possible matches71
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Grodeck Whipperjenny (Dave Matthews)Grodeck Whipperjenny ... LP
People, Early 70s. Near Mint- (reissue)... $7.99
Here's a rare one! Arranger/producer Dave Matthews was to James Brown what David Axelrod was to Cannonball Adderley. Although Matthews didn't work on all of James' records from the early 70s, he did have quite a hand in some of The Godfather's classic funky material – especially the stuff with a heavier fuzzier sound. This rare album on James' People label has Matthews leading a tight little combo of his own, and the sound is a mix of heavy funk and guitar-based grooves. There's some vocals on the album, with a definite rock flair, but the best moments are the instrumental ones – as they have tight funky drums, and some super fuzzy guitar! Heavy cuts include "Put Your Thing On Me", "Inside Or Outside", and "Evidence For The Existence of The Unconscious". An intriguing (and rare) chapter of the James Brown story! LP, Vinyl record album

Possible matches72
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✨✧ Budd JohnsonBudd Johnson & The Four Brass Giants ... LP
Riverside, 1960. Very Good+ ... Just Sold Out!
Budd Johnson was one of those players from the old days who was continually drawing praise from younger and hipper musicians – crediting Budd with a tone and talent that was forever an inspiration to them. Case in point is this 1960 session, issued as part of the hip Cannonball Adderley Presents series on Riverside – one in which Budd is given free reign to arrange the albums tracks, coming up with a nice batch of originals and interesting tunes that show him to be a much more complex player than might be expected. The players include a four piece trumpet section with Nat Adderley, Clark Terry, Harry Edison, and Ray Nance – and rhythm is by Tommy Flanagan, Joe Benjamin, and Herb Lovelle. Tracks include "Blues For Lester", "All My Love", "Trinity River Bottom", and "Driftwood". LP, Vinyl record album
(OJC pressing, in original shrinkwrap with info sticker.)

Possible matches73
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Philly Joe JonesDrums Around The World ... LP
Riverside, 1959. Very Good- ... $11.99
A wonderfully experimental album from drummer Philly Joe Jones – and one that has just the right sort of "ethnic" feel to earn its "Around The World" title! Mostly, the ethnicity comes through in exotic reed work by Sahib Shihab, Herbie Mann, and Cannonball Adderley – who all play wonderfully on the album – alongside straighter sidemen who include Lee Morgan and Blue Mitchell on trumpets, Benny Golson on tenor, and Curtis Fuller on trombone. There's a bit of the Yusef Lateef late 50s sound on here – mixed with Philly's killer crack sock drum approach – a blend that comes off wonderfully throughout, and really makes the album a standout in Philly Joe's catalog from the time. Titles include "Land Of The Blue Veils", "Blue Gwynn", "El Tambores", and "The Tribal Message", which is a nice drum solo! LP, Vinyl record album
(Maroon label Orpheum Productions pressing. Cover has a flaky stain at the top.)

Possible matches74
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✨✧ Furry LewisFurry Lewis In His Prime 1927 to 1928 ... CD
Yazoo, 1927/1928. Used ... $6.99
Two years might be a short time for any artist to be in their "prime" – but the quality of these sides is so strong, they've supported the reputation of Furry Lewis for many many years! The set features wonderful low-key material recorded for 78s in the years 1927 and 1928 – all with Lewis on acoustic guitar, but working with an even greater emphasis on his voice – which has all these amazing inflections that so many other singers would copy over the years. Titles include Furry's classic two part "Kassie Jones" – plus "Jellyroll", "Why Don't You Come Home Blues", "Good Looking Girl Blues", "Mistreatin Mama", "Furry's Blues", "I Will Turn Your Money Green", and "Cannonball Blues". CD

Possible matches75
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MachitoKenya (180 gram pressing) ... LP
Roulette/Pure Pleasure (UK), 1957. New Copy (reissue)... $34.99 44.99
A real corker from Machito – a set that's got a lot more bite and earthy fire than some of his other albums of the 50s – as you might be able to guess from the cover and the title! The record definitely lives up to the Afro-Cuban promise on the front – thanks to very hip arrangements from Mario Bauza and AK Salim – who balance core rhythmic elements with some great modern jazz solo contributions – from key players who include Johnny Griffin on tenor, Cannonball Adderley on alto, Joe Newman on trumpet, and Eddie Bert on trombone – all coming together under Machito's leadership with a sound that's much bolder than most of his work in a straighter Latin mode! The album's a key meeting of styles – as powerful today as it was when first recorded – and tracks include the great "Congo Mulence", a very tight groover – plus "Turuato", "Frenzy", "Cannonology", "Minor Rama", and "Wild Jungle". LP, Vinyl record album
(Limited edition!)

Possible matches76
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Riverside Reunion BandHi Fly ... CD
Milestone, 1994. Used ... $5.99
A set recorded in the 90s, but one that brings together a host of players who recorded for Riverside Records in the late 50s and early 60s! The core sound is right in keeping with the label's best mix of hardbop, modern, and soul jazz at the time – and the ensemble is mighty tight, and hardly the "jam session" group you might expect! Instead, the record features a sextet with Nat Adderley on cornet, Jimmy Heath on tenor, Buddy Montgomery on vibes, Tommy Flanagan on piano, Bob Cranshaw on bass, and Albert Tootie Heath on drums – all coming together with the solid sock you might expect from some of Nat's classic Riverside dates with brother Cannonball Adderley! Tracks are nice and long – and titles include "Hi Fly", "Jive Samba", "Big P", "Back To Back", "You've Changed", and "Pannonica". CD
(Out of print, punch through barcode.)

Possible matches77
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Joe WilliamsJoe Williams Live ... LP
Fantasy, 1973. Near Mint- ... $2.99
One of the nice records made by Joe during his funky comeback of the late 60s/early 70s. He's singing here in a setting that's decidedly hipper than on earlier albums – with the early 70s Nat/Cannonball Adderley collective that includes George Duke on piano, Carol Kaye on bass, and production work by David Axelrod. Titles include "Heritage", "Sad Song", "Yesterday, Today, & Tomorrow", and "Who She Do". LP, Vinyl record album
 
 
 



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