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Exact matches: 3
Exact matches1
CD, LP, Vinyl record album cover art
Bootsy CollinsKeepin' Dah Funk Alive 4 – 1995 ... CD
Rhino, 1995. Used 2 CDs ... $3.99
... CD
(Promotional copy.)

Exact matches2
CD, LP, Vinyl record album cover art
✨✧ Bootsy CollinsOne Giveth, The Count Taketh Away ... LP
Warner, 1982. Very Good- ... Just Sold Out!
Bootsy Collins steps strongly from the shadow of George Clinton here – and wrote, arranged, and produced most of the album himself! Of course, George was having plenty of his own troubles at the time – but that only allowed Bootsy to take the helm even more, and step out with a batch of grooves that still keeps his star power plenty high. Of course, he's got some great help here too – from Fred Wesley & The Horny Horns, Midnight Star, Godmomma, and P-Funk regulars Bernie Worrell and Gary Shider – all of whom help contribute some classic elements to grooves that include "Shine O Myte", "#1 Funkateer", "So Nice You Name Him Twice", "Take A Lickin & Keep On Tickin", and "Countracula". LP, Vinyl record album

Exact matches3
CD, LP, Vinyl record album cover art
✨✧ Bootsy CollinsUltra Wave ... LP
Warner, 1980. Used ... Out Of Stock
Bootsy's tightening things up a bit from before, but still sounding plenty darn great – that classic Collins groove in all its P-Funk glory! All the best elements are certainly in place – production by George Clinton and Bootsy, horn arrangements by Fred Wesley, and the slinky soulful sound that made Bootsy's albums some of the most enduring of the P-Funk posse. The album shows a bit of the transformation in soul bass playing that Bootsy helped to foster during the late 70s – but it's still not as "whompin" as some of the many groups that were springing up in his wake – a good thing, to us, because so many of Bootsy's imitators had a way of playing their bass way too much! Titles include "Mug Push", "Is That My Song", "It's A Musical", "Sound Crack", and "Fat Cat". LP, Vinyl record album
(Includes the printed inner sleeve.)
 
Possible matches: 15
Possible matches4
CD, LP, Vinyl record album cover art
James BrownLove Power Peace – Live At The Olympia Paris 1971 (3LP set) ... LP
Polydor/Sundazed, 1971. New Copy 3LP Gatefold ... $34.99 49.99
A lost treasure from James Brown & The JBs – a vintage live performance from the early 70s, and one that captures the group at the height of their powers! The format here is very similar to the excellent Revolution Of The Mind set – a totally funky, totally righteous live performance that has James and the group even more energized than in the studio – working with the kind of razor-sharp intensity that made them a legendary funk act – leaping from tune to tune with nary a break at all! Bobby Byrd acts as the MC, and joins James for a bit of vocals – and the group at this point still includes Bootsy Collins on bass, plus loads of great guitar from Catfish Collins, and Fred Wesley on trombone and Jabo Starks on drums. Dave Matthews handled some of the arrangements – and titles include "Soul Power", "Sex Machine", "Bewildered", "It's A New Day", "Ain't It Funky Now", "Brother Rapp", "Super Bad", "Give It Up Or Turnit A Loose", and "Papa's Got A Brand New Bag/I Got You/I Got The Feelin". Note – this is the first presentation of the material exactly the way that James Brown intended – as a 3LP set, without the remixing from the previous CD – pulled right from the original reels! LP, Vinyl record album

Possible matches5
CD, LP, Vinyl record album cover art
Captain SkyPop Goes The Captain ... LP
AVI, 1979. Very Good+ ... $8.99
Captain Sky is sort of a bargain-basement version of Bootsy Collins. He plays lots of heavy bass riffs, lays down long funk tracks with wicked vocals and trippy space funk lyrics – but somehow he's never worthy of a ride on the mothership. The record's not a bad one, and it's an interesting example of the huge space-funk influence the work of George Clinton had on the soul underground during the late 70s. Not that anyone did it nearly as good as the P-Funk crew, but there were always a host of folks like Captain trying their best. Tracks include "Moonchild", "Fearless", "Cream & Sugar", "Rebirth", "Hero", and "Ker-Runch". LP, Vinyl record album

Possible matches6
CD, LP, Vinyl record album cover art
✨✧ Rick JamesFire It Up ... LP
Gordy, 1979. Very Good+ ... $4.99
Rick James fires it up at the end of the 70s – stepping out at full star power that has him rivaling the strength of Bootsy Collins at Warner, and paving the way for the rise of Prince in the early 80s! As with Prince, James' version of funk here is a bit offbeat – lots of riffing guitars in the mix, and a bad-strutting groove that's still conventional mainstream funk of the time, yet with some edgier elements that led Rick to label his music as "punk funk" (or was it "funk punk"?) Given the end-of-70s spirit, you might also say that some of the cuts were aimed at the dancefloor – although James was never really one to storm the discos as much as others. Titles include "Love Gun", "Fire It Up", "Come Into My Life", "Lovin You Is A Pleasure", and "Stormy Love". LP, Vinyl record album
(Includes the printed inner sleeve. Cover has a cutout notch.)

Possible matches7
CD, LP, Vinyl record album cover art
Rick JamesStreet Songs ... CD
Motown, 1981. New Copy ... $3.99 9.98
One of the all-time great Rick James albums – a return to funkier sounds for Rick that worked both artistically and commercially – and actually got over far better than his more blatant attempts at crossover material on other records! The mix here is perfect – a true summation of all that made Motown great at the time, and the special sort of energy that made Rick one of the freshest mainstream talents at the end of the 70s! The record put a lot of money in Barry Gordy's pockets, and for good reason too – given that the set includes the classic hit "Super Freak" – plus "Give It To Me Baby", "Ghetto Life", "Make Love To Me", "Below The Funk (Pass The J)", and "Fire & Desire" – all done in that compressed pop-funky style that James kind of took from Bootsy Collins and manage to successfully soup up for the masses! CD also features the bonus tracks "Give It To Me Baby (12" mix)" and "Super Freak (12" mix)". CD

Possible matches8
CD, LP, Vinyl record album cover art
JBsThese Are The JBs ... LP
Now Again, 1970. New Copy ... $19.99 24.98
A stunner of a record – the first-ever album by The JBs, never issued back in the day – and lost for years until it recently resurfaced on a test pressing! The set features a leaner, more stripped-down version of the group – one that features Bootsy Collins on bass, and which doesn't rely as much on the horns as it does some very upfront playing by the rhythm section – who really set fire to the extended instrumental solos on the album's very long tracks! Group members include Robert McCullough on tenor, St Clair Pickney on flute and baritone, Bobby Byrd on piano, Catfish Collins on guitar, and James Brown himself on organ – and the mighty Clyde Stubblefield handles drums, as well as Frank Kash Waddy. All tracks are very long – quite different than the shorter single-type cuts on Pass The Peas – and the record features the first recording of "The Grunt", plus the long jams "I'll Ze", "These Are The JBs (parts 1 & 2)", and "When You Feel It Grunt If You Can". LP, Vinyl record album
(Also comes with a great book – detailing the album and its rescue from obscurity!)

Possible matches9
CD, LP, Vinyl record album cover art
✨✧ ParliamentMothership Connection ... CD
Casablanca, 1975. Used ... $2.99
Here's where it all happens – the huge culmination of all the years of heavy funk and psychedelic soul created by George Clinton and the P-Funk empire – fused into an amazingly tight groove that helped win over much bigger audiences than ever before! The album title and cover are very fitting – as George Clinton launches the mothership, forges his classic space-funk image, and blows the P-Funk empire into an arena-filling mega-star act – all with grooves that are still some of the tightest, sharpest funk you'll ever hear – all these many decades later. The instrumentation is razor-sharp – played by giants like Fred Wesley, Maceo Parker, Bootsy Collins, and Bernie Worrell – and the lyrics still have all the edginess and naughtiness of the earlier years – tied together wonderfully to make a very unified album, and one that's full of classics too! Titles include "Mothership Connection (Star Child)", "Night Of The Thumpasorus Peoples", "P-Funk (Wants To Get Funked Up)", "Handcuffs", "Give Up The Funk (Tear The Roof Off The Sucker)", and "Unfunky Ufo". CD
Also available Mothership Connection (Remastered & Expanded) ... CD 4.99

Possible matches10
CD, LP, Vinyl record album cover art
ParliamentMothership Connection (Remastered & Expanded) ... CD
Casablanca/Mercury, 1975. New Copy ... $4.99 9.98
Here's where it all happens – the huge culmination of all the years of heavy funk and psychedelic soul created by George Clinton and the P-Funk empire – fused into an amazingly tight groove that helped win over much bigger audiences than ever before! The album title and cover are very fitting – as George Clinton launches the mothership, forges his classic space-funk image, and blows the P-Funk empire into an arena-filling mega-star act – all with grooves that are still some of the tightest, sharpest funk you'll ever hear – all these many decades later. The instrumentation is razor-sharp – played by giants like Fred Wesley, Maceo Parker, Bootsy Collins, and Bernie Worrell – and the lyrics still have all the edginess and naughtiness of the earlier years – tied together wonderfully to make a very unified album, and one that's full of classics too! Titles include "Mothership Connection (Star Child)", "Night Of The Thumpasorus Peoples", "P-Funk (Wants To Get Funked Up)", "Handcuffs", "Give Up The Funk (Tear The Roof Off The Sucker)", and "Unfunky Ufo". CD features a bonus version of "Star Child", a promo radio version! CD
(Contains bonus material.)
Also available Mothership Connection ... CD 2.99

Possible matches11
CD, LP, Vinyl record album cover art
Larry WilliamsThat Larry Williams – The Resurrection Of Funk ... CD
Fantasy/Dusty Groove, 1978. New Copy ... $8.99 12.98
A rare funk album from west coast legend Larry Williams – very different than his heavy R&B of the late 50s, or the brief soul comeback he had with Johnny Guitar Watson in the 60s – and instead a heavy groover with a trippy Cali sound! The record's got a sharp groove right from the start – a vibe that's a bit similar to some of the best Johnny Watson funk of the period – a slight jazzy undercurrent in the instrumentation, with wicked guitar and keyboard bits dancing around each other in the rhythms – often mixed with vocals that have a cool sort of electric feel, and topped with some great horn work from Fred Wesley on trombone and Maceo Parker on alto sax! Rudy Copeland plays keyboards on the album alongside Williams, the the set's got a bit of the feel of Rudy's lost Funky Blindman set – and in a way, also echoes the best strutting, sexy modes of Bootsy Collins too. The album's a surprising gem all the way through – a real lost chapter in Larry's career, and the kind of set that might have broken bigger, had he not died mysteriously a few years later. Titles include "Funky Force", "The Resurrection Of Funk", "One Thing Or The Other", "ATS Express", "How Can I Believe", and "Can't Dance To The Music (If It Ain't Got Funky Rhythm)". CD
(On the Dusty Groove label.)

Possible matches12
CD, LP, Vinyl record album cover art
ZappZapp/Zapp II/Zapp III (with bonus tracks) ... CD
Warner/Robinsongs (UK), Late 70s/Early 80s. New Copy 2CD ... $14.99
Three funky nuggets from Zapp – all packaged together in one collection, with bonus tracks too! First up is the initial album Zapp – the classic first album by this legendary funky combo – a group who not only went onto change the sound of funk in the 80s, but also went onto have a huge impact on generations of hip hop as well! The album burns from the very first note – the wicked snapping funk of "More Bounce To The Ounce" – a tune that became the blueprint for a generation, and still sounds way better than the millions of copycat attempts that came out over the years! The record follows with some equally wicked bass/keyboard cuts – often with plenty of electro production touches too – thanks to sweeeet work in the studio from Bootsy Collins and Roger Troutman. Bootsy's presence is key, too – as the set kind of strips down the ensemble P-Funk vibe of the generation before – going for a lean, clean groove that's held up beautifully over the years! In addition to "More Bounce To The Ounce", the record also features the mellow steppers cut "Be Alright", which has a wonderful hook, and a great compressed modern soul sound – and other tracks include "Funky Bounce", "Freedom", and "Brand New Pplayer". Zapp II is next – seminal work from Roger Troutman and Zapp – a killer batch of cuts that forever changed the sound of funk! The group's "wheeeeeeet/whomp!" sound is very firmly in place by the time of this release – and the sound here is even more electric than their debut – a groundbreaking style that went onto inspire countless acts of the electro generation, and a fair bit of hip hoppers too! Vocals are by Roger, Bad Bobby Glover, and Gregory Jackson – and Zapp's basslines really kick the whole thing into gear – as do the keyboards, too. Titles include "A Touch Of Jazz (Playin Kinda Ruff Part 2)", "Dance Floor", "Doo Wa Ditty (Blow That Thing)", "Come On", "Do You Really Want An Answer", and "Playin Kinda Ruff". Last up is Zapp's 3rd album, and one that shows them still very much on top of their game! The mix of tight bass, keyboards, and occasional vocoder bits is firmly in place from their first two albums – a stunning legacy of ensemble funk that pushes the older P-Funk ethos into hip new territory for the 80s! Roger and crew are superb throughout – fusing all rhythmic elements together beautifully, and electrifying the whole album with some great voice box vocals – almost making you feel like the instruments themselves are running the show! Titles include "We Need The Buck", "Spend My Whole Life", "I Can Make You Dance", "Do Wa Ditty (live)", "Play Some Blues", and "Heartbreaker (parts 1 & 2)". CD features bonus 45 tracks – "Heartbreaker (part 1)", "I Can Make You Dance (part 1)", and single versions of "More Bounce To The Ounce", "Dance Floor", and "Playin Kinda Ruff". CD

Possible matches13
CD, LP, Vinyl record album cover art
✨✧ James BrownLove Power Peace – Live At The Olympia Paris 1971 (Japanese paper sleeve edition) ... CD
Polydor/Universal (Japan), 1971. New Copy 2CD Gatefold ... Temporarily Out Of Stock
A lost treasure from James Brown & The JBs – a vintage live performance from the early 70s, and one that captures the group at the height of their powers! The format here is very similar to the excellent Revolution Of The Mind set – a totally funky, totally righteous live performance that has James and the group even more energized than in the studio – working with the kind of razor-sharp intensity that made them a legendary funk act – leaping from tune to tune with nary a break at all! Bobby Byrd acts as the MC, and joins James for a bit of vocals – and the group at this point still includes Bootsy Collins on bass, plus loads of great guitar from Catfish Collins, and Fred Wesley on trombone and Jabo Starks on drums. Dave Matthews handled some of the arrangements – and titles include "Soul Power", "Sex Machine", "Bewildered", "It's A New Day", "Ain't It Funky Now", "Brother Rapp", "Super Bad", "Give It Up Or Turnit A Loose", and "Papa's Got A Brand New Bag/I Got You/I Got The Feelin". Note – this is the first presentation of the material exactly the way that James Brown intended – as a 2CD set, without the remixing from the previous CD – pulled right from the original reels! CD
(SHM-CD pressing!)
Also available Love Power Peace – Live At The Olympia Paris 1971 (3LP set) ... LP 34.99

Possible matches14
CD, LP, Vinyl record album cover art
✨✧ FunkadelicLet's Take It To The Stage ... LP
Westbound, 1975. Used Gatefold ... Temporarily Out Of Stock
A tasty little album from Funkadelic – one that has Bootsy Collins joining the group, and really hitting the unique approach that would become the definitive P-Funk groove! And although tracks are shorter and even more focused, there's still a fair bit of guitar in the set – keeping the trademark Funkadelic sound in place, to set them aside from from the growing horn-heavy Parliament groove. Yet in both groups' work at the time, there's a growing emphasis on the rhythms at the bottom – a pulling up of the basslines in a way that was no doubt influenced by Bootsy's presence, and which would have a key influence on the sound of funk for years to come! Includes the massively infectious funk track "Get Off Your Ass and Jam", plus "Let's Take It To The Stage", "Be My Beach", "Baby I Owe You Something Good", "The Song Is Familiar", "No Head No Backstage Pass", "Atmosphere", "Stuffs & Things", and "Better By the Pound". LP, Vinyl record album
(Cover has clear tape remnants on the seams.)

Possible matches15
CD, LP, Vinyl record album cover art
✨✧ FunkadelicLet's Take It To The Stage (limited gold vinyl pressing) ... LP
Westbound/4 Men With Beards, 1975. New Copy Gatefold (reissue)... Temporarily Out Of Stock
A tasty little album from Funkadelic – one that has Bootsy Collins joining the group, and really hitting the unique approach that would become the definitive P-Funk groove! And although tracks are shorter and even more focused, there's still a fair bit of guitar in the set – keeping the trademark Funkadelic sound in place, to set them aside from from the growing horn-heavy Parliament groove. Yet in both groups' work at the time, there's a growing emphasis on the rhythms at the bottom – a pulling up of the basslines in a way that was no doubt influenced by Bootsy's presence, and which would have a key influence on the sound of funk for years to come! Includes the massively infectious funk track "Get Off Your Ass and Jam", plus "Let's Take It To The Stage", "Be My Beach", "Baby I Owe You Something Good", "The Song Is Familiar", "No Head No Backstage Pass", "Atmosphere", "Stuffs & Things", and "Better By the Pound". LP, Vinyl record album
(Limited edition of 500 copies!)

Possible matches16
CD, LP, Vinyl record album cover art
✨✧ Parliament5 Classic Albums (Mothership Connection/Clones Of Dr Funkenstein/Funketelechy Vs The Placebo Syndrome/Motor Booty Affair/Gloryhallastoopid) ... CD
Casablanca/Universal (UK), Late 70s. New Copy 5 CDs ... Temporarily Out Of Stock
A funk fan's dream come true – five classic albums from Parliament, all presented in tiny LP-styled covers! First up is Mothership Connection – still some of the tightest, sharpest funk you'll ever hear – all these many decades later. The instrumentation is razor-sharp – played by giants like Fred Wesley, Maceo Parker, Bootsy Collins, and Bernie Worrell – and the lyrics still have all the edginess and naughtiness of the earlier years – tied together wonderfully to make a very unified album, and one that's full of classics too! Titles include "Mothership Connection (Star Child)", "Night Of The Thumpasorus Peoples", "P-Funk (Wants To Get Funked Up)", "Handcuffs", "Give Up The Funk (Tear The Roof Off The Sucker)", and "Unfunky Ufo". Clones Of Dr Funkenstein has that tightened-up P-Funk sound that was working so perfectly at the time – still with all the fuzzy haired elements of earlier years, but presented with a bit more focus – and a powerhouse swing that really drives the tracks home with a funky groove on the bottom! There's a flowing sort of energy here that almost makes you think that the whole thing just emerged naturally from the brain of George Clinton – but all ensemble players have a strong hand in the action, and really get some great moments in on the set. Cuts include "Gamin' On Ya", "Do That Stuff", "Children Of Production", and "I've Been Watching You (Move Your Sexy Body)". Funkentelechy is a masterful dose of slick mothership jamming – perfectly woven together with that tightly compressed style that really served Clinton's production work well. The tracks are long, but never too loopy – and thanks to help from the Bernie Worrell, Jerome Brailey, Gary Shider, and the Horny Horns, the album stays very tight instrumentally all the way through! Loads of Parliament classics, including "Bop Gun", "Funkentelechy", "Sir Nose D'Voidoffunk", and the massive "Flash Light", which we've heard a million times, but which never ceases to amaze us! On Motorbooty Affair, The Mothership goes under water – as George Clinton and crew groove away nicely on this water-themed set of tracks designed to raise Atlantis from the deep! The overall sound is perhaps not as totally perfect as some of the earlier albums, but the P-Funk machine is still in full effect – cranking away nice and hard on tracks like "Liquid Sunshine", "Motor Booty Affair", "Deep", "Rumpofsteelskin", and "(Your'e A Fish And I'm A) Water Sign". Plus, the album more than makes up for a lack of standout tracks with a nicely-united theme – almost a "concept album" of the funky type! Gloryhallastoopid is a set that's very tight and funky, and which really picks up the groove first laid down on "Flashlight"! There's a tightly snapping approach here that rivals the best late 70s work by Funkadelic – the later P-Funk mode that's even more focused on rhythms than before, and which gets away from the sloppy stuff to really hit home with the groove! Tunes are steeped in horny horns, wah wah guitar, and lots of electric keyboards – and titles include "The Big Bang Theory", which is virtually a blueprint for the LA G-funk sound of the 80s – plus the tracks "The Freeze", "May We Bang You?", "Party People", and "(GloryHallaStoopid) Pin The Tail On The Funky". CD

Possible matches17
CD, LP, Vinyl record album cover art
✨✧ GodmomaHere ... CD
Elektra (Japan), 1981. New Copy ... Out Of Stock
A lesser-known P-Funk project from the start of the 80s – a group that features a trio of female singers, tight production work from Bootsy Collins, and help from other members of the George Clinton universe! Vocals are by Carolyn Myles, Cynthia Girty, and Tony Walker – working with an approach that's fuller and more funky than some of the more disco-oriented P-Funk female groups – stepping along with a wickedly bassy groove that definitely shows the Bootsy influence, but in a way that's open to some of the newer funk ideas from both Ohio and the west coast – which makes the whole thing sound nice and fresh, maybe more so than some of George Clinton's early 80s material. Fred Wesley and The Horny Horns are along for the ride, too – keeping things nice and tight – and tracks include "Taste Of Magic", "Godmama Here", "Hands Up", "I Like It", "Spice", and "Be All You Can Be". CD

Possible matches18
CD, LP, Vinyl record album cover art
✨✧ ParliamentMothership Connection ... LP
Casablanca, 1975. Used ... Out Of Stock
Here's where it all happens – the huge culmination of all the years of heavy funk and psychedelic soul created by George Clinton and the P-Funk empire – fused into an amazingly tight groove that helped win over much bigger audiences than ever before! The album title and cover are very fitting – as George Clinton launches the mothership, forges his classic space-funk image, and blows the P-Funk empire into an arena-filling mega-star act – all with grooves that are still some of the tightest, sharpest funk you'll ever hear – all these many decades later. The instrumentation is razor-sharp – played by giants like Fred Wesley, Maceo Parker, Bootsy Collins, and Bernie Worrell – and the lyrics still have all the edginess and naughtiness of the earlier years – tied together wonderfully to make a very unified album, and one that's full of classics too! Titles include "Mothership Connection (Star Child)", "Night Of The Thumpasorus Peoples", "P-Funk (Wants To Get Funked Up)", "Handcuffs", "Give Up The Funk (Tear The Roof Off The Sucker)", and "Unfunky Ufo". LP, Vinyl record album
(Original pressing.)
Also available
Mothership Connection (Remastered & Expanded) ... CD 4.99
Mothership Connection ... CD 2.99
 
 
 



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