All Categories — All

$



Items/page

Beau Williams Edit search Phrase match

 
Sort by
Possible matches: 2
Possible matches1
CD, LP, Vinyl record album cover art
✨✧ Norman ConnorsTake It To The Limit/Mr C ... CD
Arista/Expansion (UK), 1980/1981. New Copy ... $14.99
A pair of groovers by Norman Connors from the start of the 80s – Take It To The Limit and Mr C – together in a single set! Take It To The Limit is excellent album of smooth soul – one that reaches back to some of Norman's earlier records for inspiration, and which takes the sound up a few notches to expand the groove. Norman gets help on the arranging tip from Al Johnson, McKinley Jackson, and Paul Riser – which is why the album has such a great 70s smooth soul feel – and there's loads of guest appearances, like vocals by Johnson, Jean Carn, and instrumental solos from Freddie Hubbard and Gary Bartz. Adaritha sings lead vocals on a number of cuts, and Glenn Johnson takes the lead on "Melancholy Fire". Includes a great version of "Black Cow", plus "Take It To The Limit", "Justify", "You've Been On My Mind", and an excellent remake of "I Don't Need Nobody Else", with Al Johnson on vocals! Mr C is a real sleeper from Norman Connors, but a great record – one that shows him still moving strong in the 80s, always continuing to develop his smooth jazzy soul style! Backing is by the Starship Orchestra, with Marion Meadows on most sax solos – and vocals are by Beau Williams, Jean Carn, and Glenn Jones. There's a number of great uptempo tunes – with a tight hard jazz funk backing, and kind of a sweet early 80s club style in the vocals. Titles include "Love's In Your Corner", "She's Gone", "Stay With Me", "Keep Doin It", "Anyway You Want", and "Sing A Love Song". CD

Possible matches2
CD, LP, Vinyl record album cover art
Norman ConnorsValentine Love – The Buddah/Arista Anthology ... CD
Soulmusic.com (UK), 1970s/Early 80s. New Copy 2 CDS ... $14.99
A fantastic collection of work from Norman Connors – a musician who first started out playing drums in spiritual jazz groups at the start of the 70s, then moved on to take over the worlds of funk and soul! Connors' material of this time was essential at bringing a new sort of depth to soul music – taking some of the lessons learned in the farther reaches of the underground, and working them into a new tapestry of sophisticated expression – sounds that were able to fold together lots of styles and spirit, and help elevate their audience at the same time. This package might be the best we've ever seen to bring together Norman's work of the period – as it also includes some of the Aquarian Dream and Starship Orchestra recordings, as well as Connors tracks with singers who include Michael Henderson, Jean Carn, Gloria Jones, Prince Philip Mitchell, Phyliss Hyman, Eleanor Mills, James Robinson, Al Johnson, and Beau Williams. 34 tracks in all – and titles include "So Much Love", "Dindi", "Saturday Night Special", "We Both Need Each Other", "Captain Connors (12" version)", "Say You Love Me", "This Is Your Life", "Stella", "Handle Me Gently", "Your Love", "Invitation", "Be There In The Morning", "Take It To The Limit", "Mr C", "She's Gone", "You've Been On My Mind", "Melancholy Fire", "Romantic Journey", "Slewfoot", "Give The Drummer Some", "Valentine Love", "Once I've Been There", "Phoenix", "Once Again", "You Are My Starship", "Betcha By Golly Wow", "Kwasi", "Maiden Voyage", and "Disco Land". CD
 
Partial matches: 75
Partial matches3
CD, LP, Vinyl record album cover art
✨✧ Lenny WilliamsRise Sleeping Beauty ... LP
Motown, 1975. Very Good+ ... $9.99
One of Lenny's first solo records – rawer than later work, thanks probably to the fact that he produced the record with Chester Thompson. Thompson plays organ and arp on the record, and gives many tracks a nice heavy funk sound that's similar to his and Williams' work in Tower of Power. Lenny's really working on his vocal skills here, though – and his sweetly cracking voice brings a tremendous amount of charm and honesty to the album. Titles include "Since I Met You", "Loving Station", "Motion", "Rise Sleeping Beauty", "Sons Of Thieves, Slaves, & Braves", "Cause I Love You", and "To Be A Star". LP, Vinyl record album
(Cover has wear.)

Partial matches4
CD, LP, Vinyl record album cover art
Jimmy GreeneFlowers – Beautiful Life Vol 2 ... CD
Mack Avenue, 2017. New Copy ... $16.99 18.98
A huge step forward in music for saxophonist Jimmy Greene – an artist who's still reeling from the loss of his daughter, who was murdered at Sandy Hook Elementary in 2012 – but who's turning his grief and sorrow into some of the richest music he's ever recorded! The feel here is even deeper than the first volume dedicated to Green's daughter – original songs that burst out with so much life and energy, we're held rapt right from the very first note – almost never mired in the sort of melancholy you might expect from such an experience, and instead ready to set a new fire to light the way ahead! Greene plays tenor, soprano, alto, and baritone – and other musicians include Kevin Hayes on Rhodes and piano, Mike Moreno on guitar, Renee Rosnes on piano, Ben Williams and John Patitucci on bass, and Jeff Tain Watts and Otis Brown III on drums. Titles include "Fun Circuits", "Second Breakfast", "Flowers", "Stanky Leg", "Big Guy", "Amantes", and "Thirty Two". CD

Partial matches5
CD, LP, Vinyl record album cover art
✨✧ Charles McPhersonBeautiful! (with bonus track) ... CD
Xanadu, 1975. New Copy ... Out Of Stock
Incredible work from Charles McPherson – his first for Xanadu in the mid 70s – wherein his amazing quartet breathes fresh, bop-inspired urgency and a deft sense of soul into some older standards – maybe even as strongly as on his best work for Prestige in the 60s! It's truly timeless – holding true to the classic songcraft of the compositions, but leaving plenty of room to riff and improvise in ways that add both subtle shades and energetic flourishes. The group includes Duke Jordan on piano, Sam Jones on bass and Leroy Williams on drums – all on their game. Beautiful indeed! Songs include "It Could Happen to You," "Lover," "This Can't Be Love", "They Say its Wonderful", "Body And Soul","But Beautiful". CD includes a bonus track, and it's a great one – a tremendous 9 minute take on "All God's Children Got Rhythm". CD

Partial matches6
CD, LP, Vinyl record album cover art
Carl AndersonOn & On ... LP
Epic, 1984. Very Good- ... $6.99
A sweet second set from 80s singer Carl Anderson – a date that's got poise, class, and a heck of a lot of soul! Although a mainstream effort, there's a nice sort of depth to the record – one that shows that Columbia wasn't pitching Anderson as much towards a crossover artist as they were some of their other mid 80s acts – instead, letting him really hang back and do his own thing – in a warmly-swinging mode that still holds up beautifully over the years! The record's a real standout in 80s mainstream male soul – and thanks is certainly due to producer/arrangers John Skip Anderson and Steve Williams, who carefully avoid the commercial side of the spectrum. Titles include "Don't Make Me Wait", "Try", "Keep It Alive", "On & On", "Lately", and "Time To Win". LP, Vinyl record album
(Cover has a promo stamp.)

Partial matches7
CD, LP, Vinyl record album cover art
Kenny BarronInnocence ... CD
Wolf/Ultra Vybe (Japan), 1978. New Copy ... $18.99
Sweet electric keys from Kenny Barron – one of those few excellent 70s albums that have the pianist hitting some Fender Rhodes! The record has Kenny playing electric on most of the set – in a mode that's as open, and spiritual as his best work for the Muse label – maybe even better, as the tracks have a freer style, and really open up with a beautiful sense of energy! The other players here really make the record special, too – and include Sonny Fortune on alto sax, Jimmy Owens on trumpet, Buster Williams on bass, Ben Riley on drums, and Billy Hart on percussion – a lineup that really gives the whole thing a level that's right up there with classics on the Black Jazz or Strata East label. As always with the electric piano, Kenny hits some wonderful notes, colors, and tones that make us wish he used the instrument all the time – on titles that include "Sunshower", "Innocence", "Bacchanal", and "Nothing To Fear". CD

Partial matches8
CD, LP, Vinyl record album cover art
Naomi Beckwith & Dieter RoelstraeteFreedom Principle – Experiments In Art & Music 1965 to Now ... Book
Museum Of Contemporary Art, 2015. New Copy ... $28.99 35.00
A beautiful book from the Museum Of Contemporary Art in Chicago – done in collaboration with a great exhibit on the AACM and AfriCobra arts movements of the 60s! The former is very well-known to Dusty Groove customers – the musical movement that gave focus to the ideas and energies of jazz musicians Roscoe Mitchell, Muhal Richard Abrams, Anthony Braxton, George Lewis, Nicole Mitchell, The Art Ensemble Of Chicago, Douglas Ewart, and so many important Chicago talents of the past 50s years. AfriCOBRA was a visual movement, and equally important – and often worked alongside the AACM with similar empowerment and consciousness-raising ideals – presented here in a stunning range of works that include paintings, murals, prints, sculptures, installations, and other striking forms – by artists who include KeRa Upra, Mitchell Caton, Wadsworth Jarrell, Yaounde Olu, Jose Williams, and others – brought together here in a range of beautiful images. The book features way more than the exhibit – including images of older artifacts, such as posters – and essays by curators Naomi Beckwith and Dieter Roelstraete – as well as George Lewis, Rebecca Zorach, and a collective conversation with Tomeka Reid, Hamza Walker, and Romi Crawford. Other great bits include a chronology of creative activity – and a topography of the movements, mapped over Chicago with photos of key locations. 263 pages, softcover, in full color. Book

Partial matches9
CD, LP, Vinyl record album cover art
✨✧ Sathima Bea BenjaminMemories And Dreams ... LP
Ekapa, 1983. Near Mint- ... $19.99
An beautiful set of jazzy vocal numbers featuring backing from players who aren't often heard n this setting, by Benjamin, one of a small number of shining lights on the jazz vocal scene in the 80s. The group here includes Onaje Allan Gumbs on piano, Buster Williams on bass, Carlos Ward on reeds and either Billy Higgins or Ben Riley on drums, with Abdullah Ibrahim overseeing the set in the producer's seat. Although the numbers are nice and concise, the players get a chance to demonstrate the reaching, soul jazz approach that they're known for, really shining on Benjamin's "Liberation Suite" which makes up side one of the album, featuring her excellent number "Africa", plus "Nations In Me – New Nation A Coming" and "Children Of Soweto", while the second side is more traditional jazz numbers and standards, including "Till There Was You", "I'm Getting Sentimental Over You", "In A Sentimenal Mood" and "Daydream". LP, Vinyl record album
(Cover has light wear.)

Partial matches10
CD, LP, Vinyl record album cover art
Magnus BrooSwedish Wood ... CD
Moserobie (Sweden), 2010. New Copy ... $12.99
Swedish wood, with plenty of brass – thanks to bold, imaginative work as a leader from trumpeter Magnus Broo – easily one of the most important voices on his instrument working today! The group is a beautifully tight quartet – and Broo's trumpet gains plenty from the equally bold basslines of Torbjorn Zetterberg – a player whose name may not be familiar to American audiences, but one who always seems to set a special sort of fire whenever he joins a session! There's a pulsating grace from Zetterberg that really gets things going – maybe the "wood" promised in the title, given the richness of its tone – which Magnus matches with this beautifully blown mix of soul and soaring, almost in a legacy of Woody Shaw or some of his generation. And the group also features added bass from Joe Williamson – making for a twin bottom-up groove that reminds us of similar sessions from the 60s – punctuated nicely by the drums of Hakon Mjaset Johansen. Titles include "I Hear You", "Swedish Wood", "Oh What A Beautiful Day", "Acoustic Kitten", "Thoughts Are Things", and "New Weather". CD

Partial matches11
CD, LP, Vinyl record album cover art
Philip Cohran & The Artistic Heritage EnsembleSpanish Suite ... LP
Zulu/Tizona, 1968. New Copy ... $18.99
Great lost work from the legendary Phil Cohran and his Artistic Heritage Ensemble – a composition that was recorded during the group's late 60s years on the Chicago scene – but which has never been released until now! The album stands beautifully alongside the group's self-titled classic and their tribute to Malcolm X – and like those amazing records, this one has a feel that's all its own – an exploration of Moorish elements in Spanish culture – which comes off as a Latin-inflected sound with African roots! The lineup here is similar to other Cohran classics – Donald Myrick on baritone sax, Charles James Williams on alto, Eugene Easton on tenor, Charles Handy on trumpet, Willie Woods on trombone, Aaron Dodd on tuba, Pete Cosey on guitar, Henry Gibson on congas, and Louis Satterfield on bass – a mix of musicians that includes members with Sun Ra and Earth Wind & Fire listed in their resumes! Cohran's vision in the suite is wonderful – and the music has all the depth and righteous energy of his self-titled record, but a bit more Latin fire too – a beautiful blend that really makes us appreciate his genius even more than before, and which finally gives us another record of his to love after all these years. LP, Vinyl record album

Partial matches12
CD, LP, Vinyl record album cover art
Hank Crawford/Leo WrightSoul Clinic/Blues Shout ... CD
Atlantic/Collectables, 1960/1961. Used ... $15.99
2 lost soul jazz classic from the Atlantic catalog! Hank Crawford's Soul Clinic is one of the few albums we really like by him, and it features the soulful altoist playing in a group with David Fathead Newman and some other lesser-known players who are nice and soulful. The set's got some warm mellow instrumental versions of blues classics, plus a few originals like "Lorelei's Lament", "Blue Stone", and "Playmates". Even better is Blues Shout, one of the rare few albums cut by the amazing alto and flute player Leo Wright. The record's got a beautiful mix of soul jazz and slightly modern lyricism, and Wright's tone and projection are impeccable throughout. Titles on the record include "Sigi", "Blues Shout", "Indian Summer", "The Wind", and "Two Moods" – and players include Junior Mance, Richard Williams, and Charlie Persip. CD
(Out of print.)

Partial matches13
CD, LP, Vinyl record album cover art
Charles DavisFor The Love Of Lori ... CD
Reade Street, 2014. New Copy ... $9.99
Charles Davis is something of a silent hero in jazz – a musician who's been around for decades, with an amazing legacy of performances – and an artist who always gives his best, often without any fanfare of attempt to overstate his own ego! This album's a beautiful demonstration of that quality – as Davis leads a group through some beautiful compositions and arrangements of his own – all with a mixture of soul and lyricism that few other players could hope to deliver this effortlessly. The group's a sextet who play together as if they've been recording for decades as a lineup – Steve Davis on trombone, Joe Magnarelli on trumpet, Rich Germanson on piano, David Williams on bass, and Neil Smith on drums – all exploding with a sense of joy that really illuminates the tunes, and sets a fantastic scene for the solos. Titles include the Davis originals "For The Love Of Lori", "Kid", and "Into The Himalayas" – plus versions of "Begues", "Cedar's Blues", and "Juliano". CD

Partial matches14
CD, LP, Vinyl record album cover art
Miles DavisESP ... LP
Columbia, 1965. Good+ ... $16.99
An album of dark and subtle beauty – and still one of our favorite Miles Davis albums of all time! The set's not as earth-shattering as some of Davis' other work of the 60s, but that's why we like it so much – because the emerging genius of the group with Wayne Shorter, Herbie Hancock, and Tony Williams is held in a really special place here – one that ruminates quietly on space and soul, while Davis majestically directs tones and colors that he'd never gotten in a small group format before! Titles include the amazing "Iris", one of Miles' most haunting themes – plus "Little One", "RJ", "ESP", "Mood", and "Agitation". LP, Vinyl record album
(360 Sound stereo pressing. Cover has some wear and a few small stains.)

Partial matches15
CD, LP, Vinyl record album cover art
✨✧ Duke EllingtonPopular Duke Ellington (with bonus tracks) ... CD
RCA/Sony (France), 1966. New Copy ... Just Sold Out!
A beautiful 60s album from Duke Ellington – one that features some of his more popular numbers, as you'd guess by the title – but captured in these sublime, sophisticated arrangements that really reflect the genius sound of his group during the later years! The tracks are familiar, and the arrangements are maybe never too way out – but they're also these mini-masterpieces in color and tone – carried off by a fantastic group of all-stars who've matured and grown as much as the Duke himself – Cootie Williams and Cat Anderson on trumpets, Lawrence Brown and Buster Cooper on trombones, Jimmy Hamilton on clarinet, Johnny Hodges on alto, Paul Gonsalves on tenor, and Harry Carney on piano. There's a darkness in Duke's piano that's maybe missing from earlier versions of this material – that great modern undercurrent of the late years – and titles include "Black & Tan Fantasy", "The Twitch", "Perdido", "Solitude", "The Mooche", "Creole Love Call", "Take The A Train", and "Sophisticated Lady". CD features bonus tracks – "Caravan", "Wings & Things", and an alternate take of "Do Nothin Till You Hear From Me". CD

Partial matches16
CD, LP, Vinyl record album cover art
✨✧ Art FarmerOut Of The Past ... CD
GRP/Argo, 1960/1961. Used ... $4.99
A great CD that combines most of the material on Art's two albums for Argo – Art (1960) and Perception (1961). Art is a beautiful album of understated brilliance – one of Farmer's early shifts into the sublime, an easily blown batch of trumpet tracks played with trio backing by Tommy Flanagan, Tommy Williams, and Albert Heath. The tracks are all in the four to five minute range, with Art crafting lyrically soulful lines over the top. Titles include "Who Cares", "Out Of The Past", "Younger Than Springtime", "That Ole Devil Called Love", and "Goodbye Old Girl". Perception is similar, an amazingly beautiful set of tracks from Art – playing with superb accompaniment from a young Harold Mabern, in a laidback quartet format that really lets Art open up! Art's playing is fresh and creative throughout – never over the top, with that subtle genius that he was bringing to his work in the 60s – and the choice of material includes Tom McIntosh's great composition "The Day After", plus Art's "Punsu" and "Kayin". One track from each album has been omitted to fit the material on one CD (which is BS, by the way, as the CD is only 64 minutes long!) – but if you can stand having the incomplete versions of the albums, this is a great deal for some rare material! CD
(Out of print, punch through barcode & clear promotional sticker on booklet cover.)

Partial matches17
CD, LP, Vinyl record album cover art
✨✧ Stan Getz5 Original Albums (West Coast Jazz/In Stockholm/Steamer/Cool Sounds/Stan Meets Chet) (5CD set) ... CD
Verve (Germany), Late 50s. New Copy 5 CDs ... $22.99
Five classic Stan Getz albums for Verve – all in a special package, in little LP-styled covers! First up is West Coast Jazz – a classic pairing of the tenor of Stan Getz and the gentle rhythms of the LA scene of the 50s – and a record that stands up beautifully over the years! Tracks are all a bit longish, and the group features Lou Levy on piano, Leroy Vinnegar on bass, and Shelly Manne on drums – plus Conte Candoli on trumpet, somewhat in the frontline, but never in a way that overshadows Stan's tenor. The album's got a great David Stone Martin cover – and titles include "East Of The Sun (West Of The Moon)," "Four," "Night In Tunisia," and "Summertime." Stan Getz In Stockholm allows Stan to showcase his affection for a jazz scene that had been growing strongly in the postwar years – often in directions that were similar to Stan's own sound at the time! The session is one of the first to pair Stan's tenor with a Swedish group – in this case the bass of Gunnar Johnson, drums of Anders Burman, and piano of Bengt Hallberg – the last of which brings sharper, more angular style to the music than some of Stan's accompanists on earlier American dates – pointing the way towards new experiments to come in his music! Next is Steamer – not a word that we'd necessarily think to use with the gently flowing tenor tone of Stan Getz – but that doesn't stop the album from being a great one, and perhaps in Getz-like terms, it might well have a bit more steam than usual! The album features Getz in a quartet with a nicely flowing groove – nicely vamping piano from Lou Levy in the background on most numbers, and a definite edge in the lead tenor solos – still blown with the warmth of earlier Getz recordings, but perhaps showing some of the modern flourishes to come. Bass is by Leroy Vinnegar and drums are by Stan Levey – and titles include "Blues For Mary Jane", "There'll Never Be Another You", and "You're Blase". Cool Sounds features a range of unusual material recorded over a three year period with a variety of different players! Some of the dates here definitely fit the "cool sounds" title of the record – in that they feature Getz with the west coast lineup of Lou Levy on piano, Shelly Manne on drums, and Leroy Vinnegar on bass – heard more famously on Stan's West Coast album of the same time. But other sides feature a different grouping – with Jimmy Rowles on piano, Bobby Whitlock on bass, and Max Roach on drums – offering up a different side of the west coast altogether. And still others take things back to more of an east coast modern style – by featuring either Tony Fruscella on trumpet or Bob Brookmeyer on trombone, in groups with John Williams on piano. The mix of material makes for a nicely-rounded portrait of Getz's talents in the mid 50s years! Last up is Stan Meets Chet – Stan Getz meets Chet Baker – A classic meeting of these two talents – recorded in Chicago with a Chicago rhythm section of Jodie Christian, Victor Sproles, and Marshall Thompson. The album's an odd one, and is recorded with less of the impeccability of some of Verve's other sessions (which is probaby how the Chicago team got in the action) – but given Baker's harder-edged proclivities at the time, the set's a very interesting one to hear, and the relaxed nature of the tracks brings out some important solo moments from both players. 4 long tracks – including "I'll Remember April", "Jordu", and "Half-Breed Apache". CD

Partial matches18
CD, LP, Vinyl record album cover art
Stan GetzCaptain Marvel ... CD
Columbia/Koch, 1972. Used ... $2.99
A wicked album that's one of Stan Getz's best from the 70s! The record features Stan reunited with Chick Corea, whose warm lyricism was the lynchpin in Getz's landmark Sweet Rain – the stunning session from 1968 that is perhaps our favorite-ever Getz album. Corea plays electric piano here, but with none of the indulgence that he was lapsing into at the time. His blocky chords stake out a stark new territory, into which Getz solos beautifully, into a range yet untapped at that time in his career. Tony Williams augments the group on drums, giving the whole thing a sense of freedom, but also a nice tight swing. Tracks include "La Fiesta", "Five Hundred Miles High", "Times Lie", and "Day Waves". CD
(Out of print Koch pressing.)

Partial matches19
CD, LP, Vinyl record album cover art
Stan LeveyWest Coast Rhythm (Stan Levey Plays The Compositions Of Cooper, Holman, & Giuffre/Happy Minors) ... LP
Bethlehem/Affinity (UK), 1954. Very Good+ ... $5.99
A split UK album – with two rare 10" sessions from 50s Bethlehem Records! Side one features the first album ever from drummer Stan Levey, but a set that already shows his mighty talents as a leader! Stan wisely chose some great songs to work with here – penned by west coast highlights Jimmy Giuffre, Bob Cooper, and Bill Holman – and taken into a small combo mode that really shakes the tunes free of any of the larger Kenton-esque qualities of the composers. Giuffre is on the record – playing baritone in the sextet along with Zoot Sims on tenor, Conte Candoli on trumpet, Claude Williamson on piano, and Max Bennett on bass – about as great of a Bethlehem lineup as you could hope for at the time. Sims brings in a really rich sense of soul tot he record – and titles include "Drum Sticks", "Lightnin' Bug", "Exaktamo", and "Extraversion". Side two features Happy Minors – a hell of a cooker from bassist Red Mitchell – a set that's got a sound that's way more mature and modern than you might guess from the image on the cover! Red's at the helm of a hip combo that also features sharp tenor from Zoot Sims and beautiful work on valve trombone from Bob Brookmeyer – working here at that cool compressed height of his 50s style we love so much. Conte Candoli's in the group on trumpet, giving things a surprising sort of bite – and rhythm is completed by Claude Williamson on piano and Stan Levey on drums – players who can be bold one minute, and carefully quiet the next. Titles include "Kelly Green", "Once In A While", "Bluesology", "Happy Minor", and "Long Ago & Far Away". LP, Vinyl record album

Partial matches20
CD, LP, Vinyl record album cover art
Shelly ManneGambit ... LP
Contemporary, 1958. Very Good- ... $19.99
This album was the 7th in the Contemporary series of "Shelly Manne & His Men", but it's also easily the best, and features some of the most exciting playing of any of Manne's groups. The success of the whole album comes down to Charlie Mariano, who wrote a large number of the tracks, and who's at the height of his powers on alto here – hitting a beautiful mix of icy modernism and Boston soul, in the tradition of some of his best Bethlehem recordings. Side one features an extended work called "The Gambit", which has a nice blend of far-reaching soloing and tight jazzy rhythm. Other titles include "Blue Gnu", "Hugo Hurwhey", and "Tom Brown's Buddy" – and players include Stu Williamson and Russ Freeman. LP, Vinyl record album
(Original mono pressing with deep groove. Cover and labels have Sample Record ink stamps.)

Partial matches21
CD, LP, Vinyl record album cover art
Lloyd McNeillTori ... LP
Baobab, 1978. Very Good+ ... $36.99
A beautiful album of soul jazz flute tracks – one of the few self-released classics by the legendary Lloyd McNeill, a player who's never really gotten his due! The album's got a warm spiritual sparkle that brings together Latin and Brazilian touches with McNeill's own lyrical style – definitely in the mode of 70s spiritualists like Harold Vick or Sonny Fortune. McNeill's in the lead on flute, and most of the tracks have Dom Salvador on piano, Dom Um Romao on percussion, and Buster Williams on bass. With a rhythm team like that, you can imagine the soulful modal grooves on the session – and the album's got a number of nice tracks, like "Tori", "Sambinha", and "Tzigane". LP, Vinyl record album
(In nice shape! Back cover has a light stain, but front looks great.)

Partial matches22
CD, LP, Vinyl record album cover art
✨✧ Charles McPhersonSiku Ya Bibi (Day Of The Lady) ... CD
Mainstream/Solid (Japan), 1972. New Copy ... $13.99
One of the most distinct early dates from reedman Charles McPherson – a unique "with strings" session recorded as a tribute to Billie Holiday – and with a style that shows off sides of McPherson's playing that wouldn't show up on other records for years to come! The album's got a beautifully understated quality – hip, adult arrangements by Ernie Wilkins – neither in his Basie-esque style of the early years, nor in any sort of slavish relationship to the Billie Holiday recordings of the 40s and the 50s either – which makes for a mode that just lets Charles flow with this wonderfully soulful tone on his alto – almost in a way that points towards some of Stanley Turrentine's music to come in such a setting. The core group features piano by Barry Harris, guitar by Earl Dunbar, bass by Sam Jones, and drums by Leroy Williams – plus larger backing by a string section – and titles include "Don't Explain", "Miss Brown To You", "Lover Come Back to Me", "Lover Man", and "God Bless the Child" – but all shaped beautifully and personally by McPherson! CD
 
 
 



⇑ Top