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Exact matches: 1
Exact matches1
CD, LP, Vinyl record album cover art
✨✧ Bootsy CollinsMug Push/Scenery ... 7-inch
Warner, 1980. Used (pic cover)... Out Of Stock
A funky groover lifted from Bootsy's Ultra Wave album – one of his last good records! "Mug Push" has a snapping bass and that compressed funky sound that always set Bootsy's work apart from the countless bands he inspired – catchy, with that late 70s P-Funk groove! 7-inch, Vinyl record
(Sleeve has some wear.)
 
Possible matches: 20
Possible matches2
CD, LP, Vinyl record album cover art
Bootsy's Rubber BandStretchin' Out In Bootsy's Rubber Band (180 gram pressing) ... LP
Warner/Rhino, 1976. New Copy (reissue)... $14.99
Bootsy Collins' first solo album as a leader – and a masterpiece of slow bassy funk that set the tone for countless other groups to come! Bootsy steps into the spotlight with a tremendous amount of confidence and personality on the record – emerging as the one real star that could shine brightly on its own in the P-Funk galaxy – oozing personality, sexuality, and super-funky grooves throughout! George Clinton's helping Bootsy out on production a bit, and the rest of the P-Funk regulars are in the group as well – but the album's clearly Bootsy's own, and takes mainstream funk into a whole new sound – one that would really set a high bar for much of the west coast scene in years to come! Includes the massive "I'd Rather Be With You" – plus "Physical Love", "Love Vibes", and "Psychoticbumpschool". LP, Vinyl record album

Possible matches3
CD, LP, Vinyl record album cover art
✨✧ Bootsy's Rubber BandAhh...The Name Is Bootsy, Baby! ... LP
Warner, 1977. Used Gatefold ... Temporarily Out Of Stock
Massive work from Bootsy Collins – one of his best-ever solo albums, and a perfect summation of the P-Funk groove – focused strongly through Bootsy's own sense of stardom! George Clinton worked with Collins on production, and the album's as tight as the best Parliament or Funkadelic work of the time – particularly the latter on their killer 70s sides for Warner, which was also the home for Bootsy. The Horny Horns are helping out on this one, which gives the album a strong instrumental drive – but the real star is Bootsy, whose sexy vocals and good sense of soul keep things firmly on track throughout. Features the cuts "What's A Telephone Bill?", "Munchies For Your Love", "We Want Bootsy", "The Pinocchio Theory", and "Rubber Duckie". LP, Vinyl record album

Possible matches4
CD, LP, Vinyl record album cover art
✨✧ Bootsy's Rubber BandStretchin' Out In Bootsy's Rubber Band ... LP
Warner, 1976. Used ... Temporarily Out Of Stock
Bootsy Collins' first solo album as a leader – and a masterpiece of slow bassy funk that set the tone for countless other groups to come! Bootsy steps into the spotlight with a tremendous amount of confidence and personality on the record – emerging as the one real star that could shine brightly on its own in the P-Funk galaxy – oozing personality, sexuality, and super-funky grooves throughout! George Clinton's helping Bootsy out on production a bit, and the rest of the P-Funk regulars are in the group as well – but the album's clearly Bootsy's own, and takes mainstream funk into a whole new sound – one that would really set a high bar for much of the west coast scene in years to come! Includes the massive "I'd Rather Be With You" – plus "Physical Love", "Love Vibes", and "Psychoticbumpschool". LP, Vinyl record album
(Cover is lightly stained and wrinkled at the bottom, with some marks in pen on front.)
Also available Stretchin' Out In Bootsy's Rubber Band (180 gram pressing) ... LP 14.99

Possible matches5
CD, LP, Vinyl record album cover art
✨✧ Captain SkyPop Goes The Captain ... LP
AVI, 1979. Very Good ... Just Sold Out!
Captain Sky is sort of a bargain-basement version of Bootsy Collins. He plays lots of heavy bass riffs, lays down long funk tracks with wicked vocals and trippy space funk lyrics – but somehow he's never worthy of a ride on the mothership. The record's not a bad one, and it's an interesting example of the huge space-funk influence the work of George Clinton had on the soul underground during the late 70s. Not that anyone did it nearly as good as the P-Funk crew, but there were always a host of folks like Captain trying their best. Tracks include "Moonchild", "Fearless", "Cream & Sugar", "Rebirth", "Hero", and "Ker-Runch". LP, Vinyl record album

Possible matches6
CD, LP, Vinyl record album cover art
FunkadelicLet's Take It To The Stage (limited gold vinyl pressing) ... LP
Westbound/4 Men With Beards, 1975. New Copy Gatefold (reissue)... $19.99 23.98
A tasty little album from Funkadelic – one that has Bootsy Collins joining the group, and really hitting the unique approach that would become the definitive P-Funk groove! And although tracks are shorter and even more focused, there's still a fair bit of guitar in the set – keeping the trademark Funkadelic sound in place, to set them aside from from the growing horn-heavy Parliament groove. Yet in both groups' work at the time, there's a growing emphasis on the rhythms at the bottom – a pulling up of the basslines in a way that was no doubt influenced by Bootsy's presence, and which would have a key influence on the sound of funk for years to come! Includes the massively infectious funk track "Get Off Your Ass and Jam", plus "Let's Take It To The Stage", "Be My Beach", "Baby I Owe You Something Good", "The Song Is Familiar", "No Head No Backstage Pass", "Atmosphere", "Stuffs & Things", and "Better By the Pound". LP, Vinyl record album
(Limited edition of 500 copies!)

Possible matches7
CD, LP, Vinyl record album cover art
✨✧ Herbie HancockPerfect Machine ... LP
Columbia, 1988. Very Good ... $3.99
Herbie's still in electro-grooving mode here – not groundbreaking as earlier records, but still handled by Bill Laswell, and with a tackhead groove pretty firmly in place. The tracks are a bit more complicated than before, with vocals by Sugarfoot, and bass by Bootsy Collins. Titles include "Vibe Alive", "Perfect Machine", "Chemical Residue", "Beat Wise", and "Maiden Voyage/P Bop". LP, Vinyl record album
(Vinyl has a click on "Pefect Machine".)

Possible matches8
CD, LP, Vinyl record album cover art
Fuzzy HaskinsI Got My Thang Together – The Westbound Years ... CD
Westbound (UK), Late 70s. New Copy ... $11.99 18.99
Fantastic solo work from Fuzzy Haskins – a key early member of the George Clinton P-Funk empire – breaking out here on his own with a fresh new take on the Parliafunkadelicment groove! The work here is pulled from two albums and other recordings (some unissued) that Fuzzy did for the Westbound label – home to his initial work with Funkadelic, and a very respectful spot to launch his solo career – which takes of in similar late 70s funk territory to some of his former associates, especially Bootsy Collins – but with a vibe that's definitely his own! Some of these tracks were ones that Fuzzy had written years ago, but held back from Funkadelic sessions – and they're performed here with help from familiar Detroit funk giants – including Bootsy on bass, Bernie Worrell on keyboards, and Donald Austin on guitar. Titles include "Gettin It Off", "Thangs We Used To Do", "Not Yet (12" version)", "This Situation Called Love", "Silent Day", "Gimme Back", "Cookie Jar (alt version)", "Mr Junk Man", "I Think I Got My Thang Together (12" version)", "Right Back Where I Started From", "The Fuz & Da Boog", "Sinderilla", "I Can See Myself In You", and "Silent Day". CD

Possible matches9
CD, LP, Vinyl record album cover art
Rick JamesStreet Songs ... CD
Motown, 1981. New Copy ... $3.99 9.98
One of the all-time great Rick James albums – a return to funkier sounds for Rick that worked both artistically and commercially – and actually got over far better than his more blatant attempts at crossover material on other records! The mix here is perfect – a true summation of all that made Motown great at the time, and the special sort of energy that made Rick one of the freshest mainstream talents at the end of the 70s! The record put a lot of money in Barry Gordy's pockets, and for good reason too – given that the set includes the classic hit "Super Freak" – plus "Give It To Me Baby", "Ghetto Life", "Make Love To Me", "Below The Funk (Pass The J)", and "Fire & Desire" – all done in that compressed pop-funky style that James kind of took from Bootsy Collins and manage to successfully soup up for the masses! CD also features the bonus tracks "Give It To Me Baby (12" mix)" and "Super Freak (12" mix)". CD

Possible matches10
CD, LP, Vinyl record album cover art
William ParkerScrapbook ... CD
Thirsty Ear, 2003. Used ... $9.99
The jazz bassist re-teams with legendary violinist Billy Bang, who worked with Parker back in the 70s, and also worked with Sun Ra, Bootsy Collins and other titans of the era. Bang's violin is at the heart of the compositions, with Parker's elastic bass pluck there to keep everything bouncing within the same down home kinda groove. Avant dummer Hamid Drake rounds out the trio. The vibe runs from a very moody cool feel, to some fairly out passages – but it's all still mostly within the defined groove. The six tracks all run north of the five minute mark, leaving plenty of room for the trio to stretch their wings, and do so without wearing out their welcome. Our favorite album yet in Thirsty Ear's Blue Series – and the most definitively jazz set in the series, too! Includes "Scrapbook", "Sunday Morning Church", "Dust On A White Shirt", "Urban", and more. CD

Possible matches11
CD, LP, Vinyl record album cover art
Bernie WorrellAll The Woo In The World (180 gram pressing) ... LP
Arista/Music On Vinyl (UK), 1978. New Copy (reissue)... $26.99
The first album ever issued with the name of Bernie Worrell on the cover – and a great set that really sums up all the amazing keyboard work he'd been bringing to the P-Funk universe of George Clinton! The set's got a vibe that takes off nicely from the Funkadelic/Parliament sound of the late 70s – definitely more keyboard heavy, in a great way – and really opening up with some of the special madness that was Bernie's own, and often hidden behind the light of the bigger stars in Clinton's galaxy. Worrell sings lead, and also plays a mountain of keyboards – and the set also features help from a huge number of P-Funk friends – including Eddie Hazel, GaryShider, Bootsy Collins, Parlet, Brides of Funkenstein, and even Fred Wesley & The Horny Horns. George Clinton co-produced with Bernie – and titles include "Much Thrust", "Woo Together", "Insurance Man For The Funk", and "Hold On". LP, Vinyl record album

Possible matches12
CD, LP, Vinyl record album cover art
VariousMoog – Original Soundtrack ... CD
Universal, 2004. Used 2 CDs ... $6.99
A far-reaching batch of tunes from the soundtrack to the documentary Moog – and a great document on its own, of the ever-growing influence of the synthesizer pioneer! The track list is very strong, from the retro electro pop of Stereolab, to the ambient agro Meat Beat Manifesto, to the deep thumping synth funk of Bernie & Bootsy, to the post-everythring groove of Tortoise. A surprisingly cohesive listen, too! Tracks include "Abomination" by 33, "Variation One" by Stereolab, "Bob's Funk" from The Moog Cookbook, "You Moog Me" by Jean-Jacque Perrey & Luke Vibert, "Unavailable Memory" by Meat Beat Manifesto, "When Bernie Speaks" by Bernie Worrell & Bootsy Collins, "Nanobot Highway", "Beautiful Love" by Tortoise and more. The package includes a great bonus CD of equally far-reaching tracks that aren't featured in the movie – featuring new wave classics "Mongoloid" by Devo, "Cars" by Gary Newman and "Blue Monday" by New Order, prog classics "Lucky Man" by ELP and "Close To The Edge" by Yes, "EVA" by Jean-Jacques Perry, and "Baroque Hoedown" by jingle composers They Might Be Giants. CD
(Out of print, punch through barcode.)

Possible matches13
CD, LP, Vinyl record album cover art
✨✧ James BrownLove Power Peace – Live At The Olympia Paris 1971 (Japanese paper sleeve edition) ... CD
Polydor/Universal (Japan), 1971. New Copy 2CD Gatefold ... Temporarily Out Of Stock
A lost treasure from James Brown & The JBs – a vintage live performance from the early 70s, and one that captures the group at the height of their powers! The format here is very similar to the excellent Revolution Of The Mind set – a totally funky, totally righteous live performance that has James and the group even more energized than in the studio – working with the kind of razor-sharp intensity that made them a legendary funk act – leaping from tune to tune with nary a break at all! Bobby Byrd acts as the MC, and joins James for a bit of vocals – and the group at this point still includes Bootsy Collins on bass, plus loads of great guitar from Catfish Collins, and Fred Wesley on trombone and Jabo Starks on drums. Dave Matthews handled some of the arrangements – and titles include "Soul Power", "Sex Machine", "Bewildered", "It's A New Day", "Ain't It Funky Now", "Brother Rapp", "Super Bad", "Give It Up Or Turnit A Loose", and "Papa's Got A Brand New Bag/I Got You/I Got The Feelin". Note – this is the first presentation of the material exactly the way that James Brown intended – as a 2CD set, without the remixing from the previous CD – pulled right from the original reels! CD
(SHM-CD pressing!)

Possible matches14
CD, LP, Vinyl record album cover art
✨✧ Stanley ClarkeI Wanna Play For You ... LP
Columbia, 1979. Used 2LP Gatefold ... Temporarily Out Of Stock
A wickedly funky album from Stanley Clarke – perhaps his most fully-formed album of the Columbia years, and a set that really brings together his jazz and soul styles! There's a definite R&B vibe going on, but it's also one that's still quite heavy on bass work from Stanley – a groove that's not far from Bootsy Collins at times, but perhaps with a bit more jazz inflections. Jamming is kept to a minimum, which is fine by us – and the album's filled with really tuneful tunes that have an almost George Duke-like appeal. Guests include Tom Scott and Stan Getz on saxes, George Duke on piano, Harvey Mason and Steve Gadd on drums, and Dee Dee Bridgewater on vocals. Titles include "I Wanna Play For You", "Just A Feeling", "Strange Weather", "My Greatest Hits", "School Days", and "Blues For Mingus". LP, Vinyl record album
(Includes the printed inner sleeve.)

Possible matches15
CD, LP, Vinyl record album cover art
✨✧ George ClintonR&B Skeletons In The Closet ... LP
Capitol, 1986. Used ... Temporarily Out Of Stock
We kept hoping and hoping throughout the 80s that Clinton would get back into the funk of things, but it seems he never quite hit his stride, with the exception of the "Atomic Dog". And though we can't hold this up anywhere near his best work, it's a reasonably solid effort, given that we're now looking back on those 80s keyboard sounds, cheesy drum machines and bass heavy grooves with a bit more fondness these days. By this point, his band included former Headhunter Blackbyrd McKnight and former JB's Fred Wesley and Maceo Parker, plus the inimitable Bootsy Collins, and they cut seven grooves for you here, including "Electric Pygmies", "Do Fries Go With That Shake?" and the "Mix Master Suite". LP, Vinyl record album
(Includes the printed inner sleeve.)

Possible matches16
CD, LP, Vinyl record album cover art
✨✧ Rick JamesStreet Songs (2CD deluxe edition) ... CD
Motown, 1981. Used 2CDs ... Temporarily Out Of Stock
One of the all-time great Rick James albums – a return to funkier sounds for Rick that worked both artistically and commercially – and actually got over far better than his more blatant attempts at crossover material on other records! The mix here is perfect – a true summation of all that made Motown great at the time, and the special sort of energy that made Rick one of the freshest mainstream talents at the end of the 70s! The record put a lot of money in Barry Gordy's pockets, and for good reason too – given that the set includes the classic hit "Super Freak" – plus "Give It To Me Baby", "Ghetto Life", "Make Love To Me", "Below The Funk (Pass The J)", and "Fire & Desire" – all done in that compressed pop-funky style that James kind of took from Bootsy Collins and manage to successfully soup up for the masses! The original album is represented here by 8 tracks, and the CD features an additional 17 tracks, 4 of which are 12" mixes of "Super Freak" and "Give It To Me", the others of which represent an unreleased live concert from 1981. CD
(Out of print. Includes original slipcover!)
Also available Street Songs ... CD 3.99

Possible matches17
CD, LP, Vinyl record album cover art
✨✧ JunieJunie – The Complete Westbound Recordings 1975/1976 (When We Do/Freeze/Suzie Super Groupie – with bonus tracks) ... CD
Westbound/Ace (UK), Mid 70s. New Copy 2CD ... Temporarily Out Of Stock
A trio of albums from Junie Morrison, plus bonus tracks too – all to document the genius of the guy who really helped the Ohio Players find their groove! First up is When We Do – the solo debut of Junie – a crazy little album recorded for Westbound in the time after he split company with The Ohio Players – and a set that's definitely got the weirdly wonderful mix of music that group was known for in their pre-Mercury years! Junie effortlessly moves between a number of styles, all with a great degree of wit – still keeping things funky in all the best ways, but also really experimenting with larger sounds and unusual arrangements – which come into play here in a really wonderful way! The album's an overlooked funk treasure from the 70s – far too sophisticated for its own time – and titles include "Walt's Third Trip", "Tight Rope", "Johnny Carson Samba", "Anna", "Loving Arms", "Married Him", and "The Place". Freeze is a wonderful set from Junie – a record that has all the offbeat funk he was crafting with the Ohio Players during their Westbound years – and the same sort of heady sound that would make Morrison a perfect match with the P-Funk empire! The record contains the legendary track "Granny's Funky Rolls Royce", which features a meeting between the Funky Granny (a near folklorish character from the early 70s, who'd appeared on records by Kool & The Gang and Ohio Players) and an alien, who tells urges to "buy this record, buy this record, buy this record" in a very silly voice! The funky comedy of this track is nicely matched by a range of other odd numbers and straighter soul cuts – and titles include "Freeze", "Super J", "Musical Son", "Junie II", "World of Woe", and "Cookies Will Get You". Suzie Super Groupie is a funky tribute to all the "Super Groupies" who were helping out the 70s music scene – maybe the closest thing that Junie Morrisson every came to a tribute album – and a set that's got all the same wonderful complexity of his other solo albums on Westbound! As with those records, there's a pre-Prince approach to funk that draws heavily from Ohio Players and P-Funk elements – but which really gets a sharper, more sinister focus with Junie in the lead – at a level of soulful stardom that could have made him another Bootsy Collins, if folks were ever smart enough to figure out what he was doing at the time! Titles include the funky classic "Suzie Thundertussy" – plus "Super Groupie", "Surrender", "Junie III", "What Am I Gonna Do", "Stone Face Joe", "Suzie", and "If You Love Him". Set also features rare Junie cuts – including "Junie's Ultimate Departure", "Walt's Second Trip", "Tight Rope (single)", "Loving Arms (mono)", "If You Love Him (single)", "Super J (single)", and "Granny's Funky Rolls Royce (mono)". CD

Possible matches18
CD, LP, Vinyl record album cover art
✨✧ Parliament5 Classic Albums (Mothership Connection/Clones Of Dr Funkenstein/Funketelechy Vs The Placebo Syndrome/Motor Booty Affair/Gloryhallastoopid) ... CD
Casablanca/Universal (UK), Late 70s. New Copy 5 CDs ... Out Of Stock
A funk fan's dream come true – five classic albums from Parliament, all presented in tiny LP-styled covers! First up is Mothership Connection – still some of the tightest, sharpest funk you'll ever hear – all these many decades later. The instrumentation is razor-sharp – played by giants like Fred Wesley, Maceo Parker, Bootsy Collins, and Bernie Worrell – and the lyrics still have all the edginess and naughtiness of the earlier years – tied together wonderfully to make a very unified album, and one that's full of classics too! Titles include "Mothership Connection (Star Child)", "Night Of The Thumpasorus Peoples", "P-Funk (Wants To Get Funked Up)", "Handcuffs", "Give Up The Funk (Tear The Roof Off The Sucker)", and "Unfunky Ufo". Clones Of Dr Funkenstein has that tightened-up P-Funk sound that was working so perfectly at the time – still with all the fuzzy haired elements of earlier years, but presented with a bit more focus – and a powerhouse swing that really drives the tracks home with a funky groove on the bottom! There's a flowing sort of energy here that almost makes you think that the whole thing just emerged naturally from the brain of George Clinton – but all ensemble players have a strong hand in the action, and really get some great moments in on the set. Cuts include "Gamin' On Ya", "Do That Stuff", "Children Of Production", and "I've Been Watching You (Move Your Sexy Body)". Funkentelechy is a masterful dose of slick mothership jamming – perfectly woven together with that tightly compressed style that really served Clinton's production work well. The tracks are long, but never too loopy – and thanks to help from the Bernie Worrell, Jerome Brailey, Gary Shider, and the Horny Horns, the album stays very tight instrumentally all the way through! Loads of Parliament classics, including "Bop Gun", "Funkentelechy", "Sir Nose D'Voidoffunk", and the massive "Flash Light", which we've heard a million times, but which never ceases to amaze us! On Motorbooty Affair, The Mothership goes under water – as George Clinton and crew groove away nicely on this water-themed set of tracks designed to raise Atlantis from the deep! The overall sound is perhaps not as totally perfect as some of the earlier albums, but the P-Funk machine is still in full effect – cranking away nice and hard on tracks like "Liquid Sunshine", "Motor Booty Affair", "Deep", "Rumpofsteelskin", and "(Your'e A Fish And I'm A) Water Sign". Plus, the album more than makes up for a lack of standout tracks with a nicely-united theme – almost a "concept album" of the funky type! Gloryhallastoopid is a set that's very tight and funky, and which really picks up the groove first laid down on "Flashlight"! There's a tightly snapping approach here that rivals the best late 70s work by Funkadelic – the later P-Funk mode that's even more focused on rhythms than before, and which gets away from the sloppy stuff to really hit home with the groove! Tunes are steeped in horny horns, wah wah guitar, and lots of electric keyboards – and titles include "The Big Bang Theory", which is virtually a blueprint for the LA G-funk sound of the 80s – plus the tracks "The Freeze", "May We Bang You?", "Party People", and "(GloryHallaStoopid) Pin The Tail On The Funky". CD

Possible matches19
CD, LP, Vinyl record album cover art
✨✧ GodmomaHere ... LP
Elektra, 1981. Used ... Out Of Stock
A lesser-known P-Funk project from the start of the 80s – a group that features a trio of female singers, tight production work from Bootsy Collins, and help from other members of the George Clinton universe! Vocals are by Carolyn Myles, Cynthia Girty, and Tony Walker – working with an approach that's fuller and more funky than some of the more disco-oriented P-Funk female groups – stepping along with a wickedly bassy groove that definitely shows the Bootsy influence, but in a way that's open to some of the newer funk ideas from both Ohio and the west coast – which makes the whole thing sound nice and fresh, maybe more so than some of George Clinton's early 80s material. Fred Wesley and The Horny Horns are along for the ride, too – keeping things nice and tight – and tracks include "Taste Of Magic", "Godmama Here", "Hands Up", "I Like It", "Spice", and "Be All You Can Be". LP, Vinyl record album
(Cover has light wear.)

Possible matches20
CD, LP, Vinyl record album cover art
✨✧ ParliamentMothership Connection (Remastered & Expanded) ... CD
Casablanca/Mercury, 1975. New Copy ... Out Of Stock
Here's where it all happens – the huge culmination of all the years of heavy funk and psychedelic soul created by George Clinton and the P-Funk empire – fused into an amazingly tight groove that helped win over much bigger audiences than ever before! The album title and cover are very fitting – as George Clinton launches the mothership, forges his classic space-funk image, and blows the P-Funk empire into an arena-filling mega-star act – all with grooves that are still some of the tightest, sharpest funk you'll ever hear – all these many decades later. The instrumentation is razor-sharp – played by giants like Fred Wesley, Maceo Parker, Bootsy Collins, and Bernie Worrell – and the lyrics still have all the edginess and naughtiness of the earlier years – tied together wonderfully to make a very unified album, and one that's full of classics too! Titles include "Mothership Connection (Star Child)", "Night Of The Thumpasorus Peoples", "P-Funk (Wants To Get Funked Up)", "Handcuffs", "Give Up The Funk (Tear The Roof Off The Sucker)", and "Unfunky Ufo". CD features a bonus version of "Star Child", a promo radio version! CD
(Contains bonus material.)

Possible matches21
CD, LP, Vinyl record album cover art
✨✧ Larry WilliamsThat Larry Williams – The Resurrection Of Funk ... CD
Fantasy/Dusty Groove, 1978. New Copy ... Out Of Stock
A rare funk album from west coast legend Larry Williams – very different than his heavy R&B of the late 50s, or the brief soul comeback he had with Johnny Guitar Watson in the 60s – and instead a heavy groover with a trippy Cali sound! The record's got a sharp groove right from the start – a vibe that's a bit similar to some of the best Johnny Watson funk of the period – a slight jazzy undercurrent in the instrumentation, with wicked guitar and keyboard bits dancing around each other in the rhythms – often mixed with vocals that have a cool sort of electric feel, and topped with some great horn work from Fred Wesley on trombone and Maceo Parker on alto sax! Rudy Copeland plays keyboards on the album alongside Williams, the the set's got a bit of the feel of Rudy's lost Funky Blindman set – and in a way, also echoes the best strutting, sexy modes of Bootsy Collins too. The album's a surprising gem all the way through – a real lost chapter in Larry's career, and the kind of set that might have broken bigger, had he not died mysteriously a few years later. Titles include "Funky Force", "The Resurrection Of Funk", "One Thing Or The Other", "ATS Express", "How Can I Believe", and "Can't Dance To The Music (If It Ain't Got Funky Rhythm)". CD
(On the Dusty Groove label.)
 
 
 



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