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Possible matches: 27
Possible matches1
CD, LP, Vinyl record album cover art
VariousWest Indies Funk Vol 2 ... CD
Trans Air (Puerto Rico), 1970s. New Copy ... $4.99 17.98
Rare Caribbean funk from the 70s – the second volume of West Indies Funk – once again delivering a stylistically diverse take on the classic funky soul from groups such as The Troubadours, Boo & The Tru Tones, Roosevelt Johnson & His Spice Islanders, The Cassanovas, Blue Rhythm Combo and others! All the things we dug about the first volume are in the mix once again – and ultimately the set goes even further with the range and boundlessly funky styles. Includes numbers that could just as easily come from the funky underground of the regional US and others that roll out grooves that are purely indicative of the Caribbean – with steel drums, tropical rhythms and all around breezier, sunnier touches. Even better than the first one! Includes "Funk Good Feeling" by The Troubaodours, "Have A Party" by The Esquires Now", "Don't Blame This Joint" by Boo & The True Tones", "Shango!" by Steel Image, "Something's Definitely Going On" by Mamwaw, "Look-Ka-Py Py" by L Charmers, "Funky Crookie" by Exile 1, "Sing A Simple Song" by The Cassanovas, "The Big Pay Back" by Kenny & The Beach Boys and more. CD

Possible matches2
CD, LP, Vinyl record album cover art
✨✧ Georgie Fame & The Blue FlamesRhythm & Blues At The Flamingo (with bonus tracks) ... CD
Polydor/Universal (UK), 1964. New Copy ... Out Of Stock
Blistering early work from a young Georgie Fame – a set that definitely lives up to the Rhythm & Blues in the title! The set was recorded live at London's hip Flamingo club – and Georgie and The Blue Flames are very much in command of the crowd – burning with the intensity of a American small organ combo, especially the early 60s variety that often played equal parts soul jazz and R&B! Georgie's on the Hammond, and also sings with a rough-edged style that's plenty soulful, and incredibly appealing – a mode that oozes charisma, but never sounds fake or forced. Other instrumentation includes tenor, baritone sax, bass, drums, and conga – plus some great guitar from Big Jim Sullivan – and titles include "Do The Dog", "Eso Beso", "Work Song", "Baby Please Don't Go", "Shop Around", "Humpty Dumpty", and "You Can't Sit Down". This 2016 edition comes loaded with a huge number of bonus tracks, too – with 1964 BBC Session recordings of "Night Train", "Walking The Dog", "Do-Re-Mi", "You're Breaking My Heart" wtih Long John Baldry and more, plus "Parker's Mood", "Molasses", "Funky Mama (Blue Moon Bootleg Version)", "Money (That's What I Want)" and lots more. 10 tracks on the original album – plus 13 bonus tracks! CD

Possible matches3
CD, LP, Vinyl record album cover art
✨✧ Georgie Fame & The Blue FlamesRhythm & Blues At The Flamingo (Japanese paper sleeve edition – with bonus tracks) ... CD
Polydor (Japan), 1964. New Copy ... Out Of Stock
Blistering early work from a young Georgie Fame – a set that definitely lives up to the Rhythm & Blues in the title! The set was recorded live at London's hip Flamingo club – and Georgie and The Blue Flames are very much in command of the crowd – burning with the intensity of a American small organ combo, especially the early 60s variety that often played equal parts soul jazz and R&B! Georgie's on the Hammond, and also sings with a rough-edged style that's plenty soulful, and incredibly appealing – a mode that oozes charisma, but never sounds fake or forced. Other instrumentation includes tenor, baritone sax, bass, drums, and conga – plus some great guitar from Big Jim Sullivan – and titles include "Do The Dog", "Eso Beso", "Work Song", "Baby Please Don't Go", "Shop Around", "Humpty Dumpty", and "You Can't Sit Down". This 2016 edition comes loaded with a huge number of bonus tracks, too – with 1964 BBC Session recordings of "Night Train", "Walking The Dog", "Do-Re-Mi", "You're Breaking My Heart" wtih Long John Baldry and more, plus "Parker's Mood", "Molasses", "Funky Mama (Blue Moon Bootleg Version)", "Money (That's What I Want)" and lots more. 10 tracks on the original album – plus 13 bonus tracks! CD
(SHM-CD pressing!)

Possible matches4
CD, LP, Vinyl record album cover art
Elvin JonesLive at the Lighthouse Vol 2 ... CD
Blue Note, 1972. Used ... $16.99
Easily the most hard-hitting of Blue Note's 2LP Lighthouse Live series from the early 70s – and a record that really lets Elvin Jones and his group stretch out and play! The setting is a perfect one for Jones – given the boundless energy already present on his studio sessions for Blue Note at the time – really fierce work that goes beyond even his classic Coltrane performances – pushing the limits in a sweet blend of rhythm and reeds! The group here is Elvin's razor-edge combo from the early 70s – the one that features Gene Perla on fat funky bass, and both Steve Grossman and Dave Liebman playing choppy reeds along with the grooves – really amazing hornmen at this point in their career, blowing here with interplay that's simply fantastic! Jones' leadership both draws from his years with Coltrane, yet also takes the music to key new levels – increasing the energy without blowing the top off, and creating a vivid new groove that so many others would try to cop later in the 70s – but never do this well. Titles on this second volume include "New Breed", "My Ship", and "Sweet Mama". CD
(Out of print.)

Possible matches5
CD, LP, Vinyl record album cover art
Jackie McLeanSwing Swang Swingin' (Japanese pressing) ... CD
Blue Note (Japan), 1959. Used ... $8.99
Jackie McLean cut some of his best bop sessions for Blue Note – and this is one of them! The record is amazingly precise, and features Jackie as the sole horn soloist in a group with Walter Bishop on piano, Jimmy Garrison on bass, and Art Taylor on drums – a crack rhythm combo that give McLean plenty of room to blow on his searing alto sax. Tracks stream along with an amazing ease – and Jackie's perfectly-placed solos are right on the money every time! The set list includes a lot of standards, but they're done with that warm soulful approach that makes you hardly care about the source of the material – and instead focus on Jackie's amazing talents as an improviser! Titles include "What's New", "I Love You", "Let's Face The Music And Dance", and "Stable Mates". CD
(Early 90s Japanese pressing.)

Possible matches6
CD, LP, Vinyl record album cover art
✨✧ Jackie McLeanSwing Swang Swingin' ... LP
Blue Note, 1959. Used ... Temporarily Out Of Stock
Jackie McLean cut some of his best bop sessions for Blue Note – and this is one of them! The record is amazingly precise, and features Jackie as the sole horn soloist in a group with Walter Bishop on piano, Jimmy Garrison on bass, and Art Taylor on drums – a crack rhythm combo that give McLean plenty of room to blow on his searing alto sax. Tracks stream along with an amazing ease – and Jackie's perfectly-placed solos are right on the money every time! The set list includes a lot of standards, but they're done with that warm soulful approach that makes you hardly care about the source of the material – and instead focus on Jackie's amazing talents as an improviser! Titles include "What's New", "I Love You", "Let's Face The Music And Dance", and "Stable Mates". LP, Vinyl record album
(UK pressing on Boplicity.)

Possible matches7
CD, LP, Vinyl record album cover art
Georgie FameWhole World's Shaking – Complete Recordings 1963 to 1966 (Rhythm & Blues At/At Last/Sweet Things/Sound Venture/Rarities/bonus) (5CD set) ... CD
Universal (UK), 1960s. New Copy 5 CDs ... $84.99 86.99
Four incredible albums from the young Georgie Fame – plus a bonus CD of rare material, bonus tracks on all CDs, and 18 previously unreleased tracks – all in a box set with a 48 page book, 5 postcards, and a poster too! First up is Rhythm & Blues At The Flamingo – blistering early work from a young Georgie Fame – a set that definitely lives up to the Rhythm & Blues in the title! The set was recorded live at London's hip Flamingo club – and Georgie and The Blue Flames are very much in command of the crowd – burning with the intensity of a American small organ combo, especially the early 60s variety that often played equal parts soul jazz and R&B! Georgie's on the Hammond, and also sings with a rough-edged style that's plenty soulful, and incredibly appealing – a mode that oozes charisma, but never sounds fake or forced. Titles include "Do The Dog", "Eso Beso", "Work Song", "Baby Please Don't Go", "Shop Around", "Humpty Dumpty", and "You Can't Sit Down". Fame At Last is a brilliant mix of jazz, soul, and R&B – all filtered through a mod sort of London freshness, as early proof that the city could always take some great things from our own musical roots, and feed it back to us with a whole new flavor! Georgie's no copycat here, though – and the sound is instantly Fame-like – a style that's really not the sort that any Americans were doing at the time, and certainly never this well. Hard-burning Hammond colors most of the tunes here – played with a tightly vamping quality – but it's Georgie's charmingly crackling vocals that really win us over! Titles include "Gimme That Wine", "Pink Champagne", "Monkeying Around", "Green Onions", "Let The Sunshine In", "Get On The Right Track Baby", "I'm In The Mood For Love", and "I Love The Life I Live". Sweet Things is a definite sweet thing from Georgie Fame – a record that has him filling in his sound even more than before, with tremendously soulful results! The backings here are bigger than before – a bit tooled in an American soul mode, but still with that beautifully raspy Georgie Fame touch – lots of jazzy inflections on the vocals, and a way of handling a tune, even a familiar one, and really working it on his own level. Hammond still fills in most of the tunes, but other instrumentation includes some nice African percussion from Speedy Acquaye, saxes from Pete Coe, and some nice bold drums from John Mitchell. These come out to the forefront on the classic funky tune "Music Talk" – and still sound great on other numbers that include "The World Is Round", "Last Night", "Dr Kitch", "My Girl", "Ride Your Pony", and "Sweet Thing". Sound Venture is one of the jazziest early albums from Georgie Fame – a set that has him singing with the big band of Harry South, at a level that's a lot more complicated than some of his other work with The Blue Flames! The style here still has that mod 60s London feel, but it also has some deeper inflections as well – modes borrowed a bit from Jon Hendricks or Mose Allison, yet served up with even greater complexity – at a level that really points towards the tremendous growth Fame would unleash over the next few years. Members of the group include Tubby Hayes, Ronnie Scott, Tony Coe, Dick Morrisey, Kenny Wheeler, and many other key Brit jazz figures of the time – and titles include "Three Blind Mice", "Dawn Yawn", "Feed Me", "Lovey Dovey", "Lil Darlin", "Lil Pony", "I Am Missing You", and "Many Happy Returns". CD5 is Bend A Little – a package with 20 unusual titles – demos, rare tracks, and outtakes – including unreleased tracks, IBC recordings, and even two German tracks too! Plus, each individual CD comes with bonus tracks – 40 bonus tracks, in addition to the 20 more titles on the Bend A Little set – a huge amount of material! CD
(Includes a hardcover book, 5 postcards & a poster.)

Possible matches8
CD, LP, Vinyl record album cover art
Paul Horn QuintetSomething Blue ... LP
Hi Fi, 1960. Very Good ... $11.99
Amazing early work from the mighty Paul Horn – a record cut during a time when he was a damn good musician with a keen sensibility for modernist modal jazz! On this excellent date from 1960, Horn plays both flute and alto sax in a wonderful group – a combo with vibes from Emil Richards, bass from Jimmy Bond, piano from Paul Moer, and drums from Billy Higgins – all players with a very fluid, open sense of rhythm – one that makes the date dance and sparkle throughout! There's a pulsating energy here that almost predates the MPS/Saba sound of the decade to come – and in addition to Horn's imaginative solos, which are much more soulful here than before, the record also features some sharp-edged chromatics from Richards on vibes, and almost melodic drums from Higgins. The album's one of our all-time favorites – and titles include "Something Blue", "Half & Half", "Mr Bond", "Dun Dunnee", and "Tall Polynesian". LP, Vinyl record album
(Original pressing. Cover has a name in marker. Labels have some marker.)

Possible matches9
CD, LP, Vinyl record album cover art
Lou Donaldson & The 3 SoundsLD + 3 (2 LP 180gram 45 RPM pressing) ... LP
Blue Note/Music Matters, 1959. Near Mint- 2LP Gatefold (reissue)... $43.99
A classic meeting between alto giant Lou Donaldson and Blue Note's crack Three Sounds combo – the great piano trio led by the mighty Gene Harris! The formula was one that Blue Note employed on a number of sessions from the time – and it makes a lot of sense, because the Three Sounds are a very tight rhythm group, just waiting for a strong soloist to front their rolling soulful grooves – in ways that really set sessions like this apart from their standard albums for the label. On this one, the Sounds give Lou a nice tight backing, and he repays the favor by laying down some very tight, very in-the-pocket solos with a good soul jazz groove. Tracks include "Jump Up", "Confirmation", "Smooth Groove", and "Blue Moon". LP, Vinyl record album
(Test pressing, in separate plain covers with catalog number stamps. Disc 2 is still sealed.)

Possible matches10
CD, LP, Vinyl record album cover art
Eddie FisherThird Cup ... LP
Cadet, 1969. Very Good+ ... $8.99
An amazing album by the great guitarist Eddie Fisher – and completely unlike his later funk records! Eddie plays stripped down jazz with a small combo that includes organ by Robert Selby, bass by Paul Jackson, and some rhythm guitar by Phil Westmoreland – and the twin-guitar approach creates this super-dope style that's light years ahead of its time, with a sophistication that points the way to later mid 70s work on labels like CTI and Kudu! Eddie's guitar work is an incredible exercise in spareness and soulfulness – best heard on the fantastic "Third Cup", a long drawn-out jazz stepper that's got to be heard to be believed. The cut's been a favorite on the Chicago jazz stepper's scene for years – and it alone is worth the price of the album. However, the record features some other wonderful stuff – like a sublime version of "Shadow Of Your Smile" that runs for a bubbling 12 minutes – plus the originals "Shut Up", "Scorched Earth", and "Two By Two". LP, Vinyl record album
(Blue label stereo pressing. Cover has some sticker and paper remnants on front, some wear, and a promo ink stamp on back.)

Possible matches11
CD, LP, Vinyl record album cover art
Roland HannaNew York Jazz Quartet In Chicago ... LP
Beehive, 1983. Near Mint- ... $7.99
An album issued under the name of pianist Roland Hanna, but a set that really showcases his work with the excellent New York Jazz Quartet – a totally hip combo who issued some records on Enja around the same period! This date's a Chicago one – as you'd guess by the title – handled with that relaxed, sympathetic style that made the Beehive label such a great return to the basics of 60s modes of recording from Prestige and Blue Note. Yet there's also a fresh feel to the way that Hanna and the group put the tunes together – a mix of lyricism and swing that's maybe one of the best showcases ever for the tenor and flute of Frank Wess – given the subtle, skillful rhythm talents of George Mraz on bass, and Ben Riley on drums! Titles include the originals "Wisteria", "Four The Hard Way", and "Raise A Ruckus" – plus the Thad Jones tunes "H&T Blues" and "Ain't Nothin New". LP, Vinyl record album

Possible matches12
CD, LP, Vinyl record album cover art
Ramsey LewisHang On Ramsey ... LP
Cadet, 1965. Near Mint- ... $4.99
Easily one of Ramsey Lewis' most successful records – featuring the hit soul jazz style that he forged with the Young/Holt rhythm combo, honed to perfection before a live crowd at The Lighthouse in Hermosa Beach. The record's a key part of Ramsey's live recorded output – showing the trio in pyrotechnic form before the kind of packed-house audiences they were playing to nightly at the time. Includes swinging versions of "Hard Day's Night", "High Heel Sneakers", and "Hang On Sloopy" – plus the original cut "Movin Easy". LP, Vinyl record album
(Blue label stereo pressing.)

Possible matches13
CD, LP, Vinyl record album cover art
Steve NelsonBrothers Under The Sun ... CD
High Note, 2017. New Copy ... $14.99 16.98
Steve Nelson's been one of the hippest talents on vibes for many years now – and an album like this is a great reminder of why we love his music so much! Nelson's never content to just echo the sound of previous masters of his instrument – and instead, like a rare few, he finds a way to integrate the instrument into a familiar jazz combo, but all without ever making the vibes stand in second place – really soaring out and ringing forth with a commanding power that really leaves us breathless! Here, Nelson's in some very well-matched, deeply soulful company – a killer quartet with Danny Grissett on piano, Peter Washington on bass, and Lewis Nash on drums – superb rhythm players whose own fires rise and burn with the energy of the leader. The ballads on the record are as great as the burners – and it's the burners we love most of all – on titles that include "Eastern Joy Dance", "Soul-Leo", "Grew's Tune", "Samba D'Blue", "New Wheels", "Brothers Under The Sun", and "Melody For Mulgrew". CD

Possible matches14
CD, LP, Vinyl record album cover art
Bud PowellStrictly Powell ... CD
RCA, 1957. Used ... $4.99
Strictly Bud Powell, in the best sense of the word – as the album's a sharp batch of trio tracks recorded for RCA in the 50s, and a great showcase for Bud's firey talents on the piano! The rhythm combo features bold work on drums from Art Taylor, alongside the bass of George Duvivier – but Powell's definitely the leading light here, as the album features some of his tremendously deft work on the keys throughout. There's a nice tension to the material – played with a strength that matches most of Bud's other work from the time – but a bit different than some of his other recordings for Verve and Blue Note. The set features 11 tracks in all – and titles include "Time Was", "Jump City", "Elegy", "Coscrane", and "Topsy Turvy". CD
(Out of print.)

Possible matches15
CD, LP, Vinyl record album cover art
✨✧ Bola SeteAutentico! ... LP
Fantasy, Mid 60s. Very Good ... $9.99
An excellent groover from this great Brazilian guitarist! Sete's in fine form here, definitely more "autentico" than on other albums – and he grooves nicely with a bossa sound, and backing by a good rhythm combo that includes Sebastian Neto on bass and Paulinho on drums! Titles include "Soul Samba", "Consolacao", "Brejeiro", "Baion Blues", and "Coisa". LP, Vinyl record album
(Blue label pressing.)

Possible matches16
CD, LP, Vinyl record album cover art
SouliveTurn It Out ... CD
Velour, 1999. Used ... $4.99
New York is what is funky! This is a killer new release by a small organ jazz combo from the Big Apple – and they are definitely worthy members of the city's great end-of-the century funk scene that includes Medeski Martin & Wood, Sugarman Three, and The Other Side! The band have certainly spent plenty of time getting their chops up – and they have a very tight organ/guitar sound with a totally live feel to it. The overall groove is right up there with the best classic combos on Prestige – with stone cold funky drumming underneath sweetly strident lines on the Hammond, and some very heavy guitar rhythm parts. In a way, the record really evokes the heavy funk sound of Lonnie Smith's fantastic Blue Note sides from the Late 60s – with a very heavy drum sound nicely kicking it live! The CD's their first – and believe us, it will more than break them out of the box. Tracks include "Arruga De Agua", "Doin Something", "Rudy's Way", "Azucar", and "Steppin". Great stuff – and the kind of small-group recording that makes it worth shopping at Dusty Groove! Plus, this is the new remastered version of the CD – featuring 2 bonus cuts that weren't on the original release! CD
(Out of print.)

Possible matches17
CD, LP, Vinyl record album cover art
Stanley TurrentineEasy Walker (with bonus tracks) ... CD
Blue Note (Japan), 1966. New Copy ... About December 6, 2017
An album of subtle genius and stellar soul from the great Stanley Turrentine – an over looked quartet date that plays with the sharper edge of some of his earlier work for Blue Note, but which also shows the growing sense of color and tone he'd picked up during the 60s! The group here is great – a loose combo with McCoy Tyner on piano, Bob Cranshaw on bass, and Mickey Roker on drums – a rhythm team who still hold some of the soulful styles of Turrentine's more arranged albums, but who also really know how to respond to his groove too. Stan's got these confident solos that really show him becoming one of the true tenor masters of his time – with an especially great sense of space and timing – and titles include "Meat Wave", "Easy Walker", and a nice sweet version of "What the World Needs Now is Love". CD features two bonus tracks – "You Want Me To Stop Loving You" and "A Foggy Day". CD

Possible matches18
CD, LP, Vinyl record album cover art
Yesterdays New QuintetSound Directions – The Funky Side Of Life ... CD
Stones Throw, 2005. Used ... $4.99
A fresh serving of genius from Madlib – served up here in yet another manifestation of the Yesterday's New Quintet combo! Sound Directions have a groove that's quite similar to YNQ, but which focuses a bit more on the skittish percussion of Otis Jackson and "Sloppy" Joe Johnson – a live but spacey approach to rhythm, and one that often has the drums recorded in this gritty way that's nice and crunchy – and which is a perfect "bottom" to the tighter horns and electric keyboards of the set! Madlib's got help from guest players who vary from track to track – fleshing out his unique musical vision that includes new takes on Billy Brooks' "40 Days", Marcos Valle's "Wanda Vidal", Oliver Sain's "On The Hill", Lesiman's "Play Car", and David Axelrod's "A Divine Image" – as well as the original tunes "Theme For Ivory Black", Directions", and "Dice Game". Great stuff all around – with a groove that's as wild as Madlib's trip into the Blue Note vaults! CD

Possible matches19
CD, LP, Vinyl record album cover art
✨✧ Lorez AlexandriaFor Swingers Only ... CD
Argo/Dusty Groove, 1963. Used ... Temporarily Out Of Stock
One of the greatest albums ever from Lorez Alexandria – an ultra-hip singer who recorded for Impulse and King, but who sounds especially wonderful on this rare date for Chess Records! The album's got a groove that definitely lives up to its title – a jazzy, bouncy sort of rhythm that's definitely "for swingers only", and which is a nice contrast to overdone torch or standard jazz vocal modes. Alexandria's singing is completely sublime – quite fluid, yet with a soulful depth that's really amazing – and her backing combo is equally hip – a group led by John Young on piano, and also featuring George Eskirdge on guitar, Jimmy Garrison on bass, Phil Thomas on drums, and Ronald Wilson on flute and tenor – an obscure player whose reed work really makes the album sparkle! The song choices are great too – a mix of some under-recorded gems and a few blue-toned classics – all redone amazingly by Lorez with a sound that's quite unique. Titles include her classic Argo reading of "Baltimore Oriole", which begins with an amazing drum/bass passage that's worth the price of the album alone – and other tracks include "The End Of A Love Affair", "Baltimore Oriole", "All Or Nothing At All", "Mother Earth", "Love Look Away", and "Traveling Down A Lonely Road". CD
(Out of print Dusty Groove pressing.)

Possible matches20
CD, LP, Vinyl record album cover art
✨✧ Lorez AlexandriaFor Swingers Only ... LP
Argo, 1963. Used ... Temporarily Out Of Stock
One of the greatest albums ever from Lorez Alexandria – an ultra-hip singer who recorded for Impulse and King, but who sounds especially wonderful on this rare date for Chess Records! The album's got a groove that definitely lives up to its title – a jazzy, bouncy sort of rhythm that's definitely "for swingers only", and which is a nice contrast to overdone torch or standard jazz vocal modes. Alexandria's singing is completely sublime – quite fluid, yet with a soulful depth that's really amazing – and her backing combo is equally hip – a group led by John Young on piano, and also featuring George Eskirdge on guitar, Jimmy Garrison on bass, Phil Thomas on drums, and Ronald Wilson on flute and tenor – an obscure player whose reed work really makes the album sparkle! The song choices are great too – a mix of some under-recorded gems and a few blue-toned classics – all redone amazingly by Lorez with a sound that's quite unique. Titles include her classic Argo reading of "Baltimore Oriole", which begins with an amazing drum/bass passage that's worth the price of the album alone – and other tracks include "The End Of A Love Affair", "Baltimore Oriole", "All Or Nothing At All", "Mother Earth", "Love Look Away", and "Traveling Down A Lonely Road". LP, Vinyl record album
(Japanese pressing, with obi!)
 
Partial matches: 57
Partial matches28
CD, LP, Vinyl record album cover art
✨✧ VariousJukebox Mambo 3 – Afro Latin Accents In Rhythm & Blues 1947 to 1960 ... CD
Jazzman (UK), Late 40s/1950s. New Copy ... $14.99 18.99
Maybe the rootsiest set so far in this excellent series – and one that almost seems to go back and look a bit at the evolution of the genre! As you probably know from our notes on the previous collections, the term "jukebox mambo" is here used to refer to postwar R&B that's heavy on influences from Latin music – sometimes in the rhythms or percussion, sometimes in other elements as well! About half the tracks here would be right at home on some Ace Records collection of material from labels like King Records, Specialty, or Atlantic – and many have a tripling rhythmic groove that's part New Orleans soul, part romping jazzy percussion. But others seem to borrow maybe a bit more from the Caribbean, too – some of the leaner tracks that echo the coolest styles of the islands, especially in the vocals, percussion, and use of guitar. The choice of cuts is wonderful – a huge array of sounds that you would not expect to come together this beautifully – and titles include "Please Don't Go" by Floyd Dixon, "Alabama Sue" by Roy Gaines, "Mambo Mambo Baby" by Paul Boyers Band, "Calypso Cha Cha For Spooks" by Monogram Caribbean Orchestra, "Bermuda" by Maurice King & His Wolverines, "Mary" by Preacher Stephens With The Foree Wells Combo, "Tough De Times" by The Emperor, "Hurry Back Baby" by Camille Howard, "Caravan" by Chuz Alfred, "Swing Low Sweet Cadillac" by Aggie Dukes, "Double A Mambo" by Linton Garner & His All Stars, "Little Daddy" by Big Bertha, "The Mojo" by Sax Mallard, and "I Ain't Nothing But A Fool" by Christine Kittrell. CD
Also available Jukebox Mambo 3 – Afro Latin Accents In Rhythm & Blues 1947 to 1960 ... LP 25.99

Partial matches29
CD, LP, Vinyl record album cover art
✨✧ VariousJukebox Mambo 3 – Afro Latin Accents In Rhythm & Blues 1947 to 1960 ... LP
Jazzman (UK), Late 40s/1950s. New Copy 2LP Gatefold ... $25.99 29.99
Maybe the rootsiest set so far in this excellent series – and one that almost seems to go back and look a bit at the evolution of the genre! As you probably know from our notes on the previous collections, the term "jukebox mambo" is here used to refer to postwar R&B that's heavy on influences from Latin music – sometimes in the rhythms or percussion, sometimes in other elements as well! About half the tracks here would be right at home on some Ace Records collection of material from labels like King Records, Specialty, or Atlantic – and many have a tripling rhythmic groove that's part New Orleans soul, part romping jazzy percussion. But others seem to borrow maybe a bit more from the Caribbean, too – some of the leaner tracks that echo the coolest styles of the islands, especially in the vocals, percussion, and use of guitar. The choice of cuts is wonderful – a huge array of sounds that you would not expect to come together this beautifully – and titles include "Please Don't Go" by Floyd Dixon, "Alabama Sue" by Roy Gaines, "Mambo Mambo Baby" by Paul Boyers Band, "Calypso Cha Cha For Spooks" by Monogram Caribbean Orchestra, "Bermuda" by Maurice King & His Wolverines, "Mary" by Preacher Stephens With The Foree Wells Combo, "Tough De Times" by The Emperor, "Hurry Back Baby" by Camille Howard, "Caravan" by Chuz Alfred, "Swing Low Sweet Cadillac" by Aggie Dukes, "Double A Mambo" by Linton Garner & His All Stars, "Little Daddy" by Big Bertha, "The Mojo" by Sax Mallard, and "I Ain't Nothing But A Fool" by Christine Kittrell. LP, Vinyl record album
(Includes download!)
Also available Jukebox Mambo 3 – Afro Latin Accents In Rhythm & Blues 1947 to 1960 ... CD 14.99

Partial matches30
CD, LP, Vinyl record album cover art
VariousJukebox Mambo 3 – Afro Latin Accents In Rhythm & Blues 1947 to 1960 (10 inch record book) ... LP
Jazzman (UK), New Copy ... About October 20, 2017
Maybe the rootsiest set so far in this excellent series – and one that almost seems to go back and look a bit at the evolution of the genre! As you probably know from our notes on the previous collections, the term "jukebox mambo" is here used to refer to postwar R&B that's heavy on influences from Latin music – sometimes in the rhythms or percussion, sometimes in other elements as well! About half the tracks here would be right at home on some Ace Records collection of material from labels like King Records, Specialty, or Atlantic – and many have a tripling rhythmic groove that's part New Orleans soul, part romping jazzy percussion. But others seem to borrow maybe a bit more from the Caribbean, too – some of the leaner tracks that echo the coolest styles of the islands, especially in the vocals, percussion, and use of guitar. The choice of cuts is wonderful – a huge array of sounds that you would not expect to come together this beautifully – and titles include "Please Don't Go" by Floyd Dixon, "Alabama Sue" by Roy Gaines, "Mambo Mambo Baby" by Paul Boyers Band, "Calypso Cha Cha For Spooks" by Monogram Caribbean Orchestra, "Bermuda" by Maurice King & His Wolverines, "Mary" by Preacher Stephens With The Foree Wells Combo, "Tough De Times" by The Emperor, "Hurry Back Baby" by Camille Howard, "Caravan" by Chuz Alfred, "Swing Low Sweet Cadillac" by Aggie Dukes, "Double A Mambo" by Linton Garner & His All Stars, "Little Daddy" by Big Bertha, "The Mojo" by Sax Mallard, and "I Ain't Nothing But A Fool" by Christine Kittrell. LP, Vinyl record album
Also available
Jukebox Mambo 3 – Afro Latin Accents In Rhythm & Blues 1947 to 1960 ... CD 14.99
Jukebox Mambo 3 – Afro Latin Accents In Rhythm & Blues 1947 to 1960 ... LP 25.99

Partial matches31
CD, LP, Vinyl record album cover art
✨✧ Klaus Doldinger5 Original Albums (Jazz Made In Germany/Live At Blue Note Berlin/In Sudamerika/Doldinger Goes On/So Much Doldinger) (5CD set) ... CD
Philips/Universal (Germany), Mid 60s. New Copy 5CD ... Out Of Stock
Some of the most soulful jazz recorded in Europe during the 1960s – four full albums by legendary German saxophonist Klaus Doldinger, plus a bonus compilation that's filled with rare singles too! Doldinger's probably best remembered for the more dynamic fusion he cut with the Passport group in the 70s, but back in his early years he was full on soul jazz player, steeped in the tradition of Gene Ammons, Lou Donaldson, Sonny Stitt, and others before him – all players that we'd easily rank Doldinger with during these years, given the ultra-high level of his work for Philips! But given his German orientation, Doldinger also picked up on some of the freer influences that were running around the European scene of the 60s – and the tracks here don't just sparkle with American soul jazz sounds, but also show a bit of Brazilian and more progressive jazz influences as well. And alongside Doldinger's tremendous tenor and soprano sax, the recordings here are equally noteworthy for the organ lines of Ingrfried Hoffmann – an ultra-cool player on the Hammond, with the mixture of rhythmic energy and playfulness you might find in the work of Jack McDuff for Prestige at the same time! Doldinger and Hoffmann cook tremendously throughout – so much so, you can easily forget their country of origin, and just put these sides on equally next to your favorites from Prestige or Cadet. The set features four rare albums, each in tiny LP-styled sleeves – plus the So Much Doldinger set, which features 17 titles in all, including some Latin-styled tunes, and others cut with Paul Nero's Blue Sounds combo. CD

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✨✧ Clarke Boland SextetCalypso Blues ... CD
Rearward/Schema (Italy), Mid 60s. New Copy ... Out Of Stock
Rare tracks by the Clarke-Boland Sextet – a small group offshoot of the funky Big Band that was led by Kenny Clarke and Francy Boland – and which featured some of the key soloists in the group! The lineup here includes Sahib Shihab on flute, Fats Sadi on vibes and bongos, Joe Harris on percussion, and Jimmy Woode on bass – plus Clarke and Boland on drums and piano, respectively – a wonderful group that has an incredible sense of rhythm, and comes up with loads of wonderful modal numbers throughout! The vibe is wonderful – and the collection's a great look at this unusual combo – filled with fire and soul – and proof that in the jazz world, at least, great things can happen when global boundaries are crossed. Titles include "Con Alma", "Invitation", "Sconsolato", "Lilemor", "Just Give Me Time", "Love Hungry", "Ensadinado", and "Man From Potter's Crossing". CD

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Paul HumphreyAmerica, Wake Up ... LP
Blue Thumb, 1973. Near Mint- ... $19.99
A great album of funky instrumentals from legendary drummer Paul Humphrey – a set that's got a wonderfully quirky feel, and rhythms that change up the groove a lot more than usual! Paul's not content to stick in a simple backbeat mode here – and he really opens up in his approach to the kit on the set – bringing in lots of freer jazzy inflections yet still keeping the tracks short, focused, and nicely to the point. A key example of this groove is the legendary cut "Uncle Willie's Dream" – a quirky little number that dances around tremendously, and which was sampled by Tribe Called Quest for their second album! Instrumentation is mostly in a small combo mode, and players include Phil Upchurch on bass, Joe Sample on keyboards, Charles Owens on reeds, and Arthur Adams on guitar. Titles include "America Wake Up", "Uncle Willie's Dream", "I'd Walk A Mile For A Smile", "Chin Music", "Cochise", "What's That Noise, PK?", "Butterball", and "That's Deep". LP, Vinyl record album
(Cover has a cut corner and a small cutout hole.)

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Ike QuebecSoul Samba ... LP
Blue Note, 1962. Fair ... $24.99
One of the few Blue Note albums with a bossa groove – and a great one too! The record features soulful tenor star Ike Quebec blowing in front of Brazilian-styled rhythms laid out by a combo that includes Kenny Burrell on guitar, and a duo of Latin percussionists! Willie Bobo plays drums on the session, and the cuts have a short groovy feel, with a sax-heavy lead, in a similar style to Stan Getz's bossa work on Verve – but much more soulful overall, and with a nicely rougher feel on the rhythms. Really great stuff, and with titles that include "Loie", "Goin Home", "Favela", "Blue Samba", and "Shu Shu". LP, Vinyl record album
(New York mono pressing, with Van Gelder stamp. Cover has some wear.)
Also available
Soul Samba (RVG remaster edition – with bonus tracks) ... CD 3.99
Soul Samba (180 gram pressing) ... LP 18.99

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Ike QuebecSoul Samba (180 gram pressing) ... LP
Blue Note (Spain), 1962. New Copy (reissue)... $18.99
One of the few Blue Note albums with a bossa groove – and a great one too! The record features soulful tenor star Ike Quebec blowing in front of Brazilian-styled rhythms laid out by a combo that includes Kenny Burrell on guitar, and a duo of Latin percussionists! Willie Bobo plays drums on the session, and the cuts have a short groovy feel, with a sax-heavy lead, in a similar style to Stan Getz's bossa work on Verve – but much more soulful overall, and with a nicely rougher feel on the rhythms. Really great stuff, and with titles that include "Loie", "Goin Home", "Favela", "Blue Samba", and "Shu Shu". LP, Vinyl record album
(Limited edition!)
Also available
Soul Samba ... LP 24.99
Soul Samba (RVG remaster edition – with bonus tracks) ... CD 3.99

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Ike QuebecSoul Samba (RVG remaster edition – with bonus tracks) ... CD
Blue Note, 1962. Used ... $3.99
One of the few Blue Note albums with a bossa groove – and a great one too! The record features soulful tenor star Ike Quebec blowing in front of Brazilian-styled rhythms laid out by a combo that includes Kenny Burrell on guitar, and a duo of Latin percussionists! Willie Bobo plays drums on the session, and the cuts have a short groovy feel, with a sax-heavy lead, in a similar style to Stan Getz's bossa work on Verve – but much more soulful overall, and with a nicely rougher feel on the rhythms. Really great stuff, and with titles that include "Loie", "Goin Home", "Favela", "Blue Samba", and "Shu Shu". CD also features 3 bonus alternate takes – of "Loie", "Shu Shu", and "Favela". CD
(Out of print.)
Also available
Soul Samba ... LP 24.99
Soul Samba (180 gram pressing) ... LP 18.99

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✨✧ Tom WaitsNighthawks At The Diner ... LP
Asylum, 1975. Used 2LP Gatefold ... Out Of Stock
The great early double album from Tom Waits – getting into full on charismatic drunken bluesy poet mode – essentially working live in the studio, and embracing his wit and way with a sly monologue as brilliantly as he'd done to this point. Brilliant vintage waits and a loose, yet nicely rhythmic backing combo. Titles include "Better Off Without A Wife", "Emotional Weather Report", "On A Foggy Night", "Eggs & Sausage", "Spare Parts", "Big Joe & Phantom 309", and "Putnam County". LP, Vinyl record album
(White label promo. Cover has light wear.)

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Gerardo FrisinaBlue Latin ... LP
Schema (Italy), 2017. New Copy ... $18.99
A great small combo set from percussionist Gerardo Frisina – a set that feels as if it's got some programming in the rhythms, a bit like some of his earlier singles – but which also features a fair bit of live jazz instrumentation too! The album's got a sound that really fits the color of the title – tunes that are upbeat, but nicely chromatic too – thanks to some excellent piano lines, balanced alongside trumpet, tenor, and flute – plus some warm acoustic basslines, and a bit of Fender Rhodes as well! As always with Frisina, even when the rhythms are programmed, they're never too stiff – as the man draws more inspiration from classic Latin sounds than most of his producer contemporaries, and really knows how to make things sound great. Titles include "Mulata", "Blue Latin", "Incanto", "Baracoa", "Naquela Base", and "Olympia (part 2)". LP, Vinyl record album

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Jimmy Witherspoon with Jack McDuffBlues Is Now ... CD
Verve, 1967. Used ... $5.99
A much groovier set than usual from vocalist Jimmy Witherspoon – thanks to some great backing from the combo of organist Jack McDuff, which also includes guitar from a young Melvin Sparks! The sound here is definitely in keeping with the "blues" in the title – but McDuff's instrumentation brings in a fair bit of jazz as well – and really opens up the tunes with some of the playful rhythms he was laying down on his own records for Prestige in the 60s. And as usual, Witherspoon proves that he's every bit as much a jazz singer as a blues vocalist – by changing things up nicely on most of the tunes, and bringing in inflections that go way past a typical bluesy singing mode. The whole thing's nice and lively, with a really unique feel that's all its own – and titles include "Sweet Slumber", "My Money's Long This Morning Baby", "Part Time Woman", "Late One Evening", "SK Blues", and "Past Forty Blues". CD
(Out of print.)
Also available Blues Is Now ... LP 4.99

Partial matches40
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Jimmy Witherspoon with Jack McDuffBlues Is Now ... LP
Verve, 1967. Very Good Gatefold ... $4.99
A much groovier set than usual from vocalist Jimmy Witherspoon – thanks to some great backing from the combo of organist Jack McDuff, which also includes guitar from a young Melvin Sparks! The sound here is definitely in keeping with the "blues" in the title – but McDuff's instrumentation brings in a fair bit of jazz as well – and really opens up the tunes with some of the playful rhythms he was laying down on his own records for Prestige in the 60s. And as usual, Witherspoon proves that he's every bit as much a jazz singer as a blues vocalist – by changing things up nicely on most of the tunes, and bringing in inflections that go way past a typical bluesy singing mode. The whole thing's nice and lively, with a really unique feel that's all its own – and titles include "Sweet Slumber", "My Money's Long This Morning Baby", "Part Time Woman", "Late One Evening", "SK Blues", and "Past Forty Blues". LP, Vinyl record album
Also available Blues Is Now ... CD 5.99

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✨✧ Eddie Lockjaw Davis & Johnny GriffinBlues Up & Down/Griff & Lock ... CD
Milestone/Jazzland, 1960/1961. Used ... Temporarily Out Of Stock
During the early 60s, tenor giants Johnny Griffin and Eddie Lockjaw Davis teamed up to cut a series of monster LPs that are still defined today as some of the best examples ever of a twin tenor frontline! The records matched hardbop solo intensity with tight soul jazz grooving – and nobody was better equipped to handle such a combo as Griff and Lockjaw. Two of those great LPs are pulled together for this CD – Blues Up & Down and Griff & Lock, both originally issued for the Jazzland label, and darn hard to find. Rhythm is by either Junior Mance or Lloyd Mayers on piano, plus Larry Gales on bass and Ben Riley on drums. Titles include "Hey Lock!", "Midnight At Mintons", "Good Bait", "Oh, Gee", "Layin On Mellow", and "Leapin On Lenox". CD
(Out of print. Booklet has a date written in pen.)

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✨✧ Ike Turner & The Kings Of RhythmShe Made My Blood Run Cold ... CD
Southern Routes, Late 50s/Early 60s. New Copy ... Out Of Stock
The earliest work of the legendary Ike Turner – tracks recorded long before his 60s and 70s fame with Tina Turner – at a time when the man was both leading his own great combo, and adding his fantastic guitar talents to a host of different records! Turner had one of the strongest, wildest styles of the time – almost as much an important addition to the young sound of rock and roll as the guitar of Chuck Berry – although often used in more R&B-styled settings, such as the sides on this collection. The range of singers varies nicely – and the package features Ike working with Billy Gayles, Jackie Brenston, Johnny Wright, Clayton Love, Dennis Binder, Jimmy Thomas, Little Johnny Burton, and others – all while also serving up some incredible work on guitar! Titles include "Do Right Baby", "Hoo Doo Say", "Talkin About Me", All The Blues All The Time", "The Big Question", "I'm Tore Up", "Sad As A Man Can Be", "She Made My Blood Run Cold", "Hey Hey", "Wicked Little Baby", "Jack Rabbit", and "Gonna Wait For My Chance". CD

Partial matches43
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✨✧ Ike Turner & The Kings Of RhythmShe Made My Blood Run Cold ... LP
Southern Routes, Late 50s/Early 60s. New Copy ... Out Of Stock
The earliest work of the legendary Ike Turner – tracks recorded long before his 60s and 70s fame with Tina Turner – at a time when the man was both leading his own great combo, and adding his fantastic guitar talents to a host of different records! Turner had one of the strongest, wildest styles of the time – almost as much an important addition to the young sound of rock and roll as the guitar of Chuck Berry – although often used in more R&B-styled settings, such as the sides on this collection. The range of singers varies nicely – and the package features Ike working with Billy Gayles, Jackie Brenston, Johnny Wright, Clayton Love, Dennis Binder, Jimmy Thomas, Little Johnny Burton, and others – all while also serving up some incredible work on guitar! Titles include "Do Right Baby", "Hoo Doo Say", "Talkin About Me", All The Blues All The Time", "The Big Question", "I'm Tore Up", "Sad As A Man Can Be", "She Made My Blood Run Cold", "Hey Hey", "Wicked Little Baby", "Jack Rabbit", and "Gonna Wait For My Chance". LP, Vinyl record album

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Gianni Bardaro & Pierluigi VillaniNext Stop ... CD
Verve (Italy), 2016. Used ... $9.99
A great group from the contemporary Italian scene – a combo co-led by Gianni Bardaro on alto and soprano sax, and Pierluigi Villani on drums – but which features really bold colors from all members of the group! All tracks are originals, composed by the leaders – and they've got a vibe that kind of post-fusion – using some electric bass at the core of their sound, but mostly working acoustically overall – using the bass to add just a slight current of depth in the rhythms, while the horns and piano create some nice tonal interplay. The album features work from Giovanni Falzone on trumpet, Francesco Villani on piano, Giorgio Vendola on bass, and Viz Maurogiovanni on some well-chosen electric bass – and titles include "Open The Door", "Bogo", "Blue Sun", "Square", "Wild Banky", "Draftorn", and "Hipster". CD

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Nat BirchallSixth Sense ... CD
Sound Soul & Spirit (UK), 1999. New Copy ... $11.99
The earliest work we've ever heard from tenorist Nat Birchall – a player who's really blown our minds with his recent albums from the UK! This set's from the late 90s, and already has Birchall really finding his voice – a freewheeling approach to tenor that's unlike most of his contemporaries, and definitely steeped in strong influences from the spiritual jazz generation! Yet while recent records have Nat in a more meditative mode, the sound here is almost more explosive – with echoes of 60s avant in the mix, amidst some bold rhythmic impulses from the group – almost with a quality that reminds us of some of those brilliant moments when an American soloist would combine with a European combo in the heady 60s scene. In addition to Birchall's tenor, the group also features John Hulme on trumpet and flugelhorn, Richard Wetherall on piano, Dave Tompkins on bass, and Danny Ward on drums – and titles include "Redemption", "Helix Nebula", "Unity Blues", "Passion Dance", and "Ism Schism". CD

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Brass ConstructionBrass Construction ... CD
United Artists/Soul Brother (UK), 1975. New Copy ... $9.99
A classic set that goes "slam" from the very first note – and which helped to set the pace for countless ensemble funk acts to come! Brass Construction had a wonderful sound that was the best-realized version of the east coast indie club combos of the mid 70s – funky at the bottom, but polished at the top, in a style that was equally appreciated by fans of disco and more classic funky soul! The "brass" in their title was certainly strongly supported – as the group used a brace of horns on the top of the mix, smoothly gliding over the choppier rhythms at the bottom. And while there's certainly some vocals on the set, they often take second stage to the tight instrumentation of the group! The set includes the classic "Movin" – virtually a blueprint for mainstream funk at the time – plus the tracks "Changin", "Love", "Talkin", "Dance", and "Peekin". CD

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Bob BrookmeyerModernity Of Bob Brookmeyer ... LP
Verve, 1954. Very Good ... $34.99
A classic album from the man who virtually summed up the sound of modern on the trombone in the 50s – the mighty Bob Brookmeyer, stepping out here in a rare session for Verve! The date's a great small combo one – with Bob's valve trombone at the head of a quartet that includes Jimmy Rowles on piano, Buddy Clark on bass, and Mel Lewis on drums – all working with Brookmeyer in a very easygoing way that makes for some of his most expressive solos on record at the time. Tracks are never that long – save for one – but Bob really packs plenty into the space, and clearly learns a lesson here from his time with Stan Getz. Titles include "The Bulldog Blues", "Jasmin", "What Is There To Say", "Sticks & Stems", and "He Ain't Got Rhythm". LP, Vinyl record album
(Black label, deep groove Clef pressing, with trumpeter logo. Cover has one slightly bumped corner, but is nice overall.)
 
 
 



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