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Possible matches: 3
Possible matches1
CD, LP, Vinyl record album cover art
Slim HarpoSting It Then! – Historic 1961 Show ... CD
Excello/Ace (UK), 1961. New Copy ... $11.99 18.99
Mindblowing work from the legendary Slim Harpo – a live recording that seems to have Harpo sounding even sharper and funkier than on his famous studio sides for Excello Records in the 60s! Slim's really on fire here – riffing guitar with a super-tight band, but in a way that's never slick or formulaic – a quality that comes through especially on the vocals, which often have this raspy quality that comes through the PA in the concert setting – which seems to give Harpo even more lyrical power than ever. The harmonica lines are great – amplified, and with that skittish, jazzy edge we love so much on Slim's other records. The set features an entire live set from 1961 – 20 tracks that include "Little Liza Jane", "I'm A King Bee", "Lottie Moe", "Big Boss Man", "Boogie Chillun", "Moody Blues", "Sugar Coated Love", "Star Time Theme", and "I Got Love If You Want It". CD

Possible matches2
CD, LP, Vinyl record album cover art
✨✧ Bill CosbySilver Throat – Bill Cosby Sings ... LP
Warner, 1967. Used ... Temporarily Out Of Stock
A weird little record from Bill Cosby – a set that's not as all-out funky as some of his other vocal albums, but still pretty nice overall! The style here is more bluesy than soul-based, but production is still by Fred Smith, of 103rd Street Rhythm Band fame – and the album has a sense of grit that's a lot stronger than you might guess. Many of the tunes are covers from an older R&B era, and Cosby takes them with an approach that's a bit tongue-in-cheek at times – kind of garbling the lyrics and muddying up the sound, even though we know he can sing a bit more clearly from other records! There's certainly a few tracks that have a nice gritty soul sound, and titles include the great "Little Ole Man" which is basically Bill doing a skit over the "Uptight" rhythm – plus "Bright Lights Big City", "Big Boss Man", "Hush Hush", "Baby What You Want Me To Do", "Mojo Workout", "Doncha Know", and "Place In The Sun". LP, Vinyl record album
(Cover has light wear.)

Possible matches3
CD, LP, Vinyl record album cover art
VariousGirls Got Soul – Atlantic Distaff Soul Classics, Rarities, & Unissued Tracks From The 60s ... CD
Atlantic/Kent (UK), 1960s. New Copy ... $11.99 18.99
Killer female soul from Atlantic Records – and a tasty set that pushes way past the big hits! There's some excellent work here from some of the lesser-remembered singers on the label from the 60s, or other singers who recorded more famously elsewhere for other labels – and there's also some nice obscure numbers from some of Atlantic's bigger acts, tracks that you might have missed or which have never been issued before. There's a total of 25 tracks that includes "But I Love Him" by Doris Troy, "It's Nice To Know" and "That Hurts" by Rozetta Johnson, "My Man, He's A Lovin Man" by Betty Lavette, "Me & My Baby" by Mary Wells, "Unloved Unwanted Me" by Barbara Lynn, "Sweet Inspiration" by The Sweet Inspirations, "I'm Blue (The Gong Gong Song)" by The Ikettes, "Here He Comes" by Ruth Brown, "I Can't Afford To Lose Him" by Baby Washington, and "You Can't Love Me (In The Midnight Hour)" by Ann Mason with Little Mac & The Boss Sounds. CD
Partial matches: 26
Partial matches4
CD, LP, Vinyl record album cover art
Dave DavaniFused! – Swinging Soul Sound Of Dave Davani ... CD
Parlophone/Big Beat (UK), 1965. New Copy ... $11.99 18.99
Mod mod 60s jazz – and 20 tight-as-can-be instrumentals from London's Dave Davani combo! Dave's a Hammond player with a great mix of soul jazz and R&B in his grooves – very much the best sort of instrumental work you might expect from London in the swinging 60s – a great blend of American influences and UK mod styles. The rest of the group includes guitar, bass, and drums – plus a bit of vocals and Latin percussion from Beryl Wayne. The groove here is clearly a precursor to the James Taylor Quartet, and the overall sound is better than some of the more famous groups from the time – such as the combos of Brian Auger or Graham Bond. The set features tracks from Dave's Parlophone album, a few other singles, and even 4 previously unissued tracks from the same time – with titles that inlcude "Big Bossa Man", "Working Out", "Funky Mama", "Sack O Woe", "Boot Leg", "Harlem Waltz", and "Pig Foots". CD

Partial matches5
CD, LP, Vinyl record album cover art
Stan GetzBossa Nova Albums (5CD set) (Jazz Samba/Jazz Samba Encore/Big Band Bossa Nova/Getz Gilberto/With Guest Artist Laurindo Almeida) ... CD
Verve, 1962/1963. Used 5 CDs ... $24.99
America's greatest contribution to the bossa nova in the 60s – served up here in a nicely priced 5CD set! The package features all the key albums recorded by Stan Getz in 1962 and 1963 – some of the most important bossa jazz recordings in the US at the time, and all records that have gone onto shape the sound of the music for many years to come! All sessions feature Stan Getz in the lead, paired with a special partner – either guitarists Charlie Byrd, Joao Gilberto, Luiz Bonfa, or Laurindo Almeida – or arranger Gary McFarland, and vocalist Astrud Gilberto, who makes a key initial appearance on the last album here. The set features all 5 albums presented with the original track lineups – no bonus cuts – as individual digi-pack editions inside a larger box. Albums include Jazz Samba, Jazz Samba Encore, Big Band Bossa Nova, Stan Getz With Guest Artist Laurindo Almeida, and Getz/Gilberto. CD

Partial matches6
CD, LP, Vinyl record album cover art
Astrud Gilberto5 Original Albums (Astrud Gilberto Album/Look To The Rainbow/Certain Smile Certain Sadness/Windy/I Haven't Got Anything Better) (5CD set) ... CD
Verve (Germany), Late 60s. New Copy 5 CDs ... $22.99
A quintet of wonderful records from the legendary Astrud Gilberto! First up is the Astrud Gilberto Album – pne of Astrud Gilberto's greatest albums of the 60s – a classic session produced for Verve by Creed Taylor, and featuring sweet gentle arrangements from Marty Paich, co-arranged with Antonio Carlos Jobim, who also plays guitar on the session next to the piano of Joao Donato! That's a mouthful of heavy-hitters, we know – but the result is a totally great session that has Astrud's light and gentle vocals drifting over some of the most magical bossa backings you'll ever hear. The whole thing's great, stuffed with bossa classics done in English – and titles include "Once I Loved", "Aqua De Beber", "O Morro", "Dindi", "Dreamer", and "Photograph". Look To The Rainbow is one of the moodiest Verve albums from Astrud Gilberto – a set that has some surprising arrangements by Gil Evans – working here on one of his few 60s dates with a singer! Astrud's blue-tinged vocals work perfectly with Evans' backdrops – and Al Cohn also takes over the helm on two of the album's tracks, but still does a very good job of keeping the groove. There's a nice mix of sadness and lightness in the set – and titles include a wonderful version of "Berimbau" that actually features berimbau playing by Dom Um Romao, a great take on "El Preciso Aprender A Ser So" with English lyrics, and the titles "Bim Bom", "Lugar Bonito", "Frevo", and "Once Upon A Summertime". For Certain Smile Certain Sadness, Verve Records got the great idea of teaming up its (then) biggest Brazilian imports – vocalist Astrud Gilberto and organist Walter Wanderley – both of whom were selling plenty at the time! Astrud's lovely vocals are matched beautifully with the lean, rhythmic bossa grooves of Wanderley's trio – and the result is a record that's near-perfect in execution. Most of the tracks are quite short, as is the record itself – but it's a perfectly concentrated dose of the Verve bossa sound at its best, with tracks that include "Portuguese Washerwoman", "Tu Meu Delirio", "A Certain Smile", "Call Me", "Here's That Rainy Day", "A Certain Sadness", "It's A Lovely Day Today", and a vocal version of Wanderley's big hit "Summer Samba", redone here as "So Nice"! Windy is one of the hardest to find Astrud Gilberto records on Verve – and one of the best! Deodato, Don Sebesky, and Pat Williams did the arrangements – and the sound here is a bit different than some of the straighter Gilberto sets of the time – still very bossa-inspired, but also in a style that mixes in some great Sunshine Pop and 60s easy influences too – particularly on the tracks arranged by Williams! Tracks are all quite short, but get a heck of a lot of magic into a tiny space – and the album features some really wonderful songs that break Gilberto's pattern a bit – including versions of the Marcos Valle tracks "Crickets Sing For Anamaria" and "Chup Chup, I Got Away" – plus takes on "Windy", "Sing Me A Rainbow", "Never My Love", and "Where Are They Now?" I Haven't Got Anything Better To Do is one of the darkest albums ever recorded by Astrud Gilberto – her 60s last session for Verve Records, and a batch of beautifully moody tunes throughout! Arrangements are by Albert Gorgoni, who'd handled Gilberto's previous September 69 album – but the style here is a bit mellower, a bit sadder – touched with more adult themes of love, life, and loss – and very much in keeping with Astrud's tear-stained image on the cover! There's a sound here that almost mixes Gilberto's earlier bossa with the more baroque modes of Scott Walker at the end of the 60s – and as with Scott Walker's classic solo sets, the album shows a side of Astrud's talents that we never would have expected a few years earlier! Titles include "Wailing Of The Willow", "Where's The Love", "Wee Small Hours", "If", "Without Him", "Trains & Boats & Planes", "The Sea Is My Soil", and "Didn't We?". CD

Partial matches7
CD, LP, Vinyl record album cover art
Luciano MicheliniAnna Quel Particolare Piacere (180 gram colored vinyl pressing) ... LP
Dagored (Italy), 1973. New Copy (reissue)... $28.99
A hell of a charmer from Italian composer Luciano Michelini – a record that's funky one minute, sexy and slinky the next, and always full of surprises as it steps through a big array of short little tunes! Michelini's got an especially great ear for the kind of groovy bossa numbers that we love from guys like Ennio Morricone or Armando Trovajoli, but he also has this way of bringing in a fuller feeling to his arrangements – maybe echoing French composers at times, but without any sort of sentimentality. There's a great jazzy riff to the title track, which gets repeated a few times – and tracks include "Il Mestiere Di Uccidere", "Ritratto Di Un Boss", "La Giostra Dei Pensieri", "Quell'Amaro Tormento", "Occhi Di Bimbo", "La Cruda Realta", and "Una Voce Una Speranza". LP, Vinyl record album
(Limited edition of 500 – on colored vinyl!)

Partial matches8
CD, LP, Vinyl record album cover art
Johnny Williams/George DuningNot With My Wife You Don't/Any Wednesday ... CD
Warner/Film Score Monthly, 1966. Used ... $14.99
2 fantastic 60s sex comedy soundtracks – back to back on one CD! Not With My Wife is groovy groovy work from Johnny Williams – one of his best 60s soundtracks, with lots of nice touches! The film's a goofy sex romp, as you might expect from the title, and Williams' tunes really keep the spirit of the movie up nicely – running through a variety of upbeat styles, from jazzy Hammond, to groovy vocals, and even a few surprisingly nice chorus vocal type tunes! Includes the great song "Big Beautiful Ball", presented in instrumental and vocal versions, the latter of which is sung by Johnny Mercer. Other titles include "Not With My Wife You Don't", "Two Of Everything", "Trumpet Discotheque", "Hungarian Jungle Music", and "My Inamorata". Any Wednesday is a wonderful batch of jazzy instrumentals – and one of our favorite soundtracks ever from George Duning! The sound here is often light and breezy – a bit of woodwinds, strings, and some almost bossa-inspired rhythms – all wrapped together beautifully to accompany a goofy sex comedy that starred Dean Jones, Jane Fonda, and Jason Robards. The feel here is prime 60s comedy – with music that's often more whimsical and playful than the images on the screen – and plenty of the jazzier touches you might find in the time on some of the soundtracks by Neal Hefti. Many numbers are variations on the great "Any Wednesday Theme" – and titles include "Cass & Ellen", "Frantic Cass", "Split Screens", "Playboy John", "Righteous Cass", and "Wife Meets Mistress". CD
(Out of print.)

Partial matches9
CD, LP, Vinyl record album cover art
VariousWhere It's AT – Soul In the Midnight Hour ... CD
Atlantic/Kent (UK), Late 60s. New Copy ... $11.99 18.99
Kent Records takes on the Atlantic Records catalog of the 60s – and come up with a wonderful array of cuts that go way past the obvious hits from the famous label! The groove here is a mix of hard soul and funky numbers from both big names and lesser-knowns who recorded for the Atlantic family of labels – and the package mixes hard-grooving classics with some even cooler cuts that might be a new discovery to your ears here – all laid out in that killer Kent soul style that makes every track sound even better in the company of the others. As usual with the label, the sound, package, and notes are great – and the CD features 26 titles that include "Do The Hully Gully" by King Coleman, "You've Got Me On The Critical List" by Don Covay, "The House That Jack Built" by Aretha Franklin, "Snatching It Back" by Clarence Carter, "Uptight" by Charlie Palmieri, "Tighten Up" by Archie Bell, "In The Midnight Hour" by Little Mac & The Boss Sounds, "Release Me" by Esther Phillips, "Stupidity" by Solomon Burke, "You Don't Know Like I Know" by Sam & Dave, "Philly Dog" by Herbie Mann, "Stupidity" by Solomon Burke, "My Girl Sloppy" by The Vibrations, "Land Of 1000 Dances" by Wilson Pickett, and "Your Old Lady" by The Isley Brothers. CD

Partial matches10
CD, LP, Vinyl record album cover art
VariousNippon Girls – Japanese Pop, Beat, & Bossa Nova 1967 to 1969 (coloured vinyl) ... LP
Big Beat (UK), Late 60s. New Copy Gatefold ... $19.99
Groovy, moddish, magnificent and sunny girl pop from The Land Of The Rising Sun – pummeling drums, jumping arrangements and groovy vocals from the mid-to-late 60s Japanese scene! This is fantastic stuff, any kitch or novelty appeal you might be expecting is kind of muted by the exceptional quality and excellent performances – but it is flat out fun! As the title states, strains of pop, beat & bossa – plus mod & psychedelic fuzz – and the vocals girl group vocals are bright, rocking, playful or sultry or innocent depending on the groove! 25 tracks in all: "Black Room by Jun Mayuzumi, Sharock No 1" by Mie Nakao, "Nagisa No Tenshi" by Mieko Hirota, "Hatsu Koi No Letter" by Miki Obata, "Bazazz Tengoku" by The Cupids, "Aeba Suki Suki" by Margaret With Bunnys, "Nukui Aitsu" by Mika Nohira, "Kiiro No Sekai" by J Girls and more. LP, Vinyl record album

Partial matches11
CD, LP, Vinyl record album cover art
✨✧ Herbie MannBrazil – Once Again ... LP
Atlantic, 1978. Used ... Temporarily Out Of Stock
Herbie Mann returns to a Brazilian groove – a vibe that's slightly different than his bossa recordings of the 60s, but still mighty nice! During the previous decade, Mann was one of the biggest proponents of the new bossa sound – and worked on some really classic sides with key Brazilian players. Here, he's moving into a warmer 70s groove – some clubby touches mixed with Brazilian jazz, in a style that's mighty nice, and pretty darn unique – with just the right amount of influence from both sides of the equator! Pat Rebillot arranges, and also plays some great keyboards too – and the core combo is augmented by some larger horns that give things a nice sort of "umph" at all the right spots. Tracks are long, and titles include "Pele", "Oh How I Want To Love You", "O Meu Amor Chorou", and a remake of Joao Donato's "Lugar Comum". LP, Vinyl record album

Partial matches12
CD, LP, Vinyl record album cover art
✨✧ Armando TrovajoliSeddok L'Erede Di Santana (140 gram vinyl) ... LP
Contempo (Italy), 1960. New Copy (reissue)... Temporarily Out Of Stock
A really surprising score from the great Armando Trovajoli – especially if you only know his bigger hits of the 60s, or his lighter, more bossa-styled material! As you might guess from the cover, this one's for a horror film with a dark spooky edge – and Trovajoli follows the spirit of the film wonderfully, with these really odd, offbeat orchestrations often mixed with even more unusual sounds – sometimes elements that we can't figure out at all – although they might just be familiar instruments, but used in really weird ways! Things are pretty tense throughout – nice and spare and with the feel that something's about to jump out of the darkness at most moments – and the album features 20 spooky tracks from the score! LP, Vinyl record album

Partial matches13
CD, LP, Vinyl record album cover art
✨✧ Wes Montgomery5 Original Albums (Trio/Incredible Jazz Guitar/Movin Along/So Much Guitar/Boss Guitar) (5CD set) ... CD
Riverside/Universal (Germany), Late 50s/Early 60s. New Copy 5CD ... Out Of Stock
5 classic albums from guitarist Wes Montgomery – all packaged together in tiny LP-styled sleeves! The Trio album is Wes Montgomery's first album as a leader – a relatively obscure set that has him playing in a trio with Indianapolis bandmates Mel Rhyne on organ and Paul Parker on drums – a mode that strongly recalls Montgomery's roots in the Indy scene at the time!. The groove is straight and simple, but the real charm is Wes' chromatic lines on guitar – already quite distinctive among his contemporaries, and allowed ample room to express their voice in this setting. Titles include "Ecorah", "Missile Blues", "Too Late Now", "Jingles", and "Whisper Not". Incredible Jazz Guitar is a very fitting title – because the set was only Wes Montgomery's second album as a leader, he was already making plenty of waves with the sound of his guitar! The session lines Wes up with the very tight rhythm team of Tommy Flanagan on piano, Percy Heath on bass, and Albert Heath on drums – all of whom lay back and mostly let Wes take center stage – sparkling on a number of original tunes that include "West Coast Blues", "Mister Walker", and "D Natural Blues". Other tracks include a great fast take on Sonny Rollins' "Airegin", plus "In Your Own Sweet Way" and "Polka Dots & Moonbeams". Movin Along features Wes Montgomery with a bit of sax and flute – a nice change from the sound of some of his other early records, thanks to key work on the set from James Clay! Clay plays mostly flute on the record, but does so with a hard edge that reminds us of Frank Wess' work from the same stretch – really bringing a raspy edge to the record, and seeming to bring out the same in Wes' guitar work. The rest of the group includes Victor Feldman on piano, Sam Jones on bass, and Louis Hayes on drums – and titles include the nice groover "Movin' Along", plus "So Do It", "Sandu", "Tune Up", and "Says You". The next album is So Much Guitar – but never too much, given that Wes was the real master of sound and space, even at this early point in his career! The album's one that tries to break Montgomery from some of his smaller combo albums for Riverside, and pair him with a few bigger names – Hank Jones on piano, Ron Carter on bass, Lex Humphries on drums, and Ray Barretto on congas – who gives the album that bottom "kick" sort of groove that was used often on soul jazz sessions from the time. The tune's lope around leanly and cleanly, giving plenty of focus on Wes' work on guitar – and titles include "Twisted Blues", "Repetition", "Somethin' Like Bags", and "While We're Young", which is a solo track by Wes. Boss Guitar is a session that's got a gritty edge that takes Wes back to his Indianapolis roots! The album's one of the few of the time to feature the unsung Hammond hero Mel Rhyne – a player who worked with Wes at his start, but has only gotten stronger acclaim in recent decades as part of his comeback. Rhyne's a key force in the record – working alongside Montgomery's guitar and the drums of Jimmy Cobb – in a loose, open trio that has Mel participating as strongly in the rhythms as he does in the solo side of the album. Titles include a few Montgomery originals – "The Trick Bag" and "Fried Pies" – plus the tunes "Besame Mucho", "Dearly Beloved", "Days Of Wine & Roses", "Canadian Sunset", "The Breeze & I", and "For Heaven's Sake". CD

Partial matches14
CD, LP, Vinyl record album cover art
✨✧ VariousPop A La Catalana – Jazz, Bossa & Groovy Sounds From Catalunya 1963 to 1971 ... CD
Vadim (France), 1960s/Early 70s. New Copy ... Out Of Stock
A wonderfully offbeat strain of European pop from the 60s – rare recordings from the Catalonian area, that weird space in Spain that's also linked to southern France and the Mediterranean islands as well! There's a really playful feel to most of these numbers – and although many cuts are remakes of big Anglo hits, they've been re-fitted with new language, and some plenty cool arrangements that often make the music sound even groovier than in the original versions! In terms of spirit, we'd definitely compare a lot of this work to the best mid 60s pop coming from Paris – the groovy goodies of the "yeh yeh" generation – although in the end, the music's also very much it's own thing as well. Titles include "Cap A Futbol" by Guillermina Motta, "Yeh Yeh" by Tony, "Es Una Dona" by Nuri, "Febre" by Guillem D'Efak, "El Meu Trastet" by Santi Sans, "Soc Molt Poca Cosa" by Jacinta, "Amor" by Jordi Teijon, "Desafinat" by Grau Carol, and "El Cinemascop" by Llorenc Torres. CD

Partial matches15
CD, LP, Vinyl record album cover art
Ronnie HawkinsBest Of Ronnie Hawkins – Featuring His Band (with bonus tracks) ... CD
Roulette/Warner (Japan), Early 60s. Used ... $7.99
Searing sounds from Ronnie Hawkins – one of the sharper, more hard-hitting mainstream talents in the early days of rock and roll – and one of the few who could bring an indie sound to a bigger market, all without ever losing his edge! Ronnie gets great backings from The Hawks – a tight combo who keep things from ever sounding too poppy, and who often back Hawkins' excellent vocals with some strong guitar lines that create some surprisingly bluesy currents. Hawkins himself is a great singer, too – with a style that's got a bit of a rockabilly twang, but a slower, more soulful approach too – almost a precursor to later swamp rock – no surprise, given that Ronnie pulled himself up from home territory in the Ozarks! Titles include "Searchin", "Mojo Man", "Sexy Ways", "Bossman", "Bo Diddley", "Come Love", "Honey Love", and "Arkansas". CD features 6 bonus tracks too – including "Forty Days", "Southern Love", "Need Your Lovin", and "One Of These Days". CD
(Includes obi.)

Partial matches16
CD, LP, Vinyl record album cover art
Antonio Carlos JobimWonderful World Of Antonio Carlos Jobim ... CD
Warner (Japan), 1965. New Copy ... $14.99
The wonderful world of Antonio Carlos Jobim gets a whole lot bigger on this American release from the 60s – thanks to a collaboration with the great Nelson Riddle, the arranger whose work made so many of Frank Sinatra's albums so great! Riddle really understands the jazzy elements at the core of Jobim's tunes – and backs his guitar and vocals with a great 60s California take on the bossa nova – one that's never trying too hard to cross over, and which instead really respects the genius of Jobim at the core! Antonio sings on most tracks – some even with English lyrics that are really great – and titles include "Useless Landscape", "Bonita", "Surfboard", "She's A Carioca", "Aqua De Beber", and "Favela". CD

Partial matches17
CD, LP, Vinyl record album cover art
Tom ScottTom Scott & The LA Express ... LP
Ode, 1974. Near Mint- ... $4.99
A real breakout moment for reedman Tom Scott – the first truly big album for the saxophonist who'd been blowing some great records on his own, and lending his horn to a host of classic jazz and soul sessions too! The groove is a lot sharper and tighter than earlier Scott albums, but never too slick – and definitely has that great ear for a funky undercurrent that seems to bring out the most soulful notes in Tom's horns – underscored here by wicked rhythms from the LA Express combo that features Joe Sample on keyboards, Larry Carlton on guitar, Max Bennett on bass, and John Guerin on drums. Titles include the sublime break track "Sneaking In the Back" – plus "Dahomey Dance", "King Cobra", "Easy Life", "Spindrift", "Vertigo", "LA Expression", and "Strut Your Stuff". LP, Vinyl record album
(Later pressing in the non-embossed cover.)

Partial matches18
CD, LP, Vinyl record album cover art
Sonics, Wailers, & OthersRequired Etiquette – Raw Garage Rock N Roll From The Architects Of The Northwest Sound ... CD
Big Beat (UK), 1965/1966. New Copy ... $11.99 18.99
The title's not a reference to the need for manners from all of these raw 60s groups – but instead, it's a nod to the fact that they all turned out some amazing sounds for the tiny Etiquette label – a groundbreaking indie located way up north in Tacoma! Despite the distance of these records from the rest of the country, they had an undeniable influence back in the day – sounds that were more powerful and urgent than the usual garage rock of the period – and almost more pre-punk than some of the psych at the time – with a kind of rawness that was really rediscovered a few decades later – as the short sharp shock of these singles was years ahead of its time! The package brings together 24 tracks from Etiquette and related Riverton label – including some unissued titles too – and cuts include "Out Of Our Tree" by The Wailers, "Psycho" and "The Witch" by The Sonics, "Mistake" by Ron Davies, "I'm A Worker" by The Galaxies, "You Can Be Replaced" by The Bootmen, "I'll Be The One" by The Rooks, "Louie Louie" by Rockin Robin Roberts & The Wailers, "Don't Worry About Me Baby" by Mayalta Page, "Route 66" by Paul Bearer & The Hearsemen, and "Boss Hogg", "Shot Down", and "The Hustler" by The Sonics. CD

Partial matches19
CD, LP, Vinyl record album cover art
Piero UmilianiSynthi Time (with bonus CD) ... LP
Omicron/Schema (Italy), 1971. New Copy ... $22.99
A wonderfully weird record from Italian soundtrack maestro Piero Umiliani – one of his rare electronic albums cut for the sound library scene, and one of his best as well! The style here isn't just electronic for electronic music's sake – but instead really tries to find these warmer, melodic tones from early analogue versions of the instruments – often with cool little melodies that are very playful, but surprisingly sweet at times too – almost as if Umiliani is trying to find a whole new language based on electronics, but one that can resonate with his previous work with bigger ensembles. Many tunes are quite spare, but beautifully focused – in a way that almost points forwards to the Sky Records scene to come in Germany. Titles include "Synthi Epico", "Synthi Theme", "Synthi Bossa Nova", "Synthi West", "Synthi Boogie", "Synthi Dance", "Synthetic Water", and "Arabian Synthesizer". LP, Vinyl record album
(Includes bonus CD of full album!)

Partial matches20
CD, LP, Vinyl record album cover art
VariousChicago Radio Soul ... CD
Chess/Kent (UK), Mid 60s. New Copy ... $11.99 18.99
A really great look at a special side of the Chess Records soul catalog of the 60s – tracks that were very big on Chicago airwaves in the label's home town, yet which hardly got much play at all in the rest of the country! The collection's put together by Robert Pruter – the man who (literally) wrote the book on Chicago soul – and it's a wonderful portrait of soul in the Windy City of the 60s, with strands of music that nicely differ from the overplayed hits in later years. The collection also stands as a super-strong tribute to the never-ending genius of Chess Records – a label that never seems to let us down whenever we uncover a soul single we've never heard before! Titles include "Shy Guy" by The Radiants, "No Faith No Love" by Mitty Collier, "I Can't Help Myself" by The Gems, "Love Is A 5 Letter Word" by James Phelps, "A Thousand Miles Away" by Jo Ann Garrett, "Selfish One" by Jackie Ross, "Strange Feeling" by Billy Stewart, "The Creeper" by Freddy Robinson, "Peak Of Love" by Bobby McClure, "Lonely Girl" by Andrea Davis, "This Heart Of Mine" by Tony Clarke, "Bossa Nova Bird" by The Dells, and "Only Time Will Tell" by Etta James. CD

Partial matches21
CD, LP, Vinyl record album cover art
✨✧ VariousJukebox Mambo – Rumba & Afro Latin Accented Rhythm & Blues 1949 to 1960 ... CD
Juke Box Jam (UK), 1950s. Used ... $9.99
An amazing document of a short-lived, but really incredible genre – the 50s mix of R&B and Latin-inspired rhythms – particularly the heavy piano of a mambo-styled groove! The sound seems an unlikely mix, but it's one that you've no doubt heard on a few famous Atlantic Records singles from the time – taken up here by a host of much more obscure artists, who really know how to make the rhythms leap along with the grooves! The approach has definite echoes of New Orleans R&B, particularly in its use of the piano in heavy comping lines – but there's also a much wider sound going on too, especially in the way the percussion often drives the tunes in really unusual ways. The album's overflowing with amazing tracks – and titles include "Salty Dog" by Marvin Phillips, "Big Joe Mambo" by Fay Simmons, "Mambo Mexicana" by Gerald Wilson, "Snake Charmer" by Mad Man Jones, "Boppin With The Mambo" by The Sultans, "Honeydripper Mambo" by Alfredito, "A Dream" by Billy Red Love, "Pu Chun Ga" by Elene Madera, "Cozy & Bossa" by Cozy Cole, "Shrinking Up Fast" by Camille Howard, "Take A Chance On Me" by Annisteen Allen, "Eee Ooo Voodoo" by Red Callender, and "Down To The Bottom" by Larry Dale. CD

Partial matches22
CD, LP, Vinyl record album cover art
VariousLe Coeur Qui Jazze – The Most Controversial & Wanted Cult-Grooves ... CD
Partners In Crime (Italy), 1960s/1970s. New Copy ... $12.99
A great mix of jazz, bossa, and other European grooves from the 60s and 70s – a smashing compilation of rare tracks, very much like others in this series! There's not much of a structure to the collection, but the cuts are all mighty nice – a really well-selected batch of numbers that includes "Conversations" by Silhouettes, "Sombre Guitar" by Danser's Inferno, "Claudia" by Panema Leblon, "Autumn Leaves" by Milt Jackson, "Jive Samba" by Jon Hendricks, "Here We Are Falling In Love" by Meta Roos, "Le Coeur Qui Jazze" by France Gall, "Exotica" by Walter Kubiczec, "Uela Uela" by Charly Antonlini, and "Sunshine Superman" by Big Jim Sullivan. CD

Partial matches23
CD, LP, Vinyl record album cover art
VariousNew Breed Workin – Blues With A Rhythm ... CD
Kent (UK), Late 50s/Early 60s. New Copy ... $14.99
Bluesy sounds, with plenty of soul – a really special mix of modes that follows strongly in the spirit of Kent Records' other "new breed" compilations! The music here isn't really R&B, but it isn't 60s soul either – and instead has a cool mix of soulful rhythms with ruffer touches on the vocals, sax lines, and guitar – the kind of sounds we've always dug from King Records in their heyday, but which are pulled here from a variety of different labels! Most numbers are obscure indie singles from the first half of the 60s – and as usual with Kent, they're compiled with top-notch sound, and stellar notes that really illuminate the material – in a manner that's way better than those public domain sets on the market these days. Titles include "The Twitch" by Danny White, "Cruel World" by Roosevelt Powers, "Lucky Girl" by Joan Duvalle, "Breaking Hearts" by Varetta & The Thomases, "Let Me Know" by Robbie Lee, "Playboy" by Billy Ray, "Real Real Love" by Ray Agee, "What Did I Do Wrong" by The Ovations, "I Can't Even Enjoy My Home" by Big Charley & The Domans, "Something Funny Is Going On" by Bertha Tillman, and "Bossman" by Deane Hawley. CD

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