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Possible matches: 27
Possible matches1
CD, LP, Vinyl record album cover art
Jimmy CaravanHey Jude ... LP
Vault, Late 60s. Very Good+ ... $9.99
One of 2 rare albums recorded by organist Jimmy Caravan in the 60s – a really great talent on the Hammond, and a player with a really clean, lean, and groovy sound! Jimmy's style here borrows a lot from the Capitol jazz scene of players like Howard Roberts or Henry Cain – an approach to organ jazz that's a bit more stripped down and less gritty than that of labels like Blue Note or Prestige – and one that uses the cleaner sound to bring even more rhythm into the mix, letting the organ leap around the tunes in a groovily playful way! Caravan's got a great sound throughout, and although the other players aren't listed, the album's got a nice small combo sound all the way through. Titles include "Off A Brass Monkey", "Equinox", "UFO", "Cyclops", and a groovy version of "Hey Jude". LP, Vinyl record album
(Original pressing.)

Possible matches2
CD, LP, Vinyl record album cover art
Lou Donaldson & The 3 SoundsLD + 3 ... LP
Blue Note, 1959. Very Good+ ... $19.99
A classic meeting between alto giant Lou Donaldson and Blue Note's crack Three Sounds combo – the great piano trio led by the mighty Gene Harris! The formula was one that Blue Note employed on a number of sessions from the time – and it makes a lot of sense, because the Three Sounds are a very tight rhythm group, just waiting for a strong soloist to front their rolling soulful grooves – in ways that really set sessions like this apart from their standard albums for the label. On this one, the Sounds give Lou a nice tight backing, and he repays the favor by laying down some very tight, very in-the-pocket solos with a good soul jazz groove. Tracks include "Jump Up", "Confirmation", "Smooth Groove", and "Blue Moon". LP, Vinyl record album
(Liberty/UA pressing. Cover has some moderate wear.)

Possible matches3
CD, LP, Vinyl record album cover art
Roy EldridgeRoy's Got Rhythm ... LP
EmArcy, 1951. Very Good ... $23.99
Roy's definitely got rhythm here – as the album's got a sweetly grooving sound! The session's recorded with a Swedish combo, but it's often got some bluesier American modes in the mix – styles that are almost a bit more R&B than usual for Eldridge, especially given that he also sings a bit on the set! Players include Ove Lind on clarinet, Carl Henrik Norin on tenor, Charles Norman on piano and harpsichord, Rolf Berg on guitar, and Andrew Burman on drums – and titles include "Scotty", "The Heat's On", "No Rolling Blues", "Noppin John", "They Raided The Joint", "Saturday Night Fish Fry (parts 1 & 2)", and "Echoes Of Harlem". LP, Vinyl record album
(Blue label Emarcy drummer logo pressing, with deep groove!)

Possible matches4
CD, LP, Vinyl record album cover art
Joe FarrellOriginal Album Classics (Joe Farrell Quartet/Outback/Penny Arcade/Upon This Rock/Canned Funk) (5CD set) ... CD
CTI/Sony, Early 70s. New Copy 5CD ... $29.99
A CTI powerhouse – five full albums from reedman Joe Farrell, each packaged in a tiny LP-styled sleeve! First up is Joe Farrell Quartet – a stellar session that's easily one of the early high points for the legendary CTI label! Farrell bursts forth as one heck of a soulful cat – working on these great modal grooves that slide out wonderfully and really have a sense of flow – a style that's different than Joe's later material, but equally powerful! Part of the strength of the record comes from the lineup – a key quintet of like-mined up-and-comers that includes Chick Corea on keyboards, John McLaughlin on guitar, Dave Holland on bass, and Jack DeJohnette on drums – players who definitely know the farther reaches of jazz, yet hang just on the inside here with Joe – providing some amazing accompaniment for his lines on soprano, tenor, and flute. Titles include "Molten Glass", "Song Of The Wind", "Motion", "Follow Your Heart", and "Circle In The Square". Next is Outback – a drawn-out quintet side, with Chick Corea on electric piano, Buster Williams on bass, Elvin Jones on drums, and Airto on percussion. Farrell was playing with Jones at the time, and the album's got some of their strong choppy reed/percussion interplay – but with a sharpness and focus that you don't always hear on Elvin's records! Tracks are all long – and titles include "Outback", "Sound Down", and "Bleeding Orchid". Penny Arcade has grooves so sharp you could cut your trousers on them! Farrell's angular reed style is in perfect form here – grooving with a small group that includes Herbie Hancock on piano, Joe Beck on guitar, Steve Gadd on drums, and Don Alias on percussion – a combo that's got a harder, tighter feel than most CTI groups – a key reason why Joe's records of this time are so legendary! The album features a fantastic version of Stevie Wonder's "Too High" – one that breaks all over the beginning with these riffs by Farrell, then grooves into a CTI electric funk mode for about 13 minutes. All tracks are long – and other tracks include "Hurricane Jane", "Geo Blue", "Penny Arcade", and "Cloud Cream". Upon This Rock is wonderful – and there's a lean, edgey groove to the set that's totally great – a lot more bite than usual for CTI, thanks to these wonderfully angular lines from Joe on tenor, soprano sax, and flute – backed up with some wicked guitar work from Joe Beck, who really matches Farrell's energy – in a core quartet with Herb Bushler on bass and Jim Madison on drums. One cut features a guest group – with Herbie Hancock on piano, Steve Gadd on drums, and Don Alias on percussion – and the album includes the massively break-heavy title cut "Upon This Rock", plus "Seven Seas", "I Won't Be Back", and "Weathervane". Last up is Canned Funk – a record that's as fresh and freaky as the classic image on the cover! The riffing rhythms get going right from the start – some amazing lines from a rhythm combo that includes Joe Beck on guitar, Herb Bushler on bass, Jim Madison on drums, and the mighty Ray Mantilla on percussion – adding in these extra changes and fills that really get the tunes moving wonderfully – providing a perfect platform for Joe Farrell's wonderful work on tenor, soprano, baritone, and flute! The sax lines are as angular as the rhythms – tight, choppy, and completely funky – no wonder the record's a CTI classic that folks have dug for years! Tracks are all nice and long – and titles include "Canned Funk", "Animal", and "Spoken Silence". CD
Also available Original Album Classics (Joe Farrell Quartet/Outback/Penny Arcade/Upon This Rock/Canned Funk) (5CD set) ... CD 22.99

Possible matches5
CD, LP, Vinyl record album cover art
Joe FarrellOriginal Album Classics (Joe Farrell Quartet/Outback/Penny Arcade/Upon This Rock/Canned Funk) (5CD set) ... CD
CTI/Sony, Early 70s. Used 5CD ... $22.99
A CTI powerhouse – five full albums from reedman Joe Farrell, each packaged in a tiny LP-styled sleeve! First up is Joe Farrell Quartet – a stellar session that's easily one of the early high points for the legendary CTI label! Farrell bursts forth as one heck of a soulful cat – working on these great modal grooves that slide out wonderfully and really have a sense of flow – a style that's different than Joe's later material, but equally powerful! Part of the strength of the record comes from the lineup – a key quintet of like-mined up-and-comers that includes Chick Corea on keyboards, John McLaughlin on guitar, Dave Holland on bass, and Jack DeJohnette on drums – players who definitely know the farther reaches of jazz, yet hang just on the inside here with Joe – providing some amazing accompaniment for his lines on soprano, tenor, and flute. Titles include "Molten Glass", "Song Of The Wind", "Motion", "Follow Your Heart", and "Circle In The Square". Next is Outback – a drawn-out quintet side, with Chick Corea on electric piano, Buster Williams on bass, Elvin Jones on drums, and Airto on percussion. Farrell was playing with Jones at the time, and the album's got some of their strong choppy reed/percussion interplay – but with a sharpness and focus that you don't always hear on Elvin's records! Tracks are all long – and titles include "Outback", "Sound Down", and "Bleeding Orchid". Penny Arcade has grooves so sharp you could cut your trousers on them! Farrell's angular reed style is in perfect form here – grooving with a small group that includes Herbie Hancock on piano, Joe Beck on guitar, Steve Gadd on drums, and Don Alias on percussion – a combo that's got a harder, tighter feel than most CTI groups – a key reason why Joe's records of this time are so legendary! The album features a fantastic version of Stevie Wonder's "Too High" – one that breaks all over the beginning with these riffs by Farrell, then grooves into a CTI electric funk mode for about 13 minutes. All tracks are long – and other tracks include "Hurricane Jane", "Geo Blue", "Penny Arcade", and "Cloud Cream". Upon This Rock is wonderful – and there's a lean, edgey groove to the set that's totally great – a lot more bite than usual for CTI, thanks to these wonderfully angular lines from Joe on tenor, soprano sax, and flute – backed up with some wicked guitar work from Joe Beck, who really matches Farrell's energy – in a core quartet with Herb Bushler on bass and Jim Madison on drums. One cut features a guest group – with Herbie Hancock on piano, Steve Gadd on drums, and Don Alias on percussion – and the album includes the massively break-heavy title cut "Upon This Rock", plus "Seven Seas", "I Won't Be Back", and "Weathervane". Last up is Canned Funk – a record that's as fresh and freaky as the classic image on the cover! The riffing rhythms get going right from the start – some amazing lines from a rhythm combo that includes Joe Beck on guitar, Herb Bushler on bass, Jim Madison on drums, and the mighty Ray Mantilla on percussion – adding in these extra changes and fills that really get the tunes moving wonderfully – providing a perfect platform for Joe Farrell's wonderful work on tenor, soprano, baritone, and flute! The sax lines are as angular as the rhythms – tight, choppy, and completely funky – no wonder the record's a CTI classic that folks have dug for years! Tracks are all nice and long – and titles include "Canned Funk", "Animal", and "Spoken Silence". CD
Also available Original Album Classics (Joe Farrell Quartet/Outback/Penny Arcade/Upon This Rock/Canned Funk) (5CD set) ... CD 29.99

Possible matches6
CD, LP, Vinyl record album cover art
Eddie FisherThird Cup ... LP
Cadet, 1969. Very Good ... $16.99
An amazing album by the great guitarist Eddie Fisher – and completely unlike his later funk records! Eddie plays stripped down jazz with a small combo that includes organ by Robert Selby, bass by Paul Jackson, and some rhythm guitar by Phil Westmoreland – and the twin-guitar approach creates this super-dope style that's light years ahead of its time, with a sophistication that points the way to later mid 70s work on labels like CTI and Kudu! Eddie's guitar work is an incredible exercise in spareness and soulfulness – best heard on the fantastic "Third Cup", a long drawn-out jazz stepper that's got to be heard to be believed. The cut's been a favorite on the Chicago jazz stepper's scene for years – and it alone is worth the price of the album. However, the record features some other wonderful stuff – like a sublime version of "Shadow Of Your Smile" that runs for a bubbling 12 minutes – plus the originals "Shut Up", "Scorched Earth", and "Two By Two". LP, Vinyl record album
(Blue label pressing.)

Possible matches7
CD, LP, Vinyl record album cover art
Grant GreenMatador ... CD
Blue Note, 1965. New Copy ... $6.99 9.98
A fantastic mid 60s album from Grant Green – but one that never got its due originally, because it was unreleased at the time – and didn't come out until a Japanese version in the late 70s! Despite that oddly long gap, Matador is truly one Grant's best ever records – a really inventive session that goes way past his standard soul jazz roots – and which really shows the guitarist stretching out towards future styles of jazz! The session's a spare quartet date – with Green's guitar playing modal grooves over rhythm by by his incredible combo – with Bob Cranshaw on bass, Elvin Jones on drums and the incomparable McCoy Tyner on piano – blocking out bold changes that really drive the record strongly. Cuts are long, and there's a freewheeling quality to the material that's only ever matched by some of the Grant Green/Larry Young sessions from the same time – especially the Street Of Dreams Record. Titles include "Matador", "Bedouin", Green Jeans", and a killer version of "My Favorite Things", done in a very Coltrane-esque style. CD

Possible matches8
CD, LP, Vinyl record album cover art
Marty Grosz & The Fat BabiesDiga Diga Do ... CD
Delmark, 2015. New Copy ... $11.99 15.99
A trad jazz legend joins the younger Fat Babies combo – in a set that really illustrates the renewed commitment to old school styles at Delmark Records! Guitarist Marty Grosz last recorded for Delmark in 1959, as a sideman for Albert Nicholas – but his strength hasn't dimmed a bit over the years, as his tightly rhythmic playing makes for a great complement to the Fat Babies' sound! Marty gets plenty of room to solo, and impact the rhythm section too – and the album's overflowing with tight, short numbers that include "My Daddy Rocks Me", "Hold Me", "Diga Diga Doo", "A Jazz Holiday", "Blue", and "Why Couldn't It Be Poor Little Me". CD
Also available Diga Diga Do ... CD 8.99

Possible matches9
CD, LP, Vinyl record album cover art
Marty Grosz & The Fat BabiesDiga Diga Do ... CD
Delmark, 2015. Used ... $8.99
A trad jazz legend joins the younger Fat Babies combo – in a set that really illustrates the renewed commitment to old school styles at Delmark Records! Guitarist Marty Grosz last recorded for Delmark in 1959, as a sideman for Albert Nicholas – but his strength hasn't dimmed a bit over the years, as his tightly rhythmic playing makes for a great complement to the Fat Babies' sound! Marty gets plenty of room to solo, and impact the rhythm section too – and the album's overflowing with tight, short numbers that include "My Daddy Rocks Me", "Hold Me", "Diga Diga Doo", "A Jazz Holiday", "Blue", and "Why Couldn't It Be Poor Little Me". CD
(Barcode has a cutout hole.)
Also available Diga Diga Do ... CD 11.99

Possible matches10
CD, LP, Vinyl record album cover art
Gene Harris & The Three SoundsLive At The It Club ... LP
Blue Note, 1970. Very Good ... $14.99
This is the kind of reissue we like to see! Funky pianist Gene Harris had spent most of the 60s playing in a standard trio format with his group The Three Sounds – but by the time of this live set, the group was evolving into a monster jazz funk combo, and Harris was getting beautifully heavy handed in his approach to rhythm. This live set was recorded by Blue Note in 1970, but for some reason it was left unreleased until a few years ago – a decision that's really a mystery when you hear how funky some of the tracks are! Black Jazz bassist Henry Franklin is part of Harris' combo at the time, and the drummer is the nice tight Carl Burnett. The set includes some excellent versions of Monk Higgins tracks like "Funky Pullett" and "Sittin' Duck" – and Higgins also produced the whole thing for Blue Note. Very nice, and another great session we're glad was dug out of the vaults! LP, Vinyl record album
(Original 90s pressing.)

Possible matches11
CD, LP, Vinyl record album cover art
Elvin JonesLive At The Lighthouse ... LP
Blue Note, 1972. Very Good 2LP Gatefold ... $16.99
Easily the most hard-hitting of Blue Note's 2LP Lighthouse Live series from the early 70s – and a record that really lets Elvin Jones and his group stretch out and play! The setting is a perfect one for Jones – given the boundless energy already present on his studio sessions for Blue Note at the time – really fierce work that goes beyond even his classic Coltrane performances – pushing the limits in a sweet blend of rhythm and reeds! The group here is Elvin's razor-edge combo from the early 70s – the one that features Gene Perla on fat funky bass, and both Steve Grossman and Dave Liebman playing choppy reeds along with the grooves – really amazing hornmen at this point in their career, blowing here with interplay that's simply fantastic! Jones' leadership both draws from his years with Coltrane, yet also takes the music to key new levels – increasing the energy without blowing the top off, and creating a vivid new groove that so many others would try to cop later in the 70s – but never do this well. Titles include "Sambra", "The Children, Save The Children", "My Ship", "New Breed", "Sweet Mama", and a version of Donald Byrd's "Fancy Free". And hey, Rick Holmes is the announcer! LP, Vinyl record album
(UA pressing. Cover has a cut corner and minor splitting.)

Possible matches12
CD, LP, Vinyl record album cover art
Hank MobleyHank Mobley Quartet (10 inch LP) ... LP
Blue Note, 1955. New Copy (reissue)... $16.99 19.98
Great early material from Hank Mobley – a record that's practically a Jazz Messengers album, given the lineup – and which comes across with the fire and power of that classic group at their start! Mobley's tenor is set tightly in a combo that includes Horace Silver on piano, Doug Watkins on bass, and Art Blakey on drums – just like an early Jazz Messengers group, but without trumpet – and really kicking strongly on the rhythm tip. Mobley's tenor gets some great focus out front – amazing linest hat already show the young Hank as one of the freshest tenor voices of his generation. Titles include "Hank's Prank", "Walkin The Fence", "Just Coolin", and "Avila & Tequila". 2015 Blue Note Authorized Dealer pressing – in celebration of Blue Note's 75th Anniversary – and the indie retailers that support them! LP, Vinyl record album

Possible matches13
CD, LP, Vinyl record album cover art
✨✧ Bola SeteAutentico! ... LP
Fantasy, Mid 60s. Very Good+ ... $16.99
An excellent groover from this great Brazilian guitarist! Sete's in fine form here, definitely more "autentico" than on other albums – and he grooves nicely with a bossa sound, and backing by a good rhythm combo that includes Sebastian Neto on bass and Paulinho on drums! Titles include "Soul Samba", "Consolacao", "Brejeiro", "Baion Blues", and "Coisa". LP, Vinyl record album
(Blue label pressing. Cover has a bumped corner.)

Possible matches14
CD, LP, Vinyl record album cover art
Wayne ShorterAdam's Apple (RVG remaster edition) ... CD
Blue Note, 1966. New Copy ... $6.99 9.98
An incredible album – one of our favorite Blue Notes ever! Despite the fact that the album's a spare quartet session, the record is one of Wayne Shorter's richest – and features his gutsy young tenor soloing insanely with a rhythmically intense combo that includes Herbie Hancock on piano, Reggie Workman on bass, and Joe Chambers on drums – a wonderfully free-thinking rhythm trio! Workman's bass is especially strong, and it underpins the cuts with a throbbing pulse that takes them past any simple hardbop conventions. Every cut's a winner – and this is one album we reach for time and time again over the years! Titles include "Adam's Apple", "El Gaucho", "Footprints", and "Teru". CD reissue contains an extra bonus cut, "The Collector". CD

Possible matches15
CD, LP, Vinyl record album cover art
Three SoundsHey There (with bonus tracks) ... CD
Blue Note (Japan), 1961. New Copy ... $16.99
Wonderful work from the Three Sounds – a tight little combo who weren't out to break any rules in jazz, but who made some excellent albums for Blue Note in the early 60s! The groove here is hard-edge soul jazz piano at its best – similar to early Les McCann work of the same vintage, with a strong sense of rhythm on the left hand, and some wonderfully complicated lines on the right – an early example of the genius of Gene Harris. Harris also shows a nice sense of thoughtfulness on the mellower cuts, too – which still swing in their own sort of way, thanks to the work of Andrew Simpkins on bass and Bill Dowdy on drums. Titles include the great original "Dap's Groove" – plus "Sermonette", "Hey There", "Nothin But The Blues", "Street Of Dreams", and "Little Girl Blue". CD features an insane amount of bonus tracks from the same session – 10 more tracks that include "Blue Daniel", "Lazy Cat", "Wait A Minute", "Work Song", "Billy Boy", and "Sweet & Lovely". CD
(SHMCD pressing.)

Possible matches16
CD, LP, Vinyl record album cover art
Stanley TurrentineEasy Walker ... LP
Blue Note, 1966. Very Good+ ... $16.99
An album of subtle genius and stellar soul from the great Stanley Turrentine – an over looked quartet date that plays with the sharper edge of some of his earlier work for Blue Note, but which also shows the growing sense of color and tone he'd picked up during the 60s! The group here is great – a loose combo with McCoy Tyner on piano, Bob Cranshaw on bass, and Mickey Roker on drums – a rhythm team who still hold some of the soulful styles of Turrentine's more arranged albums, but who also really know how to respond to his groove too. Stan's got these confident solos that really show him becoming one of the true tenor masters of his time – with an especially great sense of space and timing – and titles include "Meat Wave", "Easy Walker", and a nice sweet version of "What the World Needs Now is Love". LP, Vinyl record album
(Liberty/UA pressing – a great copy!)

Possible matches17
CD, LP, Vinyl record album cover art
✨✧ Jack WilsonSomething Personal ... LP
Blue Note, Late 60s. Very Good+ ... $24.99
A real treasure through and through – one of the most unusual Blue Note albums you'll ever hear, and a set that's one of the best-remembered from the team of pianist Jack Wilson and vibist Roy Ayers! Long before Roy struck out on his own in the world of funky soul, he worked often in the 60s with Wilson – and the pair have this unique way of blending vibes and piano that's completely fresh, and still unmatched all these many years later! Wilson's natural lyrical style blends with Roy's modal approach to a groove – and the pair soar out in space with these long-flowing lines that make the whole album a treasure. There's no horn players at all – as with Wilson's other small combo Blue Note date – and rhythm is from Varney Barlow on drums, and either Roy Brown or Buster Williams on bass. Titles include a wonderful version of "Sernata", an unusual take on Ornette Coleman's "The Sphinx", and the wonderful Wilson originals "CFD", "Most Unsoulful Woman", and "Harbor Freeway 5pm". LP, Vinyl record album
(Liberty pressing with a Van Gelder stamp.)
Also available Something Personal (with bonus track) ... CD 16.99

Possible matches18
CD, LP, Vinyl record album cover art
Jack WilsonSomething Personal (with bonus track) ... CD
Blue Note (Japan), 1966. New Copy ... $16.99
A real treasure through and through – one of the most unusual Blue Note albums you'll ever hear, and a set that's one of the best-remembered from the team of pianist Jack Wilson and vibist Roy Ayers! Long before Roy struck out on his own in the world of funky soul, he worked often in the 60s with Wilson – and the pair have this unique way of blending vibes and piano that's completely fresh, and still unmatched all these many years later! Wilson's natural lyrical style blends with Roy's modal approach to a groove – and the pair soar out in space with these long-flowing lines that make the whole album a treasure. There's no horn players at all – as with Wilson's other small combo Blue Note date – and rhythm is from Varney Barlow on drums, and either Roy Brown or Buster Williams on bass. Titles include a wonderful version of "Sernata", an unusual take on Ornette Coleman's "The Sphinx", and the wonderful Wilson originals "CFD", "Most Unsoulful Woman", and "Harbor Freeway 5pm". CD features the bonus track "One & Four (Mr Day)". CD
(SHMCD pressing.)
Also available Something Personal ... LP 24.99

Possible matches19
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyCannonball & Coltrane (aka Cannonball In Chicago) ... LP
Limelight, 1959. Used Gatefold ... Temporarily Out Of Stock
A great session from 1959 – one that features John Coltrane playing with the Adderley group, recorded in Chicago when they were stopping through the city with Miles Davis' combo at the time! In fact, since the rhythm section includes Wynton Kelly, Paul Chambers, and Jimmy Cobb – and since Coltrane's sitting in with Cannon – the album's essentially a Kind Of Blue-era Miles album, recorded without Miles on trumpet, and grooving in a slightly more soul-based Adderley mode. Given the presence of Coltrane, there's a bit less of the gutbuckety soul jazz that Cannon was cutting in his own Quintet – but that's more than ok with us, as the Coltrane solos more than make up for that difference! The set's got 2 great originals by Coltrane – "The Sleeper" and "Grand Central" – plus the cuts "Wabash" and "Limehouse Blues". LP, Vinyl record album
(In the extravagant gatefold cover.)

Possible matches20
CD, LP, Vinyl record album cover art
✨✧ Jackie McLeanSwing Swang Swingin' ... LP
Blue Note, 1959. Used ... Temporarily Out Of Stock
Jackie McLean cut some of his best bop sessions for Blue Note – and this is one of them! The record is amazingly precise, and features Jackie as the sole horn soloist in a group with Walter Bishop on piano, Jimmy Garrison on bass, and Art Taylor on drums – a crack rhythm combo that give McLean plenty of room to blow on his searing alto sax. Tracks stream along with an amazing ease – and Jackie's perfectly-placed solos are right on the money every time! The set list includes a lot of standards, but they're done with that warm soulful approach that makes you hardly care about the source of the material – and instead focus on Jackie's amazing talents as an improviser! Titles include "What's New", "I Love You", "Let's Face The Music And Dance", and "Stable Mates". LP, Vinyl record album
(Excellent 200 gram pressing – from Analogue Productions!)
 
Partial matches: 50
Partial matches28
CD, LP, Vinyl record album cover art
Mildred BaileyRockin' Chair Lady ... LP
Decca, Late 30s/1940s. Near Mint- ... $2.99
A collection of older singles by Mildred Bailey – recorded after her years with Paul Whiteman's band, in a laidback bluesy style that was kind of a 30s revival and sweetening of styles used during the big blues boom of the 20s. Mildred's got a heck of a voice, one that's undaunted even by the older recording mode of the tracks – and backing on all numbers is in a late nite small combo mode, by either the Delta Rhythm Boys, or a quartet with Herman Chittison on piano and Dave Barbour on guitar. Titles include "Sometimes I'm Happy", "Rockin Chair", "All Too Soon", "Lover Come Back To Me", "It's So Peaceful In The Country", and "More Than You Know". LP, Vinyl record album
(Nice Japanese pressing!)

Partial matches29
CD, LP, Vinyl record album cover art
Basso Valdambrini Octet with Lars GullinNew Sound From Italy ... LP
Jolly/BTF (Italy), 1959. New Copy (reissue)... $28.99
A definite new sound from Italy – served up by one of the hippest groups on the scene at the time! The combo of trumpeter Oscar Valdambrini and tenorist Gianni Basso was easily one of the best of their generation – and here, they're working in a slightly expanded octet mode that features guest work from Swedish baritone sax giant Lars Gullin! The album's great proof of Gullin's ability to slide into any sort of a setting – and his baritone provides a great bottom to the already-dextrous horn interplay between Basso and Valdambrini. Gullin arranged about half the numbers in the set – the rest were scored by George Gruntz or Piero Umiliani – and titles include "Blues For Gassman", "Indiana", "Fascinating Rhythm", "There Will Never Be Another You", "How About You", and "Peter Of April". LP, Vinyl record album

Partial matches30
CD, LP, Vinyl record album cover art
BlackbyrdsHappy Music – The Best Of The Blackbyrds ... CD
Fantasy, 1970s. Used ... $6.99
Sublime funk by one of the greatest combos of the 70s – the mighty mighty Blackbyrds, a group who first came to prominence under the guidance of Donald Byrd, but quickly showed they had plenty to offer on their own! Back in the day, the sound of The Blackbyrds was really the sound of Fantasy Records – a newly sophisticated approach to jazz funk, helped out by Byrd and the Mizell Brothers – and fused into a groove that was hip, tight, but never too slick or smooth. The balance of instrumentation here is really amazing – sharp-edged playing like the best indie funk, but brought up to a level of perfection in the studio to match the advances going on at CTI, Kudu, or Blue Note. The collection does a great job of mixing the group's classics with some under-appreciated album gems – and it also features the previously unreleased tune "Feel Like A Kid" – alongside other numbers that include "Rock Creek Park", "Unfinished Business", "Do It Fluid", "One Eye Two Step", "Supernatural Feeling", "Walking In Rhythm", "Mysterious Vibes", "Enter In", "Gut Level", "Reggins", "Blackbyrds Theme", and "Hot Day Today". CD
(Punch through barcode.)

Partial matches31
CD, LP, Vinyl record album cover art
Blue BeatsBeatle Beat ... LP
Rock Beat, Mid 60s. Sealed (reissue)... $11.99
Not The Beatles, but a group who are trying to cash in on their fame – by showing a monstrous Beatle wig on the cover of the album, covering a horde of dancers – and by playing a whole host of instrumentals with a nod to the Brit Invasion! We're guessing the Blue Beats were some American studio combo – as the overall project doesn't have a real UK sound – and they've definitely got their chops, especially on the guitar lines – which are recorded with a nice dose of echo and a good deal of twang, and mixed in with stomping rhythms and the occasional keyboard line. Titles include "The Chocolate Pudding Slop", "The Swingin Spiders' Bo Diddley", "The Fat Kings' Twist", "The Broken Egg Frug", "The Cold Mashed Potato", and "The Big Shoe Twist". LP, Vinyl record album
Also available Beatle Beat (original pressing) ... LP 24.99

Partial matches32
CD, LP, Vinyl record album cover art
Blue BeatsBeatle Beat (original pressing) ... LP
AA Records, Mid 60s. Sealed ... $24.99
Not The Beatles, but a group who are trying to cash in on their fame – by showing a monstrous Beatle wig on the cover of the album, covering a horde of dancers – and by playing a whole host of instrumentals with a nod to the Brit Invasion! We're guessing the Blue Beats were some American studio combo – as the overall project doesn't have a real UK sound – and they've definitely got their chops, especially on the guitar lines – which are recorded with a nice dose of echo and a good deal of twang, and mixed in with stomping rhythms and the occasional keyboard line. Titles include "The Chocolate Pudding Slop", "The Swingin Spiders' Bo Diddley", "The Fat Kings' Twist", "The Broken Egg Frug", "The Cold Mashed Potato", and "The Big Shoe Twist". LP, Vinyl record album
(Sealed original pressing – with bonus Beatle Picture magazine!)
Also available Beatle Beat ... LP 11.99

Partial matches33
CD, LP, Vinyl record album cover art
Dave Brubeck with Gerry MulliganLast Set At Newport ... CD
Atlantic, 1972. Used ... $4.99
A rare meeting of 2 modern talents from the 50s – joined together in one unique performance from the Newport Jazz Festival in 1971! The baritone sax of Gerry Mulligan's a nice contrast to the usual Brubeck alto of Paul Desmond – long-departed from Dave's combo by this time, but referenced strongly by Gerry in his fluid lines for the set, almost a solo culmination here of previous recorded duets with Desmond in earlier years. Tracks are all quite longish, and given that Dave's group here features Jack Six on bass and Alan Dawson on drums, there's a quality to the session that's a fait bit more rhythmic than before – pulsating strongly with forceful lines on Brubeck's piano, and an overall feel that's much more freewheeling than you'd expect! Album features 3 long tunes – "Blues For Newport", "Open The Gates", and "Take Five". CD

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✨✧ Bullet/Alan TewHanged Man – Original Television Soundtrack ... LP
Contour, 1975. New Copy (reissue)... $9.99
Nice funky 70s instrumentals, composed by Alan Tew, and performed by the group Bullet – a hip electric combo with a tight sound library feel. The overall style reminds us of Lalo Schifrin or Quincy Jones cop show work from the early 70s – with some tasty keyboards, plenty of riffing, and tight fast rhythmic tunes. The original's rare as hen's teeth, and the record is some of Tew's finest Brit easy work from the time. Titles include "Contract Man", "Killer HIll", "The Heist", "GBH", "Blue Panther", "The Spic", "Funky Bear", and "The Peterman". LP, Vinyl record album

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Dino & Montevideo BluesMontevideo Blues (plus bonus tracks) ... CD
Lion, 1972. New Copy ... $4.99
Really compelling work from the enigmatic Dino – a set recorded with slow, slinky backings from the Montevideo Blues combo! The album's a lot less blues than you might guess from the group's name – and in a way, the approach is almost more folksy, or singer/songwriter overall – with a key focus on Dino's political lyrics, and backings that often follow along with snakey guitar and slinky rhythms. There's a raspy brilliance to the whole set – and Dino almost sounds like Uruguay's equivalent of Geraldo Vandre – a powerful, positive singer, but one who never reached a bigger audience outside his homeland. Titles include "Sentimiento", "Si Te Vas", "Montevideo Blues", "Milonga De Pelo Largo", "Para Hacer Musica Para Hacer", and "Chamarrita El Chiquero". CD reissue is as amazing as the original – with a huge booklet with notes, history, and lyrics – plus 7 more bonus tracks too! CD
Also available Montevideo Blues ... LP 18.99

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✨✧ FascinationsGreen In Blue ... CD
High Contrast (Japan), 2013. Used ... $9.99
Excellent sounds from this hip Japanese group – a jazzy combo with some mighty strong vibes in the lead – and a range of sweet styles that run from bossa to bop to soul jazz! The instrumentation is all played live, never programmed – and the group have a groove that easily matches the best club jazz sounds from artists on labels like Schema or Ricky Tick – a mix of vintage modes of expression with contemporary rhythmic progressions – and some nice use of keyboards and guitar alongside the vibes! There's a bit of vocals on the record, but most tracks are instrumental – and titles include "Encounter With JL", "Quiet City Blues", "Fly Over The Horizon", "Midnight Image", "Sweet Memories", "Walking", "Green In Blue", and "Meteor". CD
(Includes obi. Out of print.)

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Jazz At The PhilharmonicIn Tokyo – Live At The Nichigenki Theatre 1953 ... CD
Pablo, 1953. Used 2 CDs ... $6.99
A Pablo Records release – but featuring material that was originally destined for Verve Records in the 50s – a rare performance in Japan by the Jazz At The Philharmonic! The double-length set is overflowing with goodness, all recorded in the open-ended, warm-hearted style that Norman Granz brought to these classic performances! The album starts with an extended set by the JATP All-Stars – a group that features Roy Eldridge and Charlie Shavers on trumpets, Willie Smith and Benny Carter on alto, Bill Harris on trombone, and Ben Webster and Flip Philips on tenors – with rhythm from the combo of Oscar Peterson on piano, Herb Ellis on guitar, Ray Brown on bass, and JC Heard on drums. JATP titles include a "Ballad Medley", "Tokyo Blues", and "Cotton Tail". The set then features six more tracks by the Oscar Peterson Trio – including "Sushi Blues" and "Up" – and another four by the Gene Krupa Trio – including "Don't Be That Way", and "Cocktails For Two". The set then ends with a long set by Ella Fitzgerald with a quartet – on titles that include "Smooth Sailin", "How High The Moon", "Body & Soul", "Lady Be Good", and "My Funny Valentine" – plus a reading of "Perdido" with the whole JATP group. CD
(Out of print.)

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Jazz At The PhilharmonicIn Tokyo – Live At The Nichigenki Theatre 1953 (3LP Verve set) ... LP
Verve (Japan), 1953. Near Mint- 3LP Box Set ... $6.99
A rare performance in Japan by the Jazz At The Philharmonic! The double-length set is overflowing with goodness, all recorded in the open-ended, warm-hearted style that Norman Granz brought to these classic performances! The album starts with an extended set by the JATP All-Stars – a group that features Roy Eldridge and Charlie Shavers on trumpets, Willie Smith and Benny Carter on alto, Bill Harris on trombone, and Ben Webster and Flip Philips on tenors – with rhythm from the combo of Oscar Peterson on piano, Herb Ellis on guitar, Ray Brown on bass, and JC Heard on drums. JATP titles include a "Ballad Medley" and "Cotton Tail". The set then features six more tracks by the Oscar Peterson Trio – including "Swingin Till The Girls Come Home" and "Blues" – and another four by the Gene Krupa Trio – including "Don't Be That Way", and "Cocktails For Two". The set then ends with a long set by Ella Fitzgerald with a quartet – on titles that include "Smooth Sailin", "How High The Moon", "Body & Soul", "Lady Be Good", and "My Funny Valentine" – plus a reading of "Perdido" with the whole JATP group. LP, Vinyl record album
(Obi is included, but torn. Box top has split bottom corners, otherwise in nice shape.)

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✨✧ Kool & The GangKool & The Gang ... LP
De-Lite, 1970. New Copy (reissue)... $9.99
A landmark album of funky genius – and one of the first times a batch of funky 45s had ever been so tightly sewn into a full LP! By the time of this album's release, Kool & The Gang were already underground legends – cutting it up in small clubs around the east and midwest, and working hard to push their excellent early singles on the De-Lite label – the kind of indie funky 45s that went on to shape the sound of a generation to come! This album brings together a number of those singles – really great little tracks that you can't really ever find on wax, and which have the group's perfect blend of bass/drum rhythms, choppy guitar, and hard-blaring horns – a massive groove that's still tighter here than any of the countless combos the record went onto inspire. The LP's a non-stop jam all the way through, with funk so pure it could be considered the blueprint for a generation – and titles include "Give It Up", "Raw Hamburger", "Kool's Back Again", "Breeze & Soul", "Sea of Tranquility", and "Kool & The Gang". LP, Vinyl record album

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✨✧ Mundell LoweGrand Night For Swinging ... CD
Prestige/Riverside/OJC, 1957. Used ... $11.99
A very hip album that shows that Mundell Lowe was much more than just a regular jazz guitarist. Lowe emerges here as a relatively hip modernist – working in a small combo that includes Ed Thigpen on drums, Billy Taylor on piano, and Les Grinage on bass, as well as occasional alto work by Gene Quill. The tracks have a slightly unusual groove to them – with Lowe handling both the regular solos, and also dipping into the rhythmic lines in an interesting way – and this style is heard to especially great effect on the three tunes with Quill. Titles include "Crazy Rhythm", "Blues Before Freud", "Love Me Or Leave Me", and "You Turned The Tables On Me". CD
(Out of print.)

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Middeloff/Morganti/MenciCause Of The Sequence ... CD
Albore Jazz (Japan), 2015. New Copy ... $9.99
A very cool combo – one that features the trombone of Massimo Morganti, tenor of Barend Middlehof, and piano of Nico Menci – all working together without any other instrumentation at all! The style means that the piano handles as much of the rhythm as it does the melody – making for these warm grooves that are really wonderful – as lyrical as they are soulful, and with a strength that really drives both of the horn players forward too – so much so you don't miss the bass and drums at all! At most points, the style is very swinging – hardly the kind of airy experiment you might guess from the format – and both Middelhoff and Morganti win us over right away with the strength of their phrasing together, and the range of their solos when they break out. A wonderfully fresh record, and a delight all the way through – with titles that include "Unison Party", "Big Belly Blues", "Ballad For Anna", "Musiplano", "The Cause Of The Sequence", and a nice cover of Henry Mancini's "Nothing To Lose". CD

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Marian MontgomeryMarian Montgomery Swings For Winners & Losers ... LP
Capitol, 1963. Very Good+ ... $0.99
We love Marian Montgomery – and she's a heck of a great singer with a really unusual sound! In an early 60s work of sultry vixens, Marian's got a harder-swinging groove that's almost in a Ray Charles mode – clearly inspired by 50s R&B, but done with enough of a jazz flourish to expand out the sound nicely. Plus, she's got a really rhythmic approach to her work, no matter what the tune – which makes for an uncanny ability to turn even a sleeper into a surprising swinger. Here, it also helps that Dick Hyman's handling the arrangements – playing organ and piano himself on the record, and working with a small combo that includes Kenny Burrell, Joe Newman, Milt Hinton, and Willie Rodriguez. The whole thing's plenty great – and titles include "Breezin Along With The Breeze", "When Sunny Gets Blue", "My Buddy", "The Exciting Mister Fitch", "Deed I Do", and "All By Myself". LP, Vinyl record album
(Dimensions In Jazz pressing. Cover has a Dimensions In Jazz sticker.)

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✨✧ Lee MorganTaru ... CD
Blue Note, 1968. Used ... $6.99
Unreleased genius from Lee Morgan – a key session from the later years of his too-short life, but one that wasn't issued until nearly a decade after his death! The sound here is completely sublime – a mix of the best later Morgan modes – soulful, lyrical, and modal – played by a sextet lineup that features unique guitar work from George Benson! Benson's presence on a date like this is a bit unusual, and his instrument really brings a lot to the record in terms of color and tone – shadings that are much more sensitive than some of his better-known 60s work in organ combos. Other players include Bennie Maupin on tenor, John Hicks on piano, Reggie Workman on bass, and Billy Higgins on drums – the last two of whom provide the sort of near-perfect rhythmic accompaniment for Morgan's musical vision! Titles are great, and include Cal Massey's "Taru What's Wrong With You", Hicks' "Avotcja One", and Morgan's "Dee Lawd" – plus "Durem" and "Get Yourself Together". CD
(Out of print.)

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PerigeoAntologia (Azimut/Abbiamo Tutti Un Blues/Genealogia/La Valle Dei Templi/Non E Posi Cosi Lontano/Live At Montreux/Live In Italy) (8CDs/DVD) ... CD
RCA (Italy), Mid 70s. New Copy 8CD & DVD ... $52.99
A really great run of music from one of our favorite Italian groups of the 70s – a combo who might be called prog rock, but who also have a very fusion-heavy vibe as well! Perigeo seem to come more from the jazz world than some of their Italian prog contemporaries – as they've got these really well-crafted keyboard and guitar solos on some of these albums – as well as some rhythms that occasionally get nice and funky too, which no doubt led to a few of these albums getting issued over here in the US! Yet although we know a few of those early Perigeo gems, this set shows that they were extremely productive in the mid 70s – as the collection features five full albums on individual CDs, recorded over just a four year span – plus the group's rare Live At Montreux set from 1975, and another 2CD live set from Italy in 1976 – as well as DVD video material too! The package is a stunner, even if you know a few of the group's other albums – and it features the full albums Azimut, Abbiamo Tutti Un Blues Da Piangere, Genealogia, La Valle Del Templi, Non E Poi Cosi Lontano, Live At Montreux 1975, and Live In Italy 1976 – plus the DVD as well. Box also includes a nice book – with notes on the group and their music in Italian. CD

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QuasimodeHot & Cool ... CD
Blue Note (Japan), 2015. New Copy ... $28.99
Stunning work from Quasimode – and a great reminder that, even in the 21st Century, a combo can still cook strongly with just acoustic instruments! These guys come across like some lost soul jazz group from the 60s – the kind of outfit that worked endlessly in clubs, and found a way to effortlessly build together jazz expression, soulful rhythms, and a tightness that still never sounds slick or forced at all. Imagine the Ramsey Lewis Trio or Quartette Tres Bien with horns, and you get part of the picture – or maybe some of Bobby Timmons' best groovers of the mid 60s – as the group's core approach with percussion, drums, piano, and bass gets augmented by just the right amount of tenor and trumpet for the set. The performance is a live one – and titles include "Overjoyed", "Jeannine", "The Man From Nagpur", "Ant Soldier", "All Is One", and "Seven Colors". CD

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Bill RussoWorld Of Alcina ... LP
Atlantic, 1955. Very Good+ ... $13.99
One of the most ambitious recordings ever from Bill Russo – the composer/arranger who first rose to fame with Stan Kenton, and who's working here in an even more modern extension of Kentonite ideals! Side one of the record features Russo's beautiful composition "The World Of Alcina" – a tune originally written as a jazz ballet, but which comes across here with the fluid tones and deep colors of some of the more serious jazz soundtracks from the time. The 18 minute piece features some especially great work on horns – played by a large brace of brass instruments used with the careful, sensitive styles that clearly show an influence from Kenton. Side two features shorter tunes – most composed by Russo too, and played in ways that resonate more strongly with west coast small combo work of the time. There's a nice sense of counterpoint on most numbers, and a few tunes feature great interplay between Russo's valve trombone, Bill Porter's slide trombone, and the twin tenors of Sandy Mosse and Bill Trujillo – while others have a more open soloing style, with just Russo and Trujillo as the main horns. Rhythm is by Eddie Baker on piano, Israel Crosby on bass, and Mickey Simonetta on drums – and tracks include "For My Sister", "Under The Greenwood Tree", "L'Affair Bugs", "Bill's Blues", and "Speculum". LP, Vinyl record album
(Black label pressing with the "long playing unbreakable" logo – record and cover are great!)

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Sahib ShihabCompanionship – Jazz Joint Vol 2 ... CD
Vogue/Rearward (Italy), Late 60s. Used ... $11.99
Double-length brilliance from the mighty Sahib Shihab – a set that collects a number of killer 60s sessions with members of the Clarke Boland Big Band – all of them great! The small combo work here is amazing – hard-hitting modal jazz that matches, if not tops the best MPS/Saba sounds of the time – all produced to perfection with a really sharp edge, and a cutting approach to jazz that's gone onto inspired countless others in the current scene – including artists on Schema and Ricky-Tick Records, as well as most Japanese club jazz combos! But long before any of those cats started copping his groove, Sahib Shihab had it all totally together – a great ear for his own amazing solos on baritone and flute, and a way of hooking up with players like Francy Boland on piano, Fats Sadi on vibes, Benny Bailey on trumpet, Jimmy Woode on bass, and Kenny Clarke on drums. All players here were Shihab's partners in the Clarke Boland Big Band, and they use these small combo sessions to explore some great new ideas – stripped-down groovers that are heavy on rhythm, and really allow full expression from all the players involved. Titles include "Companionship", "Om Mani Padme Hum", "Bohemia After Dark", "Serenata", "Yah Yah Blues", "Balafon", "Talk Some Yak-ee Dak", "The Turk's Bolero", "CT + CB", "Jay Jay", "Stoned Ghosts", "Just Give Me Time", and "Dijdar". CD
 
 
 



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