A crowning classic from maestro Waltel Branco – a Brazilian talent who could be smooth and sophisticated, but also pretty darn funky too – especially on this famous album from this 70s! The set takes off in a large ensemble vein of Brazilian grooves from a few years before – kind of more of a kick to the Blue Brazil/Odeon generation, as Branco works with a large string and horn section, but also ensures lots of tightness in the rhythms, and sweet electric touches on keyboards. There's a bit of Brazilian percussion at times – which let you know you're not in familiar CTI territory – and as with so many other great Brazilian albums of the time, the production is superb – really different than on American records of this nature. Titles include "Lady Samba", "Jael", "Satiricon", "Walking", "Luar Do SErgao", "Petit Fils", and "Zoraia". LP, Vinyl record album

Lovely work from Clara Moreno – a set that's much more laidback than some of her earlier dancefloor work, and one that's filled with bossa instrumentation throughout! Joyce co-produced the set, and you can really hear some of her acoustic soul in the music – a warm blend of snapping percussion, skipping guitar lines, and occasional bits of keyboards and horns – used in ways that still really let Moreno stay in the lead, captivating our ears with her wonderful vocals! Clara's style has a breathy undercurrent, which is a nice change from some of the too-polished contemporary bossa sets – and guests on the record include Orlandivo on vocals and Joao Donato on piano – both folks we'd welcome on any album. Titles include "Mestico", "Bebete", "Balanco Zona Sul", "Bruxaria", "Brincando De Samba", "Jeito Bom De Sofrer", "Samba De Negro", and "Uala Ualala". CD

A crowning classic from maestro Waltel Branco – a Brazilian talent who could be smooth and sophisticated, but also pretty darn funky too – especially on this famous album from this 70s! The set takes off in a large ensemble vein of Brazilian grooves from a few years before – kind of more of a kick to the Blue Brazil/Odeon generation, as Branco works with a large string and horn section, but also ensures lots of tightness in the rhythms, and sweet electric touches on keyboards. There's a bit of Brazilian percussion at times – which let you know you're not in familiar CTI territory – and as with so many other great Brazilian albums of the time, the production is superb – really different than on American records of this nature. Titles include "Lady Samba", "Jael", "Satiricon", "Walking", "Luar Do SErgao", "Petit Fils", and "Zoraia". CD

An amazing little box set – filled with 10 rare bossa nova albums from the Brazilian underground of the 60s – almost all of which we'd never heard before! The records here were mostly issued on small labels at the time – the kind of sets that never circulated widely outside of Brazil, and which often have unusual and striking sounds that are quite different from mainstream bossa work on labels like Verve or Elenco! There's a fair bit of jazz on most albums, and the instrumentation varies nicely throughout – sometimes more sax up front, sometimes more acoustic guitar, or offbeat horn arrangements, odd percussion, and lots of other sweet touches! Each CD features two full albums, completely with cover art and other details of the records – and the set features the albums Balanco E Bossa Nova by Ritmistas Da Bossa, Sambalanco by Orquesta Moderna De Samba, Isso E Bossa Nova Mesmo by Conjunto Sambossa, Saxsambando by Os Saxsambistas Brasileiros, O Balanco E A Bossa by Conjunto Masterplay, Samba Do Bom by Conjunto Samba De Balanco, Samba Pra Frente by Samba Trio, A Musica Maravilhosa De Antonio Carlos Jobim by Bossa Brass, and the self-titled 1964 album by Os Azes De Bossa. CD

An overlooked gem from the Verve bossa years – a session that features the sweet tenor sax work of Stan Getz, alongside some swinging bossa arrangements from the great Gary McFarland! Given the strength of Gary's own work for Verve at the time, it's no surprise that he's a perfect accompanist for Getz on the session – working with just the right amount of space to let Stan stand out from the pack, and really creating a great blend of Brazilian rhythms and some of the modder 60s styles at Verve. Gary contributed a number of originals to the session too – and titles include "Bim Bom", "Manlancolico", "Balanco No Samba", "Noite Triste", "Chega De Saudade", and "Manha De Carnival". LP, Vinyl record album

A wonderful compilation of classic bossa tunes – packaged in a lovely way, and selected by Ruy Castro, who (literally) wrote the book on bossa nova! Castro's the author of a great book on bossa nova – the first of its type in English (and incidentally, often for sale at Dusty Groove!) – and here, he's selected 2CDs worth of tracks to fit the mood and spirit of the book, a perfect soundtrack for a sunny summery afternoon on the beach in Rio! Titles include "Que Besteira" by Joao Donato, "Pois E" by Nara Leao, "Captain Bacardi" by Antonio Carlos Jobim, "Tem Do" by Rio 65 Trio, "Two Kites" by Mario Adnet, "Jangal" by Dom Um, "Domingo Azul" by Billy Balanco, "E Nada Mais" by Os Gatos, "Surfboard" by Roberto Menescal, "Coisa No 8" by Moacir Santos, "Samba De Verao (live)" by Marcos Valle & Patricia Marx, "Ledusha Com Diamantes" by Celso Fonseca, "Tim Dom Dom" by Jorge Ben, and "Voce" by Dick Farney & Norma Benguell. CD

An excellent set of rare bossa tracks, all performed by artists related to the legendary scene that circled around the Paramount Theatre, one of Brazil's leading showcases for bossa material in the 60's! Includes versions of "Garota De Charme" and "Balanco Zona Sul" by Zimbo Trio, "Morrer De Amor" and "Onde Esta Voce" by Alaide Costa, "Dorme" and "Desencanto" by Yvette, "Diz" by Walter Santos, "Azul Triste" by the Oscar Castro Neves Noneto, and the groovy "Zero Hora" by Bossa Jazz Trio. LP, Vinyl record album

An overlooked gem from the Verve bossa years – a session that features the sweet tenor sax work of Stan Getz, alongside some swinging bossa arrangements from the great Gary McFarland! Given the strength of Gary's own work for Verve at the time, it's no surprise that he's a perfect accompanist for Getz on the session – working with just the right amount of space to let Stan stand out from the pack, and really creating a great blend of Brazilian rhythms and some of the modder 60s styles at Verve. Gary contributed a number of originals to the session too – and the three titles are "Manlancolico", "Balanco No Samba", and "Manha De Carnival". 7-inch, Vinyl record

A great step forward for the legendary Tim Maia – working here in a style that's even tighter and more sophisticated than before – yet still equally filled with funk and soul! The arrangements are a bit bigger than before, and the production a bit more professional – but that change only brings Tim into even more heavenly soul territory – with a mix of grooves and strings that lays somewhere between the best early 70s work on labels like Curtom or Motown! Tim's got a new sense of majesty on the album – and also sings in English in a few spots – at a level that makes us wonder why he was never able to crack the American soul market at the time. An essential record from the man who brought American soul music to Brazil – with tracks that include "Over Again", "New Love", "O Balanco", "Reu Confesso", "Preciso Ser Amado", "Amores", and "Do Your Thing Behave Yourself". LP, Vinyl record album

One of the grooviest Brazilian albums you could ever hope to buy – and one that's not even from Brazil, either! This little gem was recorded in France in the early 70s – but it's got a swinging groove that's very similar to the work of Sergio Mendes & Brasil 66 during the 60s – upbeat, bossa-inflected, and with a strong undercurrent of jazz! Mesquita's group is a lot like Sergio's – right down to its mix of two vocalists on the lyrics – but there's a few important differences: this group's got one male and one female singer, a lot more percussion than Sergio ever used, and an overall sound that's less pop-oriented, and much harder overall! The whole album's great – tight, driving, and lively, with some incredible production – and titles include "Balanca Pema", "Dabadeia", "Aguas De Marco", "Fechado Pra Balanco", "Zanzibar", and "O Gato". LP, Vinyl record album

Jazzy organ grooves from Brazil – a sweet 60s swinger that packs a heck of a punch! The album's one of the few by Primo Jr, and features a great blend of organ, percussion, vibes, vocals, and guitar – all dancing around with a groove that's similar to the best mid 60s work by Ed Lincoln, who was clearly an inspiration for this session. Grooves are in a fast bossa and samba mode, played with a nice touch of jazz – and very lively and swinging throughout! Titles include "Leila", "E Com Pimenta", "Romantic Partners", "Joao Quatrocentao", "Gira Mundo", "Balanco Do Rio", "E De Manha", and "Macas E Bananas". LP, Vinyl record album

An excellent set of hard samba and bossa tracks by one of Brazil's best organists! Ed always knows how to keep a groove, and he manages to do so nicely on this set of hits from the 60s – packaged up in a nice cover that has a picture of him looking pensively out at the rainforest. Includes the great groovers "O Ganso" and "The Blues Walk", plus "A Rosa", "Pergunte Ao Joao", "Centenario", "Miss Balanco", and "Carioca". LP, Vinyl record album

A great step forward for the legendary Tim Maia – working here in a style that's even tighter and more sophisticated than before – yet still equally filled with funk and soul! The arrangements are a bit bigger than before, and the production a bit more professional – but that change only brings Tim into even more heavenly soul territory – with a mix of grooves and strings that lays somewhere between the best early 70s work on labels like Curtom or Motown! Tim's got a new sense of majesty on the album – and also sings in English in a few spots – at a level that makes us wonder why he was never able to crack the American soul market at the time. An essential record from the man who brought American soul music to Brazil – with tracks that include "Over Again", "New Love", "O Balanco", "Reu Confesso", "Preciso Ser Amado", "Amores", and "Do Your Thing Behave Yourself". CD

A fantastic early bossa session from Wilson Simonal! His deep soulful voice is in perfect form – and it sounds super next to sweet lilting arrangements by the great Lyrio Panicalli – who uses larger orchestrations to open up that soulful side of Wilson's vocals – the sort that made him a key precursor of the 70s samba soul generation! The whole thing's upbeat and groovy – in a way that really points towards some of Simonal's giant work to come – and titles Include a version of Marcos Valle's "Tudo De Voce", plus the tracks "Telefone", "Lagrima Flor", "Menino Triste", "Samba E Verbo", and "Balanco Zona Sul". LP, Vinyl record album

A really cool mixing of modes that comes of even better than we might have expected – rhymes from Lou Piensa of the group Nomadic Massive, set to backings from Brazilian group Mental Abstrato – in a way that creates a very cool hybrid of sounds! This isn't the Brazilian hip hop that we knew from years back – and Lou's not afraid to step aside and let the group take over at times – so that the record is less of a straight hip hop album than you might expect, with some soulful vocals at times that are equally as nice as Lou's. Mental Abstrato bring in all sorts of very cool elements to the music – bossa guitar, cuica, percussion, and plenty more – and the set also features guest work from Dayme Arocena, Fabriccio, Jorge Du Peixe, and Kamau – on titles that include "Mountain Top", "Piensa", "Bom Balanco", "Still In Transit", "Be", "Voltar Para Voce", "Last Train", "A Cidade", and "Space Cuica". CD

A cool 60s live set from Jair Rodrigues – one that captures his vocals with a raspy, earthy edge that's really great – mixed up here both in upbeat jazzy samba backings, and some folksier moments too! The album has all the great energy that Jair brought to his famous live dates with Elis Regina – and he seems to borrow a lot from her style on the album's groovers, of which there are many! Titles include "Contracanto", "A Rita", "Vem Menina", "Disparada", "Rapaz Da Moda", "Inae", "Deixa Como Esta", and "No Balanco Do Jequibau". LP, Vinyl record album

A bossa jazz session, but one with a different twist than usual! Franco Cerri plays acoustic guitar here, but his sound is a fair bit different than that of contemporaneous guitarists from Brazil – almost a bit earthier, with the rasp you might have heard from earlier European guitarists, particularly those of the Django generation. Yet despite that sound, Cerri's music here is very much in a 60s mode – sweetly grooving with great bossa rhythms from drummer Franco Tonani and bassist Giorgio Azzolini – in a combo that also features work from Nando Nebuloni on flute and Dino Piana on trombone. There's a breezy, jazzy feel to the whole set – with plenty of room for Cerri's solos – and titles include "Bossa Nova USA", "Desafinado", "Chega De Saudade", "Stringmi Forte I Polsi", "Sambalanco", "Perche Perche", "Samba Di Una Sola Nota", "Blues Bossa Nova", and "Voce E Eu". CD