A classic performance from the Axiom years of bassist Bill Laswell – done at a time when he was not only boldly stating his own musical vision, but also opening the door in these really collaborative ways! Here, the core group features Laswell on bass and electronics, and Tony Williams on drums – working at a level that still has some of the moodier Laswell production elements of the decade, but maybe more live energy too – a quality that's echoed by the great guest work from Pharoah Sanders on tenor, Graham Haynes on cornet, Byard Lancaster on alto and bass clarinet, and both Nicky Skopelitis and Buckethead on guitars. Titles include "Black Money", "Illuminator", "Wheeless On A Dark River", "The Earth Below", "Into The Circle", and "Returning". CD

Produced and arranged by Bill Laswell. CD

Features Graham Haynes on cornet and flugelhorn, Nicky Skopelitis on sitar and guitars, and Bill Buchen on tablas, log drum, water drums, and gamelan. CD

Raoul Bjorkenheim on guitar, Bill Laswell on Bass and Morgan Agren on drums. CD

Jon Batiste on piano, electric piano, hammond organ, keyboards, percussion, and harmonaboard, Chad Smith on drums and percussion, and Bill Laswell on bass, guitar, and electronics. CD

Features Tetsu Inoue and The Orb. CD

Bill Laswell returns to his roots – working here in a setting that's loose, open, and relatively improvised – as Bill's electric bass carves out these wonderfully spacious, tuneful lines alongside the drums and percussion of Milford Graves! Given all of Laswell's higher-concept and heavily-processed work over the years, we sometimes forget that at his core, he can still be a sensitive jazz musician – especially when working in the right setting, which definitely seems to be the case here. The tracks are long, but never meandering – and Bill's basswork not only grounds the record and gives it structure, but also seems to really set Graves free to open up in nicely complex ways. Titles include "Another Space", "Sonny Sharrock", "Eternal Signs", "Another Time", and "Autopossession". CD

Eraldo Bernocchi on electronics and guitar, Bill Laswell on bass, and Mick Harris on electronics and beats. CD

John Zorn on alto saxophone and vocals, Bill Laswell on bass, and Mick Harris on drums and vocals. CD

Herbie reinvents himself for the 21st Century – and ends up turning out one of his most compelling albums in years! As with his Future Shock years, Herbie's working here with Bill Laswell – but if that scares you a bit (it did us!), don't worry, because Laswell's much more in the background than you'd think, and instead, Herbie relies on some strong work by guests that include Carl Craig, Chaka Khan, Wayne Shorter, Tony Williams, and Rob Swift, to help take the groove to a whole new level. Titles include "The Essence", "This Is Rob Swift", "Black Gravity", "Tony Williams", "Ionosphere", "Alphabeta", and "Virtual Hornets". CD

Features Bachir Attar. Produced by Bill Laswell. CD

Features Bill Laswell, Philip Glass, Pharoah Sanders, Mandingo, and others. CD

A later recording from Pharoah, when he was working with Bill Laswell in the mid and late 90s. Laswell's on production, and the lineup features some of his international and funk-based crew like Foday Muso Sosa, Bernie Worrell and Aiyb Deng, plus older collaborators like Michael White, and some of the then young newer scene liek Charnett Moffett. The vibe is definitely of the times, with some heavier elements and hip hop influenced beats, but a few classic spiritual grooves too. 6 numbers in all, including "Our Roots (Began In Afrca)", "Nozipho", "Tomoki", "Ocean Song", "Kumba" and "Country Mile". CD

An amazing document of a unique musical moment – an entire jazz festival, virtually dedicated to Peter Brotzmann himself! The legendary Brotzmann not only curated the festival – filling it with some of his key collaborators and musical contemporaries – but he also plays on a fair bit of the titles here, too – in different groupings that reflect not only his long history in the European avant scene, but also his ties to Chicago, and his work with Japanese improvisers too! The package is wonderful – the next best thing to being at this exclusive event in person – and the set features 5CDs worth of music from the festival, with performances by Sonore (with Brotzmann, Ken Vandermark, & Mats Gustafsson), Chicago Tentet with John Tchicai, solo work by Jeiji Haino, the Hairy Bones quartet with Brotzmann and Toshinori Kondo, the Full Blast Trio, the DKV Trio, Caspar Brotzmann Massaker, and various other groupings with players who include Jeb Bishop, Joe McPhee, Mars Williams, Jason Adasiewicz, Nasheet Waits, Masahiko Satoh, Bill Laswell, and many others. CD

Mostly instrumental tracks from hip hop djs and producers including Rob Swift, Prince Paul, DXT, Invisible Scratch Pickles, Q-Bert, DJ Krush, New Kingdom, all overseen by Bill Laswell. Much better than your average Axiom stuff. Cover art by Rammellzee. 14 tracks in all, including "Reanimation" by Rob Swift, "ShinKi Row" by DJ Krush, "If 9 Was 6" by Prince Paul, "Invasion Of The Octopus People" by the Invisible Scratch Pickles and "Embryo" by DXT (formerly know as D. St). CD

A very unusual moment from the mighty Bernie Worrell – the keyboardist that most folks know for his work as part of the P-Funk universe of George Clinton – stepping out here on an early 90s album done in collaboration with producer Bill Laswell! Like most of Laswell's other projects around the time, there's a spirit here that's not only genre-busting, but also aimed towards some of the more unusual possibilities of collaboration – at a level that has Bernie working with talents from soul, funk, jazz, and some other styles too – a lineup that includes Amina Claudine Myers, Fred Wesley, Marty Erlich, Umar Bin Hassan, Buckethead, and Vincent Chancey – all coming together in musical modes that are very different than Bernie's best-known solo album from the early 80s. There's a very dark spirit here at times – that layered sound that Laswell did so well – but mixed with these other moments that have a surprising sense of jazz majesty – almost with the spiritual core of a Bill Lee soundtrack. Titles include "The Mask", "Moon Over Brixton", "Witness For The Defense", "Set The Tone/Victory", "Gladiator Skull", and "Fields Of Play". CD

Features Joey Baron, Mark Feldman, Cyro Baptista, Bill Laswell, Marc Ribot, Jamie Saft, and others. CD

Features Bill Laswell. CD

A classic group from the New York downtown scene – with Anton Fier on drums, Arto Lindsay on guitar and vocals, Bill Laswell on bass, Fred Frith on guitar, David Moss on sounds, and John Zorn on alto and game calls! CD

A bit rawer than other work by the group, but still very much in the vein of this classic mid 80s alliance between Peter Brotzmann, Sonny Sharrock, Bill Laswell, and Ronald Shannon Jackson. Titles include "Line Of Fire", "Big Boss Man", "Sore Titties", and "My Balls/Your Chin". Ugh! CD

Searing live work from the Last Exit quartet – easily one of the most dynamic forces in experimental jazz in the 80s! The group features a famous combination of Sonny Sharrock's guitar and Peter Brotzmann's reeds – a pairing that shouldn't work this well, but does wonderfully – thanks to a great love of loudly expressive sounds by both players! The combo's completed by Bill Laswell on bass and Ronald Shannon Jackson on drums – both of whom bring a pulsating downtown sound to the record, even in this European live setting. Titles include "Lizard Eyes", "Don't Be A Cry Baby Whatever You Do", "Hanged Man Are Always Naked", "A Knight Of Ghosts & Shadows", and "I Must Confess I'm A Criminal". CD

With Bill Laswell on bass, Peter Brotzmann on sax, Sonny sharrock on guitar, and Ronald Shannon Jackson on drums. CD

Another vicious set of hammering, lovable skronk from Last Exit – the mighty mid 80s free group that featured Sonny Sharrock, Peter Brotzman, Bill Laswell and Shannon Jackson! This should certainly not come as a surprise, but the sound is as muscular as can be without exploding all over the place. Each player brings their most hammering torrents. Brotzmann and Sharrock get to bring the noise, and a great sense of playfulness while Laswell and Jackson keep rhythmically sound. And boy, does Jackson hit those drums! Ouch! Tracks include the 18 minute "Hard School", "Brain Damage", "Taking A Beating", "Last Call" and "Dark Heart". CD

Why was it that the left end of jazz in the 80s often produced some of the most unexpected alliances? Perhaps it was because it was so tough to gig and earn on one own's creative vision that it made more sense to play together with other leaders. Or perhaps the dearth of really creative music in the mainstream made more avant players try to fill the void. Whatever the case, this album's a very typical batch of 80s avant – featuring the unlikely alliance of Peter Brotzmann, Bill Laswell, Ronald Shannon Jackson, and Sonny Sharrock, all playing with noisy whimsy on tracks like "Panzer Be Bop", "Blind Willie", "Straw Dog", and "Pig Cheese". CD

Featuring Bill Laswell, Wayne Shorter, William S Burroughs, Bootsy Collins, Sly Dunbar, Zakir Hussain, Bernie Worrell, and others. CD

Bill Laswell on bass, Fred Frith on guitar, and Michael Beinhorn on electronics – plus a trio of percussionists. CD

With Bill Laswell, Sly Dunbar, and spoken passages by William S Burroughs. CD