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Possible matches: 3
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CD, LP, Vinyl record album cover art
Norman ConnorsTake It To The Limit/Mr C ... CD
Arista/Expansion (UK), 1980/1981. New Copy ... $14.99
A pair of groovers by Norman Connors from the start of the 80s – Take It To The Limit and Mr C – together in a single set! Take It To The Limit is excellent album of smooth soul – one that reaches back to some of Norman's earlier records for inspiration, and which takes the sound up a few notches to expand the groove. Norman gets help on the arranging tip from Al Johnson, McKinley Jackson, and Paul Riser – which is why the album has such a great 70s smooth soul feel – and there's loads of guest appearances, like vocals by Johnson, Jean Carn, and instrumental solos from Freddie Hubbard and Gary Bartz. Adaritha sings lead vocals on a number of cuts, and Glenn Johnson takes the lead on "Melancholy Fire". Includes a great version of "Black Cow", plus "Take It To The Limit", "Justify", "You've Been On My Mind", and an excellent remake of "I Don't Need Nobody Else", with Al Johnson on vocals! Mr C is a real sleeper from Norman Connors, but a great record – one that shows him still moving strong in the 80s, always continuing to develop his smooth jazzy soul style! Backing is by the Starship Orchestra, with Marion Meadows on most sax solos – and vocals are by Beau Williams, Jean Carn, and Glenn Jones. There's a number of great uptempo tunes – with a tight hard jazz funk backing, and kind of a sweet early 80s club style in the vocals. Titles include "Love's In Your Corner", "She's Gone", "Stay With Me", "Keep Doin It", "Anyway You Want", and "Sing A Love Song". CD

Possible matches2
CD, LP, Vinyl record album cover art
✨✧ Norman ConnorsValentine Love – The Buddah/Arista Anthology ... CD
Soulmusic.com (UK), 1970s/Early 80s. New Copy 2 CDS ... Temporarily Out Of Stock
A fantastic collection of work from Norman Connors – a musician who first started out playing drums in spiritual jazz groups at the start of the 70s, then moved on to take over the worlds of funk and soul! Connors' material of this time was essential at bringing a new sort of depth to soul music – taking some of the lessons learned in the farther reaches of the underground, and working them into a new tapestry of sophisticated expression – sounds that were able to fold together lots of styles and spirit, and help elevate their audience at the same time. This package might be the best we've ever seen to bring together Norman's work of the period – as it also includes some of the Aquarian Dream and Starship Orchestra recordings, as well as Connors tracks with singers who include Michael Henderson, Jean Carn, Gloria Jones, Prince Philip Mitchell, Phyliss Hyman, Eleanor Mills, James Robinson, Al Johnson, and Beau Williams. 34 tracks in all – and titles include "So Much Love", "Dindi", "Saturday Night Special", "We Both Need Each Other", "Captain Connors (12" version)", "Say You Love Me", "This Is Your Life", "Stella", "Handle Me Gently", "Your Love", "Invitation", "Be There In The Morning", "Take It To The Limit", "Mr C", "She's Gone", "You've Been On My Mind", "Melancholy Fire", "Romantic Journey", "Slewfoot", "Give The Drummer Some", "Valentine Love", "Once I've Been There", "Phoenix", "Once Again", "You Are My Starship", "Betcha By Golly Wow", "Kwasi", "Maiden Voyage", and "Disco Land". CD

Possible matches3
CD, LP, Vinyl record album cover art
✨✧ Living BluesIssue 250 – Vol 48, No 4 ... Magazine
Living Blues, 2017. New Copy ... Out Of Stock
The cover pays tribute to Clarksdale, Mississippi – one of the birthplaces of the blues, and a town that's still dedicated strongly to preserving the heritage of the Delta! The issue looks at the Sunflower Blues Festival in Clarksdale – and also features younger players from the town, including Christone Kingfish Ingram, Anthony Big A Sherrod, and Lee Williams too. There's also a fond farewell to Chicago Beau – the bluesman who sung overseas with the Art Ensemble Of Chicago – and lots of other blues news and reviews too! Magazine
 
Partial matches: 74
Partial matches4
CD, LP, Vinyl record album cover art
Jimmy GreeneFlowers – Beautiful Life Vol 2 ... CD
Mack Avenue, 2017. New Copy ... $16.99 18.98
A huge step forward in music for saxophonist Jimmy Greene – an artist who's still reeling from the loss of his daughter, who was murdered at Sandy Hook Elementary in 2012 – but who's turning his grief and sorrow into some of the richest music he's ever recorded! The feel here is even deeper than the first volume dedicated to Green's daughter – original songs that burst out with so much life and energy, we're held rapt right from the very first note – almost never mired in the sort of melancholy you might expect from such an experience, and instead ready to set a new fire to light the way ahead! Greene plays tenor, soprano, alto, and baritone – and other musicians include Kevin Hayes on Rhodes and piano, Mike Moreno on guitar, Renee Rosnes on piano, Ben Williams and John Patitucci on bass, and Jeff Tain Watts and Otis Brown III on drums. Titles include "Fun Circuits", "Second Breakfast", "Flowers", "Stanky Leg", "Big Guy", "Amantes", and "Thirty Two". CD

Partial matches5
CD, LP, Vinyl record album cover art
Hilton RuizSteppin Into Beauty ... CD
Steeplechase (Denmark), 1977. Used ... $12.99
A great early album by Hilton Ruiz – recorded at a time when he was coming off of work with Roland Kirk, with all the soulfulness that you'd expect him to pick up from such a setting. The album features a mixture of trio and quintet tracks, the latter of which are the best, as they feature Richard Williams and Frank Foster in the frontline on horns, plus rhythm by Buster Williams and Roy Brooks. These tunes bounce along nicely with a stretched out groove – searching modally, with some of those great 70s solos that Foster could lay out when he was at his best. Titles include "Origin", "Steppin Into Beauty", "The Last Profit", and "Excition". CD

Partial matches6
CD, LP, Vinyl record album cover art
✨✧ Buster WilliamsCrystal Reflections ... CD
32 Jazz, 1976. Used ... $11.99
Another nice one from 32 Jazz – and another long-overdue reissue of a rare title on Muse that we never ever see on vinyl. This is a highly sought after session that has the great mellow bassist Buster Williams heading a group that includes vibist Roy Ayers on a number of cuts, plus other nice players, like Kenny Barron, Billy Hart, and Jimmy Rowles. The highlight of the album is a beautiful 12 minute reworking of Roy Ayers "Vibrations", which is done in an even nicer way than on Ayers' album of the same name. The album also includes "Prism", "I Dream Too Much", and "The Enchanted Flower" – all of which are warm mellow groovers, with Williams' round soulful bass right up front. CD
(Out of print.)

Partial matches7
CD, LP, Vinyl record album cover art
John WilliamsNone But The Brave ... CD
Film Score Monthly, 1965. Used ... $14.99
An early moment of genius from composer John Williams – a beautifully-done score for this excellent WWII thriller that starred Frank Sinatra! Williams' charts are tense enough for the war setting of the movie, but also have some looser, lighter touches that we especially love – possibly inspired by the island setting of the story, and carried off with a slight hint of jazz – just an echo of the groovier modes from other John Williams comedy scores of the 60s. This beautiful reissue really goes all-out to present the music at its finest – 18 tracks from the film, plus 5 more bonus tracks, and even 2 more tracks from a 45, with vocals by the Jack Halloran Singers! Lots of notes, great sound, images from the film, and more – with tracks that include "Water Logged", "The Bargain/Mahoney Gets The News", "The Separation", "Okuda & The Shark", "Night Adventure", "Enemies Repair", and "The Boat Detail" CD
(Limited to 3,000 copies.)

Partial matches8
CD, LP, Vinyl record album cover art
✨✧ Charles McPhersonBeautiful! (with bonus track) ... CD
Xanadu/Elemental, 1975. Used ... Temporarily Out Of Stock
Incredible work from Charles McPherson – his first for Xanadu in the mid 70s – wherein his amazing quartet breathes fresh, bop-inspired urgency and a deft sense of soul into some older standards – maybe even as strongly as on his best work for Prestige in the 60s! It's truly timeless – holding true to the classic songcraft of the compositions, but leaving plenty of room to riff and improvise in ways that add both subtle shades and energetic flourishes. The group includes Duke Jordan on piano, Sam Jones on bass and Leroy Williams on drums – all on their game. Beautiful indeed! Songs include "It Could Happen to You," "Lover," "This Can't Be Love", "They Say its Wonderful", "Body And Soul","But Beautiful". CD includes a bonus track, and it's a great one – a tremendous 9 minute take on "All God's Children Got Rhythm". CD

Partial matches9
CD, LP, Vinyl record album cover art
Count BasieCount Basie At Newport (with bonus tracks) ... CD
Verve, 1957. Used ... $2.99
The 50s Basie band, loud and proud – recorded beautifully by Verve on the stage of the Newport Jazz Festival in 1957 – a great year, both for the group and the fest! The lineup here features Count Basie firmly at the helm on piano – with players who include Lester Young, Illinois Jacquet, and Frank Foster on tenor – plus Thad Jones and Joe Newman on trumpets – all tightly grooving on arrangements by Ernie Wilkins, AK Salim, and others – filled with plenty of Basie jumps, leaps, and vamps! Jimmy Rushing sings vocals on the track "Sent For You Yesterday & Here You Come Today" – and other tracks include "Lester Leaps In", "Swingin At Newport", "Polka Dots & Moonbeams", and "Evenin". CD also contains 5 more bonus tracks from another Verve album – Count Basie & Joe Williams at Newport, most with Williams on vocals – including "All Right Okay You Win", "The Comeback", "Roll 'Em Pete", "Smack Dab In The Middle", and "One O' Clock Jump". CD
(Out of print.)

Partial matches10
CD, LP, Vinyl record album cover art
Sathima Bea BenjaminMemories And Dreams ... LP
Ekapa, 1983. Near Mint- ... $14.99
An beautiful set of jazzy vocal numbers featuring backing from players who aren't often heard n this setting, by Benjamin, one of a small number of shining lights on the jazz vocal scene in the 80s. The group here includes Onaje Allan Gumbs on piano, Buster Williams on bass, Carlos Ward on reeds and either Billy Higgins or Ben Riley on drums, with Abdullah Ibrahim overseeing the set in the producer's seat. Although the numbers are nice and concise, the players get a chance to demonstrate the reaching, soul jazz approach that they're known for, really shining on Benjamin's "Liberation Suite" which makes up side one of the album, featuring her excellent number "Africa", plus "Nations In Me – New Nation A Coming" and "Children Of Soweto", while the second side is more traditional jazz numbers and standards, including "Till There Was You", "I'm Getting Sentimental Over You", "In A Sentimenal Mood" and "Daydream". LP, Vinyl record album

Partial matches11
CD, LP, Vinyl record album cover art
Michel ColombierWings (second pressing) ... LP
A&M, 1971. Very Good+ ... $2.99
French arranger/composer Michel Colombier was responsible for some incredibly beautiful and nicely funky baroque easy recordings during the late 60s. This album has him working in America, bringing his unusual style to the A&M studios, and working with Herb Albert to realize a new level of pop that stretched beyond the usual chart styles of A&M in the 60s. About the half the tracks are instrumentals, and the rest are vocals, with lyrics by Paul Williams – and performances by Lani Hall, Herb Albert, and Bill Medley. The record includes the nice funky break track "Pourquoi Pas?", plus other mellower moments like "Emmanuel", "All In All", "Thalassa", and "Earth". LP, Vinyl record album
(Cover has a cutout hole, & hype sticker.)

Partial matches12
CD, LP, Vinyl record album cover art
Hank Crawford/Leo WrightSoul Clinic/Blues Shout ... CD
Atlantic/Collectables, 1960/1961. Used ... $11.99
2 lost soul jazz classic from the Atlantic catalog! Hank Crawford's Soul Clinic is one of the few albums we really like by him, and it features the soulful altoist playing in a group with David Fathead Newman and some other lesser-known players who are nice and soulful. The set's got some warm mellow instrumental versions of blues classics, plus a few originals like "Lorelei's Lament", "Blue Stone", and "Playmates". Even better is Blues Shout, one of the rare few albums cut by the amazing alto and flute player Leo Wright. The record's got a beautiful mix of soul jazz and slightly modern lyricism, and Wright's tone and projection are impeccable throughout. Titles on the record include "Sigi", "Blues Shout", "Indian Summer", "The Wind", and "Two Moods" – and players include Junior Mance, Richard Williams, and Charlie Persip. CD
(Out of print.)

Partial matches13
CD, LP, Vinyl record album cover art
Art FarmerArt ... LP
Argo, 1960. Good+ ... $19.99
A beautiful album of understated brilliance – one of Art Farmer's early shifts into the sublime, and an easily-blown batch of trumpet tracks that always takes our breath away! There's a sense of relaxed freedom here that's really tremendous – a difference from some of Farmer's more arranged, or more hard-blown moments of the 50s – and a real move into notes that are airier and more open – almost effortless at times, and played like nobody else! The group's a quartet – with Tommy Flanagan on piano, Tommy Williams on bass, and Albert Heath on drums – and the tracks are all in the four to five minute range, with Art crafting lyrically soulful lines over the top. Titles include "Who Cares", "Out Of The Past", "Younger Than Springtime", "That Ole Devil Called Love", and "Goodbye Old Girl". LP, Vinyl record album
(Blue label Argo pressing with deep groove. Cover has light wear and aging.)

Partial matches14
CD, LP, Vinyl record album cover art
Ella FitzgeraldTwelve Nights In Hollywood (4CD set) ... CD
Verve/Hip-O Select, 1961/1962. Used 4 CDs ... $29.99
Massive music from Ella Fitzgerald – 4CDs worth of sublime small group recordings – all of them live, and all of them previously unissued! The set follows the same format of the Verve Ella In Hollywood album – recorded in a small club setting, with combo backing that really lets Fitzgerald open up and swing – inflecting the tunes with the kind of warmth and spontaneity that she brought to her famous live performances of the time – which were almost always more compelling than her studio sides, no matter how great those were too! The first 3CDs feature material from two weeks' worth of recording in May of 1961 – with backing from Jim Hall on guitar, Lou Levy on piano, Wilfred Middlebrooks on bass, and Gus Johnson on drums – and CD four features Ella returning to Hollywood for two more nights in 1962, with trio backing from Paul Smith on piano, Middlebrooks on bass, and Stan Levey on drums. There's a massive 77 tracks in all – handsomely package in a hardcover 7" square book – which also features beautiful color pages inside, lots of notes on the music, and design that's every bit as groovy as the old albums on Verve. Titles include "Joe Williams' Blues", "It's De-Lovely", "Lorelei", "I Can't Get Started", "Round Midnight", "Perdido", "Little White Lies", "Lover Come Back To Me", "Across The Alley From The Alamo", "Love For Sale", "Exactly Like You", "Mack The Knife", "Teach Me Tonight", "My Kind Of Boy", "It Had To Be You", "Hard Hearted Hannah", "All Of Me", and "Too Darn Hot/Ella's Twist". And, in case you're wondering, there's almost no repetition in the set at all – all discreet, unique tunes – not just the sort of rehash you might get in other concert box sets of this nature! CD
(Out of print.)

Partial matches15
CD, LP, Vinyl record album cover art
Stan GetzCaptain Marvel (remastered edition – with bonus tracks) ... CD
Columbia, 1972. New Copy ... $2.99 6.99
A wicked album that's one of Stan Getz's best from the 70s! The record features Stan reunited with Chick Corea, whose warm lyricism was the lynchpin in Getz's landmark Sweet Rain – the stunning session from 1968 that is perhaps our favorite-ever Getz album. Corea plays electric piano here, but with none of the indulgence that he was lapsing into at the time. His blocky chords stake out a stark new territory, into which Getz solos beautifully, into a range yet untapped at that time in his career. Tony Williams augments the group on drums, giving the whole thing a sense of freedom, but also a nice tight swing. Tracks include "La Fiesta", "Five Hundred Miles High", "Times Lie", and "Day Waves". Great stuff – and expanded here with the new track "Crystal Silence", plus bonus alternates of "Five Hundred Miles High" and "Captain Marvel". CD

Partial matches16
CD, LP, Vinyl record album cover art
Herbie HancockMwandishi (Japanese pressing) ... CD
Warner (Japan), 1971. Used ... $8.99
An excellent session that was one of Herbie Hancock's first free-flowing fusion records of the 70s! Herbie's playing Fender Rhodes with a sound that's at once cosmically beautiful, soulfully fragile, and spacily grooving – and he gets some excellent accompaniment from an all-hip group of players that includes Benny Maupin on bass clarinet and flute, Buster Williams on bass, Eddie Henderson on trumpet, and Julian Priester on trombone – plus percussion from Jose Areas and Ndugu Chancler. The roots of later classics like Sextet and Flood all start with this session – and the album contains 3 long tracks – "You'll Know When You Get There", "Ostinato", and "Wandering Sprit Song". CD

Partial matches17
CD, LP, Vinyl record album cover art
✨✧ David HazeltineI Remember Cedar ... CD
Sharp Nine, 2014. Used ... $7.99
Pianist David Hazeltine remembers the late Cedar Walton – in a really beautiful set that includes some of Walton's greatest compositions! David's always had a lyrical sensibility in his style, but it really seems to come through even more strongly than usual here – as Hazeltine has a way of bringing out these amazing colors and tones from the piano, while still holding onto his best forward-moving style that we love from previous records. The great Joe Farnsworth is on drums – and again, seems to have a special sort of flair for this date – and the trio also features David Williams on bass, whose round tones and great phrasing further underscore a Walton-esque quality on the record! Titles include "Cedar's Blues", "Holy Land", "Turquoise Twice", "Hindsight", "Fiesta Espanol", "Martha's Prize", and "Simple Pleasure". CD
(Barcode has some marker.)

Partial matches18
CD, LP, Vinyl record album cover art
Shelly ManneGambit ... LP
Contemporary, 1958. Very Good- ... $11.99
This album was the 7th in the Contemporary series of "Shelly Manne & His Men", but it's also easily the best, and features some of the most exciting playing of any of Manne's groups. The success of the whole album comes down to Charlie Mariano, who wrote a large number of the tracks, and who's at the height of his powers on alto here – hitting a beautiful mix of icy modernism and Boston soul, in the tradition of some of his best Bethlehem recordings. Side one features an extended work called "The Gambit", which has a nice blend of far-reaching soloing and tight jazzy rhythm. Other titles include "Blue Gnu", "Hugo Hurwhey", and "Tom Brown's Buddy" – and players include Stu Williamson and Russ Freeman. LP, Vinyl record album
(Original mono pressing with deep groove. Cover and labels have Sample Record ink stamps.)

Partial matches19
CD, LP, Vinyl record album cover art
✨✧ Jackie McLean & The Great Jazz TrioNew Wine In Old Bottles (Inner City) ... LP
East Wind/Inner City, 1978. Very Good+ ... $4.99
A very apt title – as Jackie McLean sits in for a soulful session with the Great Jazz Trio of Hank Jones, Ron Carter, and Tony Williams – all "old bottles" at this point in their career, but working together beautifully to brew some very mellow "new wine"! The album's easily one of the best in the trio's run of the time – as Jackie's alto sax really helps flesh things out a bit more than usual – and moves the album past the trio sound of their other records. McLean gets plenty of space to do his thing on the longer tracks – and the piano of Jones, bass of Carter, and drums of Williams have a solid, soulful approach that's really wonderful. Titles include 2 McLean originals titled "Appointment In Ghana Again" and "Little Melonae Again", both remakes of older tunes – plus "Confirmation", "Bein Green", and "Round Midnight". LP, Vinyl record album
(Cover has a bumped corner.)

Partial matches20
CD, LP, Vinyl record album cover art
Charles McPhersonCharles McPherson ... CD
Mainstream/Ultra Vybe (Japan), 1971. New Copy ... $13.99
Charles McPherson in the 70s – really hitting a great groove for the new decade – and finding a way to set himself apart from the style of his earlier work! McPherson first rose as a sharp bopper, with an alto style that was in a Charlie Parker mode – but by the end of the 60s, he'd already started experimenting in a great way with color and tone – including mixing his instrument with guitar or electric elements, which he does beautifully here! The group features Charles Lynch and Gene Bertoncini on electric guitars – the latter of whom has an especially great tone that rings out and seems to wrap up the alto, then set Charles loose to soar on really great solos. Also great is trumpeter Lonnie Hilliard – heard on earlier McPherson albums, but maybe finding his strongest voice here – with this rough edge that makes his solos one of the real highlights of the record. Barry Harris plays piano, and Nico Bunik hits the keys too – and the rest of the group features Ron Carter on bass and Leroy Williams on drums. Titles include a nice slightly funky cover of "What's Going On", the spiritual "Serenity", plus "My Funny Valentine", Bird Feathers", and "Another Kind Of Blues". CD

Partial matches21
CD, LP, Vinyl record album cover art
Jesse PowellBlow Man Blow ... LP
Jubilee, Late 50s. Very Good ... $9.99
A hard wailer from tenorist Jesse Powell – a musician who's in the same heavy postwar territory as giants like Eddie Lockjaw Davis, Rusty Bryant, and Willis Jackson – and who, like them, has a nice undercurrent of R&B in his sound! Powell maybe never worked as much in that format as the others, but he's got this rich range on his horn, which is captured here beautifully with a bit of echo on the recording – and set up in a small combo that includes Eddie Williams on trumpet, Oscar Dennard on piano, Peck Morrison on bass, and Wilbur Hogan on drums. The album's got a nice sense of variety, and more depth than just a bunch of tenor-honking cliches – and titles include "Cross On The Green", "Que Paso", "No Tomorrow", "Just Chips", "Love Is Here To Stay", "My Silent Love", "This Is Always", and "Jesse's Theme". LP, Vinyl record album
(Heavy black label pressing with deep groove. Cover has a split top seam.)

Partial matches22
CD, LP, Vinyl record album cover art
Max RoachIt's Time ... CD
Impulse, 1962. Used ... $14.99
Stunning! This is a beautiful album that's one of Max Roach's most powerful recordings, and a record that's been the inspiration for countless other imitations over the years. Roach leads a group with Richard Williams, Clifford Jordan, and Mal Waldron – and they're matched with a vocal chorus led by Coleridge Perkinson, who also did the arrangements for Donald Byrd's classic "with voices" albums. Unlike those, though, this set's a damn angry bunch of compositions, and the chorus wails away in a loud screaming powerful mode that will blow away any of your preconceptions about the "with voices" mode. The group sings wordless vocals (except for one cut, which has Abbey Lincoln singing in the lead), and provides a searing backdrop of sound for the band's razor sharp playing. Every cut's a winner, and the whole thing's a masterpiece! Titles include "The Profit", "It's Time", and "Another Valley". CD
(Out of print.)

Partial matches23
CD, LP, Vinyl record album cover art
Steve TurreSpirits Up Above ... CD
High Note, 2004. Used ... $3.99
A beautiful tribute to the genius of Roland Kirk – one that comes across with all the warmth and soulfulness of Kirk's classic recordings! 8 of the 9 tracks on the set are original compositions by Kirk – played by Turre in a style that recalls the brilliantly inventive and creatively playful genius of their original recordings – but which takes the tunes in a slightly different direction, as there's no Roland working triple saxes for the session. Instead, the horns are handled by James Carter on tenor and flute, Vincent Herring on alto and soprano, and Dave Valentin on flute on one track. Turre's trombone is wonderfully understated, but really gets the feel of the material – and the rhythm section's a strong one, with Mulgrew Miller, Buster Williams, and Winard Harper providing the loose soulful approach that graced Kirk's classic Mercury sessions. Titles include "The Spirits Up Above", "Hand Full Of Five", "ED", "Dorthaan's Walk", "Volunteered Slavery", "One For Kirk", and "Three For The Festival". CD
 
 
 



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