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Possible matches: 23
Possible matches1
CD, LP, Vinyl record album cover art
Georgie Fame & The Blue FlamesRhythm & Blues At The Flamingo (Japanese paper sleeve edition) ... CD
Polydor (Japan), 1964. New Copy ... About January 25, 2017
Blistering early work from a young Georgie Fame – a set that definitely lives up to the Rhythm & Blues in the title! The set was recorded live at London's hip Flamingo club – and Georgie and The Blue Flames are very much in command of the crowd – burning with the intensity of a American small organ combo, especially the early 60s variety that often played equal parts soul jazz and R&B! Georgie's on the Hammond, and also sings with a rough-edged style that's plenty soulful, and incredibly appealing – a mode that oozes charisma, but never sounds fake or forced. Other instrumentation includes tenor, baritone sax, bass, drums, and conga – plus some great guitar from Big Jim Sullivan – and titles include "Do The Dog", "Eso Beso", "Work Song", "Baby Please Don't Go", "Shop Around", "Humpty Dumpty", and "You Can't Sit Down". CD
Also available Rhythm & Blues At The Flamingo (with bonus tracks) ... CD 13.99

Possible matches2
CD, LP, Vinyl record album cover art
Georgie Fame & The Blue FlamesRhythm & Blues At The Flamingo (with bonus tracks) ... CD
Polydor/Universal (UK), 1964. New Copy ... $13.99
Blistering early work from a young Georgie Fame – a set that definitely lives up to the Rhythm & Blues in the title! The set was recorded live at London's hip Flamingo club – and Georgie and The Blue Flames are very much in command of the crowd – burning with the intensity of a American small organ combo, especially the early 60s variety that often played equal parts soul jazz and R&B! Georgie's on the Hammond, and also sings with a rough-edged style that's plenty soulful, and incredibly appealing – a mode that oozes charisma, but never sounds fake or forced. Other instrumentation includes tenor, baritone sax, bass, drums, and conga – plus some great guitar from Big Jim Sullivan – and titles include "Do The Dog", "Eso Beso", "Work Song", "Baby Please Don't Go", "Shop Around", "Humpty Dumpty", and "You Can't Sit Down". This 2016 edition comes loaded with a huge number of bonus tracks, too – with 1964 BBC Session recordings of "Night Train", "Walking The Dog", "Do-Re-Mi", "You're Breaking My Heart" wtih Long John Baldry and more, plus "Parker's Mood", "Molasses", "Funky Mama (Blue Moon Bootleg Version)", "Money (That's What I Want)" and lots more. 10 tracks on the original album – plus 13 bonus tracks! CD

Possible matches3
CD, LP, Vinyl record album cover art
✨✧ Slam StewartDefinitive Black & Blue Sessions – Fish Scales ... CD
Black & Blue (France), 1975. New Copy ... Out Of Stock
Slam Stewart may well be one of the coolest bassists in jazz – one of the first players to really get the instrument to have as much melodic force as it did in rhythm – a quality that he really emphasizes here by singing along with his basslines! Slam's sung before on record, but never so much in the spotlight as on this one – a set that has his scatting vocals really in the foreground – moving beautifully along with his bass – sometimes breaking off a bit, but always with a groove – as he sings wordlessly in a small combo with Johnny Guarnieri on piano, Jimmy Shirley on guitar, and Jackie Williams on drums! The style is wonderful – very unique, and with a timeless sense of cool – and titles include "Sleep", "The One I Love Belongs To Somebody Else", "Fish Scales", "At Sundown", "Bye Bye Blackbird", and "I Want To Be Happy". CD features three bonus alternate takes, too! CD

Possible matches4
CD, LP, Vinyl record album cover art
Gene Harris & The Three SoundsLive At The It Club ... CD
Blue Note, 1970. Used ... $9.99
This is the kind of reissue we like to see! Funky pianist Gene Harris had spent most of the 60s playing in a standard trio format with his group The Three Sounds – but by the time of this live set, the group was evolving into a monster jazz funk combo, and Harris was getting beautifully heavy handed in his approach to rhythm. This live set was recorded by Blue Note in 1970, but for some reason it was left unreleased until a few years ago – a decision that's really a mystery when you hear how funky some of the tracks are! Black Jazz bassist Henry Franklin is part of Harris' combo at the time, and the drummer is the nice tight Carl Burnett. The set includes some excellent versions of Monk Higgins tracks like "Funky Pullett" and "Sittin' Duck" – and Higgins also produced the whole thing for Blue Note. Very nice, and another great session we're glad was dug out of the vaults! CD
(Out of print.)

Possible matches5
CD, LP, Vinyl record album cover art
Jackie McLeanSwing Swang Swingin' (XRCD24 pressing) ... CD
Blue Note/JVC, 1959. Used ... $15.99
Jackie McLean cut some of his best bop sessions for Blue Note – and this is one of them! The record is amazingly precise, and features Jackie as the sole horn soloist in a group with Walter Bishop on piano, Jimmy Garrison on bass, and Art Taylor on drums – a crack rhythm combo that give McLean plenty of room to blow on his searing alto sax. Tracks stream along with an amazing ease – and Jackie's perfectly-placed solos are right on the money every time! The set list includes a lot of standards, but they're done with that warm soulful approach that makes you hardly care about the source of the material – and instead focus on Jackie's amazing talents as an improviser! Titles include "What's New", "I Love You", "Let's Face The Music And Dance", and "Stable Mates". CD
(In a nice hard cover style digipack.)

Possible matches6
CD, LP, Vinyl record album cover art
✨✧ Grant GreenMatador (180 gram pressing) ... LP
Blue Note (Spain), 1965. New Copy (reissue)... Temporarily Out Of Stock
A fantastic mid 60s album from Grant Green – but one that never got its due originally, because it was unreleased at the time – and didn't come out until a Japanese version in the late 70s! Despite that oddly long gap, Matador is truly one Grant's best ever records – a really inventive session that goes way past his standard soul jazz roots – and which really shows the guitarist stretching out towards future styles of jazz! The session's a spare quartet date – with Green's guitar playing modal grooves over rhythm by by his incredible combo – with Bob Cranshaw on bass, Elvin Jones on drums and the incomparable McCoy Tyner on piano – blocking out bold changes that really drive the record strongly. Cuts are long, and there's a freewheeling quality to the material that's only ever matched by some of the Grant Green/Larry Young sessions from the same time – especially the Street Of Dreams Record. Titles include "Matador", "Bedouin", Green Jeans", and a killer version of "My Favorite Things", done in a very Coltrane-esque style. LP, Vinyl record album
(Limited edition!)

Possible matches7
CD, LP, Vinyl record album cover art
✨✧ Jackie McLeanSwing Swang Swingin' ... CD
Blue Note, 1959. Used ... Temporarily Out Of Stock
Jackie McLean cut some of his best bop sessions for Blue Note – and this is one of them! The record is amazingly precise, and features Jackie as the sole horn soloist in a group with Walter Bishop on piano, Jimmy Garrison on bass, and Art Taylor on drums – a crack rhythm combo that give McLean plenty of room to blow on his searing alto sax. Tracks stream along with an amazing ease – and Jackie's perfectly-placed solos are right on the money every time! The set list includes a lot of standards, but they're done with that warm soulful approach that makes you hardly care about the source of the material – and instead focus on Jackie's amazing talents as an improviser! Titles include "What's New", "I Love You", "Let's Face The Music And Dance", and "Stable Mates". CD
(Out of print 1997 Connoisseur pressing.)
Also available Swing Swang Swingin' (XRCD24 pressing) ... CD 15.99

Possible matches8
CD, LP, Vinyl record album cover art
✨✧ Wayne Shorter5 Original Albums (Night Dreamer/Soothsayer/Etcetera/Adam's Apple/Schizophrenia) (5CD set) ... CD
Blue Note (Germany), Mid 60s. New Copy 5CD ... Out Of Stock
Five very different albums from the great Wayne Shorter – all from a time when he was really taking off with his music! Night Dreamer is one of the greatest Wayne Shorter albums for Blue Note, and one of our favorite jazz albums ever! The record is a masterpiece of lyrical delight – soul jazz mixed with slight touches of experimentalism – but still warm, swinging, and personal enough to captivate even the most novice jazz listener. A players are at the top of their game – and in addition to Shorter's tenor, the group features Lee Morgan on trumpet, McCoy Tyner on piano, Reggie Workman on bass, and Elvin Jones on drums. The tracks unfold in lyrical, modal beauty in a really wonderful way that was barely ever duplicated again – and titles include "Night Dreamer", "Oriental Folk Song", "Virgo", "Charcoal Blues", "Armageddon", and "Black Nile". Soothsayer is a great Wayne Shorter session from the mid 60s – recorded then, but not issued until 1979, for some incredibly unexplained reason – especially given the strength of the set! The group is distinctly modern, and features Freddie Hubbard on trumpet, James Spaulding on alto, and McCoy Tyner on piano – all of who were committed to heavily pushing the boundaries of their playing at the time. Added to the mix is the youthful Tony Williams on drums, fresh from work with Miles Davis, and playing with an incredibly free hand on the kit – plus the great Ron Carter on bass. The resulting mix of tracks is a beautiful example of how these mid-60s Blue Note sessions could keep firmly in touch with modern developments in jazz, yet never lapse into the kind of sloppiness that could sometimes ruin sets like these on other labels – always with a keen sense of timing and rhythm, and a sharpness that made Blue Note's "new" newer-sounding than most. Titles include "Lost", "Angola", "The Big Push", and an amazing jazz take on Sibelius' "Valse Triste"! Etcetera has a very sharp-edged quartet sound – a bit modern and edgey at times, with sharp tenor lines from Shorter, piano from Herbie Hancock, bass from Cecil McBee, and drums from Joe Chambers. Wayne recorded the date in 1965, but the material wasn't issued by Blue Note until 15 years later – a delay that somehow made the whole thing even more of a gem, especially at a time when Shorter wasn't blowing this strongly on record. Tracks include four originals "Toy Tune", "Penelope", "Etcetera", and "Barracudas" – plus the Gil Evans number "Barracudas (General Assembly)". Adams Apple is an incredible album – one of our favorite Blue Notes ever! Despite the fact that the album's a spare quartet session, the record is one of Wayne Shorter's richest – and features his gutsy young tenor soloing insanely with a rhythmically intense combo that includes Herbie Hancock on piano, Reggie Workman on bass, and Joe Chambers on drums – a wonderfully free-thinking rhythm trio! Workman's bass is especially strong, and it underpins the cuts with a throbbing pulse that takes them past any simple hardbop conventions. Every cut's a winner – and this is one album we reach for time and time again over the years! Titles include "Adam's Apple", "El Gaucho", "Footprints", and "Teru". Schizophrenia is a session from the late 60s that has Wayne Shorter pushing into a searching, spiritual groove, but one that's still filled with all the taught electricity of his earlier recordings on Blue Note! Shorter's accompanied by youthful modernists like James Spaulding on alto, Herbie Hancock on piano, Ron Carter on bass, and Joe Chambers on drums – plus the mighty Curtis Fuller on trombone, whose instrument here proves to be the same key extra ingredient that it was on the best Art Blakey sextet sessions of the 60s. There's a tight, soulful feel here that's sublime – an Adams Apple sort of groove, but a bit fuller – and titles include the classic "Tom Thumb", plus "Playground", "Schizoprhenia", "Kryptonite", "Miyako", and "Go". CD

Possible matches9
CD, LP, Vinyl record album cover art
Panama FrancisDefinitive Black & Blue Sessions – Getting In The Groove ... CD
Black & Blue (France), 1979. New Copy ... $8.99
Drummer Panama Francis definitely gets in the groove here – thanks to help from a cool combo that's overflowing with old school jazz talent – a lineup that includes Francis Williams and Irv Stokes on trumpets, Norris Turney and Howard Johnson on alto saxes, George Kelly on tenor, Red Richards on piano, and John Smith on guitar! The group's got a bit of an old school swing approach, but maybe a more modern approach to the solos – and Francis kicks the groove maybe better here than on some of his other albums of this nature from the 70s – really letting the whole group open up with the kind of lively, respectful treatment that makes us love some of these Black & Blue sessions from France. Arrangements are by Francis and Kelly – and titles include "Stitches", "Song Of The Islands", "Rhythm Dr Man", "Frenzy", "Boats", "Little John Special", and "Blues In Bea's Flat". CD also features some unissued tracks – "Looney", "Second Balcony Jump", and "Harlem Congo". CD

Possible matches10
CD, LP, Vinyl record album cover art
✨✧ Georgie FameWhole World's Shaking – Complete Recordings 1963 to 1966 (Rhythm & Blues At/At Last/Sweet Things/Sound Venture/Rarities/bonus) (5CD set) ... CD
Universal (UK), 1960s. New Copy 5 CDs ... Out Of Stock
Four incredible albums from the young Georgie Fame – plus a bonus CD of rare material, bonus tracks on all CDs, and 18 previously unreleased tracks – all in a box set with a 48 page book, 5 postcards, and a poster too! First up is Rhythm & Blues At The Flamingo – blistering early work from a young Georgie Fame – a set that definitely lives up to the Rhythm & Blues in the title! The set was recorded live at London's hip Flamingo club – and Georgie and The Blue Flames are very much in command of the crowd – burning with the intensity of a American small organ combo, especially the early 60s variety that often played equal parts soul jazz and R&B! Georgie's on the Hammond, and also sings with a rough-edged style that's plenty soulful, and incredibly appealing – a mode that oozes charisma, but never sounds fake or forced. Titles include "Do The Dog", "Eso Beso", "Work Song", "Baby Please Don't Go", "Shop Around", "Humpty Dumpty", and "You Can't Sit Down". Fame At Last is a brilliant mix of jazz, soul, and R&B – all filtered through a mod sort of London freshness, as early proof that the city could always take some great things from our own musical roots, and feed it back to us with a whole new flavor! Georgie's no copycat here, though – and the sound is instantly Fame-like – a style that's really not the sort that any Americans were doing at the time, and certainly never this well. Hard-burning Hammond colors most of the tunes here – played with a tightly vamping quality – but it's Georgie's charmingly crackling vocals that really win us over! Titles include "Gimme That Wine", "Pink Champagne", "Monkeying Around", "Green Onions", "Let The Sunshine In", "Get On The Right Track Baby", "I'm In The Mood For Love", and "I Love The Life I Live". Sweet Things is a definite sweet thing from Georgie Fame – a record that has him filling in his sound even more than before, with tremendously soulful results! The backings here are bigger than before – a bit tooled in an American soul mode, but still with that beautifully raspy Georgie Fame touch – lots of jazzy inflections on the vocals, and a way of handling a tune, even a familiar one, and really working it on his own level. Hammond still fills in most of the tunes, but other instrumentation includes some nice African percussion from Speedy Acquaye, saxes from Pete Coe, and some nice bold drums from John Mitchell. These come out to the forefront on the classic funky tune "Music Talk" – and still sound great on other numbers that include "The World Is Round", "Last Night", "Dr Kitch", "My Girl", "Ride Your Pony", and "Sweet Thing". Sound Venture is one of the jazziest early albums from Georgie Fame – a set that has him singing with the big band of Harry South, at a level that's a lot more complicated than some of his other work with The Blue Flames! The style here still has that mod 60s London feel, but it also has some deeper inflections as well – modes borrowed a bit from Jon Hendricks or Mose Allison, yet served up with even greater complexity – at a level that really points towards the tremendous growth Fame would unleash over the next few years. Members of the group include Tubby Hayes, Ronnie Scott, Tony Coe, Dick Morrisey, Kenny Wheeler, and many other key Brit jazz figures of the time – and titles include "Three Blind Mice", "Dawn Yawn", "Feed Me", "Lovey Dovey", "Lil Darlin", "Lil Pony", "I Am Missing You", and "Many Happy Returns". CD5 is Bend A Little – a package with 20 unusual titles – demos, rare tracks, and outtakes – including unreleased tracks, IBC recordings, and even two German tracks too! Plus, each individual CD comes with bonus tracks – 40 bonus tracks, in addition to the 20 more titles on the Bend A Little set – a huge amount of material! CD
(Includes a hardcover book, 5 postcards & a poster.)

Possible matches11
CD, LP, Vinyl record album cover art
✨✧ Georgie FameWhole World's Shaking – Ground Breaking Albums 1963 to 1966 (Rhythm & Blues At/At Last/Sweet Things/Sound Venture) (4LP set) ... LP
Fontana/Universal (UK), Early 60s. New Copy 4LP ... Out Of Stock
Four incredible albums from the young Georgie Fame – served up here in one tremendous package – with all oiriginal artwork, nice heavy vinyl, and even new remastering from the original tapes! First up is Rhythm & Blues At The Flamingo – blistering early work from a young Georgie Fame – a set that definitely lives up to the Rhythm & Blues in the title! The set was recorded live at London's hip Flamingo club – and Georgie and The Blue Flames are very much in command of the crowd – burning with the intensity of a American small organ combo, especially the early 60s variety that often played equal parts soul jazz and R&B! Georgie's on the Hammond, and also sings with a rough-edged style that's plenty soulful, and incredibly appealing – a mode that oozes charisma, but never sounds fake or forced. Titles include "Do The Dog", "Eso Beso", "Work Song", "Baby Please Don't Go", "Shop Around", "Humpty Dumpty", and "You Can't Sit Down". Fame At Last is a brilliant mix of jazz, soul, and R&B – all filtered through a mod sort of London freshness, as early proof that the city could always take some great things from our own musical roots, and feed it back to us with a whole new flavor! Georgie's no copycat here, though – and the sound is instantly Fame-like – a style that's really not the sort that any Americans were doing at the time, and certainly never this well. Hard-burning Hammond colors most of the tunes here – played with a tightly vamping quality – but it's Georgie's charmingly crackling vocals that really win us over! Titles include "Gimme That Wine", "Pink Champagne", "Monkeying Around", "Green Onions", "Let The Sunshine In", "Get On The Right Track Baby", "I'm In The Mood For Love", and "I Love The Life I Live". Sweet Things is a definite sweet thing from Georgie Fame – a record that has him filling in his sound even more than before, with tremendously soulful results! The backings here are bigger than before – a bit tooled in an American soul mode, but still with that beautifully raspy Georgie Fame touch – lots of jazzy inflections on the vocals, and a way of handling a tune, even a familiar one, and really working it on his own level. Hammond still fills in most of the tunes, but other instrumentation includes some nice African percussion from Speedy Acquaye, saxes from Pete Coe, and some nice bold drums from John Mitchell. These come out to the forefront on the classic funky tune "Music Talk" – and still sound great on other numbers that include "The World Is Round", "Last Night", "Dr Kitch", "My Girl", "Ride Your Pony", and "Sweet Thing". Sound Venture is one of the jazziest early albums from Georgie Fame – a set that has him singing with the big band of Harry South, at a level that's a lot more complicated than some of his other work with The Blue Flames! The style here still has that mod 60s London feel, but it also has some deeper inflections as well – modes borrowed a bit from Jon Hendricks or Mose Allison, yet served up with even greater complexity – at a level that really points towards the tremendous growth Fame would unleash over the next few years. Members of the group include Tubby Hayes, Ronnie Scott, Tony Coe, Dick Morrisey, Kenny Wheeler, and many other key Brit jazz figures of the time – and titles include "Three Blind Mice", "Dawn Yawn", "Feed Me", "Lovey Dovey", "Lil Darlin", "Lil Pony", "I Am Missing You", and "Many Happy Returns". LP, Vinyl record album
(Includes download – which gives an additional 60 tracks that were on the CD version, 18 of which are previously unissued!)

Possible matches12
CD, LP, Vinyl record album cover art
BreakawayStraight On To The Top (with bonus CD) ... LP
Breakaway/BBE (UK), 1979. New Copy Gatefold (reissue)... $18.99
The second set from St Louis funk combo Breakaway – and the album already shows a great deal of growth – especially in the territory of rhythm! Breakaway have definitely dug some of the best club modes from the New York scene – and work here in a jazzy disco style that's filled with sweet keyboard lines alongside the female lead vocals – all with a vibe that's nicely stripped-down, and still lives up to the indie spirit of the group. There's some jazz currents on the instrumentation, and the set features some guest work on horns, which nicely expands the sound – and helps give the blue-eyed soul vocals a nice sort of punch. Titles include "Straight On To The Top", "You Are Love", "Back & Forth", "There's A New Tree In The Forest", "Work With The Music", and "Breakaway". LP, Vinyl record album
(Includes bonus CD of the album!)

Possible matches13
CD, LP, Vinyl record album cover art
Buddy DeFrancoGeneralissimo (plus Live Date) ... CD
Verve/Lonehill (Spain), 1958. Used ... $8.99
Two lesser-known 50s sides by Buddy DeFranco – both recorded for Verve in 1958, both featuring small combo west coast backing! Generalissimo has a sound that's a lot more understated than its title – an easygoing groove that's all Buddy all the way – clarinet in the lead, inspired by an older swing-based approach to jazz, yet still inflected with some boppish influences too – all in just the sort of open, laidback style that Verve was handling well at the time. Other players include Harry Edison on trumpet, Bob Hardaway on tenor, Jimmy Rowles on piano, Barney Kessel on guitar, Curtis Counce on bass, and Alvin Stoller on drums – on titles that include "Sunday", "Tea For Two", "Blue Lou", "Funky's Uncle", and an extended Verve-type "Ballad Medley". Next up is the even better Live Date – a very hip session that has Buddy working with some of the fresher modern players on the scene at the time – all in a groove that echoes with some of the sharpest notes we've heard from his clarinet in the 50s! The ensemble has a really dreamy feel – with flute from Herbie Mann, vibes from Victor Feldman, tenor from Bob Hardaway, guitar from Barney Kessel, and piano and organ from Pete Jolly – all backed by rhythm from the legendary Scott LaFaro on bass and Stan Levey on drums. Tracks include "Satin Doll", "Oh Lady Be Good", "Crazy Rhythm", "Blues For Space Travelers", and "My Funny Valentine". Note: CD omits one track from Live Date – "Tin Reed Blues" – but it is featured on the Lonehill CD set I Hear Benny Goodman & Artie Shaw. CD

Possible matches14
CD, LP, Vinyl record album cover art
Eddie FisherThird Cup ... LP
Cadet, 1969. Very Good ... Just Sold Out!
An amazing album by the great guitarist Eddie Fisher – and completely unlike his later funk records! Eddie plays stripped down jazz with a small combo that includes organ by Robert Selby, bass by Paul Jackson, and some rhythm guitar by Phil Westmoreland – and the twin-guitar approach creates this super-dope style that's light years ahead of its time, with a sophistication that points the way to later mid 70s work on labels like CTI and Kudu! Eddie's guitar work is an incredible exercise in spareness and soulfulness – best heard on the fantastic "Third Cup", a long drawn-out jazz stepper that's got to be heard to be believed. The cut's been a favorite on the Chicago jazz stepper's scene for years – and it alone is worth the price of the album. However, the record features some other wonderful stuff – like a sublime version of "Shadow Of Your Smile" that runs for a bubbling 12 minutes – plus the originals "Shut Up", "Scorched Earth", and "Two By Two". LP, Vinyl record album
(Blue label stereo pressing. Cover has light wear.)
Also available Third Cup ... LP 9.99

Possible matches15
CD, LP, Vinyl record album cover art
Bud PowellStrictly Powell ... LP
RCA, 1957. Very Good- ... $24.99
Strictly Bud Powell, in the best sense of the word – as the album's a sharp batch of trio tracks recorded for RCA in the 50s, and a great showcase for Bud's firey talents on the piano! The rhythm combo features bold work on drums from Art Taylor, alongside the bass of George Duvivier – but Powell's definitely the leading light here, as the album features some of his tremendously deft work on the keys throughout. There's a nice tension to the material – played with a strength that matches most of Bud's other work from the time – but a bit different than some of his other recordings for Verve and Blue Note. The set features 11 tracks in all – and titles include "Time Was", "Jump City", "Elegy", "Coscrane", and "Topsy Turvy". LP, Vinyl record album
(Black label mono pressing with deep groove. Cover has some masking tape on the top & bottom seam, wear and peeling in one corner.)

Possible matches16
CD, LP, Vinyl record album cover art
✨✧ Terry Cavendish with Ray DaviesAll In An Afternoon's Work (plus bonus tracks) ... CD
Cavendish/Vocalion (UK), 1973. Used ... Temporarily Out Of Stock
A great set of British Easy from the early 70s – mod and groovy, and very much in the best Sound Library vein – all arranged by the legendary Ray "Button Down Brass" Davies! Davies isn't the same Ray as the Kinks mainman, but a key figure in the Brit sound library scene of the late 60s and early 70s – a trumpeter who helped transform the UK style from sleepy to groovy, thanks to a really pronounced set of rhythm in his work. The album was issued under the name of fictitious leader Terry Cavendish – who really didn't exist – but it was Davies session all the way, and the "orchestra" used here is mostly a small combo of UK studio players who include Alan Hawkshaw, Alan Parker, and Herbie Flowers! Tracks are often older swing-era standards, but they're reworked to give them a funkier, more electric 70s mode – and titles include "I'll Be Around", "Stay With It", "Leagueliner", "Delicado", "Blue Lou", "Moonglow", "Big Noise From Winnetka", and "9:20 Special". And as an added bonus, the CD features 7 more tracks from equally cool Cavendish sound library sessions – almost even funkier than the tracks on the main LP – with titles that include "Time For Change" and "Agotado" by James Janson, "Monomania" and "Issmak" by First Collaboration, and "Hadrian's Wall" by Ray Davies. CD
(Out of print.)

Possible matches17
CD, LP, Vinyl record album cover art
✨✧ Kenny CoxMultidirection ... LP
Blue Note, 1970. Used ... Temporarily Out Of Stock
Tremendous work from this lesser-known combo from Detroit – a session of work that builds strongly on the colors and changes explored by Miles Davis earlier in the 60s, but which takes things off into a whole new direction! (A Multidirection?) The horns on the record have incredible interplay – trumpet by Charles Moore and tenor from Leon Henderson, playing together with a sense of dexterity that may even beat the team of Davis and Wayne Shorter – angular one moment, softly lyrical the next, and always in pursuit of fresh tones and righteous sounds. Kenny Cox's piano is great too – an exercise in understatement at times – getting as much done with one note as other players would with five – as he slowly guides the group along, and grounds their freer expressions with a good sense of humanity. Rhythm is by Ron Brooks on bass and Danny Spencer on drums – and titles include "What Other One", "Gravity Point", "Spellbound", "Snuck In", and "Sojourn". LP, Vinyl record album
(Liberty/UA pressing with Van Gelder stamp. Cover has some pen and a light stain along the opening.)

Possible matches18
CD, LP, Vinyl record album cover art
✨✧ Roland HannaNew York Jazz Quartet In Chicago ... LP
Beehive, 1983. Used ... Temporarily Out Of Stock
An album issued under the name of pianist Roland Hanna, but a set that really showcases his work with the excellent New York Jazz Quartet – a totally hip combo who issued some records on Enja around the same period! This date's a Chicago one – as you'd guess by the title – handled with that relaxed, sympathetic style that made the Beehive label such a great return to the basics of 60s modes of recording from Prestige and Blue Note. Yet there's also a fresh feel to the way that Hanna and the group put the tunes together – a mix of lyricism and swing that's maybe one of the best showcases ever for the tenor and flute of Frank Wess – given the subtle, skillful rhythm talents of George Mraz on bass, and Ben Riley on drums! Titles include the originals "Wisteria", "Four The Hard Way", and "Raise A Ruckus" – plus the Thad Jones tunes "H&T Blues" and "Ain't Nothin New". LP, Vinyl record album

Possible matches19
CD, LP, Vinyl record album cover art
✨✧ Jazz ModesJazz Modes ... LP
Atlantic, 1959. Used ... Temporarily Out Of Stock
One of the rarest albums by this fantastic combo from the late 50s! The band features the very strange mix of French horn, tenor, and soulful piano – played by Julius Watkins, Charlie Rouse, and Gildo Mahones, respectively. The sound shouldn't work, but it does, and beautifully – thanks to some pretty soulful rhythm work, and a nice conception that never gets too cute, or too full of itself. Rouse is great, and has a measured quality that hints at his work with Monk, but which also has a bit more soul. Mahones is always great, and is one of the true unsung heroes of soul jazz piano – and as an added unique element, the album features eerie vocals from Eileen Gilbert on a few numbers! Sahib Shihab sits in on a few cuts – and titles include "Knittin", "Blue Flame", "Mood In Motion", and "The Oblong". LP, Vinyl record album
(Black label pressing with deep groove.)

Possible matches20
CD, LP, Vinyl record album cover art
✨✧ Ramsey LewisHang On Ramsey ... LP
Cadet, 1965. Used ... Temporarily Out Of Stock
Easily one of Ramsey Lewis' most successful records – featuring the hit soul jazz style that he forged with the Young/Holt rhythm combo, honed to perfection before a live crowd at The Lighthouse in Hermosa Beach. The record's a key part of Ramsey's live recorded output – showing the trio in pyrotechnic form before the kind of packed-house audiences they were playing to nightly at the time. Includes swinging versions of "Hard Day's Night", "High Heel Sneakers", and "Hang On Sloopy" – plus the original cut "Movin Easy". LP, Vinyl record album
(Blue label stereo pressing. Cover has some wear.)
 
Partial matches: 58
Partial matches24
CD, LP, Vinyl record album cover art
Clarke Boland SextetCalypso Blues ... CD
Rearward/Schema (Italy), Mid 60s. New Copy ... $22.99
Rare tracks by the Clarke-Boland Sextet – a small group offshoot of the funky Big Band that was led by Kenny Clarke and Francy Boland – and which featured some of the key soloists in the group! The lineup here includes Sahib Shihab on flute, Fats Sadi on vibes and bongos, Joe Harris on percussion, and Jimmy Woode on bass – plus Clarke and Boland on drums and piano, respectively – a wonderful group that has an incredible sense of rhythm, and comes up with loads of wonderful modal numbers throughout! The vibe is wonderful – and the collection's a great look at this unusual combo – filled with fire and soul – and proof that in the jazz world, at least, great things can happen when global boundaries are crossed. Titles include "Con Alma", "Invitation", "Sconsolato", "Lilemor", "Just Give Me Time", "Love Hungry", "Ensadinado", and "Man From Potter's Crossing". CD

Partial matches25
CD, LP, Vinyl record album cover art
✨✧ Arnett CobbParty Time ... LP
Prestige, 1959. Good ... $9.99
A mighty big party from tenor giant Arnett Cobb – a player who always blew strongly in other settings, but really hit his height on these albums for Prestige! The record is a perfect mix of Cobb's bluesy roots and a more sophisticated modern jazz setting – with support from a crack rhythm combo of Ray Bryant on piano, Wendell Marshall on bass, and Art Taylor on drums – plus the special addition of Ray Barretto on congas, who brings in this rolling kick that definitely opens things up to the party atmosphere in the title – even when things are mellow! Most numbers have a open, soulfully blowing feel – and titles include "Slow Poke", "Lonesome Road", "Party Time", and "Blues In the Closet". LP, Vinyl record album
(Yellow & black label NJ pressing with deep groove. Cover has light wear and a partially split top seam.)

Partial matches26
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Gogo PenguinMan Made Object ... CD
Blue Note, 2016. Used ... $6.99
A piano trio, but one with a really unique sort of vibe – and a sound that has all three instruments cascading together in a rhythmic, joyful pulse! The group remind us a bit of some of the recent Japanese combos of late – like Fox Capture Plan – and Gogo Penguin share a similar style that's rooted in jazz, but takes off in many different ways – almost always rhythmic, but not in any sort of fake funk or dancefloor-oriented mode. Instead, these guys concentrate as much on their tonal colors as they do their grooves – and come together in a wonderful blend of Rob Turner on drums, Chris Illingworth on piano, and Nick Blacka on bass. Titles include "Weird Cat", "Smarra", "Protest", "All Res", "Unspeakable Words", and "Branches Break". CD
(Barcode has a cutout hole.)

Partial matches27
CD, LP, Vinyl record album cover art
Wes Montgomery5 Original Albums (Trio/Incredible Jazz Guitar/Movin Along/So Much Guitar/Boss Guitar) (5CD set) ... CD
Riverside/Universal (Germany), Late 50s/Early 60s. New Copy 5CD ... $24.99
5 classic albums from guitarist Wes Montgomery – all packaged together in tiny LP-styled sleeves! The Trio album is Wes Montgomery's first album as a leader – a relatively obscure set that has him playing in a trio with Indianapolis bandmates Mel Rhyne on organ and Paul Parker on drums – a mode that strongly recalls Montgomery's roots in the Indy scene at the time!. The groove is straight and simple, but the real charm is Wes' chromatic lines on guitar – already quite distinctive among his contemporaries, and allowed ample room to express their voice in this setting. Titles include "Ecorah", "Missile Blues", "Too Late Now", "Jingles", and "Whisper Not". Incredible Jazz Guitar is a very fitting title – because the set was only Wes Montgomery's second album as a leader, he was already making plenty of waves with the sound of his guitar! The session lines Wes up with the very tight rhythm team of Tommy Flanagan on piano, Percy Heath on bass, and Albert Heath on drums – all of whom lay back and mostly let Wes take center stage – sparkling on a number of original tunes that include "West Coast Blues", "Mister Walker", and "D Natural Blues". Other tracks include a great fast take on Sonny Rollins' "Airegin", plus "In Your Own Sweet Way" and "Polka Dots & Moonbeams". Movin Along features Wes Montgomery with a bit of sax and flute – a nice change from the sound of some of his other early records, thanks to key work on the set from James Clay! Clay plays mostly flute on the record, but does so with a hard edge that reminds us of Frank Wess' work from the same stretch – really bringing a raspy edge to the record, and seeming to bring out the same in Wes' guitar work. The rest of the group includes Victor Feldman on piano, Sam Jones on bass, and Louis Hayes on drums – and titles include the nice groover "Movin' Along", plus "So Do It", "Sandu", "Tune Up", and "Says You". The next album is So Much Guitar – but never too much, given that Wes was the real master of sound and space, even at this early point in his career! The album's one that tries to break Montgomery from some of his smaller combo albums for Riverside, and pair him with a few bigger names – Hank Jones on piano, Ron Carter on bass, Lex Humphries on drums, and Ray Barretto on congas – who gives the album that bottom "kick" sort of groove that was used often on soul jazz sessions from the time. The tune's lope around leanly and cleanly, giving plenty of focus on Wes' work on guitar – and titles include "Twisted Blues", "Repetition", "Somethin' Like Bags", and "While We're Young", which is a solo track by Wes. Boss Guitar is a session that's got a gritty edge that takes Wes back to his Indianapolis roots! The album's one of the few of the time to feature the unsung Hammond hero Mel Rhyne – a player who worked with Wes at his start, but has only gotten stronger acclaim in recent decades as part of his comeback. Rhyne's a key force in the record – working alongside Montgomery's guitar and the drums of Jimmy Cobb – in a loose, open trio that has Mel participating as strongly in the rhythms as he does in the solo side of the album. Titles include a few Montgomery originals – "The Trick Bag" and "Fried Pies" – plus the tunes "Besame Mucho", "Dearly Beloved", "Days Of Wine & Roses", "Canadian Sunset", "The Breeze & I", and "For Heaven's Sake". CD

Partial matches28
CD, LP, Vinyl record album cover art
✨✧ Ike QuebecSoul Samba ... LP
Blue Note, 1962. Very Good+ ... Just Sold Out!
One of the few Blue Note albums with a bossa groove – and a great one too! The record features soulful tenor star Ike Quebec blowing in front of Brazilian-styled rhythms laid out by a combo that includes Kenny Burrell on guitar, and a duo of Latin percussionists! Willie Bobo plays drums on the session, and the cuts have a short groovy feel, with a sax-heavy lead, in a similar style to Stan Getz's bossa work on Verve – but much more soulful overall, and with a nicely rougher feel on the rhythms. Really great stuff, and with titles that include "Loie", "Goin Home", "Favela", "Blue Samba", and "Shu Shu". LP, Vinyl record album
(UA stereo pressing, with Van Gelder/Stereo stamps. Cover has light surface wear, light discoloration along the opening, and a tiny bit of pen on back.)
Also available Soul Samba (RVG remaster edition – with bonus tracks) ... CD 5.99

Partial matches29
CD, LP, Vinyl record album cover art
Ike QuebecSoul Samba (RVG remaster edition – with bonus tracks) ... CD
Blue Note, 1962. Used ... $5.99
One of the few Blue Note albums with a bossa groove – and a great one too! The record features soulful tenor star Ike Quebec blowing in front of Brazilian-styled rhythms laid out by a combo that includes Kenny Burrell on guitar, and a duo of Latin percussionists! Willie Bobo plays drums on the session, and the cuts have a short groovy feel, with a sax-heavy lead, in a similar style to Stan Getz's bossa work on Verve – but much more soulful overall, and with a nicely rougher feel on the rhythms. Really great stuff, and with titles that include "Loie", "Goin Home", "Favela", "Blue Samba", and "Shu Shu". CD also features 3 bonus alternate takes – of "Loie", "Shu Shu", and "Favela". CD

Partial matches30
CD, LP, Vinyl record album cover art
✨✧ Joe FarrellMoon Germs ... CD
CTI/King (Japan), 1972. New Copy ... Temporarily Out Of Stock
One of the best records ever cut by funky sax man Joe Farrell! The album's got a stripped down, choppy groove – virtually the blueprint for later 70s funk of this type, and played perfectly by Farrell and a very hip quartet lineup! Players include Joe on soprano and tenor sax, Herbie Hancock on keyboards, Stanley Clarke on bass, and Jack DeJohnette on drums – playing with a very angular sense of rhythm that really dives the record! The record's got a tight combo sound that's far more energetic than most CTI jazz from the time – and titles include the great cut "Great Gorge", which has a tight modal sample groove, plus "Times Lie", "Bass Folk Song", and "Moon Germs". CD
(Blu-Spec CD pressing!)

Partial matches31
CD, LP, Vinyl record album cover art
✨✧ Ike QuebecSoul Samba (180 gram pressing) ... LP
Blue Note (Spain), 1962. New Copy (reissue)... Temporarily Out Of Stock
One of the few Blue Note albums with a bossa groove – and a great one too! The record features soulful tenor star Ike Quebec blowing in front of Brazilian-styled rhythms laid out by a combo that includes Kenny Burrell on guitar, and a duo of Latin percussionists! Willie Bobo plays drums on the session, and the cuts have a short groovy feel, with a sax-heavy lead, in a similar style to Stan Getz's bossa work on Verve – but much more soulful overall, and with a nicely rougher feel on the rhythms. Really great stuff, and with titles that include "Loie", "Goin Home", "Favela", "Blue Samba", and "Shu Shu". LP, Vinyl record album
(Limited edition!)
Also available Soul Samba (RVG remaster edition – with bonus tracks) ... CD 5.99

Partial matches32
CD, LP, Vinyl record album cover art
✨✧ Gogo PenguinMan Made Object ... CD
Blue Note, 2016. New Copy ... Out Of Stock
A piano trio, but one with a really unique sort of vibe – and a sound that has all three instruments cascading together in a rhythmic, joyful pulse! The group remind us a bit of some of the recent Japanese combos of late – like Fox Capture Plan – and Gogo Penguin share a similar style that's rooted in jazz, but takes off in many different ways – almost always rhythmic, but not in any sort of fake funk or dancefloor-oriented mode. Instead, these guys concentrate as much on their tonal colors as they do their grooves – and come together in a wonderful blend of Rob Turner on drums, Chris Illingworth on piano, and Nick Blacka on bass. Titles include "Weird Cat", "Smarra", "Protest", "All Res", "Unspeakable Words", and "Branches Break". CD
Also available Man Made Object ... CD 6.99

Partial matches33
CD, LP, Vinyl record album cover art
✨✧ Ike QuebecSoul Samba (with bonus tracks) ... CD
Blue Note (Japan), 1962. New Copy ... Temporarily Out Of Stock
One of the few Blue Note albums with a bossa groove – and a great one too! The record features soulful tenor star Ike Quebec blowing in front of Brazilian-styled rhythms laid out by a combo that includes Kenny Burrell on guitar, and a duo of Latin percussionists! Willie Bobo plays drums on the session, and the cuts have a short groovy feel, with a sax-heavy lead, in a similar style to Stan Getz's bossa work on Verve – but much more soulful overall, and with a nicely rougher feel on the rhythms. Really great stuff, and with titles that include "Loie", "Goin Home", "Favela", "Blue Samba", and "Shu Shu". CD also features 3 bonus alternate takes – of "Loie", "Shu Shu", and "Favela". CD
(SHM-CD pressing!)
Also available Soul Samba (RVG remaster edition – with bonus tracks) ... CD 5.99

Partial matches34
CD, LP, Vinyl record album cover art
✨✧ Gogo PenguinMan Made Object ... LP
Blue Note, 2016. New Copy 2LP Gatefold ... Out Of Stock
A piano trio, but one with a really unique sort of vibe – and a sound that has all three instruments cascading together in a rhythmic, joyful pulse! The group remind us a bit of some of the recent Japanese combos of late – like Fox Capture Plan – and Gogo Penguin share a similar style that's rooted in jazz, but takes off in many different ways – almost always rhythmic, but not in any sort of fake funk or dancefloor-oriented mode. Instead, these guys concentrate as much on their tonal colors as they do their grooves – and come together in a wonderful blend of Rob Turner on drums, Chris Illingworth on piano, and Nick Blacka on bass. Titles include "Weird Cat", "Smarra", "Protest", "All Res", "Unspeakable Words", and "Branches Break". LP, Vinyl record album
Also available Man Made Object ... CD 6.99

Partial matches35
CD, LP, Vinyl record album cover art
Blue NotesBefore The Wind Changes ... CD
Ogun (UK), 1979. New Copy ... $14.99
A lost treasure – never-issued material from the legendary Blue Notes combo – and a set that really helps fill some space in their all-too-small recorded catalog! The set captures the group at the end of the 70s, working in their most openly-creative mode – a style that partly shows their strong roots in the South African jazz scene of the 60s, but which also really opens up with some of the freer modes of the following decade – hitting a mix of modes that's not unlike some of the AACM at their best, although often with a lot more intensity, too! The group at this point is a quartet – with Chris McGregor on piano, Johnny Dyani on bass, Louis Moholo on drums, and Dudu Pukwana on some especially amazing alto sax – blown with such righteous force, we might well say that his instrument is center stage on the record – were it not for the wonderfully complex rhythms from the other three group members too! Tracks are long, and filled with righteous soul – and titles inlcude "Ithi Gui", "Mange", "Lonta Uyagula", "Lakutshonga Ilanga", "The Bride", and "Funk Dem Dudu". CD

Partial matches36
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Smokey HoggServe It To The Right – The Combo & Modern Recordings 1947 to 1952 ... CD
Modern/Ace (UK), Late 40s/Early 50s. New Copy ... $8.99 18.99
A great second chapter of work from Smokey Hogg's years at the Modern Records label – material that's got a bit more of a west coast polish than the rootsy vibe of his previous sides! Smokey still has plenty of Texas in his vocals and work on guitar, but the arrangements here often emphasize hipper piano lines and groovier rhythms, too – bringing Hogg's sound more into contact with the growing sophistication of the west coast scene. The mix is a really compelling one – as there's definitely some country blues phrasing in the guitar, but a lot more of a jump blues sound in the rhythms – coming together in that really special way that happened on the west coast during the postwar years. As usual with Ace, the presentation here is great – excellent sound on rare 78s, right from their original source material – plus a number of never-issued tracks, too – making for a total of 25 numbers that include "Patrol Wagon Blues", "River Hip Mama", "Worried Blues", "Come On Home", "You're Gonna Look Like A Monkey", "I Believe To My Soul", "Good Morning Little Baby", "Two Mama Blues", "Possum Hunt", "Talk It Over", "Whoa Mule", and "Can't Do Nothin". CD

Partial matches37
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Afro Blues Quintet Plus OneIntroducing The Afro Blues Quintet Plus One ... LP
Mira, Late 60s. Very Good ... Just Sold Out!
Excellent work from this totally sweet west coast Latin combo – a wonderful group who mixed Latin percussion with piano and vibes – in a manner that's similar to some of Cal Tjader's best Verve work of the 60s! Some tracks also make nice use of flute or alto sax – creating a snakey feel that really adds a new dimension of light and color to the tunes. The whole set's a great blend of Latin rhythms, jazzy solo work, and some mod 60s touches – and titles include "Monkey Time", "Afro Rock", "Let My People Go", "Walk On By", "Moses", "Liberation", and "Together". LP, Vinyl record album
(Black label pressing. Cover has light wear.)

Partial matches38
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Afro Blues Quintet Plus OneNew Directions In Sound ... CD
Mira/BGP (UK), Late 60s. New Copy ... $8.99 18.99
Smoking grooves from an incredible group – the amazing Afro Blues Quintet, a combo with a sound like no other! These guys were never one for stardom, but during the mid and late 60s, they burned up the west coast scene with an incredible blend of vibes, piano, and reeds – often kicked up nicely with some hard-rolling rhythm work that gave their tracks a similar mod groove to classics by Johnny Lytle, Ramsey Lewis, or Pucho & The Latin Soul Brothers! But the real difference with the ABQ (if we can call them that!) is that they had a really spacious approach to their sound – never putting too much into the mix, and instead using the space between the notes every bit as much as the notes themselves. The grooves are great, and since most of this work has never been reissued, the set's totally fresh to the ears of most listeners! As usual, the folks at BGP have done a great job with the notes – and the set features 22 tracks from the group's Mira, Surrey, and Crestview recordings – titles that include "Monkey Time", "Freaks", "La La La", "Southside Habit", "Mirror Image", "Afro Rock", "Evening Of The Beast", "Spartacus", "Candie Luv", and "Our Mambo". CD

Partial matches39
CD, LP, Vinyl record album cover art
Gianni Bardaro & Pierluigi VillaniNext Stop ... CD
Verve (Italy), 2016. New Copy ... $11.99
A great group from the contemporary Italian scene – a combo co-led by Gianni Bardaro on alto and soprano sax, and Pierluigi Villani on drums – but which features really bold colors from all members of the group! All tracks are originals, composed by the leaders – and they've got a vibe that kind of post-fusion – using some electric bass at the core of their sound, but mostly working acoustically overall – using the bass to add just a slight current of depth in the rhythms, while the horns and piano create some nice tonal interplay. The album features work from Giovanni Falzone on trumpet, Francesco Villani on piano, Giorgio Vendola on bass, and Viz Maurogiovanni on some well-chosen electric bass – and titles include "Open The Door", "Bogo", "Blue Sun", "Square", "Wild Banky", "Draftorn", and "Hipster". CD

Partial matches40
CD, LP, Vinyl record album cover art
Beginning Of The EndBeginning Of The End ... LP
Alston, 1976. New Copy (reissue)... $18.99
One of the rarest funky records of all time – the hard-to-find second album by Beginning Of The End! This West Indian combo hit it big with their first album on Alston, but this second set, for some strange reason, never really got distributed – which is a damn shame, because it's every bit as funky as their first! The uniquely choppy rhythms of the group's first album are every bit as great here as on the first set – and if anything, the band's instrumentation is even better, especially on the guitar, which is wickedly tight, and played with a super-dope flanged-out approach on the solos. Vocals are great too, maybe even more soulful than before, especially on the album's few midtempo cuts – and the album's a must-have for any fan of the group's funky sound! Titles include "That's What I Get", "Super Woman", "Bluestrain", "Jump In The Water", "Falling Apart At The Seams", and "Trip To Nowhere". LP, Vinyl record album

Partial matches41
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Brass ConstructionBrass Construction ... LP
United Artists, 1975. Very Good- ... Just Sold Out!
A classic set that goes "slam" from the very first note – and which helped to set the pace for countless ensemble funk acts to come! Brass Construction had a wonderful sound that was the best-realized version of the east coast indie club combos of the mid 70s – funky at the bottom, but polished at the top, in a style that was equally appreciated by fans of disco and more classic funky soul! The "brass" in their title was certainly strongly supported – as the group used a brace of horns on the top of the mix, smoothly gliding over the choppier rhythms at the bottom. And while there's certainly some vocals on the set, they often take second stage to the tight instrumentation of the group! The set includes the classic "Movin" – virtually a blueprint for mainstream funk at the time – plus the tracks "Changin", "Love", "Talkin", "Dance", and "Peekin". LP, Vinyl record album

Partial matches42
CD, LP, Vinyl record album cover art
Cookers QuintetCookers Quintet Vol 1 ... CD
Do Right (Canada), 2014. New Copy ... $9.99
A sweet little combo who definitely live up to their name – and work here in a very old school approach to jazz! The group's got a great groove right from the start – maybe not as full-on modal as Five Corners Quintet, but somewhere in a same space – but they also don't just let the rhythms determine their solo expressions – and really step out here in a great range of colors and tones! Key solos come from Ryan Oliver on tenor and Tim Hamel on trumpet – and the group also features Richard Whiteman on piano, Alex Coleman on bass, and Morgan Childs on drums – all great players who also wrote all the material for the album as well. The sound is a bit in keeping with the retro look of the cover – but is never just a retro gimmick, and instead has a classically well-crafted jazz appeal. Titles include "The Ramble", "Blues To Booker", "Obligatory Blues", "Mudbug Shuffle", "Open Air", "The Fork Test", and "See You Next Thursday". CD

Partial matches43
CD, LP, Vinyl record album cover art
Eumir DeodatoIdeias (Japanese pressing) ... CD
Odeon/EMI (Japan), 1964. Used ... $14.99
Early bossa magic from Deodato – cut years before his electric fusion albums in the 70s! This little gem shows Deodato to be quite the arranger – working in a small combo mode that mixes percussion, guitars, and horns with his own sweet piano and organ licks – grooving in a gentler, sparer sort of way than on his albums with the Os Catedraticos ensemble – and going for a really warm and wonderful sound! The album's got a feel that's different than a lot of other bossa albums from the time – at one level, a bit more sophisticated on the rhythms, but at another level, done with a style that's cleaner and more down to earth than the larger backings on other Brazilian sides. Tracks include "Samblues", "Nuvens", "Encanto Triste", "So Tinha De Ser Come Voce", and "Deus Brasileiro". CD
(Out of print.)
 
 
 



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