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Possible matches: 17
Possible matches1
CD, LP, Vinyl record album cover art
Lorez AlexandriaFor Swingers Only ... LP
Argo, 1963. Very Good ... $49.99
One of the greatest albums ever from Lorez Alexandria – an ultra-hip singer who recorded for Impulse and King, but who sounds especially wonderful on this rare date for Chess Records! The album's got a groove that definitely lives up to its title – a jazzy, bouncy sort of rhythm that's definitely "for swingers only", and which is a nice contrast to overdone torch or standard jazz vocal modes. Alexandria's singing is completely sublime – quite fluid, yet with a soulful depth that's really amazing – and her backing combo is equally hip – a group led by John Young on piano, and also featuring George Eskirdge on guitar, Jimmy Garrison on bass, Phil Thomas on drums, and Ronald Wilson on flute and tenor – an obscure player whose reed work really makes the album sparkle! The song choices are great too – a mix of some under-recorded gems and a few blue-toned classics – all redone amazingly by Lorez with a sound that's quite unique. Titles include her classic Argo reading of "Baltimore Oriole", which begins with an amazing drum/bass passage that's worth the price of the album alone – and other tracks include "The End Of A Love Affair", "Baltimore Oriole", "All Or Nothing At All", "Mother Earth", "Love Look Away", and "Traveling Down A Lonely Road". LP, Vinyl record album
(Original gray label Argo pressing with deep groove. Cover has a cutout grommet.)

Possible matches2
CD, LP, Vinyl record album cover art
Bill EvansHow My Heart Sings ... LP
Riverside, 1962. Good+ ... $34.99
Magical music from the very first note – the kind of record you need to hear if you've ever doubted the genius of Bill Evans! The sound here is subtle, and supple – but still often more revolutionary than that of the countless albums it inspired in years to come – and Evans is completely at home on the record, working with bassist Chuck Israels and drummer Paul Motian – both players who helped to re-invent the role of rhythm in the piano combo of the time! Titles include a sublime reading of "How My Heart Sings", plus "Walking Up", "Show Type Tune", "Summertime", "34 Skidoo", and "In Your Own Sweet Way". LP, Vinyl record album
(Blue label Bill Grauer pressing with deep groove. Back cover has a name in pen.)

Possible matches3
CD, LP, Vinyl record album cover art
Georgie FameWhole World's Shaking – Complete Recordings 1963 to 1966 (Rhythm & Blues At/At Last/Sweet Things/Sound Venture/Rarities/bonus) (5CD set) ... CD
Universal (UK), 1960s. New Copy 5 CDs ... $89.99
Four incredible albums from the young Georgie Fame – plus a bonus CD of rare material, bonus tracks on all CDs, and 18 previously unreleased tracks – all in a box set with a 48 page book, 5 postcards, and a poster too! First up is Rhythm & Blues At The Flamingo – blistering early work from a young Georgie Fame – a set that definitely lives up to the Rhythm & Blues in the title! The set was recorded live at London's hip Flamingo club – and Georgie and The Blue Flames are very much in command of the crowd – burning with the intensity of a American small organ combo, especially the early 60s variety that often played equal parts soul jazz and R&B! Georgie's on the Hammond, and also sings with a rough-edged style that's plenty soulful, and incredibly appealing – a mode that oozes charisma, but never sounds fake or forced. Titles include "Do The Dog", "Eso Beso", "Work Song", "Baby Please Don't Go", "Shop Around", "Humpty Dumpty", and "You Can't Sit Down". Fame At Last is a brilliant mix of jazz, soul, and R&B – all filtered through a mod sort of London freshness, as early proof that the city could always take some great things from our own musical roots, and feed it back to us with a whole new flavor! Georgie's no copycat here, though – and the sound is instantly Fame-like – a style that's really not the sort that any Americans were doing at the time, and certainly never this well. Hard-burning Hammond colors most of the tunes here – played with a tightly vamping quality – but it's Georgie's charmingly crackling vocals that really win us over! Titles include "Gimme That Wine", "Pink Champagne", "Monkeying Around", "Green Onions", "Let The Sunshine In", "Get On The Right Track Baby", "I'm In The Mood For Love", and "I Love The Life I Live". Sweet Things is a definite sweet thing from Georgie Fame – a record that has him filling in his sound even more than before, with tremendously soulful results! The backings here are bigger than before – a bit tooled in an American soul mode, but still with that beautifully raspy Georgie Fame touch – lots of jazzy inflections on the vocals, and a way of handling a tune, even a familiar one, and really working it on his own level. Hammond still fills in most of the tunes, but other instrumentation includes some nice African percussion from Speedy Acquaye, saxes from Pete Coe, and some nice bold drums from John Mitchell. These come out to the forefront on the classic funky tune "Music Talk" – and still sound great on other numbers that include "The World Is Round", "Last Night", "Dr Kitch", "My Girl", "Ride Your Pony", and "Sweet Thing". Sound Venture is one of the jazziest early albums from Georgie Fame – a set that has him singing with the big band of Harry South, at a level that's a lot more complicated than some of his other work with The Blue Flames! The style here still has that mod 60s London feel, but it also has some deeper inflections as well – modes borrowed a bit from Jon Hendricks or Mose Allison, yet served up with even greater complexity – at a level that really points towards the tremendous growth Fame would unleash over the next few years. Members of the group include Tubby Hayes, Ronnie Scott, Tony Coe, Dick Morrisey, Kenny Wheeler, and many other key Brit jazz figures of the time – and titles include "Three Blind Mice", "Dawn Yawn", "Feed Me", "Lovey Dovey", "Lil Darlin", "Lil Pony", "I Am Missing You", and "Many Happy Returns". CD5 is Bend A Little – a package with 20 unusual titles – demos, rare tracks, and outtakes – including unreleased tracks, IBC recordings, and even two German tracks too! Plus, each individual CD comes with bonus tracks – 40 bonus tracks, in addition to the 20 more titles on the Bend A Little set – a huge amount of material! CD
(Includes a hardcover book, 5 postcards & a poster.)

Possible matches4
CD, LP, Vinyl record album cover art
Georgie FameWhole World's Shaking – Ground Breaking Albums 1963 to 1966 (Rhythm & Blues At/At Last/Sweet Things/Sound Venture) (4LP set) ... LP
Fontana/Universal (UK), Early 60s. New Copy 4LP ... $109.99
Four incredible albums from the young Georgie Fame – served up here in one tremendous package – with all oiriginal artwork, nice heavy vinyl, and even new remastering from the original tapes! First up is Rhythm & Blues At The Flamingo – blistering early work from a young Georgie Fame – a set that definitely lives up to the Rhythm & Blues in the title! The set was recorded live at London's hip Flamingo club – and Georgie and The Blue Flames are very much in command of the crowd – burning with the intensity of a American small organ combo, especially the early 60s variety that often played equal parts soul jazz and R&B! Georgie's on the Hammond, and also sings with a rough-edged style that's plenty soulful, and incredibly appealing – a mode that oozes charisma, but never sounds fake or forced. Titles include "Do The Dog", "Eso Beso", "Work Song", "Baby Please Don't Go", "Shop Around", "Humpty Dumpty", and "You Can't Sit Down". Fame At Last is a brilliant mix of jazz, soul, and R&B – all filtered through a mod sort of London freshness, as early proof that the city could always take some great things from our own musical roots, and feed it back to us with a whole new flavor! Georgie's no copycat here, though – and the sound is instantly Fame-like – a style that's really not the sort that any Americans were doing at the time, and certainly never this well. Hard-burning Hammond colors most of the tunes here – played with a tightly vamping quality – but it's Georgie's charmingly crackling vocals that really win us over! Titles include "Gimme That Wine", "Pink Champagne", "Monkeying Around", "Green Onions", "Let The Sunshine In", "Get On The Right Track Baby", "I'm In The Mood For Love", and "I Love The Life I Live". Sweet Things is a definite sweet thing from Georgie Fame – a record that has him filling in his sound even more than before, with tremendously soulful results! The backings here are bigger than before – a bit tooled in an American soul mode, but still with that beautifully raspy Georgie Fame touch – lots of jazzy inflections on the vocals, and a way of handling a tune, even a familiar one, and really working it on his own level. Hammond still fills in most of the tunes, but other instrumentation includes some nice African percussion from Speedy Acquaye, saxes from Pete Coe, and some nice bold drums from John Mitchell. These come out to the forefront on the classic funky tune "Music Talk" – and still sound great on other numbers that include "The World Is Round", "Last Night", "Dr Kitch", "My Girl", "Ride Your Pony", and "Sweet Thing". Sound Venture is one of the jazziest early albums from Georgie Fame – a set that has him singing with the big band of Harry South, at a level that's a lot more complicated than some of his other work with The Blue Flames! The style here still has that mod 60s London feel, but it also has some deeper inflections as well – modes borrowed a bit from Jon Hendricks or Mose Allison, yet served up with even greater complexity – at a level that really points towards the tremendous growth Fame would unleash over the next few years. Members of the group include Tubby Hayes, Ronnie Scott, Tony Coe, Dick Morrisey, Kenny Wheeler, and many other key Brit jazz figures of the time – and titles include "Three Blind Mice", "Dawn Yawn", "Feed Me", "Lovey Dovey", "Lil Darlin", "Lil Pony", "I Am Missing You", and "Many Happy Returns". LP, Vinyl record album
(Includes download – which gives an additional 60 tracks that were on the CD version, 18 of which are previously unissued!)

Possible matches5
CD, LP, Vinyl record album cover art
Eddie FisherThird Cup ... LP
Cadet, 1969. Very Good- ... $13.99
An amazing album by the great guitarist Eddie Fisher – and completely unlike his later funk records! Eddie plays stripped down jazz with a small combo that includes organ by Robert Selby, bass by Paul Jackson, and some rhythm guitar by Phil Westmoreland – and the twin-guitar approach creates this super-dope style that's light years ahead of its time, with a sophistication that points the way to later mid 70s work on labels like CTI and Kudu! Eddie's guitar work is an incredible exercise in spareness and soulfulness – best heard on the fantastic "Third Cup", a long drawn-out jazz stepper that's got to be heard to be believed. The cut's been a favorite on the Chicago jazz stepper's scene for years – and it alone is worth the price of the album. However, the record features some other wonderful stuff – like a sublime version of "Shadow Of Your Smile" that runs for a bubbling 12 minutes – plus the originals "Shut Up", "Scorched Earth", and "Two By Two". LP, Vinyl record album
(Blue label pressing.)

Possible matches6
CD, LP, Vinyl record album cover art
✨✧ Gene Harris & The Three SoundsLive At The It Club ... CD
Blue Note, 1970. Used ... $12.99
This is the kind of reissue we like to see! Funky pianist Gene Harris had spent most of the 60s playing in a standard trio format with his group The Three Sounds – but by the time of this live set, the group was evolving into a monster jazz funk combo, and Harris was getting beautifully heavy handed in his approach to rhythm. This live set was recorded by Blue Note in 1970, but for some reason it was left unreleased until a few years ago – a decision that's really a mystery when you hear how funky some of the tracks are! Black Jazz bassist Henry Franklin is part of Harris' combo at the time, and the drummer is the nice tight Carl Burnett. The set includes some excellent versions of Monk Higgins tracks like "Funky Pullett" and "Sittin' Duck" – and Higgins also produced the whole thing for Blue Note. Very nice, and another great session we're glad was dug out of the vaults! CD
(Out of print, mark through barcode & promotional stamp on CD.)

Possible matches7
CD, LP, Vinyl record album cover art
Bud PowellStrictly Powell ... CD
RCA (UK), 1956. New Copy ... $8.99
Strictly Bud Powell, in the best sense of the word – as the album's a sharp batch of trio tracks recorded for RCA in the 50s, and a great showcase for Bud's firey talents on the piano! The rhythm combo features bold work on drums from Art Taylor, alongside the bass of George Duvivier – but Powell's definitely the leading light here, as the album features some of his tremendously deft work on the keys throughout. There's a nice tension to the material – played with a strength that matches most of Bud's other work from the time – but a bit different than some of his other recordings for Verve and Blue Note. The set features 11 tracks in all – and titles include "Time Was", "Jump City", "Elegy", "Coscrane", and "Topsy Turvy". CD

Possible matches8
CD, LP, Vinyl record album cover art
Three SoundsHey There ... CD
Blue Note (Japan), 1961. Used ... $29.99
Wonderful work from the Three Sounds – a tight little combo who weren't out to break any rules in jazz, but who made some excellent albums for Blue Note in the early 60s! The groove here is hard-edge soul jazz piano at its best – similar to early Les McCann work of the same vintage, with a strong sense of rhythm on the left hand, and some wonderfully complicated lines on the right – an early example of the genius of Gene Harris. Harris also shows a nice sense of thoughtfulness on the mellower cuts, too – which still swing in their own sort of way, thanks to the work of Andrew Simpkins on bass and Bill Dowdy on drums. Titles include the great original "Dap's Groove" – plus "Sermonette", "Hey There", "Nothin But The Blues", "Street Of Dreams", and "Little Girl Blue". CD
(Out of print. Includes obi.)

Possible matches9
CD, LP, Vinyl record album cover art
VariousWest Indies Funk Vol 2 ... LP
Trans Air (Puerto Rico), 1970s. New Copy 2LP ... $18.99
Rare Caribbean funk from the 70s – the second volume of West Indies Funk – once again delivering a stylistically diverse take on the classic funky soul from groups such as The Troubadours, Boo & The Tru Tones, Roosevelt Johnson & His Spice Islanders, The Cassanovas, Blue Rhythm Combo and others! All the things we dug about the first volume are in the mix once again – and ultimately the set goes even further with the range and boundlessly funky styles. Includes numbers that could just as easily come from the funky underground of the regional US and others that roll out grooves that are purely indicative of the Caribbean – with steel drums, tropical rhythms and all around breezier, sunnier touches. Even better than the first one! Includes "Funk Good Feeling" by The Troubaodours, "Have A Party" by The Esquires Now", "Don't Blame This Joint" by Boo & The True Tones", "Shango!" by Steel Image, "Something's Definitely Going On" by Mamwaw, "Look-Ka-Py Py" by L Charmers, "Funky Crookie" by Exile 1, "Sing A Simple Song" by The Cassanovas, "The Big Pay Back" by Kenny & The Beach Boys and more. LP, Vinyl record album

Possible matches10
CD, LP, Vinyl record album cover art
✨✧ Lou Donaldson & The 3 SoundsLD + 3 ... LP
Blue Note, 1959. Good+ ... Just Sold Out!
A classic meeting between alto giant Lou Donaldson and Blue Note's crack Three Sounds combo – the great piano trio led by the mighty Gene Harris! The formula was one that Blue Note employed on a number of sessions from the time – and it makes a lot of sense, because the Three Sounds are a very tight rhythm group, just waiting for a strong soloist to front their rolling soulful grooves – in ways that really set sessions like this apart from their standard albums for the label. On this one, the Sounds give Lou a nice tight backing, and he repays the favor by laying down some very tight, very in-the-pocket solos with a good soul jazz groove. Tracks include "Jump Up", "Confirmation", "Smooth Groove", and "Blue Moon". LP, Vinyl record album
(63rd Street pressing, with RVG stamp. Cover has some waviness, splitting and staining along the bottom due to moisture.)

Possible matches11
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleyCannonball Adderley Quintet In Chicago ... LP
Mercury, 1959. Used ... Out Of Stock
A great session from 1959 – one that features John Coltrane playing with the Adderley group, recorded in Chicago when they were stopping through the city with Miles Davis' combo at the time! In fact, since the rhythm section includes Wynton Kelly, Paul Chambers, and Jimmy Cobb – and since Coltrane's sitting in with Cannon – the album's essentially a Kind Of Blue-era Miles album, recorded without Miles on trumpet, and grooving in a slightly more soul-based Adderley mode. Given the presence of Coltrane, there's a bit less of the gutbuckety soul jazz that Cannon was cutting in his own Quintet – but that's more than ok with us, as the Coltrane solos more than make up for that difference! The set's got 2 great originals by Coltrane – "The Sleeper" and "Grand Central" – plus the cuts "Wabash" and "Limehouse Blues". LP, Vinyl record album
(Black label mono pressing.)

Possible matches12
CD, LP, Vinyl record album cover art
✨✧ Art Farmer & Benny Golson JazztetHere & Now/Another Git Together ... CD
Mercury/Universal (Germany), 1962. New Copy ... Out Of Stock
A pair of records from the legendary Art Farmer & Benny Golson Jazztet! Here & Now is one of the most magical records ever from this legendary group – a set that swings as hard and soulfully as some of their previous sessions, yet also has a sharper, more modern vibe as well! Of course, this latter aspect is no surprise – once you realize that a young Grachan Moncur is on trombone – adding his hip horn to the wonderful frontline of Benny Golson on tenor and Art Farmer on trumpet and flugelhorn. And given that the rhythm group also features Harold Mabern on piano, you can bet there's a freshness here that can't be beat – a sound and energy that's kept this one at the top of our stack for many many years. Mabern and Moncur contribute two of the best tracks – "Richie's Dilemma" and "Sonny's Back" – and other titles include "Whisper Not", "Tonk", "Rue Prevail", and "Ruby My Dear". Another Git Together is a rare later date, recorded after their more famous albums for Chess! The lineup here is a bit unusual – in that a young Grachan Moncur III is in the combo on trombone – really adding some deep, soulful tones to the music – in ways that are very different than his famous Blue Note performances – but which really shape the sound of the music here wonderfully! Harold Mabern's on piano – again bringing in a different feel to this record for the group, with some lyrical undercurrents that are beautiful – and the rest of the lineup features Roy McCurdy on drums and Herb Lewis on bass – in addition to the sublime trumpet of Art Farmer and tenor of Benny Golson. Titles include one of the best versions of "Along Came Betty" that we've ever heard – plus the tracks "Domino", "Another Git Together", "Reggie", and "Space Station. CD
Also available Here & Now ... LP 11.99

Possible matches13
CD, LP, Vinyl record album cover art
✨✧ Joe FarrellOriginal Album Classics (Joe Farrell Quartet/Outback/Penny Arcade/Upon This Rock/Canned Funk) (5CD set) ... CD
CTI/Sony, Early 70s. New Copy 5CD ... Out Of Stock
A CTI powerhouse – five full albums from reedman Joe Farrell, each packaged in a tiny LP-styled sleeve! First up is Joe Farrell Quartet – a stellar session that's easily one of the early high points for the legendary CTI label! Farrell bursts forth as one heck of a soulful cat – working on these great modal grooves that slide out wonderfully and really have a sense of flow – a style that's different than Joe's later material, but equally powerful! Part of the strength of the record comes from the lineup – a key quintet of like-mined up-and-comers that includes Chick Corea on keyboards, John McLaughlin on guitar, Dave Holland on bass, and Jack DeJohnette on drums – players who definitely know the farther reaches of jazz, yet hang just on the inside here with Joe – providing some amazing accompaniment for his lines on soprano, tenor, and flute. Titles include "Molten Glass", "Song Of The Wind", "Motion", "Follow Your Heart", and "Circle In The Square". Next is Outback – a drawn-out quintet side, with Chick Corea on electric piano, Buster Williams on bass, Elvin Jones on drums, and Airto on percussion. Farrell was playing with Jones at the time, and the album's got some of their strong choppy reed/percussion interplay – but with a sharpness and focus that you don't always hear on Elvin's records! Tracks are all long – and titles include "Outback", "Sound Down", and "Bleeding Orchid". Penny Arcade has grooves so sharp you could cut your trousers on them! Farrell's angular reed style is in perfect form here – grooving with a small group that includes Herbie Hancock on piano, Joe Beck on guitar, Steve Gadd on drums, and Don Alias on percussion – a combo that's got a harder, tighter feel than most CTI groups – a key reason why Joe's records of this time are so legendary! The album features a fantastic version of Stevie Wonder's "Too High" – one that breaks all over the beginning with these riffs by Farrell, then grooves into a CTI electric funk mode for about 13 minutes. All tracks are long – and other tracks include "Hurricane Jane", "Geo Blue", "Penny Arcade", and "Cloud Cream". Upon This Rock is wonderful – and there's a lean, edgey groove to the set that's totally great – a lot more bite than usual for CTI, thanks to these wonderfully angular lines from Joe on tenor, soprano sax, and flute – backed up with some wicked guitar work from Joe Beck, who really matches Farrell's energy – in a core quartet with Herb Bushler on bass and Jim Madison on drums. One cut features a guest group – with Herbie Hancock on piano, Steve Gadd on drums, and Don Alias on percussion – and the album includes the massively break-heavy title cut "Upon This Rock", plus "Seven Seas", "I Won't Be Back", and "Weathervane". Last up is Canned Funk – a record that's as fresh and freaky as the classic image on the cover! The riffing rhythms get going right from the start – some amazing lines from a rhythm combo that includes Joe Beck on guitar, Herb Bushler on bass, Jim Madison on drums, and the mighty Ray Mantilla on percussion – adding in these extra changes and fills that really get the tunes moving wonderfully – providing a perfect platform for Joe Farrell's wonderful work on tenor, soprano, baritone, and flute! The sax lines are as angular as the rhythms – tight, choppy, and completely funky – no wonder the record's a CTI classic that folks have dug for years! Tracks are all nice and long – and titles include "Canned Funk", "Animal", and "Spoken Silence". CD

Possible matches14
CD, LP, Vinyl record album cover art
✨✧ Marty Grosz & The Fat BabiesDiga Diga Do ... CD
Delmark, 2015. New Copy ... Out Of Stock
A trad jazz legend joins the younger Fat Babies combo – in a set that really illustrates the renewed commitment to old school styles at Delmark Records! Guitarist Marty Grosz last recorded for Delmark in 1959, as a sideman for Albert Nicholas – but his strength hasn't dimmed a bit over the years, as his tightly rhythmic playing makes for a great complement to the Fat Babies' sound! Marty gets plenty of room to solo, and impact the rhythm section too – and the album's overflowing with tight, short numbers that include "My Daddy Rocks Me", "Hold Me", "Diga Diga Doo", "A Jazz Holiday", "Blue", and "Why Couldn't It Be Poor Little Me". CD

Possible matches15
CD, LP, Vinyl record album cover art
✨✧ Hokis PokisMagic Of Hokis Pokis (with download) ... LP
Luv N' Haight, Mid 70s-Early 80s. New Copy 2 LPs ... Out Of Stock
A Long Island group with a very groovy sound – a blue-eyed take on funk and disco, with a great small combo sound that must have been great in the clubs! These guys slide into a groove with a tightness that matches their leisure suits in the photo on the back cover – and serve up these tightly riffing numbers that explode into sweet moogy moments and longer percussion bits on the extended tracks! Vocals are often sung together – kind of harmonized, but mostly in a way that just provides more power – and the keyboards on the best numbers have this kind of cosmic power that really drives the music a lot more than you'd expect – almost a Working Man's Soul version of P&P Records. Titles include "Nowhere", "Can't Wait For Love", "Get Cha Girl", "City Rhythm", "Keep On Rollin", "Find What You're Looking For", "Swing", and "Fire". Also includes notes on the group, and two unissued tracks! LP, Vinyl record album

Possible matches16
CD, LP, Vinyl record album cover art
✨✧ Paul Horn QuintetSomething Blue ... LP
Hi Fi, 1960. Used ... Out Of Stock
Amazing early work from the mighty Paul Horn – a record cut during a time when he was a damn good musician with a keen sensibility for modernist modal jazz! On this excellent date from 1960, Horn plays both flute and alto sax in a wonderful group – a combo with vibes from Emil Richards, bass from Jimmy Bond, piano from Paul Moer, and drums from Billy Higgins – all players with a very fluid, open sense of rhythm – one that makes the date dance and sparkle throughout! There's a pulsating energy here that almost predates the MPS/Saba sound of the decade to come – and in addition to Horn's imaginative solos, which are much more soulful here than before, the record also features some sharp-edged chromatics from Richards on vibes, and almost melodic drums from Higgins. The album's one of our all-time favorites – and titles include "Something Blue", "Half & Half", "Mr Bond", "Dun Dunnee", and "Tall Polynesian". LP, Vinyl record album
(Original pressing. Back cover has some writing in pencil.)

Possible matches17
CD, LP, Vinyl record album cover art
✨✧ Jazz ModesJazz Modes ... LP
Atlantic, 1959. Used ... Out Of Stock
One of the rarest albums by this fantastic combo from the late 50s! The band features the very strange mix of French horn, tenor, and soulful piano – played by Julius Watkins, Charlie Rouse, and Gildo Mahones, respectively. The sound shouldn't work, but it does, and beautifully – thanks to some pretty soulful rhythm work, and a nice conception that never gets too cute, or too full of itself. Rouse is great, and has a measured quality that hints at his work with Monk, but which also has a bit more soul. Mahones is always great, and is one of the true unsung heroes of soul jazz piano – and as an added unique element, the album features eerie vocals from Eileen Gilbert on a few numbers! Sahib Shihab sits in on a few cuts – and titles include "Knittin", "Blue Flame", "Mood In Motion", and "The Oblong". LP, Vinyl record album
(Original black label pressing, with deep groove. Vinyl has a click on one track, but is clean overall.)
 
Partial matches: 64
Partial matches18
CD, LP, Vinyl record album cover art
Greg AbateBop City – Live At Birdland ... CD
Candid (UK), 1991. Used ... $0.99
Greg Abate's working here with a hell of a great rhythm section – one who give the set enough soulful sparkle to take it far from the straight bop promised in the title! Abate's certainly got plenty of bop chops on his reeds – which include tenor, alto, soprano sax, and flute – but there's a more open, fluid groove to most of the tunes – courtesy of a combo that includes James Williams on piano, Rufus Reid on bass, and the great Kenny Washington on drums – all of whom swing things with plenty of round, warm tones. A number of tracks are well-penned originals by Abate, and stand out strongly from the rest – with titles that include "Andromeda", "The Young Uns", "Sax O'Blues", "Gemini Mood", "Minorism", "Bop City", and "Peaks Beaks". CD
(Out of print.)

Partial matches19
CD, LP, Vinyl record album cover art
Afro Blues Quintet Plus OneNew Directions In Sound ... CD
Mira/BGP (UK), Late 60s. New Copy ... $11.99 18.99
Smoking grooves from an incredible group – the amazing Afro Blues Quintet, a combo with a sound like no other! These guys were never one for stardom, but during the mid and late 60s, they burned up the west coast scene with an incredible blend of vibes, piano, and reeds – often kicked up nicely with some hard-rolling rhythm work that gave their tracks a similar mod groove to classics by Johnny Lytle, Ramsey Lewis, or Pucho & The Latin Soul Brothers! But the real difference with the ABQ (if we can call them that!) is that they had a really spacious approach to their sound – never putting too much into the mix, and instead using the space between the notes every bit as much as the notes themselves. The grooves are great, and since most of this work has never been reissued, the set's totally fresh to the ears of most listeners! As usual, the folks at BGP have done a great job with the notes – and the set features 22 tracks from the group's Mira, Surrey, and Crestview recordings – titles that include "Monkey Time", "Freaks", "La La La", "Southside Habit", "Mirror Image", "Afro Rock", "Evening Of The Beast", "Spartacus", "Candie Luv", and "Our Mambo". CD

Partial matches20
CD, LP, Vinyl record album cover art
Teemu Akerblom QuartetTeemu Akerblom Quartet (with download) ... LP
Jazzaggression (Finland), 2015. New Copy ... $24.99
An excellent contemporary combo from Finland – but one who are right at home on the Jazzaggression label, which mostly issues rare gems from years past! The sound here is plenty classic – and recalls that great 70s moment on the European scene when the best groups were aware of 60s advances like free or modal jazz, but could also swing as well – often bringing all elements to play in a single tune, but finding a way to make their most creative work still hold very strongly to a larger tradition in jazz! The group here is a quartet, but one with a slightly shifting lineup – the core trio of Teemu Akerblom on bass, Mikko Arlin on drums, and Max Zenger on saxes and flute – plus a changing fourth player from track to track – either Ville Vannemaa or Jarno Tikka on tenor, or Verneri Pohjola on trumpet. The lack of any piano really enforces the importance of the bass to the rhythms – and Akerblom's a player with a strong sense of modal energy, which often sets things up beautifully for the reed and trumpet solos to really soar and do their thing – shifting in intensity from track to track, partly because of that rotating fourth player! All tracks are original, and very fresh – and titles include "Blues For Martin", "Dark Corners", "Gilman's Point", "October 22", and "Harmaata Nakyvissa". LP, Vinyl record album
(Limited to 500 copies deluxe sleeve release, with download.)

Partial matches21
CD, LP, Vinyl record album cover art
Mickey Baker & The Alex Sanders Funk Time BandJazz Rock Guitar ... CD
Kicking Mule/Stefan Grossman's Guitar Workshop, 1978. Used ... $4.99
A rare later album from 50s guitar giant Mickey Baker – recorded overseas, and with a different vibe than his legendary R&B work – including some nice funky moments too! The album's not really jazz, and it's hardly rock at all – and instead is more of a bluesy effort with slight undercurrents of funk – some modern touches provided by the tight rhythms of bassist Alex Sanders and his combo – who provide a nice backdrop for Baker's sharp lines on guitar! Mickey's picked up a few modern tones over the years, but still has plenty of grit in his grooves – and titles include "Pop Off", "Prelude", "Ouagadougou", "Sophie", "Wag Your Tail", "Shadadabah", and "Alexander's Funk Time". CD

Partial matches22
CD, LP, Vinyl record album cover art
Gianni Bardaro & Pierluigi VillaniNext Stop ... CD
Verve (Italy), 2016. New Copy ... $16.99
A great group from the contemporary Italian scene – a combo co-led by Gianni Bardaro on alto and soprano sax, and Pierluigi Villani on drums – but which features really bold colors from all members of the group! All tracks are originals, composed by the leaders – and they've got a vibe that kind of post-fusion – using some electric bass at the core of their sound, but mostly working acoustically overall – using the bass to add just a slight current of depth in the rhythms, while the horns and piano create some nice tonal interplay. The album features work from Giovanni Falzone on trumpet, Francesco Villani on piano, Giorgio Vendola on bass, and Viz Maurogiovanni on some well-chosen electric bass – and titles include "Open The Door", "Bogo", "Blue Sun", "Square", "Wild Banky", "Draftorn", and "Hipster". CD

Partial matches23
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Beginning Of The EndBeginning Of The End (with bonus track) ... CD
Alston/Ultra Vybe (Japan), 1976. New Copy ... $19.99
One of the rarest funky records of all time – the hard-to-find second album by Beginning Of The End! This West Indian combo hit it big with their first album on Alston, but this second set, for some strange reason, never really got distributed – which is a damn shame, because it's every bit as funky as their first! The uniquely choppy rhythms of the group's first album are every bit as great here as on the first set – and if anything, the band's instrumentation is even better, especially on the guitar, which is wickedly tight, and played with a super-dope flanged-out approach on the solos. Vocals are great too, maybe even more soulful than before, especially on the album's few midtempo cuts – and the album's a must-have for any fan of the group's funky sound! Titles include "That's What I Get", "Super Woman", "Bluestrain", "Jump In The Water", "Falling Apart At The Seams", and "Trip To Nowhere". CD also features their Holiday track – the very groovy "Gee Whiz It's Christmas". CD

Partial matches24
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✨✧ Blue NotesBefore The Wind Changes ... CD
Ogun (UK), 1979. New Copy ... $14.99
A lost treasure – never-issued material from the legendary Blue Notes combo – and a set that really helps fill some space in their all-too-small recorded catalog! The set captures the group at the end of the 70s, working in their most openly-creative mode – a style that partly shows their strong roots in the South African jazz scene of the 60s, but which also really opens up with some of the freer modes of the following decade – hitting a mix of modes that's not unlike some of the AACM at their best, although often with a lot more intensity, too! The group at this point is a quartet – with Chris McGregor on piano, Johnny Dyani on bass, Louis Moholo on drums, and Dudu Pukwana on some especially amazing alto sax – blown with such righteous force, we might well say that his instrument is center stage on the record – were it not for the wonderfully complex rhythms from the other three group members too! Tracks are long, and filled with righteous soul – and titles inlcude "Ithi Gui", "Mange", "Lonta Uyagula", "Lakutshonga Ilanga", "The Bride", and "Funk Dem Dudu". CD

Partial matches25
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Bullet/Alan TewHanged Man – Original Television Soundtrack ... LP
Contour, 1975. New Copy (reissue)... $9.99
Nice funky 70s instrumentals, composed by Alan Tew, and performed by the group Bullet – a hip electric combo with a tight sound library feel. The overall style reminds us of Lalo Schifrin or Quincy Jones cop show work from the early 70s – with some tasty keyboards, plenty of riffing, and tight fast rhythmic tunes. The original's rare as hen's teeth, and the record is some of Tew's finest Brit easy work from the time. Titles include "Contract Man", "Killer HIll", "The Heist", "GBH", "Blue Panther", "The Spic", "Funky Bear", and "The Peterman". LP, Vinyl record album

Partial matches26
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Jimmy BurnsIt Ain't Right ... CD
Delmark, 2015. New Copy ... $11.99 15.99
Jimmy Burns is one of the better bluesmen in the contemporary Chicago scene – and an artist who really finds a way to merge the classic with the current, but without ever making things sound too hokey or gimmicky! The approach here is pretty classic – the leader on vocals and guitar, plus a bit of harmonica too – and backing with piano, bass, drums, and some additional rhythm guitar – that core combo mode first formed during the Chess era for recording electric blues, worked here by Burns without too much more in the way of production. The approach lets us focus strongly on Jimmy's spirit – and titles include "Will I Ever Find Somebody", "Big Money Problems", "Surrounded", "Rock Awhile", "Crazy Crazy Crazy", "It Ain't Right", "Messin With The Kid", and "A String To Your Heart". CD
Also available It Ain't Right ... CD 4.99

Partial matches27
CD, LP, Vinyl record album cover art
Jimmy BurnsIt Ain't Right ... CD
Delmark, 2015. Used ... $4.99
Jimmy Burns is one of the better bluesmen in the contemporary Chicago scene – and an artist who really finds a way to merge the classic with the current, but without ever making things sound too hokey or gimmicky! The approach here is pretty classic – the leader on vocals and guitar, plus a bit of harmonica too – and backing with piano, bass, drums, and some additional rhythm guitar – that core combo mode first formed during the Chess era for recording electric blues, worked here by Burns without too much more in the way of production. The approach lets us focus strongly on Jimmy's spirit – and titles include "Will I Ever Find Somebody", "Big Money Problems", "Surrounded", "Rock Awhile", "Crazy Crazy Crazy", "It Ain't Right", "Messin With The Kid", and "A String To Your Heart". CD
(Barcode has a cutout hole.)
Also available It Ain't Right ... CD 11.99

Partial matches28
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Dino & Montevideo BluesMontevideo Blues (plus bonus tracks) ... CD
Lion, 1972. New Copy ... $4.99
Really compelling work from the enigmatic Dino – a set recorded with slow, slinky backings from the Montevideo Blues combo! The album's a lot less blues than you might guess from the group's name – and in a way, the approach is almost more folksy, or singer/songwriter overall – with a key focus on Dino's political lyrics, and backings that often follow along with snakey guitar and slinky rhythms. There's a raspy brilliance to the whole set – and Dino almost sounds like Uruguay's equivalent of Geraldo Vandre – a powerful, positive singer, but one who never reached a bigger audience outside his homeland. Titles include "Sentimiento", "Si Te Vas", "Montevideo Blues", "Milonga De Pelo Largo", "Para Hacer Musica Para Hacer", and "Chamarrita El Chiquero". CD reissue is as amazing as the original – with a huge booklet with notes, history, and lyrics – plus 7 more bonus tracks too! CD

Partial matches29
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Joe FarrellMoon Germs ... CD
CTI/CBS, 1972. Used ... $9.99
One of the best records ever cut by funky sax man Joe Farrell! The album's got a stripped down, choppy groove – virtually the blueprint for later 70s funk of this type, and played perfectly by Farrell and a very hip quartet lineup! Players include Joe on soprano and tenor sax, Herbie Hancock on keyboards, Stanley Clarke on bass, and Jack DeJohnette on drums – playing with a very angular sense of rhythm that really dives the record! The record's got a tight combo sound that's far more energetic than most CTI jazz from the time – and titles include the great cut "Great Gorge", which has a tight modal sample groove, plus "Times Lie", "Bass Folk Song", and "Moon Germs". CD
(Out of print original pressing. CD case has a cutout hole.)

Partial matches30
CD, LP, Vinyl record album cover art
Paolo FerraraRitmico + Le Film Trouve – A Rhythmic Experience (clear vinyl pressing with bonus DVD) ... LP
Flipper/Dagored (Italy), 1975. New Copy LP & DVD ... $32.99
Wicked sound library funk from the 70s – an album that was originally pressed on a tiny run of 300 copies, by the equally tiny Flipper sound library label! The style here is nice and spare – less of the orchestral funk of other records of this nature, and mostly focused on rhythms from electric bass and congas, with wah-wah guitar lines that riff up and down the groove! This approach is almost more organic and homemade than some of the slicker sound library sets of the period – with the feel of a small combo just coming up with sweet laidback jams in the studio – and titles include "Rockfolk", "Sambasound", "Bassbeat", "Afrotheme", "Percussion Blues", "Tumbasound", "Bossa Feeling", and "Slow In Rhythm". LP, Vinyl record album
(Includes the DVD "Le Film Trouve – A Rhythmic Experience" – with footage from the Sync Film Archive!)

Partial matches31
CD, LP, Vinyl record album cover art
Gogo PenguinMan Made Object ... CD
Blue Note, 2016. New Copy ... $13.99 14.98
A piano trio, but one with a really unique sort of vibe – and a sound that has all three instruments cascading together in a rhythmic, joyful pulse! The group remind us a bit of some of the recent Japanese combos of late – like Fox Capture Plan – and Gogo Penguin share a similar style that's rooted in jazz, but takes off in many different ways – almost always rhythmic, but not in any sort of fake funk or dancefloor-oriented mode. Instead, these guys concentrate as much on their tonal colors as they do their grooves – and come together in a wonderful blend of Rob Turner on drums, Chris Illingworth on piano, and Nick Blacka on bass. Titles include "Weird Cat", "Smarra", "Protest", "All Res", "Unspeakable Words", and "Branches Break". CD
Also available Man Made Object ... LP 23.99

Partial matches32
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Gogo PenguinMan Made Object ... LP
Blue Note, 2016. New Copy 2LP Gatefold ... $23.99 25.99
A piano trio, but one with a really unique sort of vibe – and a sound that has all three instruments cascading together in a rhythmic, joyful pulse! The group remind us a bit of some of the recent Japanese combos of late – like Fox Capture Plan – and Gogo Penguin share a similar style that's rooted in jazz, but takes off in many different ways – almost always rhythmic, but not in any sort of fake funk or dancefloor-oriented mode. Instead, these guys concentrate as much on their tonal colors as they do their grooves – and come together in a wonderful blend of Rob Turner on drums, Chris Illingworth on piano, and Nick Blacka on bass. Titles include "Weird Cat", "Smarra", "Protest", "All Res", "Unspeakable Words", and "Branches Break". LP, Vinyl record album
Also available Man Made Object ... CD 13.99

Partial matches33
CD, LP, Vinyl record album cover art
Chuck HigginsBlows His Wig! – Loud & Greasy 50s Saxophony From The King Of South Central's Wig Blowers ... CD
Combo/Ace (UK), Early 50s. New Copy ... $11.99 18.99
One of the hippest saxophonists of the west coast R&B scene of the 50s – served up here in a host of classic singles for the Combo label! Back in the day, Chuck had a groove that could equally skirt jazz, R&B, and early rock and roll – a hard-blown tenor quality that was raspy, gritty, and filled with playful twists and turns – yet still also really hung into the hard and rhythmic grooves that backed up his sax! There's a pre-funk soulfulness to these singles that's really amazing – a sound that's years ahead of its time, and which often sounds far less dated than other honking 50s tenor saxophonists – especially given the tremendous sound used in the remastering of this package. We've heard other collections of Chuck's work from the time before, but this is easily the best one out there by far – filled with great notes and a total of 24 tracks that include "Boyle Heights", "Iron Pipe", "Blues N Mambo", "Higgins Bounce", "The Duck Walk", "Tortas", "Cotton Picker", "Motor Head Baby", "Love Me Baby", "Just Won't Treat Me Right", "Chuck's Wig", and "Real Gone Hound Dog". CD

Partial matches34
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Smokey HoggServe It To The Right – The Combo & Modern Recordings 1947 to 1952 ... CD
Modern/Ace (UK), Late 40s/Early 50s. New Copy ... $11.99 18.99
A great second chapter of work from Smokey Hogg's years at the Modern Records label – material that's got a bit more of a west coast polish than the rootsy vibe of his previous sides! Smokey still has plenty of Texas in his vocals and work on guitar, but the arrangements here often emphasize hipper piano lines and groovier rhythms, too – bringing Hogg's sound more into contact with the growing sophistication of the west coast scene. The mix is a really compelling one – as there's definitely some country blues phrasing in the guitar, but a lot more of a jump blues sound in the rhythms – coming together in that really special way that happened on the west coast during the postwar years. As usual with Ace, the presentation here is great – excellent sound on rare 78s, right from their original source material – plus a number of never-issued tracks, too – making for a total of 25 numbers that include "Patrol Wagon Blues", "River Hip Mama", "Worried Blues", "Come On Home", "You're Gonna Look Like A Monkey", "I Believe To My Soul", "Good Morning Little Baby", "Two Mama Blues", "Possum Hunt", "Talk It Over", "Whoa Mule", and "Can't Do Nothin". CD

Partial matches35
CD, LP, Vinyl record album cover art
✨✧ Hokum BoysYou Can't Get Enough Of That Stuff ... LP
Yazoo, 1929/1975. Near Mint- ... $24.99
No hoke here – just a host of rare 78rpm recordings from The Hokum Boys – a wonderfully tight combo with a nice degree of jazz in their music, too! In a way, the tunes here represent a great bridge between blues and early jazz – and point the way towards the rise of acoustic swing in the 30s – thanks to the combo's great piano and guitar-driven rhythms! Vocals are often quite playful – hinting at a Cab Calloway style – and titles include "Pat A Foot Blues", "Selling That Stuff", "It's All Gone Now", "Only The Blues", "Gambler's Blues", "Went To His Head", and "Let Me Have It". LP, Vinyl record album
(Peacock label pressing.)

Partial matches36
CD, LP, Vinyl record album cover art
Ivan Boogaloo Joe JonesMy Fire! – More Of The Psychedelic Soul Jazz Guitar Of Joe Jones ... LP
Prestige, 1968. Very Good ... $39.99
Ivan Boogaloo Joe Jones steps forward strongly on this second set for Prestige Records – working with a nicely unified combo that includes the great Harold Mabern on piano, plus a bit of electric piano too – alongside tight rhythms from Peck Morrison on bass, Bill English on drums, and Richard Landrum on conga – all in a mode that's a mix of 60s soul jazz, and some of the wilder styles that Jones would pick up even more in a few records. A few tracks are nice and long, which allows for good solo space – and titles include "Light My Fire", "Time After Time", "Ivan the Terrible", "Take All", and "For Big Hal". LP, Vinyl record album
(Original blue label pressing. Cover has light wear.)

Partial matches37
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✨✧ Ray Lugo & The Boogaloo DestroyersMi Watusi ... CD
Freestyle (UK), 2011. New Copy ... $3.99
A great Latin boogaloo set from Ray Lugo & his Boogaloo Destroyers – fulfilling Lugo's longtime ambition of modern take a the mix of Latin soul, rhythm & blues and more that were so inspiring to Lugo's childhood in NYC! Lugo is a veteran of the modern Afro Funk scene – having cut his teeth the the excellent Kokolo group – so the Boogaloo Destroyers isn't all that surprising of a stylistic leftturn, as all we've heard from Lugo suggest a depth of understand of myriad soulful styles. Here they cover classics by Mongo Santamaria, Hector Rivera, Roberto Valentin and others. Includes "Soy El Rey", "Swingy Boogaloo", "Combo", "At The Party", "Me And You Baby (Picao Y Tostao)", the excellent original cut "Lugo's Boogaloo", "My Shingaling", "El Bantu" and more. CD
 
 
 



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