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Possible matches: 8
Possible matches1
CD, LP, Vinyl record album cover art
Rosemary ClooneyClap Hands Here Comes Rosie ... CD
RCA (Japan), 1960. Used ... $12.99
A wonderfully groovy album from Rosemary Clooney – done with arrangements from the great Bob Thompson, and some nice male harmony support in the backgrounds! The style's a bit like that used by Rosie on her album with The Hi-Los for Columbia, but there's a hipper, more finger-snapping sort of vibe going on here – that introduction of greater syncopation that showed up as the 60s vocal years approached, and which really allows Thompson a lot of room to make a bit of magic with his music! A few steps the wrong way, and the sound could be hokey – but Rosemary makes it all come off beautifully, thanks to a nice sense of jazz and swing – on titles that include "You Got", "Give Me The Simple Life", "Something's Gotta Give", "Hooray For Love", "Mean To Me", "It Could Happen To You", and "Too Marvelous For Words". CD

Possible matches2
CD, LP, Vinyl record album cover art
Phil OchsTape From California ... LP
A&M, 1968. Very Good ... $6.99
Phil Ochs really opens up his sound on this one – working with larger arrangements that make the album sound quite different than the stark, angry folk of his Elektra albums – in a way that creates an even more complicated approach to Ochs' themes cynicism and bitterness. Arrangements are by Bob Thompson, Larry Marks, and Ian Freebairn-Smith – but Van Dyke Parks and Lincoln Mayorga are both credited in the notes, and it's their talents we seem to hear more on the record. Includes the great "The War Is Over" and "Tape From California" – plus "Half A Century High", "Joe Hill", "The Harder They Fall", "When In Rome", and "Floods Of Florence". LP, Vinyl record album
(Tan label pressing. Cover has a split spine.)

Possible matches3
CD, LP, Vinyl record album cover art
✨✧ Katie LeeSongs of Couch & Consultation ... LP
Commentary, 1957. Used ... Out Of Stock
Fantastic stuff – and a key example of the penetration of psychoanalysis in the US during the postwar years! The tunes here are all vocal parodies of familiar themes from Freud – sung by Katie Lee in a way that's a bit jazz, but possibly a bit folksy too – very playful at times, with the dry wit that you'd get in some of Tom Lehrer's famous records of the same period. Instrumentation is arranged by Bob Thompson, who really emphasizes the whimsy in the tunes – and titles include "The Will To Fail", "Repressed Hostility Blues", "Gunslinger", "Properly Loved", "Real Sick Sounds", "Shrinker Man", and "Schizophrenic Moon". LP, Vinyl record album
(Cover has a small split on the top seam and some marker on one corner.)

Possible matches4
CD, LP, Vinyl record album cover art
Stan Getz5 Original Albums (West Coast Jazz/In Stockholm/Steamer/Cool Sounds/Stan Meets Chet) (5CD set) ... CD
Verve (Germany), Late 50s. New Copy 5 CDs ... $19.99
Five classic Stan Getz albums for Verve – all in a special package, in little LP-styled covers! First up is West Coast Jazz – a classic pairing of the tenor of Stan Getz and the gentle rhythms of the LA scene of the 50s – and a record that stands up beautifully over the years! Tracks are all a bit longish, and the group features Lou Levy on piano, Leroy Vinnegar on bass, and Shelly Manne on drums – plus Conte Candoli on trumpet, somewhat in the frontline, but never in a way that overshadows Stan's tenor. The album's got a great David Stone Martin cover – and titles include "East Of The Sun (West Of The Moon)," "Four," "Night In Tunisia," and "Summertime." Stan Getz In Stockholm allows Stan to showcase his affection for a jazz scene that had been growing strongly in the postwar years – often in directions that were similar to Stan's own sound at the time! The session is one of the first to pair Stan's tenor with a Swedish group – in this case the bass of Gunnar Johnson, drums of Anders Burman, and piano of Bengt Hallberg – the last of which brings sharper, more angular style to the music than some of Stan's accompanists on earlier American dates – pointing the way towards new experiments to come in his music! Next is Steamer – not a word that we'd necessarily think to use with the gently flowing tenor tone of Stan Getz – but that doesn't stop the album from being a great one, and perhaps in Getz-like terms, it might well have a bit more steam than usual! The album features Getz in a quartet with a nicely flowing groove – nicely vamping piano from Lou Levy in the background on most numbers, and a definite edge in the lead tenor solos – still blown with the warmth of earlier Getz recordings, but perhaps showing some of the modern flourishes to come. Bass is by Leroy Vinnegar and drums are by Stan Levey – and titles include "Blues For Mary Jane", "There'll Never Be Another You", and "You're Blase". Cool Sounds features a range of unusual material recorded over a three year period with a variety of different players! Some of the dates here definitely fit the "cool sounds" title of the record – in that they feature Getz with the west coast lineup of Lou Levy on piano, Shelly Manne on drums, and Leroy Vinnegar on bass – heard more famously on Stan's West Coast album of the same time. But other sides feature a different grouping – with Jimmy Rowles on piano, Bobby Whitlock on bass, and Max Roach on drums – offering up a different side of the west coast altogether. And still others take things back to more of an east coast modern style – by featuring either Tony Fruscella on trumpet or Bob Brookmeyer on trombone, in groups with John Williams on piano. The mix of material makes for a nicely-rounded portrait of Getz's talents in the mid 50s years! Last up is Stan Meets Chet – Stan Getz meets Chet Baker – A classic meeting of these two talents – recorded in Chicago with a Chicago rhythm section of Jodie Christian, Victor Sproles, and Marshall Thompson. The album's an odd one, and is recorded with less of the impeccability of some of Verve's other sessions (which is probaby how the Chicago team got in the action) – but given Baker's harder-edged proclivities at the time, the set's a very interesting one to hear, and the relaxed nature of the tracks brings out some important solo moments from both players. 4 long tracks – including "I'll Remember April", "Jordu", and "Half-Breed Apache". CD

Possible matches5
CD, LP, Vinyl record album cover art
Libby & Stephen McNeil/David RoseSan Francisco – My Enchanted City ... LP
SEAL, Mid 60s. Sealed ... $6.99
A very cool record that we might well put right up there with Mel Torme's "California Suite" as a musical tribute to the west coast – or the "Manhattan Tower" of Gordon Jenkins as some sort of tribute to a city! The album's a long piece on the glory of San Francisco – with lots of differently-themed tunes that refer to aspects of the city in mid-century – composed by the team of Libby and Stephen McNeil, set to music by David Rose –a nd featuring vocals by Ray Goman, Shepard Menken, Bob Grabot, Bill Thompson, and others. Titles include "Fog Over Frisco", "Meet The Press", "When You Call It Frisco Smile", "Around The Town Sequence", andee "Mission Dolores". Side two features "Four Moods In Memory" – a suite of themes played by Rose, with narration by Don Sherwood. LP, Vinyl record album

Possible matches6
CD, LP, Vinyl record album cover art
This Magazine Is HauntedThis Magazine Is Haunted Collected Works Vol 2 – Issues 8 to 14 – December 1952 to December 1953 (hardcover) ... Book
PS Artbooks (UK), 1952/1953. New Copy ... $9.99 47.99
A fantastic entry in the world of 50s horror comics – a publication that never got much circulation at the time, but which has gone onto become the stuff of legend, thanks to its creepy stories and early artwork from a host of later comics giants! The publication was one of a few great horror books put out by Charlton Comics – and like some of their sci-fi books, the approach is nicely loose and free – in a way that has themes and styles changing up nicely, as the company stuff plenty of content into the space of each issue – which makes a book like this extra-packed with greatness! This volume presents seven full issues of the magazine – in color, with covers and inside ads too – all for a price that's way less than one original issue will cost you! Artwork is by Sheldon Moldoff, Bob McCarty, Leonard Frank, Ed Waldman, Bud Thompson, and others. Book

Possible matches7
CD, LP, Vinyl record album cover art
✨✧ Charles River Valley BoysBeatle Country ... LP
Elektra, 1966. Used ... Temporarily Out Of Stock
Country takes on Beatles tunes – recorded in Nashville, with work by Jim Field on guitar and vocals, Joe Val on mandolin, and Bob Siggins on banjo – plus dobro and some lead guitar from Eric Thompson. LP, Vinyl record album
(Tan label Elektra pressing.)

Possible matches8
CD, LP, Vinyl record album cover art
✨✧ Wild Bill DavisMidnight To Dawn ... LP
RCA, 1967. Used ... Out Of Stock
A nice live cooker from Wild Bill Davis! This album was recorded at Grace's Little Belmont, a club in Atlantic City in 1967, a place where organist Davis had played almost every summer for over twenty years. He is joined by Clayton Robert Brown on tenor sax, James "Dickie" Thompson on guitar and Robert Joseph Durham on drums. Some of the tracks are Davis or Davis and Bob Brown originals and they include "Let It Be", "Adoration", and "Up Top". Other songs are "Manha de Carnaval" from Black Orpheus, "Jive Samba", "Soft Winds", "Little Tracy", "Straight No Chaser", and "Cute" among others. LP, Vinyl record album
(Stereo pressing with deep groove. Cover has edge wear.)
 
Partial matches: 6
Partial matches9
CD, LP, Vinyl record album cover art
Chico FreemanTangents ... CD
Elektra/Wounded Bird, 1984. New Copy ... $3.99 11.98
Surprisingly dark music for a mid 80s major label jazz album – especially one that features guest work from Bobby McFerrin! Chico Freeman's definitely keeping true to his adventurous roots here – blowing some sharply angular lines on a range of reeds, and exploring both older jazz freedoms and some newer 80s experimental moments – all in a lineup with Mark Thompson on piano, Steve Coleman on alto and soprano sax, Jay Hoggard on vibes, Cecil McBee on bass, and Billy Hart on drums. Kenny Werner plays a bit of synth at times – in some dark-toned 80s modes – and although Bobby McFerrin is billed strongly on the cover, the album only seems to feature a bit of his vocalizations. Titles include "Sangoma & Nelly", "You Are The One", "Spook & Fade", "Tangents", "Ballad For Hakima", and "Sir Tashi & The Yeti". CD

Partial matches10
CD, LP, Vinyl record album cover art
VariousLet's Get Swinging – Modern Jazz In Belgium 1950 to 1970 ... CD
Sdban (Belgium), Late 50s/1960s. New Copy 2 CDs ... $29.99
A long-overdue look at the Belgian jazz scene in the postwar years – a nation that always seems to get overlooked next to the more famous jazz musicians that have recorded in Denmark, France, and The Netherlands at the time! Yet the Belgian scene also gave Paris some of its most important players of the 50s – and also helped provide a crossroads for American and other European musicians too – so there's a very lively sense of expression and exploration here – most that are mostly soulful, and in styles that include hardbop and modal – but in ways that share some of the best modern ideas of the Danish greats of the time. The package is way more than just music, too – as the notes are copious, and include images of all the rare records that provided the material – a few you might know, but not as Belgian classics – and lots more that should be very new! The set features both homegrown recordings, and Belgian contributions to other European recordings – and titles include "African Dance" by Jack Sels, "Dark Eyes" by Francy Boland, "Cecilia" by The Clouds, "Witch Of Salem" by Rene Goldstein & His Group, "Work Song" by Jacques Pelzer, "Let's Get Swinging" by The St Tropez Jazz Octet, "Grelots" by Philip Catherine & Robert Pernet, "Bernie's Taste" by Rene Thomas/Bobby Jaspar Quintet, "Ensadinado" by Fats Sadi, "Clarinescapade" by Bobby Jaspar, "Minor Works" by Lucky Thompson & Jack Sels, "Hall's Blues" by The Clouds, "Digging Chick" by Herman Sandy, "Subtroyan Influence" by Jon Eardley, and "Minor 5" by Saxorama & Jack Sels. CD

Partial matches11
CD, LP, Vinyl record album cover art
✨✧ VariousCrazy Rhythms Of Mata Hari – Rolling Rockabilly, Hot & Cool Hillbilly, Wild Western Swing, Sleazy Listening, Sinuous Soul, & Slinky R&B ... LP
Stag O Lee (Germany), 1950s. New Copy 2LP Gatefold ... Out Of Stock
A much more American-styled set of tracks than you'd guess from a record with Mata Hari in the title – mostly work from the hillbilly and R&B sides of the spectrum – pulled from a range of rare singles from the 50s! The vibe is a nice twist on some of the other compilations on the Stag O Lee label – and like the best of those, the mix here features very obscure numbers alongside tracks that might have been big in their day, but have really been lost to the shifting sands of time – nicely revived here for a new generation. The set's got an especially great way of being color-blind to divisions between genres that some folks might insist on – and in a way, maybe more reflects the on-the-ground listening patterns that happened back in the day. Titles include "Doggonit" by Jimmy Spellman, "Thanks Mr Postman" by Bobby King, "Honey Child" by Johnny Williams, "Cat Music" by Dave Bartholomew, "Rock A Billy Gal" by Hayden Thompson, "Black Cat" by Tommy Collins, "Snake Eyed Mama" by Al Casey, "Rocket 88" by Bill Haley & His Saddlemen, "Ghost Train" by The Swanks, "Rattlesnake Baby Rattlesnake" by Joe Johnson, "The Sneak" by Jimmy Oliver, "Snake Charmer" by Mad Man Jones, "Cajun Queen" by Red Sovine, "Lonesome Shack" by Ernie Washington, and "Fever" by Jim Tyler. LP, Vinyl record album

Partial matches12
CD, LP, Vinyl record album cover art
✨✧ VariousLet's Get Swinging – Modern Jazz In Belgium 1950 to 1970 (with download) ... LP
Sdban (Belgium), 1950s/1960s. New Copy 2LP Gatefold ... Out Of Stock
A long-overdue look at the Belgian jazz scene in the postwar years – a nation that always seems to get overlooked next to the more famous jazz musicians that have recorded in Denmark, France, and The Netherlands at the time! Yet the Belgian scene also gave Paris some of its most important players of the 50s – and also helped provide a crossroads for American and other European musicians too – so there's a very lively sense of expression and exploration here – most that are mostly soulful, and in styles that include hardbop and modal – but in ways that share some of the best modern ideas of the Danish greats of the time. The package is way more than just music, too – as the notes are copious, and include images of all the rare records that provided the material – a few you might know, but not as Belgian classics – and lots more that should be very new! The set features both homegrown recordings, and Belgian contributions to other European recordings – and titles include "African Dance" by Jack Sels, "Dark Eyes" by Francy Boland, "Cecilia" by The Clouds, "Witch Of Salem" by Rene Goldstein & His Group, "Work Song" by Jacques Pelzer, "Let's Get Swinging" by The St Tropez Jazz Octet, "Grelots" by Philip Catherine & Robert Pernet, "Bernie's Taste" by Rene Thomas/Bobby Jaspar Quintet, "Ensadinado" by Fats Sadi, "Clarinescapade" by Bobby Jaspar, "Minor Works" by Lucky Thompson & Jack Sels, "Hall's Blues" by The Clouds, "Digging Chick" by Herman Sandy, "Subtroyan Influence" by Jon Eardley, and "Minor 5" by Saxorama & Jack Sels. LP, Vinyl record album
(Includes download code.)
Also available Let's Get Swinging – Modern Jazz In Belgium 1950 to 1970 ... CD 29.99

Partial matches13
CD, LP, Vinyl record album cover art
Augustus PabloKing Tubbys Meets Rockers Uptown – Deluxe Edition ... CD
Shanachie, 1975. Used ... $4.99
Essential dub material from the legendary King Tubby – a set that's one of the best of the genre during the classic years – and which stands as a true testament to how great the format can be when handled right! The watchword here is simplicity – as the key elements are almost isolated in little sonic chambers, then set to resonate alongside each other – pulled from rhythms from tracks initially done as vocal productions, but reworked through the mixing talents of Erroll "ET" Thompson and Tubby. Players include Bobby Ellis on trumpet, Richard "Dirty Harry" Hall on tenor, and Augustus Pablo on organ and piano, plus a bit of clarinet. Titles include "Keep On Dubbing", "Stop Them Jah", "Young Generation Dub", "Each One Dub", "555 Dub Street", "Braces Tower Dub", "King Tubby Meets Rockers Uptown", "Corner Crew Dub", "Say So", "Skanking Dub", and "Frozen Dub". CD
(Out of print. Includes slipcase.)

Partial matches14
CD, LP, Vinyl record album cover art
✨✧ VariousChristmas On The Countryside – 27 Honky Tonkin Christmas Country Songs ... CD
Bear Family (Germany), Late 40s/1950s/Early 60s. New Copy ... Temporarily Out Of Stock
Maybe one of the coolest country Christmas collections we've ever heard – but then again, we'd expect no less from the folks at Bear Family! There's a lot of great original tunes here – which are mixed with country-fied takes on more popular Holiday songs from the midcentury years – often served up here by singers that were the bigger names of their generation, caught in a very special setting for the month of December! As usual with Bear Family, the presentation is great – vivid images inside and out – and notes on every single track – supporting a selection of 27 titles that include "I'll Be Walking The Floor This Christmas" by Ernest Tubb, "Senor Santa Claus" by Jim Reeves, "Christmas Dinner" by Tennessee Ernie Ford, "Snowdeer" by Carl Smith, "They Shined Up Rudolph's Nose" by Johnny Horton, "Santa Claus Jr" by Eddi Cletro, "It's Christmas Every Day In Alaska" by Hank Thompson, "It Was Jesus (undubbed)" by Johnny Cash, "Reindeer Boogie" by Hank Snow, "The Christmas Boogie" by Davis Sisters, "I'm Your Private Santa Claus" by Eddie Arnold, "I'm Gonna Tell Santa Claus On You" by Faron Young, "Captain Santa Claus" by Bobby Helms, "Santa's Big Parade" by The Louvin Brothers, and "Christmas In My Hometown" by Sonny James. CD
 
 
 



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