A fantastic run of records – music that firmly established John Prine as one of the most inventive singer/songwriters of the 70s! Prine rose up out of the Chicago folk scene of the 60s – but he soon became something different than just a folk or country singer – even though he was admired strongly by both worlds of music. Instead, John's songs took on this new sense of wit and bite learned from folk, but delivered in a style that was maybe less preachy – but also not as rural as the vibe of country tunesmiths who were changing things up at the time. There's definitely echoes of the work of Kris Kristofferson or Shel Silverstein in Prine's words – but the execution is completely his own, and transforms wonderfully over the course of these records – at a level that shows just how much the singer was able to keep ahead of the pack, and keep his contributions relevant over the years. The box features the full albums John Prine, Diamonds In The Rough, Sweet Revenge, Common Sense, Bruised Orange, Pink Cadillac, and Storm Windows – in LP replica sleeves, with new notes, and poster inserts too. CD

Rare work from funky Lou – unreleased for years! This is an excellent live set that was recorded in 1970, when Lou was at the height of his Blue Note powers, and working with a group that included Idris Muhammad (drums), Melvin Sparks (guitar), and Leon Spencer (organ). Recorded live at the Cadillac Club in Newark, New Jersey, this set's a perfect document of what a funky lounge gig was like in the era of the organ/tenor combos. The group swings hard and funky, with a sound that's like their best Blue Note recordings, and the track list includes "Peepin", "The Scorpion", "Alligator Boogaloo", and "Footpattin' Time". CD

A brilliant album of Latiny grooves from Diz! The disc takes off from the soulful/modal mood of the early 60s groups with Lalo Schifrin and Kenny Barron – and features a young Mike Longo crafting some fantastic lines on piano, stretched out over tight rhythms on electric bass and drums, with Dizzy soloing on trumpet, and James Moody adding in washes of color and emotion on alto, tenor, and flute. The best tracks are long groovers that really show the group stretching out – especially on the album's 16 minute reading of Dizzy's classic "Kush", the title track "Swing Low Sweet Cadillac", and a great version of "Mas Que Nada"! CD

A brilliant album of Latiny grooves from Diz! The disc takes off from the soulful/modal mood of the early 60s groups with Lalo Schifrin and Kenny Barron – and features a young Mike Longo crafting some fantastic lines on piano, stretched out over tight rhythms on electric bass and drums, with Dizzy soloing on trumpet, and James Moody adding in washes of color and emotion on alto, tenor, and flute. The best tracks are long groovers that really show the group stretching out – especially on the album's 16 minute reading of Dizzy's classic "Kush", the title track "Swing Low Sweet Cadillac", and a great version of "Mas Que Nada"! CD

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A fantastic lost slice of work by one of the greatest modern jazz forces on the British jazz scene of the 60s – Jamaican-born saxophonist Joe Harriott, known for his groundbreaking avant jazz sessions and his experiments with Indian classical music! The sound here is quite different than those two better-known aspects of Harriott's career – and represents a return to the hardbop style he was using in the late 50s, when first making waves on the London scene. However, that's not a bad thing at all – as the album's overflowing with modern jazz undercurrents, and almost has a fresh post-Mingus approach to the horn parts and rhythm progressions. The quintet includes trumpeter Stu Hamer, drummer Phil Seaman, bassist Coleridge Goode, and pianist Pat Smythe – all well-suited players for Harriott in such a mode, and working here in a style that recalls the first great moments of British jazz from the late 50s. Titles include "Strollin South", "Just Goofin", "Time For Love", "The Rake", "Blues In C", and "Tuesday Morning Swing". CD

Unreleased genius from British altoist Mike Osborne – and a set that easily matches his classic albums of the 70s! The double-length set was recorded live in the mid 70s, and is issued here for the first time – a wonderfully tight trio outing that features Osborne's alto alongside the bass of Harry Miller and drums of Tony Levin – in a mode that's decidedly Coltrane-influenced, and which has a searching, spiritual quality that's even deeper than most other British work of the time! We've never heard Osborne play with so much feeling, and Miller's basswork is wonderful too – really underscoring the sound with a full, rich quality that grounds the whole proceedings nicely – a soaring, majestic energy that's a far cry from some of the unstructured freedom from other Brit groups of the same stretch. Tremendous throughout – and with cuts that include "One For George", "Alfie", "Almost Home Kathy", "More Mike", "Ossie's Opener", "Awakening Spirit", and "Cousin Mary". CD

Amazing early work from The Treniers – a hip vocal combo that wound up to be one of the raunchiest in 50s R&B! The set goes farther than any other collection of the group's early work that we've seen – in that it features a whopping 26 tracks, pulled both from their recordings for the Mercury and Okeh label – spanning years that run from 1947 to 1953, and which show them as incredibly witty, goofy, and hard-rocking even during their first years in the studio! The titles alone should give you a great idea of the playful feel of the tracks – and they include "Plenty Of Money", "Poon-Tang", "Rockin Is Our Bizness", "Hi-Yo Silver", "Rock Bottom", "I'm Going Back To My Convertible Cadillac", "Go Go Go", "Why Did You Get So High Shorty", "It's A Quiet Town", and "Oooh! Looka There Ain't She Pretty". CD

Although Roy Brown had a slightly softer edge than some of his King R&B contemporaries – he could definitely rock and wail when he wanted to, as you'll hear on this CD! The folks at Rhino have done a good job of digging through Roy's work at King, pulling together 18 tracks that have a fierce Wynonnie Harris-ish sound to them – no surprise, as King often had Brown and Harris splitting "Battle Of The Blues" albums together! Tracks include "Black Diamond", "Mighty Might Man", "Rockin At Midnight", "Cadillac Baby", "Hard Luck Blues", "Bar Room Blues", "Big Town", "Gal From Kokomo", "Beautician Blues", and the original version of "Good Rockin Tonight", which is a lot rawer than you'd expect! CD

Instrumental guitar great William Tyler's second album under his own name, and his first for indie powerhouse Merge Records – and it's an exceptionally beautiful piece of work from a player who's really just getting started! Tyler strikes a youthful presense, but he's actually been playing around a lot behind the scenes – as a studio and/or touring guitarist for Lambchop, Candi Staton, Charlie Louvin and others wise enough to record with producer Mark Nevers – who works on this record, too. Tyler is definitely inspired by finger style folk guitarists from the mid 20th Century onward, but he's also got a hypnotic style that feels like it's inspired by more atmospheric country rock and rustic 70s soundtracks. Here he's mixing it all it into a brilliant style all his own, and it's SO good. Guest musicians include fellow youthful Nashville string genius Chris Scruggs, drummer Scott Martin, steel player Luke Schneider and Roy Agee on trombone. Includes "Country Of Illusion", "The Geography Of Nowhere", "Cadillac Desert", "We Can't Go Home Again", "A Portrait Of Sarah", "Hotel Catatonia", "The Last Residents Of Westfall" and "The World Set Free". CD

A dozen great tracks from funky Latin soul grooves from LA – most of which forever transformed the sound of funk! All your favorites are here, with 12 tracks in all, including "Slippin Into Darkness", "Cisco Kid", "City Country City", "All Day Music", "Me & Baby Brother", "Why Can't We Be Friends", "Whose Cadillac Is That" and "Low Rider". CD

Features "Never Mind", "Bongo Blues", "Brand New Cadillac", "Be Bop a Lula", "Don't Knock On My Door" and more – 18 tracks in all. CD

Includes the songs "Tin Tin Deo", "Ooh-shoo-be-doo-be", "Birk's Works", "Swing Low Sweet Cadillac", "The Champ", "School Days", "Caravan", "Umbrella Man", "Stardust", "Lady Be Good", "On The Sunny Side Of The Street", "It Don't Mean A Thing (If It Ain't Got That Swing)", "Nobody Knows The Trouble I've Seen", "Blue Skies", "They Can't Take That Away From Me", "The Bluest Blues", "Pop's Confessin'", "Sometimes I'm Happy", and "Pretty Eyed Baby". CD

The mid 90s instant classic! Outkast's debut set them up as one of the most distinctive hip hop duos ever, right out of the gate, but it also helped to established the freewheeling, funky dirty south sound, thanks to genius Organized Noize production! The Outkast sound would get bigger and more wildly eclectic on the records to follow Southernplayalisticadillacmuzik, but the consistent, funky southern swagger on this one holds up incredibly well. It sounds fresh to this day! Includes breakout hit "Player's Ball", "Crumblin Erb", "Git Up, Git Out", "Claimin' True", "Funky Ride", "Soouthernplayalisticadillacmuzik", "Ain't No Thang", "CallOf Da Wild", "Hootie Hoo" and a couple of interludes. CD

The best work ever by one of the sharpest vocal groups of the pre-soul years! A wealth of material, including rare singles, undubbed tracks, and some unissued material too. CD

Includes music by Gotan Project, Gary Burton, Los Fabulosos Cadillacs, Caceres, Astor Piazzolla, and others. CD

Music from the Drifters, Jack Scott, the Pentagons, Jackie Wilson, Fats Domino, the Jive Five, the Impalas, the Cadillacs, the Del Vikings, the Channels, the Harptones, and more – 24 tracks in all. CD

Music from the Vels, the Veletones, the Jivers, the Four Tunes, the V8's, the Elegants, the Orients, the Chestnuts, the Willows, the Cadillacs, the Volumes, and more – 30 tracks total. CD

Way more than just the Doo Wop promised in the title – as the set starts with raw harmony work of the 50s, then moves up to include a whole bunch of 60s soul too! The set's a great overview of the evolution of vocal group modes during these crucial years in American music – and some familiar hits are mixed up nicely with lesser-known gems – showing that the compilers really used their heads to put the package together. There's a total of 60 tracks in all, plus a nice booklet too – and titles include "I Believe" by The Earls, "For Sentimental Reasons" by The Cleftones, "The Girl I Love" by The Cadillacs, "I Count The Tears" by The Drifters, "A Casual Look" by The Six Teens, "Down On My Knees" by The Heartbeats, "Out Of Sight" by The Five Keys, "Come Back My Love" by The Cardinals, "Bad Boy" by The Jive Bombers, "Sixty Minute Man" by The Dominoes, "Little Darlin" by The Diamonds, "Lonely Way" by The Skyliners, "The Angels Listened In" by The Crests, "A Wonderful Dream" by The Majors, "Let Me In" by The Sensations, "Smoky Places" by The Corsairs, and "Wish You Were Mine" by The Fireflies. CD

A pretty deep collection of old school Rhythm & Blues recordings in a 3CD set – one billed as Classics, another as Dance Craze cuts and the third highlighting rarities – excellent stuff from legends such as Big Mama Thornton, Ray Charles, Fats Domino, Ruth Brown, Dave Bartholomew, Wynonie Harris, TV Slim, Little Richard, Wilbert Harrison, The Dominoes, Louis Jordan and many more! The antology covers material from the years 1945 to 1959 and features 51 tracks on 3CDs. "I'm Ready" by Fats Domino, "Kansas City" by Wilbert Harrison, "Mama, He Treats Your Daughter Mean" by Ruth Brown, "Ain't I Talking To You Baby" by Sheri Washington, "That's Right Baby" by Piney Brown, "Who Drank My Beer, While I Was In The Rear" by Dave Bartholomew, "Speedoo" by The Cadillacs, "Speedoo" by The Bobbettes and more. CD