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Possible matches: 27
Possible matches1
CD, LP, Vinyl record album cover art
Cannonball AdderleyCannonball Adderley Quintet In Chicago (Audiocheck 45rpm pressing) ... LP
Mercury (Japan), 1959/1977. Near Mint- ... $11.99
A great session from 1959 – one that features John Coltrane playing with the Adderley group, recorded in Chicago when they were stopping through the city with Miles Davis' combo at the time! In fact, since the rhythm section includes Wynton Kelly, Paul Chambers, and Jimmy Cobb – and since Coltrane's sitting in with Cannon – the album's essentially a Kind Of Blue-era Miles album, recorded without Miles on trumpet, and grooving in a slightly more soul-based Adderley mode. Given the presence of Coltrane, there's a bit less of the gutbuckety soul jazz that Cannon was cutting in his own Quintet – but that's more than ok with us, as the Coltrane solos more than make up for that difference! The record has only 4 tracks, but it spins at 45 rpm, and was pressed on high-quality Japanese vinyl. It's part of the "Audiocheck" series. LP, Vinyl record album
(Cover has a cut corner.)

Possible matches2
CD, LP, Vinyl record album cover art
Jimmy CaravanHey Jude ... LP
Vault, Late 60s. Very Good+ ... $9.99
One of 2 rare albums recorded by organist Jimmy Caravan in the 60s – a really great talent on the Hammond, and a player with a really clean, lean, and groovy sound! Jimmy's style here borrows a lot from the Capitol jazz scene of players like Howard Roberts or Henry Cain – an approach to organ jazz that's a bit more stripped down and less gritty than that of labels like Blue Note or Prestige – and one that uses the cleaner sound to bring even more rhythm into the mix, letting the organ leap around the tunes in a groovily playful way! Caravan's got a great sound throughout, and although the other players aren't listed, the album's got a nice small combo sound all the way through. Titles include "Off A Brass Monkey", "Equinox", "UFO", "Cyclops", and a groovy version of "Hey Jude". LP, Vinyl record album
(Original pressing.)

Possible matches3
CD, LP, Vinyl record album cover art
Roy EldridgeRoy's Got Rhythm ... LP
EmArcy, 1951. Very Good ... $11.99
Roy's definitely got rhythm here – as the album's got a sweetly grooving sound! The session's recorded with a Swedish combo, but it's often got some bluesier American modes in the mix – styles that are almost a bit more R&B than usual for Eldridge, especially given that he also sings a bit on the set! Players include Ove Lind on clarinet, Carl Henrik Norin on tenor, Charles Norman on piano and harpsichord, Rolf Berg on guitar, and Andrew Burman on drums – and titles include "Scotty", "The Heat's On", "No Rolling Blues", "Noppin John", "They Raided The Joint", "Saturday Night Fish Fry (parts 1 & 2)", and "Echoes Of Harlem". LP, Vinyl record album
(Blue label Emarcy drummer logo pressing, with deep groove! Label has an address sticker.l)

Possible matches4
CD, LP, Vinyl record album cover art
Bill EvansHow My Heart Sings ... LP
Riverside, 1962. Good+ ... $44.99
Magical music from the very first note – the kind of record you need to hear if you've ever doubted the genius of Bill Evans! The sound here is subtle, and supple – but still often more revolutionary than that of the countless albums it inspired in years to come – and Evans is completely at home on the record, working with bassist Chuck Israels and drummer Paul Motian – both players who helped to re-invent the role of rhythm in the piano combo of the time! Titles include a sublime reading of "How My Heart Sings", plus "Walking Up", "Show Type Tune", "Summertime", "34 Skidoo", and "In Your Own Sweet Way". LP, Vinyl record album
(Blue label Bill Grauer productions pressing with the microphone logo & deep groove. Cover has wear.)

Possible matches5
CD, LP, Vinyl record album cover art
Art Farmer & Benny Golson JazztetHere & Now/Another Git Together ... CD
Mercury/Universal (Germany), 1962. New Copy ... $8.99
A pair of records from the legendary Art Farmer & Benny Golson Jazztet! Here & Now is one of the most magical records ever from this legendary group – a set that swings as hard and soulfully as some of their previous sessions, yet also has a sharper, more modern vibe as well! Of course, this latter aspect is no surprise – once you realize that a young Grachan Moncur is on trombone – adding his hip horn to the wonderful frontline of Benny Golson on tenor and Art Farmer on trumpet and flugelhorn. And given that the rhythm group also features Harold Mabern on piano, you can bet there's a freshness here that can't be beat – a sound and energy that's kept this one at the top of our stack for many many years. Mabern and Moncur contribute two of the best tracks – "Richie's Dilemma" and "Sonny's Back" – and other titles include "Whisper Not", "Tonk", "Rue Prevail", and "Ruby My Dear". Another Git Together is a rare later date, recorded after their more famous albums for Chess! The lineup here is a bit unusual – in that a young Grachan Moncur III is in the combo on trombone – really adding some deep, soulful tones to the music – in ways that are very different than his famous Blue Note performances – but which really shape the sound of the music here wonderfully! Harold Mabern's on piano – again bringing in a different feel to this record for the group, with some lyrical undercurrents that are beautiful – and the rest of the lineup features Roy McCurdy on drums and Herb Lewis on bass – in addition to the sublime trumpet of Art Farmer and tenor of Benny Golson. Titles include one of the best versions of "Along Came Betty" that we've ever heard – plus the tracks "Domino", "Another Git Together", "Reggie", and "Space Station. CD

Possible matches6
CD, LP, Vinyl record album cover art
Joe FarrellOriginal Album Classics (Joe Farrell Quartet/Outback/Penny Arcade/Upon This Rock/Canned Funk) (5CD set) ... CD
CTI/Sony, Early 70s. New Copy 5CD ... $23.99
A CTI powerhouse – five full albums from reedman Joe Farrell, each packaged in a tiny LP-styled sleeve! First up is Joe Farrell Quartet – a stellar session that's easily one of the early high points for the legendary CTI label! Farrell bursts forth as one heck of a soulful cat – working on these great modal grooves that slide out wonderfully and really have a sense of flow – a style that's different than Joe's later material, but equally powerful! Part of the strength of the record comes from the lineup – a key quintet of like-mined up-and-comers that includes Chick Corea on keyboards, John McLaughlin on guitar, Dave Holland on bass, and Jack DeJohnette on drums – players who definitely know the farther reaches of jazz, yet hang just on the inside here with Joe – providing some amazing accompaniment for his lines on soprano, tenor, and flute. Titles include "Molten Glass", "Song Of The Wind", "Motion", "Follow Your Heart", and "Circle In The Square". Next is Outback – a drawn-out quintet side, with Chick Corea on electric piano, Buster Williams on bass, Elvin Jones on drums, and Airto on percussion. Farrell was playing with Jones at the time, and the album's got some of their strong choppy reed/percussion interplay – but with a sharpness and focus that you don't always hear on Elvin's records! Tracks are all long – and titles include "Outback", "Sound Down", and "Bleeding Orchid". Penny Arcade has grooves so sharp you could cut your trousers on them! Farrell's angular reed style is in perfect form here – grooving with a small group that includes Herbie Hancock on piano, Joe Beck on guitar, Steve Gadd on drums, and Don Alias on percussion – a combo that's got a harder, tighter feel than most CTI groups – a key reason why Joe's records of this time are so legendary! The album features a fantastic version of Stevie Wonder's "Too High" – one that breaks all over the beginning with these riffs by Farrell, then grooves into a CTI electric funk mode for about 13 minutes. All tracks are long – and other tracks include "Hurricane Jane", "Geo Blue", "Penny Arcade", and "Cloud Cream". Upon This Rock is wonderful – and there's a lean, edgey groove to the set that's totally great – a lot more bite than usual for CTI, thanks to these wonderfully angular lines from Joe on tenor, soprano sax, and flute – backed up with some wicked guitar work from Joe Beck, who really matches Farrell's energy – in a core quartet with Herb Bushler on bass and Jim Madison on drums. One cut features a guest group – with Herbie Hancock on piano, Steve Gadd on drums, and Don Alias on percussion – and the album includes the massively break-heavy title cut "Upon This Rock", plus "Seven Seas", "I Won't Be Back", and "Weathervane". Last up is Canned Funk – a record that's as fresh and freaky as the classic image on the cover! The riffing rhythms get going right from the start – some amazing lines from a rhythm combo that includes Joe Beck on guitar, Herb Bushler on bass, Jim Madison on drums, and the mighty Ray Mantilla on percussion – adding in these extra changes and fills that really get the tunes moving wonderfully – providing a perfect platform for Joe Farrell's wonderful work on tenor, soprano, baritone, and flute! The sax lines are as angular as the rhythms – tight, choppy, and completely funky – no wonder the record's a CTI classic that folks have dug for years! Tracks are all nice and long – and titles include "Canned Funk", "Animal", and "Spoken Silence". CD
Also available Original Album Classics (Joe Farrell Quartet/Outback/Penny Arcade/Upon This Rock/Canned Funk) (5CD set) ... CD 18.99

Possible matches7
CD, LP, Vinyl record album cover art
Joe FarrellOriginal Album Classics (Joe Farrell Quartet/Outback/Penny Arcade/Upon This Rock/Canned Funk) (5CD set) ... CD
CTI/Sony, Early 70s. Used 5CD ... $18.99
A CTI powerhouse – five full albums from reedman Joe Farrell, each packaged in a tiny LP-styled sleeve! First up is Joe Farrell Quartet – a stellar session that's easily one of the early high points for the legendary CTI label! Farrell bursts forth as one heck of a soulful cat – working on these great modal grooves that slide out wonderfully and really have a sense of flow – a style that's different than Joe's later material, but equally powerful! Part of the strength of the record comes from the lineup – a key quintet of like-mined up-and-comers that includes Chick Corea on keyboards, John McLaughlin on guitar, Dave Holland on bass, and Jack DeJohnette on drums – players who definitely know the farther reaches of jazz, yet hang just on the inside here with Joe – providing some amazing accompaniment for his lines on soprano, tenor, and flute. Titles include "Molten Glass", "Song Of The Wind", "Motion", "Follow Your Heart", and "Circle In The Square". Next is Outback – a drawn-out quintet side, with Chick Corea on electric piano, Buster Williams on bass, Elvin Jones on drums, and Airto on percussion. Farrell was playing with Jones at the time, and the album's got some of their strong choppy reed/percussion interplay – but with a sharpness and focus that you don't always hear on Elvin's records! Tracks are all long – and titles include "Outback", "Sound Down", and "Bleeding Orchid". Penny Arcade has grooves so sharp you could cut your trousers on them! Farrell's angular reed style is in perfect form here – grooving with a small group that includes Herbie Hancock on piano, Joe Beck on guitar, Steve Gadd on drums, and Don Alias on percussion – a combo that's got a harder, tighter feel than most CTI groups – a key reason why Joe's records of this time are so legendary! The album features a fantastic version of Stevie Wonder's "Too High" – one that breaks all over the beginning with these riffs by Farrell, then grooves into a CTI electric funk mode for about 13 minutes. All tracks are long – and other tracks include "Hurricane Jane", "Geo Blue", "Penny Arcade", and "Cloud Cream". Upon This Rock is wonderful – and there's a lean, edgey groove to the set that's totally great – a lot more bite than usual for CTI, thanks to these wonderfully angular lines from Joe on tenor, soprano sax, and flute – backed up with some wicked guitar work from Joe Beck, who really matches Farrell's energy – in a core quartet with Herb Bushler on bass and Jim Madison on drums. One cut features a guest group – with Herbie Hancock on piano, Steve Gadd on drums, and Don Alias on percussion – and the album includes the massively break-heavy title cut "Upon This Rock", plus "Seven Seas", "I Won't Be Back", and "Weathervane". Last up is Canned Funk – a record that's as fresh and freaky as the classic image on the cover! The riffing rhythms get going right from the start – some amazing lines from a rhythm combo that includes Joe Beck on guitar, Herb Bushler on bass, Jim Madison on drums, and the mighty Ray Mantilla on percussion – adding in these extra changes and fills that really get the tunes moving wonderfully – providing a perfect platform for Joe Farrell's wonderful work on tenor, soprano, baritone, and flute! The sax lines are as angular as the rhythms – tight, choppy, and completely funky – no wonder the record's a CTI classic that folks have dug for years! Tracks are all nice and long – and titles include "Canned Funk", "Animal", and "Spoken Silence". CD
Also available Original Album Classics (Joe Farrell Quartet/Outback/Penny Arcade/Upon This Rock/Canned Funk) (5CD set) ... CD 23.99

Possible matches8
CD, LP, Vinyl record album cover art
Marty Grosz & The Fat BabiesDiga Diga Do ... CD
Delmark, 2015. New Copy ... $7.99 15.99
A trad jazz legend joins the younger Fat Babies combo – in a set that really illustrates the renewed commitment to old school styles at Delmark Records! Guitarist Marty Grosz last recorded for Delmark in 1959, as a sideman for Albert Nicholas – but his strength hasn't dimmed a bit over the years, as his tightly rhythmic playing makes for a great complement to the Fat Babies' sound! Marty gets plenty of room to solo, and impact the rhythm section too – and the album's overflowing with tight, short numbers that include "My Daddy Rocks Me", "Hold Me", "Diga Diga Doo", "A Jazz Holiday", "Blue", and "Why Couldn't It Be Poor Little Me". CD
Also available Diga Diga Do ... CD 4.99

Possible matches9
CD, LP, Vinyl record album cover art
Marty Grosz & The Fat BabiesDiga Diga Do ... CD
Delmark, 2015. Used ... $4.99
A trad jazz legend joins the younger Fat Babies combo – in a set that really illustrates the renewed commitment to old school styles at Delmark Records! Guitarist Marty Grosz last recorded for Delmark in 1959, as a sideman for Albert Nicholas – but his strength hasn't dimmed a bit over the years, as his tightly rhythmic playing makes for a great complement to the Fat Babies' sound! Marty gets plenty of room to solo, and impact the rhythm section too – and the album's overflowing with tight, short numbers that include "My Daddy Rocks Me", "Hold Me", "Diga Diga Doo", "A Jazz Holiday", "Blue", and "Why Couldn't It Be Poor Little Me". CD
(Barcode has a cutout hole.)
Also available Diga Diga Do ... CD 7.99

Possible matches10
CD, LP, Vinyl record album cover art
Hokis PokisMagic Of Hokis Pokis (with download) ... LP
Luv N' Haight, Mid 70s-Early 80s. New Copy 2 LPs ... $15.99 19.98
A Long Island group with a very groovy sound – a blue-eyed take on funk and disco, with a great small combo sound that must have been great in the clubs! These guys slide into a groove with a tightness that matches their leisure suits in the photo on the back cover – and serve up these tightly riffing numbers that explode into sweet moogy moments and longer percussion bits on the extended tracks! Vocals are often sung together – kind of harmonized, but mostly in a way that just provides more power – and the keyboards on the best numbers have this kind of cosmic power that really drives the music a lot more than you'd expect – almost a Working Man's Soul version of P&P Records. Titles include "Nowhere", "Can't Wait For Love", "Get Cha Girl", "City Rhythm", "Keep On Rollin", "Find What You're Looking For", "Swing", and "Fire". Also includes notes on the group, and two unissued tracks! LP, Vinyl record album

Possible matches11
CD, LP, Vinyl record album cover art
Paul Horn QuintetSomething Blue ... LP
Hi Fi, 1960. Near Mint- ... $11.99
Amazing early work from the mighty Paul Horn – a record cut during a time when he was a damn good musician with a keen sensibility for modernist modal jazz! On this excellent date from 1960, Horn plays both flute and alto sax in a wonderful group – a combo with vibes from Emil Richards, bass from Jimmy Bond, piano from Paul Moer, and drums from Billy Higgins – all players with a very fluid, open sense of rhythm – one that makes the date dance and sparkle throughout! There's a pulsating energy here that almost predates the MPS/Saba sound of the decade to come – and in addition to Horn's imaginative solos, which are much more soulful here than before, the record also features some sharp-edged chromatics from Richards on vibes, and almost melodic drums from Higgins. The album's one of our all-time favorites – and titles include "Something Blue", "Half & Half", "Mr Bond", "Dun Dunnee", and "Tall Polynesian". LP, Vinyl record album
(Fresh Sounds reissue. Cover has a cutout hole.)

Possible matches12
CD, LP, Vinyl record album cover art
Jazz ModesJazz Modes ... LP
Atlantic, 1959. Very Good- ... $19.99
One of the rarest albums by this fantastic combo from the late 50s! The band features the very strange mix of French horn, tenor, and soulful piano – played by Julius Watkins, Charlie Rouse, and Gildo Mahones, respectively. The sound shouldn't work, but it does, and beautifully – thanks to some pretty soulful rhythm work, and a nice conception that never gets too cute, or too full of itself. Rouse is great, and has a measured quality that hints at his work with Monk, but which also has a bit more soul. Mahones is always great, and is one of the true unsung heroes of soul jazz piano – and as an added unique element, the album features eerie vocals from Eileen Gilbert on a few numbers! Sahib Shihab sits in on a few cuts – and titles include "Knittin", "Blue Flame", "Mood In Motion", and "The Oblong". LP, Vinyl record album
(Original black label pressing, with deep groove. Vinyl has a click on one track, but is clean overall.)

Possible matches13
CD, LP, Vinyl record album cover art
Elvin JonesLive at the Lighthouse Vol 1 ... CD
Blue Note, 1972. Used ... $11.99
Easily the most hard-hitting of Blue Note's 2LP Lighthouse Live series from the early 70s – and a record that really lets Elvin Jones and his group stretch out and play! The setting is a perfect one for Jones – given the boundless energy already present on his studio sessions for Blue Note at the time – really fierce work that goes beyond even his classic Coltrane performances – pushing the limits in a sweet blend of rhythm and reeds! The group here is Elvin's razor-edge combo from the early 70s – the one that features Gene Perla on fat funky bass, and both Steve Grossman and Dave Liebman playing choppy reeds along with the grooves – really amazing hornmen at this point in their career, blowing here with interplay that's simply fantastic! Jones' leadership both draws from his years with Coltrane, yet also takes the music to key new levels – increasing the energy without blowing the top off, and creating a vivid new groove that so many others would try to cop later in the 70s – but never do this well. Titles on this first volume include "Fancy Free", "Sambra", and "The Children Save The Children". CD
(Out of print original pressing.)
Also available
Live at the Lighthouse Vol 1 ... CD 9.99
Live at the Lighthouse Vol 2 ... CD 11.99

Possible matches14
CD, LP, Vinyl record album cover art
Elvin JonesLive at the Lighthouse Vol 1 ... CD
Blue Note (Japan), 1972. Used ... $9.99
Easily the most hard-hitting of Blue Note's 2LP Lighthouse Live series from the early 70s – and a record that really lets Elvin Jones and his group stretch out and play! The setting is a perfect one for Jones – given the boundless energy already present on his studio sessions for Blue Note at the time – really fierce work that goes beyond even his classic Coltrane performances – pushing the limits in a sweet blend of rhythm and reeds! The group here is Elvin's razor-edge combo from the early 70s – the one that features Gene Perla on fat funky bass, and both Steve Grossman and Dave Liebman playing choppy reeds along with the grooves – really amazing hornmen at this point in their career, blowing here with interplay that's simply fantastic! Jones' leadership both draws from his years with Coltrane, yet also takes the music to key new levels – increasing the energy without blowing the top off, and creating a vivid new groove that so many others would try to cop later in the 70s – but never do this well. Titles on this first volume include "Fancy Free", "Sambra", and "The Children Save The Children". CD
Also available
Live at the Lighthouse Vol 2 ... CD 11.99
Live at the Lighthouse Vol 1 ... CD 11.99

Possible matches15
CD, LP, Vinyl record album cover art
Elvin JonesLive at the Lighthouse Vol 2 ... CD
Blue Note (Japan), 1972. Used ... $11.99
Easily the most hard-hitting of Blue Note's 2LP Lighthouse Live series from the early 70s – and a record that really lets Elvin Jones and his group stretch out and play! The setting is a perfect one for Jones – given the boundless energy already present on his studio sessions for Blue Note at the time – really fierce work that goes beyond even his classic Coltrane performances – pushing the limits in a sweet blend of rhythm and reeds! The group here is Elvin's razor-edge combo from the early 70s – the one that features Gene Perla on fat funky bass, and both Steve Grossman and Dave Liebman playing choppy reeds along with the grooves – really amazing hornmen at this point in their career, blowing here with interplay that's simply fantastic! Jones' leadership both draws from his years with Coltrane, yet also takes the music to key new levels – increasing the energy without blowing the top off, and creating a vivid new groove that so many others would try to cop later in the 70s – but never do this well. Titles on this second volume include "New Breed", "My Ship", and "Sweet Mama". CD
Also available
Live at the Lighthouse Vol 1 ... CD 9.99
Live at the Lighthouse Vol 1 ... CD 11.99

Possible matches16
CD, LP, Vinyl record album cover art
Jack WilsonSomething Personal ... LP
Blue Note, Late 60s. Very Good+ ... $24.99
A real treasure through and through – one of the most unusual Blue Note albums you'll ever hear, and a set that's one of the best-remembered from the team of pianist Jack Wilson and vibist Roy Ayers! Long before Roy struck out on his own in the world of funky soul, he worked often in the 60s with Wilson – and the pair have this unique way of blending vibes and piano that's completely fresh, and still unmatched all these many years later! Wilson's natural lyrical style blends with Roy's modal approach to a groove – and the pair soar out in space with these long-flowing lines that make the whole album a treasure. There's no horn players at all – as with Wilson's other small combo Blue Note date – and rhythm is from Varney Barlow on drums, and either Roy Brown or Buster Williams on bass. Titles include a wonderful version of "Sernata", an unusual take on Ornette Coleman's "The Sphinx", and the wonderful Wilson originals "CFD", "Most Unsoulful Woman", and "Harbor Freeway 5pm". LP, Vinyl record album
(Liberty pressing with a Van Gelder stamp. Cover has light wear.)
Also available Something Personal (with bonus track) ... CD 10.99

Possible matches17
CD, LP, Vinyl record album cover art
Jack WilsonSomething Personal (with bonus track) ... CD
Blue Note (Japan), 1966. New Copy ... $10.99
A real treasure through and through – one of the most unusual Blue Note albums you'll ever hear, and a set that's one of the best-remembered from the team of pianist Jack Wilson and vibist Roy Ayers! Long before Roy struck out on his own in the world of funky soul, he worked often in the 60s with Wilson – and the pair have this unique way of blending vibes and piano that's completely fresh, and still unmatched all these many years later! Wilson's natural lyrical style blends with Roy's modal approach to a groove – and the pair soar out in space with these long-flowing lines that make the whole album a treasure. There's no horn players at all – as with Wilson's other small combo Blue Note date – and rhythm is from Varney Barlow on drums, and either Roy Brown or Buster Williams on bass. Titles include a wonderful version of "Sernata", an unusual take on Ornette Coleman's "The Sphinx", and the wonderful Wilson originals "CFD", "Most Unsoulful Woman", and "Harbor Freeway 5pm". CD features the bonus track "One & Four (Mr Day)". CD
(SHMCD pressing.)
Also available Something Personal ... LP 24.99

Possible matches18
CD, LP, Vinyl record album cover art
VariousWest Indies Funk Vol 2 ... LP
Trans Air (Puerto Rico), 1970s. New Copy 2LP ... $18.99
Rare Caribbean funk from the 70s – the second volume of West Indies Funk – once again delivering a stylistically diverse take on the classic funky soul from groups such as The Troubadours, Boo & The Tru Tones, Roosevelt Johnson & His Spice Islanders, The Cassanovas, Blue Rhythm Combo and others! All the things we dug about the first volume are in the mix once again – and ultimately the set goes even further with the range and boundlessly funky styles. Includes numbers that could just as easily come from the funky underground of the regional US and others that roll out grooves that are purely indicative of the Caribbean – with steel drums, tropical rhythms and all around breezier, sunnier touches. Even better than the first one! Includes "Funk Good Feeling" by The Troubaodours, "Have A Party" by The Esquires Now", "Don't Blame This Joint" by Boo & The True Tones", "Shango!" by Steel Image, "Something's Definitely Going On" by Mamwaw, "Look-Ka-Py Py" by L Charmers, "Funky Crookie" by Exile 1, "Sing A Simple Song" by The Cassanovas, "The Big Pay Back" by Kenny & The Beach Boys and more. LP, Vinyl record album

Possible matches19
CD, LP, Vinyl record album cover art
✨✧ Georgie FameWhole World's Shaking – Complete Recordings 1963 to 1966 (Rhythm & Blues At/At Last/Sweet Things/Sound Venture/Rarities/bonus) (5CD set) ... CD
Universal (UK), 1960s. New Copy 5 CDs ... Temporarily Out Of Stock
Four incredible albums from the young Georgie Fame – plus a bonus CD of rare material, bonus tracks on all CDs, and 18 previously unreleased tracks – all in a box set with a 48 page book, 5 postcards, and a poster too! First up is Rhythm & Blues At The Flamingo – blistering early work from a young Georgie Fame – a set that definitely lives up to the Rhythm & Blues in the title! The set was recorded live at London's hip Flamingo club – and Georgie and The Blue Flames are very much in command of the crowd – burning with the intensity of a American small organ combo, especially the early 60s variety that often played equal parts soul jazz and R&B! Georgie's on the Hammond, and also sings with a rough-edged style that's plenty soulful, and incredibly appealing – a mode that oozes charisma, but never sounds fake or forced. Titles include "Do The Dog", "Eso Beso", "Work Song", "Baby Please Don't Go", "Shop Around", "Humpty Dumpty", and "You Can't Sit Down". Fame At Last is a brilliant mix of jazz, soul, and R&B – all filtered through a mod sort of London freshness, as early proof that the city could always take some great things from our own musical roots, and feed it back to us with a whole new flavor! Georgie's no copycat here, though – and the sound is instantly Fame-like – a style that's really not the sort that any Americans were doing at the time, and certainly never this well. Hard-burning Hammond colors most of the tunes here – played with a tightly vamping quality – but it's Georgie's charmingly crackling vocals that really win us over! Titles include "Gimme That Wine", "Pink Champagne", "Monkeying Around", "Green Onions", "Let The Sunshine In", "Get On The Right Track Baby", "I'm In The Mood For Love", and "I Love The Life I Live". Sweet Things is a definite sweet thing from Georgie Fame – a record that has him filling in his sound even more than before, with tremendously soulful results! The backings here are bigger than before – a bit tooled in an American soul mode, but still with that beautifully raspy Georgie Fame touch – lots of jazzy inflections on the vocals, and a way of handling a tune, even a familiar one, and really working it on his own level. Hammond still fills in most of the tunes, but other instrumentation includes some nice African percussion from Speedy Acquaye, saxes from Pete Coe, and some nice bold drums from John Mitchell. These come out to the forefront on the classic funky tune "Music Talk" – and still sound great on other numbers that include "The World Is Round", "Last Night", "Dr Kitch", "My Girl", "Ride Your Pony", and "Sweet Thing". Sound Venture is one of the jazziest early albums from Georgie Fame – a set that has him singing with the big band of Harry South, at a level that's a lot more complicated than some of his other work with The Blue Flames! The style here still has that mod 60s London feel, but it also has some deeper inflections as well – modes borrowed a bit from Jon Hendricks or Mose Allison, yet served up with even greater complexity – at a level that really points towards the tremendous growth Fame would unleash over the next few years. Members of the group include Tubby Hayes, Ronnie Scott, Tony Coe, Dick Morrisey, Kenny Wheeler, and many other key Brit jazz figures of the time – and titles include "Three Blind Mice", "Dawn Yawn", "Feed Me", "Lovey Dovey", "Lil Darlin", "Lil Pony", "I Am Missing You", and "Many Happy Returns". CD5 is Bend A Little – a package with 20 unusual titles – demos, rare tracks, and outtakes – including unreleased tracks, IBC recordings, and even two German tracks too! Plus, each individual CD comes with bonus tracks – 40 bonus tracks, in addition to the 20 more titles on the Bend A Little set – a huge amount of material! CD
(Includes a hardcover book, 5 postcards & a poster.)

Possible matches20
CD, LP, Vinyl record album cover art
✨✧ Ramsey LewisHang On Ramsey ... LP
Cadet, 1965. Used ... Out Of Stock
Easily one of Ramsey Lewis' most successful records – featuring the hit soul jazz style that he forged with the Young/Holt rhythm combo, honed to perfection before a live crowd at The Lighthouse in Hermosa Beach. The record's a key part of Ramsey's live recorded output – showing the trio in pyrotechnic form before the kind of packed-house audiences they were playing to nightly at the time. Includes swinging versions of "Hard Day's Night", "High Heel Sneakers", and "Hang On Sloopy" – plus the original cut "Movin Easy". LP, Vinyl record album
(Blue label mono pressing.)
 
Partial matches: 70
Partial matches28
CD, LP, Vinyl record album cover art
Greg AbateBop City – Live At Birdland ... CD
Candid (UK), 1991. Used ... $6.99
Greg Abate's working here with a hell of a great rhythm section – one who give the set enough soulful sparkle to take it far from the straight bop promised in the title! Abate's certainly got plenty of bop chops on his reeds – which include tenor, alto, soprano sax, and flute – but there's a more open, fluid groove to most of the tunes – courtesy of a combo that includes James Williams on piano, Rufus Reid on bass, and the great Kenny Washington on drums – all of whom swing things with plenty of round, warm tones. A number of tracks are well-penned originals by Abate, and stand out strongly from the rest – with titles that include "Andromeda", "The Young Uns", "Sax O'Blues", "Gemini Mood", "Minorism", "Bop City", and "Peaks Beaks". CD
(Out of print.)

Partial matches29
CD, LP, Vinyl record album cover art
Gene Ammons & Sonny StittBoss Tenors In Orbit/Boss Tenors ... CD
Verve (Germany), 1962. New Copy ... $8.99 18.98
A pair of hard-wailing tenor albums on Verve – both of them great! Boss Tenors In Orbit is a studio album, but one that really has Gene Ammons and Sonny Stitt recreating some of the bold energy of their live shows – coming across with a vibe that's much more Prestige Records than Verve, thanks to the presence of the Don Patterson trio on the set! Backing is by Don on Hammond, Paul Weeden on guitar, and Billy James on drums – a nicely loose combo that really lets the tenorists stretch out and show their stuff. The cuts are mostly standard material – "John Brown's Body", "Walkin", "Long Ago And Far Away" – but the twin-tenor sound is great, and Patterson's free organ lines riff away nicely! On Boss Tenors, Gene Ammons and Sonny Stitt go head to head in this classic album of tracks that perfectly captures the joy and fury of their live performances from years before! The record was cut in Chicago with a very hard rhythm section that includes John Houston on piano, Charles Williams on bass, and George Brown on drums – and it's way heavier than the usual Verve "meeting of the masters" session, and feels more like a record that should have been issued on Prestige or Argo. Both players are impeccable, and the solos stretch out for a long long very live time. Titles include "Blues Up & Down", "The One Before This", and "Counter Clockwise" – but these guys even groove amazingly on standards like "Autumn Leaves" and "No Greater Love". CD

Partial matches30
CD, LP, Vinyl record album cover art
Area Code 615Trip In The Country ... LP
Polydor, 1970. Near Mint- ... $14.99
At the core, these guys were more of a bluegrass combo – but they picked up some funky rocking soul somewhere along the way, and became one of the 70s hippest instrumental ensembles! The album's got some really excellent numbers that start with funky rhythms, and which throw in a lot of countrified instrumentation for a very unique sound. Includes the nicely breaking "Russian Red", plus "Stone Fox Chase", "Sligo", "Katy Hill", "Welephant Walk", "Devil Weed & Me", and "Gray Suit Men". LP, Vinyl record album
(White label promo. Cover has a promo sticker.)

Partial matches31
CD, LP, Vinyl record album cover art
Blue BeatsBeatle Beat ... LP
Rock Beat, Mid 60s. Sealed (reissue)... $9.99
Not The Beatles, but a group who are trying to cash in on their fame – by showing a monstrous Beatle wig on the cover of the album, covering a horde of dancers – and by playing a whole host of instrumentals with a nod to the Brit Invasion! We're guessing the Blue Beats were some American studio combo – as the overall project doesn't have a real UK sound – and they've definitely got their chops, especially on the guitar lines – which are recorded with a nice dose of echo and a good deal of twang, and mixed in with stomping rhythms and the occasional keyboard line. Titles include "The Chocolate Pudding Slop", "The Swingin Spiders' Bo Diddley", "The Fat Kings' Twist", "The Broken Egg Frug", "The Cold Mashed Potato", and "The Big Shoe Twist". LP, Vinyl record album

Partial matches32
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Ray BryantRay Bryant Trio (Prestige) ... CD
Prestige/OJC, 1957. Used ... $6.99
A great early trio session from Ray Bryant – the kind of record that instantly shows why he caught such fire on the scene! There's a simplicity here that's almost invisible – a command of the keys that's strong, but not nearly as show-offy as some of Bryant's contemporaries. And given that Ray always managed to kick up a groove on the left side of the keyboard with his firm approach to rhythm, he's definitely a group player in the trio on the set – an excellent combo that features the wonderful Ike Issacs on bass and Specs Wright on drums. Titles include "Splittin", "Golden Earrings", "Sonar", "Blues Changes", and "Daahoud". CD

Partial matches33
CD, LP, Vinyl record album cover art
Bullet/Alan TewHanged Man – Original Television Soundtrack ... LP
Contour, 1975. New Copy (reissue)... $9.99
Nice funky 70s instrumentals, composed by Alan Tew, and performed by the group Bullet – a hip electric combo with a tight sound library feel. The overall style reminds us of Lalo Schifrin or Quincy Jones cop show work from the early 70s – with some tasty keyboards, plenty of riffing, and tight fast rhythmic tunes. The original's rare as hen's teeth, and the record is some of Tew's finest Brit easy work from the time. Titles include "Contract Man", "Killer HIll", "The Heist", "GBH", "Blue Panther", "The Spic", "Funky Bear", and "The Peterman". LP, Vinyl record album

Partial matches34
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Jimmy BurnsIt Ain't Right ... CD
Delmark, 2015. New Copy ... $11.99 15.99
Jimmy Burns is one of the better bluesmen in the contemporary Chicago scene – and an artist who really finds a way to merge the classic with the current, but without ever making things sound too hokey or gimmicky! The approach here is pretty classic – the leader on vocals and guitar, plus a bit of harmonica too – and backing with piano, bass, drums, and some additional rhythm guitar – that core combo mode first formed during the Chess era for recording electric blues, worked here by Burns without too much more in the way of production. The approach lets us focus strongly on Jimmy's spirit – and titles include "Will I Ever Find Somebody", "Big Money Problems", "Surrounded", "Rock Awhile", "Crazy Crazy Crazy", "It Ain't Right", "Messin With The Kid", and "A String To Your Heart". CD
Also available It Ain't Right ... CD 8.99

Partial matches35
CD, LP, Vinyl record album cover art
✨✧ Jimmy BurnsIt Ain't Right ... CD
Delmark, 2015. Used ... $8.99
Jimmy Burns is one of the better bluesmen in the contemporary Chicago scene – and an artist who really finds a way to merge the classic with the current, but without ever making things sound too hokey or gimmicky! The approach here is pretty classic – the leader on vocals and guitar, plus a bit of harmonica too – and backing with piano, bass, drums, and some additional rhythm guitar – that core combo mode first formed during the Chess era for recording electric blues, worked here by Burns without too much more in the way of production. The approach lets us focus strongly on Jimmy's spirit – and titles include "Will I Ever Find Somebody", "Big Money Problems", "Surrounded", "Rock Awhile", "Crazy Crazy Crazy", "It Ain't Right", "Messin With The Kid", and "A String To Your Heart". CD
(Barcode has a cutout hole.)
Also available It Ain't Right ... CD 11.99

Partial matches36
CD, LP, Vinyl record album cover art
Don ByasDon Byas (Jazz Legacy Series) ... LP
Inner City, Early 50s. Near Mint- ... $4.99
A trio of Parisian sessions from Don Byas – tracks recorded in the city that gave Don his warmest welcome of the postwar years, and which provided him with wonderful players to work with! The first 6 numbers feature a quartet with Byas on tenor and Mary Lou Williams on piano – working here with Don in a surprisingly soulful, straight way – really adding a lot to the set with her own original tunes "OW", "Mary's Waltz", "NME", and "Why". The next 3 numbers feature Byas working with pianist Beryl Booker, who also sings a bit too – on a version of "I Should Care" – alongside instrumental versions of "Makin Whoopee" and "Bery Booker's Byas-ed Blues". Last up are 3 tracks by Don Byas Et Ses Rhythmes – a cool combo with the great Fats Sadi on vibes and Maurice Vander on piano – on titles that include "Jordu", "Anatole", and "Lover Come Back To Me". LP, Vinyl record album

Partial matches37
CD, LP, Vinyl record album cover art
ChaseChase/Ennea/Pure Music ... CD
Epic/Wounded Bird, 1971/1972/1974. Used 2CD ... $11.99
A trio of albums from Chase – one of the hippest jazz rock combos of the 70s! The self-titled Chase album first burned onto the market in 1971 – and it's a great distillation of a groove that was bubbling around in various other segments at the time – some of the tighter big band rhythms of the late 60s, as you might find in the work of Maynard Ferguson or Woody Herman – mixed with the hipper rhythms from the rockish underground, particularly in the work of Blood Sweat & Tears or Chicago. Chase is a fair bit jazzier than both of those groups – as they often put the horns more upfront than the vocals – although most numbers do have some sort of vocals as well. Instrumentation is heavy on trumpets – which come together in blasting, blaring groove, even despite the smaller size of the combo – and Phil Porter lays down some great keyboard lines that really help some of the best tracks cook nicely. Titles include "Handbags & Gladrags", "Livin In Heat", "Open Up Wide", "Hello Groceries", "Boys & Girls Together", and "Invitation To A River". Ennea is a jazz rock classic that still sounds pretty darn tasty today – forged on the heels of Chicago and Blood Sweat & Tears, but with a sound that's leaner and meaner! The group's led by trumpeter Bill Chase – hence their name – and features lead vocals by GG Shinn and Terry Richards, both in a style that's got the same blue-eyed jazz soul overtones as that used by the groups mentioned above. The real strength of the tracks, though, is their jazzy backings – horn-heavy, as you'd expect, and hitting some great riffs and licks on the album's side-long title "suite", which features many instrumental passages. Titles include "Hades", "Aphrodite (parts 1 & 2)", "Zeus", "Poseidon", "Cronus", "It Won't Be Long", "I Can Feel It", and "Night". Pure Music is the third album from the mighty Chase – and proof that the group was still going strong even after their groundbreaking debut! The grooves here are almost tighter than before – a bit more complicated instrumentally, with some of the trumpets backed off a bit, to leave more room for great lines on guitar and keyboards. There's still some vocals on the record, but they seem a bit more on the backburner than before – and titles include "Close Up Tight", "Twinkles", "Weird Song #1", "Run Back To Mama", and "Bochawa". CD

Partial matches38
CD, LP, Vinyl record album cover art
Dino & Montevideo BluesMontevideo Blues (plus bonus tracks) ... CD
Lion, 1972. New Copy ... $4.99
Really compelling work from the enigmatic Dino – a set recorded with slow, slinky backings from the Montevideo Blues combo! The album's a lot less blues than you might guess from the group's name – and in a way, the approach is almost more folksy, or singer/songwriter overall – with a key focus on Dino's political lyrics, and backings that often follow along with snakey guitar and slinky rhythms. There's a raspy brilliance to the whole set – and Dino almost sounds like Uruguay's equivalent of Geraldo Vandre – a powerful, positive singer, but one who never reached a bigger audience outside his homeland. Titles include "Sentimiento", "Si Te Vas", "Montevideo Blues", "Milonga De Pelo Largo", "Para Hacer Musica Para Hacer", and "Chamarrita El Chiquero". CD reissue is as amazing as the original – with a huge booklet with notes, history, and lyrics – plus 7 more bonus tracks too! CD
Also available Montevideo Blues ... LP 11.99

Partial matches39
CD, LP, Vinyl record album cover art
Joe FarrellMoon Germs ... CD
CTI, 1972. Used ... $6.99
One of the best records ever cut by funky sax man Joe Farrell! The album's got a stripped down, choppy groove – virtually the blueprint for later 70s funk of this type, and played perfectly by Farrell and a very hip quartet lineup! Players include Joe on soprano and tenor sax, Herbie Hancock on keyboards, Stanley Clarke on bass, and Jack DeJohnette on drums – playing with a very angular sense of rhythm that really dives the record! The record's got a tight combo sound that's far more energetic than most CTI jazz from the time – and titles include the great cut "Great Gorge", which has a tight modal sample groove, plus "Times Lie", "Bass Folk Song", and "Moon Germs". CD
(Out of print.)

Partial matches40
CD, LP, Vinyl record album cover art
FascinationsGreen In Blue ... CD
High Contrast (Japan), 2013. Used ... $6.99
Excellent sounds from this hip Japanese group – a jazzy combo with some mighty strong vibes in the lead – and a range of sweet styles that run from bossa to bop to soul jazz! The instrumentation is all played live, never programmed – and the group have a groove that easily matches the best club jazz sounds from artists on labels like Schema or Ricky Tick – a mix of vintage modes of expression with contemporary rhythmic progressions – and some nice use of keyboards and guitar alongside the vibes! There's a bit of vocals on the record, but most tracks are instrumental – and titles include "Encounter With JL", "Quiet City Blues", "Fly Over The Horizon", "Midnight Image", "Sweet Memories", "Walking", "Green In Blue", and "Meteor". CD
(Out of print.)

Partial matches41
CD, LP, Vinyl record album cover art
Clare FischerSo Danco Samba ... LP
World Pacific, 1964. Very Good+ ... $11.99
One of the grooviest albums ever from pianist Clare Fischer – and one of the few to really get at the bossa nova spirit that's only hinted at in some of his other work! Clare's bossa touches had a great effect on other artists in the 60s – most notably Cal Tjader – but here, he's on his own and at the head of the pack – working in sweet small combo formation with some really great rhythms! Fischer plays both piano and organ – the latter of which is totally great, and which almost adds a Walter Wanderley charm to the set – and other players include the great Dennis Budimir on guitar, Bob West on bass, and Colin Bailey on drums. The track list is a mix of tracks by Jobim and Fischer – and titles include "Ornithardy", "One Note Samba", "Carnavel", "Pensativa", and "Quiet Nights". LP, Vinyl record album
(Blue label pressing.)

Partial matches42
CD, LP, Vinyl record album cover art
Herman FosterHave You Heard Herman Foster? ... CD
Epic (Japan), 1960. New Copy ... $13.99
A rare killer from pianist Herman Foster – a player best known for his work in Lou Donaldson groups of the early 60s – but who cut some great material on his own, often with a style that's a bit more harder-edged than some of his work with larger combos! This set's a trio date, with a really bluesy undercurrent – heavy left-hand piano from Foster, who's got a wonderful sense of rhythm – served up with bass from Earl May and piano from Frank Dunlap. There's a sense of grit that goes way beyond the usual trio set of this nature – and tracks are longer than usual too – and include "Volare", "Angel Eyes", "Strange", "Lover Man", and "Herman's Blues". CD

Partial matches43
CD, LP, Vinyl record album cover art
✨✧ Paul Gonsalves, Enrique Villegas, & Willie CookEncuentro – Jazz En Buenos Aires ... CD
ARP/Discmedi (Spain), 1968. Used ... $9.99
A lost 60s small group sessions from Gonsalves – the genius tenor sax player who was one of the strongest points of Duke Ellington's band in the 50s! The set features Gonsalves playing with trumpeter Willie Cook – backed by an Argentinian rhythm section with Enrique Villegas on piano. Apart from the great Latin inflected original, "Blues For BA", the tunes are simple and familiar ones – "Perdido", "I Cover The Waterfront", "Just Friends", and "I Can't Get Started" – done in an easily grooving small combo format that's got the feel of a relaxed blowing session. Gonsalves' tone is wonderful, as always, and the roughness of the session brings out a sound that he rarely had in other recordings at the time. CD
(Out of print.)

Partial matches44
CD, LP, Vinyl record album cover art
Joe HarriottMovement/High Spirits ... CD
EMI/Vocalion (UK), 1964/1965. New Copy 2 CDs ... $19.99
Overlooked gems from this key reedman on the Brit modern scene of the 60s – two rare albums in a single package! First up is Movement – one of the most obscure albums recorded by Joe Harriott – leading light of the British avant scene in the 60s – and one of the best, too! The album features Harriott working with a quintet that includes Shake Keane on trumpet, Pat Smythe on piano, Bobby Orr on drums, and Coleridge Goode on bass – playing in territory that's somewhat in the neighborhood of his Abstract and Free Form albums, but also a bit more inside, with more of a focus on swinging, hard-hitting jazz. The rhythms are often quite tight and soulful, and although the album's touched with lots of angular moments – both in the solos and backings – the overall sound is wonderfully grooving and tremendously captivating! The album's got that perfect blend of modern, modal, and soul that make the best Brit jazz albums from the mid 60s so wonderful – and the set list includes original tunes such as "Movement", "Spaces", "Blues On Blues", "Revival", "Beams", and "Count Twelve". High Spirits is pretty unique – a set of takes on tunes that come from a musical show, but recast strongly as soulful sides for the Harriott combo! Pianist Pat Smythe re-arranged all tracks in the set – and really gives them a new sort of energy – opening them up for lots of solo work on his own piano, plus alto from Harriott, and some beautiful trumpet lines from the great Shake Keane – a player who always sounds great next to Joe. The rest of the group features Coleridge Goode on bass and Bobby Orr on drums – and titles include "Home Sweet Heaven", "Something Tells Me", "Go Into Your Trance", "I Know Your Heart", and "Was She Prettier Than I". CD

Partial matches45
CD, LP, Vinyl record album cover art
Paul HumphreyAmerica, Wake Up ... LP
Blue Thumb, 1973. Near Mint- ... $29.99
A great album of funky instrumentals from legendary drummer Paul Humphrey – a set that's got a wonderfully quirky feel, and rhythms that change up the groove a lot more than usual! Paul's not content to stick in a simple backbeat mode here – and he really opens up in his approach to the kit on the set – bringing in lots of freer jazzy inflections yet still keeping the tracks short, focused, and nicely to the point. A key example of this groove is the legendary cut "Uncle Willie's Dream" – a quirky little number that dances around tremendously, and which was sampled by Tribe Called Quest for their second album! Instrumentation is mostly in a small combo mode, and players include Phil Upchurch on bass, Joe Sample on keyboards, Charles Owens on reeds, and Arthur Adams on guitar. Titles include "America Wake Up", "Uncle Willie's Dream", "I'd Walk A Mile For A Smile", "Chin Music", "Cochise", "What's That Noise, PK?", "Butterball", and "That's Deep". LP, Vinyl record album
(Cover has a cut corner)

Partial matches46
CD, LP, Vinyl record album cover art
Joy Of CookingCloser To The Ground ... LP
Capitol, 1971. Very Good Gatefold ... $3.99
We don't normally dig hippies that much, but these guys are great – and this album may be one of the sweetest we've heard from the Bay Area scene of the early 70s! Joy Of Cooking have a wonderful style that puts plenty of jazz in the vocals of lead singers Toni Brown and Terry Garthwaite – a sweetly gliding approach to the music that pulls the folksy instrumentation of the rest of the combo into hipper territory, and which almost points towards some of the best breezy vocal work to come out of the SF scene later in the 70s. Instrumentation includes keyboards, guitar, alto sax, trombone, and lots of great percussion that punctuates the tunes with an earthy groove, and really emphasizes the rhythmic quality of the work. Titles include "Pilot", "Closer To The Ground", "Blues For A Friend", "New Colorado Blues", "A Thousand Miles", "Sometimes Like a River", and "The War You Left". LP, Vinyl record album
(Vinyl has a mark that clicks a bit on the first track. Label has a name in pen. Cover has a name in pen on back.)

Partial matches47
CD, LP, Vinyl record album cover art
Gene KrupaGene Krupa Sextet No 3 ... LP
Clef, Early 50s. Near Mint- ... $24.99
Great small combo work from Gene Krupa – one of his excellent sides for Verve during the 50s! Players here include the great Eddie Lockjaw Davis on tenor, Charlie Shavers on trumpet, and Bill Harris on trombone – and rhythm is from Teddy Wilson on piano, Ray Brown on bass, and Krupa on drums – a swinging little unit that keeps plenty of room for warm solo lines in the set! Titles include "Who's Rhythm", "Second Helping Blues", "Bloozy Woozy", "Meddle My Minor", and "Windy". LP, Vinyl record album
(Heavy black label Clef pressing, with trumpeter logo and deep groove – in very good shape, save for just a light trace of the old inner sleeve. Cover is great too!)
 
 
 



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