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Possible matches: 3
Possible matches1
CD, LP, Vinyl record album cover art
Duke PearsonProfile ... CD
Blue Note (Japan), 1959. New Copy ... $13.99
Early early work by Duke Pearson – and one of his few trio sessions ever! The album's a great way to hear Pearson's lyrical soulful style at work, as he's playing in an unfettered setting with Gene Taylor on bass and Lex Humphries on drums – really stretching out on piano, in a way that you don't often hear on some of his larger group albums. The album features two of his own compositions "Gate City Bop" and "Two Mile Ride", plus versions of "Black Coffee", "Taboo", and "Witchcraft". CD

Possible matches2
CD, LP, Vinyl record album cover art
✨✧ Charlie HadenPrivate Collection ... CD
Naim, 1987/1988. New Copy 2CD ... Temporarily Out Of Stock
Beautiful rare work from Charlie Haden – a 2CD set that features 2 different live performances from the mid 80s! First up is a haunting date recorded on Charlie's 50th birthday, in Santa Monica – a quartet session with Ernie Watts on saxes, Alan Broadbent on piano, and Billy Higgins on drums – all working with Charlie's bass on a set of tracks that runs from straight bop to some wonderfully sensitive, fluid numbers that are very much in the classic Haden style. Titles include "Passport", "Nardis", "Misery", "Segment", "Hermitage", and "Etudes". CD two features another live date, but from a year later – again with Watts on saxes, and Broadbent on piano – but with Paul Motian on drums. Titles include a great 22 minute version of Ornette's "Lonely Woman", plus "Visa", "Body & Soul", "Silence", and "Bay City". CD

Possible matches3
CD, LP, Vinyl record album cover art
✨✧ Sonny CrissJazz In Paris – Mr Blues Pour Flirter ... CD
Universal (France), 1963. New Copy ... Out Of Stock
Some of the rarest work ever by Sonny Criss – and a key link between his LA bop sides of the mid 50s, and his Prestige comeback sides of the late 60s! The CD features tracks from a rare album that Criss cut in Paris during the early 60s, while he was living in the city and working with the cream of its jazz players. This all-star set has Criss blowing some wonderfully soulful alto in a combo that includes Georges Arvanitas on organ and piano, Rene Thomas on guitar, Pierre Michelot on bass, and Philippe Combelle on drums. The original album is one of the rarest sides we've ever found ourselves looking for over the years – and it's wonderful to have the material back out again with such great fidelity! It's wonderful to hear Criss blowing with an organ/guitar group – but even the piano tracks are pretty darn great. Titles include "Early & Later (parts 1 & 2)", "St Louis Blues", "Once In a While", "Green Dolphin Street", and "Day Dream". CD
 
Partial matches: 7
Partial matches4
CD, LP, Vinyl record album cover art
Louis ArmstrongLouis Armstrong & His Friends ... CD
Flying Dutchman/Boplicity (UK), 1970. New Copy ... $11.99
Louis Armstrong hits the Flying Dutchman label – and unlocks a whole new spiritual side of his talents – a mode that's quite different than some of his crossover pop of the 60s! The style here has a bit of righteous elements in the lyrics, and lots of spiritual jazz in the backings – with full arrangements from Oliver Nelson – who heads up a dream lineup that includes Billy Harper on tenor, and either Chico Hamilton or Pretty Purdie on drums! Even more amazing is a guest appearance from Leon Thomas – who sings on a version of "The Creator Has A Master Plan". Other tunes are just as hip – and include "The Black Cat Has 9 Lives", "His Father Wore Long Hair", "Give Peace A Chance", and "We Shall Overcome". Must be heard to be believed! CD

Partial matches5
CD, LP, Vinyl record album cover art
Teresa Brewer with Count Basie & Duke EllingtonSongs Of Bessie Smith/It Don't Mean A Thing If It Ain't Got That Swing ... CD
Flying Dutchman/Boplicity (UK), 1973. New Copy ... $8.99
A pair of later jazzy vocal LP gems by Teresa Brewer, both backed by jazz greats – Songs Of Bessie Smith with Count Basie and Thad Jones, and It Don't Mean A Thing If It Ain't Got That Swing with Duke Ellington – both released by Flying Dutchman in 1973! Teresa's popularity peaked a couple decades earlier as a girlish pop singer, and she succeeds strongly on both records – not just because of the jazz heavies in the band, but because she has the pipes and genuine affection for the material to pull it off. It's lovely stuff! Songs Of Bessie Smith have the bluesy overtones necessary to make it work, without trying the hide Teresa's naturally softer approach. Basie on piano throughout, with arrangements by Jones, and a great big band on half and more intimate arrangements on the other half. It Don't Mean A Thing. . .works just as wel, with Duke Ellington and Ernie Wilkins arrangements, and great Flying Dutchman players that include Bernard Purdie, Joe Beck and Mtume. 20 tracks in all, including "Trombone Cholly", "Gmme A Pigfoot", "I Ain't Got Nobody", "St Louis Blues", "I Ain't Got Nothing But The Blues", "Mood Indigo", "I'm Beginning To See The Light", "I've Got To Be A Rug Cutter", "Tulip Or Turnip", "I'ts Kinda Lonesome Out Tonight" and more. CD

Partial matches6
CD, LP, Vinyl record album cover art
Buddy ColletteBuddy's Best (remastered edition – with bonus track) ... CD
Dooto/Boplicity (UK), 1957. New Copy ... $8.99
One of the best albums ever from reedman Buddy Collette – a great small group session with a harder edge than some of Buddy's later records for bigger labels! Collette was always one of the more interesting players from the LA scene of the 50s – and although he had his roots in harder jazz styles, he also played a lot of studio sessions – and had an amazing ability to shift through different modes and settings with effortless ease – and also shift his work on different reed instruments too! This album's a nice mix of both sides of his style – with some cuts that have Collette playing flute or clarinet with a lyrical groove, and some more hard-blowing tracks that feature alto and tenor – in a cool quintet that features Gerald Wilson on trumpet, Al Viola on guitar, Wilfred Middlebrook on bass, and Earl Palmer on drums The session's a darn tough one to find, despite its importance in Collette's career – and titles include "Walkin' Willie", "Changes", "The Cute Monster", and "Orlando Blues". CD features a bonus track – "Soft Touch (take 5)". CD

Partial matches7
CD, LP, Vinyl record album cover art
Blue MitchellBlue Mitchell ... CD
Mainstream/Boplicity (UK), Early 70s. New Copy ... $11.99
A key 70s album from Blue Mitchell – and a set that's perfectly balanced between the lyricism of his mid 60s sides for Blue Note, and the electric funk of later years! The tracks are long, and have a really great vibe – plenty of room for Mitchell's sweet trumpet in the lead, with longer solos than on his last funk albums for Blue Note – and given a nice sense of bounce, a groove that's almost modal at times, by a group that features Walter Bishop on piano, Larry gales on bass, and Doug Sides on drums. Bishop's clearly playing some Fender Rhodes at times – ala his Black Jazz albums – and the group also features some of the most righteous tenor work we've ever heard from Jimmy Forrest, an artist we really know best for sides from a decade before. Titles include a killer reading of "Soul Village" – later recorded famously by Bishop – plus "Blues For Thelma", "Queen Bey", "Mi Hermano", and "Are You Real". CD

Partial matches8
CD, LP, Vinyl record album cover art
Lee MorganCity Lights (RVG remaster edition) ... CD
Blue Note, 1957. New Copy ... $6.99 9.98
One of Lee Morgan's most sparkling sessions from the early years – a record that already shows a sense of depth and imagination that would take Lee way beyond simple hardbop solo work! There's a sensitivity here that owes something of a debt to Clifford Brown, yet which is much more modernist overall – touched, no doubt, by a set list that features tunes by Gigi Gryce and Benny Golson, and played in a spirit that's similar to the blend of soul jazz and modernism that both of those players were carving out at the time. Morgan's bandmates for the record include George Coleman on tenor and alto, Curtis Fuller on trombone, Ray Bryant on piano, Paul Chambers on bass, and Art Taylor on drums – all in tight formation, but with a sense of relaxed and easy flow that's rare, even in a Blue Note of this vintage! Titles include "You're Mine You", "Just By Myself", "Kin Folks", "City Lights", and "Tempo De Waltz". CD

Partial matches9
CD, LP, Vinyl record album cover art
✨✧ Roy HaynesRoy Haynes Hip Ensemble ... CD
Mainstream/Boplicity (UK), 1971. New Copy ... Temporarily Out Of Stock
Drummer Roy Haynes works here with an ensemble that's definitely as hip as the title promises – a really righteous group that makes the album one of Roy's most spiritual records ever! Haynes was always a drummer who was really a cut above, even back at the start – but here, he really steps out strongly with a new musical vision for the 70s – working with a lineup that includes George Adams on tenor and flute and Marvin Hannibal Peterson on trumpet – but players who give the music a really bold feel, right from the start! The rest of the lineup is wonderful, too – as Carl Schroeder plays Fender Rhodes with this flowing vibe that's plenty soulful – alongside bass from Terud Nakamura and Mervin Bronson, conga from Lawrence Kilian, bongo from Elwood Johnson, and more drums from Haynes himself. Titles include a sublime reading of Stanley Cowell's "Equipoise" – plus "Tangiers", "You Name It", and "Satan's Mysterious Feeling". CD

Partial matches10
CD, LP, Vinyl record album cover art
✨✧ VariousYou All Come! – The Pappy Daily Story 1953 to 1962 ... CD
Eleven Light City (UK), 1950s/Early 60s. New Copy ... Temporarily Out Of Stock
A great look at the vintage country work of Texas producer Pappy Daily – one of the key forces to get the genre going during the postwar years, even though he operated far from the hillbilly hotbeds of Nashville and southern California! The work here is a nice blend of country rockers, mellower numbers, and a few tracks with a slight down-home feel – and the range of artists includes George Jones, who got some very important early help from Daily – plus a number of other artists who are represented here by some nicely obscure slices of work. Titles include "A Satisfied Mind" by Joe Red Hayes, "Why Baby Why" by George Jones, "Don't Big Shot Me" by Link Davis, "Poor Man's Riches" by Benny Barnes, "So Tired Of Crying" by Curtis Gordon, "They Say We're Too Young" by Eddie Bond, "My Pillow" by Roger Miller, "Can't Find The Doorknob" by Jimmy & Johnny, "Blue House Painted White" by Sonny Burns, "All The Time" by Sleepy LaBeef, and "Crazy Blues" by The Big Bopper. CD
 
 
 



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