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Possible matches: 4
Possible matches1
CD, LP, Vinyl record album cover art
Frank FrostHey Boss Man! (colored vinyl) (2016 Black Friday Release) ... LP
ORG, 1962. New Copy (reissue)... $21.99
Incredible batch of early 60s blues from Frank Frost and his group The Night Hawks recorded for Sam Phillips International! Includes "Everything's Alright", "Lucky To Be Living", "Jelly Roll King", "Baby You're So Kind", "Gonna Make You Mine", "Now Twist", "Big Boss Man", "Jack's Jump", "Pocket Full Of Shells", "Just Come On Home" and more. 12 killer tunes in all! LP, Vinyl record album
(Limited edition of 2000 – on red colored vinyl.)

Possible matches2
CD, LP, Vinyl record album cover art
✨✧ Dave DavaniFused! – Swinging Soul Sound Of Dave Davani ... LP
Parlophone/Wah Wah (Spain), 1965. Used (reissue)... Temporarily Out Of Stock
Mod mod 60s jazz – and 12 tight-as-can-be instrumentals from London's Dave Davani combo! Dave's a Hammond player with a great mix of soul jazz and R&B in his grooves – very much the best sort of instrumental work you might expect from London in the swinging 60s – a great blend of American influences and UK mod styles. The rest of the group includes guitar, bass, and drums – plus a bit of vocals and Latin percussion from Beryl Wayne. The groove here is clearly a precursor to the James Taylor Quartet, and the overall sound is better than some of the more famous groups from the time – such as the combos of Brian Auger or Graham Bond. Titles inlcude "Big Boss Man", "Working Out", "Funky Mama", "Sack O Woe", and "Pig Foots". LP, Vinyl record album
Also available Fused! – Swinging Soul Sound Of Dave Davani ... CD 8.99

Possible matches3
CD, LP, Vinyl record album cover art
✨✧ Slim HarpoSting It Then! – Historic 1961 Show ... CD
Excello/Ace (UK), 1961. New Copy ... Out Of Stock
Mindblowing work from the legendary Slim Harpo – a live recording that seems to have Harpo sounding even sharper and funkier than on his famous studio sides for Excello Records in the 60s! Slim's really on fire here – riffing guitar with a super-tight band, but in a way that's never slick or formulaic – a quality that comes through especially on the vocals, which often have this raspy quality that comes through the PA in the concert setting – which seems to give Harpo even more lyrical power than ever. The harmonica lines are great – amplified, and with that skittish, jazzy edge we love so much on Slim's other records. The set features an entire live set from 1961 – 20 tracks that include "Little Liza Jane", "I'm A King Bee", "Lottie Moe", "Big Boss Man", "Boogie Chillun", "Moody Blues", "Sugar Coated Love", "Star Time Theme", and "I Got Love If You Want It". CD

Possible matches4
CD, LP, Vinyl record album cover art
VariousGirls Got Soul – Atlantic Distaff Soul Classics, Rarities, & Unissued Tracks From The 60s ... CD
Atlantic/Kent (UK), 1960s. New Copy ... $11.99 18.99
Killer female soul from Atlantic Records – and a tasty set that pushes way past the big hits! There's some excellent work here from some of the lesser-remembered singers on the label from the 60s, or other singers who recorded more famously elsewhere for other labels – and there's also some nice obscure numbers from some of Atlantic's bigger acts, tracks that you might have missed or which have never been issued before. There's a total of 25 tracks that includes "But I Love Him" by Doris Troy, "It's Nice To Know" and "That Hurts" by Rozetta Johnson, "My Man, He's A Lovin Man" by Betty Lavette, "Me & My Baby" by Mary Wells, "Unloved Unwanted Me" by Barbara Lynn, "Sweet Inspiration" by The Sweet Inspirations, "I'm Blue (The Gong Gong Song)" by The Ikettes, "Here He Comes" by Ruth Brown, "I Can't Afford To Lose Him" by Baby Washington, and "You Can't Love Me (In The Midnight Hour)" by Ann Mason with Little Mac & The Boss Sounds. CD
 
Partial matches: 34
Partial matches5
CD, LP, Vinyl record album cover art
Dave DavaniFused! – Swinging Soul Sound Of Dave Davani ... CD
Parlophone/Big Beat (UK), 1965. New Copy ... $8.99 18.99
Mod mod 60s jazz – and 20 tight-as-can-be instrumentals from London's Dave Davani combo! Dave's a Hammond player with a great mix of soul jazz and R&B in his grooves – very much the best sort of instrumental work you might expect from London in the swinging 60s – a great blend of American influences and UK mod styles. The rest of the group includes guitar, bass, and drums – plus a bit of vocals and Latin percussion from Beryl Wayne. The groove here is clearly a precursor to the James Taylor Quartet, and the overall sound is better than some of the more famous groups from the time – such as the combos of Brian Auger or Graham Bond. The set features tracks from Dave's Parlophone album, a few other singles, and even 4 previously unissued tracks from the same time – with titles that inlcude "Big Bossa Man", "Working Out", "Funky Mama", "Sack O Woe", "Boot Leg", "Harlem Waltz", and "Pig Foots". CD

Partial matches6
CD, LP, Vinyl record album cover art
Stan GetzBig Band Bossa Nova ... CD
Verve (UK), 1962. Used ... $4.99
An overlooked gem from the Verve bossa years – a session that features the sweet tenor sax work of Stan Getz, alongside some swinging bossa arrangements from the great Gary McFarland! Given the strength of Gary's own work for Verve at the time, it's no surprise that he's a perfect accompanist for Getz on the session – working with just the right amount of space to let Stan stand out from the pack, and really creating a great blend of Brazilian rhythms and some of the modder 60s styles at Verve. Gary contributed a number of originals to the session too – and titles include "Bim Bom", "Manlancolico", "Balanco No Samba", "Noite Triste", "Chega De Saudade", and "Manha De Carnival". CD
(CRC pressing.)

Partial matches7
CD, LP, Vinyl record album cover art
✨✧ VariousGirls From Ipanema – Best Of Bossa Nova ... CD
Verve (Germany), 1960s. Used 2CD ... Out Of Stock
With the thong-heavy cover of this one, you might be tempted to think it's a Miami Bass kind of affair – but the set is actually a pretty great collection of bossa tracks from the classic Verve years of the 60s! There's a total of 31 tracks in all on the set – and titles include "How Insensitive" by Wes Montgomery, "Manha De Carnaval" by Baden Powell, "E Luxo So" by Stan Getz & Charlie Byrd, "Crickets Sing For Anamaria" by Marcos Valle, "Kee Ka Roo" by Luiz Henrique & Walter Wanderley, "Favela" by Antonio Carlos Jobim, "Big Bossa" by Toots Thielemans, "A Felicidade" by Bob Brookmeyer, "Agua De Beber" by Astrud Gilberto, "If You Want To Be A Lover" by Luiz Henrique, "Canto De Osshana" by Baden Powell, and "Souled Out" by Cal Tjader. CD
(Out of print.)

Partial matches8
CD, LP, Vinyl record album cover art
Stan Getz & Charlie ByrdJazz Samba ... CD
Verve, 1962. Used ... $3.99
One of those records that no home should be without – not only a pivotal album in the growth of bossa nova in the 60s – but a set that also really helped set the career of tenorist Stan Getz on fire! The real credit here might almost go to guitarist Charlie Byrd – as Byrd was a big early proponent of bossa nova rhythms, and had already been experimenting with them on his records of the time – yet also gets a key extra "umph" here in the presence of Stan's tenor – a bold, rich, soulful sound that really helps give the music a lot of direction – in ways that still resonate strongly all these many years later! Getz is completely sublime – a master of tone and timing throughout – and perfectly fit to these tunes. Rhythms are mostly from Byrd's trio, augmented with some extra percussion – and titles include the classic "Desafinado", plus "E Luxo So", "Samba Dees Days", "Samba Triste", "O Pato", "Samba De Uma Nota So", and "Baia". CD

Partial matches9
CD, LP, Vinyl record album cover art
Astrud Gilberto & Walter WanderleyCertain Smile, Certain Sadness ... CD
Verve, 1966. Used ... $4.99
Kind of a dream combination in one little album – especially if you dig breezy bossa from the 60s! Back in 1966, Verve Records got the great idea of teaming up its (then) biggest Brazilian imports – vocalist Astrud Gilberto and organist Walter Wanderley – both of whom were selling plenty at the time! Astrud's lovely vocals are matched beautifully with the lean, rhythmic bossa grooves of Wanderley's trio – and the result is a record that's near-perfect in execution. Most of the tracks are quite short, as is the record itself – but it's a perfectly concentrated dose of the Verve bossa sound at its best, with tracks that include "Portuguese Washerwoman", "Tu Meu Delirio", "A Certain Smile", "Call Me", "Here's That Rainy Day", "A Certain Sadness", "It's A Lovely Day Today", and a vocal version of Wanderley's big hit "Summer Samba", redone here as "So Nice"! Plus, this groovy reissue also includes two previously unissued cuts – "Who Needs Forever" and "The Sadness of After"! CD

Partial matches10
CD, LP, Vinyl record album cover art
Luciano MicheliniAnna Quel Particolare Piacere (180 gram colored vinyl pressing) ... LP
Dagored (Italy), 1973. New Copy (reissue)... $28.99
A hell of a charmer from Italian composer Luciano Michelini – a record that's funky one minute, sexy and slinky the next, and always full of surprises as it steps through a big array of short little tunes! Michelini's got an especially great ear for the kind of groovy bossa numbers that we love from guys like Ennio Morricone or Armando Trovajoli, but he also has this way of bringing in a fuller feeling to his arrangements – maybe echoing French composers at times, but without any sort of sentimentality. There's a great jazzy riff to the title track, which gets repeated a few times – and tracks include "Il Mestiere Di Uccidere", "Ritratto Di Un Boss", "La Giostra Dei Pensieri", "Quell'Amaro Tormento", "Occhi Di Bimbo", "La Cruda Realta", and "Una Voce Una Speranza". LP, Vinyl record album
(Limited edition of 500 – on colored vinyl!)

Partial matches11
CD, LP, Vinyl record album cover art
VariousWhere It's AT – Soul In the Midnight Hour ... CD
Atlantic/Kent (UK), Late 60s. New Copy ... $11.99 18.99
Kent Records takes on the Atlantic Records catalog of the 60s – and come up with a wonderful array of cuts that go way past the obvious hits from the famous label! The groove here is a mix of hard soul and funky numbers from both big names and lesser-knowns who recorded for the Atlantic family of labels – and the package mixes hard-grooving classics with some even cooler cuts that might be a new discovery to your ears here – all laid out in that killer Kent soul style that makes every track sound even better in the company of the others. As usual with the label, the sound, package, and notes are great – and the CD features 26 titles that include "Do The Hully Gully" by King Coleman, "You've Got Me On The Critical List" by Don Covay, "The House That Jack Built" by Aretha Franklin, "Snatching It Back" by Clarence Carter, "Uptight" by Charlie Palmieri, "Tighten Up" by Archie Bell, "In The Midnight Hour" by Little Mac & The Boss Sounds, "Release Me" by Esther Phillips, "Stupidity" by Solomon Burke, "You Don't Know Like I Know" by Sam & Dave, "Philly Dog" by Herbie Mann, "Stupidity" by Solomon Burke, "My Girl Sloppy" by The Vibrations, "Land Of 1000 Dances" by Wilson Pickett, and "Your Old Lady" by The Isley Brothers. CD

Partial matches12
CD, LP, Vinyl record album cover art
✨✧ Astrud Gilberto & Walter WanderleyCertain Smile, Certain Sadness ... LP
Verve, 1966. Used ... Temporarily Out Of Stock
Kind of a dream combination in one little album – especially if you dig breezy bossa from the 60s! Back in 1966, Verve Records got the great idea of teaming up its (then) biggest Brazilian imports – vocalist Astrud Gilberto and organist Walter Wanderley – both of whom were selling plenty at the time! Astrud's lovely vocals are matched beautifully with the lean, rhythmic bossa grooves of Wanderley's trio – and the result is a record that's near-perfect in execution. Most of the tracks are quite short, as is the record itself – but it's a perfectly concentrated dose of the Verve bossa sound at its best, with tracks that include "Portuguese Washerwoman", "Tu Meu Delirio", "A Certain Smile", "Call Me", "Here's That Rainy Day", "A Certain Sadness", "It's A Lovely Day Today", and a vocal version of Wanderley's big hit "Summer Samba", redone here as "So Nice"! LP, Vinyl record album
(Cover has light wear.)
Also available Certain Smile, Certain Sadness ... CD 4.99

Partial matches13
CD, LP, Vinyl record album cover art
✨✧ Quincy JonesQuincy Jones Plays Hip Hits ... LP
Mercury, 1963. Used ... Temporarily Out Of Stock
One of Quincy Jones' best for Mercury Records in the 60s – a very groovy record that was done with a feel that's somewhere in between his Big Band Bossa album and his best 60s soundtrack work! The format is simple – Quincy picks a sweet batch of jazz semi-hits from the early 60s, plays them with a nice mix of soul jazz arrangements, and works with a great ensemble filled with wonderful players – including Roland Kirk, Budd Johnson, Seldon Powell, James Moody, and Jerome Richardson on reeds; Lalo Schifrin and Patti Brown on piano, Jim Hall on guitar, Clark Terry on trumpet, and Melba Liston on trombone – plus lots of great percussion at the bottom, helping bring some Latin energy to the grooves at points. Tunes are familiar, but all given a great Quincy Jones twist – and titles include "Gravy Waltz", "Jive Samba", "Walk On The Wild Side", "Bossa Nova USA", and "Watermelon Man". LP, Vinyl record album
(Black label stereo pressing.)

Partial matches14
CD, LP, Vinyl record album cover art
✨✧ Astrud Gilberto5 Original Albums (Astrud Gilberto Album/Look To The Rainbow/Certain Smile Certain Sadness/Windy/I Haven't Got Anything Better) (5CD set) ... CD
Verve (Germany), Late 60s. New Copy 5 CDs ... Out Of Stock
A quintet of wonderful records from the legendary Astrud Gilberto! First up is the Astrud Gilberto Album – pne of Astrud Gilberto's greatest albums of the 60s – a classic session produced for Verve by Creed Taylor, and featuring sweet gentle arrangements from Marty Paich, co-arranged with Antonio Carlos Jobim, who also plays guitar on the session next to the piano of Joao Donato! That's a mouthful of heavy-hitters, we know – but the result is a totally great session that has Astrud's light and gentle vocals drifting over some of the most magical bossa backings you'll ever hear. The whole thing's great, stuffed with bossa classics done in English – and titles include "Once I Loved", "Aqua De Beber", "O Morro", "Dindi", "Dreamer", and "Photograph". Look To The Rainbow is one of the moodiest Verve albums from Astrud Gilberto – a set that has some surprising arrangements by Gil Evans – working here on one of his few 60s dates with a singer! Astrud's blue-tinged vocals work perfectly with Evans' backdrops – and Al Cohn also takes over the helm on two of the album's tracks, but still does a very good job of keeping the groove. There's a nice mix of sadness and lightness in the set – and titles include a wonderful version of "Berimbau" that actually features berimbau playing by Dom Um Romao, a great take on "El Preciso Aprender A Ser So" with English lyrics, and the titles "Bim Bom", "Lugar Bonito", "Frevo", and "Once Upon A Summertime". For Certain Smile Certain Sadness, Verve Records got the great idea of teaming up its (then) biggest Brazilian imports – vocalist Astrud Gilberto and organist Walter Wanderley – both of whom were selling plenty at the time! Astrud's lovely vocals are matched beautifully with the lean, rhythmic bossa grooves of Wanderley's trio – and the result is a record that's near-perfect in execution. Most of the tracks are quite short, as is the record itself – but it's a perfectly concentrated dose of the Verve bossa sound at its best, with tracks that include "Portuguese Washerwoman", "Tu Meu Delirio", "A Certain Smile", "Call Me", "Here's That Rainy Day", "A Certain Sadness", "It's A Lovely Day Today", and a vocal version of Wanderley's big hit "Summer Samba", redone here as "So Nice"! Windy is one of the hardest to find Astrud Gilberto records on Verve – and one of the best! Deodato, Don Sebesky, and Pat Williams did the arrangements – and the sound here is a bit different than some of the straighter Gilberto sets of the time – still very bossa-inspired, but also in a style that mixes in some great Sunshine Pop and 60s easy influences too – particularly on the tracks arranged by Williams! Tracks are all quite short, but get a heck of a lot of magic into a tiny space – and the album features some really wonderful songs that break Gilberto's pattern a bit – including versions of the Marcos Valle tracks "Crickets Sing For Anamaria" and "Chup Chup, I Got Away" – plus takes on "Windy", "Sing Me A Rainbow", "Never My Love", and "Where Are They Now?" I Haven't Got Anything Better To Do is one of the darkest albums ever recorded by Astrud Gilberto – her 60s last session for Verve Records, and a batch of beautifully moody tunes throughout! Arrangements are by Albert Gorgoni, who'd handled Gilberto's previous September 69 album – but the style here is a bit mellower, a bit sadder – touched with more adult themes of love, life, and loss – and very much in keeping with Astrud's tear-stained image on the cover! There's a sound here that almost mixes Gilberto's earlier bossa with the more baroque modes of Scott Walker at the end of the 60s – and as with Scott Walker's classic solo sets, the album shows a side of Astrud's talents that we never would have expected a few years earlier! Titles include "Wailing Of The Willow", "Where's The Love", "Wee Small Hours", "If", "Without Him", "Trains & Boats & Planes", "The Sea Is My Soil", and "Didn't We?". CD

Partial matches15
CD, LP, Vinyl record album cover art
✨✧ Johnny Williams/George DuningNot With My Wife You Don't/Any Wednesday ... CD
Warner/Film Score Monthly, 1966. Used ... Out Of Stock
2 fantastic 60s sex comedy soundtracks – back to back on one CD! Not With My Wife is groovy groovy work from Johnny Williams – one of his best 60s soundtracks, with lots of nice touches! The film's a goofy sex romp, as you might expect from the title, and Williams' tunes really keep the spirit of the movie up nicely – running through a variety of upbeat styles, from jazzy Hammond, to groovy vocals, and even a few surprisingly nice chorus vocal type tunes! Includes the great song "Big Beautiful Ball", presented in instrumental and vocal versions, the latter of which is sung by Johnny Mercer. Other titles include "Not With My Wife You Don't", "Two Of Everything", "Trumpet Discotheque", "Hungarian Jungle Music", and "My Inamorata". Any Wednesday is a wonderful batch of jazzy instrumentals – and one of our favorite soundtracks ever from George Duning! The sound here is often light and breezy – a bit of woodwinds, strings, and some almost bossa-inspired rhythms – all wrapped together beautifully to accompany a goofy sex comedy that starred Dean Jones, Jane Fonda, and Jason Robards. The feel here is prime 60s comedy – with music that's often more whimsical and playful than the images on the screen – and plenty of the jazzier touches you might find in the time on some of the soundtracks by Neal Hefti. Many numbers are variations on the great "Any Wednesday Theme" – and titles include "Cass & Ellen", "Frantic Cass", "Split Screens", "Playboy John", "Righteous Cass", and "Wife Meets Mistress". CD
(Out of print.)

Partial matches16
CD, LP, Vinyl record album cover art
Wes Montgomery5 Original Albums (Trio/Incredible Jazz Guitar/Movin Along/So Much Guitar/Boss Guitar) (5CD set) ... CD
Riverside/Universal (Germany), Late 50s/Early 60s. New Copy 5CD ... $24.99
5 classic albums from guitarist Wes Montgomery – all packaged together in tiny LP-styled sleeves! The Trio album is Wes Montgomery's first album as a leader – a relatively obscure set that has him playing in a trio with Indianapolis bandmates Mel Rhyne on organ and Paul Parker on drums – a mode that strongly recalls Montgomery's roots in the Indy scene at the time!. The groove is straight and simple, but the real charm is Wes' chromatic lines on guitar – already quite distinctive among his contemporaries, and allowed ample room to express their voice in this setting. Titles include "Ecorah", "Missile Blues", "Too Late Now", "Jingles", and "Whisper Not". Incredible Jazz Guitar is a very fitting title – because the set was only Wes Montgomery's second album as a leader, he was already making plenty of waves with the sound of his guitar! The session lines Wes up with the very tight rhythm team of Tommy Flanagan on piano, Percy Heath on bass, and Albert Heath on drums – all of whom lay back and mostly let Wes take center stage – sparkling on a number of original tunes that include "West Coast Blues", "Mister Walker", and "D Natural Blues". Other tracks include a great fast take on Sonny Rollins' "Airegin", plus "In Your Own Sweet Way" and "Polka Dots & Moonbeams". Movin Along features Wes Montgomery with a bit of sax and flute – a nice change from the sound of some of his other early records, thanks to key work on the set from James Clay! Clay plays mostly flute on the record, but does so with a hard edge that reminds us of Frank Wess' work from the same stretch – really bringing a raspy edge to the record, and seeming to bring out the same in Wes' guitar work. The rest of the group includes Victor Feldman on piano, Sam Jones on bass, and Louis Hayes on drums – and titles include the nice groover "Movin' Along", plus "So Do It", "Sandu", "Tune Up", and "Says You". The next album is So Much Guitar – but never too much, given that Wes was the real master of sound and space, even at this early point in his career! The album's one that tries to break Montgomery from some of his smaller combo albums for Riverside, and pair him with a few bigger names – Hank Jones on piano, Ron Carter on bass, Lex Humphries on drums, and Ray Barretto on congas – who gives the album that bottom "kick" sort of groove that was used often on soul jazz sessions from the time. The tune's lope around leanly and cleanly, giving plenty of focus on Wes' work on guitar – and titles include "Twisted Blues", "Repetition", "Somethin' Like Bags", and "While We're Young", which is a solo track by Wes. Boss Guitar is a session that's got a gritty edge that takes Wes back to his Indianapolis roots! The album's one of the few of the time to feature the unsung Hammond hero Mel Rhyne – a player who worked with Wes at his start, but has only gotten stronger acclaim in recent decades as part of his comeback. Rhyne's a key force in the record – working alongside Montgomery's guitar and the drums of Jimmy Cobb – in a loose, open trio that has Mel participating as strongly in the rhythms as he does in the solo side of the album. Titles include a few Montgomery originals – "The Trick Bag" and "Fried Pies" – plus the tunes "Besame Mucho", "Dearly Beloved", "Days Of Wine & Roses", "Canadian Sunset", "The Breeze & I", and "For Heaven's Sake". CD

Partial matches17
CD, LP, Vinyl record album cover art
Don Rich & The BuckaroosGuitar Pickin Man ... CD
Capitol/Omnivore, 1960s/Early 70s. New Copy ... $15.99 16.99
A great tribute to one of the unsung heroes of country music – guitarist Don Rich, whose lead work and solos were such a big part of the Buck Owens records of the 60s! This package brings together both tracks recorded with Buck, and sides that have Don working with the Buckaroos – many of which have Rich singing along with his guitar, even if Buck is on board – and all of which are sparkling with the kind of "next generation" groove that Don used to help take the Bakersfield sound out of the postwar ghetto, and into the country mainstream. There's a really sparkling feel to most of this work – and together, the tracks have Rich presenting sounds that are really more dynamic and more inspiring than any of Chet Atkins music of the time. Titles include a never-issued version of "Guitar Pickin Man", plus "Hello California", "Down At The Corner Bar", "Chaparral", "Wham Bam", "Bossa Nova Buckaroo Style", "Aw Heck", "Number One Heel", "Sally Was A Good Ol Girl", "Out Of My Mind", "Take Care Of You For Me In Kansas City", and "Happy Son Of A Gun". CD

Partial matches18
CD, LP, Vinyl record album cover art
Lalo SchifrinMannix ... CD
Aleph/WEA, Early 70s/2001. Used ... $10.99
One of Lalo Schifrin's greatest soundtracks ever – offered up here in a new version that's every bit as great as the super-rare vinyl one from the 70s! The recording is a new one – done by Schifrin and the WDR Big Band, but with exactly the same feel as the original TV soundtrack score. The tunes are pure Schifrin – a mix of jazz, bossa, and funk, always tight, and with a perfect sense of a groove! Plus, the special package includes new liner notes, photos, and a poster too! Titles include "The Shadow", "Sao Paolo After Dark", "Turn Every Stone", "The Edge Of Night", "The Girl Who Came In With The Tide", and "End Game". CD
(Out of print, penmark through barcode.)

Partial matches19
CD, LP, Vinyl record album cover art
Armando TrovajoliSeddok L'Erede Di Santana (140 gram vinyl) ... LP
Contempo (Italy), 1960. Sealed (reissue)... $14.99
A really surprising score from the great Armando Trovajoli – especially if you only know his bigger hits of the 60s, or his lighter, more bossa-styled material! As you might guess from the cover, this one's for a horror film with a dark spooky edge – and Trovajoli follows the spirit of the film wonderfully, with these really odd, offbeat orchestrations often mixed with even more unusual sounds – sometimes elements that we can't figure out at all – although they might just be familiar instruments, but used in really weird ways! Things are pretty tense throughout – nice and spare and with the feel that something's about to jump out of the darkness at most moments – and the album features 20 spooky tracks from the score! LP, Vinyl record album

Partial matches20
CD, LP, Vinyl record album cover art
Joe TurnerBoss Of The Blues – Joe Turner Sings Kansas City Jazz ... LP
Atlantic, Late 50s. Very Good ... $6.99
Joe Turner returns to his roots, and lays down a fairly straight set of bluesy tunes from the old days of the Kansas City scene – done with a small jazz combo that includes work by Joe Newman, Lawrence Brown, Pete Brown, and Pete Johnson! After the raw hard R&B of Joe's bigger hit sides for Atlantic, the album's a compelling change – a reminder that Turner had roots that went much deeper than his rock and roll fame – and a depth of delivery that would keep his career strong, long after some of his 50s R&B contemporaries faded! The mix of modes – R&B and jazz – is a bit like some of the later Ray Charles albums on Atlantic – and tracks include "Low Down Dog", "Roll Em Pete", "Cherry Red", "How Long Blues", and "Morning Glories". LP, Vinyl record album
(Original black label pressing. Cover has splitting on the top & bottom seams.)

Partial matches21
CD, LP, Vinyl record album cover art
VariousNippon Girls – Japanese Pop, Beat, & Bossa Nova 1967 to 1969 (coloured vinyl) ... LP
Big Beat (UK), Late 60s. New Copy Gatefold ... $14.99
Groovy, moddish, magnificent and sunny girl pop from The Land Of The Rising Sun – pummeling drums, jumping arrangements and groovy vocals from the mid-to-late 60s Japanese scene! This is fantastic stuff, any kitch or novelty appeal you might be expecting is kind of muted by the exceptional quality and excellent performances – but it is flat out fun! As the title states, strains of pop, beat & bossa – plus mod & psychedelic fuzz – and the vocals girl group vocals are bright, rocking, playful or sultry or innocent depending on the groove! 25 tracks in all: "Black Room by Jun Mayuzumi, Sharock No 1" by Mie Nakao, "Nagisa No Tenshi" by Mieko Hirota, "Hatsu Koi No Letter" by Miki Obata, "Bazazz Tengoku" by The Cupids, "Aeba Suki Suki" by Margaret With Bunnys, "Nukui Aitsu" by Mika Nohira, "Kiiro No Sekai" by J Girls and more. LP, Vinyl record album

Partial matches22
CD, LP, Vinyl record album cover art
VariousTrip To Brazil Vol 2 – Bossa & Beyond ... CD
EmArcy (Germany), 1999. Used 2 CDs ... $16.99
Incredible – and one of our best-ever compilations of Brazilian music! This volume takes off where volume 1 ended – and it shows the rich evolution of Brazilian music during and after the bossa era, using a tasty batch of rare tracks to illustrate the wide range of styles that emerged during the late 60s and 1970s. Like the first volume, this one's extremely well packaged and well selected – and it features a total of 38 tracks on 2CDs, with liner notes and material that will appeal to the novice and collector alike. Tracks include "Fittipaldi Show" by Azymuth & Marcos Valle, "Ponteio" by Rogerio Duprat, "Marta E Romao" by Edu Lobo, "Pigmaliao" by Erlon Chaves, "Zazueira" by Elis Regina, "Odara" by Caetano Veloso & Nara Leao, "Mas Que Nada" by Ithamara Koorax & Azymuth, "April Child" by Leo Gandleman, "You & I" by Jon Hendricks, "Este Seu Olhar" by Joao Gilberto, "Ao Amigo Tom" by Claudette Soares & Som Tres, "Adeus Maria Fulo" by Os Mutantes, "Helena & I" by Mario Castro-Neves, "Meu Boi Bumba" by Thiago De Mello & Amazon, "Tu Veux Ou Tu Veux Pas" by Brigitte Bardot, and "Promise Of A Fisherman" by Sergio Mendes & Brazil '77. Great stuff – and sure to be one of our biggest sellers! CD
(Out of print.)

Partial matches23
CD, LP, Vinyl record album cover art
✨✧ Armando TrovajoliSeddok L'Erede Di Santana (140 gram vinyl) ... LP
Contempo (Italy), 1960. New Copy (reissue)... Out Of Stock
A really surprising score from the great Armando Trovajoli – especially if you only know his bigger hits of the 60s, or his lighter, more bossa-styled material! As you might guess from the cover, this one's for a horror film with a dark spooky edge – and Trovajoli follows the spirit of the film wonderfully, with these really odd, offbeat orchestrations often mixed with even more unusual sounds – sometimes elements that we can't figure out at all – although they might just be familiar instruments, but used in really weird ways! Things are pretty tense throughout – nice and spare and with the feel that something's about to jump out of the darkness at most moments – and the album features 20 spooky tracks from the score! LP, Vinyl record album
Also available Seddok L'Erede Di Santana (140 gram vinyl) ... LP 14.99

Partial matches24
CD, LP, Vinyl record album cover art
Maynard FergusonNew Sounds Of Maynard Ferguson/Come Blow Your Horn ... CD
Fresh Sound New Talent (Spain), 1963. Used ... $6.99
Two great albums from a time when Maynard Ferguson was really hitting his stride – back to back on one CD! New Sounds is a really nice set, and very much in the best spirit of the excellent early 60s albums that Maynard cut for Roulette! As with those, there's some great players working in the group – a lineup that includes Willie Maiden on tenor sax, Dusko Goykovich (horribly misspelled in the notes) on trumpet, Ronnie Cuber on Baritone, and Lanny Morgan on alto – all of whom get to step out in short but soulful solos that make the tracks bristle with more excitement than you'd think. And as with other Cameo jazz sides from the time, Rufus Jones is on drums – bringing in a nice little punch to the tracks that kicks them up in just the right sort of way. Titles include the originals "Bossa Nova De Funk", "Maine Bone", and "At The Sound Of The Trumpet" – plus a version of "Watermelon Man", and the bonus track "The Song Is You". Come Blow Your Horn is a surprisingly nice album of big band material from Maynard – recorded at a time when he was just getting his start as a big name, and still handling some hip enough players to make the groove swing! One track claims to have a "Dusan Goykovich" as a soloist – who we can only imagine to be our man Dusko Goykovich – and the record has plenty other nice solos by Lanny Morgan. Arrangements are by Don Sebesky, Al Cohn, Willie Maiden, and Oliver Nelson – and tracks include "Groove", "Whisper Not", "Blues For A Four String Guitar", "New Hope", and "Naked City Theme". CD
 
 
 



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