... LP, Vinyl record album

... LP, Vinyl record album

Dee Clark cracked the charts big with a few crossover hits – but he's an excellent soul singer with a raspy tone that almost set the stage for some of the deeper soul acts to come in the 60s! The style here is very much in the mode of some of Jackie Wilson's best for Brunswick from the early days – tracks recorded in a mode that's often heavy on the voice, letting Dee step out with strong flourishes that change in style from track to track – sometimes dramatic, sometimes subtle – but always impeccably phrased with Clark's stunning vocals! Titles are a nice batch of numbers that go way past Dee's hits – and include "Just Like A Fool", "What I Say", "Come To California", "24 Boyfriends", "I Just Can't Help Myself", "Little Red Riding Hood", "Gloria", and "Baby What You Want". LP, Vinyl record album

A much different album than you might expect from the cover – hardly the funky 70s set implied by the Big Fun-styled cover – and instead a lost slice of work from his groundbreaking late 60s years! The set was recorded in 1967, but unissued until Miles late 70s time away from the studio – hence the cover, which attempts to contemporanize the record – and the music is very much in the dark moods and sharp tones of Filles De Kilimanjaro, and features a somewhat similar group! The core quintet of Wayne Shorter on tenor, Herbie Hancock on piano, Ron Carter on bass, and Tony Williams on drums handles the first half of the set – but the group's then expanded to include Chick Corea on electric piano along with Herbie on keys – and Ron Carter steps out so that Dave Holland can bring some more modern tones to the bass. Tracks are all somewhat long, and titles include "Capricorn", "Water Babies", "Sweet Pea", and "Two Faced". LP, Vinyl record album

Not really "the best", but a pretty nice collection of Denny's early work for Liberty – with a groovy photo on the back that shows him working with the group in action, beating on a big conga, while the rest of the band plays exotic percussion! Titles include "The Enchanted Sea", "Ruby", "Bali Hai", "China Nights", "Moonlight & Shadows", "Ebb Tide", and "Harbor Lights". LP, Vinyl record album

DJ Jazzy Jeff returns – with a top shelf roster or MCs doing justice to his Philly soul reared, bedrock beatcraft – including Big Daddy Kane, Method Man, Rhymefest, Jean Grae, Kardinall Offishall, CL Smooth, Pos of De La Soul and more – underground spitters and mic icons alike! We don't know if Jazz tailors his beats for the chosen MCs – or if he seeks out the appropriate MCs for his ready-made material – but whatever his methods, they're still working well. Return Of The Magnificent is a standard bearing effort! Titles include "Hip Hop" feat Twone Gabz, "Let Me Hear U Clap" feat Pos from De La Soul, "Run That Back" feat Eshon Burgundy & Black Ice, "Jeff N Fess" feat Rhymefest, "Practice" feat J Live, "Supa Jean" feat Jean Grae, "The Garden" feat Big Daddy Kane, "Hold It Down" feat Method Man, "My Soul Ain't For Sale" feat Raheem DeVaugh, "Cone On feat Dave Ghetto, "Brand New Funk 2K7" feat Peedi Peedi and more1 LP, Vinyl record album

A pivotal moment for Bob Dylan – and maybe one of THE albums of the 60s! The newly-electrified Dylan really takes off here – putting more punch and bit into his already-strong lyrical approach – and twisting things in amazing ways that still leave us breathless all these many years later! And sure, the album gave Bob a few hits – which are nestled in here next to headier tunes that work together perfectly. Titles include "Like A Rolling Stone", "Ballad Of A Thin Man", "It Takes A Lot To Laugh It Takes A Train To Cry", "From A Buick 6", "Desolation Row", "Highway 61 Revisited", and "Queen Jane Approximately". LP, Vinyl record album

13 tracks of Eddie's classic Stax sides, with a range of material that runs from 60s through 70s. A handful of big hits, and a big batch of lesser known, but still great Memphis soul from Floyd. Includes "I've Never Found A Girl (To Love Me Like You Do)", "Bring It Home To Me", "Check Me Out", "Soul Street", "I've Got To Have Your Love", "Blood Is Thicker Than Water", "Don't Tell Your Mama", "Why Is The Wine Sweeter (On The Other Side)", "California Girl", "My Girl", "The Best Years Of My Life", "Yum Yum Yum (I Want Some)" and "Baby Lay Your Head Down". LP, Vinyl record album

Maybe one of the first-ever rock and roll full-length albums – with Bill Haley's big title cut – plus "Shake Rattle & Roll", "Two Hound Dogs", "Razzle Dazzle", "ABC Boogie", "Burn That Candle", "Rock A Beatin Boogie", "Birth Of The Boogie", "Dim Dim The Lights", and "Mambo Rock". LP, Vinyl record album

A nicely subtle album from the Incredible String Band – a set that maybe doesn't have the same sort of fanfare as their earliest albums, but which also has the group really honing their sound! Make no mistake, there's nothing commercial or pop-oriented going on – it's just that Mike Heron and crew have really found a way to make a lot with a little – using acoustic guitar, violin, dulcimer, and bits of other instrumentation in these ways that have the relaxed nature of a folk group, but with more far-reaching power that befits their role in the British scene of the time. Heron's vocals are always wonderful – and Robin Williamson sings as well, as does Licorice McKechnie – and titles include "Black Jack Davy", "The Letter", "This Moment", and "Fair As You". LP, Vinyl record album

Call it a love of dancers or just plain Quincy Jones groove – this album's filled with tight tracks that are a perfect showcase for the ways in which Quincy had such a huge influence on jazz in the 60s! The tunes are often old standards, but done here in a style that's nicely syncopated – taking on that Jones love of space and sound, and working it through some big band tracks at a level that creates grooves that are a lot hipper than you'd hear on albums like this from most of his contemporaries! Players are all top-notch – and include Benny Bailey and Freddie Hubbard on trumpets, Melba Liston and Curtis Fuller on trombones, Jerome Richardson and Oliver Nelson on tenor, Sahib Shihab on baritone sax, Patti Brown on piano, and Les Spann on guitar and flute. Heck, even liner notes from Dorothy Kilgallen can't keep this one from being nice – and titles include "Chinese Checkers", "Tone Poem", "G'Wan Train", "Pleasingly Plump", and "A Sunday Kind Of Love". LP, Vinyl record album

A rare Decca album lead by the smoky vocals of Beverly Kenney – a really unique late 50s/early 60s jazz girl who once worked for the Dorsey brothers, the Count Basie Orchestra and others, and only ever cut a handful of albums under her own name! Sings for Playboys is an intimate, sultry batch of tunes that have a really unique feel thanks to the super spare accompaniment of just Ellis Larkins on piano and Joe Benjamin on bass. That approach does a great job of transforming your senses to the smoky, boozy after hours cabaret that must have been in mind when the recordings were conceived. The album only ever appeared briefly in the late 50s (possibly because of the unauthorized and quite obvious reference to Playboy Magazine in the title and in the cover photo) but it's sure great to see it reappear – they didn't make a lot records like this in the big band dominated recordings of the era! 12 tracks including "Do It Again", "A Woman's Intuition", "Mama, Do I Gotta?", "A Lover Like You", "A Summer Romance", "It's Magic", and more. LP, Vinyl record album

Genius, pure genius! If you've ever wondered why folks think Stan is so great, check out this landmark set of postwar modern swing tunes – some of the most groundbreaking work of its generation, and proof that there was still a lot of room to grow within the big band format. June Christy provides some icy vocals on a few numbers, and other strong players on the set include Vido Musso, Boots Mussulli, Kai Winding, Eddie Safranski, and Shelly Manne. Arrangements are by Pete Rugolo, Gene Roland, and Stan – and titles include "Artistry In Bass", "Artistry In Percussion", "Fantasy", "Come Back To Sorrento", "Soothe Me", "Opus In Pastels", and "Artistry In Bolero". LP, Vinyl record album

Wonderful work from Kenton – warm and seductive, yet also modern and adventurous, tunes that are familiar, yet inexplicably transformed by the Kentonite approach! The record's got a similar feel to some of the best work coming out of the Kenton school at the time – and players on the set include Lee Kontiz, Frank Rosolino, and Conte Candoli – all of whom get in some good solos on the record. Arrangements are by Bill Russo and Kenton – never too over the top or complicated, but complex enough to please our modern ears, and to make the set much more than a package of big band standards! Titles include "There's A Small Hotel", "Lover Man", "Fascinating Rhythm", "Sophisticated Lady", "Shadow Waltz", and "Pennies From Heaven". LP, Vinyl record album

A classic blend of saxophone and dub – one that shows just how much big the shift in Jamaican production styles was during the 70s! In the previous decade, reedman Tommy McCook was right on top of the mix on most of his performances – echoing the tenors of American R&B and soul musicians of the 50s and 60s – whereas here, he's much more layered down in the grooves – often mixed with a fair bit of echo and effects, so that his horn and the work of The Agrovators is beautifully muddled together – as the best elements of a cocktail can be in the hands of a true mixmaster! Titles include "Creator Of Dub", "A Happy Dub", "A Collie Dub", "The Dub Station", "Inspiring Dub", "Sprinkling Dub", "At The Dub Market", "The Meducia", "The Dub Duke", "The Height Of Dub", "Joh Soy Dub", and "King Tubby Dub". LP, Vinyl record album

The title track's a mighty big hit for The Marketts – and it's also a great way to describe the group's talent for pushing past their boundaries at the time! The sound is surf instrumental at the core – but really stretches out to space themes, soundtrack areas, and more – thanks to inventive arrangements from Ray Pohlman, who pushes these guys farther than the usual groups of the time – while still keeping that guitar instrumental style that made them so great overall! There's a lot more variety to the tunes than you'd hear on a Ventures album, for example – and beautiful Bones Howe engineering makes sure that the sound is top-shelf throughout! Titles include the group's big hit reading of "Out Of Limits", plus "Bell Star", "Saturn", "Re-Entry", "Other Limits", "Twilight City", and "Limits Beyond". LP, Vinyl record album

A really unique album from the great Lee Morgan – a set that features the trumpeter in two different settings, but in a way that really works well together! Most of the album has Lee blowing in a very cool quintet – with Joe Henderson on tenor, McCoy Tyner on piano, Bob Cranshaw on bass, and Billy Higgins on drums – a group who maybe bring out a slightly hipper vibe that really points the way to the rest of Morgan's direction in the late 60s, when he was really letting some more spiritual currents loose. The other two tracks on the record feature a hip larger band directed by Oliver Nelson – swinging hard in a really soulful style! Nelson's arrangements on these two tracks are great – quite progressive, with a soul jazz big band style that seems to point the way towards the 70s – and the band provides a raging backdrop that lets Lee's trumpet soar over the top in beautiful crystal clear solos. Titles include "Nite Flite", "Delightful Deggie", "Ca-Lee-So", and "Zambia". LP, Vinyl record album

A big one for Billy Ocean – a set that's got some catchy beats on the bottom and plenty of sweetly crafted vocals over the top! The style's smooth, but never too much so – thanks to a nicely percolated sense of rhythm on most of the numbers – and in a way, the record represents a nice transition for Billy – a set that pushes him even further past his Caribbean roots into the mainstream of American soul. There's a bit of a quiet storm vibe on here, but one that's never too heavy or forced – and titles include "Love Zone", "Without You", "There'll Be Sad Songs", "Bitter Sweet", "It's Never Too Late To Try", "Showdown", "Promise Me", and "Love Is Forever". LP, Vinyl record album

Features Cecil Scott & Big Chief Moore. LP, Vinyl record album

A big new chapter for Prince in the 90s – his first set with the New Power Generation, and a record that definitely has him amping up his game for the decade! There's maybe a bit more sampling here, and a groove that certainly has one ear open for the younger sound of R&B at the time – while still coming across with all that care, class, and top-shelf vibe that made Prince's work of the previous generation such an important funky influence on the younger crowd who were growing up with equal parts soul and hip hop to influence their sound. Tracks include "Daddy Pop", "Diamonds", "Cream", "Insatiable", "Live 4 Love", "Push", "Money Don't Matter 2 Night", "Jughead", "Gett Off", "Walk Don't Walk", "Strollin", and "Willing & Able". LP, Vinyl record album

An excellent album of 50s work from Edgar Sampson – an older saxophonist from the swing years in Harlem, and a heck of a great composer as well! The session features Sampson revisiting 12 of his famous classics – including a number that were big tunes in the Benny Goodman and Chick Webb books. Players on the set include Mile Yaner and Hymie Schertzer on alto saxes, Boomie Richman and George Berg on tenor, Charlie Shavers on trumpet, and Tyree Gleen and Lou McGarity on trombone. Titles include "Happy & Satisfied", "Lullaby Of Rhythm", "If Dreams Come True", "Cool & Groovy", "Blue Lou", and "Don't Be That Way". LP, Vinyl record album

One of the weirdest records ever from Shel Silverstein – and that's saying a heck of a lot, given what a weirdo he is! The set was recorded hot on the heels of the big Johnny Cash recording of "Boy Named Sue" – and it features Shel singing that famous tune, plus a host of other original country material – all of which is quite different than the usual songs coming from Nashville in the 60s! Production was done by Chet Atkins – who must have flipped a wig recording this one – and Shel's raspy, nasally voice is surprisingly at home in the professional Nashville backings. The record's a great leftfield country relic from the 60s – and titles include "Boy Named Sue", "Dirty Ol Me", "Alimoney", "Someday's Here", "Time", "Comin After Jinny", and "Daylight Dreamer". LP, Vinyl record album

A well-recorded set from the 60s, done with a very rootsy vibe – with some guest work from Big Willie on washboard, and some spoken material on side two! LP, Vinyl record album

Fantastic material from Jimmy Witherspoon – that sublime mix of blues and jazz that really set him apart from the rest! Titles include "Failing By Degrees", "Big Fine Girl", "Have A Ball", "Fickle Woman", "Sweet Lovin Baby", and "Ain't Nobody's Business". LP, Vinyl record album

An early masterpiece from Frank Zappa – one of those records that looks like it's going to be a big ol' mess when you first see the cover – but which turns out to be a carefully calculated act of madness in the end! The Mothers have all their freeform freaky brilliance intact here – still some of the snide edges of the early years, but also really learning their craft as well – and stretching out under Zappa's direction into a pastiche of songs that explore the anxieties and inanities of late 60s America! Frank produced the whole thing with an approach that others wouldn't reach for years – shifting styles, instrumentation, and sound sources with effortless ease – over tracks that include "Hot Poop", "The Idiot Bastard", "Lonely Little Girl", "Take Your Clothes Off When You Dance", "Harry You're A Beast", "Mom & Dad", "Who Needs The Peace Corps", and "Flower Punk". LP, Vinyl record album

A fantastic document of the first-ever Ann Arbor Blues Festival – the start of a great event that would blossom into other styles of music in the 70s, but which stood as a strong blues-based event in its initial year of 1969! In some ways, the three day series of concerts is a roots answer to Woodstock – which took place just a few weeks before – as the festival featured a great scope of blues talents, from the rootsier sort of artists who were recording for labels like Folkways or Arhoolie, to some of the sharper modern talents rising to the top on Chess or Delmark! The package alone is almost worth the price of admission – beautiful photographs of the event, detailed notes, and the first-ever release of this music – which has sat in the vaults for decades, finally to see the light of day. Titles on this second volume include "Long Distance Call" by Muddy Waters, "Off The Wall" by James Cotton Band, "Juanita" by Big Joe Williams, "Jelly Jelly Blues" by Shirley Griffin, "I Feel So Good" by Magic Sam, "Call It Stormy Monday" by T-Bone Walker, "Death Letter Blues" by Son House, "Key To The Highway" by Sam Lay, and "Mojo Hand" by Lightnin Hopkins. LP, Vinyl record album

With selections by Big Joe Turner, Albinia Jones, St Louis Tommy, Sunnyland Slim, Pleasant Joseph, and Hot Lips Page. LP, Vinyl record album

A key early album from the young Cannonball Adderley – an a set that crossed over big, thanks to a mix of strong jazz solos from the leader and very inventive rhythms in the arrangements! The group here is larger than Adderley's usual quintet/sextet lineup – and includes reed work from Oliver Nelson and Jerome Richardson, trombone from Melba Liston, piano from Wynton Kelly, and even a bit of congas from Ray Barretto – all working under the hip leadership of Ernie Wilkins, who crafts these great charts for Cannon to solo over the top! A key moment of genius is the title track – a beautiful reading of Galt MacDermott's "African Waltz" – and other tracks include "Blue Brass Groove", "Something Different", "The Uptown", and "Letter From Home". LP, Vinyl record album

An excellent MPS big-band session, in a mode that's sort of a mix between the firey hardbop of the Clarke-Boland ensemble, and the more modernist work of George Gruntz. The band is directed by Gruntz – and is co-led by Gruntz, Franco Ambrosetti, Flavio Ambrosetti, and Daniel Humair. The players are a mix of top-notch Americans and Europeans – also in the Clarke-Boland mode – and include Dexter Gordon, Woody Shaw, Dusko Goykovich, Benny Bailey, Virgil Jones, Ake Persson, Herb Geller, and Sahib Shihab. Tracks are all long originals, with a hard driving style that's a mix of modal jazz and hardbop – with slight touches of funkiness, thanks to some Fender Rhodes work by Gruntz. Titles include "Our Suite Dig", "Witch Stich", "Gravenstein", "Saint Charity", and "The Age Of Prominence". LP, Vinyl record album

The genius of Basie meets the genius of Quincy Jones – a 60s pairing that's every bit as great as the 50s pairing of Basie and Neal Hefti! Jones and Basie worked together in a number of settings during the 60s – including a very successful album for Frank Sinatra on Reprise – but here, the pair are really going full-on and hard-swinging, in a fresh style that's got all the hipness of Quincy's budding talent in the 60s, played with the deeply soulful manner of the still-great Basie band of the time. Titles include "Rat Race", "For Lena & Lennie", "The Big Walk", "Meet BB", "Jessica's Day", "Muttnik", and "Quince". LP, Vinyl record album

An excellent 1959 session that was Slides first as a leader, and which featured Freddie Hubbard, Booker Little, and George Coleman on horns – as well as Pete LaRoca on drums! The format is in that tightly-controlled early Hampton mode – not really big band, but a small combo take on the style – with wonderful breakout solos, and a real flair for soulful arranging that brings out the best in the group – even on the more straight ahead tunes! Titles include "Althea", "Jazz Corner", "Go East Young Man", and "Newport". LP, Vinyl record album

A classic set from this big 80s group – and given the work that must have gone into the doos on the cover of this one, it's no surprise Klymaxx are in the Ladies Room – most likely still waiting for their hair to dry! The album's a batch of tightly-crafted mid 80s crossover soul – as much pop as it is the kind of female group material you might guess from the time, with keyboards and electric percussion dominating most of the grooves, so that the vocals slide right into the straightest, catchiest approach for the tunes! Titles include "Lock & Key", "The Men All Pause", "Video Kid", "Ask Me No Questions", "Love Bandit", "I Betcha", "I Miss You", and "Just Our Luck". LP, Vinyl record album

A wonderfully wicked meeting of the minds – and a legendary bit of soul jazz from organist Big John Patton! The core of the record features the usual Patton groove – with John on Hammond, Grant Green on guitar, and Otis Finch on drums – but added to that mix is Bobby Hutcherson on vibes, making a rare appearance on an organ jazz session, with some wonderful results! The combination of vibes and organ is especially haunting – jangling a groove with a really modal feel, and creating a sound that instantly made this one stand out from the pack! The whole thing's great, and tracks include "The Turnaround", "Let Em Roll", "Latona", and "One Step Ahead". LP, Vinyl record album

A great little album from Jeannie Reynolds – and her lasting contribution to underground soul! Jeannie's vocals are nice and deep – with hints of southern diva phrasing, filtered through some of the tighter soul styles coming out of Chicago and other points north at the time! Detroit talents LJ Reynolds, Tony Hester, and Don Davis produce – save for one song by Michael Henderson – and the big highlight is the slow groover "The Fruit Song", a sly seductive stepper of a track, with rolling congas, sweeping strings, and a very catchy hook from Jeannie. That number runs for about 7 minutes long – and the album also includes a number of nice shorter cuts, like "I've Still Got My Pride", "The Feelin' Ain't There", and "You Want To Get Your Hands On A Woman" – all wonderful numbers that will have you loving Jeannie as one of your favorite new discoveries in 70s soul! LP, Vinyl record album

The Rolling Stones at their rawest, most shambling, sleazy and brilliant – the epic, unimpeachable Exile On Main Street! What can we say about one of the most iconic LPs of all time other than chime in with our agreement that it's one of the greatest rock albums ever! Big choruses come and go, but the easy hooks of earlier and later Stones hits are buried in mud, grit and a sleazy bluesy groove. Titles include "Rocks Off", "Rip This Joint", "Tumbling Dice", "Sweet Virginia", "Loving Cub", "Torn And Frayed", "Let It Loose", "All Down The Line", "Shine A Light", "Soul Survivor" and more. LP, Vinyl record album

A real treasure of sweet harmony pop from the late 60s – and the kind of record that broke big on the blue-eyed soul scene! The title hit – "More Today Than Yesterday" – is a familiar number that still sounds great to our ears. And the rest of the records got a similarly great style – arranged by Al Capps with some warm and jazzy undertones – a bit like Sunshine Pop of the time, but with styles that also seem to borrow a lot from late 60s Philly soul. Titles include "Sweet Little Thing", "More Today Than Yesterday", "The Thought Of Loving You", "Since I Don't Have You", "Our Day Will Come", and "Broken-Hearted Man". LP, Vinyl record album

Great sounds from Billy Taylor – a player who was definitely big in the mainstream at the time of this late 60s date, but who really finds a way to return strongly to his roots! Taylor's playing here with that nicely punctuated style that made him one of the biggest groovers in the early 50s – and the group has this really great MPS/Saba sort of vibe – never too over the top, but always with an undercurrent of soul – as you might expect with rhythm work from Ben Tucker on bass and Grady Tate on drums! Taylor turns in a few lyrical moments, which are alternated with more left-hand swinging numbers – and titles include "La Petite Mambo", "Theodora", "Paraphrase", "Bye Y'All", and "Don't Go Down South". LP, Vinyl record album

One of the classics, and an album that's filled with a sense of majesty and power that will knock you dead – despite the kind of silly cover of Stevie sitting on a hill, playing in the dirt! By this point, Stevie knows he's on top of the world as well he should – and he's honing the sophisticated experiments of the previous few albums into a tightly woven pop sound that would pay Motown a huge dividend for letting him take chances with his music! Includes the big hits "You Are The Sunshine Of My Life" and "Superstition", plus the amazing mellow synthesizer classic "You've Got It Bad Girl" and the fuzzy funky "Maybe Your Baby". Great stuff, and one that won't let you down! LP, Vinyl record album

Two top trumpet talents – coming together beautifully on this groovy late 70s set! Both Herb Alpert and Hugh Masekela had a big rise to fame in the 60s – Herb, for his Tijuana Brass albums on A&M – and Hugh, for the way that he brought South African jazz currents to the American soul mainstream! Given that both had strong presence on the Cali scene in their time, the pairing here is a great one – and works well with some larger jazz backings that color things out in a mix of soul, fusion, funk, and some slight South African touches. Other players on the set include Lee Ritenour and Arthur Adams on guitars, Paulinho Da Costa on percussion, James Gadson on bass, and Hotep Cecil Bernard on piano – and titles include "Skokiaan", "Moonza", "Lobo", "African Summer", "Ring Bell", and "Happy Hanna". LP, Vinyl record album

Pure early genius from Alice Cooper – a set that might not have been as big of a hit as some of his other early 70s albums, but which also shows the singer to be very much at the top of his game! Some of the tracks here follow familiar Cooper territory – sinister, hard-rocking energy with a no-nonsense approach – but there's also some deeper elements handled nicely by Bob Ezrin – with qualities that now feel years ahead of their time, and maybe even an influence to later folks who never would have admitted such a link! Titles include the fantastic "Halo Of Flies" – plus "Under My Wheels", "Be My Lover", "You Drive Me Nervous", "Yeah Yeah Yeah", "Dead Babies", and "Killer". LP, Vinyl record album

A really new setting for the vocals of singer Liam Bailey – and one that's a bit different for El Michels Affair! The group here are still very funky, and filled with all the fantastic sonic touches that we've always loved from leader Leon Michels – but the setting is more in a reggae mode, with lots of dubby elements at the bottom that are balanced out by soulful falsetto vocals from Liam – sometimes in a way that's heavily processed, sometimes a bit more straight up in the mix! As always with El Michels, the whole thing is like hearing the sounds of the past, but refracted with a unique contemporary vision – topped off here with guest work from Lee Scratch Perry and Black Thought too. Titles include "Conquer & Divide", "Ugly Truths", "Faded", "Lucky Man", "I Love NY", "Superstar", "Angel Face", "Walk With Me", "King", and "No One Else". LP, Vinyl record album

Stellar soul from Isaac Hayes – just the sort of overblown masterpiece that made his early solo work on Stax Records so great! The record features only 4 long tracks – all of which go on in that slow-building style that Ike forged at the time – a mode that takes a few simple musical elements, slowly adds more instrumentation, then builds the whole thing up subtly and slyly while Hayes is talking rapturously over the top! There's a feel here that's nicely dramatic, but never in a kitschy, cloying way – a new statement of male soul masculinity, just right for the sophistication of the 70s. Titles include Ike's 12 minute covers of "Something" and "I Stand Accused", plus "One Big Unhappy Family", and "I Just Don't Know What To Do With Myself". LP, Vinyl record album

George Jones sings with a big array of top-shelf talents – Willie Nelson, Waylon Jennings, Johnny Paycheck, Mavis Staples, Emmylou Harris, James Taylor, Tammy Wynette, Linda Ronstadt, and even Elvis Costello! LP, Vinyl record album

A sweet set that's part of a big early 80s run from Kool & The Gang – a time that saw the funk legends really hitting the mainstream, and winning over a huge new audience in the process! Given that the Gang virtually invented ensemble funk at the start of the 70s, they're perfectly poised here to move into modes that so many of their younger competition were trying – but never did so well – that blend of 80s elements and more sharply-fused funk instrumentation, all honed down into a tightly snapping groove. The real surprise, though, is the group's growing ability for ballads – which put records like this into hands of folks who never would have dug their funk a few years before. And while we might have had a few problems with that shift at the time, the passage of years has got the whole thing sounding pretty darn great to our ears – especially in comparison to so much weaker work from the time. Titles include "In The Heart", "Joanna", "Tonight", "Straight Ahead", "September Love", "You Can Do It", and "Home Is Where The Heart Is". LP, Vinyl record album

An excellent solo set as a leader from drummer Mel Lewis – one that reminds us that he can still cook very strongly away from his big band with trumpeter Thad Jones! The set has Lewis in different groupings with an excellent set of the friends mentioned in the title – a top-shelf lineup that includes Freddie Hubbard on trumpet, Michael Brecker on tenor, Gregory Herbert on alto, Hank Jones on piano, and Ron Carter on bass – working their way through a mix of different material that really takes on some great new energy in Lewis' hands – that mix of swing and complexity he forged in the group with Jones, but maybe even more compelling here in a smaller combo format. Titles include "Windflower", "De Samba", "Ain't Nothin Nu", "A Child Is Born", and "Sho Nuff Did". LP, Vinyl record album

Jazzy mambos from the king – and easily the most successful of Perez Prado's albums for RCA in the 50s! The album showcases the Latin mode that Prado crossed over big with on his hit "Cherry Pink & Apple Blossom White" – a tune that almost single-handedly grabbed the energy and audiences of the late swing years, and grafted them onto the growing New York Latin scene of the time! Prado's got that great growl in his chants, as usual – pushing the band to even more rhythmic heights and brassy horn flourishes with his trademark calls – and titles include the classic "Cherry Pink & Apple Blossom White", as well as tracks like "Tomcat Mambo", "Mambo Ala Kenton", "The High & The Mighty", "Marilyn Monroe Mambo", and "Skokiaan". LP, Vinyl record album

Great early work from Howard Rumsey's Lighthouse group – working here at a level that's almost more freewheeling than on some of their later Contemporary albums! The format's still very much in place here – a host of key All Stars who include Milt Bernhart on trombone, Russ Freeman on piano, Jimmy Giuffre and Bob Cooper on tenors, and Shelly Manne on drums – but there's almost a more "live" sort of energy overall – a bit more boppish and open, with each new player leaping freely into the fray. Titles include "Luau", "The Duke You Say", "The Big Top", "Sunset Eyes", "Comin' Thru The Rye Bread" and "Taking A Chance On Love". LP, Vinyl record album

A classic to end all classics – and the record that showed the world that the kung fu genre could be every bit as funky as American crime and action films! Lalo Schifrin's at the height of his powers on this set – working in a blend of raw guitars, rolling bass, and choppy rhythms that groove about as fast as Bruce Lee's hands move on the screen in the film – and the album's a real standout in the 70s soundtrack scene, well worth all the hype and attention that's been given to it over the years! The record's one you'll dig if you're a fan of funk, or a student of Schifrin – and even after the passage of decades, it's still a tough soundtrack to beat. Titles include the classic "Theme From Enter The Dragon", plus "Bamboo Bird Cage", "The Monk", "Han's Island", "The Big Battle", and "The Human Fly". LP, Vinyl record album

Excellent southern duet soul stuff from this team who hit big with the cut "Lover's Holiday", but who also managed to turn out lots of other sweet soul duets in the same style. Production's by Shelby Singleton, and there's lots of original tracks written by him, Myra Smith, or Margaret Lewis. Tracks include "Over The Hill Underground", "Big City Blues", "Show it", "True Soul Lovin", and "I Want To Love You Baby". LP, Vinyl record album

The alto of Bud Shank gets some fuller backings from the great Bob Florence – all in a mode that's as groovy as you might expect from the title – and which also features a bit of guest work from Chet Baker as well! The sound's nice and buoyant – swinging, but never too over the top in a big band way – leaving Bud some great space to blow with a bit of strength, even if the tracks are relatively short – packing in plenty in a small space, and using his alto sax with a deftness, and sense of feeling we really love! Titles include "Imprevu", "Husbands & Wives", "Woman", "Gotta Go", and "In Times Like These". LP, Vinyl record album

A huge disco cash-in moment of the 70s – but a great one too, and a strong illustration of the power that Casablanca Records had in both the clubs and charts at the time! The movie and record were both a bit over-pressed upon release, but they nonetheless stand as a great snapshot of the way that funky soul had taken over the clubs during the disco generation – giving showcase to a whole host of new young artists, and exposing lots of mainstream listeners to soul music at a level they wouldn't have touched a few years before! Donna Summer was one of Casablanca's big acts at the time – and she really dominates the record with her classic rendition of "Last Dance", plus tracks "With Your Love" and a disco remake of "Je T'Aime Moi Non Plus". Both other cuts are strong too – and include "Lovin, Livin, & Givin" by Diana Ross, "Too Hot Ta Trot" by The Commodores, "Disco Queen" by Paul Jabara, "Leatherman's Theme" by Wright Bros Flying Machine, "Floyd's Theme" by Natural Juices, and "Find My Way" by Cameo. LP, Vinyl record album

Smooth female soul from one of Philly's hottest female trios – Gamble & Huff's big answer to First Choice, and an equally important force in 70s female soul! The album's got a nice mixture of Philly groove and tighter crossover arrangements from the likes of Norman Harris, Bobby Martin, Lenny Pakula, and Richard Rome – all top-shelf Philly soul talents who really help move the album past the territory of the girl group soul of the trio's earlier work! Titles include the hit "When Will I See You Again", plus the long-running classic "Dirty Ol' Man", and the cuts "Can't You See What You're Doing To Me", "I Didn't Know", "I Like Being A Woman", and "Year Of Decision". LP, Vinyl record album

Tracks include "Buffalo Gals" by Malcolm McLaren, "Bring The Noise" and "The Public" by Public Enemy, "You Gots To Chill" by EPMD, "Sally" by Stetsasonic, "Big Mouth" by Whodini, "Top Billin" by Audio Two, "I Got A Good Thing" by Super Lover Cee & Casanova Rud, "Jenifa" by De La Soul, and "Twist & Shout" and "Shake Your Thing" by Salt N Pepa. LP, Vinyl record album

A fantastic explosion of funk, soul, and club – put together at a level that may well even top the first Supafunkanova collection! As before, the cuts here are all super-rare and obscure – but all kick heavy ass when it comes to tight rhythms and catchy clubby grooves – never straight disco or mainstream boogie – but borrowing plenty from the mainstream to turn out cuts with a really raw, underground vibe! There's a slight touch of hip hop in the mix – more that old school skating mode – and the whole thing definitely shows Joey's decades in cutting great cuts for the dancefloor – and his big love of the best groups from the hinterlands. 2LP set features the titles "Drive Me Insane" by Airplay, "Betcha Got A Dude On The Side" by Star Quality & Class, "Cool Out" by Magnum Force, "Spunk In The Funk" by Blue Denim Band, "Walk" by Sam Culley Band, "Sound Reason (Joey Negro edit)" by Splash, "Making Love Will Keep You Fit" by Brenda Harris, "Let's Get High" by Nice & Tight Band, "Easton Assassin" by Sunburst Band, and "Super Stimulus" by Stimulus. LP, Vinyl record album

An amazing collection of funky nuggets – one that's overflowing with hip soul, funk, and break tracks! The set's the second in a series put together by the staff of London's Soul Brother Records – and like the first, it features some of the most sought-after rare grooves and sample tracks from the 70s – a rich array of titles from a variety of different labels, all collected with a keen ear for the older tracks that are still breaking big well into the 21st Century! And since these guys also run a record store themselves, they've gone way past the obvious – and have chosen an all-essential batch of tunes that aren't easily available on the market, including some killer tracks from major labels that we've been waiting years to see reissued. Titles include "Oops Here I Go Again" by Edna Wright, "I'm Gonna Love You Just A Little Bit More" by Kellee Patterson, "Sho Nuff" by Sly Slick & Wicked, "All I Want Is You" by Four Flights, "Live For Love" by GC Cameron, "I Feel So At Home Here" by Michelle Wiley, "Shake It Up" by The Vibrations, "My Music" by Samuel Jonathan Johnson, "Heaven" by Ruth Copeland, "It's Got To Be Mellow (1976)" by Leon Mellow, "Making Room For Love" by Alton McClain & Destiny, and "When We're Makin Love" by Denise LaSalle. LP, Vinyl record album

Recorded live at the Brooklyn Academy of Music, New York City, February 7-10, 1983. A HUGE amount of material! Includes the tracks "Say Hello", "Walk The Dog", "Violin Solo", "Closed Circuits", "For A Large And Changing Room", "Pictures Of It", "Language Of The Future", "Reverb", "If You Can't Talk About It, Point To It", "City Song", "Finnish Farmers", "Democratic Way", "Private Property", "Neon Duet", "Difficult Listening Hour", "So Happy Birthday", "Dance Of Electricity", "Sax Duet", "Born, Never Asked", "From The Air", "Beginning French", "Talkshow", "Cello Solo", "Blue Lagoon", "Stiff Neck", "Hothead", "Telephone Song", "Sweaters", "We've Got Four Big Clocks", "I Dreamed I Had To Take A Test", "Big Top", "It Was Up In The Mountains", "Big Science", "Red Map", "Strike", "False Documents", and many, many more! LP, Vinyl record album

One of a handful of amazing albums recorded by David Axelrod towards the end of the 60s – really stunning, genre-breaking music that was years ahead of its time – and which has only finally been getting its due in more recent decades! At the time of the record, Axelrod was a house producer at Capitol Records – where he'd created big hits for Lou Rawls and Cannonball Adderley – and he'd also been experimenting a bit with studio techniques for other rock groups. But here, the Axe brings all his experience into play – then sends things soaring to the skies – with music based on the work of poet William Blake, but delivered in this totally groovy west coast 60s mode. The core of the instrumentation features funky drums from Earl Palmer and bass from Carole Kaye – both of whom really keep things rock-solid amidst the larger mix of strings and instruments directed by the great Don Randi – who himself is pretty darn wonderful too. The music has nice snatches of fuzz and organ throughout – jazzy moments, funky passages, and lots more too – served up on tunes that include much-sampled song "Holy Thursday" – plus "The Smile", "A Dream", "Song Of Innocence", and "The Mental Traveler". William Blake never sounded so funky! LP, Vinyl record album

Not the band's first album – as you might think from the "start" in the title – but a classic batch of jazzy, funky, and soulful grooves from The Blackbyrds – one of those combos that few groups could match back in the 70s! The set's got a beautifully put-together feel – tight enough to crossover somewhat big with a larger audience than the group's previous effort – but still filled with the kind of righteous energy that first got them going, a sublime mix of jazzy rhythms and soulful elements, all held together tightly by production from Donald Byrd. Tracks include the big hit "Walking In Rhythm", which was an oft-spun 45 back in the day – plus some great funk moments, like the tasty "Spaced Out", the choppy "The Baby", and the captivating "Blackbyrds Theme". Other cuts include "Future Children Future Hopes", "I Need You", and "April Showers". LP, Vinyl record album

Soulful and pounding! Joe Dukes is one of the greatest soul jazz drummers ever – the key to the unique sound that Jack McDuff had during his big rise to fame in the mid 60s, a combination of tightly funky rhythms underneath, with a freer approach to the top of the kit that worked perfectly with McDuff's hefty Hammond Organ work. The group on this album's McDuff's classic quartet that includes Red Holloway on tenor and alto, George Benson on guitar, and Dukes on drums. The album's got an incredible sound, with Dukes' unique approach to drums scattering all over the kit, creating these complicated dancing rhythms for the organ, sax, and guitar lineup. The album's filled with excellent groovers, like "Moohah the D.J.", "Soulful Drums", "Greasy Drums", and "My Three Sons" – and the whole thing's great! . Filled with excellent groovers, like "Moohah the D.J.", "Soulful Drums", "Greasy Drums", and "My Three Sons". Super-rare, too! LP, Vinyl record album

A seminal meeting of the old and new generations of jazz in the 60s – put together in perfect Impulse fashion! At some level, this is actually an early 60s John Coltrane Quartet album – with Duke Ellington sitting in for McCoy Tyner on piano, as that's the lineup on about half of the album – tracks that feature Coltrane on tenor, Elvin Jones on drums, and Jimmy Garrison on bass, all working with Ellington on the keys. On other titles, though, the album features Coltrane playing with a Duke-ish trio that has Aaron Bell on bass and Sam Woodyard on drums – slightly less modern, but with a nice sense of depth throughout! Overall, the the record does a great job of balancing between the best talents of both players – and titles include "Big Nick", "The Feeling Of Jazz", "Take The Coltrane", and "My Little Brown Book". LP, Vinyl record album

Funky funky Maynard – and a sweet set of electric big band jazz that's got plenty of nice moments! The album features a core rhythm group that really goes to town – jamming in sort of a Clarke-Boland sort of way, with lots of propulsive changes that create a full-on and often funky groove – as Maynard and other horns blow like mad over the top, sending the album into screaming, soaring grooves that almost never let up. The record was Maynard's first US effort in a long time – and was produced by Teo Macero with a very electric-conscious sound that further enforced the hipness of the music! Titles include "Pochahontas", "Awright Awright", "Nice N Juicy", "SOMF", and "Mother Fingers". LP, Vinyl record album

A wonderfully jazzy soundtrack – one of our favorite Jerry Fielding film scores of the 70s, thanks to key solo work from Art Pepper on alto and Jon Faddis on trumpet! The music is far deeper than you might expect for the Clint Eastwood action film setting – funky enough in the best parts, but also with a sensitivity that gets past the usual cop/crime grooves – making for a really rich record that's almost as pleasing from a jazz perspective as it is from a funk soundtrack perspective too! The album sports a great Frank Frazetta cover – and titles include "The Pickup", "Bleak Bad Big City Dawn", "The Box Car Incident", "The Delivery", "The Black Sedan", and "Manipulation On The Center Divider". LP, Vinyl record album

A pre-exotica relic – cut just a year or two before bachelor pad music really broke big, and a very important album in helping get the whole thing started! The record's got a more serious feel than you might think – as pop classical conductor Morton Gould put together this mix of traditional, classical, and jazz compositions to create a suite of tropical sounds based around the compositions of Ernesto Lecuona. As the title would imply, the album's got a lot of percussion – mixed with the larger orchestrations that Gould normally used in his work – and titles include "Danza Lucumi", "Swamp Fire", "Batuque", "Ritual Fire Dance", "Jungle Drums", and "Gitanerias". LP, Vinyl record album

Great work from Al Grey – one of the most soulful trombonists of his time – all pulled from the Chess/Argo albums Last Of The Big Plungers, Snap Your Fingers and Al Grey Billy Mitchell Sextet LPs! Easily some of Grey's hippest work – with players who include Billy Mitchell on tenor, Donald Byrd on trumpet, Floyd Morriss and Herbie Hancock on piano, and Bobby Hutcherson on vibes! Titles include "Things Ain't WhatThey Used To Be", "Open Wider Please", "I Got It bad And That Ain't Good", "Don't Get Around Much Anymore", "The Elder", "Bewitched", "Bluish Grey", "Wild Deuce", "Bantu", "Melba's Blues", "Nothng But The Truth", "RBQ", "Minor On Top", "African Lady", "Hi Fly" and "Home Fries". LP, Vinyl record album

A real standout in the early career of trumpeter Freddie Hubbard – a very unique session that has him working with some larger arrangements in the background – blowing these magical solos over the top, while still hitting a great edge with the rest of the musicians as well! There's a sound here that's unlike anything else we can think of – including other big band trumpet dates of the time – partly because the set features a fair bit of arrangements by Wayne Shorter – a very rare side of his talents, but one that's equally as soulful as his sublime small group albums of the time. The record has an undeniable depth right from the start – magical, mystical, and very soulful – with a group that includes Eric Dolphy and Wayne Shorter on saxes, Curtis Fuller on trombone, Cedar Walton on piano, and Reggie Workman on bass. Tracks include "Chocolate Shake", "Thermo", "Clarence's Place", and "Aries". LP, Vinyl record album

Not his most out there record, but filled with lots of nice little tracks on the Lowrey Organ. Includes a version of "Mack the Knife" that really swings, plus "Big Ben Bossa" and lots of standards, like "I Left My Heart In San Francisco", 'Fly Me To The Moon" and "Satin Doll". LP, Vinyl record album

The Isley Brothers at Motown – a perfect place for the groove they crafted on earlier RCA singles to blossom with some of the more sophisticated soul styles that would make the group huge in the 70s! The set's overflowing with gems – big hits like "This Old Heart Of Mine" and "Take Me In Your Arms" – plus "Take Some Time Out For Love", "There's No Love Left", "That's The Way Love Is", "One Too Many Heartaches", "I Hear A Symphony", "Why When Love Is Gone", "Got To Have You Back", and "Who Could Ever Doubt My Love". LP, Vinyl record album

One of the greatest records ever made by singer Madeline Bell – even though it was never issued to the public at the time! Madeline Bell first broke big on the UK soul scene at the end of the 60s, and also sang famously on many studio sessions too – but here, she works alongside groovemaker Alan Parker (with some help from Mike Moran), to serve up vocal versions of tunes that also appeared on the instrumental album Sound Of Soul! That record was a counterpart to this one – also issued on the Themes label – but the presence of Bell's vocals really sends things over the top, and she works at a level that makes us wish that she and Parker had made more commercial releases at the time. All tunes are nice and soulful, with plenty of funky currents – and titles include "Love Doctor", "Move & Shake Your Body", "Soul Slap", "Crumpet", "That's What Friends Are For", "Flying High", "You're A Winner", "Mr Smooth Man", and "Love Is All". LP, Vinyl record album

It's a few years after Freda's big hit "Band of Gold", and she's recording here in a very different mode! The record is produced by Holland-Dozier-Holland, with arrangements by a number of different talents, like McKinley Jackson, Tony Camillo, and Michael Smith – and the overall sound is much more sophisticated than on some of Freda's earlier work. The vocals are especially sharp – quite mature, and almost in a mode that points towards later work by singers like Jean Carn or Marlena Shaw during the late 70s. Includes the nice midtempo groover "We've Gotta Find A Way Back To Love", worth the price of the album alone – plus "Mood For Love", "Reaching Out", "Two Wrongs Don't Make A Right", "Mother Misery's Favorite Child", and "Right Back Where I Started From". LP, Vinyl record album

Duke Pearson knocks it out of the park with this one – perfectly summing up all the new ideas in jazz arranging and large ensemble work he'd been exploring at Blue Note – and pushing things way way past his previous small group material as well! The album's quite different than most other 60s iterations of big band jazz – as Pearson's got a way of making all instruments come together on the rhythms, then exploding with subtle colors and soulful tones – yet all at a level that's never forced or gimmicky at all. It helps that he's got a tremendous lineup of players here – both Lew Tabackin and Frank Foster on tenor (the latter of whom does some arranging for the record) – plus Pepper Adams on baritone, Marvin Stamm and Randy Brecker on trumpets, Garnett Brown and Jimmy Cleveland on trombones, Jerry Dodgion and Al Gibbons on alto, and the rhythm team of Bob Cranshaw on bass and Mickey Roker on drums. Duke plays superb piano with a really sophisticated touch, but it's really his strength as an arranger that makes the whole thing come together beautifully. Andy Bey sings on a version of "I'm Tired Cryin Over You" – and other titles include "Amanda", "Tones For Joan's Bones", "Dad Digs Mom", "Disapproachment", and "Make It Good". LP, Vinyl record album

With production by Rakim, Clark Kent, DJ Premier, Mighty VIC, TR Love, Big Jaz, 45 King, and more. LP, Vinyl record album

Hard-swinging Buddy Rich from the prime early 70s years – not exactly an all-out funk affair, but still a great groover, with plenty of hip little big band numbers! The groove here is nice and lean – and Buddy and the group are working at Buddy's own club – hitting that trademark all-out Rich sound, but still leaving plenty of room for the soloists. The group's got some great soul jazz players – including Sonny Fortune on alto, Jack Wilkins on guitar, and Kenny Barron on piano – as well as some really smoking tenor work from Sal Nistico, who's always adaptable to a setting like this. The album's got a tasty version of Herbie Hancock's "Chameleon", plus other nice tracks that include "Sierra Lonely", "Nica's Dream", "Billy's Bounce", "Cardin Blue" and "Jumpin At The Woodside". LP, Vinyl record album

A drum-heavy spectacular that returns Gene Krupa and Buddy Rich to their big band roots – thanks to some hard-swinging arrangements from George Williams! The tracks are a bit shorter and done with a larger group than on some of the other Rich or Krupa sides for Verve – but there actually seems to be even more drum pyrotechnics here, possibly because the players' efforts are compressed into such a tight space! Production is a bit odd – with the drums so high in the mix that they sometimes come across with more treble than bass – but that really highlights some of the most inventive moments on the top of the kit as well. Titles include "Duet", "Perdido", "Evolution", "Night Train", and "Hawaiian War Chant". LP, Vinyl record album

The drums are certainly unlimited here – and the album's a really unique one, in that it shows Max Roach in 2 different settings – one with a group, and one that's simply solo! One batch of tracks has Max in the company of a tight group of soul jazz players like Freddie Hubbard, Roland Alexander, James Spaulding, and Ronnie Matthews. The group is very tight, and they've got hard wailing sound similar to a Blue Note group, but with a bit more of a soul jazz feel. They play on two long tracks – "Nommo" and "In the Red". The rest of the tracks – "Drums Unlimited", "The Drum Also Waltzes", and "For Big Sid" – feature Max playing solo, which is a rare treat for a recording of this vintage. The tracks are great, with a very musical groove, and lively playing by Max that never gets too self indulgent. LP, Vinyl record album

One of those records that everyone seemed to own, back in the day – and for good reason, too – as Rufus and Chaka have a way of opening ears of folks who dig so many different styles – from soul to rock to funk and jazz – but all with a groove that's totally their own! The record's one that definitely broke the group big out of their Chicago roots – thanks to the incredible "Tell Me Something Good" – an amazing workout that's the perfect mainstream showcase for Chaka's great voice, made even better by the use of one of those cool Peter Frampton-vocoder thingies! The album also features some other excellent material that's a bit more restrained, and more in the band's usual jazz funk mode – like "Ain't Nothing But A Maybe", "You Got The Love", "Smokin Room", and "Sideways". LP, Vinyl record album

A 70s issue of 2 seminal sides from George Russell, originally recorded in the 50s. The first, New York New York is a wonderful album from George Russell – and a refreshing change from his overly-academic modernist work! The session's an unusual one – a musical portrait of New York City, performed with an all-star cast that includes John Coltrane, Art Farmer, Bill Evans, Phil Woods, Benny Golson, Max Roach, and Hal McKusick – all working together to paint tones on the tunes that George has crafted to set up his scene of New York in the 50s. Most importantly, though, Jon Hendricks acts as the narrator of the album – talking and scatting in hipster mode, laying out a bit of beat rapportage about the Big Apple, all done in a very cool 50s style that's a bit different from his own vocal work. Titles include "Manhattan", "Big City Blues", "Manhattan-Rico", and "A Helluva Town". And don't let the title of the second, Jazz In The Space Age, mislead you into thinking it's a record of bachelor pad musi. The set's one of Russell's finest recordings of the 50s, and it features some wonderful work in odd tones and scales, executed by another awesome cast of players, including Bill Evans, Paul Bley, Hal McKusick, Bob Brookmeyer, and David Young. An essential chapter in Russell's career, and nice to have in any form. Titles include "Chromatic Universe (parts 1, 2, & 3)", "Dimensions", "Waltz From Outer Space", and "The Lydiot". LP, Vinyl record album

The title on this one says it all – Mojo Rocksteady Beat! The Brentford Road big timers come correct on this explosive Soul Jazz revisitation of their 100% Studio One dynamite tracks! The names of the heavies that rotated through this bunch are already well known: Jackie Mittoo, Vin Gordon aka Don D Junior, Deadly Headly Bennet, Ernest Ranglin, Leroy Sibbles, and more, and the jams here are no less well known, whether it is on their own, or as the mad, soulful rhythm foundation for any of Coxsone's top numbers. 18 earth shaking blasts of Jamaican soul, including "Rockfort Rock", "Funky", 'Real Rock", "Reggae Time", "Mojo Rock Steady", "Drum Song", "Ironside", "Heavy Rock", "In Cold Blood", "Jamaica Underground", "Reggae Time", "Great Mu Ga Ru Ga", and of course, "Mojo Rock Steady". LP, Vinyl record album