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Exact matches: 3
Exact matches1
CD, LP, Vinyl record album cover art
✨✧ Bootsy CollinsMug Push/Scenery ... 7-inch
Warner, 1980. Used (pic cover)... Temporarily Out Of Stock
A funky groover lifted from Bootsy's Ultra Wave album – one of his last good records! "Mug Push" has a snapping bass and that compressed funky sound that always set Bootsy's work apart from the countless bands he inspired – catchy, with that late 70s P-Funk groove! 7-inch, Vinyl record

Exact matches2
CD, LP, Vinyl record album cover art
✨✧ Bootsy CollinsWorld Wide Funk ... CD
Mascot, 2017. New Copy ... Out Of Stock
Bootsy Collins has always been a very collaborative artist – from his early work in the James Brown Band, to his famous recordings with George Clinton, to his own albums – which often included most of the leading lights of the P-Funk universe! That collaborative spirit is alive and well here – as Bootsy opens the door to invite a huge host of guests from the worlds of funk, soul, and hip hop – all to augment his groove, and help his classic music find a way to live anew in the contemporary generation! Nearly every track here has at least one guest – most have many more – and the album features contributions from Musique Soulchild, Doug E Fresh, Big Daddy Kane, Stanley Clarke, Victor Wooten, Dru Down, Mc Eiht, Bernie Worrell, Chuck D, Buckheat, and many others – all of whom participate in the general party vibe of the set. Titles include "Pusherman", "Thera-P", "World Wide Funk", "Candy Coated Lover", "A Salute To Bernie", "Hi On Heels", "Snow Bunny", "Worth My Wile", and "Come Back Bootsy". CD

Exact matches3
CD, LP, Vinyl record album cover art
✨✧ Bootsy CollinsWorld Wide Funk (colored vinyl pressing – with bonus download) ... LP
Mascot, 2017. New Copy 2LP Gatefold ... Out Of Stock
Bootsy Collins has always been a very collaborative artist – from his early work in the James Brown Band, to his famous recordings with George Clinton, to his own albums – which often included most of the leading lights of the P-Funk universe! That collaborative spirit is alive and well here – as Bootsy opens the door to invite a huge host of guests from the worlds of funk, soul, and hip hop – all to augment his groove, and help his classic music find a way to live anew in the contemporary generation! Nearly every track here has at least one guest – most have many more – and the album features contributions from Musique Soulchild, Doug E Fresh, Big Daddy Kane, Stanley Clarke, Victor Wooten, Dru Down, Mc Eiht, Bernie Worrell, Chuck D, Buckheat, and many others – all of whom participate in the general party vibe of the set. Titles include "Pusherman", "Thera-P", "World Wide Funk", "Candy Coated Lover", "A Salute To Bernie", "Hi On Heels", "Snow Bunny", "Worth My Wile", and "Come Back Bootsy". LP, Vinyl record album
(On heavy, color splatter vinyl – with download! Includes a cool booklet too!)
 
Possible matches: 19
Possible matches4
CD, LP, Vinyl record album cover art
Bootsy's Rubber BandStretchin' Out In Bootsy's Rubber Band (180 gram pressing) ... LP
Warner/Rhino, 1976. New Copy (reissue)... $14.99
Bootsy Collins' first solo album as a leader – and a masterpiece of slow bassy funk that set the tone for countless other groups to come! Bootsy steps into the spotlight with a tremendous amount of confidence and personality on the record – emerging as the one real star that could shine brightly on its own in the P-Funk galaxy – oozing personality, sexuality, and super-funky grooves throughout! George Clinton's helping Bootsy out on production a bit, and the rest of the P-Funk regulars are in the group as well – but the album's clearly Bootsy's own, and takes mainstream funk into a whole new sound – one that would really set a high bar for much of the west coast scene in years to come! Includes the massive "I'd Rather Be With You" – plus "Physical Love", "Love Vibes", and "Psychoticbumpschool". LP, Vinyl record album

Possible matches5
CD, LP, Vinyl record album cover art
✨✧ Randy CrawfordNaked & True (2CD version – with bonus track) ... CD
Blue Moon/Big Break (UK), 1995. New Copy 2CD ... $15.99
A later date from 70s soul legend Randy Crawford – cut overseas, at a time when she was initially without US representation – a situation that was immediately corrected with the strength of the album! The set has Randy really getting back to basics – mostly working with tight jazz funk backings that recall both her first few records, and her work with The Crusaders – a perfect setting for her wonderful voice, and her trademark use of jazzy currents with more straight-ahead soul! Players on the record include Fred Wesley on trombone, Bernie Worrell on keyboards, and Bootsy Collins on bass – which will give you an idea of the strength of the sound – and titles include "Cajun Moon", "Give Me The Night", "Glow Of Love", "I'll Be Around", "Forget Me Nots", "Joy Inside My Tears", "Purple Rain", and "Come Into My Life". Great 2CD version – features a bonus instrumental version of "The Glow Of Love" – plus 13 more different mixes of tracks from the album – including "Cajun Moon (long trip mix)", "Forget Me Nots (Femi Fem rotation mix)", "Give Me The Night (Mousse T's classic club mix)", "Forget Me Nots (Delaney's mix)", "I'll Be Around (surprise mix)", and "Cajun Moon (cajun trip club version)". CD

Possible matches6
CD, LP, Vinyl record album cover art
GodmomaHere ... LP
Elektra, 1981. Near Mint- ... $13.99
A lesser-known P-Funk project from the start of the 80s – a group that features a trio of female singers, tight production work from Bootsy Collins, and help from other members of the George Clinton universe! Vocals are by Carolyn Myles, Cynthia Girty, and Tony Walker – working with an approach that's fuller and more funky than some of the more disco-oriented P-Funk female groups – stepping along with a wickedly bassy groove that definitely shows the Bootsy influence, but in a way that's open to some of the newer funk ideas from both Ohio and the west coast – which makes the whole thing sound nice and fresh, maybe more so than some of George Clinton's early 80s material. Fred Wesley and The Horny Horns are along for the ride, too – keeping things nice and tight – and tracks include "Taste Of Magic", "Godmama Here", "Hands Up", "I Like It", "Spice", and "Be All You Can Be". LP, Vinyl record album
(Cover has a promo stamp.)

Possible matches7
CD, LP, Vinyl record album cover art
Fuzzy HaskinsI Got My Thang Together – The Westbound Years ... CD
Westbound (UK), Late 70s. New Copy ... $11.99 18.99
Fantastic solo work from Fuzzy Haskins – a key early member of the George Clinton P-Funk empire – breaking out here on his own with a fresh new take on the Parliafunkadelicment groove! The work here is pulled from two albums and other recordings (some unissued) that Fuzzy did for the Westbound label – home to his initial work with Funkadelic, and a very respectful spot to launch his solo career – which takes of in similar late 70s funk territory to some of his former associates, especially Bootsy Collins – but with a vibe that's definitely his own! Some of these tracks were ones that Fuzzy had written years ago, but held back from Funkadelic sessions – and they're performed here with help from familiar Detroit funk giants – including Bootsy on bass, Bernie Worrell on keyboards, and Donald Austin on guitar. Titles include "Gettin It Off", "Thangs We Used To Do", "Not Yet (12" version)", "This Situation Called Love", "Silent Day", "Gimme Back", "Cookie Jar (alt version)", "Mr Junk Man", "I Think I Got My Thang Together (12" version)", "Right Back Where I Started From", "The Fuz & Da Boog", "Sinderilla", "I Can See Myself In You", and "Silent Day". CD

Possible matches8
CD, LP, Vinyl record album cover art
Rick JamesStreet Songs/Throwin' Down ... CD
Gordy, 1981. Used ... $22.99
One of the all-time great Rick James albums – a return to funkier sounds for Rick that worked both artistically and comercially – and actually got over far better than his more blantant attempts at crossover hits both earlier and later than this classic set! Indeed, the record that put a lot of money in Barry Gordy's pockets in the early 80s, and features the super-huge funk pop tune "Super Freak" – plus "Give It To Me Baby", "Ghetto Life", "Make Love To Me", "Below The Funk (Pass The J)", and "Fire & Desire" – all done in that compressed pop-funky style that James kind of took from Bootsy Collins and manage to successfully soup it up for the masses! CD
(Out of print.)

Possible matches9
CD, LP, Vinyl record album cover art
JBsThese Are The JBs ... LP
Now Again, 1970. New Copy ... $21.99 24.98
A stunner of a record – the first-ever album by The JBs, never issued back in the day – and lost for years until it recently resurfaced on a test pressing! The set features a leaner, more stripped-down version of the group – one that features Bootsy Collins on bass, and which doesn't rely as much on the horns as it does some very upfront playing by the rhythm section – who really set fire to the extended instrumental solos on the album's very long tracks! Group members include Robert McCullough on tenor, St Clair Pickney on flute and baritone, Bobby Byrd on piano, Catfish Collins on guitar, and James Brown himself on organ – and the mighty Clyde Stubblefield handles drums, as well as Frank Kash Waddy. All tracks are very long – quite different than the shorter single-type cuts on Pass The Peas – and the record features the first recording of "The Grunt", plus the long jams "I'll Ze", "These Are The JBs (parts 1 & 2)", and "When You Feel It Grunt If You Can". LP, Vinyl record album
(Also comes with a great book – detailing the album and its rescue from obscurity!)

Possible matches10
CD, LP, Vinyl record album cover art
✨✧ JunieJunie – The Complete Westbound Recordings 1975/1976 (When We Do/Freeze/Suzie Super Groupie – with bonus tracks) ... CD
Westbound/Ace (UK), Mid 70s. New Copy 2 CDs ... $15.99 19.98
A trio of albums from Junie Morrison, plus bonus tracks too – all to document the genius of the guy who really helped the Ohio Players find their groove! First up is When We Do – the solo debut of Junie – a crazy little album recorded for Westbound in the time after he split company with The Ohio Players – and a set that's definitely got the weirdly wonderful mix of music that group was known for in their pre-Mercury years! Junie effortlessly moves between a number of styles, all with a great degree of wit – still keeping things funky in all the best ways, but also really experimenting with larger sounds and unusual arrangements – which come into play here in a really wonderful way! The album's an overlooked funk treasure from the 70s – far too sophisticated for its own time – and titles include "Walt's Third Trip", "Tight Rope", "Johnny Carson Samba", "Anna", "Loving Arms", "Married Him", and "The Place". Freeze is a wonderful set from Junie – a record that has all the offbeat funk he was crafting with the Ohio Players during their Westbound years – and the same sort of heady sound that would make Morrison a perfect match with the P-Funk empire! The record contains the legendary track "Granny's Funky Rolls Royce", which features a meeting between the Funky Granny (a near folklorish character from the early 70s, who'd appeared on records by Kool & The Gang and Ohio Players) and an alien, who tells urges to "buy this record, buy this record, buy this record" in a very silly voice! The funky comedy of this track is nicely matched by a range of other odd numbers and straighter soul cuts – and titles include "Freeze", "Super J", "Musical Son", "Junie II", "World of Woe", and "Cookies Will Get You". Suzie Super Groupie is a funky tribute to all the "Super Groupies" who were helping out the 70s music scene – maybe the closest thing that Junie Morrisson every came to a tribute album – and a set that's got all the same wonderful complexity of his other solo albums on Westbound! As with those records, there's a pre-Prince approach to funk that draws heavily from Ohio Players and P-Funk elements – but which really gets a sharper, more sinister focus with Junie in the lead – at a level of soulful stardom that could have made him another Bootsy Collins, if folks were ever smart enough to figure out what he was doing at the time! Titles include the funky classic "Suzie Thundertussy" – plus "Super Groupie", "Surrender", "Junie III", "What Am I Gonna Do", "Stone Face Joe", "Suzie", and "If You Love Him". Set also features rare Junie cuts – including "Junie's Ultimate Departure", "Walt's Second Trip", "Tight Rope (single)", "Loving Arms (mono)", "If You Love Him (single)", "Super J (single)", and "Granny's Funky Rolls Royce (mono)". CD

Possible matches11
CD, LP, Vinyl record album cover art
✨✧ William ParkerScrapbook ... CD
Thirsty Ear, 2003. Used ... $9.99
The jazz bassist re-teams with legendary violinist Billy Bang, who worked with Parker back in the 70s, and also worked with Sun Ra, Bootsy Collins and other titans of the era. Bang's violin is at the heart of the compositions, with Parker's elastic bass pluck there to keep everything bouncing within the same down home kinda groove. Avant dummer Hamid Drake rounds out the trio. The vibe runs from a very moody cool feel, to some fairly out passages – but it's all still mostly within the defined groove. The six tracks all run north of the five minute mark, leaving plenty of room for the trio to stretch their wings, and do so without wearing out their welcome. Our favorite album yet in Thirsty Ear's Blue Series – and the most definitively jazz set in the series, too! Includes "Scrapbook", "Sunday Morning Church", "Dust On A White Shirt", "Urban", and more. CD

Possible matches12
CD, LP, Vinyl record album cover art
Parliament5 Classic Albums (Mothership Connection/Clones Of Dr Funkenstein/Funketelechy Vs The Placebo Syndrome/Motor Booty Affair/Gloryhallastoopid) ... CD
Casablanca/Universal (UK), Late 70s. New Copy 5 CDs ... $26.99 29.99
A funk fan's dream come true – five classic albums from Parliament, all presented in tiny LP-styled covers! First up is Mothership Connection – still some of the tightest, sharpest funk you'll ever hear – all these many decades later. The instrumentation is razor-sharp – played by giants like Fred Wesley, Maceo Parker, Bootsy Collins, and Bernie Worrell – and the lyrics still have all the edginess and naughtiness of the earlier years – tied together wonderfully to make a very unified album, and one that's full of classics too! Titles include "Mothership Connection (Star Child)", "Night Of The Thumpasorus Peoples", "P-Funk (Wants To Get Funked Up)", "Handcuffs", "Give Up The Funk (Tear The Roof Off The Sucker)", and "Unfunky Ufo". Clones Of Dr Funkenstein has that tightened-up P-Funk sound that was working so perfectly at the time – still with all the fuzzy haired elements of earlier years, but presented with a bit more focus – and a powerhouse swing that really drives the tracks home with a funky groove on the bottom! There's a flowing sort of energy here that almost makes you think that the whole thing just emerged naturally from the brain of George Clinton – but all ensemble players have a strong hand in the action, and really get some great moments in on the set. Cuts include "Gamin' On Ya", "Do That Stuff", "Children Of Production", and "I've Been Watching You (Move Your Sexy Body)". Funkentelechy is a masterful dose of slick mothership jamming – perfectly woven together with that tightly compressed style that really served Clinton's production work well. The tracks are long, but never too loopy – and thanks to help from the Bernie Worrell, Jerome Brailey, Gary Shider, and the Horny Horns, the album stays very tight instrumentally all the way through! Loads of Parliament classics, including "Bop Gun", "Funkentelechy", "Sir Nose D'Voidoffunk", and the massive "Flash Light", which we've heard a million times, but which never ceases to amaze us! On Motorbooty Affair, The Mothership goes under water – as George Clinton and crew groove away nicely on this water-themed set of tracks designed to raise Atlantis from the deep! The overall sound is perhaps not as totally perfect as some of the earlier albums, but the P-Funk machine is still in full effect – cranking away nice and hard on tracks like "Liquid Sunshine", "Motor Booty Affair", "Deep", "Rumpofsteelskin", and "(Your'e A Fish And I'm A) Water Sign". Plus, the album more than makes up for a lack of standout tracks with a nicely-united theme – almost a "concept album" of the funky type! Gloryhallastoopid is a set that's very tight and funky, and which really picks up the groove first laid down on "Flashlight"! There's a tightly snapping approach here that rivals the best late 70s work by Funkadelic – the later P-Funk mode that's even more focused on rhythms than before, and which gets away from the sloppy stuff to really hit home with the groove! Tunes are steeped in horny horns, wah wah guitar, and lots of electric keyboards – and titles include "The Big Bang Theory", which is virtually a blueprint for the LA G-funk sound of the 80s – plus the tracks "The Freeze", "May We Bang You?", "Party People", and "(GloryHallaStoopid) Pin The Tail On The Funky". CD

Possible matches13
CD, LP, Vinyl record album cover art
ParliamentMothership Connection ... LP
Casablanca, 1975. Very Good ... $24.99
Here's where it all happens – the huge culmination of all the years of heavy funk and psychedelic soul created by George Clinton and the P-Funk empire – fused into an amazingly tight groove that helped win over much bigger audiences than ever before! The album title and cover are very fitting – as George Clinton launches the mothership, forges his classic space-funk image, and blows the P-Funk empire into an arena-filling mega-star act – all with grooves that are still some of the tightest, sharpest funk you'll ever hear – all these many decades later. The instrumentation is razor-sharp – played by giants like Fred Wesley, Maceo Parker, Bootsy Collins, and Bernie Worrell – and the lyrics still have all the edginess and naughtiness of the earlier years – tied together wonderfully to make a very unified album, and one that's full of classics too! Titles include "Mothership Connection (Star Child)", "Night Of The Thumpasorus Peoples", "P-Funk (Wants To Get Funked Up)", "Handcuffs", "Give Up The Funk (Tear The Roof Off The Sucker)", and "Unfunky Ufo". LP, Vinyl record album
(Original pressing.)

Possible matches14
CD, LP, Vinyl record album cover art
✨✧ UncutIssue 247 – December 2017 (with bonus CD) ... Magazine
Uncut (UK), 2017. New Copy ... $10.99
That's a shaggy looking Robert Plant on the cover – looking back at the myth of Led Zeppelin – in an issue that also has loving look backs at Tom Petty, Harry Dean Stanton, Grant Hart, Charles Bradley, and Holger Czukay – plus articles on Charlotte Gainsbourg, Bootsy Collins, William Eggleston, and others. There's also a new REM interview – plus 112 reviews of new releases – and a bonus CD of "Golden Gods" compiled by Plant – with music by Bert Jansch, Daniel Lanois, Abigail Washburn, and others. Magazine

Possible matches15
CD, LP, Vinyl record album cover art
Lyle Workman & OthersSuperbad – Original Soundtrack ... CD
Lakeshore, 2007. Used ... $6.99
Classic funk and some great contemporary tracks too – new music recorded for the score by a supergroup that features Bootsy Collins on bass and vocals, Bernie Worrell on clavinet and organ, Catfish Collins on guitar, and Clyde Stubblefield on drums! These new tracks are surprisingly good – penned and recorded with a classic 70s feel – and produced with just the right touches to make them come off with the right sort of feel next to the older tunes added to the soundtrack. Original cuts include "Flashback Party Weekend", "Seth Pulls Into Lot", "Super What", "Seth Runs On Track", "Evan's Basement Jam", and "Sleeping Bags". Other cuts include "Do Me" by Jean Knight, "Too Hot To Stop" and "Soul Finger" by The Bar-Kays, "Bustin Out" by Rick James, "PS I Love You" by Curtis Mayfield, and "Here I Come" by The Roots. CD

Possible matches16
CD, LP, Vinyl record album cover art
Bernie WorrellAll The Woo In The World (2017 Black Friday Release) ... LP
Arista/Tidal Waves, 1978. New Copy (reissue)... On November 24, 2017
The first album ever issued with the name of Bernie Worrell on the cover – and a great set that really sums up all the amazing keyboard work he'd been bringing to the P-Funk universe of George Clinton! The set's got a vibe that takes off nicely from the Funkadelic/Parliament sound of the late 70s – definitely more keyboard heavy, in a great way – and really opening up with some of the special madness that was Bernie's own, and often hidden behind the light of the bigger stars in Clinton's galaxy. Worrell sings lead, and also plays a mountain of keyboards – and the set also features help from a huge number of P-Funk friends – including Eddie Hazel, GaryShider, Bootsy Collins, Parlet, Brides of Funkenstein, and even Fred Wesley & The Horny Horns. George Clinton co-produced with Bernie – and titles include "Much Thrust", "Woo Together", "Insurance Man For The Funk", and "Hold On". (Note: This item is not for sale online until after the opening of business on Saturday, November 25. It is in limited supply – and by nature of the Record Store Day rules, it will be offered for sale first to customers who visit the Dusty Groove retail outlet in Chicago on Black Friday. It will not be pre-sold, or reserved in any way. However, the day after Black Friday, we will offer up whatever we have left for sale online.) LP, Vinyl record album
(Limited edition of 1500!)

Possible matches17
CD, LP, Vinyl record album cover art
ZappZapp ... LP
Warner, 1980. Very Good+ ... $24.99
The classic first album by this legendary funky combo – a group who not only went onto change the sound of funk in the 80s, but also went onto have a huge impact on generations of hip hop as well! The album burns from the very first note – the wicked snapping funk of "More Bounce To The Ounce" – a tune that became the blueprint for a generation, and still sounds way better than the millions of copycat attempts that came out over the years! The record follows with some equally wicked bass/keyboard cuts – often with plenty of electro production touches too – thanks to sweeeet work in the studio from Bootsy Collins and Roger Troutman. Bootsy's presence is key, too – as the set kind of strips down the ensemble P-Funk vibe of the generation before – going for a lean, clean groove that's held up beautifully over the years! In addition to "More Bounce To The Ounce", the record also features the mellow steppers cut "Be Alright", which has a wonderful hook, and a great compressed modern soul sound – and other tracks include "Funky Bounce", "Freedom", and "Brand New Pplayer". LP, Vinyl record album
(Original pressing.)

Possible matches18
CD, LP, Vinyl record album cover art
✨✧ Fuzzy HaskinsI Got My Thang Together – The Westbound Years ... CD
Westbound (UK), Late 70s. Used ... Temporarily Out Of Stock
Fantastic solo work from Fuzzy Haskins – a key early member of the George Clinton P-Funk empire – breaking out here on his own with a fresh new take on the Parliafunkadelicment groove! The work here is pulled from two albums and other recordings (some unissued) that Fuzzy did for the Westbound label – home to his initial work with Funkadelic, and a very respectful spot to launch his solo career – which takes of in similar late 70s funk territory to some of his former associates, especially Bootsy Collins – but with a vibe that's definitely his own! Some of these tracks were ones that Fuzzy had written years ago, but held back from Funkadelic sessions – and they're performed here with help from familiar Detroit funk giants – including Bootsy on bass, Bernie Worrell on keyboards, and Donald Austin on guitar. Titles include "Gettin It Off", "Thangs We Used To Do", "Not Yet (12" version)", "This Situation Called Love", "Silent Day", "Gimme Back", "Cookie Jar (alt version)", "Mr Junk Man", "I Think I Got My Thang Together (12" version)", "Right Back Where I Started From", "The Fuz & Da Boog", "Sinderilla", "I Can See Myself In You", and "Silent Day". CD
Also available I Got My Thang Together – The Westbound Years ... CD 11.99

Possible matches19
CD, LP, Vinyl record album cover art
✨✧ ParliamentMothership Connection ... CD
Casablanca, 1975. Used ... Temporarily Out Of Stock
Here's where it all happens – the huge culmination of all the years of heavy funk and psychedelic soul created by George Clinton and the P-Funk empire – fused into an amazingly tight groove that helped win over much bigger audiences than ever before! The album title and cover are very fitting – as George Clinton launches the mothership, forges his classic space-funk image, and blows the P-Funk empire into an arena-filling mega-star act – all with grooves that are still some of the tightest, sharpest funk you'll ever hear – all these many decades later. The instrumentation is razor-sharp – played by giants like Fred Wesley, Maceo Parker, Bootsy Collins, and Bernie Worrell – and the lyrics still have all the edginess and naughtiness of the earlier years – tied together wonderfully to make a very unified album, and one that's full of classics too! Titles include "Mothership Connection (Star Child)", "Night Of The Thumpasorus Peoples", "P-Funk (Wants To Get Funked Up)", "Handcuffs", "Give Up The Funk (Tear The Roof Off The Sucker)", and "Unfunky Ufo". CD
Also available Mothership Connection ... LP 24.99

Possible matches20
CD, LP, Vinyl record album cover art
✨✧ FunkadelicLet's Take It To The Stage (limited gold vinyl pressing) ... LP
Westbound/4 Men With Beards, 1975. New Copy Gatefold (reissue)... Out Of Stock
A tasty little album from Funkadelic – one that has Bootsy Collins joining the group, and really hitting the unique approach that would become the definitive P-Funk groove! And although tracks are shorter and even more focused, there's still a fair bit of guitar in the set – keeping the trademark Funkadelic sound in place, to set them aside from from the growing horn-heavy Parliament groove. Yet in both groups' work at the time, there's a growing emphasis on the rhythms at the bottom – a pulling up of the basslines in a way that was no doubt influenced by Bootsy's presence, and which would have a key influence on the sound of funk for years to come! Includes the massively infectious funk track "Get Off Your Ass and Jam", plus "Let's Take It To The Stage", "Be My Beach", "Baby I Owe You Something Good", "The Song Is Familiar", "No Head No Backstage Pass", "Atmosphere", "Stuffs & Things", and "Better By the Pound". LP, Vinyl record album
(Limited edition of 500 copies!)

Possible matches21
CD, LP, Vinyl record album cover art
✨✧ Rick JamesStreet Songs ... CD
Motown, 1981. New Copy ... Out Of Stock
One of the all-time great Rick James albums – a return to funkier sounds for Rick that worked both artistically and commercially – and actually got over far better than his more blatant attempts at crossover material on other records! The mix here is perfect – a true summation of all that made Motown great at the time, and the special sort of energy that made Rick one of the freshest mainstream talents at the end of the 70s! The record put a lot of money in Barry Gordy's pockets, and for good reason too – given that the set includes the classic hit "Super Freak" – plus "Give It To Me Baby", "Ghetto Life", "Make Love To Me", "Below The Funk (Pass The J)", and "Fire & Desire" – all done in that compressed pop-funky style that James kind of took from Bootsy Collins and manage to successfully soup up for the masses! CD also features the bonus tracks "Give It To Me Baby (12" mix)" and "Super Freak (12" mix)". CD

Possible matches22
CD, LP, Vinyl record album cover art
✨✧ Larry WilliamsThat Larry Williams – The Resurrection Of Funk ... CD
Fantasy/Dusty Groove, 1978. New Copy ... Out Of Stock
A rare funk album from west coast legend Larry Williams – very different than his heavy R&B of the late 50s, or the brief soul comeback he had with Johnny Guitar Watson in the 60s – and instead a heavy groover with a trippy Cali sound! The record's got a sharp groove right from the start – a vibe that's a bit similar to some of the best Johnny Watson funk of the period – a slight jazzy undercurrent in the instrumentation, with wicked guitar and keyboard bits dancing around each other in the rhythms – often mixed with vocals that have a cool sort of electric feel, and topped with some great horn work from Fred Wesley on trombone and Maceo Parker on alto sax! Rudy Copeland plays keyboards on the album alongside Williams, the the set's got a bit of the feel of Rudy's lost Funky Blindman set – and in a way, also echoes the best strutting, sexy modes of Bootsy Collins too. The album's a surprising gem all the way through – a real lost chapter in Larry's career, and the kind of set that might have broken bigger, had he not died mysteriously a few years later. Titles include "Funky Force", "The Resurrection Of Funk", "One Thing Or The Other", "ATS Express", "How Can I Believe", and "Can't Dance To The Music (If It Ain't Got Funky Rhythm)". CD
(On the Dusty Groove label.)
 
 
 



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