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Possible matches: 24
Possible matches1
CD, LP, Vinyl record album cover art
Georgie FameWhole World's Shaking – Complete Recordings 1963 to 1966 (Rhythm & Blues At/At Last/Sweet Things/Sound Venture/Rarities/bonus) (5CD set) ... CD
Universal (UK), 1960s. New Copy 5 CDs ... $89.99
Four incredible albums from the young Georgie Fame – plus a bonus CD of rare material, bonus tracks on all CDs, and 18 previously unreleased tracks – all in a box set with a 48 page book, 5 postcards, and a poster too! First up is Rhythm & Blues At The Flamingo – blistering early work from a young Georgie Fame – a set that definitely lives up to the Rhythm & Blues in the title! The set was recorded live at London's hip Flamingo club – and Georgie and The Blue Flames are very much in command of the crowd – burning with the intensity of a American small organ combo, especially the early 60s variety that often played equal parts soul jazz and R&B! Georgie's on the Hammond, and also sings with a rough-edged style that's plenty soulful, and incredibly appealing – a mode that oozes charisma, but never sounds fake or forced. Titles include "Do The Dog", "Eso Beso", "Work Song", "Baby Please Don't Go", "Shop Around", "Humpty Dumpty", and "You Can't Sit Down". Fame At Last is a brilliant mix of jazz, soul, and R&B – all filtered through a mod sort of London freshness, as early proof that the city could always take some great things from our own musical roots, and feed it back to us with a whole new flavor! Georgie's no copycat here, though – and the sound is instantly Fame-like – a style that's really not the sort that any Americans were doing at the time, and certainly never this well. Hard-burning Hammond colors most of the tunes here – played with a tightly vamping quality – but it's Georgie's charmingly crackling vocals that really win us over! Titles include "Gimme That Wine", "Pink Champagne", "Monkeying Around", "Green Onions", "Let The Sunshine In", "Get On The Right Track Baby", "I'm In The Mood For Love", and "I Love The Life I Live". Sweet Things is a definite sweet thing from Georgie Fame – a record that has him filling in his sound even more than before, with tremendously soulful results! The backings here are bigger than before – a bit tooled in an American soul mode, but still with that beautifully raspy Georgie Fame touch – lots of jazzy inflections on the vocals, and a way of handling a tune, even a familiar one, and really working it on his own level. Hammond still fills in most of the tunes, but other instrumentation includes some nice African percussion from Speedy Acquaye, saxes from Pete Coe, and some nice bold drums from John Mitchell. These come out to the forefront on the classic funky tune "Music Talk" – and still sound great on other numbers that include "The World Is Round", "Last Night", "Dr Kitch", "My Girl", "Ride Your Pony", and "Sweet Thing". Sound Venture is one of the jazziest early albums from Georgie Fame – a set that has him singing with the big band of Harry South, at a level that's a lot more complicated than some of his other work with The Blue Flames! The style here still has that mod 60s London feel, but it also has some deeper inflections as well – modes borrowed a bit from Jon Hendricks or Mose Allison, yet served up with even greater complexity – at a level that really points towards the tremendous growth Fame would unleash over the next few years. Members of the group include Tubby Hayes, Ronnie Scott, Tony Coe, Dick Morrisey, Kenny Wheeler, and many other key Brit jazz figures of the time – and titles include "Three Blind Mice", "Dawn Yawn", "Feed Me", "Lovey Dovey", "Lil Darlin", "Lil Pony", "I Am Missing You", and "Many Happy Returns". CD5 is Bend A Little – a package with 20 unusual titles – demos, rare tracks, and outtakes – including unreleased tracks, IBC recordings, and even two German tracks too! Plus, each individual CD comes with bonus tracks – 40 bonus tracks, in addition to the 20 more titles on the Bend A Little set – a huge amount of material! CD
(Includes a hardcover book, 5 postcards & a poster.)

Possible matches2
CD, LP, Vinyl record album cover art
Georgie FameWhole World's Shaking – Ground Breaking Albums 1963 to 1966 (Rhythm & Blues At/At Last/Sweet Things/Sound Venture) (4LP set) ... LP
Fontana/Universal (UK), Early 60s. New Copy 4LP ... $109.99
Four incredible albums from the young Georgie Fame – served up here in one tremendous package – with all oiriginal artwork, nice heavy vinyl, and even new remastering from the original tapes! First up is Rhythm & Blues At The Flamingo – blistering early work from a young Georgie Fame – a set that definitely lives up to the Rhythm & Blues in the title! The set was recorded live at London's hip Flamingo club – and Georgie and The Blue Flames are very much in command of the crowd – burning with the intensity of a American small organ combo, especially the early 60s variety that often played equal parts soul jazz and R&B! Georgie's on the Hammond, and also sings with a rough-edged style that's plenty soulful, and incredibly appealing – a mode that oozes charisma, but never sounds fake or forced. Titles include "Do The Dog", "Eso Beso", "Work Song", "Baby Please Don't Go", "Shop Around", "Humpty Dumpty", and "You Can't Sit Down". Fame At Last is a brilliant mix of jazz, soul, and R&B – all filtered through a mod sort of London freshness, as early proof that the city could always take some great things from our own musical roots, and feed it back to us with a whole new flavor! Georgie's no copycat here, though – and the sound is instantly Fame-like – a style that's really not the sort that any Americans were doing at the time, and certainly never this well. Hard-burning Hammond colors most of the tunes here – played with a tightly vamping quality – but it's Georgie's charmingly crackling vocals that really win us over! Titles include "Gimme That Wine", "Pink Champagne", "Monkeying Around", "Green Onions", "Let The Sunshine In", "Get On The Right Track Baby", "I'm In The Mood For Love", and "I Love The Life I Live". Sweet Things is a definite sweet thing from Georgie Fame – a record that has him filling in his sound even more than before, with tremendously soulful results! The backings here are bigger than before – a bit tooled in an American soul mode, but still with that beautifully raspy Georgie Fame touch – lots of jazzy inflections on the vocals, and a way of handling a tune, even a familiar one, and really working it on his own level. Hammond still fills in most of the tunes, but other instrumentation includes some nice African percussion from Speedy Acquaye, saxes from Pete Coe, and some nice bold drums from John Mitchell. These come out to the forefront on the classic funky tune "Music Talk" – and still sound great on other numbers that include "The World Is Round", "Last Night", "Dr Kitch", "My Girl", "Ride Your Pony", and "Sweet Thing". Sound Venture is one of the jazziest early albums from Georgie Fame – a set that has him singing with the big band of Harry South, at a level that's a lot more complicated than some of his other work with The Blue Flames! The style here still has that mod 60s London feel, but it also has some deeper inflections as well – modes borrowed a bit from Jon Hendricks or Mose Allison, yet served up with even greater complexity – at a level that really points towards the tremendous growth Fame would unleash over the next few years. Members of the group include Tubby Hayes, Ronnie Scott, Tony Coe, Dick Morrisey, Kenny Wheeler, and many other key Brit jazz figures of the time – and titles include "Three Blind Mice", "Dawn Yawn", "Feed Me", "Lovey Dovey", "Lil Darlin", "Lil Pony", "I Am Missing You", and "Many Happy Returns". LP, Vinyl record album
(Includes download – which gives an additional 60 tracks that were on the CD version, 18 of which are previously unissued!)

Possible matches3
CD, LP, Vinyl record album cover art
Joe FarrellOriginal Album Classics (Joe Farrell Quartet/Outback/Penny Arcade/Upon This Rock/Canned Funk) (5CD set) ... CD
CTI/Sony, Early 70s. New Copy 5CD ... $23.99
A CTI powerhouse – five full albums from reedman Joe Farrell, each packaged in a tiny LP-styled sleeve! First up is Joe Farrell Quartet – a stellar session that's easily one of the early high points for the legendary CTI label! Farrell bursts forth as one heck of a soulful cat – working on these great modal grooves that slide out wonderfully and really have a sense of flow – a style that's different than Joe's later material, but equally powerful! Part of the strength of the record comes from the lineup – a key quintet of like-mined up-and-comers that includes Chick Corea on keyboards, John McLaughlin on guitar, Dave Holland on bass, and Jack DeJohnette on drums – players who definitely know the farther reaches of jazz, yet hang just on the inside here with Joe – providing some amazing accompaniment for his lines on soprano, tenor, and flute. Titles include "Molten Glass", "Song Of The Wind", "Motion", "Follow Your Heart", and "Circle In The Square". Next is Outback – a drawn-out quintet side, with Chick Corea on electric piano, Buster Williams on bass, Elvin Jones on drums, and Airto on percussion. Farrell was playing with Jones at the time, and the album's got some of their strong choppy reed/percussion interplay – but with a sharpness and focus that you don't always hear on Elvin's records! Tracks are all long – and titles include "Outback", "Sound Down", and "Bleeding Orchid". Penny Arcade has grooves so sharp you could cut your trousers on them! Farrell's angular reed style is in perfect form here – grooving with a small group that includes Herbie Hancock on piano, Joe Beck on guitar, Steve Gadd on drums, and Don Alias on percussion – a combo that's got a harder, tighter feel than most CTI groups – a key reason why Joe's records of this time are so legendary! The album features a fantastic version of Stevie Wonder's "Too High" – one that breaks all over the beginning with these riffs by Farrell, then grooves into a CTI electric funk mode for about 13 minutes. All tracks are long – and other tracks include "Hurricane Jane", "Geo Blue", "Penny Arcade", and "Cloud Cream". Upon This Rock is wonderful – and there's a lean, edgey groove to the set that's totally great – a lot more bite than usual for CTI, thanks to these wonderfully angular lines from Joe on tenor, soprano sax, and flute – backed up with some wicked guitar work from Joe Beck, who really matches Farrell's energy – in a core quartet with Herb Bushler on bass and Jim Madison on drums. One cut features a guest group – with Herbie Hancock on piano, Steve Gadd on drums, and Don Alias on percussion – and the album includes the massively break-heavy title cut "Upon This Rock", plus "Seven Seas", "I Won't Be Back", and "Weathervane". Last up is Canned Funk – a record that's as fresh and freaky as the classic image on the cover! The riffing rhythms get going right from the start – some amazing lines from a rhythm combo that includes Joe Beck on guitar, Herb Bushler on bass, Jim Madison on drums, and the mighty Ray Mantilla on percussion – adding in these extra changes and fills that really get the tunes moving wonderfully – providing a perfect platform for Joe Farrell's wonderful work on tenor, soprano, baritone, and flute! The sax lines are as angular as the rhythms – tight, choppy, and completely funky – no wonder the record's a CTI classic that folks have dug for years! Tracks are all nice and long – and titles include "Canned Funk", "Animal", and "Spoken Silence". CD

Possible matches4
CD, LP, Vinyl record album cover art
Eddie FisherThird Cup ... LP
Cadet, 1969. Very Good- ... $9.99
An amazing album by the great guitarist Eddie Fisher – and completely unlike his later funk records! Eddie plays stripped down jazz with a small combo that includes organ by Robert Selby, bass by Paul Jackson, and some rhythm guitar by Phil Westmoreland – and the twin-guitar approach creates this super-dope style that's light years ahead of its time, with a sophistication that points the way to later mid 70s work on labels like CTI and Kudu! Eddie's guitar work is an incredible exercise in spareness and soulfulness – best heard on the fantastic "Third Cup", a long drawn-out jazz stepper that's got to be heard to be believed. The cut's been a favorite on the Chicago jazz stepper's scene for years – and it alone is worth the price of the album. However, the record features some other wonderful stuff – like a sublime version of "Shadow Of Your Smile" that runs for a bubbling 12 minutes – plus the originals "Shut Up", "Scorched Earth", and "Two By Two". LP, Vinyl record album
(Blue label stereo pressing. Cover is wrinkled from moisture on the bottom 5 inches, with a split bottom seam.)

Possible matches5
CD, LP, Vinyl record album cover art
Paul Horn QuintetSomething Blue ... LP
Hi Fi, 1960. Very Good ... $19.99
Amazing early work from the mighty Paul Horn – a record cut during a time when he was a damn good musician with a keen sensibility for modernist modal jazz! On this excellent date from 1960, Horn plays both flute and alto sax in a wonderful group – a combo with vibes from Emil Richards, bass from Jimmy Bond, piano from Paul Moer, and drums from Billy Higgins – all players with a very fluid, open sense of rhythm – one that makes the date dance and sparkle throughout! There's a pulsating energy here that almost predates the MPS/Saba sound of the decade to come – and in addition to Horn's imaginative solos, which are much more soulful here than before, the record also features some sharp-edged chromatics from Richards on vibes, and almost melodic drums from Higgins. The album's one of our all-time favorites – and titles include "Something Blue", "Half & Half", "Mr Bond", "Dun Dunnee", and "Tall Polynesian". LP, Vinyl record album
(Original pressing. Back cover has some writing in pencil.)

Possible matches6
CD, LP, Vinyl record album cover art
Jazz ModesJazz Modes ... LP
Atlantic, 1959. Very Good- ... $11.99
One of the rarest albums by this fantastic combo from the late 50s! The band features the very strange mix of French horn, tenor, and soulful piano – played by Julius Watkins, Charlie Rouse, and Gildo Mahones, respectively. The sound shouldn't work, but it does, and beautifully – thanks to some pretty soulful rhythm work, and a nice conception that never gets too cute, or too full of itself. Rouse is great, and has a measured quality that hints at his work with Monk, but which also has a bit more soul. Mahones is always great, and is one of the true unsung heroes of soul jazz piano – and as an added unique element, the album features eerie vocals from Eileen Gilbert on a few numbers! Sahib Shihab sits in on a few cuts – and titles include "Knittin", "Blue Flame", "Mood In Motion", and "The Oblong". LP, Vinyl record album
(Original black label pressing, with deep groove. Vinyl has a click on one track, but is clean overall.)

Possible matches7
CD, LP, Vinyl record album cover art
Three SoundsHey There ... CD
Blue Note (Japan), 1961. Used ... $34.99
Wonderful work from the Three Sounds – a tight little combo who weren't out to break any rules in jazz, but who made some excellent albums for Blue Note in the early 60s! The groove here is hard-edge soul jazz piano at its best – similar to early Les McCann work of the same vintage, with a strong sense of rhythm on the left hand, and some wonderfully complicated lines on the right – an early example of the genius of Gene Harris. Harris also shows a nice sense of thoughtfulness on the mellower cuts, too – which still swing in their own sort of way, thanks to the work of Andrew Simpkins on bass and Bill Dowdy on drums. Titles include the great original "Dap's Groove" – plus "Sermonette", "Hey There", "Nothin But The Blues", "Street Of Dreams", and "Little Girl Blue". CD
(Out of print. Includes obi.)

Possible matches8
CD, LP, Vinyl record album cover art
VariousWest Indies Funk Vol 2 ... LP
Trans Air (Puerto Rico), 1970s. New Copy 2LP ... $18.99
Rare Caribbean funk from the 70s – the second volume of West Indies Funk – once again delivering a stylistically diverse take on the classic funky soul from groups such as The Troubadours, Boo & The Tru Tones, Roosevelt Johnson & His Spice Islanders, The Cassanovas, Blue Rhythm Combo and others! All the things we dug about the first volume are in the mix once again – and ultimately the set goes even further with the range and boundlessly funky styles. Includes numbers that could just as easily come from the funky underground of the regional US and others that roll out grooves that are purely indicative of the Caribbean – with steel drums, tropical rhythms and all around breezier, sunnier touches. Even better than the first one! Includes "Funk Good Feeling" by The Troubaodours, "Have A Party" by The Esquires Now", "Don't Blame This Joint" by Boo & The True Tones", "Shango!" by Steel Image, "Something's Definitely Going On" by Mamwaw, "Look-Ka-Py Py" by L Charmers, "Funky Crookie" by Exile 1, "Sing A Simple Song" by The Cassanovas, "The Big Pay Back" by Kenny & The Beach Boys and more. LP, Vinyl record album

Possible matches9
CD, LP, Vinyl record album cover art
✨✧ Lorez AlexandriaFor Swingers Only ... CD
Argo/Dusty Groove, 1963. Used ... Temporarily Out Of Stock
One of the greatest albums ever from Lorez Alexandria – an ultra-hip singer who recorded for Impulse and King, but who sounds especially wonderful on this rare date for Chess Records! The album's got a groove that definitely lives up to its title – a jazzy, bouncy sort of rhythm that's definitely "for swingers only", and which is a nice contrast to overdone torch or standard jazz vocal modes. Alexandria's singing is completely sublime – quite fluid, yet with a soulful depth that's really amazing – and her backing combo is equally hip – a group led by John Young on piano, and also featuring George Eskirdge on guitar, Jimmy Garrison on bass, Phil Thomas on drums, and Ronald Wilson on flute and tenor – an obscure player whose reed work really makes the album sparkle! The song choices are great too – a mix of some under-recorded gems and a few blue-toned classics – all redone amazingly by Lorez with a sound that's quite unique. Titles include her classic Argo reading of "Baltimore Oriole", which begins with an amazing drum/bass passage that's worth the price of the album alone – and other tracks include "The End Of A Love Affair", "Baltimore Oriole", "All Or Nothing At All", "Mother Earth", "Love Look Away", and "Traveling Down A Lonely Road". CD
(Out of print Dusty Groove pressing.)

Possible matches10
CD, LP, Vinyl record album cover art
✨✧ Kenny CoxMultidirection ... LP
Blue Note, 1970. Used ... Temporarily Out Of Stock
Tremendous work from this lesser-known combo from Detroit – a session of work that builds strongly on the colors and changes explored by Miles Davis earlier in the 60s, but which takes things off into a whole new direction! (A Multidirection?) The horns on the record have incredible interplay – trumpet by Charles Moore and tenor from Leon Henderson, playing together with a sense of dexterity that may even beat the team of Davis and Wayne Shorter – angular one moment, softly lyrical the next, and always in pursuit of fresh tones and righteous sounds. Kenny Cox's piano is great too – an exercise in understatement at times – getting as much done with one note as other players would with five – as he slowly guides the group along, and grounds their freer expressions with a good sense of humanity. Rhythm is by Ron Brooks on bass and Danny Spencer on drums – and titles include "What Other One", "Gravity Point", "Spellbound", "Snuck In", and "Sojourn". LP, Vinyl record album
(Liberty stereo pressing. Cover has a cut corner.)

Possible matches11
CD, LP, Vinyl record album cover art
✨✧ Roy EldridgeRoy's Got Rhythm ... LP
EmArcy, 1951. Used ... Temporarily Out Of Stock
Roy's definitely got rhythm here – as the album's got a sweetly grooving sound! The session's recorded with a Swedish combo, but it's often got some bluesier American modes in the mix – styles that are almost a bit more R&B than usual for Eldridge, especially given that he also sings a bit on the set! Players include Ove Lind on clarinet, Carl Henrik Norin on tenor, Charles Norman on piano and harpsichord, Rolf Berg on guitar, and Andrew Burman on drums – and titles include "Scotty", "The Heat's On", "No Rolling Blues", "Noppin John", "They Raided The Joint", "Saturday Night Fish Fry (parts 1 & 2)", and "Echoes Of Harlem". LP, Vinyl record album
(Blue label Emarcy drummer logo pressing, with deep groove. Cover has some discoloration and a bit of pen on back.)

Possible matches12
CD, LP, Vinyl record album cover art
✨✧ Jazz ModesJazz Modes (Koch pressing) ... CD
Atlantic/Koch, 1959. Used ... Temporarily Out Of Stock
One of the rarest albums by this fantastic combo from the late 50s! The band features the very strange mix of French horn, tenor, and soulful piano – played by Julius Watkins, Charlie Rouse, and Gildo Mahones, respectively. The sound shouldn't work, but it does, and beautifully – thanks to some pretty soulful rhythm work, and a nice conception that never gets too cute, or too full of itself. Rouse is great, and has a measured quality that hints at his work with Monk, but which also has a bit more soul. Mahones is always great, and is one of the true unsung heroes of soul jazz piano – and as an added unique element, the album features eerie vocals from Eileen Gilbert on a few numbers! Sahib Shihab sits in on a few cuts – and titles include "Knittin", "Blue Flame", "Mood In Motion", and "The Oblong". CD

Possible matches13
CD, LP, Vinyl record album cover art
✨✧ Ramsey LewisHang On Ramsey ... LP
Cadet, 1965. Used ... Temporarily Out Of Stock
Easily one of Ramsey Lewis' most successful records – featuring the hit soul jazz style that he forged with the Young/Holt rhythm combo, honed to perfection before a live crowd at The Lighthouse in Hermosa Beach. The record's a key part of Ramsey's live recorded output – showing the trio in pyrotechnic form before the kind of packed-house audiences they were playing to nightly at the time. Includes swinging versions of "Hard Day's Night", "High Heel Sneakers", and "Hang On Sloopy" – plus the original cut "Movin Easy". LP, Vinyl record album
(Blue label stereo pressing.)

Possible matches14
CD, LP, Vinyl record album cover art
✨✧ Jackie McLeanSwing Swang Swingin' (Japanese pressing) ... CD
Blue Note (Japan), 1959. Used ... Temporarily Out Of Stock
Jackie McLean cut some of his best bop sessions for Blue Note – and this is one of them! The record is amazingly precise, and features Jackie as the sole horn soloist in a group with Walter Bishop on piano, Jimmy Garrison on bass, and Art Taylor on drums – a crack rhythm combo that give McLean plenty of room to blow on his searing alto sax. Tracks stream along with an amazing ease – and Jackie's perfectly-placed solos are right on the money every time! The set list includes a lot of standards, but they're done with that warm soulful approach that makes you hardly care about the source of the material – and instead focus on Jackie's amazing talents as an improviser! Titles include "What's New", "I Love You", "Let's Face The Music And Dance", and "Stable Mates". CD
(Early 90s Japanese pressing.)

Possible matches15
CD, LP, Vinyl record album cover art
✨✧ Bud PowellStrictly Powell ... CD
RCA (UK), 1956. New Copy ... Temporarily Out Of Stock
Strictly Bud Powell, in the best sense of the word – as the album's a sharp batch of trio tracks recorded for RCA in the 50s, and a great showcase for Bud's firey talents on the piano! The rhythm combo features bold work on drums from Art Taylor, alongside the bass of George Duvivier – but Powell's definitely the leading light here, as the album features some of his tremendously deft work on the keys throughout. There's a nice tension to the material – played with a strength that matches most of Bud's other work from the time – but a bit different than some of his other recordings for Verve and Blue Note. The set features 11 tracks in all – and titles include "Time Was", "Jump City", "Elegy", "Coscrane", and "Topsy Turvy". CD

Possible matches16
CD, LP, Vinyl record album cover art
✨✧ Lou Donaldson & The 3 SoundsLD + 3 ... LP
Blue Note, 1959. Used ... Out Of Stock
A classic meeting between alto giant Lou Donaldson and Blue Note's crack Three Sounds combo – the great piano trio led by the mighty Gene Harris! The formula was one that Blue Note employed on a number of sessions from the time – and it makes a lot of sense, because the Three Sounds are a very tight rhythm group, just waiting for a strong soloist to front their rolling soulful grooves – in ways that really set sessions like this apart from their standard albums for the label. On this one, the Sounds give Lou a nice tight backing, and he repays the favor by laying down some very tight, very in-the-pocket solos with a good soul jazz groove. Tracks include "Jump Up", "Confirmation", "Smooth Groove", and "Blue Moon". LP, Vinyl record album
(63rd Street pressing, with deep groove, RVG stamp, and "ear". Cover has some wear on one corner, otherwise looks great!)

Possible matches17
CD, LP, Vinyl record album cover art
✨✧ Wayne ShorterAdam's Apple (non RVG pressing) ... CD
Blue Note, 1966. Used ... Out Of Stock
An incredible album – one of our favorite Blue Notes ever! Despite the fact that the album's a spare quartet session, the record is one of Wayne Shorter's richest – and features his gutsy young tenor soloing insanely with a rhythmically intense combo that includes Herbie Hancock on piano, Reggie Workman on bass, and Joe Chambers on drums – a wonderfully free-thinking rhythm trio! Workman's bass is especially strong, and it underpins the cuts with a throbbing pulse that takes them past any simple hardbop conventions. Every cut's a winner – and this is one album we reach for time and time again over the years! Titles include "Adam's Apple", "El Gaucho", "Footprints", and "Teru". CD reissue contains an extra bonus cut, "The Collector". CD

Possible matches18
CD, LP, Vinyl record album cover art
✨✧ Art Farmer & Benny Golson JazztetHere & Now/Another Git Together ... CD
Mercury/Universal (Germany), 1962. New Copy ... Out Of Stock
A pair of records from the legendary Art Farmer & Benny Golson Jazztet! Here & Now is one of the most magical records ever from this legendary group – a set that swings as hard and soulfully as some of their previous sessions, yet also has a sharper, more modern vibe as well! Of course, this latter aspect is no surprise – once you realize that a young Grachan Moncur is on trombone – adding his hip horn to the wonderful frontline of Benny Golson on tenor and Art Farmer on trumpet and flugelhorn. And given that the rhythm group also features Harold Mabern on piano, you can bet there's a freshness here that can't be beat – a sound and energy that's kept this one at the top of our stack for many many years. Mabern and Moncur contribute two of the best tracks – "Richie's Dilemma" and "Sonny's Back" – and other titles include "Whisper Not", "Tonk", "Rue Prevail", and "Ruby My Dear". Another Git Together is a rare later date, recorded after their more famous albums for Chess! The lineup here is a bit unusual – in that a young Grachan Moncur III is in the combo on trombone – really adding some deep, soulful tones to the music – in ways that are very different than his famous Blue Note performances – but which really shape the sound of the music here wonderfully! Harold Mabern's on piano – again bringing in a different feel to this record for the group, with some lyrical undercurrents that are beautiful – and the rest of the lineup features Roy McCurdy on drums and Herb Lewis on bass – in addition to the sublime trumpet of Art Farmer and tenor of Benny Golson. Titles include one of the best versions of "Along Came Betty" that we've ever heard – plus the tracks "Domino", "Another Git Together", "Reggie", and "Space Station. CD
Also available Here & Now ... LP 14.99

Possible matches19
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyCannonball Adderley Quintet In Chicago ... CD
EmArcy/Universal (Japan), 1959. New Copy ... Out Of Stock
A great session from 1959 – one that features John Coltrane playing with the Adderley group, recorded in Chicago when they were stopping through the city with Miles Davis' combo at the time! In fact, since the rhythm section includes Wynton Kelly, Paul Chambers, and Jimmy Cobb – and since Coltrane's sitting in with Cannon – the album's essentially a Kind Of Blue-era Miles album, recorded without Miles on trumpet, and grooving in a slightly more soul-based Adderley mode. Given the presence of Coltrane, there's a bit less of the gutbuckety soul jazz that Cannon was cutting in his own Quintet – but that's more than ok with us, as the Coltrane solos more than make up for that difference! The set's got 2 great originals by Coltrane – "The Sleeper" and "Grand Central" – plus the cuts "Wabash" and "Limehouse Blues". CD

Possible matches20
CD, LP, Vinyl record album cover art
✨✧ Bill EvansHow My Heart Sings ... LP
Riverside, 1962. Used ... Out Of Stock
Magical music from the very first note – the kind of record you need to hear if you've ever doubted the genius of Bill Evans! The sound here is subtle, and supple – but still often more revolutionary than that of the countless albums it inspired in years to come – and Evans is completely at home on the record, working with bassist Chuck Israels and drummer Paul Motian – both players who helped to re-invent the role of rhythm in the piano combo of the time! Titles include a sublime reading of "How My Heart Sings", plus "Walking Up", "Show Type Tune", "Summertime", "34 Skidoo", and "In Your Own Sweet Way". LP, Vinyl record album
(Blue label Bill Grauer productions pressing with the microphone logo & deep groove. Cover has wear.)
 
Partial matches: 66
Partial matches25
CD, LP, Vinyl record album cover art
Greg AbateBop City – Live At Birdland ... CD
Candid (UK), 1991. Used ... $2.99
Greg Abate's working here with a hell of a great rhythm section – one who give the set enough soulful sparkle to take it far from the straight bop promised in the title! Abate's certainly got plenty of bop chops on his reeds – which include tenor, alto, soprano sax, and flute – but there's a more open, fluid groove to most of the tunes – courtesy of a combo that includes James Williams on piano, Rufus Reid on bass, and the great Kenny Washington on drums – all of whom swing things with plenty of round, warm tones. A number of tracks are well-penned originals by Abate, and stand out strongly from the rest – with titles that include "Andromeda", "The Young Uns", "Sax O'Blues", "Gemini Mood", "Minorism", "Bop City", and "Peaks Beaks". CD
(Out of print.)

Partial matches26
CD, LP, Vinyl record album cover art
Afro Blues Quintet Plus OneNew Directions In Sound ... CD
Mira/BGP (UK), Late 60s. New Copy ... $11.99 18.99
Smoking grooves from an incredible group – the amazing Afro Blues Quintet, a combo with a sound like no other! These guys were never one for stardom, but during the mid and late 60s, they burned up the west coast scene with an incredible blend of vibes, piano, and reeds – often kicked up nicely with some hard-rolling rhythm work that gave their tracks a similar mod groove to classics by Johnny Lytle, Ramsey Lewis, or Pucho & The Latin Soul Brothers! But the real difference with the ABQ (if we can call them that!) is that they had a really spacious approach to their sound – never putting too much into the mix, and instead using the space between the notes every bit as much as the notes themselves. The grooves are great, and since most of this work has never been reissued, the set's totally fresh to the ears of most listeners! As usual, the folks at BGP have done a great job with the notes – and the set features 22 tracks from the group's Mira, Surrey, and Crestview recordings – titles that include "Monkey Time", "Freaks", "La La La", "Southside Habit", "Mirror Image", "Afro Rock", "Evening Of The Beast", "Spartacus", "Candie Luv", and "Our Mambo". CD

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Teemu Akerblom QuartetTeemu Akerblom Quartet (with download) ... LP
Jazzaggression (Finland), 2015. New Copy ... $24.99
An excellent contemporary combo from Finland – but one who are right at home on the Jazzaggression label, which mostly issues rare gems from years past! The sound here is plenty classic – and recalls that great 70s moment on the European scene when the best groups were aware of 60s advances like free or modal jazz, but could also swing as well – often bringing all elements to play in a single tune, but finding a way to make their most creative work still hold very strongly to a larger tradition in jazz! The group here is a quartet, but one with a slightly shifting lineup – the core trio of Teemu Akerblom on bass, Mikko Arlin on drums, and Max Zenger on saxes and flute – plus a changing fourth player from track to track – either Ville Vannemaa or Jarno Tikka on tenor, or Verneri Pohjola on trumpet. The lack of any piano really enforces the importance of the bass to the rhythms – and Akerblom's a player with a strong sense of modal energy, which often sets things up beautifully for the reed and trumpet solos to really soar and do their thing – shifting in intensity from track to track, partly because of that rotating fourth player! All tracks are original, and very fresh – and titles include "Blues For Martin", "Dark Corners", "Gilman's Point", "October 22", and "Harmaata Nakyvissa". LP, Vinyl record album
(Limited to 500 copies deluxe sleeve release, with download.)

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Gianni Bardaro & Pierluigi VillaniNext Stop ... CD
Verve (Italy), 2016. New Copy ... $16.99
A great group from the contemporary Italian scene – a combo co-led by Gianni Bardaro on alto and soprano sax, and Pierluigi Villani on drums – but which features really bold colors from all members of the group! All tracks are originals, composed by the leaders – and they've got a vibe that kind of post-fusion – using some electric bass at the core of their sound, but mostly working acoustically overall – using the bass to add just a slight current of depth in the rhythms, while the horns and piano create some nice tonal interplay. The album features work from Giovanni Falzone on trumpet, Francesco Villani on piano, Giorgio Vendola on bass, and Viz Maurogiovanni on some well-chosen electric bass – and titles include "Open The Door", "Bogo", "Blue Sun", "Square", "Wild Banky", "Draftorn", and "Hipster". CD

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✨✧ Beginning Of The EndBeginning Of The End (with bonus track) ... CD
Alston/Ultra Vybe (Japan), 1976. New Copy ... $19.99
One of the rarest funky records of all time – the hard-to-find second album by Beginning Of The End! This West Indian combo hit it big with their first album on Alston, but this second set, for some strange reason, never really got distributed – which is a damn shame, because it's every bit as funky as their first! The uniquely choppy rhythms of the group's first album are every bit as great here as on the first set – and if anything, the band's instrumentation is even better, especially on the guitar, which is wickedly tight, and played with a super-dope flanged-out approach on the solos. Vocals are great too, maybe even more soulful than before, especially on the album's few midtempo cuts – and the album's a must-have for any fan of the group's funky sound! Titles include "That's What I Get", "Super Woman", "Bluestrain", "Jump In The Water", "Falling Apart At The Seams", and "Trip To Nowhere". CD also features their Holiday track – the very groovy "Gee Whiz It's Christmas". CD

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Jimmy BurnsIt Ain't Right ... CD
Delmark, 2015. New Copy ... $11.99 15.99
Jimmy Burns is one of the better bluesmen in the contemporary Chicago scene – and an artist who really finds a way to merge the classic with the current, but without ever making things sound too hokey or gimmicky! The approach here is pretty classic – the leader on vocals and guitar, plus a bit of harmonica too – and backing with piano, bass, drums, and some additional rhythm guitar – that core combo mode first formed during the Chess era for recording electric blues, worked here by Burns without too much more in the way of production. The approach lets us focus strongly on Jimmy's spirit – and titles include "Will I Ever Find Somebody", "Big Money Problems", "Surrounded", "Rock Awhile", "Crazy Crazy Crazy", "It Ain't Right", "Messin With The Kid", and "A String To Your Heart". CD
Also available It Ain't Right ... CD 6.99

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Jimmy BurnsIt Ain't Right ... CD
Delmark, 2015. Used ... $6.99
Jimmy Burns is one of the better bluesmen in the contemporary Chicago scene – and an artist who really finds a way to merge the classic with the current, but without ever making things sound too hokey or gimmicky! The approach here is pretty classic – the leader on vocals and guitar, plus a bit of harmonica too – and backing with piano, bass, drums, and some additional rhythm guitar – that core combo mode first formed during the Chess era for recording electric blues, worked here by Burns without too much more in the way of production. The approach lets us focus strongly on Jimmy's spirit – and titles include "Will I Ever Find Somebody", "Big Money Problems", "Surrounded", "Rock Awhile", "Crazy Crazy Crazy", "It Ain't Right", "Messin With The Kid", and "A String To Your Heart". CD
(Barcode has a cutout hole.)
Also available It Ain't Right ... CD 11.99

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Dino & Montevideo BluesMontevideo Blues (plus bonus tracks) ... CD
Lion, 1972. New Copy ... $4.99
Really compelling work from the enigmatic Dino – a set recorded with slow, slinky backings from the Montevideo Blues combo! The album's a lot less blues than you might guess from the group's name – and in a way, the approach is almost more folksy, or singer/songwriter overall – with a key focus on Dino's political lyrics, and backings that often follow along with snakey guitar and slinky rhythms. There's a raspy brilliance to the whole set – and Dino almost sounds like Uruguay's equivalent of Geraldo Vandre – a powerful, positive singer, but one who never reached a bigger audience outside his homeland. Titles include "Sentimiento", "Si Te Vas", "Montevideo Blues", "Milonga De Pelo Largo", "Para Hacer Musica Para Hacer", and "Chamarrita El Chiquero". CD reissue is as amazing as the original – with a huge booklet with notes, history, and lyrics – plus 7 more bonus tracks too! CD

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Joe FarrellMoon Germs ... CD
CTI/CBS, 1972. Used ... $11.99
One of the best records ever cut by funky sax man Joe Farrell! The album's got a stripped down, choppy groove – virtually the blueprint for later 70s funk of this type, and played perfectly by Farrell and a very hip quartet lineup! Players include Joe on soprano and tenor sax, Herbie Hancock on keyboards, Stanley Clarke on bass, and Jack DeJohnette on drums – playing with a very angular sense of rhythm that really dives the record! The record's got a tight combo sound that's far more energetic than most CTI jazz from the time – and titles include the great cut "Great Gorge", which has a tight modal sample groove, plus "Times Lie", "Bass Folk Song", and "Moon Germs". CD
(Out of print original pressing. CD case has a cutout hole.)

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Paolo FerraraRitmico + Le Film Trouve – A Rhythmic Experience (clear vinyl pressing with bonus DVD) ... LP
Flipper/Dagored (Italy), 1975. New Copy LP & DVD ... $32.99
Wicked sound library funk from the 70s – an album that was originally pressed on a tiny run of 300 copies, by the equally tiny Flipper sound library label! The style here is nice and spare – less of the orchestral funk of other records of this nature, and mostly focused on rhythms from electric bass and congas, with wah-wah guitar lines that riff up and down the groove! This approach is almost more organic and homemade than some of the slicker sound library sets of the period – with the feel of a small combo just coming up with sweet laidback jams in the studio – and titles include "Rockfolk", "Sambasound", "Bassbeat", "Afrotheme", "Percussion Blues", "Tumbasound", "Bossa Feeling", and "Slow In Rhythm". LP, Vinyl record album
(Includes the DVD "Le Film Trouve – A Rhythmic Experience" – with footage from the Sync Film Archive!)

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Herman FosterHave You Heard Herman Foster? ... LP
Epic, Early 60s. New Copy (reissue)... $6.99
A rare killer from pianist Herman Foster – a player best known for his work in Lou Donaldson groups of the early 60s – but who cut some great material on his own, often with a style that's a bit more harder-edged than some of his work with larger combos! This set's a trio date, with a really bluesy undercurrent – heavy left-hand piano from Foster, who's got a wonderful sense of rhythm – served up with bass from Earl May and piano from Frank Dunlap. There's a sense of grit that goes way beyond the usual trio set of this nature – and tracks are longer than usual too – and include "Volare", "Angel Eyes", "Strange", "Lover Man", and "Herman's Blues". LP, Vinyl record album

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Joe HarriottMovement/High Spirits ... CD
EMI/Vocalion (UK), 1964/1965. New Copy 2 CDs ... $19.99
Overlooked gems from this key reedman on the Brit modern scene of the 60s – two rare albums in a single package! First up is Movement – one of the most obscure albums recorded by Joe Harriott – leading light of the British avant scene in the 60s – and one of the best, too! The album features Harriott working with a quintet that includes Shake Keane on trumpet, Pat Smythe on piano, Bobby Orr on drums, and Coleridge Goode on bass – playing in territory that's somewhat in the neighborhood of his Abstract and Free Form albums, but also a bit more inside, with more of a focus on swinging, hard-hitting jazz. The rhythms are often quite tight and soulful, and although the album's touched with lots of angular moments – both in the solos and backings – the overall sound is wonderfully grooving and tremendously captivating! The album's got that perfect blend of modern, modal, and soul that make the best Brit jazz albums from the mid 60s so wonderful – and the set list includes original tunes such as "Movement", "Spaces", "Blues On Blues", "Revival", "Beams", and "Count Twelve". High Spirits is pretty unique – a set of takes on tunes that come from a musical show, but recast strongly as soulful sides for the Harriott combo! Pianist Pat Smythe re-arranged all tracks in the set – and really gives them a new sort of energy – opening them up for lots of solo work on his own piano, plus alto from Harriott, and some beautiful trumpet lines from the great Shake Keane – a player who always sounds great next to Joe. The rest of the group features Coleridge Goode on bass and Bobby Orr on drums – and titles include "Home Sweet Heaven", "Something Tells Me", "Go Into Your Trance", "I Know Your Heart", and "Was She Prettier Than I". CD

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✨✧ Chuck HigginsBlows His Wig! – Loud & Greasy 50s Saxophony From The King Of South Central's Wig Blowers ... CD
Combo/Ace (UK), Early 50s. New Copy ... $11.99 18.99
One of the hippest saxophonists of the west coast R&B scene of the 50s – served up here in a host of classic singles for the Combo label! Back in the day, Chuck had a groove that could equally skirt jazz, R&B, and early rock and roll – a hard-blown tenor quality that was raspy, gritty, and filled with playful twists and turns – yet still also really hung into the hard and rhythmic grooves that backed up his sax! There's a pre-funk soulfulness to these singles that's really amazing – a sound that's years ahead of its time, and which often sounds far less dated than other honking 50s tenor saxophonists – especially given the tremendous sound used in the remastering of this package. We've heard other collections of Chuck's work from the time before, but this is easily the best one out there by far – filled with great notes and a total of 24 tracks that include "Boyle Heights", "Iron Pipe", "Blues N Mambo", "Higgins Bounce", "The Duck Walk", "Tortas", "Cotton Picker", "Motor Head Baby", "Love Me Baby", "Just Won't Treat Me Right", "Chuck's Wig", and "Real Gone Hound Dog". CD

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Hot 8 Brass BandRock With The Hot 8 ... CD
Tru Thoughts (UK), 2007. Used ... $7.99
A brass band, but one with a funky difference – a hard and heavy sound that will make you forget any cliches you might have about the genre from the past! The Hot 8 are certainly a combo who live up to their placement on the Tru Thoughts label – and as Nostalgia 77, Quantic, and other labelmates have updated older sounds strongly – these guys take the classic New Orleans groove and push it firmly into the present with a sharp-edged approach! There's a bit of drum and percussion at the bottom of the rhythms, but the horns also help the groove too – and although some solo, most of the rest are jamming with the percussion – stretching out beautifully while the vocals are called, sung, and shouted over the top. Titles include the group's great cover of "Sexual Healing", plus "What's My Name", "It's Real", "Fly Away", "E Flat Blues", "Get Up", "Love Don't Live Here", and "I Got You". CD

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Jazz CrusadersFestival Album – Recorded Live At The Newport & Pacific Jazz Festivals 1966 ... LP
Pacific Jazz, 1966. Very Good+ Gatefold ... $8.99
Incredible work from the Jazz Crusaders – a brilliant album of longer tracks that has them working at their soulful, sophisticated best! The record's great proof that the Crusaders had a depth that many rarely gave them credit here – as they're working here in a complicated set of rhythms, tones, colors, and patterns that easily matches some of the best Blue Note mid 60s work by Hank Mobley or Lee Morgan! All tracks are recorded live, and in very long takes that show the combo effortlessly setting up the rhythms – then stepping out with extended solos that are surprisingly exploratory and modern-sounding. Titles include "Trance Dance", "Summer Madness", "Young Rabbits", and "Freedom Sound". LP, Vinyl record album
(Cover has a cut corner.)

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✨✧ Ivan Boogaloo Joe JonesMy Fire! – More Of The Psychedelic Soul Jazz Guitar Of Joe Jones ... LP
Prestige, 1968. Very Good ... $39.99
Ivan Boogaloo Joe Jones steps forward strongly on this second set for Prestige Records – working with a nicely unified combo that includes the great Harold Mabern on piano, plus a bit of electric piano too – alongside tight rhythms from Peck Morrison on bass, Bill English on drums, and Richard Landrum on conga – all in a mode that's a mix of 60s soul jazz, and some of the wilder styles that Jones would pick up even more in a few records. A few tracks are nice and long, which allows for good solo space – and titles include "Light My Fire", "Time After Time", "Ivan the Terrible", "Take All", and "For Big Hal". LP, Vinyl record album
(Original blue label pressing. Cover has light wear.)

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✨✧ Kool & The GangKool & The Gang ... LP
De-Lite, 1970. New Copy (reissue)... $9.99
A landmark album of funky genius – and one of the first times a batch of funky 45s had ever been so tightly sewn into a full LP! By the time of this album's release, Kool & The Gang were already underground legends – cutting it up in small clubs around the east and midwest, and working hard to push their excellent early singles on the De-Lite label – the kind of indie funky 45s that went on to shape the sound of a generation to come! This album brings together a number of those singles – really great little tracks that you can't really ever find on wax, and which have the group's perfect blend of bass/drum rhythms, choppy guitar, and hard-blaring horns – a massive groove that's still tighter here than any of the countless combos the record went onto inspire. The LP's a non-stop jam all the way through, with funk so pure it could be considered the blueprint for a generation – and titles include "Give It Up", "Raw Hamburger", "Kool's Back Again", "Breeze & Soul", "Sea of Tranquility", and "Kool & The Gang". LP, Vinyl record album

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Lars Lystedt/Berndt EgerbladhFanfar (10 inch LP) ... LP
Be! (Germany), 1962. New Copy (reissue)... $24.99
Incredible sounds from the Swedish scene of the early 60s – a 10" album from trombonist Lars Lystedt, whose combo features work from pianist Berndt Egerbladh, who then takes over as a leader on side two! Side one is a stone cooker – tight grooves that are in the best Scandinavian hardbop mode of the time – that crisp new sound that scene ushered in at the start of the 60s – more Blue Note than some of the cooler, west coast Swedish sounds from the decade before – with some nice tenor work from Leif Hellmann, over tight rhythms from Egerbladh on piano, Ray Carlson on bass, and Sten Oberg on drums – on the titles "Fanfar", "So Dere", and "Blues On Down". Side two features Egerbladh's long "Arctic Suite" – a great cut with strong modal moments, and lots of soulful tenor from Hellman! LP, Vinyl record album

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Monophonics/DestrumentsLike Yesterday/Freedom ... 7-inch
Colemine, 2011. New Copy ... $4.99
Heavy funk from our friends at Colemine – great stuff from Cali combo Monophonics plus a different, but just as great psych funk styled cut by Destruments! "Like Yesterday" is solid as can be, a hard-hitting number with walloping drums, punchy horns, and powerhouse vocals – a track that starts out like it's going to slow cookin' jam highlighted by bluesy soul guitar, but it heats up quickly! "Freedom" by Destruments is an atmospheric gem that's not too easy to describe – which is a good thing! The beat and rhythm are stable, with densely atmospheric horns and spacey flourishes. A cool split single that demonstrates the far-reaching creative capabilities of the contemporary funk scene! 7-inch, Vinyl record

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Stanton MooreFlyin' The Koop ... CD
Blue Thumb, 2002. Used ... $5.99
Tight funky grooves from the jamband underground – one of the strongest albums of this type to come out in years! Stanton Moore's at the head of a small all-star combo that includes Skerik and Karl Denson on sax, Brian Seeger on guitar, and Chris Wood on bass – and Stanton's work on drums is excellent, dancing around the kit with a fantastic flourish, jamming the groove in just the right way to bring out the freest funkiest work in the two-sax frontline. The rhythms are a mix of Bay Area funk, New Orleans soul, and a bit of classic soul jazz – and the production of the set is excellent, nicely stripped down and spare, despite the major label status of the record, which often means a bit too much muddling around in the mix! Titles include "Let's Go", "Tang The Hump", "Launcho Diablo", "Prairie Sunset", "Things Fall Apart", and "Hunch". CD
(Out of print.)
 
 
 



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