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Possible matches: 3
Possible matches1
CD, LP, Vinyl record album cover art
Norman ConnorsTake It To The Limit/Mr C ... CD
Arista/Expansion (UK), 1980/1981. New Copy ... $9.99
A pair of groovers by Norman Connors from the start of the 80s – Take It To The Limit and Mr C – together in a single set! Take It To The Limit is excellent album of smooth soul – one that reaches back to some of Norman's earlier records for inspiration, and which takes the sound up a few notches to expand the groove. Norman gets help on the arranging tip from Al Johnson, McKinley Jackson, and Paul Riser – which is why the album has such a great 70s smooth soul feel – and there's loads of guest appearances, like vocals by Johnson, Jean Carn, and instrumental solos from Freddie Hubbard and Gary Bartz. Adaritha sings lead vocals on a number of cuts, and Glenn Johnson takes the lead on "Melancholy Fire". Includes a great version of "Black Cow", plus "Take It To The Limit", "Justify", "You've Been On My Mind", and an excellent remake of "I Don't Need Nobody Else", with Al Johnson on vocals! Mr C is a real sleeper from Norman Connors, but a great record – one that shows him still moving strong in the 80s, always continuing to develop his smooth jazzy soul style! Backing is by the Starship Orchestra, with Marion Meadows on most sax solos – and vocals are by Beau Williams, Jean Carn, and Glenn Jones. There's a number of great uptempo tunes – with a tight hard jazz funk backing, and kind of a sweet early 80s club style in the vocals. Titles include "Love's In Your Corner", "She's Gone", "Stay With Me", "Keep Doin It", "Anyway You Want", and "Sing A Love Song". CD

Possible matches2
CD, LP, Vinyl record album cover art
✨✧ Norman ConnorsValentine Love – The Buddah/Arista Anthology ... CD
Soulmusic.com (UK), 1970s/Early 80s. New Copy 2 CDS ... $15.99
A fantastic collection of work from Norman Connors – a musician who first started out playing drums in spiritual jazz groups at the start of the 70s, then moved on to take over the worlds of funk and soul! Connors' material of this time was essential at bringing a new sort of depth to soul music – taking some of the lessons learned in the farther reaches of the underground, and working them into a new tapestry of sophisticated expression – sounds that were able to fold together lots of styles and spirit, and help elevate their audience at the same time. This package might be the best we've ever seen to bring together Norman's work of the period – as it also includes some of the Aquarian Dream and Starship Orchestra recordings, as well as Connors tracks with singers who include Michael Henderson, Jean Carn, Gloria Jones, Prince Philip Mitchell, Phyliss Hyman, Eleanor Mills, James Robinson, Al Johnson, and Beau Williams. 34 tracks in all – and titles include "So Much Love", "Dindi", "Saturday Night Special", "We Both Need Each Other", "Captain Connors (12" version)", "Say You Love Me", "This Is Your Life", "Stella", "Handle Me Gently", "Your Love", "Invitation", "Be There In The Morning", "Take It To The Limit", "Mr C", "She's Gone", "You've Been On My Mind", "Melancholy Fire", "Romantic Journey", "Slewfoot", "Give The Drummer Some", "Valentine Love", "Once I've Been There", "Phoenix", "Once Again", "You Are My Starship", "Betcha By Golly Wow", "Kwasi", "Maiden Voyage", and "Disco Land". CD

Possible matches3
CD, LP, Vinyl record album cover art
✨✧ Living BluesIssue 250 – Vol 48, No 4 ... Magazine
Living Blues, 2017. New Copy ... Out Of Stock
The cover pays tribute to Clarksdale, Mississippi – one of the birthplaces of the blues, and a town that's still dedicated strongly to preserving the heritage of the Delta! The issue looks at the Sunflower Blues Festival in Clarksdale – and also features younger players from the town, including Christone Kingfish Ingram, Anthony Big A Sherrod, and Lee Williams too. There's also a fond farewell to Chicago Beau – the bluesman who sung overseas with the Art Ensemble Of Chicago – and lots of other blues news and reviews too! Magazine
 
Partial matches: 73
Partial matches4
CD, LP, Vinyl record album cover art
Jimmy GreeneFlowers – Beautiful Life Vol 2 ... CD
Mack Avenue, 2017. New Copy ... $16.99 18.98
A huge step forward in music for saxophonist Jimmy Greene – an artist who's still reeling from the loss of his daughter, who was murdered at Sandy Hook Elementary in 2012 – but who's turning his grief and sorrow into some of the richest music he's ever recorded! The feel here is even deeper than the first volume dedicated to Green's daughter – original songs that burst out with so much life and energy, we're held rapt right from the very first note – almost never mired in the sort of melancholy you might expect from such an experience, and instead ready to set a new fire to light the way ahead! Greene plays tenor, soprano, alto, and baritone – and other musicians include Kevin Hayes on Rhodes and piano, Mike Moreno on guitar, Renee Rosnes on piano, Ben Williams and John Patitucci on bass, and Jeff Tain Watts and Otis Brown III on drums. Titles include "Fun Circuits", "Second Breakfast", "Flowers", "Stanky Leg", "Big Guy", "Amantes", and "Thirty Two". CD

Partial matches5
CD, LP, Vinyl record album cover art
Incredible String BandHangman's Beautiful Daughter ... CD
Elektra (France), 1968. Used ... $5.99
The Incredible String Band are paired down to the core duo of Mike Heron & Robin Williamson for their third and possibly best album – the truly incredible Hangman's Beautiful Daughter – using the studio as a most impressive adjunct member of the group at this point! This is an extremely talented pair – each playing myriad instruments – sitar, organ, guitar, hammer dulcimer, harpsichord, gimbri, whistle, pipe, oud, mandolin, mouth harps and more. Previous vocal collaborator Licorice sings on one song, and Dolly Collins and David Snell contribute flute organ, piano and harp – but the main duos incredible way of layering their magic with multitracking in the studio the real masterstroke of the effort. Titles include "Koeoaddi There", "Witch's Hat", "The Water Song", "Swift As The Wind", "Nightfall", "Waltz Of The New Moon", "Three Is A Green Crown" and more. CD

Partial matches6
CD, LP, Vinyl record album cover art
✨✧ Kenny Barron & Buster WilliamsTwo As One ... CD
Red (Italy), 1986. Used ... Temporarily Out Of Stock
A wonderful little date from pianist Kenny Barron – one that has him working in drumless duo mode, with only the bass of Buster Williams for accompaniment! The tunes are often quite long, and it's beautiful to hear the way Kenny stretches out on the keys – buoyed up warmly by Williams' trademark tone – basslines that are soft on bite, and round on sound – drenched with soul throughout, and creating a subtle pulse that the presence of a drum would only ruin! Barron has a wonderful way of being pensive at points, while still moving things forward strongly – and titles include "All Of You", "This Time The Dream's On Me", "I Love You", and "My Funny Valentine". CD
(Out of print.)

Partial matches7
CD, LP, Vinyl record album cover art
✨✧ Charles McPhersonBeautiful! ... LP
Xanadu, 1975. Used ... Temporarily Out Of Stock
Incredible work from Charles McPherson – his first for Xanadu in the mid 70s – wherein his amazing quartet breathes fresh, bop-inspired urgency and a deft sense of soul into some older standards – maybe even as strongly as on best work for Prestige in the 60s! It's truely timeless – holding true to the classic songcraft of the compositions, but leaving plenty of room to riff and improvise in ways that add both subtle shades and energetic flourishes. The group includes Duke Jordan on piano, Sam Jones on bass and Leroy Williams on drums – all on their game. Beautiful indeed! Songs include "It Could Happen to You," "Lover," "This Can't Be Love", "They Say its Wonderful", "Body And Soul","But Beautiful". LP, Vinyl record album

Partial matches8
CD, LP, Vinyl record album cover art
✨✧ VariousRain Don't Fall On Me – Country Blues 1927 to 1952 ... LP
Mississippi, Late 20s/1930s/1940s/Early 50s. New Copy ... Out Of Stock
Compilation of rare country blues & gospel – from as far back as the prewar late 20s and up to the early 50s – beautiful stuff that sounds great on this vinyl compilation on Mississippi! Includes numbers by Gary Davis, Sam Hopkins, Bukka White, Willie Me Williams, Sonny Boy & His Pals, Eddie Head, Memphis Minnie, Willie Johnson and more. 14 tracks: "You Got To Go Down" by Gary Davis, "Needed Time" by Sam Hopkins, "The Rain Don't Fall On Me" by Willie Johnson, "Levee Camp Moan" by Texas Alexander, "You're Going To Leave The Old Home Jim" by Lulu Jackson, "One Way Gal" by William Moore and more. LP, Vinyl record album

Partial matches9
CD, LP, Vinyl record album cover art
✨✧ VariousWindy City Blues – The Transition – 1935 to 1953 ... LP
Nighthawk, Late 30s/1940s/Early 50s. New Copy (reissue)... Out Of Stock
Pivotal years of the Chicago blues scene – a time when the city was moving from rural influences to electric modes! That great span of work is presented here beautifully – in a set of tracks that begins in the mid 30s and end in the mid 50s – tracing an evolution that would not only go on to transform the music, but also have a huge impact on other styles for decades to come! The set features a 16 tracks in all – including "Please Don't" by Johnny Shines, "Fishin Blues" by Tony Hollins, "Down Behind The Rise"by Guitar Pete Franklin, "Black Spider Blues" and "Dust My Broom" by Robert Lockwood, "Sunnyland" by Sonny Boy Williamson, "Prowlin Nighthawk" by Robert Lee McCoy, "Easy Ridin Mama" by Washboard Sam, and "Sweet To Mama" by State Street Boys. LP, Vinyl record album
Also available Windy City Blues – The Transition – 1935 to 1953 (with bonus tracks) ... CD 11.99

Partial matches10
CD, LP, Vinyl record album cover art
Carl AndersonOn & On ... LP
Epic, 1984. Very Good- ... $4.99
A sweet second set from 80s singer Carl Anderson – a date that's got poise, class, and a heck of a lot of soul! Although a mainstream effort, there's a nice sort of depth to the record – one that shows that Columbia wasn't pitching Anderson as much towards a crossover artist as they were some of their other mid 80s acts – instead, letting him really hang back and do his own thing – in a warmly-swinging mode that still holds up beautifully over the years! The record's a real standout in 80s mainstream male soul – and thanks is certainly due to producer/arrangers John Skip Anderson and Steve Williams, who carefully avoid the commercial side of the spectrum. Titles include "Don't Make Me Wait", "Try", "Keep It Alive", "On & On", "Lately", and "Time To Win". LP, Vinyl record album
(Cover has some marker.)

Partial matches11
CD, LP, Vinyl record album cover art
Roy AyersFeeling Good ... LP
Polydor, 1982. Very Good+ ... $8.99
Stellar sounds from the great Roy Ayers – an early 80s album for Polydor, but a set that's still got the wonderfully tight, wonderfully groovy feel of his late 70s albums for the label! Roy's really perfected his sense of balance by this time – and does a great job of balancing groovers with sweet mellow steppers – the kind of cool, compressed, jazzy numbers that we love so much! Ayers heads for the clubs one minute, the bedroom the next – and draws us in beautifully whichever direction he takes – thanks to some sublime vibes and electric piano – and great lead vocals from Roy, and other singers who include Terri Wells, Vivian Prince, John King, and Ricky Williams. Titles include "Ooh", "Let's Stay Together", "Feeling Good""Knock Knock", "Turn Me Loose", "Stairway To The Stars", and "Our Time Is Coming". LP, Vinyl record album

Partial matches12
CD, LP, Vinyl record album cover art
Ella FitzgeraldTwelve Nights In Hollywood (4CD set) ... CD
Verve/Hip-O Select, 1961/1962. Used 4 CDs ... Just Sold Out!
Massive music from Ella Fitzgerald – 4CDs worth of sublime small group recordings – all of them live, and all of them previously unissued! The set follows the same format of the Verve Ella In Hollywood album – recorded in a small club setting, with combo backing that really lets Fitzgerald open up and swing – inflecting the tunes with the kind of warmth and spontaneity that she brought to her famous live performances of the time – which were almost always more compelling than her studio sides, no matter how great those were too! The first 3CDs feature material from two weeks' worth of recording in May of 1961 – with backing from Jim Hall on guitar, Lou Levy on piano, Wilfred Middlebrooks on bass, and Gus Johnson on drums – and CD four features Ella returning to Hollywood for two more nights in 1962, with trio backing from Paul Smith on piano, Middlebrooks on bass, and Stan Levey on drums. There's a massive 77 tracks in all – handsomely package in a hardcover 7" square book – which also features beautiful color pages inside, lots of notes on the music, and design that's every bit as groovy as the old albums on Verve. Titles include "Joe Williams' Blues", "It's De-Lovely", "Lorelei", "I Can't Get Started", "Round Midnight", "Perdido", "Little White Lies", "Lover Come Back To Me", "Across The Alley From The Alamo", "Love For Sale", "Exactly Like You", "Mack The Knife", "Teach Me Tonight", "My Kind Of Boy", "It Had To Be You", "Hard Hearted Hannah", "All Of Me", and "Too Darn Hot/Ella's Twist". And, in case you're wondering, there's almost no repetition in the set at all – all discreet, unique tunes – not just the sort of rehash you might get in other concert box sets of this nature! CD
(Out of print.)

Partial matches13
CD, LP, Vinyl record album cover art
Astrud Gilberto5 Original Albums (Astrud Gilberto Album/Look To The Rainbow/Certain Smile Certain Sadness/Windy/I Haven't Got Anything Better) (5CD set) ... CD
Verve (Germany), Late 60s. New Copy 5 CDs ... $19.99
A quintet of wonderful records from the legendary Astrud Gilberto! First up is the Astrud Gilberto Album – pne of Astrud Gilberto's greatest albums of the 60s – a classic session produced for Verve by Creed Taylor, and featuring sweet gentle arrangements from Marty Paich, co-arranged with Antonio Carlos Jobim, who also plays guitar on the session next to the piano of Joao Donato! That's a mouthful of heavy-hitters, we know – but the result is a totally great session that has Astrud's light and gentle vocals drifting over some of the most magical bossa backings you'll ever hear. The whole thing's great, stuffed with bossa classics done in English – and titles include "Once I Loved", "Aqua De Beber", "O Morro", "Dindi", "Dreamer", and "Photograph". Look To The Rainbow is one of the moodiest Verve albums from Astrud Gilberto – a set that has some surprising arrangements by Gil Evans – working here on one of his few 60s dates with a singer! Astrud's blue-tinged vocals work perfectly with Evans' backdrops – and Al Cohn also takes over the helm on two of the album's tracks, but still does a very good job of keeping the groove. There's a nice mix of sadness and lightness in the set – and titles include a wonderful version of "Berimbau" that actually features berimbau playing by Dom Um Romao, a great take on "El Preciso Aprender A Ser So" with English lyrics, and the titles "Bim Bom", "Lugar Bonito", "Frevo", and "Once Upon A Summertime". For Certain Smile Certain Sadness, Verve Records got the great idea of teaming up its (then) biggest Brazilian imports – vocalist Astrud Gilberto and organist Walter Wanderley – both of whom were selling plenty at the time! Astrud's lovely vocals are matched beautifully with the lean, rhythmic bossa grooves of Wanderley's trio – and the result is a record that's near-perfect in execution. Most of the tracks are quite short, as is the record itself – but it's a perfectly concentrated dose of the Verve bossa sound at its best, with tracks that include "Portuguese Washerwoman", "Tu Meu Delirio", "A Certain Smile", "Call Me", "Here's That Rainy Day", "A Certain Sadness", "It's A Lovely Day Today", and a vocal version of Wanderley's big hit "Summer Samba", redone here as "So Nice"! Windy is one of the hardest to find Astrud Gilberto records on Verve – and one of the best! Deodato, Don Sebesky, and Pat Williams did the arrangements – and the sound here is a bit different than some of the straighter Gilberto sets of the time – still very bossa-inspired, but also in a style that mixes in some great Sunshine Pop and 60s easy influences too – particularly on the tracks arranged by Williams! Tracks are all quite short, but get a heck of a lot of magic into a tiny space – and the album features some really wonderful songs that break Gilberto's pattern a bit – including versions of the Marcos Valle tracks "Crickets Sing For Anamaria" and "Chup Chup, I Got Away" – plus takes on "Windy", "Sing Me A Rainbow", "Never My Love", and "Where Are They Now?" I Haven't Got Anything Better To Do is one of the darkest albums ever recorded by Astrud Gilberto – her 60s last session for Verve Records, and a batch of beautifully moody tunes throughout! Arrangements are by Albert Gorgoni, who'd handled Gilberto's previous September 69 album – but the style here is a bit mellower, a bit sadder – touched with more adult themes of love, life, and loss – and very much in keeping with Astrud's tear-stained image on the cover! There's a sound here that almost mixes Gilberto's earlier bossa with the more baroque modes of Scott Walker at the end of the 60s – and as with Scott Walker's classic solo sets, the album shows a side of Astrud's talents that we never would have expected a few years earlier! Titles include "Wailing Of The Willow", "Where's The Love", "Wee Small Hours", "If", "Without Him", "Trains & Boats & Planes", "The Sea Is My Soil", and "Didn't We?". CD

Partial matches14
CD, LP, Vinyl record album cover art
Charles McPhersonCharles McPherson ... CD
Mainstream/Ultra Vybe (Japan), 1971. New Copy ... Just Sold Out!
Charles McPherson in the 70s – really hitting a great groove for the new decade – and finding a way to set himself apart from the style of his earlier work! McPherson first rose as a sharp bopper, with an alto style that was in a Charlie Parker mode – but by the end of the 60s, he'd already started experimenting in a great way with color and tone – including mixing his instrument with guitar or electric elements, which he does beautifully here! The group features Charles Lynch and Gene Bertoncini on electric guitars – the latter of whom has an especially great tone that rings out and seems to wrap up the alto, then set Charles loose to soar on really great solos. Also great is trumpeter Lonnie Hilliard – heard on earlier McPherson albums, but maybe finding his strongest voice here – with this rough edge that makes his solos one of the real highlights of the record. Barry Harris plays piano, and Nico Bunik hits the keys too – and the rest of the group features Ron Carter on bass and Leroy Williams on drums. Titles include a nice slightly funky cover of "What's Going On", the spiritual "Serenity", plus "My Funny Valentine", Bird Feathers", and "Another Kind Of Blues". CD

Partial matches15
CD, LP, Vinyl record album cover art
Charles McPhersonSiku Ya Bibi (Day Of The Lady) ... CD
Mainstream/Solid (Japan), 1972. New Copy ... $13.99
One of the most distinct early dates from reedman Charles McPherson – a unique "with strings" session recorded as a tribute to Billie Holiday – and with a style that shows off sides of McPherson's playing that wouldn't show up on other records for years to come! The album's got a beautifully understated quality – hip, adult arrangements by Ernie Wilkins – neither in his Basie-esque style of the early years, nor in any sort of slavish relationship to the Billie Holiday recordings of the 40s and the 50s either – which makes for a mode that just lets Charles flow with this wonderfully soulful tone on his alto – almost in a way that points towards some of Stanley Turrentine's music to come in such a setting. The core group features piano by Barry Harris, guitar by Earl Dunbar, bass by Sam Jones, and drums by Leroy Williams – plus larger backing by a string section – and titles include "Don't Explain", "Miss Brown To You", "Lover Come Back to Me", "Lover Man", and "God Bless the Child" – but all shaped beautifully and personally by McPherson! CD

Partial matches16
CD, LP, Vinyl record album cover art
Art PepperUnreleased Art Vol 2 – The Last Concert May 30 1982 ... CD
Widows Taste, 1982. Used ... $8.99
Art Pepper's last concert on this planet – recorded at the Kool Jazz Festival in Washington in 1982 – well-recorded and beautifully played throughout! Art's working here with his regular rhythm section of David Williams on bass and Carl Burnett on drums – plus Roger Kellaway on piano, who's a surprisingly solid addition to the group. Kellaway's lines aren't as bold as some of George Cables' on other Pepper dates, but that makes for an interesting change – and creates a sensitivity on some of the best numbers. In addition to alto sax, Art also plays a bit of clarinet on the date – and titles include "Mambo Koyama", "Landscape", "Ophelia", and "Over The Rainbow". CD

Partial matches17
CD, LP, Vinyl record album cover art
Jesse PowellBlow Man Blow ... LP
Jubilee, Late 50s. Very Good ... $6.99
A hard wailer from tenorist Jesse Powell – a musician who's in the same heavy postwar territory as giants like Eddie Lockjaw Davis, Rusty Bryant, and Willis Jackson – and who, like them, has a nice undercurrent of R&B in his sound! Powell maybe never worked as much in that format as the others, but he's got this rich range on his horn, which is captured here beautifully with a bit of echo on the recording – and set up in a small combo that includes Eddie Williams on trumpet, Oscar Dennard on piano, Peck Morrison on bass, and Wilbur Hogan on drums. The album's got a nice sense of variety, and more depth than just a bunch of tenor-honking cliches – and titles include "Cross On The Green", "Que Paso", "No Tomorrow", "Just Chips", "Love Is Here To Stay", "My Silent Love", "This Is Always", and "Jesse's Theme". LP, Vinyl record album
(Heavy black label pressing with deep groove.)

Partial matches18
CD, LP, Vinyl record album cover art
Jimmy RaneyLive In Tokyo ... CD
Xanadu/Prevue, 1976. Used ... $18.99
A hell of a great jazz guitarist – working here in a really wonderful setting – a live date that both lets Jimmy Raney hit some beautifully intimate moments out front, but also lets him swing a bit too – thanks to help from Sam Jones on bass and Leroy Williams on drums! Raney still has that raspy tone that we first fell in love with on his 50s records – a clarity on the strings that easily made him one of the most important jazz guitarists of the time – but he's also got a more mature sense of chromes, which creates this beautiful dance of tones as his fingers move along the strings of the guitar – always clear in his vision, but still working with a sense of surprise that always keeps things interesting. Titles include "How About You", "Darn That Dream", "Here's That Rainy Day", "Stella By Starlight", "Watch What Happens", and "Anthropology". CD

Partial matches19
CD, LP, Vinyl record album cover art
Max RoachIt's Time ... CD
Impulse, 1962. Used ... $6.99
Stunning! This is a beautiful album that's one of Max Roach's most powerful recordings, and a record that's been the inspiration for countless other imitations over the years. Roach leads a group with Richard Williams, Clifford Jordan, and Mal Waldron – and they're matched with a vocal chorus led by Coleridge Perkinson, who also did the arrangements for Donald Byrd's classic "with voices" albums. Unlike those, though, this set's a damn angry bunch of compositions, and the chorus wails away in a loud screaming powerful mode that will blow away any of your preconceptions about the "with voices" mode. The group sings wordless vocals (except for one cut, which has Abbey Lincoln singing in the lead), and provides a searing backdrop of sound for the band's razor sharp playing. Every cut's a winner, and the whole thing's a masterpiece! Titles include "The Profit", "It's Time", and "Another Valley". CD
(Out of print.)

Partial matches20
CD, LP, Vinyl record album cover art
Bud ShankJazz At Cal Tech ... LP
Pacific Jazz, 1956. Near Mint- ... $24.99
A beautifully melodic session from Bud Shank – one of his great late 50s dates with reedman Bob Cooper – recorded in quintet format with an easygoing groove! Shank plays both alto and flute, and Cooper tenor and oboe – pairings that sound great hear as they shift back and forth throughout the set. Shank's got that nice edge in his alto here – a quality that's almost tenor-like at times – and Cooper's warmer tones make for a great accompaniment – in a group that features Claude Williamson on piano, Don Prell on bass, and Chuck Flores on drums. Titles include "The King", "Lullaby Of Birdland", "Somebody Loves Me", "Old Devil Moon", and "Moonlight In Vermont". LP, Vinyl record album
(Japanese pressing, with obi! Cover has some light aging.)

Partial matches21
CD, LP, Vinyl record album cover art
Bud Shank & Bob CooperBlowin Country (with bonus tracks) ... CD
Pacific Jazz, 1956/1958. Used ... $4.99
A beautiful pairing of players – one that makes for a wonderful album! Shank's at the height of his early powers here – working in a fluid west coast mode that less in keeping with the "blowin" of the title, than the magic he was known for crafting on his other sides from the time. Bud plays alto, tenor, and flute on the session – and he's paired with Bob Cooper, whose round tones on tenor and bass clarinet are a nice match for Shank's slightly edgier sound. Claude Williamson is on piano, Don Prell plays bass, and Chuck Flores is on drums – and titles include "Two Lost Souls", "Dinah", "Mutual Admiration Society", "Love Nest", "Just In Time", and "Blowin Country". CD also features a huge amount of bonus tracks, from a similar session with Howard Roberts on guitar! CD
(Out of print.)

Partial matches22
CD, LP, Vinyl record album cover art
Zoot Sims QuintetBig Stampede (aka Zoot Sims Goes To Jazzville) ... LP
Dawn/Biograph, 1956. Very Good+ ... $11.99
One of Zoot's beautiful sides for the Dawn label – featuring some of his best small group blowing of the 50s! The record features Zoot mostly on tenor, plus a bit of alto – in a quintet that includes John Williams on piano, Jerry Lloyd on trumpet, Bill Anthony on bass, and Gus Johnson on drums. The tracks are a nice mix of standards and those tight little west coast-ish compositions that often show up on Sims/Cohn sessions from the time, and which let Zoot lay down some nicely composed angular lines during his solos. Titles include "Jerry's Jaunt", "I'll Wind", "The Purple Cow", "How Now Blues", and "Bye Ya". LP, Vinyl record album
(1980 pressing.)

Partial matches23
CD, LP, Vinyl record album cover art
Stanley TurrentineAnother Story ... LP
Blue Note, 1970. Very Good ... $7.99
One of the last great acoustic sessions before Stanley Turrentine's big electric run of the 70s – a laidback, open-ended session that really paves the way for the energy of his records on CTI – even though none of the players is plugging in at all! The tracks are all nice and long, and have these beautiful solos from Stan – played with all the bite of his early Blue Note years, but a bit more fluidity too – which makes for a great match for the album's warm piano work from Cedar Walton. Thad Jones plays fluegelhorn on most tracks – and the quintet also features Buster Williams on bass and Mickey Roker on drums. Titles include "Stella By Starlight", "Six & Four", "Quittin' Time", and "Get It". LP, Vinyl record album
(Liberty/UA pressing. Cover has wear, a cut corner, and split spine & top seam.)
 
 
 



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