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Possible matches: 28
Possible matches1
CD, LP, Vinyl record album cover art
Cannonball AdderleyCannonball & Coltrane (aka Cannonball In Chicago) ... CD
Limelight/EmArcy, 1959. Used ... $8.99
A great session from 1959 – one that features John Coltrane playing with the Adderley group, recorded in Chicago when they were stopping through the city with Miles Davis' combo at the time! In fact, since the rhythm section includes Wynton Kelly, Paul Chambers, and Jimmy Cobb – and since Coltrane's sitting in with Cannon – the album's essentially a Kind Of Blue-era Miles album, recorded without Miles on trumpet, and grooving in a slightly more soul-based Adderley mode. Given the presence of Coltrane, there's a bit less of the gutbuckety soul jazz that Cannon was cutting in his own Quintet – but that's more than ok with us, as the Coltrane solos more than make up for that difference! The set's got 2 great originals by Coltrane – "The Sleeper" and "Grand Central" – plus the cuts "Wabash" and "Limehouse Blues". CD
(Out of print.)

Possible matches2
CD, LP, Vinyl record album cover art
Lorez AlexandriaFor Swingers Only ... LP
Argo, 1963. Good+ ... $24.99
One of the greatest albums ever from Lorez Alexandria – an ultra-hip singer who recorded for Impulse and King, but who sounds especially wonderful on this rare date for Chess Records! The album's got a groove that definitely lives up to its title – a jazzy, bouncy sort of rhythm that's definitely "for swingers only", and which is a nice contrast to overdone torch or standard jazz vocal modes. Alexandria's singing is completely sublime – quite fluid, yet with a soulful depth that's really amazing – and her backing combo is equally hip – a group led by John Young on piano, and also featuring George Eskirdge on guitar, Jimmy Garrison on bass, Phil Thomas on drums, and Ronald Wilson on flute and tenor – an obscure player whose reed work really makes the album sparkle! The song choices are great too – a mix of some under-recorded gems and a few blue-toned classics – all redone amazingly by Lorez with a sound that's quite unique. Titles include her classic Argo reading of "Baltimore Oriole", which begins with an amazing drum/bass passage that's worth the price of the album alone – and other tracks include "The End Of A Love Affair", "Baltimore Oriole", "All Or Nothing At All", "Mother Earth", "Love Look Away", and "Traveling Down A Lonely Road". LP, Vinyl record album
(Original gray label Argo pressing. Cover has some wear.)

Possible matches3
CD, LP, Vinyl record album cover art
Basso Valdambrini QuintetFonit H602/603 ... CD
Schema (Italy), 1970. New Copy Gatefold ... $18.99
Wonderful work from one of the greatest Italian jazz groups of the 60s – heard here in two of their rarest recordings! The set brings together material from two sessions that were only issued on the Fonit sound library label – but both are every bit as sharp and soulful as the best Basso-Valdambrini work for bigger labels – including their early 60s gems on RCA! And like those records, there's a wonderful sense of rhythm here – kind of the soul jazz side of Blue Note, but handled with a fresh sound that's nicely free of any copycat cliches – and which instead really has the group finding their own voice through their writing and solos. The H602 album is billed as "pop jazz" – which is more a 60s soul jazz style – and H603 is called "Californiano", with a bit of a west coast vibe, but still very much the best grooves we've come to love from the combo. The lineup on both includes tremendous trumpet from Oscar Valdabrini and tenor from Gianni Basso – with rhythms from Ettore Righello on piano, Giorgio Azzolini on bass, and Lionella Bionda on drums. Titles include "Pick Up", "Glaucus", "Gold Mine", "From Me", "Maglione", "Muy", "Plinius", and "Transistor". CD
Also available Fonit H602/603 (with bonus CD) ... LP 25.99

Possible matches4
CD, LP, Vinyl record album cover art
Basso Valdambrini QuintetFonit H602/603 (with bonus CD) ... LP
Schema (Italy), 1970. New Copy 2LP Gatefold ... $25.99
Wonderful work from one of the greatest Italian jazz groups of the 60s – heard here in two of their rarest recordings! The set brings together material from two sessions that were only issued on the Fonit sound library label – but both are every bit as sharp and soulful as the best Basso-Valdambrini work for bigger labels – including their early 60s gems on RCA! And like those records, there's a wonderful sense of rhythm here – kind of the soul jazz side of Blue Note, but handled with a fresh sound that's nicely free of any copycat cliches – and which instead really has the group finding their own voice through their writing and solos. The H602 album is billed as "pop jazz" – which is more a 60s soul jazz style – and H603 is called "Californiano", with a bit of a west coast vibe, but still very much the best grooves we've come to love from the combo. The lineup on both includes tremendous trumpet from Oscar Valdabrini and tenor from Gianni Basso – with rhythms from Ettore Righello on piano, Giorgio Azzolini on bass, and Lionella Bionda on drums. Titles include "Pick Up", "Glaucus", "Gold Mine", "From Me", "Maglione", "Muy", "Plinius", and "Transistor". LP, Vinyl record album
(Includes bonus CD of the entire record too!)
Also available Fonit H602/603 ... CD 18.99

Possible matches5
CD, LP, Vinyl record album cover art
BlackbyrdsBlackbyrds/Flying Start ... CD
Fantasy, 1974. Used ... $6.99
2 incredible albums from The Blackbyrds – back to back on a single CD! First up is the self-titled Blackbyrds record – a funky jazz treasure, and the band's landmark first album! The Blackbyrds were a legendary 70s combo that were discovered by Donald Byrd while he was teaching at Howard University – and they had a tight style that mixed raw funk influences with smoother jazz playing, creating a sound that was different from many of their contemporaries, and which pushed funk and soul into a whole new level. Byrd's work with the band was as groundbreaking as Larry Mizell's work on his own Blue Note albums – and coincidentally, Larry Mizzell's Sky High Productions handles the studio chores for the set – but in a way that's much more sharply funky than his albums with Byrd! Titles include the tight choppy funk tracks "Do It, Fluid" and "Funky Junkie", plus other nice groovers like "Summer Love", "Gut Level", and "The Runaway". Flying Start has a beautifully put-together feel – tight enough to crossover somewhat big with a larger audience than the group's previous effort – but still filled with the kind of righteous energy that first got them going, a sublime mix of jazzy rhythms and soulful elements, all held together tightly by production from Donald Byrd. Tracks include the big hit "Walking In Rhythm", which was an oft-spun 45 back in the day – plus some great funk moments, like the tasty "Spaced Out", the choppy "The Baby", and the captivating "Blackbyrds Theme". Other cuts include "Future Children Future Hopes", "I Need You", and "April Showers". CD

Possible matches6
CD, LP, Vinyl record album cover art
BreakawayBreakaway/Right On To The Top ... CD
Breakaway/BBE (UK), Late 70s. New Copy Gatefold ... $12.99
A pair of completely rare albums from Breakaway – a St Louis combo from the late 70s – with a groove that's equal part jazzy club and blue-eyed soul! Breakaway is the group's debut – recorded in 1977 with a surprisingly tight sound – especially given that the group were essentially a local club act who got the chance to record a bit in a local studio! The feel is very much in the best LA mode of the time, but maybe a bit looser too – with emphasis on some funky riffing from the male members of the group, plus sweet lead vocals from singer Kathy Newbry-Taylor – an artist who might have been pop, had she worked on the coasts – but who stretches her style nicely here. The album's been made famous by both On Track and Americana comps on BBE – and titles include "There's A New Group In Town", "Who Was It This Time", "Love My Eyes", "Understudy DJ", "Everything's Been Said About You", and "My Symphony". Right On To The Top is the second set from Breakaway – and the album already shows a great deal of growth – especially in the territory of rhythm! Breakaway have definitely dug some of the best club modes from the New York scene – and work here in a jazzy disco style that's filled with sweet keyboard lines alongside the female lead vocals – all with a vibe that's nicely stripped-down, and still lives up to the indie spirit of the group. The set features some guest work on horns, which nicely expands the sound – and titles include "Straight On To The Top", "You Are Love", "Back & Forth", "There's A New Tree In The Forest", "Work With The Music", and "Breakaway". CD

Possible matches7
CD, LP, Vinyl record album cover art
Lou Donaldson & The 3 SoundsLD + 3 ... LP
Blue Note, 1959. Very Good+ ... $19.99
A classic meeting between alto giant Lou Donaldson and Blue Note's crack Three Sounds combo – the great piano trio led by the mighty Gene Harris! The formula was one that Blue Note employed on a number of sessions from the time – and it makes a lot of sense, because the Three Sounds are a very tight rhythm group, just waiting for a strong soloist to front their rolling soulful grooves – in ways that really set sessions like this apart from their standard albums for the label. On this one, the Sounds give Lou a nice tight backing, and he repays the favor by laying down some very tight, very in-the-pocket solos with a good soul jazz groove. Tracks include "Jump Up", "Confirmation", "Smooth Groove", and "Blue Moon". LP, Vinyl record album
(Liberty/UA pressing. Cover has some moderate wear.)

Possible matches8
CD, LP, Vinyl record album cover art
Eddie FisherThird Cup ... LP
Cadet, 1969. Good ... $5.99
An amazing album by the great guitarist Eddie Fisher – and completely unlike his later funk records! Eddie plays stripped down jazz with a small combo that includes organ by Robert Selby, bass by Paul Jackson, and some rhythm guitar by Phil Westmoreland – and the twin-guitar approach creates this super-dope style that's light years ahead of its time, with a sophistication that points the way to later mid 70s work on labels like CTI and Kudu! Eddie's guitar work is an incredible exercise in spareness and soulfulness – best heard on the fantastic "Third Cup", a long drawn-out jazz stepper that's got to be heard to be believed. The cut's been a favorite on the Chicago jazz stepper's scene for years – and it alone is worth the price of the album. However, the record features some other wonderful stuff – like a sublime version of "Shadow Of Your Smile" that runs for a bubbling 12 minutes – plus the originals "Shut Up", "Scorched Earth", and "Two By Two". LP, Vinyl record album
(Blue label pressing. Cover is worn with peeling and clear tape along the seams.)

Possible matches9
CD, LP, Vinyl record album cover art
Grant GreenMatador ... CD
Blue Note, 1965. New Copy ... $6.99 9.98
A fantastic mid 60s album from Grant Green – but one that never got its due originally, because it was unreleased at the time – and didn't come out until a Japanese version in the late 70s! Despite that oddly long gap, Matador is truly one Grant's best ever records – a really inventive session that goes way past his standard soul jazz roots – and which really shows the guitarist stretching out towards future styles of jazz! The session's a spare quartet date – with Green's guitar playing modal grooves over rhythm by by his incredible combo – with Bob Cranshaw on bass, Elvin Jones on drums and the incomparable McCoy Tyner on piano – blocking out bold changes that really drive the record strongly. Cuts are long, and there's a freewheeling quality to the material that's only ever matched by some of the Grant Green/Larry Young sessions from the same time – especially the Street Of Dreams Record. Titles include "Matador", "Bedouin", Green Jeans", and a killer version of "My Favorite Things", done in a very Coltrane-esque style. CD

Possible matches10
CD, LP, Vinyl record album cover art
Marty Grosz & The Fat BabiesDiga Diga Do ... CD
Delmark, 2015. New Copy ... $11.99 15.99
A trad jazz legend joins the younger Fat Babies combo – in a set that really illustrates the renewed commitment to old school styles at Delmark Records! Guitarist Marty Grosz last recorded for Delmark in 1959, as a sideman for Albert Nicholas – but his strength hasn't dimmed a bit over the years, as his tightly rhythmic playing makes for a great complement to the Fat Babies' sound! Marty gets plenty of room to solo, and impact the rhythm section too – and the album's overflowing with tight, short numbers that include "My Daddy Rocks Me", "Hold Me", "Diga Diga Doo", "A Jazz Holiday", "Blue", and "Why Couldn't It Be Poor Little Me". CD

Possible matches11
CD, LP, Vinyl record album cover art
Jazz ModesJazz Modes (Koch pressing) ... CD
Atlantic/Koch, 1959. Used ... $2.99
One of the rarest albums by this fantastic combo from the late 50s! The band features the very strange mix of French horn, tenor, and soulful piano – played by Julius Watkins, Charlie Rouse, and Gildo Mahones, respectively. The sound shouldn't work, but it does, and beautifully – thanks to some pretty soulful rhythm work, and a nice conception that never gets too cute, or too full of itself. Rouse is great, and has a measured quality that hints at his work with Monk, but which also has a bit more soul. Mahones is always great, and is one of the true unsung heroes of soul jazz piano – and as an added unique element, the album features eerie vocals from Eileen Gilbert on a few numbers! Sahib Shihab sits in on a few cuts – and titles include "Knittin", "Blue Flame", "Mood In Motion", and "The Oblong". CD

Possible matches12
CD, LP, Vinyl record album cover art
Elvin JonesLive At The Lighthouse ... LP
Blue Note, 1972. Very Good+ 2LP Gatefold ... $24.99
Easily the most hard-hitting of Blue Note's 2LP Lighthouse Live series from the early 70s – and a record that really lets Elvin Jones and his group stretch out and play! The setting is a perfect one for Jones – given the boundless energy already present on his studio sessions for Blue Note at the time – really fierce work that goes beyond even his classic Coltrane performances – pushing the limits in a sweet blend of rhythm and reeds! The group here is Elvin's razor-edge combo from the early 70s – the one that features Gene Perla on fat funky bass, and both Steve Grossman and Dave Liebman playing choppy reeds along with the grooves – really amazing hornmen at this point in their career, blowing here with interplay that's simply fantastic! Jones' leadership both draws from his years with Coltrane, yet also takes the music to key new levels – increasing the energy without blowing the top off, and creating a vivid new groove that so many others would try to cop later in the 70s – but never do this well. Titles include "Sambra", "The Children, Save The Children", "My Ship", "New Breed", "Sweet Mama", and a version of Donald Byrd's "Fancy Free". And hey, Rick Holmes is the announcer! LP, Vinyl record album
(UA pressing – a great copy!)

Possible matches13
CD, LP, Vinyl record album cover art
✨✧ Jackie McLeanSwing Swang Swingin' (45rpm – 2LP 180gram pressing) ... LP
Blue Note/Music Matters, 1959. Near Mint- 2LP (reissue)... $38.99
Jackie McLean cut some of his best bop sessions for Blue Note – and this is one of them! The record is amazingly precise, and features Jackie as the sole horn soloist in a group with Walter Bishop on piano, Jimmy Garrison on bass, and Art Taylor on drums – a crack rhythm combo that give McLean plenty of room to blow on his searing alto sax. Tracks stream along with an amazing ease – and Jackie's perfectly-placed solos are right on the money every time! The set list includes a lot of standards, but they're done with that warm soulful approach that makes you hardly care about the source of the material – and instead focus on Jackie's amazing talents as an improviser! Titles include "What's New", "I Love You", "Let's Face The Music And Dance", and "Stable Mates". LP, Vinyl record album
(Amazing reissue pressing – done as a 2LP set, with heavy vinyl and cover, and played at 45rpm speed for extra-high fidelity! Limited and numbered, too.)

Possible matches14
CD, LP, Vinyl record album cover art
Hank MobleyHank Mobley Quartet (10 inch LP) ... LP
Blue Note, 1955. New Copy (reissue)... $16.99 19.98
Great early material from Hank Mobley – a record that's practically a Jazz Messengers album, given the lineup – and which comes across with the fire and power of that classic group at their start! Mobley's tenor is set tightly in a combo that includes Horace Silver on piano, Doug Watkins on bass, and Art Blakey on drums – just like an early Jazz Messengers group, but without trumpet – and really kicking strongly on the rhythm tip. Mobley's tenor gets some great focus out front – amazing linest hat already show the young Hank as one of the freshest tenor voices of his generation. Titles include "Hank's Prank", "Walkin The Fence", "Just Coolin", and "Avila & Tequila". 2015 Blue Note Authorized Dealer pressing – in celebration of Blue Note's 75th Anniversary – and the indie retailers that support them! LP, Vinyl record album

Possible matches15
CD, LP, Vinyl record album cover art
Shirley ScottTrio Classics Vol 1 (Great Scott!/Shirley's Sound) ... CD
Prestige, 1958. Used ... $6.99
Sweet early work by organist Shirley Scott – some of the first trio sides she recorded when stepping out as a leader! Shirley had first come to fame as the organist in the Eddie Lockjaw Davis combo, but here she shows an even more versatile approach than on those groundbreaking sides – really stepping out on the keys, with a freedom that's clearly inspired by the early Jimmy Smith recordings on Blue Note, and which is somehow even more powerful than some of her later work. Possibly one of the core ingredients here is the fact that Shirley's working in more of a piano trio mode than other organists at the time – going without a guitarist, and using both bass and drums for rhythm – so that the organ is the main solo vehicle on the tunes, really dominating the proceedings, even on the shorter numbers. Tracks are mostly standards and familiar numbers, but they're soulfully done by Shirley in a style that glides nicely throughout! The 16 track set features material from 2 full albums – with titles that include "The Scott", "Four", "Brazil", "Baby Won't You Please Come Home", "Trees", "Summertime", "There Will Never Be Another You", and "I Can't See For Lookin". CD
(Out of print.)

Possible matches16
CD, LP, Vinyl record album cover art
Wayne ShorterAdam's Apple (RVG remaster edition) ... CD
Blue Note, 1966. New Copy ... $6.99 9.98
An incredible album – one of our favorite Blue Notes ever! Despite the fact that the album's a spare quartet session, the record is one of Wayne Shorter's richest – and features his gutsy young tenor soloing insanely with a rhythmically intense combo that includes Herbie Hancock on piano, Reggie Workman on bass, and Joe Chambers on drums – a wonderfully free-thinking rhythm trio! Workman's bass is especially strong, and it underpins the cuts with a throbbing pulse that takes them past any simple hardbop conventions. Every cut's a winner – and this is one album we reach for time and time again over the years! Titles include "Adam's Apple", "El Gaucho", "Footprints", and "Teru". CD reissue contains an extra bonus cut, "The Collector". CD
Also available Adam's Apple (RVG remaster edition) ... CD 5.99

Possible matches17
CD, LP, Vinyl record album cover art
Wayne ShorterAdam's Apple (RVG remaster edition) ... CD
Blue Note, 1966. Used ... $5.99
An incredible album – one of our favorite Blue Notes ever! Despite the fact that the album's a spare quartet session, the record is one of Wayne Shorter's richest – and features his gutsy young tenor soloing insanely with a rhythmically intense combo that includes Herbie Hancock on piano, Reggie Workman on bass, and Joe Chambers on drums – a wonderfully free-thinking rhythm trio! Workman's bass is especially strong, and it underpins the cuts with a throbbing pulse that takes them past any simple hardbop conventions. Every cut's a winner – and this is one album we reach for time and time again over the years! Titles include "Adam's Apple", "El Gaucho", "Footprints", and "Teru". CD reissue contains an extra bonus cut, "The Collector". CD
Also available Adam's Apple (RVG remaster edition) ... CD 6.99

Possible matches18
CD, LP, Vinyl record album cover art
Toots ThielemansSalient One ... LP
Command/ABC, Late 60s. Near Mint- 2LP ... $6.99
Groovy Toots – just the way we like him, with a bit of jazz, a bit of easy, and some cool 60s approaches to his sound! The album has Toots on both harmonica and guitar – working in a stripped-down small combo setting that has some really surprising elements, like piano and organ by Dick Hyman, additional piano by Herbie Hancock, and some added guitar on rhythm on a number of tracks. Tunes are great – and even familiar numbers are handled in a light and pixieish style that really gets the best out of Toots' sound, and which makes the album swing nicely overall. The package features 2LPs worth of material pulled from earlier Command albums – with titles that include "Spanish Flea", "Blue Lady", "So Nice", "Preachmanship", "I Can't Get Started", "Bluesette", "Blues Talk", "Royal Garden Blues", and "Whispering". LP, Vinyl record album
(Cover has a promo sticker, light wear and some aging.)

Possible matches19
CD, LP, Vinyl record album cover art
Three SoundsHey There (with bonus tracks) ... CD
Blue Note (Japan), 1961. New Copy ... $16.99
Wonderful work from the Three Sounds – a tight little combo who weren't out to break any rules in jazz, but who made some excellent albums for Blue Note in the early 60s! The groove here is hard-edge soul jazz piano at its best – similar to early Les McCann work of the same vintage, with a strong sense of rhythm on the left hand, and some wonderfully complicated lines on the right – an early example of the genius of Gene Harris. Harris also shows a nice sense of thoughtfulness on the mellower cuts, too – which still swing in their own sort of way, thanks to the work of Andrew Simpkins on bass and Bill Dowdy on drums. Titles include the great original "Dap's Groove" – plus "Sermonette", "Hey There", "Nothin But The Blues", "Street Of Dreams", and "Little Girl Blue". CD features an insane amount of bonus tracks from the same session – 10 more tracks that include "Blue Daniel", "Lazy Cat", "Wait A Minute", "Work Song", "Billy Boy", and "Sweet & Lovely". CD
(SHMCD pressing.)

Possible matches20
CD, LP, Vinyl record album cover art
Stanley TurrentineEasy Walker ... LP
Blue Note, 1966. Near Mint- ... $14.99
An album of subtle genius and stellar soul from the great Stanley Turrentine – an over looked quartet date that plays with the sharper edge of some of his earlier work for Blue Note, but which also shows the growing sense of color and tone he'd picked up during the 60s! The group here is great – a loose combo with McCoy Tyner on piano, Bob Cranshaw on bass, and Mickey Roker on drums – a rhythm team who still hold some of the soulful styles of Turrentine's more arranged albums, but who also really know how to respond to his groove too. Stan's got these confident solos that really show him becoming one of the true tenor masters of his time – with an especially great sense of space and timing – and titles include "Meat Wave", "Easy Walker", and a nice sweet version of "What the World Needs Now is Love". LP, Vinyl record album
(90s pressing.)
 
Partial matches: 47
Partial matches29
CD, LP, Vinyl record album cover art
Mildred BaileyRockin' Chair Lady ... LP
Decca, Late 30s/1940s. Near Mint- ... $9.99
A collection of older singles by Mildred Bailey – recorded after her years with Paul Whiteman's band, in a laidback bluesy style that was kind of a 30s revival and sweetening of styles used during the big blues boom of the 20s. Mildred's got a heck of a voice, one that's undaunted even by the older recording mode of the tracks – and backing on all numbers is in a late nite small combo mode, by either the Delta Rhythm Boys, or a quartet with Herman Chittison on piano and Dave Barbour on guitar. Titles include "Sometimes I'm Happy", "Rockin Chair", "All Too Soon", "Lover Come Back To Me", "It's So Peaceful In The Country", and "More Than You Know". LP, Vinyl record album
(Nice Japanese pressing!)

Partial matches30
CD, LP, Vinyl record album cover art
BlackbyrdsHappy Music – The Best Of The Blackbyrds ... CD
Fantasy, 1970s. Used ... $8.99
Sublime funk by one of the greatest combos of the 70s – the mighty mighty Blackbyrds, a group who first came to prominence under the guidance of Donald Byrd, but quickly showed they had plenty to offer on their own! Back in the day, the sound of The Blackbyrds was really the sound of Fantasy Records – a newly sophisticated approach to jazz funk, helped out by Byrd and the Mizell Brothers – and fused into a groove that was hip, tight, but never too slick or smooth. The balance of instrumentation here is really amazing – sharp-edged playing like the best indie funk, but brought up to a level of perfection in the studio to match the advances going on at CTI, Kudu, or Blue Note. The collection does a great job of mixing the group's classics with some under-appreciated album gems – and it also features the previously unreleased tune "Feel Like A Kid" – alongside other numbers that include "Rock Creek Park", "Unfinished Business", "Do It Fluid", "One Eye Two Step", "Supernatural Feeling", "Walking In Rhythm", "Mysterious Vibes", "Enter In", "Gut Level", "Reggins", "Blackbyrds Theme", and "Hot Day Today". CD
(Punch through barcode.)

Partial matches31
CD, LP, Vinyl record album cover art
Blue Rondo A La TurkChewing The Fat ... LP
Diable Noir (UK), 1982. Near Mint- ... $6.99
A cool British combo from the post-punk years – but one who were awash in lots of jazz and Latin touches from the 50s! Blue Rondo A La Turk were a bit like some of the August Darnell projects in the US at the same time – contemporary and classic at the same time, with a groove that refines older modes for a younger audience – but still has a hell of a lot more warmth and soul than most of its contemporaries! The music isn't straight Latin, but has a lot of Latin elements in the rhythms – and the vocals have a catchy way of mixing with the percussion and horns – but at a level that's very different than anyone might have done back in the 50s. A great precursor to the acid jazz scene – with a vibe that's somewhere in the territory of Kalimba/Swamp Children – with titles that include "Carioca", "Sarava", "Klactoveesedstein", "Coco", "The Heavens Are Crying", "Change", and a cover of "I Spy For The FBI". LP, Vinyl record album
(Includes the printed inner sleeve.)

Partial matches32
CD, LP, Vinyl record album cover art
Blue BeatsBeatle Beat (original pressing) ... LP
AA Records, Mid 60s. Sealed ... $28.99
Not The Beatles, but a group who are trying to cash in on their fame – by showing a monstrous Beatle wig on the cover of the album, covering a horde of dancers – and by playing a whole host of instrumentals with a nod to the Brit Invasion! We're guessing the Blue Beats were some American studio combo – as the overall project doesn't have a real UK sound – and they've definitely got their chops, especially on the guitar lines – which are recorded with a nice dose of echo and a good deal of twang, and mixed in with stomping rhythms and the occasional keyboard line. Titles include "The Chocolate Pudding Slop", "The Swingin Spiders' Bo Diddley", "The Fat Kings' Twist", "The Broken Egg Frug", "The Cold Mashed Potato", and "The Big Shoe Twist". LP, Vinyl record album
(Sealed original pressing – with bonus Beatle Picture magazine!)

Partial matches33
CD, LP, Vinyl record album cover art
Dino & Montevideo BluesMontevideo Blues (plus bonus tracks) ... CD
Lion, 1972. New Copy ... $8.99
Really compelling work from the enigmatic Dino – a set recorded with slow, slinky backings from the Montevideo Blues combo! The album's a lot less blues than you might guess from the group's name – and in a way, the approach is almost more folksy, or singer/songwriter overall – with a key focus on Dino's political lyrics, and backings that often follow along with snakey guitar and slinky rhythms. There's a raspy brilliance to the whole set – and Dino almost sounds like Uruguay's equivalent of Geraldo Vandre – a powerful, positive singer, but one who never reached a bigger audience outside his homeland. Titles include "Sentimiento", "Si Te Vas", "Montevideo Blues", "Milonga De Pelo Largo", "Para Hacer Musica Para Hacer", and "Chamarrita El Chiquero". CD reissue is as amazing as the original – with a huge booklet with notes, history, and lyrics – plus 7 more bonus tracks too! CD
Also available
Montevideo Blues (plus bonus tracks) ... CD 6.99
Montevideo Blues ... LP 18.99

Partial matches34
CD, LP, Vinyl record album cover art
Dino & Montevideo BluesMontevideo Blues (plus bonus tracks) ... CD
Lion, 1972. Used ... $6.99
Really compelling work from the enigmatic Dino – a set recorded with slow, slinky backings from the Montevideo Blues combo! The album's a lot less blues than you might guess from the group's name – and in a way, the approach is almost more folksy, or singer/songwriter overall – with a key focus on Dino's political lyrics, and backings that often follow along with snakey guitar and slinky rhythms. There's a raspy brilliance to the whole set – and Dino almost sounds like Uruguay's equivalent of Geraldo Vandre – a powerful, positive singer, but one who never reached a bigger audience outside his homeland. Titles include "Sentimiento", "Si Te Vas", "Montevideo Blues", "Milonga De Pelo Largo", "Para Hacer Musica Para Hacer", and "Chamarrita El Chiquero". CD reissue is as amazing as the original – with a huge booklet with notes, history, and lyrics – plus 7 more bonus tracks too! CD
Also available
Montevideo Blues (plus bonus tracks) ... CD 8.99
Montevideo Blues ... LP 18.99

Partial matches35
CD, LP, Vinyl record album cover art
Dizzy GillespieDizzy For President ... CD
Douglas (France), 1963. Used ... $1.99
Dizzy Gillespie caught live at Monterey – recorded with a great group during one of our favorite stretches in his career! The combo's kind of a post-Lalo Schifrin quintet, but still shares plenty of the bossa-inspired elements of his tenure with Diz – long tracks, bits of Latin rhythms, and a hip swing that's just right for the 60s! James Moody's in the group on alto, flute, and tenor, Kenny Barron plays piano, Chris White is on bass, and Rudy Collins is on drums – and Jon Hendricks joins the group on vocals for one cut too! Titles include "Morning Of The Carnival", "Dizzy Atmosphere", "Vote Dizzy", "Desafinado", "No More Blues", and "The Cup Bearers". CD

Partial matches36
CD, LP, Vinyl record album cover art
Jazz At The PhilharmonicIn Tokyo – Live At The Nichigenki Theatre 1953 (3LP Verve set) ... LP
Verve (Japan), 1953. Near Mint- 3LP Box Set ... $11.99
A rare performance in Japan by the Jazz At The Philharmonic! The double-length set is overflowing with goodness, all recorded in the open-ended, warm-hearted style that Norman Granz brought to these classic performances! The album starts with an extended set by the JATP All-Stars – a group that features Roy Eldridge and Charlie Shavers on trumpets, Willie Smith and Benny Carter on alto, Bill Harris on trombone, and Ben Webster and Flip Philips on tenors – with rhythm from the combo of Oscar Peterson on piano, Herb Ellis on guitar, Ray Brown on bass, and JC Heard on drums. JATP titles include a "Ballad Medley" and "Cotton Tail". The set then features six more tracks by the Oscar Peterson Trio – including "Swingin Till The Girls Come Home" and "Blues" – and another four by the Gene Krupa Trio – including "Don't Be That Way", and "Cocktails For Two". The set then ends with a long set by Ella Fitzgerald with a quartet – on titles that include "Smooth Sailin", "How High The Moon", "Body & Soul", "Lady Be Good", and "My Funny Valentine" – plus a reading of "Perdido" with the whole JATP group. LP, Vinyl record album
(Obi is included, but torn. Box top has split bottom corners, otherwise in nice shape.)

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✨✧ Mundell LoweGrand Night For Swinging ... LP
Riverside, 1957. Very Good ... $38.99
A very hip album that shows that Mundell Lowe was much more than just a regular jazz guitarist. Lowe emerges here as a relatively hip modernist – working in a small combo that includes Ed Thigpen on drums, Billy Taylor on piano, and Les Grinage on bass, as well as occasional alto work by Gene Quill. The tracks have a slightly unusual groove to them – with Lowe handling both the regular solos, and also dipping into the rhythmic lines in an interesting way – and this style is heard to especially great effect on the three tunes with Quill. Titles include "Crazy Rhythm", "Blues Before Freud", "Love Me Or Leave Me", and "You Turned The Tables On Me". LP, Vinyl record album
(Original white label Bill Grauer Productions pressing, with microphono logo and deep groove! Vinyl is wonderful, save for a pressing bump that makes a slight noise in one spot. Cover is great on front, back has light pencil.)

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Middeloff/Morganti/MenciCause Of The Sequence ... CD
Albore Jazz (Japan), 2015. New Copy ... $14.99
A very cool combo – one that features the trombone of Massimo Morganti, tenor of Barend Middlehof, and piano of Nico Menci – all working together without any other instrumentation at all! The style means that the piano handles as much of the rhythm as it does the melody – making for these warm grooves that are really wonderful – as lyrical as they are soulful, and with a strength that really drives both of the horn players forward too – so much so you don't miss the bass and drums at all! At most points, the style is very swinging – hardly the kind of airy experiment you might guess from the format – and both Middelhoff and Morganti win us over right away with the strength of their phrasing together, and the range of their solos when they break out. A wonderfully fresh record, and a delight all the way through – with titles that include "Unison Party", "Big Belly Blues", "Ballad For Anna", "Musiplano", "The Cause Of The Sequence", and a nice cover of Henry Mancini's "Nothing To Lose". CD

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✨✧ Monophonics/DestrumentsLike Yesterday/Freedom ... 7-inch
Colemine, 2011. New Copy ... $4.99
Heavy funk from our friends at Colemine – great stuff from Cali combo Monophonics plus a different, but just as great psych funk styled cut by Destruments! "Like Yesterday" is solid as can be, a hard-hitting number with walloping drums, punchy horns, and powerhouse vocals – a track that starts out like it's going to slow cookin' jam highlighted by bluesy soul guitar, but it heats up quickly! "Freedom" by Destruments is an atmospheric gem that's not too easy to describe – which is a good thing! The beat and rhythm are stable, with densely atmospheric horns and spacey flourishes. A cool split single that demonstrates the far-reaching creative capabilities of the contemporary funk scene! 7-inch, Vinyl record

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✨✧ Lee MorganTaru ... LP
Blue Note, 1968/1980. Very Good (reissue)... $7.99
Unreleased genius from Lee Morgan – a key session from the later years of his too-short life, but one that wasn't issued until nearly a decade after his death! The sound here is completely sublime – a mix of the best later Morgan modes – soulful, lyrical, and modal – played by a sextet lineup that features unique guitar work from George Benson! Benson's presence on a date like this is a bit unusual, and his instrument really brings a lot to the record in terms of color and tone – shadings that are much more sensitive than some of his better-known 60s work in organ combos. Other players include Bennie Maupin on tenor, John Hicks on piano, Reggie Workman on bass, and Billy Higgins on drums – the last two of whom provide the sort of near-perfect rhythmic accompaniment for Morgan's musical vision! Titles are great, and include Cal Massey's "Taru What's Wrong With You", Hicks' "Avotcja One", and Morgan's "Dee Lawd" – plus "Durem" and "Get Yourself Together". LP, Vinyl record album

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Os GatosAquele Som Dos Gatos ... CD
Philips (Japan), 1965. New Copy ... $13.99
One of the most legendary groups from the bossa era in Brazil – a combo of incredible players, working with sublime arrangements by Eumir Deodato – all in a sound that hardly been matched again! The group only ever recorded two albums, but they've had a lasting impact on the sound of bossa for years to come – thanks to an expansive vision that brings together spare rhythms, jazz soloing, and larger strings – all with a quality that's lighter than air – almost a sum that's far less than the total of its elements – but in a really great way! The sense of spareness and poise here is really amazing – years ahead of Deodato's better-known US arrangements in the late 60s, and somehow even more impressive here. Players include Paulo Moura on alto sax, Neco on guitar, Meirelles on flute, Wilson Das Neves on drums, and Mauricio Einhorn on harmonica – and some tracks also feature a bit of light vocals floating along gently, almost as instruments themselves. Titles include "Aqua De Beber", "Clichet", "Feitinha Pro Poeta", "E Nada Mais", "Blue Set", and "Silk Stop". CD

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PerigeoAntologia (Azimut/Abbiamo Tutti Un Blues/Genealogia/La Valle Dei Templi/Non E Posi Cosi Lontano/Live At Montreux/Live In Italy) (8CDs/DVD) ... CD
RCA (Italy), Mid 70s. New Copy 8CD & DVD ... $68.99
A really great run of music from one of our favorite Italian groups of the 70s – a combo who might be called prog rock, but who also have a very fusion-heavy vibe as well! Perigeo seem to come more from the jazz world than some of their Italian prog contemporaries – as they've got these really well-crafted keyboard and guitar solos on some of these albums – as well as some rhythms that occasionally get nice and funky too, which no doubt led to a few of these albums getting issued over here in the US! Yet although we know a few of those early Perigeo gems, this set shows that they were extremely productive in the mid 70s – as the collection features five full albums on individual CDs, recorded over just a four year span – plus the group's rare Live At Montreux set from 1975, and another 2CD live set from Italy in 1976 – as well as DVD video material too! The package is a stunner, even if you know a few of the group's other albums – and it features the full albums Azimut, Abbiamo Tutti Un Blues Da Piangere, Genealogia, La Valle Del Templi, Non E Poi Cosi Lontano, Live At Montreux 1975, and Live In Italy 1976 – plus the DVD as well. Box also includes a nice book – with notes on the group and their music in Italian. CD

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Bill RussoWorld Of Alcina ... LP
Atlantic, 1955. Very Good+ ... $29.99
One of the most ambitious recordings ever from Bill Russo – the composer/arranger who first rose to fame with Stan Kenton, and who's working here in an even more modern extension of Kentonite ideals! Side one of the record features Russo's beautiful composition "The World Of Alcina" – a tune originally written as a jazz ballet, but which comes across here with the fluid tones and deep colors of some of the more serious jazz soundtracks from the time. The 18 minute piece features some especially great work on horns – played by a large brace of brass instruments used with the careful, sensitive styles that clearly show an influence from Kenton. Side two features shorter tunes – most composed by Russo too, and played in ways that resonate more strongly with west coast small combo work of the time. There's a nice sense of counterpoint on most numbers, and a few tunes feature great interplay between Russo's valve trombone, Bill Porter's slide trombone, and the twin tenors of Sandy Mosse and Bill Trujillo – while others have a more open soloing style, with just Russo and Trujillo as the main horns. Rhythm is by Eddie Baker on piano, Israel Crosby on bass, and Mickey Simonetta on drums – and tracks include "For My Sister", "Under The Greenwood Tree", "L'Affair Bugs", "Bill's Blues", and "Speculum". LP, Vinyl record album
(Black label pressing with the "long playing unbreakable" logo – record and cover are great!)

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SixSix ... LP
Bethlehem, 1955. Very Good ... $9.99
A mainstream jazz combo, but one with plenty of modern edges too – thanks to the skills of the players in the sextet! The musicians here are equally comfortable skirting a number of different styles, which they do very well in the set – especially the horn section, which features Bob Wilber on tenor, Sonny Truitt on trombone, and Johnny Glasel on trumpet! Most numbers are originals by the group members, and the arrangements have that fresh flair that Wilber would bring to later, better-known work – swung by a rhythm section that includes Bob Hammer on piano, Bill Britto on bass, and Eddie Phyfe on drums. Titles include "Itchy Fingers", "Two Kinds Of Blues", "Strange Diet", "Tasty", "As Far As We're Concerned", and "Pink Ice". LP, Vinyl record album
(Original pressing. Cover has clear tape on the seams, a few creases, and an ink stamp on back.)

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SlingshotsIs This Soul? (includes download) ... LP
Rocafort (Spain), 2015. New Copy ... $24.99
Is this soul? No – the album's hard funk all the way through – played by a tight little Spanish combo with a very classic vibe! The group's got plenty of Hammond and horns, and all the requisite rhythms to make a set like this groove nice and hard – and lead singer Roger Fullosoul (his real name?) has this wonderful raspy quality that's got a blue-eyed feel that takes us back to singers of that nature from the late 60s, but with a style that's definitely more tuned towards funk than soul. The whole thing's got a flavor that's similar to some of the better Spanish funk groups in recent years – and titles include "Is This Soul", "The Boss", "Feel The Shots", "For Somebody Else", "Dog Hair", "Dirt On The Groove", and "Chasing Poquito". LP, Vinyl record album

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Jimmy SmithUnfinished Business ... LP
Mercury, 1978. Near Mint- ... $3.99
Mighty soulful business from the great Jimmy Smith – a set for Mercury Records that updates his sound slightly, yet also hits some classic Hammond lines too! Jimmy plays a bit of acoustic piano and keyboards in addition to his classic organ – and works here in a setting that's tightly arranged, yet mostly small combo – with work from Ray Crawford on guitar, Nolan Phillips on tenor and flute, and added percussion from Buck Clarke and Stephanie Spruill. Rhythms step along nicely in kind of a 70s take on 60s soul jazz modes – leaving lots of room for Jimmy to open up on his solos – but there's also a few other more ambitious moments, including a great take on "Serpentine Fire" arranged by Ronnie Foster – and a warmly wonderful "Stevie" – which is a suite of tracks dedicated to Stevie Wonder. Other titles include "8 Counts For Rita", "Blues For Charlie", "Until It's Time For You To Go", and "Norristown PA". LP, Vinyl record album
(In pristine shape!)

Partial matches47
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Tamba TrioTamba Trio (1962) ... CD
Philips (Japan), 1962. New Copy ... $13.99
The first-ever album from the legendary Tamba Trio – and the start of an amazing 60s run that really set them apart from other bossa combos of the time! The group hits hard right out of the box with the amazing piano of Luiz Eca and sublime vocal harmonies sung by all three members of the group – scatting along wordlessly with the tunes in a really haunting way! Drumming by Helcio Milito is incredibly tight – almost the blueprint for snapping bossa rhythms – and the whole album is produced to perfection with a sound that's dark and light at the same time. The sound is stunning, the playing is tight, and the tracks groove like nothing you could imagine! Cuts include "Tamba", "Samba Novo", "O Barquinho", "Influencia Do Jazz", "Batida Differente", and "Quem Quizer Encontrar O Amor". CD

Partial matches48
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Three SoundsFeelin' Good ... LP
Blue Note, Early 60s. Good+ ... $9.99
With a sound like this, these guys have gotta be Feelin Good! The album's one of the first few Blue Notes by Gene Harris and his mighty Three Sounds combo – and is done in the group's very successful blend of soul jazz and piano trio musing – a key shift in styles from the 50s to the 60s, and one that always sounds nice! There's a great rhythmic approach to the work, augmented by Harris' chunky style of hitting the keys – and the album's filled with nice numbers that include "Parker's Pad", "Two Bass Hit", "Straight No Chaser", and "Blues After Dark". LP, Vinyl record album
(New York mono pressing. Cover has some wear.)
 
 
 



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