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Possible matches: 18
Possible matches1
CD, LP, Vinyl record album cover art
✨✧ Howlin WolfReal Folk Blues ... CD
Chess, 1966. Used ... $3.99
Classic work from Howlin Wolf – tunes recorded with incredibly raspy vocals, set to a folksy electric guitar sound – one that instantly conjures up images of the south side blues scene that Chess documented so well during the 50s and 60! The work here was recorded over a number of different years – from 1956 to 1965 – and the later tunes show the more trademark style that Wolf was adapting in the mid 60s as his star was beginning to rise with younger audiences around the world. Tracks were penned by Wolf or Willie Dixon – and titles include "Killing Floor", "Tail Dragger", "Natchez Burnin", "Ooh Baby, Hold Me", "Built For Comfort", "My Country Sugar Mama", and "Sittin On Top Of The World". CD
(Out of print.)
Also available Real Folk Blues ... LP 19.99

Possible matches2
CD, LP, Vinyl record album cover art
Howlin WolfReal Folk Blues ... LP
Chess, 1966. Near Mint- ... $19.99
Classic work from Howlin Wolf – tunes recorded with incredibly raspy vocals, set to a folksy electric guitar sound – one that instantly conjures up images of the south side blues scene that Chess documented so well during the 50s and 60! The work here was recorded over a number of different years – from 1956 to 1965 – and the later tunes show the more trademark style that Wolf was adapting in the mid 60s as his star was beginning to rise with younger audiences around the world. Tracks were penned by Wolf or Willie Dixon – and titles include "Killing Floor", "Tail Dragger", "Natchez Burnin", "Ooh Baby, Hold Me", "Built For Comfort", "My Country Sugar Mama", and "Sittin On Top Of The World". LP, Vinyl record album
(80s Original Chess Masters pressing.)
Also available Real Folk Blues ... CD 3.99

Possible matches3
CD, LP, Vinyl record album cover art
✨✧ Stuart L GoosmanGroup Harmony – The Black Urban Roots Of Rhythm & Blues ... Book
University Of Pennsylvania, 2005. New Copy ... Out Of Stock
Group soul harmony gets some great treatment here – in a well-done book that follows the music from the street corner to the airwaves – all with a thoughtful mixture of oral history and the larger issues of the time! Author Stuart Goosman focuses especially on harmony groups on the Baltimore and Washington DC scenes of the postwar years – with a lot of detail on The Orioles, one of the first great groups in the tradition – and some of the smaller acts of the period as well – and the book begins with the initial postwar rise in the format, then looks at the huge wave of group harmony during the doo wop years. Although an academic book, the tone is never dry – and the oral history material really illuminates the music a great deal. 291 pages, softcover, with some black and white images. Book

Possible matches4
CD, LP, Vinyl record album cover art
✨✧ Sun RaWake Up Angels – Live At The Ann Arbor Blues & Jazz Festival 1972/1973/1974 ... CD
Saturn/Art Yard (UK), Early 70s. New Copy 2CDs ... Out Of Stock
Really wonderful work from Sun Ra – a host of recordings cut at the Ann Arbor Blues & Jazz Fest in the early 70s – always a very welcoming audience for the Arkestra at the time! We're not sure what was in the water, but it always seems like the group really hit their stride at the festival – opening up with a force and intensity that really goes past some of their other recordings! It's almost as if the enthusiastic mix of ages and cultures present really ignited the best energies in the Arkestra – having them hit the kind of righteous crescendo of their best Space Is The Place identity – and even some of the more avant, outside moments have a focus that the group hardly seems to reach this well! The material is from the John Sinclair archives – originally issued on the CDs Life Is Splendid, Outer Space Employment Agency, and It Is Forbidden – but somehow sounding even more amazing in a tight package like this – with loads of amazing keyboards from Ra, soulful vocals from June Tyson, Cheryl Banks, and Judith Holton, and wonderful supporting reeds from the Arkestra. Titles include "Space Is The Place", "Enlightenment", "What Planet Is This", "Immeasurable", "Love In Outer Space", "Watusi", "Images", and some great untitled improvisations. CD

Possible matches5
CD, LP, Vinyl record album cover art
Steve LacyFree For A Minute (Disposability/Sortie/unreleased material) ... CD
Emanem (UK), Late 60s/Early 70s. New Copy 2CD ... Just Sold Out!
An incredible package – one that brings together two very important albums from reedman Steve Lacy – plus unreleased material from the same time too! First up is the record Disposability – presented here with the first-ever correction to the cymbal sound – a key session in the development of Steve Lacy – and a great one too! The album was one of Lacy's first European recordings – caught in the studio in Rome in 1965, with a very free-styled trio that includes Alberto Romano on drums and Kent Carter on bass. Lacy's working here at a level that takes off from his earlier Thelonious Monk-influenced experiments on soprano sax – in a style that's still relatively angular and quite modern, but which also has some looser, freer approaches to the music – spinning out in styles that really point the way towards his music of the 70s. Tracks are relatively short, keeping things somewhat restrained – and titles include versions of Monk's "Pannonica", "Shuffle Boil", and "Comin On The Hudson" – plus "Generous 1", "There We Were", "M's Transport", and "Tune 2". Sortie is quite a rare Italian album from Steve Lacy – featuring a quartet with Enrico Rava on trumpet, Kent Carter on bass, and Aldo Romano on drums – the same group on Lacy's Disposability album, but with the excellent addition of trumpet – which gives the music an even more powerful sound! The mixture of Lacy's soprano and Rava's trumpet is wonderful – and Carter and Romano are on fire in terms of their rhythms – post-Monk, post-Ornette, but also maybe still with more structure than some of the free jazz generation to come – a great balance that really draws some soulful currents from Lacy's horn. Titles include "Black Elk", "Helmy", "Fork New York", "Living T Blues", and "Sortie". Next are 13 tracks used as cues in the film Free Fall – recorded in New York in 1967 with Lacy, Rava, and Carter – plus the addition of Karl Berger and Paul Motian. The music is quite interesting – less totally free, then thoughtfully arranged for images on the screen – and the sounds are another amazing chapter in these formative years of Lacy. Last up are three tracks recorded in Paris in 1972 – never-issued music from a famous Lacy quintet that features Steve Potts on alto, Kent Carter on bass, Noel McGhie on drums, and Irene Aebi on cello. The work is tremendous – right at the start of that huge wave of Lacy creativity in Paris for the 70s – and the group plays "The Rush" and "The Thing", the latter in two parts. CD

Possible matches6
CD, LP, Vinyl record album cover art
VariousMemphis Belles – The Women Of Sun Records (6CD set) ... CD
Sun/Bear Family (Germany), 1950s/Early 60s. Used 6CDs ... $59.99
You might know Sun Records as the famous home to male rockers – like Elvis, Jerry Lee Lewis, and Carl Perkins – but during the label's big run of recording, they also captured the talents of a fair bit of female singers – a great number of whom are presented in this set! The package is a fantastic look at this lost legacy of Sun Records – and differing discs feature work in the rock, blues, and country modes – all packaged with a huge booklet of notes and images too! CD

Possible matches7
CD, LP, Vinyl record album cover art
VariousRoots Of Popular Music – The Ralph S Peer Story (3CD set with book) ... CD
Sony, 1920s/1930s/1940s/1950s/1960s/1970s/1980s/1990s. New Copy 3CD ... $52.99 59.98
The title might seem a bit all-encompassing – but given the talents of the mighty Ralph Peer, it certainly fits! Peer was one of the most pioneering figures in the early days of the recording industry – a talent scout who would endlessly search the country, especially the south, for overlooked artists – which led to a phenomenal recording legacy that includes some of the most important early blues, country, and folk music captured on record! Peer was also a genius about publishing, too – and worked for the industry as sort of a "song collector" – taking local compositions and reworked traditional numbers, and finding a place for them in the greater mainstream – often with efforts that have gone onto become huge standards over the past century. This book tells the take of Peer's life and musical journey – with text by Barry Mazor, alongside some great images in a book-style package – complete with 3CDs that feature a total of 50 tracks in all – with music by a hugely diverse array of artists touched by Peer's talents. The artist roster includes Jimmy Davis, Memphis Jug Band, Mamie Smith, Jimmie Rodgers, Tommy Johnson, The Carter Family, Willie Nelson, Count Basie, Agustin Lara, Billie Holiday, Perez Prado, Tito Puente, Bob Dylan, Floyd Tillman, Desi Arnaz, and many others. CD

Possible matches8
CD, LP, Vinyl record album cover art
VariousWhere Southern Soul Began Vol 3 – 1957-1963 – History Of Soul ... CD
History Of Soul (UK), Late 50s/Early 60s. Used 2 CDs ... $9.99
An excellent look at the sounds that gave birth to southern soul – that blend of blues, R&B, gospel, and other righteous sounds that were brewing below the Mason-Dixon line at the end of the 50s – which later rose to tremendous fame on labels like Stax and Atlantic! The tracks here are mostly from before a time when those labels focused on the music, though – and include a huge number of obscure singles we'd never heard before – all packaged with lavish notes on the music and full color images – clearly showing a lot more care to the presentation than you'd usually get for a collection of this nature. There's a whopping 55 titles in the set – and tracks include "The Wash" by The Varios, "Baby Come & Get It" by The Adorables, "Velma" by Roland Dice, "Everybody's Talking" by Bob & Peggy, "I'll Have To Let You Go" by Sally Stanley, "Goodbye My Love" by Oscar Perry, "I'm Cally My Baby" by Gene Vell, "Baby It's True Love" by Roscoe Shelton, "Why Not Give Me A Chance" by Jackie Verdell, "Keep On Trying" by Guitar Ray, "Bad Boy" by Fontella Bass, "Wait A Minute" by Barbara Stephens, and "Please Wait" by Charles James. CD

Possible matches9
CD, LP, Vinyl record album cover art
✨✧ Peter GuralnickSam Phillips – The Man Who Invented Rock N Roll (hardcover) ... Book
Little Brown, 2015. New Copy ... Out Of Stock
The story of one of the all-time greats – told by one of the all-time greats – the full tale of Sun Records founder Sam Phillips, told by southern music giant Peter Guaralnick! Long before he rose to fame as the man who discovered Elvis Presley, Sam Phillips was already humming strong with his Memphis-based Sun Records label – home to an amazing run of blues, R&B, and rockabilly – with important initial recordings by artists who include Howlin Wolf, Ike Turker, Johnny Cash, and many others! And while the story of Sun has often been told in overdone cliches and too-heavy platitudes, Guaralnick really gets behind those landmarks, and tells the real tale of the man and his music – with treatment of Phillips that's almost as detailed as some of his writings on Elvis. The book is massive – over 750 pages, and a rock-solid read throughout – hardcover, with some black and white images. Book
(Spine has a small remainder mark.)

Possible matches10
CD, LP, Vinyl record album cover art
✨✧ Elijah WaldTalking Bout Your Mama – The Dozens, Snaps, & The Deep Roots Of Rap ... Book
Oxford University Press, 2014. New Copy ... Out Of Stock
A detailed look at the "dozens" that long-running African American tradition of trading insults and witticisms – a mode that's influenced music from the blues years onward, with an especially important contribution to the development of hip hop in the contemporary scene! We feared a bit of stiffness in the presentation at first – especially given the academic press – but the book's a surprisingly lively read, and is peppered with examples throughout – which really keeps things interesting. There's a fair bit of history and larger cultural context throughout – and the book 243 pages, softcover, with a few black and white images. Book

Possible matches11
CD, LP, Vinyl record album cover art
✨✧ Jazz At The PhilharmonicNorman Granz' Jazz At The Philharmonic Vol 4 (10 inch LP) ... LP
Mercury, Early 50s. Used ... Out Of Stock
2 hard-wailing jam session numbers from the JATP series – both featuring tremendous tenor work from Illinois Jacquet and Jack McVea, plus trombone from JJ Johnson and a bit of guitar from Les Paul! Each track runs a side of the record, and titles include "Lester Leaps In" and "Blues". Nice David Stone Martin cover too – ink on a light blue backing and one of his more obscure images. LP, Vinyl record album
(Clef pressing, with trumpeter logo and deep groove. Vinyl has worn grooves on the beginning of Side 2 that plays with noise. Cover has some edge wear and a small name in pen on back.)

Possible matches12
CD, LP, Vinyl record album cover art
Ralph MooreImages (plus bonus track) ... CD
Landmark, 1989. New Copy ... $4.99
A key recording from one of our favorite tenor talents of the 80s – the amazing Ralph Moore, a player who really carries on a strong legacy from the 60s work of Hank Mobley! Like Mobley, Moore's got a very rich-voiced sound that's steeped in tradition, but which is also never afraid to take chances too – a way of handling the tenor that few of his contemporaries could match, which is probably why Ralph's presence really upped the ante on so many dates at the time as a sideman. He's even better as a leader, though, and this standout set for Landmark is a real gem – a record filled with freely creative energy throughout, and a never-ending sense of soul – as Moore's tenor is set up nicely in a core group with Benny Green on piano, Peter Washington on bass, and Kenny Washington on drums – the latter of whom brings some of the same magic to this set that Billy Higgins did to Blue Note in the 60s. Terence Blanchard plays trumpet on 4 of the album's tracks – and titles include "Punjab", "Freeway", "Enigma", "Blues For John", "One Second Please", and "Episode From A Village Dance". Also includes the CD-only bonus track "Morning Star". CD

Possible matches13
CD, LP, Vinyl record album cover art
✨✧ Ralph MooreImages (plus bonus track) ... CD
Landmark, 1989. Used ... Out Of Stock
A key recording from one of our favorite tenor talents of the 80s – the amazing Ralph Moore, a player who really carries on a strong legacy from the 60s work of Hank Mobley! Like Mobley, Moore's got a very rich-voiced sound that's steeped in tradition, but which is also never afraid to take chances too – a way of handling the tenor that few of his contemporaries could match, which is probably why Ralph's presence really upped the ante on so many dates at the time as a sideman. He's even better as a leader, though, and this standout set for Landmark is a real gem – a record filled with freely creative energy throughout, and a never-ending sense of soul – as Moore's tenor is set up nicely in a core group with Benny Green on piano, Peter Washington on bass, and Kenny Washington on drums – the latter of whom brings some of the same magic to this set that Billy Higgins did to Blue Note in the 60s. Terence Blanchard plays trumpet on 4 of the album's tracks – and titles include "Punjab", "Freeway", "Enigma", "Blues For John", "One Second Please", and "Episode From A Village Dance". Also includes the CD-only bonus track "Morning Star". CD
(Out of print.)
Also available Images (plus bonus track) ... CD 4.99

Possible matches14
CD, LP, Vinyl record album cover art
✨✧ Baden PowellImages on Guitar (180 gram pressing) ... LP
MPS (Germany), 1973. New Copy Gatefold ... Out Of Stock
One of Baden Powell's grooviest albums ever – a brilliant blend of his bossa roots with the freer 70s grooves of MPS! The album follows the mode of some of his other European recordings, but is still a bit different – in that the overall sound is a bit freer than before, with tracks that really open up beautifully – including one or two that hit a nicely heavy groove! The lovely Janine De Walyene sings these wonderful wordless vocals on some of the album's best tracks – scatting heavily on the famous jazz dance number "Blues A Volante" – and drifting moodily behind the guitar on other numbers. Other instrumentation includes bass, drums, and a bit of Brazilian percussion – and titles include the classic "Blues A Volante", plus "Violao Vagabundo", "Canto", "Ate Eu", and "Conversacao Comigo Mesmo". LP, Vinyl record album
(Heavy pressing – with new remastering too!)

Possible matches15
CD, LP, Vinyl record album cover art
✨✧ Ellis MarsalisRuminations In New York ... CD
ESP, 2004. Used ... $12.99
Wonderful solo work from Ellis Marsalis – best known as the father of Wynton and Bradford, but a heck of a great pianist with a sound that's far deeper and more complex than you might guess from his New Orleans roots! This is the kind of record that might have been cut more in the 50s than in recent years – a subtly-done sound portrait of New York, played by Marsalis with a tone that's rich in color, and which paints these expressively vivid images without ever going too far. We're really surprised at the beauty of this one – and the record's got a fullness that goes far beyond simple solo piano – a lyricality that we'd never known in Marsalis' work at all. Titles include "Orchid Blue", "Things That You Never Were", "A Moment Alone", "Haven's Paradise", "After", "Tell Me", and "Zee Blues". CD
(Out of print, punch through barcode.)

Possible matches16
CD, LP, Vinyl record album cover art
VariousLet's Get Swinging – Modern Jazz In Belgium 1950 to 1970 ... CD
Sdban (Belgium), Late 50s/1960s. New Copy 2 CDs ... $29.99
A long-overdue look at the Belgian jazz scene in the postwar years – a nation that always seems to get overlooked next to the more famous jazz musicians that have recorded in Denmark, France, and The Netherlands at the time! Yet the Belgian scene also gave Paris some of its most important players of the 50s – and also helped provide a crossroads for American and other European musicians too – so there's a very lively sense of expression and exploration here – most that are mostly soulful, and in styles that include hardbop and modal – but in ways that share some of the best modern ideas of the Danish greats of the time. The package is way more than just music, too – as the notes are copious, and include images of all the rare records that provided the material – a few you might know, but not as Belgian classics – and lots more that should be very new! The set features both homegrown recordings, and Belgian contributions to other European recordings – and titles include "African Dance" by Jack Sels, "Dark Eyes" by Francy Boland, "Cecilia" by The Clouds, "Witch Of Salem" by Rene Goldstein & His Group, "Work Song" by Jacques Pelzer, "Let's Get Swinging" by The St Tropez Jazz Octet, "Grelots" by Philip Catherine & Robert Pernet, "Bernie's Taste" by Rene Thomas/Bobby Jaspar Quintet, "Ensadinado" by Fats Sadi, "Clarinescapade" by Bobby Jaspar, "Minor Works" by Lucky Thompson & Jack Sels, "Hall's Blues" by The Clouds, "Digging Chick" by Herman Sandy, "Subtroyan Influence" by Jon Eardley, and "Minor 5" by Saxorama & Jack Sels. CD
Also available Let's Get Swinging – Modern Jazz In Belgium 1950 to 1970 (with download) ... LP 29.99

Possible matches17
CD, LP, Vinyl record album cover art
VariousLet's Get Swinging – Modern Jazz In Belgium 1950 to 1970 (with download) ... LP
Sdban (Belgium), 1950s/1960s. New Copy 2LP Gatefold ... $29.99
A long-overdue look at the Belgian jazz scene in the postwar years – a nation that always seems to get overlooked next to the more famous jazz musicians that have recorded in Denmark, France, and The Netherlands at the time! Yet the Belgian scene also gave Paris some of its most important players of the 50s – and also helped provide a crossroads for American and other European musicians too – so there's a very lively sense of expression and exploration here – most that are mostly soulful, and in styles that include hardbop and modal – but in ways that share some of the best modern ideas of the Danish greats of the time. The package is way more than just music, too – as the notes are copious, and include images of all the rare records that provided the material – a few you might know, but not as Belgian classics – and lots more that should be very new! The set features both homegrown recordings, and Belgian contributions to other European recordings – and titles include "African Dance" by Jack Sels, "Dark Eyes" by Francy Boland, "Cecilia" by The Clouds, "Witch Of Salem" by Rene Goldstein & His Group, "Work Song" by Jacques Pelzer, "Let's Get Swinging" by The St Tropez Jazz Octet, "Grelots" by Philip Catherine & Robert Pernet, "Bernie's Taste" by Rene Thomas/Bobby Jaspar Quintet, "Ensadinado" by Fats Sadi, "Clarinescapade" by Bobby Jaspar, "Minor Works" by Lucky Thompson & Jack Sels, "Hall's Blues" by The Clouds, "Digging Chick" by Herman Sandy, "Subtroyan Influence" by Jon Eardley, and "Minor 5" by Saxorama & Jack Sels. LP, Vinyl record album
(Includes download code.)
Also available Let's Get Swinging – Modern Jazz In Belgium 1950 to 1970 ... CD 29.99

Possible matches18
CD, LP, Vinyl record album cover art
✨✧ VariousSounds Of The Unexpected – Weird & Wacky Instrumentals From Pop's Final Frontiers ... CD
Ace (UK), 1960s/Early 70s. New Copy ... Temporarily Out Of Stock
A totally cool collection of really offbeat numbers with a space age sort of theme – tunes that run the gamut from rock instrumentals to electronic pop – with lots of stops along the space in between! The package is right up there with some of the best "themed" collections by Ace Records – not just a superb selection of tunes, but really put together in the best way possible – with thoughtful transitions between the tunes, and a huge booklet of notes and label images – with some text on the late Vicki Fox, who put together this set, and others for Ace in the past. You'll definitely recognize a few names here, but the setting makes them sound really amazing and unique – especially some of the soul, jazz, and blues artists in the mix. Titles include "Waltz In Orbit" by Ray Cathode, "Watusi Zombie" by Jan Davis, "Savage Girl" by Felix & His Fabulous Cats, "War Of The Worlds" by The Atlantics, "Caravan" by Gabor Szabo, "Hot Pot" by The Tornados, "Funky Me" by Timmy Thomas, "Uh Oh" by The Imps, "Flameout" by 101 Strings, "It's Karate Time" by Travis Wammack, "Long Sentence" by The Upsetters, "B'Wana Bongos" by Preston Epps, "Hung Over" by The Martinis, "Music To Watch Space Girls By" by Leonard Nimoy, "Aztec" by Bo Diddley, "Watusie Freeze (part 1)" by Big Walter & The Thunderbirds, and "RFD Rangoon" by The Forbidden Five. CD
 
Partial matches: 1
Partial matches19
CD, LP, Vinyl record album cover art
OV WrightMemphis Unlimited ... CD
Back Beat/Reel Music, 1973. New Copy ... $14.99 15.98
OV Wright at the top of his game – working here with classic Memphis production from Willie Mitchell, and a sound that should have knocked Al Green right off of the charts! Wright's vocals have a rougher edge than Al's, and the record's really dripping with deep soul feeling – a slow-burning energy that's perfectly handled by Mitchell, in ways that echo some of OV's bluesier roots, but keeps things in the more sophisticated Memphis modes of the 70s. The balance is perfect, and instrumentation is handled by a batch of Hi Records regulars – including the Memphis Horns with Wayne Jackson and Andrew Love. Wright really rises to the occasion for the whole album, and the set's arguably better than any of his later work for Hi – although that stuff is all pretty darn wonderful too! Titles include "I've Been Searching", "Lost In The Shuffle", "I'd Rather Be Blind Crippled & Crazy", "Ghetto Child", "You Must Believe In Yourself", and "I'm Going Home". Beautiful reissue pressing too – with deep notes on the music, details of the session, vintage images, and even an OV Wright Discography too! CD
 
 
 



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