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Exact matches: 1
Exact matches1
CD, LP, Vinyl record album cover art
✨✧ Blue Rhythm ComboBlack Water Gold/Take The Funky Feeling ... 7-inch
Merry Disc/Tramp (Germany), Early 70s. New Copy ... Out Of Stock
The Blue Rhythm Combo take on "Black Water Gold" – a cut that's already a 70s funk classic, thanks to the original reading by African Music Machine – but even funkier here, with lots of bass that really bumps it up from the bottom! There's a cool kind of wheet/whistle that lurks somewhere in the background – and the bass and drum bits are really amazing, with a breakdown in the middle that's worth the price of the record alone! The flipside has lots of funky feeling too – and some massive massive drums that don't exactly break in the usual way, but really set the tune on fire! 7-inch, Vinyl record
 
Possible matches: 20
Possible matches2
CD, LP, Vinyl record album cover art
Jaime Delgado AparicioEl Embajador Y Yo (plus Jaime Delgado Aparicio Y Su Trio) ... CD
Vampi Soul (Spain), 1964/1966. Used ... $7.99
An amazing little soundtrack – written in mid 60s Peru by jazz pianist Jaime Delgado Aparicio, but easily on a par with some of the best American or Italian scores from the time! The music's got a really wonderful feel throughout – jazz at the core, but with touches of spy soundtrack scoring and some of the lighter, more comedic modes of the Italian scene. Delgado uses a core combo with heavy piano, percussion, and some great trumpet and tenor – almost with the tightness of the Basso-Valdambrini group – but he also expands the sound with bits of strings and some fuller orchestrations, used to shade in some amazing colors that roll, dip, and turn with the beautiful grooves penned for the set. The whole thing's tremendous, with equally great production that creates some odd twists and turns that further keep things interesting as the album rolls on. Titles include "Elm Embajador Y Yo", "Sexy Surf", "Llegando A La Capital", "Isometria", "Todo El Mundo Me Persigue", "Lucha En El Mar", and "La Arana". Added to the soundtrack is Jamie's 1964 album – Jaime Delgado Aparicio Y Su Trio – a crackling bit of piano jazz from the Peruvian scene of the 60s – and a record that's somewhere between the best of Horace Silver on Blue Note, and some of the Brazilian bossa trios of the time! There's a strong sense of rhythm throughout – round, rolling basslines punctuated by great work on the drum kit – all topped by beautifully lyrical lines from Delgado Aparicio on piano – filled with color, light, and life throughout – and soloing with a depth that's rare for such a young player! Titles include a great version of Horace Silver's "Sayonara Blues", plus "The Climate", "Autumn Leaves", "Walkin", and "Blue Daniel". CD

Possible matches3
CD, LP, Vinyl record album cover art
BreakawayStraight On To The Top (with bonus CD) ... LP
Breakaway/BBE (UK), 1979. New Copy Gatefold (reissue)... $24.99
The second set from St Louis funk combo Breakaway – and the album already shows a great deal of growth – especially in the territory of rhythm! Breakaway have definitely dug some of the best club modes from the New York scene – and work here in a jazzy disco style that's filled with sweet keyboard lines alongside the female lead vocals – all with a vibe that's nicely stripped-down, and still lives up to the indie spirit of the group. There's some jazz currents on the instrumentation, and the set features some guest work on horns, which nicely expands the sound – and helps give the blue-eyed soul vocals a nice sort of punch. Titles include "Straight On To The Top", "You Are Love", "Back & Forth", "There's A New Tree In The Forest", "Work With The Music", and "Breakaway". LP, Vinyl record album
(Includes bonus CD of the album!)

Possible matches4
CD, LP, Vinyl record album cover art
Georgie FameWhole World's Shaking – Ground Breaking Albums 1963 to 1966 (Rhythm & Blues At/At Last/Sweet Things/Sound Venture) (4LP set) ... LP
Fontana/Universal (UK), Early 60s. New Copy 4LP ... $109.99
Four incredible albums from the young Georgie Fame – served up here in one tremendous package – with all oiriginal artwork, nice heavy vinyl, and even new remastering from the original tapes! First up is Rhythm & Blues At The Flamingo – blistering early work from a young Georgie Fame – a set that definitely lives up to the Rhythm & Blues in the title! The set was recorded live at London's hip Flamingo club – and Georgie and The Blue Flames are very much in command of the crowd – burning with the intensity of a American small organ combo, especially the early 60s variety that often played equal parts soul jazz and R&B! Georgie's on the Hammond, and also sings with a rough-edged style that's plenty soulful, and incredibly appealing – a mode that oozes charisma, but never sounds fake or forced. Titles include "Do The Dog", "Eso Beso", "Work Song", "Baby Please Don't Go", "Shop Around", "Humpty Dumpty", and "You Can't Sit Down". Fame At Last is a brilliant mix of jazz, soul, and R&B – all filtered through a mod sort of London freshness, as early proof that the city could always take some great things from our own musical roots, and feed it back to us with a whole new flavor! Georgie's no copycat here, though – and the sound is instantly Fame-like – a style that's really not the sort that any Americans were doing at the time, and certainly never this well. Hard-burning Hammond colors most of the tunes here – played with a tightly vamping quality – but it's Georgie's charmingly crackling vocals that really win us over! Titles include "Gimme That Wine", "Pink Champagne", "Monkeying Around", "Green Onions", "Let The Sunshine In", "Get On The Right Track Baby", "I'm In The Mood For Love", and "I Love The Life I Live". Sweet Things is a definite sweet thing from Georgie Fame – a record that has him filling in his sound even more than before, with tremendously soulful results! The backings here are bigger than before – a bit tooled in an American soul mode, but still with that beautifully raspy Georgie Fame touch – lots of jazzy inflections on the vocals, and a way of handling a tune, even a familiar one, and really working it on his own level. Hammond still fills in most of the tunes, but other instrumentation includes some nice African percussion from Speedy Acquaye, saxes from Pete Coe, and some nice bold drums from John Mitchell. These come out to the forefront on the classic funky tune "Music Talk" – and still sound great on other numbers that include "The World Is Round", "Last Night", "Dr Kitch", "My Girl", "Ride Your Pony", and "Sweet Thing". Sound Venture is one of the jazziest early albums from Georgie Fame – a set that has him singing with the big band of Harry South, at a level that's a lot more complicated than some of his other work with The Blue Flames! The style here still has that mod 60s London feel, but it also has some deeper inflections as well – modes borrowed a bit from Jon Hendricks or Mose Allison, yet served up with even greater complexity – at a level that really points towards the tremendous growth Fame would unleash over the next few years. Members of the group include Tubby Hayes, Ronnie Scott, Tony Coe, Dick Morrisey, Kenny Wheeler, and many other key Brit jazz figures of the time – and titles include "Three Blind Mice", "Dawn Yawn", "Feed Me", "Lovey Dovey", "Lil Darlin", "Lil Pony", "I Am Missing You", and "Many Happy Returns". LP, Vinyl record album
(Includes download – which gives an additional 60 tracks that were on the CD version, 18 of which are previously unissued!)

Possible matches5
CD, LP, Vinyl record album cover art
Eddie FisherThird Cup ... LP
Cadet, 1969. Very Good ... $11.99
An amazing album by the great guitarist Eddie Fisher – and completely unlike his later funk records! Eddie plays stripped down jazz with a small combo that includes organ by Robert Selby, bass by Paul Jackson, and some rhythm guitar by Phil Westmoreland – and the twin-guitar approach creates this super-dope style that's light years ahead of its time, with a sophistication that points the way to later mid 70s work on labels like CTI and Kudu! Eddie's guitar work is an incredible exercise in spareness and soulfulness – best heard on the fantastic "Third Cup", a long drawn-out jazz stepper that's got to be heard to be believed. The cut's been a favorite on the Chicago jazz stepper's scene for years – and it alone is worth the price of the album. However, the record features some other wonderful stuff – like a sublime version of "Shadow Of Your Smile" that runs for a bubbling 12 minutes – plus the originals "Shut Up", "Scorched Earth", and "Two By Two". LP, Vinyl record album
(Blue label stereo pressing. Cover has some surface wear and marker on back.)
Also available Third Cup ... LP 9.99

Possible matches6
CD, LP, Vinyl record album cover art
Panama FrancisDefinitive Black & Blue Sessions – Getting In The Groove ... CD
Black & Blue (France), 1979. New Copy ... $11.99
Drummer Panama Francis definitely gets in the groove here – thanks to help from a cool combo that's overflowing with old school jazz talent – a lineup that includes Francis Williams and Irv Stokes on trumpets, Norris Turney and Howard Johnson on alto saxes, George Kelly on tenor, Red Richards on piano, and John Smith on guitar! The group's got a bit of an old school swing approach, but maybe a more modern approach to the solos – and Francis kicks the groove maybe better here than on some of his other albums of this nature from the 70s – really letting the whole group open up with the kind of lively, respectful treatment that makes us love some of these Black & Blue sessions from France. Arrangements are by Francis and Kelly – and titles include "Stitches", "Song Of The Islands", "Rhythm Dr Man", "Frenzy", "Boats", "Little John Special", and "Blues In Bea's Flat". CD also features some unissued tracks – "Looney", "Second Balcony Jump", and "Harlem Congo". CD

Possible matches7
CD, LP, Vinyl record album cover art
Louis JordanDefinitive Black & Blue Sessions – I Believe In Music ... CD
Black & Blue (France), 1973. New Copy ... $11.99
The great Louis Jordan – alive and well into the 70s, and working in a style that's even more rootsy and bluesy than the music of his youth! The approach here is nicely stripped-down – a small combo set with Duke Burrell on piano and Irv Cox on tenor – grooving with Jordan in a style that's almost more jazz, and more open than the sound of the Tympany 5 – which allows Louis to open up with even longer, more personal inflections on his lyrics! The groove is still very much in a jump/swing sort of mode – a late 40s postwar approach to rhythm – and Jordan also gets in some great alto sax solos too. Titles include "Hard Head", "Three Handed Woman", "Every Knock Is A Boost", "I Believe In Music", and "Red Top". Also features a few more tracks with a quartet that features Louis Myers on guitar – "Groovin In Paris", "Something For Fred", and "Something For Louis". CD

Possible matches8
CD, LP, Vinyl record album cover art
Ramsey LewisHang On Ramsey ... LP
Cadet, 1965. Very Good ... $0.99
Easily one of Ramsey Lewis' most successful records – featuring the hit soul jazz style that he forged with the Young/Holt rhythm combo, honed to perfection before a live crowd at The Lighthouse in Hermosa Beach. The record's a key part of Ramsey's live recorded output – showing the trio in pyrotechnic form before the kind of packed-house audiences they were playing to nightly at the time. Includes swinging versions of "Hard Day's Night", "High Heel Sneakers", and "Hang On Sloopy" – plus the original cut "Movin Easy". LP, Vinyl record album
(Blue label stereo pressing. Cover has a cutout hole.)

Possible matches9
CD, LP, Vinyl record album cover art
Bud PowellStrictly Powell ... CD
RCA (UK), 1956. New Copy ... $8.99
Strictly Bud Powell, in the best sense of the word – as the album's a sharp batch of trio tracks recorded for RCA in the 50s, and a great showcase for Bud's firey talents on the piano! The rhythm combo features bold work on drums from Art Taylor, alongside the bass of George Duvivier – but Powell's definitely the leading light here, as the album features some of his tremendously deft work on the keys throughout. There's a nice tension to the material – played with a strength that matches most of Bud's other work from the time – but a bit different than some of his other recordings for Verve and Blue Note. The set features 11 tracks in all – and titles include "Time Was", "Jump City", "Elegy", "Coscrane", and "Topsy Turvy". CD
Also available Strictly Powell ... LP 34.99

Possible matches10
CD, LP, Vinyl record album cover art
Bud PowellStrictly Powell ... LP
RCA, 1957. Very Good- ... $34.99
Strictly Bud Powell, in the best sense of the word – as the album's a sharp batch of trio tracks recorded for RCA in the 50s, and a great showcase for Bud's firey talents on the piano! The rhythm combo features bold work on drums from Art Taylor, alongside the bass of George Duvivier – but Powell's definitely the leading light here, as the album features some of his tremendously deft work on the keys throughout. There's a nice tension to the material – played with a strength that matches most of Bud's other work from the time – but a bit different than some of his other recordings for Verve and Blue Note. The set features 11 tracks in all – and titles include "Time Was", "Jump City", "Elegy", "Coscrane", and "Topsy Turvy". LP, Vinyl record album
(Black label mono pressing with deep groove. Cover has some masking tape on the top & bottom seam, wear and peeling in one corner.)
Also available Strictly Powell ... CD 8.99

Possible matches11
CD, LP, Vinyl record album cover art
Wayne ShorterAdam's Apple (non RVG pressing) ... CD
Blue Note, 1966. Used ... $3.99
An incredible album – one of our favorite Blue Notes ever! Despite the fact that the album's a spare quartet session, the record is one of Wayne Shorter's richest – and features his gutsy young tenor soloing insanely with a rhythmically intense combo that includes Herbie Hancock on piano, Reggie Workman on bass, and Joe Chambers on drums – a wonderfully free-thinking rhythm trio! Workman's bass is especially strong, and it underpins the cuts with a throbbing pulse that takes them past any simple hardbop conventions. Every cut's a winner – and this is one album we reach for time and time again over the years! Titles include "Adam's Apple", "El Gaucho", "Footprints", and "Teru". CD reissue contains an extra bonus cut, "The Collector". CD
(Out of print.)

Possible matches12
CD, LP, Vinyl record album cover art
Slam StewartDefinitive Black & Blue Sessions – Fish Scales ... CD
Black & Blue (France), 1975. New Copy ... $11.99
Slam Stewart may well be one of the coolest bassists in jazz – one of the first players to really get the instrument to have as much melodic force as it did in rhythm – a quality that he really emphasizes here by singing along with his basslines! Slam's sung before on record, but never so much in the spotlight as on this one – a set that has his scatting vocals really in the foreground – moving beautifully along with his bass – sometimes breaking off a bit, but always with a groove – as he sings wordlessly in a small combo with Johnny Guarnieri on piano, Jimmy Shirley on guitar, and Jackie Williams on drums! The style is wonderful – very unique, and with a timeless sense of cool – and titles include "Sleep", "The One I Love Belongs To Somebody Else", "Fish Scales", "At Sundown", "Bye Bye Blackbird", and "I Want To Be Happy". CD features three bonus alternate takes, too! CD

Possible matches13
CD, LP, Vinyl record album cover art
Three SoundsHey There ... LP
Blue Note, 1961. Very Good ... $39.99
Wonderful work from the Three Sounds – a tight little combo who weren't out to break any rules in jazz, but who made some excellent albums for Blue Note in the early 60s! The groove here is hard-edge soul jazz piano at its best – similar to early Les McCann work of the same vintage, with a strong sense of rhythm on the left hand, and some wonderfully complicated lines on the right – an early example of the genius of Gene Harris. Harris also shows a nice sense of thoughtfulness on the mellower cuts, too – which still swing in their own sort of way, thanks to the work of Andrew Simpkins on bass and Bill Dowdy on drums. Titles include the great original "Dap's Groove" – plus "Sermonette", "Hey There", "Nothin But The Blues", "Street Of Dreams", and "Little Girl Blue". LP, Vinyl record album
(New York mono pressing, with Van Gelder stamp & 'ear'. Cover has a cutout hole, a name in pen, and a price sticker remnant.)

Possible matches14
CD, LP, Vinyl record album cover art
Jack WilsonSomething Personal ... CD
Blue Note, 1966. Used ... $3.99
A real treasure through and through – one of the most unusual Blue Note albums you'll ever hear, and a set that's one of the best-remembered from the team of pianist Jack Wilson and vibist Roy Ayers! Long before Roy struck out on his own in the world of funky soul, he worked often in the 60s with Wilson – and the pair have this unique way of blending vibes and piano that's completely fresh, and still unmatched all these many years later! Wilson's natural lyrical style blends with Roy's modal approach to a groove – and the pair soar out in space with these long-flowing lines that make the whole album a treasure. There's no horn players at all – as with Wilson's other small combo Blue Note date – and rhythm is from Varney Barlow on drums, and either Roy Brown or Buster Williams on bass. Titles include a wonderful version of "Sernata", an unusual take on Ornette Coleman's "The Sphinx", and the wonderful Wilson originals "CFD", "Most Unsoulful Woman", and "Harbor Freeway 5pm". CD
(Out of print original CD pressing. CD has a promo stamp. Barcode has a mark.)

Possible matches15
CD, LP, Vinyl record album cover art
✨✧ Lorez AlexandriaFor Swingers Only ... CD
Argo/Dusty Groove, 1963. Used ... Temporarily Out Of Stock
One of the greatest albums ever from Lorez Alexandria – an ultra-hip singer who recorded for Impulse and King, but who sounds especially wonderful on this rare date for Chess Records! The album's got a groove that definitely lives up to its title – a jazzy, bouncy sort of rhythm that's definitely "for swingers only", and which is a nice contrast to overdone torch or standard jazz vocal modes. Alexandria's singing is completely sublime – quite fluid, yet with a soulful depth that's really amazing – and her backing combo is equally hip – a group led by John Young on piano, and also featuring George Eskirdge on guitar, Jimmy Garrison on bass, Phil Thomas on drums, and Ronald Wilson on flute and tenor – an obscure player whose reed work really makes the album sparkle! The song choices are great too – a mix of some under-recorded gems and a few blue-toned classics – all redone amazingly by Lorez with a sound that's quite unique. Titles include her classic Argo reading of "Baltimore Oriole", which begins with an amazing drum/bass passage that's worth the price of the album alone – and other tracks include "The End Of A Love Affair", "Baltimore Oriole", "All Or Nothing At All", "Mother Earth", "Love Look Away", and "Traveling Down A Lonely Road". CD
(Out of print Dusty Groove pressing.)

Possible matches16
CD, LP, Vinyl record album cover art
✨✧ Bobby HutchersonMedina (plus Spiral) ... CD
Blue Note, 1969. Used ... Temporarily Out Of Stock
Two great Bobby Hutcherson albums – both recorded at the end of the 60s, but not released by Blue Note until years later! Both records – Medina and Spiral – give you a glance at the early years of Bobby's famous association with tenorist Harold Land. The Land/Hutcherson combo turned out some of the best modernist soul jazz albums of their age, and their unique interplay, a mixture of free-thinking solos and tight groovy rhythms, set the pattern for so many other 70's jazz groups. Stanley Cowell plays piano on the session, and Bobby's longtime rhythm partner Joe Chambers is on drums. With the tracks "Avis", "Orientale", "Spiral", "Ruth", and "Visions". CD
(Long out of print on CD!)

Possible matches17
CD, LP, Vinyl record album cover art
✨✧ BlackbyrdsBlackbyrds/Flying Start (UK version) ... CD
BGP (UK), 1974/1994. Used ... Out Of Stock
2 incredible albums from The Blackbyrds – back to back on a single CD! First up is the self-titled Blackbyrds record – a funky jazz treasure, and the band's landmark first album! The Blackbyrds were a legendary 70s combo that were discovered by Donald Byrd while he was teaching at Howard University – and they had a tight style that mixed raw funk influences with smoother jazz playing, creating a sound that was different from many of their contemporaries, and which pushed funk and soul into a whole new level. Byrd's work with the band was as groundbreaking as Larry Mizell's work on his own Blue Note albums – and coincidentally, Larry Mizzell's Sky High Productions handles the studio chores for the set – but in a way that's much more sharply funky than his albums with Byrd! Titles include the tight choppy funk tracks "Do It, Fluid" and "Funky Junkie", plus other nice groovers like "Summer Love", "Gut Level", and "The Runaway". Flying Start has a beautifully put-together feel – tight enough to crossover somewhat big with a larger audience than the group's previous effort – but still filled with the kind of righteous energy that first got them going, a sublime mix of jazzy rhythms and soulful elements, all held together tightly by production from Donald Byrd. Tracks include the big hit "Walking In Rhythm", which was an oft-spun 45 back in the day – plus some great funk moments, like the tasty "Spaced Out", the choppy "The Baby", and the captivating "Blackbyrds Theme". Other cuts include "Future Children Future Hopes", "I Need You", and "April Showers". CD
(Note: CD is missing back artwork in case – and is priced accordingly.)

Possible matches18
CD, LP, Vinyl record album cover art
✨✧ Georgie FameWhole World's Shaking – Complete Recordings 1963 to 1966 (Rhythm & Blues At/At Last/Sweet Things/Sound Venture/Rarities/bonus) (5CD set) ... CD
Universal (UK), 1960s. New Copy 5 CDs ... Out Of Stock
Four incredible albums from the young Georgie Fame – plus a bonus CD of rare material, bonus tracks on all CDs, and 18 previously unreleased tracks – all in a box set with a 48 page book, 5 postcards, and a poster too! First up is Rhythm & Blues At The Flamingo – blistering early work from a young Georgie Fame – a set that definitely lives up to the Rhythm & Blues in the title! The set was recorded live at London's hip Flamingo club – and Georgie and The Blue Flames are very much in command of the crowd – burning with the intensity of a American small organ combo, especially the early 60s variety that often played equal parts soul jazz and R&B! Georgie's on the Hammond, and also sings with a rough-edged style that's plenty soulful, and incredibly appealing – a mode that oozes charisma, but never sounds fake or forced. Titles include "Do The Dog", "Eso Beso", "Work Song", "Baby Please Don't Go", "Shop Around", "Humpty Dumpty", and "You Can't Sit Down". Fame At Last is a brilliant mix of jazz, soul, and R&B – all filtered through a mod sort of London freshness, as early proof that the city could always take some great things from our own musical roots, and feed it back to us with a whole new flavor! Georgie's no copycat here, though – and the sound is instantly Fame-like – a style that's really not the sort that any Americans were doing at the time, and certainly never this well. Hard-burning Hammond colors most of the tunes here – played with a tightly vamping quality – but it's Georgie's charmingly crackling vocals that really win us over! Titles include "Gimme That Wine", "Pink Champagne", "Monkeying Around", "Green Onions", "Let The Sunshine In", "Get On The Right Track Baby", "I'm In The Mood For Love", and "I Love The Life I Live". Sweet Things is a definite sweet thing from Georgie Fame – a record that has him filling in his sound even more than before, with tremendously soulful results! The backings here are bigger than before – a bit tooled in an American soul mode, but still with that beautifully raspy Georgie Fame touch – lots of jazzy inflections on the vocals, and a way of handling a tune, even a familiar one, and really working it on his own level. Hammond still fills in most of the tunes, but other instrumentation includes some nice African percussion from Speedy Acquaye, saxes from Pete Coe, and some nice bold drums from John Mitchell. These come out to the forefront on the classic funky tune "Music Talk" – and still sound great on other numbers that include "The World Is Round", "Last Night", "Dr Kitch", "My Girl", "Ride Your Pony", and "Sweet Thing". Sound Venture is one of the jazziest early albums from Georgie Fame – a set that has him singing with the big band of Harry South, at a level that's a lot more complicated than some of his other work with The Blue Flames! The style here still has that mod 60s London feel, but it also has some deeper inflections as well – modes borrowed a bit from Jon Hendricks or Mose Allison, yet served up with even greater complexity – at a level that really points towards the tremendous growth Fame would unleash over the next few years. Members of the group include Tubby Hayes, Ronnie Scott, Tony Coe, Dick Morrisey, Kenny Wheeler, and many other key Brit jazz figures of the time – and titles include "Three Blind Mice", "Dawn Yawn", "Feed Me", "Lovey Dovey", "Lil Darlin", "Lil Pony", "I Am Missing You", and "Many Happy Returns". CD5 is Bend A Little – a package with 20 unusual titles – demos, rare tracks, and outtakes – including unreleased tracks, IBC recordings, and even two German tracks too! Plus, each individual CD comes with bonus tracks – 40 bonus tracks, in addition to the 20 more titles on the Bend A Little set – a huge amount of material! CD
(Includes a hardcover book, 5 postcards & a poster.)

Possible matches19
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyCannonball & Coltrane (aka Cannonball In Chicago) ... CD
Limelight/EmArcy, 1959. Used ... Out Of Stock
A great session from 1959 – one that features John Coltrane playing with the Adderley group, recorded in Chicago when they were stopping through the city with Miles Davis' combo at the time! In fact, since the rhythm section includes Wynton Kelly, Paul Chambers, and Jimmy Cobb – and since Coltrane's sitting in with Cannon – the album's essentially a Kind Of Blue-era Miles album, recorded without Miles on trumpet, and grooving in a slightly more soul-based Adderley mode. Given the presence of Coltrane, there's a bit less of the gutbuckety soul jazz that Cannon was cutting in his own Quintet – but that's more than ok with us, as the Coltrane solos more than make up for that difference! The set's got 2 great originals by Coltrane – "The Sleeper" and "Grand Central" – plus the cuts "Wabash" and "Limehouse Blues". CD
(Out of print, BMG music club pressing.)

Possible matches20
CD, LP, Vinyl record album cover art
✨✧ Paul Horn QuintetSomething Blue ... LP
Hi Fi, 1960. Used ... Out Of Stock
Amazing early work from the mighty Paul Horn – a record cut during a time when he was a damn good musician with a keen sensibility for modernist modal jazz! On this excellent date from 1960, Horn plays both flute and alto sax in a wonderful group – a combo with vibes from Emil Richards, bass from Jimmy Bond, piano from Paul Moer, and drums from Billy Higgins – all players with a very fluid, open sense of rhythm – one that makes the date dance and sparkle throughout! There's a pulsating energy here that almost predates the MPS/Saba sound of the decade to come – and in addition to Horn's imaginative solos, which are much more soulful here than before, the record also features some sharp-edged chromatics from Richards on vibes, and almost melodic drums from Higgins. The album's one of our all-time favorites – and titles include "Something Blue", "Half & Half", "Mr Bond", "Dun Dunnee", and "Tall Polynesian". LP, Vinyl record album
(Original pressing. Cover has a stained and flaky corner.)

Possible matches21
CD, LP, Vinyl record album cover art
✨✧ VariousWest Indies Funk Vol 2 ... LP
Trans Air (Puerto Rico), 1970s. New Copy 2LP ... Out Of Stock
Rare Caribbean funk from the 70s – the second volume of West Indies Funk – once again delivering a stylistically diverse take on the classic funky soul from groups such as The Troubadours, Boo & The Tru Tones, Roosevelt Johnson & His Spice Islanders, The Cassanovas, Blue Rhythm Combo and others! All the things we dug about the first volume are in the mix once again – and ultimately the set goes even further with the range and boundlessly funky styles. Includes numbers that could just as easily come from the funky underground of the regional US and others that roll out grooves that are purely indicative of the Caribbean – with steel drums, tropical rhythms and all around breezier, sunnier touches. Even better than the first one! Includes "Funk Good Feeling" by The Troubaodours, "Have A Party" by The Esquires Now", "Don't Blame This Joint" by Boo & The True Tones", "Shango!" by Steel Image, "Something's Definitely Going On" by Mamwaw, "Look-Ka-Py Py" by L Charmers, "Funky Crookie" by Exile 1, "Sing A Simple Song" by The Cassanovas, "The Big Pay Back" by Kenny & The Beach Boys and more. LP, Vinyl record album
 
Partial matches: 54
Partial matches22
CD, LP, Vinyl record album cover art
Afro Blues Quintet Plus OneIntroducing The Afro Blues Quintet Plus One ... LP
Mira, Late 60s. Very Good ... $16.99
Excellent work from this totally sweet west coast Latin combo – a wonderful group who mixed Latin percussion with piano and vibes – in a manner that's similar to some of Cal Tjader's best Verve work of the 60s! Some tracks also make nice use of flute or alto sax – creating a snakey feel that really adds a new dimension of light and color to the tunes. The whole set's a great blend of Latin rhythms, jazzy solo work, and some mod 60s touches – and titles include "Monkey Time", "Afro Rock", "Let My People Go", "Walk On By", "Moses", "Liberation", and "Together". LP, Vinyl record album
(Black label pressing. Cover has light wear.)

Partial matches23
CD, LP, Vinyl record album cover art
Afro Blues Quintet Plus OneNew Directions In Sound ... CD
Mira/BGP (UK), Late 60s. New Copy ... $11.99 18.99
Smoking grooves from an incredible group – the amazing Afro Blues Quintet, a combo with a sound like no other! These guys were never one for stardom, but during the mid and late 60s, they burned up the west coast scene with an incredible blend of vibes, piano, and reeds – often kicked up nicely with some hard-rolling rhythm work that gave their tracks a similar mod groove to classics by Johnny Lytle, Ramsey Lewis, or Pucho & The Latin Soul Brothers! But the real difference with the ABQ (if we can call them that!) is that they had a really spacious approach to their sound – never putting too much into the mix, and instead using the space between the notes every bit as much as the notes themselves. The grooves are great, and since most of this work has never been reissued, the set's totally fresh to the ears of most listeners! As usual, the folks at BGP have done a great job with the notes – and the set features 22 tracks from the group's Mira, Surrey, and Crestview recordings – titles that include "Monkey Time", "Freaks", "La La La", "Southside Habit", "Mirror Image", "Afro Rock", "Evening Of The Beast", "Spartacus", "Candie Luv", and "Our Mambo". CD

Partial matches24
CD, LP, Vinyl record album cover art
✨✧ Afro SoultetAfrodesia ... CD
Banyon/Luv N' Haight, Late 60s/Early 70s. Used ... $7.99
The wildly diverse, heavily percussive global jazz, soul, and exotica inspired Afrodesia from the late 60s combo Afro Soultet – a crazy rare one, too! The group purportedly has roots in Texas, but incarnations of it were gigging around LA a bit earlier as Afro Latin Blues Quintet +1 and a bit later as Afro Latin Soultet. Here they play with boundless inspiration from around the globe. Afro Latin percussion and rhythms hold it all together, but they bring in strains of Latin soul, African rhythms, straighter jazz and madly percussive instrumental rock. Producer/composer/arranger/raconteur Jack Millman plays drums in the group as Johnny Kitchen, and other players include Joey Dubreau on vibes, Frank Morris on guitar and harmonica, Eddie Paris on drums, Dean Elliot on percussion, William Quinn on flute & sax, and Bill Collins on keys. Includes "Afrodesia", "Mozamba", "Soul Rockin'", "Afro Revolt", "Torrid Zone", "Oom Gowa", "Slave Traders", "Drumbouie", "Aphro Bugaloo", "Chocolate Drop", "Le Berber" and "Sand, Sun And Sea". CD
(Out of print.)

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Gianni Bardaro & Pierluigi VillaniNext Stop ... CD
Verve (Italy), 2016. New Copy ... $16.99
A great group from the contemporary Italian scene – a combo co-led by Gianni Bardaro on alto and soprano sax, and Pierluigi Villani on drums – but which features really bold colors from all members of the group! All tracks are originals, composed by the leaders – and they've got a vibe that kind of post-fusion – using some electric bass at the core of their sound, but mostly working acoustically overall – using the bass to add just a slight current of depth in the rhythms, while the horns and piano create some nice tonal interplay. The album features work from Giovanni Falzone on trumpet, Francesco Villani on piano, Giorgio Vendola on bass, and Viz Maurogiovanni on some well-chosen electric bass – and titles include "Open The Door", "Bogo", "Blue Sun", "Square", "Wild Banky", "Draftorn", and "Hipster". CD

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Clarke Boland SextetCalypso Blues ... CD
Rearward/Schema (Italy), Mid 60s. New Copy ... $22.99
Rare tracks by the Clarke-Boland Sextet – a small group offshoot of the funky Big Band that was led by Kenny Clarke and Francy Boland – and which featured some of the key soloists in the group! The lineup here includes Sahib Shihab on flute, Fats Sadi on vibes and bongos, Joe Harris on percussion, and Jimmy Woode on bass – plus Clarke and Boland on drums and piano, respectively – a wonderful group that has an incredible sense of rhythm, and comes up with loads of wonderful modal numbers throughout! The vibe is wonderful – and the collection's a great look at this unusual combo – filled with fire and soul – and proof that in the jazz world, at least, great things can happen when global boundaries are crossed. Titles include "Con Alma", "Invitation", "Sconsolato", "Lilemor", "Just Give Me Time", "Love Hungry", "Ensadinado", and "Man From Potter's Crossing". CD

Partial matches27
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Cookers QuintetCookers Quintet Vol 1 ... CD
Do Right (Canada), 2014. New Copy ... $9.99
A sweet little combo who definitely live up to their name – and work here in a very old school approach to jazz! The group's got a great groove right from the start – maybe not as full-on modal as Five Corners Quintet, but somewhere in a same space – but they also don't just let the rhythms determine their solo expressions – and really step out here in a great range of colors and tones! Key solos come from Ryan Oliver on tenor and Tim Hamel on trumpet – and the group also features Richard Whiteman on piano, Alex Coleman on bass, and Morgan Childs on drums – all great players who also wrote all the material for the album as well. The sound is a bit in keeping with the retro look of the cover – but is never just a retro gimmick, and instead has a classically well-crafted jazz appeal. Titles include "The Ramble", "Blues To Booker", "Obligatory Blues", "Mudbug Shuffle", "Open Air", "The Fork Test", and "See You Next Thursday". CD

Partial matches28
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Joe FarrellMoon Germs ... CD
CTI/King (Japan), 1972. New Copy ... $13.99
One of the best records ever cut by funky sax man Joe Farrell! The album's got a stripped down, choppy groove – virtually the blueprint for later 70s funk of this type, and played perfectly by Farrell and a very hip quartet lineup! Players include Joe on soprano and tenor sax, Herbie Hancock on keyboards, Stanley Clarke on bass, and Jack DeJohnette on drums – playing with a very angular sense of rhythm that really dives the record! The record's got a tight combo sound that's far more energetic than most CTI jazz from the time – and titles include the great cut "Great Gorge", which has a tight modal sample groove, plus "Times Lie", "Bass Folk Song", and "Moon Germs". CD
(Blu Spec CD.)

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Herman FosterHave You Heard Herman Foster? ... LP
Epic, Early 60s. New Copy (reissue)... $6.99
A rare killer from pianist Herman Foster – a player best known for his work in Lou Donaldson groups of the early 60s – but who cut some great material on his own, often with a style that's a bit more harder-edged than some of his work with larger combos! This set's a trio date, with a really bluesy undercurrent – heavy left-hand piano from Foster, who's got a wonderful sense of rhythm – served up with bass from Earl May and piano from Frank Dunlap. There's a sense of grit that goes way beyond the usual trio set of this nature – and tracks are longer than usual too – and include "Volare", "Angel Eyes", "Strange", "Lover Man", and "Herman's Blues". LP, Vinyl record album

Partial matches30
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Gogo PenguinMan Made Object ... CD
Blue Note, 2016. New Copy ... $13.99 14.98
A piano trio, but one with a really unique sort of vibe – and a sound that has all three instruments cascading together in a rhythmic, joyful pulse! The group remind us a bit of some of the recent Japanese combos of late – like Fox Capture Plan – and Gogo Penguin share a similar style that's rooted in jazz, but takes off in many different ways – almost always rhythmic, but not in any sort of fake funk or dancefloor-oriented mode. Instead, these guys concentrate as much on their tonal colors as they do their grooves – and come together in a wonderful blend of Rob Turner on drums, Chris Illingworth on piano, and Nick Blacka on bass. Titles include "Weird Cat", "Smarra", "Protest", "All Res", "Unspeakable Words", and "Branches Break". CD
Also available Man Made Object ... LP 23.99

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Gogo PenguinMan Made Object ... LP
Blue Note, 2016. New Copy 2LP Gatefold ... $23.99 25.99
A piano trio, but one with a really unique sort of vibe – and a sound that has all three instruments cascading together in a rhythmic, joyful pulse! The group remind us a bit of some of the recent Japanese combos of late – like Fox Capture Plan – and Gogo Penguin share a similar style that's rooted in jazz, but takes off in many different ways – almost always rhythmic, but not in any sort of fake funk or dancefloor-oriented mode. Instead, these guys concentrate as much on their tonal colors as they do their grooves – and come together in a wonderful blend of Rob Turner on drums, Chris Illingworth on piano, and Nick Blacka on bass. Titles include "Weird Cat", "Smarra", "Protest", "All Res", "Unspeakable Words", and "Branches Break". LP, Vinyl record album
Also available Man Made Object ... CD 13.99

Partial matches32
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Hi Fly OrchestraHi Fly Stomp/Gettin Down ... 7-inch
Tramp (Germany), 2008. New Copy ... $7.99
Jazzy grooves from this up-and-coming combo! "Hi Fly Stomp" is hardly the heavy-footed number you might guess from the title – as the cut moves and grooves with a really fluid feel – a quick-tempo blend of tight horn riffing and snapping bass/drum rhythms! "Getting Down" has a real 60s Blue Note soul jazz feel – and sounds almost like some lost gem from a rare Lee Morgan session! 7-inch, Vinyl record
Also available Hi Fly Stomp/Gettin Down ... 7-inch 0.99

Partial matches33
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Hi Fly OrchestraHi Fly Stomp/Gettin Down ... 7-inch
Tramp (Germany), 2008. Near Mint- ... $0.99
Jazzy grooves from this up-and-coming combo! "Hi Fly Stomp" is hardly the heavy-footed number you might guess from the title – as the cut moves and grooves with a really fluid feel – a quick-tempo blend of tight horn riffing and snapping bass/drum rhythms! "Getting Down" has a real 60s Blue Note soul jazz feel – and sounds almost like some lost gem from a rare Lee Morgan session! 7-inch, Vinyl record
Also available Hi Fly Stomp/Gettin Down ... 7-inch 7.99

Partial matches34
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Chuck HigginsBlows His Wig! – Loud & Greasy 50s Saxophony From The King Of South Central's Wig Blowers ... CD
Combo/Ace (UK), Early 50s. New Copy ... $11.99 18.99
One of the hippest saxophonists of the west coast R&B scene of the 50s – served up here in a host of classic singles for the Combo label! Back in the day, Chuck had a groove that could equally skirt jazz, R&B, and early rock and roll – a hard-blown tenor quality that was raspy, gritty, and filled with playful twists and turns – yet still also really hung into the hard and rhythmic grooves that backed up his sax! There's a pre-funk soulfulness to these singles that's really amazing – a sound that's years ahead of its time, and which often sounds far less dated than other honking 50s tenor saxophonists – especially given the tremendous sound used in the remastering of this package. We've heard other collections of Chuck's work from the time before, but this is easily the best one out there by far – filled with great notes and a total of 24 tracks that include "Boyle Heights", "Iron Pipe", "Blues N Mambo", "Higgins Bounce", "The Duck Walk", "Tortas", "Cotton Picker", "Motor Head Baby", "Love Me Baby", "Just Won't Treat Me Right", "Chuck's Wig", and "Real Gone Hound Dog". CD

Partial matches35
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Smokey HoggServe It To The Right – The Combo & Modern Recordings 1947 to 1952 ... CD
Modern/Ace (UK), Late 40s/Early 50s. New Copy ... $11.99 18.99
A great second chapter of work from Smokey Hogg's years at the Modern Records label – material that's got a bit more of a west coast polish than the rootsy vibe of his previous sides! Smokey still has plenty of Texas in his vocals and work on guitar, but the arrangements here often emphasize hipper piano lines and groovier rhythms, too – bringing Hogg's sound more into contact with the growing sophistication of the west coast scene. The mix is a really compelling one – as there's definitely some country blues phrasing in the guitar, but a lot more of a jump blues sound in the rhythms – coming together in that really special way that happened on the west coast during the postwar years. As usual with Ace, the presentation here is great – excellent sound on rare 78s, right from their original source material – plus a number of never-issued tracks, too – making for a total of 25 numbers that include "Patrol Wagon Blues", "River Hip Mama", "Worried Blues", "Come On Home", "You're Gonna Look Like A Monkey", "I Believe To My Soul", "Good Morning Little Baby", "Two Mama Blues", "Possum Hunt", "Talk It Over", "Whoa Mule", and "Can't Do Nothin". CD

Partial matches36
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✨✧ Harold LandEastward Ho! – Harold Land In New York ... LP
Jazzland, 1960. Very Good ... $19.99
A great record – and easily one of Harold Land's best! The session brings Land in from the west coast, and records him in New York with his regular rhythm combo that included the great Amos Trice on piano, Clarence Jones on bass, and Joe Peters on drums. But, added to that quartet is the wonderful Kenny Dorham on trumpet – blowing with a sweetly soulful sound that really opens up the groove – and which sounds wonderful next to Land's raspy edge on the tenor! The tracks are all quite long, and the overall approach is nice and hard, with some mighty fierce solos by Land and Dorham. Titles include "Okay Blues", "So In Love", "Slowly", and "Triple Trouble". LP, Vinyl record album
(Maroon label Orpheum pressing. Cover has a name in pen on back.)

Partial matches37
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Les Jazz Modes (Charlie Rouse & Julius Watkins)Les Jazz Modes – The Rare Dawn Sessions ... CD
Dawn/Biograph, 1956. Used 2 CDs ... $11.99
Great work by one of the most unusual jazz combos of the 50s! Les Jazz Modes was a group with a really unusual sound – one that matched the rounder French Horn tones of Julius Watkins with the sharper-edge tenor of Charlie Rouse – heard here in the years between his Blue Note recordings as a leader, and his later fame with Thelonious Monk. And while the horn work is great, the group's key component was actually pianist Gildo Mahones – whose soulful sense of rhythm made even the group's more artful numbers still swing with effortless ease. The 2CD set brings together 24 tracks from the mid 50s albums the ensemble recorded for Dawn Records – most of them with the core group, but a few of which feature some added Latin percussion, and some occasional wordless female vocals from Eileen Gilbert! Titles include "Let's Try", "Legend", "Episode", "Goodbye", "Garden Delights", "So Far", "Blue Modes", "Strange Tale", "Two Songs", and "Idle Evening". CD
(Out of print.)

Partial matches38
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Charles LloydOf Course Of Course (plus bonus tracks) ... CD
Columbia/Mosaic, 1965. Used ... $16.99
Key work by one of the most unique voices in 60s mainstream jazz – reedman Charles Lloyd, heard here on a set that's filled with amazing sounds, tones, and timings! The group here features Gabor Szabo on guitar – Lloyd's previous partner from the Chico Hamilton combo – plus Ron Carter on bass, and Tony Williams on drums – the latter two of whom have a great ear for the already-unusual sense of rhythm that Lloyd and Szabo picked up when working with Chico – and who also seem to bring in just a bit more "new thing" edge to the record. Lloyd plays both flute and tenor – the latter of which sounds sharper here than we remember – and titles include the cuts "Of Course, Of Course", "3rd Floor Richard", "Apex", "Goin' To Memphis", and "One For Joan". CD features 3 bonus tracks – "Island Blues", "Sun Dance", and "East Of The Sun". CD
(Out of print.)

Partial matches39
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Lars Lystedt/Berndt EgerbladhFanfar (10 inch LP) ... LP
Be! (Germany), 1962. New Copy (reissue)... $16.99
Incredible sounds from the Swedish scene of the early 60s – a 10" album from trombonist Lars Lystedt, whose combo features work from pianist Berndt Egerbladh, who then takes over as a leader on side two! Side one is a stone cooker – tight grooves that are in the best Scandinavian hardbop mode of the time – that crisp new sound that scene ushered in at the start of the 60s – more Blue Note than some of the cooler, west coast Swedish sounds from the decade before – with some nice tenor work from Leif Hellmann, over tight rhythms from Egerbladh on piano, Ray Carlson on bass, and Sten Oberg on drums – on the titles "Fanfar", "So Dere", and "Blues On Down". Side two features Egerbladh's long "Arctic Suite" – a great cut with strong modal moments, and lots of soulful tenor from Hellman! LP, Vinyl record album

Partial matches40
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✨✧ Middeloff/Morganti/MenciCause Of The Sequence ... CD
Albore Jazz (Japan), 2015. Used ... $4.99
A very cool combo – one that features the trombone of Massimo Morganti, tenor of Barend Middlehof, and piano of Nico Menci – all working together without any other instrumentation at all! The style means that the piano handles as much of the rhythm as it does the melody – making for these warm grooves that are really wonderful – as lyrical as they are soulful, and with a strength that really drives both of the horn players forward too – so much so you don't miss the bass and drums at all! At most points, the style is very swinging – hardly the kind of airy experiment you might guess from the format – and both Middelhoff and Morganti win us over right away with the strength of their phrasing together, and the range of their solos when they break out. A wonderfully fresh record, and a delight all the way through – with titles that include "Unison Party", "Big Belly Blues", "Ballad For Anna", "Musiplano", "The Cause Of The Sequence", and a nice cover of Henry Mancini's "Nothing To Lose". CD
(Includes obi! Out of print.)

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✨✧ Wes MontgomeryPretty Blue (Fusion plus trio material) ... CD
Riverside, 1959/1963. Used ... $4.99
A double-header of sweet-styled early work from Wes Montgomery! First up is the album Fusion – a pretty darn important record for Wes – as it was his first session with the sort of larger arrangements that would later make him huge! Although Montgomery was mostly recording for Riverside in small combos, this session has him playing in front of larger backings by Jimmy Jones – not as sublime as later work by Don Sebesky or Gil Evans, but done in a way that definitely shows that Wes can do a lot with the guitar when freed from the need to stick with the rhythm strongly. Titles include "All The Way", "Pretty Blue", "Somewhere", "God Bless The Child", "Tune Up", and "Baubles Bangles & Beads". Next up is a batch of ballads and late nite tunes from his trio recordings of 1963 – titles that include "Dreamsville", "Yesterday's Child", "For All We Know", "Days Of Wine & Roses", "Too Late Now", "Whisper Not", and "For Heaven's Sake". CD
 
 
 



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