The third and fourth albums from Atomic Rooster – back to back in a single set! First up is Made In England – a really striking album in the career of Atomic Rooster – one that's a little bit groovier than most, and maybe a bit funky as well! The drums are great, and have plenty of soulful currents – and the Hammond, piano, and electric piano work of Vincent Crane almost seem to echo earlier UK beat group currents, but turned towards a much hipper 70s vibe – one that's followed by an equally extended range from vocalist Chris Farlowe, who seems to fold together both his mod and prog experience in the vocals! Steve Bolton brings in some tight, riffing guitar – and titles include "Time Take My Life", "Never To Lose", "Breathless", "People You Can't Trust", "All In Satan's Name", "Close Your Eyes", "Little Bit Of Inner Air", and "Stand By Me". On Nice N Greasy, Atomic Rooster definitely get a bit greasy – using some funkier elements at times, and bluesier currents at others – all at a level that really lets singer Chris Farlowe hit some of his most expressive modes! The group's got a fresh guitarist this time around, Johnny Mandala on lead – and his presence gives some of the cuts a harder rock edge than before, often taking the lead more than the keyboards of longtime member Vincent Crane, which helps shape the sound of the set. Titles include "Voodoo In You", "Save Me", "Satan's Wheel", "Can't Find A Reason", "Take One Toke", and "All Across The Country". CD set features the bonus tracks "Moods" and "What You Gonna Do". CD

The title's a great one, as the album may well be the clearest musical vision we've heard from Atomic so far – a wonderful record that has the group at a level that's slightly more tuneful and straightforward, but all without losing any of their previous edge! There's still some key free moments here, but they're also mixed in with some tighter, more structured songs that really show off the jazz chops of the whole group – the quintet that includes Magnus Broo on trumpet, Frederik Ljungkvist on tenor and b flat clarinet, Havard Wiik on piano, Ingebriget Haker Flaten on bass, and Hans Hulboekmo on drums. Wiik and Ljungkvist wrote all of the songs on the album, separately – and between them, they've got a balanced musical vision that really shapes the entire record. Titles include "A New Junction", "Laterna Interfruit", "Start/Stop", "Major", "December", and "A MacGuffin's Tale". CD

The most truly jazz-based group on Norway's hip Jazzland label – a quintet of players that know how to push an avant garde solo into a groove, and vice versa! The album's free-thinking and quite striking – as some tracks crackle with the energy of an early Mingus record, filtered through the colder cooler approaches of the recent Norwegian scene. The lineup features lead tenor and soprano by Fredrik Ljungkvist, plus trumpet by Magnus Broo, piano by Havard Wiik, bass by Ingebrit Haker Flaten, and drums by Paal Nilssen Love. Titles include "Longing For Martin", "Do It", "Psalm", "Fifth Circle", "Krilons Resa", "Prayer", and "El Coto". CD

Quite possibly the greatest album to date from Atomic – a set that steps out with a bold, rich sound right from the start – giving the whole thing the feel of some lost classic slice of avant jazz, but with a freshness that definitely marks the set with plenty of Atomic energy too! The horns are amazing – fierce interplay between the trumpet of Magnus Broo and reeds of Fredrik Ljungvist – locking together at times with these raging lines that have almost an ESP sort of feel – then breaking out with soul-drenching solos on their own – especially when Ljungvist handles the tenor. Paal Nilssen-Love's drums are on fire throughout – Havard Wilk barrels away on piano – and Ingebrigt Haker Flaten rolls things along strongly on bass. Titles include "Morphemes", "HCE", "Milano", "Kreuzberg Variations", "Panama", and "Unity Toccata". CD

An incredible 3CD set from Atomic – the increasingly amazing group of Scandinavian scene firebrands Fredrik Ljungkvist on reeds, Mangus Broo on trumpet, Havard Wiik on piano, Ingegbrigt Haker Flaten on bass and Paal Nilssen-Love on drums & percussion – who separately, and as a unit, must be acknowledged as some of the best modern free jazz players on the planet! If you thought that the title Retrograde might indicate a 3CD retrospective, think again. The set features 2 CDs of material captured over 2 days in July of 2007 – and a bonus third disc with the group doing their inimitable thing live at Tula's Jazz Club in Seattle! The studio work is as masterful as ever, always finding a killer groove and impeccable rhythmic dynamics – ratcheting up the intensity without the blunt force trauma that others in the free jazz underground bring on, balanced by spare moments and strains of the 60s heroes of avant garde jazz lurking in the shadows. Really wonderful stuff from players we love and respect more with each successive project! Titles include "Db Gestalt", "Retrograde", "Invisible Cities", "Correspondence", "Sweet Ebony", "King Kolax", "Invisible Cities II", "Papa", "Don Don", "Swedish Oklahoma" and more. The live disc has us kicking ourselves for not catching one of the group's Chicago shows, and the titles include "Crux", "Db Gestalt", "Painbody", "ABC 101b" and more. CD

Bold, brilliant work from Atomic – some of their most striking material ever, and surely a performance that must have tilted the theater they recorded it in! The live set features the group wrapped together tighter than ever – mixing free improv energy with a deeper sensitivity to sound – swinging wonderfully between the poles of free jazz and more sonic-directed pursuits, often within the space of a single burst of music! Fredrik Ljungvist plays tenor, baritone, and clarinet, with Magnus Broo on trumpet, Havard Wilk on piano, Ingebrigt Haker Flaten on bass, and Paal Nilssen-Love on drums. Titles include "Green Mill Tilter", "Andersonville", "Fissures", "Murmansk", "Two Boxes", "Barylite", "Edit", "Roma", and "Sanguine". CD

A brilliant pairing of free jazz forces – the Chicago-based School Days group of Ken Vandermark, and the groundbreaking Atomic combo from the Nordic jazz underground! The players here are all very like-minded, and fold together beautifully – in an octet lineup that features reeds from Ken Vandermark and Frekerik Ljungkvist, trumpet from Magnus Broo, trombone from Jeb Bishop, piano from Havard Wiik, vibes from Kjell Nordeson, bass from Ingebrigt Haker Flaten, and drums from Paal-Nilssen Love! Both Flaten and Love would become frequent collaborators in Chicago over the years – but this set captures the meeting of the groups in a very fresh way – a double-length set that's all original material – with titles that include "W Meets A", "Transparent Taylor", "Ink Worm", "Kerosene", "Conjugations" and "Dog Days". CD

Magnificent music from Atomic – a set that begins with a set of variations on the "Pet Sounds" theme from Brian Wilson – then takes off into some great directions inspired by the music of Steve Lacy, Jimmy Giuffre, Paul Bley, and Edgar Varese! Atomic are always fantastic – way more than the sum of their parts, which is a top-shelf quintet lineup that includes Fredrik Ljungkvist on saxes and clarinet, Magnus Broo on trumpet, Havard Wilk on piano, Ingebrigt Haker Flaten on bass, and Hans Hulbaekmo on drums – mostly players you'll know from our rave reviews of their other music here on these pages, but who always seem to really reach new heights together as a group! There's a sense of energy here that's wonderful – structure balanced with freedom, group performance balanced with individualism – spread out over inventive performances of "Pet Sounds", "Karin's Mode", "Art", "Walking Woman", "Cry Want", "Un Grand Sommeil Noir", and "Inri". CD

An explosive meeting between Atomic and Ken Vandermark's School Days combo – proof that the Chicago/Scandinavia connection is stronger than ever! The double-length performance was recorded at Chicago's Green Mill nightclub, and it features an impressive lineup with Ken Vandermark on baritone sax and bass clarinet, Havard Wiik on piano, Jeb Bishop on trombone, Magnus Broo on trumpet, Ingebrigt Haker Flaten on bass, Fredrik Ljungkvist on tenor, Kjell Nordeson on vibes, and Paal Nilssen-Love – all working on very long, open tracks that almost have the feel of some of the best improvising orchestra work from years back. The vibes add a nicely chromatic quality to the work amidst some of the fiercer horn passages – and titles include "Deadline", "Irrational Ceremony", "Visitors", "Andersonville", "Dark Easter", "Fort Funston", "Bunuel At The Cocktail Party", and "Closing Stages". CD

Count Basie on guitar, Charlie Fowlkes, Frank Foster, Frank Wess, and Marshall Royal on saxophone, Al Grey, Benny Powell, and Henry Coker on trombone, Joe Newman, Snooky Young, Thad Jones, and Wendell Culley on trumpet, Freddie Green on guitar, Eddie Jones on bass, and Sonny Payne on drums. CD

One of THE seminal Basie albums of all time – and a masterful pairing between the Count and arranger Neal Hefti! Hefti has an amazing ear for the Basie groove, and he works here to re-fit the overall sound of the group with a tighter, more fluid approach – one that ensured that they'd be alive and booming well into the 60s. The Hefti touch is one that's slightly lighter than the Basie of before – one that assumes the bump at the bottom, but never overdoes it – and instead almost uses the sound of no sound at all to carry the rhythm – while the horns at the top of the group are vamping around in these majestic charts that break out into fantastically searing solos. Basie's on piano, natch – and other players include Thad Jones, Joe Newman, Henry Coker, Al Grey, Frank Wess, Frank Foster, and Eddie Lockjaw Davis. Titles are all brilliant Hefti originals – and include "After Supper", "Flight Of The Foo Birds", "Teddy The Toad", "Splanky", "Fantail", and "Lil Darlin". CD features 5 bonus tracks too – including "The Late Late Show", "Sleepwalker's Serenade", and "Silks & Satins". CD

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Wonderful work from Harry "Little" Caesar – a singer who made some great R&B singles for the west coast scene in the 50s, but hardly ever got his due on the other side of the US! Harry's got a nicely rough edge in his vocals – a style that reminds us a lot of the best male singers at King, like Roy Brown or Wynonie Harris – and although Caesar's perhaps not as raw and raunchy as the latter, he often covers similar down-to-earth topics in his tunes – material that makes these sides a real joy to rediscover! As the title implies, the work here was recorded for a handful of different labels – Modern, Dolphin, and Downey – and together, the tunes paint a vivid picture of this under-discovered talent from LA – a picture that's expanded on nicely by Billy Vera's notes as well. CD features 26 tracks in all – including "Cadillac Baby", "Don't Mention The Blues", "Lying Woman", "Atomic Love", "Going Down To The River", "Move Me", "Personal Question", "Tried To Reason With You Baby", and "What Are They Laughing About" – plus numbers sung with The Turbans, including "The Nest Is Warm", "No No Cherry", and "Tick Tock A Woo". CD

A nice live snapshot of a later P Funk incarnation, circa 1983 – with players like Dennis Chambers and Michael Hampton aboard the mothership with Clinton's family of funk all stars! The rest of the crew includes includes stalwarts Bernie Worrell, Eddie Hazel, Blackbird McKnight, Maceo Parker, Mudbone Cooper and George Clinton working hard to extend their legendary style of live funk into the 80s. There's a slow build up of energy that's works well – kicking off slowly but surely with a laidback intro and band intro before busts open in a big way, and from there it's one exciting classic after another 'til the very end! Includes lengthy live riffs on P-funk classics like "Cosmic Slop", "(Not Just) Knee Deep", "Maggot Brain", "Atomic Dog"and "Flashlight", "Give Up The Funk (Tear The Roof Off The Sucker)", "Do That Stuff", "Cosmic Slop" plus a medley of "Let's Take It To The Stage", "Mothership Connection (Starchild)" and "I Call My Baby Pussycat" in a nearly 100 minute set! CD

A pair of classic albums from The Undisputed Truth! First up is Method To The Madness – a gem from the second chapter of the group – that time when they stepped away from Motown, and followed producer/creator Norman Whitfield to his own label in California! The shift of record companies also marks a cool shift in styles too – an approach that still has all the bold, bassy elements you'd know from the earlier hits – but one that also has some fuller, more cosmic elements too! The set begins with a weird electronic spoken number that's almost experimental – then brings up the bass for a bit of heavy funk, while also using electric elements in a way that really points the way to sounds that other big funk groups would cop at the start of the 80s – but which really sound fresh here. Titles include "Sunshine", "Take A Vacation From Life (And Visit Your Dreams)", "Life Ain't So Easy", "You + Me = Love", "Cosmic Contact", "Hole In The Wall", and "Let's Go Down To The Disco". Smokin has them still going strong with Whitfield, in a groove that's every bit as wonderful as their early years! There's a killer mix of funk and deeper soul here that few other acts could handle this well – a way of hitting the flashy funk of Sly & The Family Stone or Graham Central Station – but also not falling into any showbiz traps, either – in a mode that really his the group not only respecting the role of each member, but also working together in a very cohesive way on the album. The result is a great little set that balances funky grooves with some excellent cosmic soul cuts – supported by great session work from giants like Wah Wah Watson, Walt Downing, and Jack Ashford. Titles include "Show Time", "Space Machine", "I Can't Get Enough Of Your Love", "Misunderstood", "Sandman", "Atomic Funk", and "Talkin To The Wind". CD

The classic debut – with "You Really Got Me", "Runnin With The Devil", "Jamie's Cryin", "On Fire", "I'm The One", "Atomic Punk", "Eruption", and "Ice Cream Man". CD

A funky psychedelic kaliedoscope of grooves from India – killer numbers from the 70s and into the early 80s – Psych Funk Sa-Re-Ga, from the folks who put together the equally heavy Psych-Funk 101 and Brazilian Guitar Fuzz Bananas compilations! Most of cuts here have a raw, fuzzed out undercurrent of psychedelia – guitars that buzz or lead searingly, depending on the needs of the number – with heavy, funk-based drums and/or hand percussion with rumbling bass rhythms. From that core, they bust out mightily with more furious percussion, rhythms, mad horn arrangements, and vocals that work as either a sweetener or for even more wild-eyed excitement! In short, global psychedelic funk rhythms with regional Indian folk and classical flourishes, blended with mod, soul, garage and soundtrack influences from around the globe. It's a funky, psychedelic fusion of east and west that's billed as a seminar, but this is no academic endeavor – it's a psych funk party all the way! Includes "The Mod Trade" by The Black Beats, "Psychedelia" by X'Lents, "Somebody To Love – Edit" and "Gairaag Dance Music – Edit" by Kalyanji Anandji, "Dance Music From Hare Rama Hare Krishna" by RD Burman, "Lekar Ham Diwana Dil" by RD Burman feat Asha Bhosle & Kishore Kumar, "Mary Long" by Atomic Forest, "Dharmatma Theme Music" by Kalyanji Anandji, "Phir Teri Yaad" by Hemant Bhosle feat Asha Bhosle, "Thanimayil" by Ilaiyaraaja fet Vani Jairam & Chorus and more. 20 tracks in all – with a thick booklet of notes on each track, plus loads of photos, original album & poster art, and more. CD

Music from Steve Hackett, Giles, Giles & Fripp, Anthony Phillips, Atomic Rooster, Rick Wakeman, GTR, Dave Greenslade, Stackridge, Robert Wyatt, Gong, Van Der Graaf Generator, Fission Trip, Arthur Brown's Kingdom Come, Audience, David Bedford, Third Ear Band, Ginger Baker, Slapp Happy, Hawkwind, Birth Control, Atlantis, Embryo, Cosmic Jockers, Mogul Thrash, Anima, Blonde On Blonde, and more! CD

An excellent 3CD compilation of slept on Ninja Tune cuts – a diverse batch of tracks that go back about a decade to collect rarities, should-be classics and some unreleased material from the Ninja Tune canon – nearly 50 tracks in all! Funky club, stuttering left field glitch hop, folky electronic grooves, and riotous remixes galore! Includes tracks by Diplo, Blockhead, Spank Rock, Coldcut, The Heavy, Sixtoo, Amon Tobin, Roots Manuva and many more. Includes "Blazin" by Ghislain Poirier feat Face-T (Modeselektor rmx), "Fair Weather Friends" by Daedelus, "Donkey Ride" by Mr Scruff & Quantic, "Epistemology Suite 1 – Don't Fall" by Diplo, "Bloodstone" by Amon Tobin, "Chin High (Manuvadelics version)" by Roots Manuva, "Inside The Globe" by Airborn Audio, "Just For The Kick" by Coldcut, "Around The World" by Death Set, "Again With The Subtitles" by Yppah, "Atomic Moog" by Coldcut (Qemists rmx), "The Chart" by Super Numeri, "Melted Crayons" by Fog, "Sunday Seance" by Blockhead, "Say Goodbye" by Bigg Jus and tons more! CD

Quite a crazy little record from Charles Mingus – a record that fits nicely in his legacy of other recordings for Atlantic, but which has a very different approach! On this set, Mingus plays piano, and even sings a bit – using this messed-up take on blues roots, but filtered through a hipper modern jazz filter, and with a bit of a political bent too – almost as if he were trying to break out of the avant jazz ghetto, and reach a larger audience with his message and music! The group is an all-star lineup with Jimmy Knepper on trombone, and both Booker Ervin and Roland Kirk on reeds – the latter of whom might be a good comparison in spirit, especially for some of the genre-crossing things he did on Atlantic during the late 60s. Titles include the classic "Oh Lord Don't Let Them Drop That Atomic Bomb On Me" – plus "Wham Bam Thank You Ma'am", "Devil Woman", and "Passions Of A Man". CD

A great illustration of the sorts of qualities that always made the British scene so interesting over the years – as even in the big year of hits that was 1972, these groups still had a way of coming up with all sorts of interesting modes and really fresh styles – maturing the earlier experiments of prog rock, going for some continued inventiveness in more edgey groups, and furthering a new generation of songwriting that took things way past too-familiar pop themes! The depth of music here is really great – and although the set features a few bigger names, they're easily matched with a number of groups who never charted on our side of the Atlantic, and who were really part of the record-buying cognoscenti on both sides of the ocean – represented here by the kind of album nuggets that really pushed this generation past singles and 45s! As with other Esoteric packages in this series, the choice of cuts is great – never too familiar, but also never too obscure for obscure's sake – as the 55 track package moves through work by Khan, Bombadil, Pretty Things, Ten Years After, Skin Alley, Rare Bird, Edgar Broughton Band, Uriah Heep, Hawkwind, Atomic Rooster, Barclay James Harvest, Mellow Candle, Van Der Graaf Generator, Help Yourself, Matching Mole, Bond & Brown, Vinegar Joe, Nektar, Family, Free, and others! CD

Way more than just another look at the music of this legendary group – as the huge package brings together a wealth of rare material, including 36 tracks that appear here for the first time ever – all wrapped up in a beautiful package with a huge set of notes, photographs, and other information too! Erin Osmon serves up a massive oral history of the group, worth the price of the box alone – and there's also interviews and discographical information too – far more than you usually get with a box set of this nature. But honestly, the real charm is all the great unreleased material, added to the too-small catalog of the group's work from these classic years – Titles that include "I'll Never Break Away From This Heart Of Mine", "I Love You Honey Give Me A Bear", "Live It Up (Giorgio Moroder demo)", "Will Anything Happen (inst)", "Spaghetti Song (Atomic part 2)", "Once I Had A Love (Mike Chapman demo)", "Denis (Terry Ellis mix)", "Underground Girl", "Call Me (Chris Stein mix)", "Hardest Part (home tape)", "Theme From Topkapi (home tape)", "Mr Sightseer", "Ring Of Fire (home tape)", "Tide Is High (demo)", and "Susie & Jeffrey". 3CD set features 52 tracks in all – including some great material from are singles and early work too! CD

Great post-Parliafunkadelicment work from George Clinton – surely the biggest hit of his albums for Capitol – especially since it features the singles "Atomic Dog" and "Loopzilla"! We'll be honest in saying that at the time this one came out, as die-hard Detroit funk fans, we remember thinking "oh gosh, George has lost it" – but from the perspective of many years later, the record sure sounds like classic P-Funk to us – really picking up where the last few Funkadelic and Parliament albums left off! The album sports a great Pedro Bell cover, features some nice work with Bootsy, includes the hits "Atomic Dog" and "Loopzilla" – and also features some lesser-known gems that include "Pot Sharing Tots", "Get Dressed", "Computer Games", and "One Fun At A Time". CD

Great post-Parliafunkadelicment work from George Clinton – surely the biggest hit of his albums for Capitol – especially since it features the singles "Atomic Dog" and "Loopzilla"! We'll be honest in saying that at the time this one came out, as die-hard Detroit funk fans, we remember thinking "oh gosh, George has lost it" – but from the perspective of many years later, the record sure sounds like classic P-Funk to us – really picking up where the last few Funkadelic and Parliament albums left off! The album sports a great Pedro Bell cover, features some nice work with Bootsy, includes the hits "Atomic Dog" and "Loopzilla" – and also features some lesser-known gems that include "Pot Sharing Tots", "Get Dressed", "Computer Games", and "One Fun At A Time". CD

Grooves unlike anything else you've ever heard before – the rightly legendary musical legacy of William Onyeabor, one of the most enigmatic talents to come from the African scene of the 70s! The work here is all plenty darn funky, but it's also very different from familiar Afro Funk too – as the instrumentation is heavy on keyboards, handled by William with incredible dexterity – and spun out in these soaring lines that bristle with righteous touches that really support the message of his tunes! The vibe mixes in some electro elements with long-drawn rhythms – and the vocals often step aside for lots of keyboard and rhythm interplay, then come in to send things home at just the right moment. Onyeabor's been a pretty elusive cat over the years, and it's taken Luaka Bop quite some time to put this collection together – amazing work that may well make the album one of the most important to ever come from the label – and the first introduction to the non-African world of Onyeabor's incredible sounds. Titles include "Body & Soul", "Atomic Bomb", "Something You'll Never Forget", "Why Go To War", "Love Is Blind", "Fantastic Man", and "Let's Fall In Love". CD

The classic debut – with "You Really Got Me", "Runnin With The Devil", "Jamie's Cryin", "On Fire", "I'm The One", "Atomic Punk", "Eruption", and "Ice Cream Man". CD

With "Rapture", "One Way Or Another", "Heart Of Glass", "Call Me", "Atomic", "Rip Her To Shreds", "Hanging OnThe Telephone", "The Tide Is High", "Dreaming" and more. CD

Quite a crazy little record from Charles Mingus – a record that fits nicely in his legacy of other recordings for Atlantic, but which has a very different approach! On this set, Mingus plays piano, and even sings a bit – using this messed-up take on blues roots, but filtered through a hipper modern jazz filter, and with a bit of a political bent too – almost as if he were trying to break out of the avant jazz ghetto, and reach a larger audience with his message and music! The group is an all-star lineup with Jimmy Knepper on trombone, and both Booker Ervin and Roland Kirk on reeds – the latter of whom might be a good comparison in spirit, especially for some of the genre-crossing things he did on Atlantic during the late 60s. Titles include the classic "Oh Lord Don't Let Them Drop That Atomic Bomb On Me" – plus "Wham Bam Thank You Ma'am", "Devil Woman", and "Passions Of A Man". Plus the CD includes three bonus tracks "Old Blues For Walt's Torin", "Peggy's Blue Skylight", and "Invisible Lady". CD

A really great document of a unique musical moment – one that happened overseas, but which started a wave of protest that's continued to this day! In the late 50s, London was a hotbed of nuclear protest – one of the first cities to express a strong resistance to the arms race that was building up at a global level – in a movement that not only drew political forces, but artists and musicians as well! This well-done set looks at some of the latter – a mix of folk and jazz singers and musicians who joined together to protest atomic weapons – some with songs that outwardly anti-nuclear, some a bit more subtle – brought together here in a massive 54 track collection! The range of material varies, and maybe the most surprising are some of the trad jazz artists who we might not have expected to be working next to more political folkies – in a lineup that features material from Ewan MacColl, Peggy Seeger, Fred & Betty Dallas, Margaret McKeown, Kenny Ball, Humphrey Lyttleton, Sheila Hancock, Sydney Carter, Chris Barber, George Melly, Kenny Ball, and The Alberts. CD

British music breaking through – served up here in a set of sounds that really reflect the massive musical year of 1971! As you might guess from the "underground" in the title, the collection's a bit one-sided – as it's not out to document the hits of the time, but instead the work that was bubbling under and having such a huge impact on the world – even if some of these artists never saw the fame they deserved, or were a few years away from bigger success with the tracks on the set! The package is heavy on work from the psych-into-prog years – much of which never falls into the excesses of either – and there's also a few hard rockers, some jazzier bits, and lots more surprises along the way – served up in a set list of 52 tracks by artists who include Keef Hartley, Jade Warrior, Pink Fairies, Procol Harum, Family, Samurai, Emerson Lake & Palmer, Nucleus, Yes, Status Quo, Cressida, BB Blunder, Beggars Opera, Pretty Things, Spring, Hawkwind, Audience, Atomic Rooster, Patto, Caravan, John Martyn, Peter Hammill, and many others. CD

Features music from Atomic, Beady Belle, Bugge Wesseltoft, Havard Wiik Trio, Torun Erikesen, Eivind Aarset, and Kornstad Trio. CD

Two very playful soundtracks – both composed by Lallo Gori, who we mostly know for more serious action work! Scusi Ma Le Paga Le Tasse is from the start of the 70s, and begins with a vocal number from Franco Fanchi, but soon moves into much groovier territory with a blend of funky jazz and dreamier moments of the sort that you might be likely to hear from some of the bigger Italian composers of the period. There's occasional light piano, ala Stelvio Cipriani – and even an appearance from the Nora Orlandi singers over the course of the 17 tracks from the film. Come Rubammo La Bomba Atomica is from 1967, and the music has some slight currents of spy spoof scores of the period – that nice comedic/dramatic mix of jazz and dynamic pacing, blended with a few exotic elements too. The set features two vocal numbers sung by Elsa, and the rest of the 12 tracks from the film are instrumental. CD

The grooviest work so far from the Hi-Fly Orchestra – a set that moves even farther past the sublime territory of their debut, into a really classic blend of soul jazz and Latin rhythms – produced to perfection with a wonderfully solid feel! Instrumentation here is all live – a blend of sax, flute, trombone, Fender Rhodes, piano, and plenty of percussion – all handled with a feel that takes us back to some of our favorite territory on Verve Records from the 60s, those wonderful records that blended elements from the Latin underground with some of the harder jazz leanings of the period – a legacy these guys are happy to add to with their wonderful grooves. Miriam Aida guests on vocals on two cuts, but most titles are instrumental – and tunes include "Afro Boo", "Carioquinha", "Polonesa", "SP Samba", "Mrs Shing A Ling", "Hi Fly Stomp", "Mambo Atomico", and a surprisingly groovy cover of "Crosstown Traffic". CD

A Holiday greeting from the folks at Atomicat Records – served up in the sort of collection they do with other music during all the other seasons of the year! The set's overflowing with gems from the 50s and 60s – a total of 28 obscure holiday tunes, plus a few better-known tracks – all to make a very fresh collection of Christmas goodies! Titles include "Rockin Bells" by Bill Robbin, "Born In Bethlehem" by Famous Blue Jay Singers, "Christmas Here Christmas There" by Ray Pettis, "Christmas Kisses" by The Bookends, "Cowboy Santa Claus" by Bill Lacey, "The Robin" by The Holidays, "The Bells Of St Mary's" by Lynn Taylor, "Does It Have To Be Christmas" by Ray Pettis, "Happy New Year To You" by The Qualities, "Come On Santa" by Kay Martin, "Christmas In Japan" by Paul Anka, "Merry Twist Mas" by Jay Matty, and "Santy's Movin On" by Homer & Jethro. CD

A really rare chapter of the soundtrack legacy of Italian giants Guido & Maurizio DeAngelis – a pair who are best known for their crime/cop movie work of the 70s, but who step out here in a whole host of different TV projects instead! There's definitely some music here that resonates with that famous legacy, but there's also projects with different scenes and stories too – and which provide a much richer palette of sounds than you might expect – as the DeAngelis brothers move effortlessly between contemporary 70s settings and more historical ones, depending on the program! There's a total of 69 tracks in the big 3CD set – which features many tracks each from programs that include Dedicato A Una Coppia, Guaranta Giorni Di Liberta, I Marsigliese, Sul Filo Della Memoria, Delitto Di Regime, and Ipotesi Sulla Scomparsa Di Un Fisco Atomico. CD

Jazzy goodness from the wonderful Piero Umiliani – a set that's got some sweet instrumental touches from Chet Baker on trumpet, plus piano from Umiliani himself! The overall feel is very much in an early 60s crime jazz style – that best Italian groove before more mod and bossa-styled elements came into play – and in addition to trumpet and piano, instrumentation also features vibes and guitar that step out strongly on some of the best numbers! Most of the tunes are relatively short – more jazz themes than straight jazz tunes – but manage to say quite a lot with just a little. Titles include "Motel", "Idillio Giallorosa", "Jazz Bar", "Pedinamento", "Agguato", "Contagio Atomico", and "Ritmo Neutronico". CD also features two bonus tracks – "Agguato" and "Spogliarello Da Circo". CD

The darker side of the hillbilly sound of the postwar years – a whole host of tracks that deal with inner fears, worldly temptations, and external terrors – served up in a mix of tracks that resonates strongly with the long running Hillbillies In Hell series! The approach here is a bit wider-ranging, and maybe a bit more rough around the edges – but we also appreciate that, and the way the package lets the CD format really open up the amount of tracks that are included – 28 numbers that include "Let Me Go Devil" by Wade Ray, "Spellbound" by Jimmie Holt, "Haunted Blues" by Jimmy Littlejohn, "Haunted House Boogie" by Happy Wilson, "Satan's Daughter" by Gene Davis, "Shudders & Screams" by Ben Colder, "Tennessee Hillbilly Ghost" by Red Folkie, "Spookie Boogie" by Cecil Campbell, "Satan's Chauffeur" by Jimmy Minor, and "Marijuana The Devil's Flower" by Mr Sunshine. CD

It's Christmas once again – but thanks to this groovy little set, you'll be celebrating with music that's a nice change from previous years! The package does a great job of pulling together rare 50s cuts in a variety of styles – country, R&B, instrumental, and early rock and roll – a blend that works wonderfully as the set steps from one unusual tune to the next – making for a great change from the Frank Sinatra and Vince Guaraldi albums that usually get big play during the 12th month of the year! The set's got 30 tracks in all – and titles include "Snow Man Rock" by Big Bud, "Frosty The Snowman" by Porter Wagoner, "Who Said There Ain't No Santa Claus" by Ron Holden, "Christmas Dinner" by Tennessee Ernie Ford, "Joy To The World" by The Louvin Brothers, "Swingin Christmas" by Earl Grant, "We Wanna See Santa Do The Mambo" by Big John Greer, "Sleigh Bell Rock" by Chuck Blevins, "Santa's Helper" by Joe Poovey, "Jingle Bells" by Chet Atkins, "I'm Gonna Tell Santa Claus On You" by Faron Young, and "Mister Santa" by Dorothy Collins. CD