A sublime meeting of three incredibly well-matched players – all artists who worked together in various formations back in the 60s, but waited another 30 years to record here as a trio! There's an airiness that really uniques all the artists in the trio – a sense of space and grace that's always heard in the piano of Don Friedman and guitar of Atilla
Zoller, and which re-emerges wonderfully here in the alto of
Konitz – recorded
with a crispness and focus that is sometimes missing in other later sessions. The notes hang in space here beautifully – never too academic, but always
with the sense of tone and timing that was probably first inspired by
Lee's work of the 50s, in recordings that featured guitarist Billy Bauer, who always was clearly an inspiration to the sound of Attilla
Zoller. But the actual formation here is more in the mode of the Hans Koller school, as he interpreted some of
Konitz ideas in the German scene of the 50s and 60s – and the recording echoes
with a sense of perfection that takes us back to some of the Koller/
Zoller collaborations for MPS. Titles include "Images", "Thingin", "Joy For Joy", "Opus D'Amour", "Cloisterbells", and "Suite For 3".