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Possible matches: 5
Possible matches1
CD, LP, Vinyl record album cover art
Bill Black's ComboTurn On Your Love Light ... CD
Hi Records/Ultra Vybe (Japan), 1969. New Copy ... $14.99
Bill Black and his classic combo – but with a sound that's a lot more Stax Records than usual! The grooves are gritty right from the get-go – no surprise, given that the back cover notes begin with an anecdotal definition of funk – one that Black and his group clearly seem to have read, given that they start the album with a mighty drumbreak! The set's still got that saxy Bill Black sound, but the organ is a lot more deeply burning, and the drums have a nice sort of punch too – maybe more Mar-Keys than MGs, but still mighty darn nice. Titles include "Turn On Your Love Light", "The Horse", "Philly Dog", "Big Boss Man", "Red Light", "Bright Lights Big City", and "Shoo Bee Doo Be Doo Da Day". CD

Possible matches2
CD, LP, Vinyl record album cover art
Slim HarpoSting It Then! – Historic 1961 Show ... CD
Excello/Ace (UK), 1961. New Copy ... $11.99 18.99
Mindblowing work from the legendary Slim Harpo – a live recording that seems to have Harpo sounding even sharper and funkier than on his famous studio sides for Excello Records in the 60s! Slim's really on fire here – riffing guitar with a super-tight band, but in a way that's never slick or formulaic – a quality that comes through especially on the vocals, which often have this raspy quality that comes through the PA in the concert setting – which seems to give Harpo even more lyrical power than ever. The harmonica lines are great – amplified, and with that skittish, jazzy edge we love so much on Slim's other records. The set features an entire live set from 1961 – 20 tracks that include "Little Liza Jane", "I'm A King Bee", "Lottie Moe", "Big Boss Man", "Boogie Chillun", "Moody Blues", "Sugar Coated Love", "Star Time Theme", and "I Got Love If You Want It". CD

Possible matches3
CD, LP, Vinyl record album cover art
VariousGirls Got Soul – Atlantic Distaff Soul Classics, Rarities, & Unissued Tracks From The 60s ... CD
Atlantic/Kent (UK), 1960s. New Copy ... $11.99 18.99
Killer female soul from Atlantic Records – and a tasty set that pushes way past the big hits! There's some excellent work here from some of the lesser-remembered singers on the label from the 60s, or other singers who recorded more famously elsewhere for other labels – and there's also some nice obscure numbers from some of Atlantic's bigger acts, tracks that you might have missed or which have never been issued before. There's a total of 25 tracks that includes "But I Love Him" by Doris Troy, "It's Nice To Know" and "That Hurts" by Rozetta Johnson, "My Man, He's A Lovin Man" by Betty Lavette, "Me & My Baby" by Mary Wells, "Unloved Unwanted Me" by Barbara Lynn, "Sweet Inspiration" by The Sweet Inspirations, "I'm Blue (The Gong Gong Song)" by The Ikettes, "Here He Comes" by Ruth Brown, "I Can't Afford To Lose Him" by Baby Washington, and "You Can't Love Me (In The Midnight Hour)" by Ann Mason with Little Mac & The Boss Sounds. CD

Possible matches4
CD, LP, Vinyl record album cover art
✨✧ Jimmy ReedFound Love ... LP
Vee Jay, Late 50s. Used ... Out Of Stock
Seminal work from the legendary Jimmy Reed – spare and bluesy numbers that were some of the best work coming out of Chicago at the time! There's a snapping quality to the rhythms here that was a keen inspiration to generations of better-known artists – and in a way, it's amazing to go back to these originals to hear how spare and earthy Jimmy's original recordings were. Titles include "Big Boss Man", "Found Love", "Meet Me", "Hush Hush", "I'm Nervous", "Going By The River (parts 1 & 2)", and "Come Love". LP, Vinyl record album
(Rainbow label pressing. Cover has small splits on the bottom seam.)

Possible matches5
CD, LP, Vinyl record album cover art
✨✧ VariousStrong Like Sampson – Lival Thompson Presents The 12" Mixes ... CD
Hot Milk (UK), 1979/1980. New Copy 2CD ... Out Of Stock
Heavy club mixes from Linval Thompson – key work from that time when the 12" single really opened up the sonic possibilities of reggae! The work here is either by Thompson, or some of his frequent collaborators on his Strong Like Sampson label – and titles include mixes of "Mr Big Shot", "Curfew", "Mr Collie Man", and "Mr Boss Man" all by Linval Thompson – plus "Gonna Be Sorry" and "Sometime I Cry" by Freddy McKay, "Natty Dread Nah Run" by Barry Brown, "Stop Pushing Me Around" by Ranking Trevor, "I'm A Dread Locks" by Sammy Dread & Papa Tullo, "Promised Land" by Rod Taylor, "Rainy Days" by Sammy Dread, "Africa" by Anthony Johnson, "Wicked Intention" by Barrington Levy, and "Stereograph Style" by Jah Thomas. CD
 
Partial matches: 22
Partial matches6
CD, LP, Vinyl record album cover art
Stan Getz & Charlie ByrdJazz Samba ... LP
Verve, 1962. Very Good- Gatefold ... $9.99
One of those records that no home should be without – not only a pivotal album in the growth of bossa nova in the 60s – but a set that also really helped set the career of tenorist Stan Getz on fire! The real credit here might almost go to guitarist Charlie Byrd – as Byrd was a big early proponent of bossa nova rhythms, and had already been experimenting with them on his records of the time – yet also gets a key extra "umph" here in the presence of Stan's tenor – a bold, rich, soulful sound that really helps give the music a lot of direction – in ways that still resonate strongly all these many years later! Getz is completely sublime – a master of tone and timing throughout – and perfectly fit to these tunes. Rhythms are mostly from Byrd's trio, augmented with some extra percussion – and titles include the classic "Desafinado", plus "E Luxo So", "Samba Dees Days", "Samba Triste", "O Pato", "Samba De Uma Nota So", and "Baia". LP, Vinyl record album
(Original pressing.)

Partial matches7
CD, LP, Vinyl record album cover art
✨✧ Antonio Carlos JobimWonderful World Of Antonio Carlos Jobim ... CD
Warner (Japan), 1965. New Copy ... $14.99
The wonderful world of Antonio Carlos Jobim gets a whole lot bigger on this American release from the 60s – thanks to a collaboration with the great Nelson Riddle, the arranger whose work made so many of Frank Sinatra's albums so great! Riddle really understands the jazzy elements at the core of Jobim's tunes – and backs his guitar and vocals with a great 60s California take on the bossa nova – one that's never trying too hard to cross over, and which instead really respects the genius of Jobim at the core! Antonio sings on most tracks – some even with English lyrics that are really great – and titles include "Useless Landscape", "Bonita", "Surfboard", "She's A Carioca", "Aqua De Beber", and "Favela". CD

Partial matches8
CD, LP, Vinyl record album cover art
✨✧ Steve Miller/Lol CoxhillMiller/Coxhill – Coxhill/Miller – Story So Far/Oh Really? ... CD
Virgin/Cuneiform, Early 70s. Used 2CD ... $16.99
Two amazing albums from the team of Lol Coxhill and Steve Miller – augmented here by a fair bit of previously unreleased bonus work! Both records were issued during the early years of Virgin Records in the 70s – and are of a similar spirit to some of Robert Wyatt's more experimental moments for the label at the time. The team of Miller and Coxhill is quite an unusual one – Steve on acoustic piano, Coxhill on soprano sax – plus lots of additional production tricks, instrumental twists, and other odds and ends – all wrapped together with a sense of subtlety and gentleness that's quite different than most of the pair's contemporaries in the British jazz rock scene. Both albums are amazingly poetic – the first one a bit more spare, the second augmented with more electronics, processing, and a few special guests – and together, they represent an amazing document of a genre-less period in music – recordings that are neither jazz, nor rock, nor improvised music – but a special place between all those modes. Titles include "One For You", "Portland Bill", "Maggots", "Bath 72", "Gog Ma Gog", "G Song", "F Bit", "More G Songs", "Songs Of March", "The Greatest Off Shore Race In The World", "Soprano Derivato/Apricot Jam", and "Oh Do I Like To Be Beside The Seaside". Plus, the CD also features many bonus tracks – Steve Miller solo takes on "One For You", "God Song", and "Big Jobs No 2"; Delivery recordings of "God Song", "Bossa Nochance/Big Jobs", and "Betty"; and the additional Miller/Coxhill number "Coo Coo Ka Chew". CD
(Punch through barcode.)

Partial matches9
CD, LP, Vinyl record album cover art
✨✧ Tom ScottTom Scott & The LA Express ... LP
Ode, 1974. Very Good ... $7.99
A real breakout moment for reedman Tom Scott – the first truly big album for the saxophonist who'd been blowing some great records on his own, and lending his horn to a host of classic jazz and soul sessions too! The groove is a lot sharper and tighter than earlier Scott albums, but never too slick – and definitely has that great ear for a funky undercurrent that seems to bring out the most soulful notes in Tom's horns – underscored here by wicked rhythms from the LA Express combo that features Joe Sample on keyboards, Larry Carlton on guitar, Max Bennett on bass, and John Guerin on drums. Titles include the sublime break track "Sneaking In the Back" – plus "Dahomey Dance", "King Cobra", "Easy Life", "Spindrift", "Vertigo", "LA Expression", and "Strut Your Stuff". LP, Vinyl record album
(Original pressing in the embossed cover, with light wear and a small sticker.)

Partial matches10
CD, LP, Vinyl record album cover art
Piero UmilianiSynthi Time ... CD
Omicron/Schema (Italy), 1971. New Copy ... $16.99
A wonderfully weird record from Italian soundtrack maestro Piero Umiliani – one of his rare electronic albums cut for the sound library scene, and one of his best as well! The style here isn't just electronic for electronic music's sake – but instead really tries to find these warmer, melodic tones from early analogue versions of the instruments – often with cool little melodies that are very playful, but surprisingly sweet at times too – almost as if Umiliani is trying to find a whole new language based on electronics, but one that can resonate with his previous work with bigger ensembles. Many tunes are quite spare, but beautifully focused – in a way that almost points forwards to the Sky Records scene to come in Germany. Titles include "Synthi Epico", "Synthi Theme", "Synthi Bossa Nova", "Synthi West", "Synthi Boogie", "Synthi Dance", "Synthetic Water", and "Arabian Synthesizer". CD

Partial matches11
CD, LP, Vinyl record album cover art
✨✧ VariousJazz Com Bossa ... LP
99 Records (Germany), 1996. Very Good- ... $11.99
A really groundbreaking little set – the revival of bossa influence on the Japanese scene, presented here by a host of hip talents from the earliest years of the club jazz scene! The album's got a wonderful vibe through and through – a sound that was later taken up by bigger names from Japan, but which has a perfect sort of feel here – never too over the top, never too muddled up with dancefloor elements – and often turned towards subtle sounds and themes bring the record a nice sense of depth. The "bossa" here is one that comes more in spirit overall – as the album's never a simple copycat of Brazilian modes – and as such, it really shows the way that Japanese artists of the time were stepping out strongly to forge their own grooves and rhythms. Titles include the beautiful "Moonstone", plus Sama Nexusia" by DJ Matsuoka, "Breathing" by Skipjack, "Summer Rain" Gleeps, "Teriyaki" by Blue Bongos, "Living Day By Day" by Loud Step Market, "Message In The Music" by Rhythm, "Sol De Primavera" by Arco Iris, and "Love Bossa Style" by Amore Hirosuke & Love Machine. LP, Vinyl record album

Partial matches12
CD, LP, Vinyl record album cover art
VariousLe Coeur Qui Jazze – The Most Controversial & Wanted Cult-Grooves ... CD
Partners In Crime (Italy), 1960s/1970s. New Copy ... $12.99
A great mix of jazz, bossa, and other European grooves from the 60s and 70s – a smashing compilation of rare tracks, very much like others in this series! There's not much of a structure to the collection, but the cuts are all mighty nice – a really well-selected batch of numbers that includes "Conversations" by Silhouettes, "Sombre Guitar" by Danser's Inferno, "Claudia" by Panema Leblon, "Autumn Leaves" by Milt Jackson, "Jive Samba" by Jon Hendricks, "Here We Are Falling In Love" by Meta Roos, "Le Coeur Qui Jazze" by France Gall, "Exotica" by Walter Kubiczec, "Uela Uela" by Charly Antonlini, and "Sunshine Superman" by Big Jim Sullivan. CD

Partial matches13
CD, LP, Vinyl record album cover art
✨✧ VariousNew Breed Workin – Blues With A Rhythm ... CD
Kent (UK), Late 50s/Early 60s. New Copy ... $14.99
Bluesy sounds, with plenty of soul – a really special mix of modes that follows strongly in the spirit of Kent Records' other "new breed" compilations! The music here isn't really R&B, but it isn't 60s soul either – and instead has a cool mix of soulful rhythms with ruffer touches on the vocals, sax lines, and guitar – the kind of sounds we've always dug from King Records in their heyday, but which are pulled here from a variety of different labels! Most numbers are obscure indie singles from the first half of the 60s – and as usual with Kent, they're compiled with top-notch sound, and stellar notes that really illuminate the material – in a manner that's way better than those public domain sets on the market these days. Titles include "The Twitch" by Danny White, "Cruel World" by Roosevelt Powers, "Lucky Girl" by Joan Duvalle, "Breaking Hearts" by Varetta & The Thomases, "Let Me Know" by Robbie Lee, "Playboy" by Billy Ray, "Real Real Love" by Ray Agee, "What Did I Do Wrong" by The Ovations, "I Can't Even Enjoy My Home" by Big Charley & The Domans, "Something Funny Is Going On" by Bertha Tillman, and "Bossman" by Deane Hawley. CD

Partial matches14
CD, LP, Vinyl record album cover art
✨✧ VariousNippon Girls – Japanese Pop, Beat, & Bossa Nova 1967 to 1969 (coloured vinyl) ... LP
Big Beat (UK), Late 60s. New Copy Gatefold ... $19.99
Groovy, moddish, magnificent and sunny girl pop from The Land Of The Rising Sun – pummeling drums, jumping arrangements and groovy vocals from the mid-to-late 60s Japanese scene! This is fantastic stuff, any kitch or novelty appeal you might be expecting is kind of muted by the exceptional quality and excellent performances – but it is flat out fun! As the title states, strains of pop, beat & bossa – plus mod & psychedelic fuzz – and the vocals girl group vocals are bright, rocking, playful or sultry or innocent depending on the groove! 25 tracks in all: "Black Room by Jun Mayuzumi, Sharock No 1" by Mie Nakao, "Nagisa No Tenshi" by Mieko Hirota, "Hatsu Koi No Letter" by Miki Obata, "Bazazz Tengoku" by The Cupids, "Aeba Suki Suki" by Margaret With Bunnys, "Nukui Aitsu" by Mika Nohira, "Kiiro No Sekai" by J Girls and more. LP, Vinyl record album

Partial matches15
CD, LP, Vinyl record album cover art
VariousPop A La Catalana – Jazz, Bossa & Groovy Sounds From Catalunya 1963 to 1971 ... CD
Vadim (France), 1960s/Early 70s. New Copy ... $12.99
A wonderfully offbeat strain of European pop from the 60s – rare recordings from the Catalonian area, that weird space in Spain that's also linked to southern France and the Mediterranean islands as well! There's a really playful feel to most of these numbers – and although many cuts are remakes of big Anglo hits, they've been re-fitted with new language, and some plenty cool arrangements that often make the music sound even groovier than in the original versions! In terms of spirit, we'd definitely compare a lot of this work to the best mid 60s pop coming from Paris – the groovy goodies of the "yeh yeh" generation – although in the end, the music's also very much it's own thing as well. Titles include "Cap A Futbol" by Guillermina Motta, "Yeh Yeh" by Tony, "Es Una Dona" by Nuri, "Febre" by Guillem D'Efak, "El Meu Trastet" by Santi Sans, "Soc Molt Poca Cosa" by Jacinta, "Amor" by Jordi Teijon, "Desafinat" by Grau Carol, and "El Cinemascop" by Llorenc Torres. CD

Partial matches16
CD, LP, Vinyl record album cover art
✨✧ Joao Gilberto & Antonio Carlos JobimGilberto & Jobim ... LP
Capitol, Early 60s. Very Good- ... Just Sold Out!
Given that Capitol had recently linked up with the ever-growing EMI corporation in the early 60s, it was able to take advantage of the global catalog of the music giant, and managed to dip pretty heavily into the Brazilian Odeon catalog of tunes to cash in on the American popularity of bossa nova. This album was one of their bigger imports, and it features material originally recorded in Brazil, with Gilberto up front, backed by arrangements by Jobim. This is the classic material that made Gilberto's fame in the early days – and titles include "Doralice", "O Pato", "Discussao", "Outra Vez", and "Corcovado". LP, Vinyl record album
(Cover has some splitting on the seams.)

Partial matches17
CD, LP, Vinyl record album cover art
✨✧ VariousWhere It's AT – Soul In the Midnight Hour ... CD
Atlantic/Kent (UK), Late 60s. New Copy ... Temporarily Out Of Stock
Kent Records takes on the Atlantic Records catalog of the 60s – and come up with a wonderful array of cuts that go way past the obvious hits from the famous label! The groove here is a mix of hard soul and funky numbers from both big names and lesser-knowns who recorded for the Atlantic family of labels – and the package mixes hard-grooving classics with some even cooler cuts that might be a new discovery to your ears here – all laid out in that killer Kent soul style that makes every track sound even better in the company of the others. As usual with the label, the sound, package, and notes are great – and the CD features 26 titles that include "Do The Hully Gully" by King Coleman, "You've Got Me On The Critical List" by Don Covay, "The House That Jack Built" by Aretha Franklin, "Snatching It Back" by Clarence Carter, "Uptight" by Charlie Palmieri, "Tighten Up" by Archie Bell, "In The Midnight Hour" by Little Mac & The Boss Sounds, "Release Me" by Esther Phillips, "Stupidity" by Solomon Burke, "You Don't Know Like I Know" by Sam & Dave, "Philly Dog" by Herbie Mann, "Stupidity" by Solomon Burke, "My Girl Sloppy" by The Vibrations, "Land Of 1000 Dances" by Wilson Pickett, and "Your Old Lady" by The Isley Brothers. CD

Partial matches18
CD, LP, Vinyl record album cover art
✨✧ Astrud Gilberto5 Original Albums (Astrud Gilberto Album/Look To The Rainbow/Certain Smile Certain Sadness/Windy/I Haven't Got Anything Better) (5CD set) ... CD
Verve (Germany), Late 60s. New Copy 5 CDs ... Out Of Stock
A quintet of wonderful records from the legendary Astrud Gilberto! First up is the Astrud Gilberto Album – pne of Astrud Gilberto's greatest albums of the 60s – a classic session produced for Verve by Creed Taylor, and featuring sweet gentle arrangements from Marty Paich, co-arranged with Antonio Carlos Jobim, who also plays guitar on the session next to the piano of Joao Donato! That's a mouthful of heavy-hitters, we know – but the result is a totally great session that has Astrud's light and gentle vocals drifting over some of the most magical bossa backings you'll ever hear. The whole thing's great, stuffed with bossa classics done in English – and titles include "Once I Loved", "Aqua De Beber", "O Morro", "Dindi", "Dreamer", and "Photograph". Look To The Rainbow is one of the moodiest Verve albums from Astrud Gilberto – a set that has some surprising arrangements by Gil Evans – working here on one of his few 60s dates with a singer! Astrud's blue-tinged vocals work perfectly with Evans' backdrops – and Al Cohn also takes over the helm on two of the album's tracks, but still does a very good job of keeping the groove. There's a nice mix of sadness and lightness in the set – and titles include a wonderful version of "Berimbau" that actually features berimbau playing by Dom Um Romao, a great take on "El Preciso Aprender A Ser So" with English lyrics, and the titles "Bim Bom", "Lugar Bonito", "Frevo", and "Once Upon A Summertime". For Certain Smile Certain Sadness, Verve Records got the great idea of teaming up its (then) biggest Brazilian imports – vocalist Astrud Gilberto and organist Walter Wanderley – both of whom were selling plenty at the time! Astrud's lovely vocals are matched beautifully with the lean, rhythmic bossa grooves of Wanderley's trio – and the result is a record that's near-perfect in execution. Most of the tracks are quite short, as is the record itself – but it's a perfectly concentrated dose of the Verve bossa sound at its best, with tracks that include "Portuguese Washerwoman", "Tu Meu Delirio", "A Certain Smile", "Call Me", "Here's That Rainy Day", "A Certain Sadness", "It's A Lovely Day Today", and a vocal version of Wanderley's big hit "Summer Samba", redone here as "So Nice"! Windy is one of the hardest to find Astrud Gilberto records on Verve – and one of the best! Deodato, Don Sebesky, and Pat Williams did the arrangements – and the sound here is a bit different than some of the straighter Gilberto sets of the time – still very bossa-inspired, but also in a style that mixes in some great Sunshine Pop and 60s easy influences too – particularly on the tracks arranged by Williams! Tracks are all quite short, but get a heck of a lot of magic into a tiny space – and the album features some really wonderful songs that break Gilberto's pattern a bit – including versions of the Marcos Valle tracks "Crickets Sing For Anamaria" and "Chup Chup, I Got Away" – plus takes on "Windy", "Sing Me A Rainbow", "Never My Love", and "Where Are They Now?" I Haven't Got Anything Better To Do is one of the darkest albums ever recorded by Astrud Gilberto – her 60s last session for Verve Records, and a batch of beautifully moody tunes throughout! Arrangements are by Albert Gorgoni, who'd handled Gilberto's previous September 69 album – but the style here is a bit mellower, a bit sadder – touched with more adult themes of love, life, and loss – and very much in keeping with Astrud's tear-stained image on the cover! There's a sound here that almost mixes Gilberto's earlier bossa with the more baroque modes of Scott Walker at the end of the 60s – and as with Scott Walker's classic solo sets, the album shows a side of Astrud's talents that we never would have expected a few years earlier! Titles include "Wailing Of The Willow", "Where's The Love", "Wee Small Hours", "If", "Without Him", "Trains & Boats & Planes", "The Sea Is My Soil", and "Didn't We?". CD

Partial matches19
CD, LP, Vinyl record album cover art
✨✧ Wes Montgomery5 Original Albums (Trio/Incredible Jazz Guitar/Movin Along/So Much Guitar/Boss Guitar) (5CD set) ... CD
Riverside/Universal (Germany), Late 50s/Early 60s. New Copy 5CD ... Out Of Stock
5 classic albums from guitarist Wes Montgomery – all packaged together in tiny LP-styled sleeves! The Trio album is Wes Montgomery's first album as a leader – a relatively obscure set that has him playing in a trio with Indianapolis bandmates Mel Rhyne on organ and Paul Parker on drums – a mode that strongly recalls Montgomery's roots in the Indy scene at the time!. The groove is straight and simple, but the real charm is Wes' chromatic lines on guitar – already quite distinctive among his contemporaries, and allowed ample room to express their voice in this setting. Titles include "Ecorah", "Missile Blues", "Too Late Now", "Jingles", and "Whisper Not". Incredible Jazz Guitar is a very fitting title – because the set was only Wes Montgomery's second album as a leader, he was already making plenty of waves with the sound of his guitar! The session lines Wes up with the very tight rhythm team of Tommy Flanagan on piano, Percy Heath on bass, and Albert Heath on drums – all of whom lay back and mostly let Wes take center stage – sparkling on a number of original tunes that include "West Coast Blues", "Mister Walker", and "D Natural Blues". Other tracks include a great fast take on Sonny Rollins' "Airegin", plus "In Your Own Sweet Way" and "Polka Dots & Moonbeams". Movin Along features Wes Montgomery with a bit of sax and flute – a nice change from the sound of some of his other early records, thanks to key work on the set from James Clay! Clay plays mostly flute on the record, but does so with a hard edge that reminds us of Frank Wess' work from the same stretch – really bringing a raspy edge to the record, and seeming to bring out the same in Wes' guitar work. The rest of the group includes Victor Feldman on piano, Sam Jones on bass, and Louis Hayes on drums – and titles include the nice groover "Movin' Along", plus "So Do It", "Sandu", "Tune Up", and "Says You". The next album is So Much Guitar – but never too much, given that Wes was the real master of sound and space, even at this early point in his career! The album's one that tries to break Montgomery from some of his smaller combo albums for Riverside, and pair him with a few bigger names – Hank Jones on piano, Ron Carter on bass, Lex Humphries on drums, and Ray Barretto on congas – who gives the album that bottom "kick" sort of groove that was used often on soul jazz sessions from the time. The tune's lope around leanly and cleanly, giving plenty of focus on Wes' work on guitar – and titles include "Twisted Blues", "Repetition", "Somethin' Like Bags", and "While We're Young", which is a solo track by Wes. Boss Guitar is a session that's got a gritty edge that takes Wes back to his Indianapolis roots! The album's one of the few of the time to feature the unsung Hammond hero Mel Rhyne – a player who worked with Wes at his start, but has only gotten stronger acclaim in recent decades as part of his comeback. Rhyne's a key force in the record – working alongside Montgomery's guitar and the drums of Jimmy Cobb – in a loose, open trio that has Mel participating as strongly in the rhythms as he does in the solo side of the album. Titles include a few Montgomery originals – "The Trick Bag" and "Fried Pies" – plus the tunes "Besame Mucho", "Dearly Beloved", "Days Of Wine & Roses", "Canadian Sunset", "The Breeze & I", and "For Heaven's Sake". CD

Partial matches20
CD, LP, Vinyl record album cover art
✨✧ VariousChicago Radio Soul ... CD
Chess/Kent (UK), Mid 60s. New Copy ... Out Of Stock
A really great look at a special side of the Chess Records soul catalog of the 60s – tracks that were very big on Chicago airwaves in the label's home town, yet which hardly got much play at all in the rest of the country! The collection's put together by Robert Pruter – the man who (literally) wrote the book on Chicago soul – and it's a wonderful portrait of soul in the Windy City of the 60s, with strands of music that nicely differ from the overplayed hits in later years. The collection also stands as a super-strong tribute to the never-ending genius of Chess Records – a label that never seems to let us down whenever we uncover a soul single we've never heard before! Titles include "Shy Guy" by The Radiants, "No Faith No Love" by Mitty Collier, "I Can't Help Myself" by The Gems, "Love Is A 5 Letter Word" by James Phelps, "A Thousand Miles Away" by Jo Ann Garrett, "Selfish One" by Jackie Ross, "Strange Feeling" by Billy Stewart, "The Creeper" by Freddy Robinson, "Peak Of Love" by Bobby McClure, "Lonely Girl" by Andrea Davis, "This Heart Of Mine" by Tony Clarke, "Bossa Nova Bird" by The Dells, and "Only Time Will Tell" by Etta James. CD

Partial matches21
CD, LP, Vinyl record album cover art
✨✧ Astrud Gilberto & Walter WanderleyCertain Smile, Certain Sadness (UK pressing) ... CD
Verve/Rev-Ola (UK), 1966. New Copy ... Out Of Stock
Kind of a dream combination in one little album – especially if you dig breezy bossa from the 60s! Back in 1966, Verve Records got the great idea of teaming up its (then) biggest Brazilian imports – vocalist Astrud Gilberto and organist Walter Wanderley – both of whom were selling plenty at the time! Astrud's lovely vocals are matched beautifully with the lean, rhythmic bossa grooves of Wanderley's trio – and the result is a record that's near-perfect in execution. Most of the tracks are quite short, as is the record itself – but it's a perfectly concentrated dose of the Verve bossa sound at its best, with tracks that include "Portuguese Washerwoman", "Tu Meu Delirio", "A Certain Smile", "Call Me", "Here's That Rainy Day", "A Certain Sadness", "It's A Lovely Day Today", and a vocal version of Wanderley's big hit "Summer Samba", redone here as "So Nice"! Plus, this groovy reissue also includes two previously unissued cuts – "Who Needs Forever" and "The Sadness of After"! CD

Partial matches22
CD, LP, Vinyl record album cover art
✨✧ Quincy JonesQuincy Jones Plays Hip Hits/Golden Boy ... CD
Mercury, 1963/1964. New Copy ... Out Of Stock
Classic Quincy Jones from the 60s – a pair of records that really show why his jazz skills were unlike anyone else! Quincy Jones Plays Hip Hits is a very groovy record that was done with a feel that's somewhere in between his Big Band Bossa album and his best 60s soundtrack work! The format is simple – Quincy picks a sweet batch of jazz semi-hits from the early 60s, plays them with a nice mix of soul jazz arrangements, and works with a great ensemble filled with wonderful players – including Roland Kirk, Budd Johnson, Seldon Powell, James Moody, and Jerome Richardson on reeds; Lalo Schifrin and Patti Brown on piano, Jim Hall on guitar, Clark Terry on trumpet, and Melba Liston on trombone – plus lots of great percussion at the bottom, helping bring some Latin energy to the grooves at points. Tunes are familiar, but all given a great Quincy Jones twist – and titles include "Gravy Waltz", "Jive Samba", "Walk On The Wild Side", "Bossa Nova USA", and "Watermelon Man". Golden Boy is a sweet bridge between Quincy's big band recordings and his groovier soundtrack work of the mid 60s – as the record combines straight jazzy grooving with some of the cooler elements of Quincy's soundtrack scores, like stepping strings, wordless voices, and a breathy mellow groove that floats across the disc in a wonderful way! Aiding Quincy in the album are a host of top-line jazz players – including Eddie Lockjaw Davis, Jerome Richardson, and Phil Woods on saxes – plus Freddie Hubbard on trumpet, Al Grey on trombone, and Jim Hall on guitar! Although titled after the show Golden Boy, only a few cuts here are from that musical – and the rest include Quincy Jones originals and some cool covers, given the Q twist. Titles include "Seaweed", "The Witching Hour", "Hard Day's Night", "The Sidewinder", and "Theme From Golden Boy", done in 2 versions, both great! CD

Partial matches23
CD, LP, Vinyl record album cover art
✨✧ Piero UmilianiSynthi Time (with bonus CD) ... LP
Omicron/Schema (Italy), 1971. New Copy ... Out Of Stock
A wonderfully weird record from Italian soundtrack maestro Piero Umiliani – one of his rare electronic albums cut for the sound library scene, and one of his best as well! The style here isn't just electronic for electronic music's sake – but instead really tries to find these warmer, melodic tones from early analogue versions of the instruments – often with cool little melodies that are very playful, but surprisingly sweet at times too – almost as if Umiliani is trying to find a whole new language based on electronics, but one that can resonate with his previous work with bigger ensembles. Many tunes are quite spare, but beautifully focused – in a way that almost points forwards to the Sky Records scene to come in Germany. Titles include "Synthi Epico", "Synthi Theme", "Synthi Bossa Nova", "Synthi West", "Synthi Boogie", "Synthi Dance", "Synthetic Water", and "Arabian Synthesizer". LP, Vinyl record album
(Includes bonus CD of full album!)
Also available Synthi Time ... CD 16.99

Partial matches24
CD, LP, Vinyl record album cover art
✨✧ VariousJukebox Mambo – Rumba & Afro-Latin Accented Rhythm & Blues 1949 to 1960 ... LP
Juke Box Jam (UK), Late 40s/1950s/Early 60s. New Copy 2LP Gatefold ... Out Of Stock
An amazing document of a short-lived, but really incredible genre – the 50s mix of R&B and Latin-inspired rhythms – particularly the heavy piano of a mambo-styled groove! The sound seems an unlikely mix, but it's one that you've no doubt heard on a few famous Atlantic Records singles from the time – taken up here by a host of much more obscure artists, who really know how to make the rhythms leap along with the grooves! The approach has definite echoes of New Orleans R&B, particularly in its use of the piano in heavy comping lines – but there's also a much wider sound going on too, especially in the way the percussion often drives the tunes in really unusual ways. The album's overflowing with amazing tracks – and titles include "Salty Dog" by Marvin Phillips, "Big Joe Mambo" by Fay Simmons, "Mambo Mexicana" by Gerald Wilson, "Snake Charmer" by Mad Man Jones, "Boppin With The Mambo" by The Sultans, "Honeydripper Mambo" by Alfredito, "A Dream" by Billy Red Love, "Pu Chun Ga" by Elene Madera, "Cozy & Bossa" by Cozy Cole, "Shrinking Up Fast" by Camille Howard, "Take A Chance On Me" by Annisteen Allen, "Eee Ooo Voodoo" by Red Callender, and "Down To The Bottom" by Larry Dale. LP, Vinyl record album

Partial matches25
CD, LP, Vinyl record album cover art
✨✧ Ronnie HawkinsBest Of Ronnie Hawkins – Featuring His Band (with bonus tracks) ... CD
Roulette/Warner (Japan), Early 60s. New Copy ... Out Of Stock
Searing sounds from Ronnie Hawkins – one of the sharper, more hard-hitting mainstream talents in the early days of rock and roll – and one of the few who could bring an indie sound to a bigger market, all without ever losing his edge! Ronnie gets great backings from The Hawks – a tight combo who keep things from ever sounding too poppy, and who often back Hawkins' excellent vocals with some strong guitar lines that create some surprisingly bluesy currents. Hawkins himself is a great singer, too – with a style that's got a bit of a rockabilly twang, but a slower, more soulful approach too – almost a precursor to later swamp rock – no surprise, given that Ronnie pulled himself up from home territory in the Ozarks! Titles include "Searchin", "Mojo Man", "Sexy Ways", "Bossman", "Bo Diddley", "Come Love", "Honey Love", and "Arkansas". CD features 6 bonus tracks too – including "Forty Days", "Southern Love", "Need Your Lovin", and "One Of These Days". CD
 
 
 



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